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  1. [quote="Forsaken Crow"]<center><br><div style="color:#850000; border-radius: 4.5em; width: 480px; background-image:url('https://2img.net/h/i14.photobucket.com/albums/a323/Frost_0/Experiments/Image8744_zpsr3pdktsw.png'); border: white solid 4px; box-shadow: #a44b00 0px 0px 25px;"><div style="border-top-right-radius: 4.2em; border-top-left-radius: 4.2em; width: 480px; height: 630px; background-image:url('https://2img.net/h/i14.photobucket.com/albums/a323/Frost_0/Experiments/gfdhfdggfd_zpsyawfmvlk.gif'); opacity: 1.0"></div>[flash(480,25)]https://www.youtube.com/v/GIzDsGyxsQM?version=2&loop=1&color1=0x000000&color2=0xb36500[/flash]
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  3. <Center><div style="width: 429px; border-width: 4px; border-style: solid; border-color: white; border-radius:3em; -moz-border-radius:3em; background-color: #a26500; font-family: calibri; font-size: 14px; line-height: 15px; opacity: 0.9; text-align: justify; text-shadow: black 1px 1px 1px; padding: 9px; color: white; box-shadow: #a26500 0px 0px 20px;">[center][b]Artist: N/A - Song: N/A - Word Count: N/A[/b][/center]
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  5. [b][u][i]Horseman Blessing:[/b][/u][/i] Death's Presence: Most assassins learn the skill to disappear, but to erase their existence from the very planes of this world and reappear when desired. This is the skill Death has mastered and appears only to reap the living, this power is shown in different levels. But the power allows the user to completely avoid radars of all kinds, they simply vanish in a way that makes them undetectable. This only functions of course if they aren't seen, if the use is seen this is gone. Death is known for his being almost never being there for long. This lasts till action is taken, radars and such will detect them the moment they take action. They can still use this effectively and attack however quickly after it. Assassin training combined with Death's Presence can be very effective. Those who follow the Way of Death are invisible killers, born to slay without mercy. The level of stealth each member has from training isn't something that can be gained easily. There are people who can detect this though the means are extremely rare, they would need something can detect across the planes. Even then it's not a sure kill, some including Yoruichi herself have been proven capable of reacting to it despite being a flawless approach. This can be used again after a seven post cool down, however, the user must stop attacking and become passive till they desire to reveal themselves.
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  7. Time Limit: Seven Posts
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  11. [b][u][i][center][size=24]Unabara Lotus[/b][/u][/i][/center][/size]
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  13. [b][u][i]The Seven Lotus of the Unabara:[/b][/u][/i] These are special moves developed by the Unabara Clan. They are used for swordplay overall and most the clan is capable of using it. However, that said the special moves take at least five threads to get an adept understanding of them. Much more is needed just to master the Lotus themselves. These are moves designed and perfected out by the Clan's Leader. Tsubasa has refined them from the form they were in to make them usable by most of the Clan. Now that said it does take training and the right amount of skill for some of these. Lower skilled people who haven't prepared their bodies well enough will fail the Initial Lotus. While others who succeed in this endeavor will find themselves on the way to others. The Unabara Lotus are considered some of the hardest moves within Swordsmanship. The Forms are first taught to those who wish to learn the Lotus. The style of the Unabara Lotus has first formed a long time ago. But due to the nature of the style, it wasn't something just anyone could do. They weren't suitable for the novice swordsman that the Unabara Clan had within its ranks. However thanks to Tsubasa's teaching skills he was able to create a program and other methods to bring them back. While Kierudo is based on the style itself. The raw form was something Tsubasa himself said wasn't suitable for using in combat just yet. Now that he has made the needed adjustments it's ready for usage.
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  15. [b][u][i]The Four Forms:[/b][/u][/i] The Four Forms are a very simple Unabara custom that have been taught to the fighters. Sword Forms that can be switched at the drop of a hat. It doesn't take much to adjust footwork or move in a way to do so. They are in a way the training guide to learning the Lotus. When you've mastered the Four you are ready for the Lotus. So far in the Clan history, only Tsubasa has Mastered all Four of them equally. His practical use of the four of them is extremely precise. The styles flex in and out of the Lotus and each one causes different effects to the Lotus. The Lotus are extensions of the Forms and allow them to come out in different ways. By executing the First Lotus with one form you can get a totally different outcome than another. The benefit of this style is that it can be changed by the user. The Lotus and its powers can have very different meanings depending on the wielder. Each of the Four Forms will take at least a thread to get a beginner concept of how to use them. Five to Six threads to figure out how to use them effectively.
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  17. [b][i][u]First Form:[/b][/u][/i] This is the first form taught for basic understanding of swordplay. Tsubasa often does introductions to them as he brings people in. The first tests for Kierudo play a part of the First Form. The first form exercises the use of precise swordplay. The level of control required to use the First Form is often times extreme. But this form is the one taught first as an introduction to the Forms. At the early stages of learning the user learns control above all else. Learning to control their power effectively with the sword. While the beginners will struggle to control the blade. The Adept will be slightly more elegant in the use of the sword. Advanced users will benefit from being able to control their blades to the point of stopping a blade from a centimeter. Once they reach Mastery of the First Form the control of their blade is extremely potent. They are able to generate blows of great force from sudden locations. However, much training is needed to reach mastery of the First Form.
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  19. [b][u][i]Second Form:[/b][/u][/i]The Defensive Form known for it's absolute defense. While the word absolute is used it's not really all that impressive. Users are taught to create a three hundred and sixty-degree sphere around them. By doing this they are taught to defend within that area. Not sudden movements, they are taught to waste nothing. The movements are precise and conserve energy, the specialty of this style is to conserve your energy. By teaching the wielder to shrug off monster blows. They become capable fighters able to endure an insane amount of fights. But the Second Form Preaches good Footwork as much as Bladework. The Second Form is said to be one of the harder ones for people to master. Counter Attacking and Defensive Forms are all that are present in this form. Mastering the aspects of the Blade are perhaps one of the few things that make a wielder more dangerous than one could imagine.
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  21. [b][u][i]Third Form:[/b][/u][/i] This Form is from the Sheath at all times. Meaning it's done from the draw phase before anything else. Now the draw phase is known as the beginning phase in this style. The user is capable of producing insane speed with their blows. But thinking only one style of draw exists is a mistake most make. Large blades are capable of producing this effect as well. By using the Third Form they can catch their enemy off guard. Combining it with the Lotus effects allows for a sneaky attack. This style can be used in different locations as the Sheath location isn't always in the sheath. For example, let's say a buster sword is used. The quick draw will come from their back or side in a thrust motion. This leaves creativity open when using the Third Form. While this style is rarely Mastered by many as they view it useless. A Master does presently live off the Third Form.
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  23. [b][u][i]Fourth Form:[/b][/u][/i] The Final and hardest form to learn of them all. Only one person has ever mastered this form in particular. This Form practices dual blade usage. But by using the other forms while wielding the two blades. Some users do replace the blade with their sheath. Using whatever they can to produce an effect of it. Those rare few who do wield two blades are extremely deadly. This style uses a fast acrobatic style at times. But in the right hands, it can be slow or precise as well. While the Fourth Form specializes in two blades it does also mentor the idea of the other forms. Thus upon mastery of this Form, the user learns they can use the other forms while wielding two. The main goal of the Fourth Form is to teach the wielders how to use both hands effectively. While this sword form does focus on Dual wielding as it's focus. The ones who truly master it will become destroyers on a battlefield. This form is the hardest to Master because it goes against the other three forms to an extent. By teaching it's wielder to embrace the second blade and understand how to move or position it. Whereas before it was a singular focus on a sword. The training for any of the forms is hard, but to get the basics. Two threads are required with an additional one just to learn how to use it effectively in combat. Mastering it will take several threads of lessons from a Master of it himself. This style is not made for everyone and teaches an explosiveness and fighting as though feral. The very few capable of even executing a beginner status of this style. Are written down in legend among the Clan. However, many say only one has ever mastered the Forms completely. Tsubasa's Mastery over them is said to be beyond Perfect. He's able to wield both of his Zanpakutō and effectively combine or mix his forms together. Learning to do this will take ten threads. For those interested in learning how he does this feat of his.
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  25. [b][u][i]Crimson Lotus-Initial Lotus:[/b][/u][/i] This is the first lotus known as the Crimson Lotus. It's opening a gate that is extremely hard to do. While it comes in different forms depending on the form used. The First Lotus is generally the same concept in a single move. The user first must have skills with the forms and be capable. But also, a master in strength is needed at least. The rest comes from the skill of the user. By swinging their blade with as much power and force as they can muster. The precise control creates a shockwave of gravity outwards. This pushes against people with amazing force. The kinetic power is enough to cut through buildings. By applying the first form the user is capable of doing this feat from any strike. They can do it from large or small swings of the blade. This control allows them to also control or change the angle of the lotus. Making it an adaptable sword move. In the second form the user performs this as a defensive measure. This sword strike cuts through the energy attacks sent at them. Bouncing them back against the enemy in question with overwhelming force. However, it is possible for it to be taken over if the enemy is stronger. It also can be canceled out sometimes by their power meeting in the right way. The Third Form uses it in a method that comes from a draw stance. This version of the Crimson Lotus is different from the others. The user's body becomes the tool for the force. Using the quick draw and power of their step to send massive force towards a single target. And finally, the Fourth Form the user is able to send out massive kinetic blows by swinging both blades and sending them different directions.
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  27. [b][u][i]Blue Lotus-Second Lotus:[/b][/u][/i] The Second Lotus or the Blue one relies on different skills. Spell based powers that allow the user to perform some feats. Kierudo's illusion spell is based on this one as well. This Lotus requires an Advanced or higher in Kido or a form of magic. The user flicks their blade's edge sending out a ringing sound. This sound goes through the area and cuts up the enemies who hear it. However there is more to it, the spell works through this means. When the target hears the sound their body reacts to it as though it's been cut. Thus, an injury appears on the body like they'd been cut. They haven't truly been cut or wounded and if they've high enough Mental Deduction or focus they'll know. It is true that this can be used outside of just it's illusion practice. And doesn't change the forms very much. The Blue Lotus is the only spell based move in the artform. However if the user creates the right sound frequency they can cause their enemies eardrums to rupture. This move is highly reliant on the enemies hearing the blade. Tsubasa's version is updated however and does require more skills. This one is the older version and does have its own practical uses. While it isn't perfect it does have room for improvement for those that desire too. But as a swordsman, this is more to get an edge on a strong enemy. The Unabara styles use underhanded means at times. And this is merely one of them that happens to be present. All the others are legitimate sword techniques. That were designed for the purpose of killing the enemies. The Blue Lotus isn't favored by many Unabara but has saved lives. Its downfall is in the fact you have to hear it for anything to happen. And some warriors can see through the illusion of wounds.
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  29. [b][u][i]Emerald Lotus-Third Lotus:[/b][/u][/i] This is a special move used by some but requires immense training. Master Weapon Skill or Zanjutsu is required to perform it. The Emerald Lotus focuses on something very fascinating. Indirectly wounding the enemies. It uses the force of the blow but sends a shockwave of cutting energy. Past the block attempt to slice the foe, making it wrong to block it. The injuries aren't generally fatal and experienced warriors won't budge. Or can at the very least read it well enough to avoid injury. In the first form, the user can control the direction of the shockwave. Making them able to direct which way it will end up going. This is limited however as they need to hit something solid for this to work. The Second Form does this by defending and creating the effect of the injury. The force of the enemies blow is put back on them by deflecting its force towards them. The Third Form is able to create a large backlash by sending speed and power into the quick draw. The Fourth form is capable of doing this with both blades at the same time or different time points.
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  31. [b][u][i]Purple Lotus-Fourth Lotus:[/b][/u][/i] This Lotus involves a ton of footwork so the user must be excellent in that regard. Shunpo or General Speed Master is required for this. This method is known to be tiring but the user of it shoots around the battlefield at high speeds. Cutting down enemies with extreme speed, the purpose was to fight multiple foes at a time. By adjusting to this form the user can defend faster in the second form. Cut precisely while moving at high speeds in the first. In the third form, they are able to draw faster and use a proper posture in the stance. And in the Fourth, the user gets to show off some speed with their blades moving about quickly. This style is and was designed to be used against more than one enemy. Purple Lotus while it does work the stamina over of those who try and use it. It does have benefits as it will allow the user much better footwork overall.
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  33. [b][u][i]Silver Lotus Dance-Fifth Lotus:[/b][/u][/i] This is a special move that doesn't benefit from forms as it takes it's own. The user crouches a bit and brings their blade upwards. Putting their blade in a thrusting motion to begin the Sliver Lotus Dance. Master Strength, Speed, and Zanjutsu or Weapon Skills are needed for it. This move is highly demanding and doesn't allow room for errors. By shooting forward and thrusting the blade outwards in a stabbing motion. The user sends a huge amount of force out. Capable of taking chunks out of buildings if not dodged properly. The cutting and piercing power of it can be controlled based on their movement. This is a single sword move and cannot be done with two. Nor does it benefit from the forms. The Dances aren't able to benefit from forms at all. This is partly because they are very difficult to master in general. Learning them requires a great deal of practice which is why they are last. The Silver Lotus Dance requires mastery of the original four to use.
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  35. [b][u][i]Black Lotus Dance:[/b][/u][/i] This requires mastery of all the other Lotus to use. This is a counter attack stance which the user enters them into a battle trance. By doing this they go into a hypersensitive state of combat awareness. Able to perform in seconds with extremely precise and deadly movements. The Black Lotus Dance is something always moving forward and seeming to fade in and out of sight. As the user is moving their feet around quickly with little room for breaking. However, this is just the beginning of the Black Lotus Dance's start point. The user grips their sword and prepares to move at the first sign of action. The Counter Stance of the Black Lotus goes on the Offensive after it's warmed up, By moving at extremely high speed in this battle like trance. They generate insane amounts of power. Blocking a blow from them can break bones and cause extreme damage alone. However, some warriors with high-level strength can handle trading with them.
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  37. [b][u][i]White Lotus Dance-Seventh Form:[/b][/u][/i] The only form that is mostly used by duel wielding only.This form requires a Grand Master in General Speed or Shunpo. A Grand Master is also required in Zanjutsu or Weapon Skills to pull it off. To date, only one person has mastered this being Tsubasa himself. The user becomes a white ghost upon the battlefield. By combining the knowledge of the Lotus moves. They move around the battlefield almost as though dancing across it. This form is extremely hard to follow, as it has no set form. In fact, it's form can change at the drop of a dime. Making it extremely hard to follow as it's able to perform the other lotus while doing this. The user's only normally seen as a portion of white clothing they wear. It's like a blur moving around the battlefield. It's a very hard move to perform as any slip-ups can cost an inexperienced user. Making sure to use proper footwork is important but not nearly as how you hold or wield your sword during it. Some who have seen this before claim the sword disappears completely. That's because once it begins the blade is never still at any time. It's in constant motion making attempts to kill the enemy. While it can be dodged or counter-attacked. The White Lotus is the most demanding form in the entire school for the Unabara. Attacking with relentless aggression making them a extremely fast blur on the field. While certain enemies will spot them coming the changing speeds and such is normally enough to catch most off guard.
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  40. [size=24][u][i][b]Swordsmanship[/b][/i][/u][/size]
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  42. [u][i][b]Shizukana Korosu 静かな殺す:[/b][/i][/u] Using his sword in this method Tsubasa is able to perform what his clan calls the silent killing method, he's both a good assassin and up front fighter when it comes to things. But when he decides to assassinate someone, this sword style is brought forward. When moving his weapon it's as though no resistance is existing upon the blade. This allows him to make clean soundless strokes with his sword, using this his body stops making sounds making him simply a soundless enemy whom can very easily sneak up upon those who do not expect the man. Tsubasa's killing methods are very different from some of his clan. He has walked through an enemy camp using this style alone. He is able to kill people with this move who have a very bad sense of direction and other things. Some demons are known to of died to this style alone. Tsubasa is known to be one of the few who does have a style selected for Demons Specially.
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  44. [u][i][b]God's Hand:[/b][/i][/u] This sword style serves one purpose only, it's my job is to kill Demons and Hollows. This sword style has the effect of causing extreme damage to those of such a nature, grant it the style is one Tsubasa only uses when he decides to fight a demon or a hollow. This sword form combines the purity of his Zanpakutō with the skills he's mastered. Nist can be blamed for this, he's learned Light's purity thanks to Nist. Being best friends with him did have it's advantages that allowed him to make a style like this. The way this sword art works is very simple, if they regenerate he is capable of slowing the regeneration down. Due to the fact this sword style cleaves the energy Demons use specially, it doesn't do this for hollows however. Demons use a special form of energy and due to this he was able to create a style nearly designed to kill them specially. Tsubasa is well aware of the weak points ona demon's body as well, this style exploits it.
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  46. [u][i][b]Unabara No Kotesu:[/b][/i][/u] Tsubasa is able to absolutely copy all the Unabara styles with a flawless nature that makes him their leader, perhaps akin to his great learning that he took. His style of fighting makes him dangerous, for unlike his clan members. He can combine the moves that they use, it makes him a fatal fighter. Their are few he cannot mimic to perfection, he's able to bring his sword strokes to the speed of sound effortlessly. Tsubasa didn't really consider the power much of anything, the fact of the matter is. He can move a tad faster then sound when dealing with this form of style. Kotesu allows him to use powers around him and turn them into fatal swordsmanship that few others can mimic or even copy when they try. He's known to have an extremely weird way of fighting but this is simply one thing learned and brought forward by his years of swordsmanship training that he went through. Tsubasa is a capable and frightening member of his clan capable of many things.
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  48. [u][i][b]Kinetic Sword Style:[/b][/i][/u] Tsubasa is the only one known able to use his sword in this method, he's able to create a kinetic impact with his sword due to the power he can get despite his soft sword style. He's able to bring a kinetic energy down and slice into a person's body, now this isn't the full purpose of his swordsmanship. Tsubasa is able to make his swordsmanship completely like this, using his full body as a weapon of kinetic energy. One swing and he could slice through several buildings, Tsubasa is known for a destructive nature that is rarely seen even among those whom know him best. The other interesting thing about this style is that Tsubasa can cut someone and then cause their body to explode from within the inside of their body. Unabara call him the Kinetic killer, this is why he is known as one of the few whom have earned the title of Death in his clan's short history. The Kinetic sword style is effective against most and the destruction is something dangerous.
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  50. [u][i][b]Sonic Boom:[/b][/i][/u] This style isn't much like the others, he normally keeps up with a silent method of killing. This sword style is when the quiet method of things no longer function the way he desires. So Tsubasa decides to fight by having his weapon create such large shock waves that the sound is capable of causing massive damage to those whom are near by. Using this simple method of fighting he's capable of inflicting massive damage into waves of enemies, the reason why death was given to Tsubasa was simple, He could kill so many people at once and could do it while not bothering to release his Zanpakutō or even bothering to remove the shackles he claims are so those close don't get wiped out by his massive reiatsu that he contains. However he hasn't been very aware of the fact his massive reiatsu already can deal even more damage then what a person would original expect of a man whom held back. He didn't do it for himself but those around him.
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  52. [u][i][b]T.S.U.B.A.S.A:[/b][/i][/u] This sword style is unreadable, Tsubasa is known to use pure swordsmanship in this aspect. The style is one another member of his clan did figure out, howveer Unabara Ringo only learned it to the point of making simple melee deadly with a sword. Tsubasa is able to use it within his hand to hand and most of his body movements. Tsubasa does acknowledge the young Reaper's skill but cannot help but take things he's seen develop them into a further and more dangerous method. Tsubasa is capable of fighting at high speeds in this form and changing moves in an instance, unlike Ringo though he isn't able to use it as flawlessly. Tsubasa does show a great amount of skill in this form that allows him to fight at extreme levels that some would acknowledge as the deadly methods that he has come forward with from his own methods of dancing and killing people with the weapon known simply as the sword. The unreadable man simply smiles and brings death upon the world.
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  54. [u][i][b]Lighting Blade:[/b][/i][/u] Tsubasa is able to use extreme amounts of lighting with his swordsmanship, this naturally allows him to fight very differently. Sometimes he is capable of using lighting energy attacks with his sword and he is able to perform things such as Rail guns without much effort, Tsubasa is considered one of the strongest whom roams about the field and around the world. Tsubasa brings his weapon down rarely, but his lighting combined style both provides a defense and offense. This style is very hard to fight with melee as the field of electric that is circulating across the body of Tsubasa is enough to electrocute most anyone whom gets in the way of the amps going around his frame. He channels enough of the energy into his sword to cause massive damage to those whom are caught by the lighting in his sword and around his body. Tsubasa uses this only for the strongest of enemies who's strength he acknowledges as a swordsman and a warrior from the bottom of his heart.
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  56. [b][u][i]Shunko Blade[/b][/u][/i] Tsubasa picked it up due to his tremendous skill in kido and as he prefers to settle matters with his sword over anything else, he crafted a method to cover it on his blade. The destructive force is so strong in shikai it could destroy half a city, the power is great however and his Zanpakutō cannot handle the sheer strain. The limit of using it is only twice a thread. However the high output of damage is insane, this however does mean Tsubasa is capable of using Shunko on a far greater scale and can make a less concentrated version around his body and such for fighting kido users though he won't as it goes against his ascetic of fighting to some degree, though if he does do it a massive amount of damage will come from it though no where near on par with the Shunko Blade. The power of this move is one reason Tsubasa never used it since he killed his sister. The Shunko Blade is a move he will only use when he must or if the enemy is someone he respects enough to no longer hold back and take the gloves off so to speak.
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  58. [b][u][i]Perfect Shunko Blade:[/b][/u][/i] This is the perfected form of Tsubasa's shunko blade move, he having moved past his sister's death by a small amount decided to perfect the move. Using this training he created and found his element in the art, while many believed it would be flames that Tsubasa had nothing but destruction in him, that his power was that which destroyed everything. But much like his reiatsu and Zanpakutō his element in shunko is that of Lighting. When activated the lighting destroys everything around him, he's able to control it now without stressing his Zanpakutō out. A full body can last for twenty turns now, increasing his destructive power and force to a far greater amount. Tsubasa's final training to perfect Shunko made him an excellent combatant in using the form, being one of the only ones who didn't lead the 2nd Division to finally complete his training in the form. Using it around his Zanpakutō only for large scale attacks.
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  60. [size=24][b][u][i]Kierudo[/b][/u][/i][/size]
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  62. [b][u][i]Information on Kierudo:[/b][/u][/i] The brain child of Tsubasa Unabara, crafted from his one thousand years of killing. This sword style is devoted to the art of killing, combining the greatest moves of swordplay Tsubasa's mind of a killer could devise. Few people have experienced the power of this style that Tsubasa has been developing since the days of old. He believed that his journey hadn't been complete yet so he had no right to make a style. Now he understands what must happen and he has devoted himself to the ideal of it. That a killer could be a hero, he would show the world the style that killed could be used for justice. For the future of the Gotei 13, he decided to finally finish the Kierudo Style and show the world his finished product soon. This style is open and has no set stance or form, allowing the wielder to use the practices Tsubasa does into a form to kill those who would face them. Learning this style is possible but passing it on will have a cost, the person taking up the Kierudo style must make the next step of it. Allowing the form to grow, each person is required to chose someone worthy of taking the mantle up. Those who hold this will be killers, they will be the ones who embrace killing as an art form. Their is no one move or one law of swordplay to Kierudo it's all about how you deliver the blow to extinguish the light from the eyes of your foes. Succession is handled in a special way depending on each teacher, Tsubasa's way may be different from others. However this form will live on for as long killing does exist.
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  64. [b][u][i]Kierudo no Tsukuyomi[/u][/i][/b] The only move that uses an illusion of a strange nature, the first step of this is lighting one's sword up with energy. Kierudo no Tsukuyomi allows the user to create a light on the blade that glows brightly the color of their reiatsu. Using this if the enemy looks into the light the illusion begins, this depends highly upon the target's mental deduction as if they are smart enough and realize that an illusion is taken place they will get out instantly. However the illusion is not a one moment illusion. It starts in the mind letting the user play simple tricks, but the illusion does appear to fade away on it's own. Making it appear as though the enemy has gotten out of it right after the turn it's been used. However at this point the mind has been freed. But the body has not, the body is under the influence of the illusion for the next five turns. This illusion is something simple that allows the user to face his enemies and gain openings. This move is highly requiring the user to be good at kido, this way they can create the light required to perform it. Master Level kido is required to perform this along with Advanced or higher zanjutsu.
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  66. Now the way the illusions function is very simple, by looking at the blade the light hits the eyes and travels to the brain. The first set of illusions can be victory over Tsubasa and can seem long a ten minute nightmare at times for those not prepared or high enough in Mental deduction. Masters are trapped for one turn and those below that are in for three max. After that the illusion hits the body if they've not escaped, making it so their body is completely jumbled. The brain is aware and the illusion seems to of been broken, this process takes one turn to complete. Allowing the brains signals to be scrambled. Now the limit of these illusions is fairly simple, the most he can do is make you appear to of died. However this has no translation to your real body once that happens the illusion concludes.
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  68. [b][u][i]Kierudo no Kitanashi:[/b][/u][/i] This move is one of a special nature, the user can destroy an entire city with it if their Zanjutsu is Grand Master. Half if Master, the power of the strike is all creating the perfect sword swing. It's named after Tsubasa's daughter Kita, who is perfect in his eyes. He developed this on the principal of the perfect sword strike. Combining elements of all styles to form a perfect movement without needless movements. This wasn't requiring a strong power to come out of the swing, the movement wasn't slow though it could be. The sword swing combined elements of everything and could destroy everything in front of the user due to the sheer force. Using this requires Master Zanjutsu and Master strength, to reach levels of it being effective. This is simply the move that Tsubasa created for the purpose of using his full strength to destroy an enemy without remorse. Kierudo no Kitanashi the perfect swing, much like the perfect cherry blossom. Tsubasa didn't have the regular childhood and the way to immortalize his children was through swordsmanship. Creating the Kierudo art of killing is his way to show them he cares. This single sword stroke can come at an angle, it is but one strike instead of a large amount. Allowing the user to be deadly with one move.
  69.  
  70. [b][u][i] Kierudo no Chidori:[/b][/u][/i] The dancing blade, this style allows the user to move their blade so quickly that it disappears. It's extremely fast and able to become an absolute death blow for enemies. Tsubasa has claimed he can perform a thousand sword strikes with this. Moving his hand so rapidly that his arms and sword vanish becoming invisible. Tsubasa named this one after his daughter who was always moving. Chidori danced like a petal through the storm, this move of the style is the hardest for the user must be quick. Precise sword strikes at high speeds are hard to perform, but this style demands blows that can kill. The other requirement is simply that the user be extremely good within Zanjutsu. Grand Masters are capable of performing similar to Tsubasa. Everything requires the user to be precise and understand swordsmanship like he does. Tsubasa believes passing this style on may not be possible due to how it's skills are built around him.
  71.  
  72. [b][u][i]Kierudo no Tsukasa:[/b][/u][/i] The final move requires you be a Master of speed, strength, Kido, and Zanjutsu. Using the final move of Kierudo is combining the previous moves into a single move, creating an illusion followed by a sword strike so quickly the eye cannot follow. The sword strike created unleashes the devastation of the powerful Kitanashi strike along with the speed of the Chidori. Creating the perfect sword move in Tsubasa's eyes, this is the final move allowing him to finish an enemy off with absolute death. However it's not perfect as Tsubasa comments only being able to perform this feat two times a fight. It's a highly stressful and hard move that requires a very high amount of skill to perform and the user above all else must bare the burden of whatever comes. Tsubasa's sword style does have a final move but it's more of a move developed from his practices at footwork. This single sword stroke has an untold amount of damage, due to the speed and power being so intense.
  73.  
  74. [b][u][i] Kierudo no Tsubaki:[/b][/u][/i] This is not so much a sword move as the foot work used by Tsubasa when executing the style. It's designed and requires a master level in shunpo and speed to execute it properly. The footwork he performs when using this allows him to create solid doubles instantly, the max number he can form is around seven. Tsubasa has shown to use Tsubaki when fleshing out his enemies now, trying to give form to his tactics and create more openings so he may finish off his enemies. Tsubaki allows him to directly go into his next move be it one of the other Kierudo forms or something else. But using this stepping method makes it possible for the user to both disappear and become an assassin if need be for a moment. It allows them to become one with the surroundings and embrace the wind and reality for what it is. Kieruo no Tsubaki is the move Tsubasa decided to add on to the style. What would it become later was something only fate could decree, his final task was the creation of it all.
  75.  
  76. [b][u][i] Kierudo Amaterasu:[/b][/u][/i] This sword move was designed with the purpose of incapacitating enemies with little effort. It creates a sound upon impact that rings out. Those who hear the sound have their nerves and body slammed. It's like being hit by several forms of movement sickness at once. Tsubasa's sound wave can knock people out who are extremely weak to it. Tsubasa does prefer to remain out of using such tactics. But Amaterasu allows him to execute his enemies without much fuss. This move is not going to knock out all the time some people of great strength can overcome it. However they will be handling after effects of the Amaterasu. Which will include extreme dizziness with some trouble seeing, most motor skills will be damaged for a while. This damage can be healed but will take four turns for people with excellent healing. As this attack even targets the area in charge of healing. Finally those of a lesser healing will take six turns at least to recover from the effects of this attack on the senses.
  77.  
  78. [b][u][i]Kierudo Izanagi.[/b][/i][/u] This is a move designed to extend his attack, it's able to apply many moves. But it's sister move the Izanami is combined with it often. Izanagi is used to create a long distance attack and set enemies up for several moves. The slash distance of the move is large and can go up to a mile wide if used with it's full power. Now one would expect this to hamper the movement of Tsubasa. However he can make the swing and go back to fast compact blows instantly. This long range attack was designed to attack enemies without being seen. The blow coming from it is completely kinetic, allowing him to attack an enemy virtually invisibly. Izanagi however is only a stage one attack that allows him to figure out his enemy, when combined with Izanami is it truly finished.
  79.  
  80. [b][u][i] Kierudo Izanami:[/b][/u][/i] This is the form used after the use of Izanagi, what happens when Izanami is activated is rather special. Kinetic needles explode from the attack of Izanagi and rupture things within the body. Imagine thousands of kinetic needles exploding in a barrage against your body. This move may be shaped freely allowing him to shape it into projectiles of kinetic force. What makes it special is it's a long ranged kinetic sword move. Allowing him to end attacks or block many projectiles with a single slash of his sword. The distance depends on the amount of force he puts into the attack using Izanami. However this but a single move allowing him to act freely once again.
  81.  
  82. [b][u][i]Kierudo Susanoo:[/b][/u][/i] This is an art form that surpasses most of his moves. Susanoo is something Tsubasa decided to make. This move was designed with a single purpose, it combines the efforts of his training. This sword move destroys things at the molecular level that is due to the way it's used. Tsubasa vibrates the blade at such a high speed that the weapon hums. When this happens when he strikes the sword cuts into the molecules of the target. This isn't limited to just the target either energy may be cut as well. Tsubasa's Susasnoo move can be used several ways and combines the element of using it within his hand to hand skills. Tsubasa can use this around his entire body for an extra punch when needed. This form is used as Kierudo's second to last move, making him extremely dangerous. Tsubasa grows and becomes stronger as time progresses and allows him to become great. Tsubasa's Susanoo is merely a single trick of many that were created.
  83.  
  84. [b][u][i] Kierudo Shukuchi:[/b][/u][/i] This move is an upgrade to the stepping method. Rather Tsubasa found a way to move much faster, he taps his toe on the ground gently with his sandal. Measuring and calculating the distance, he shoots off. What happens next is he accelerates his body to the point of it completely vanishing. As he starts stepping the ground erupts as the steps cause massive impact. Moving like this he can catch up with most anything instantly. Or get out of combat with great speed. Tsubasa's Shukuchi method is something he decided was needed. He thought his speed was far to slow for the great prowess Khala had. Tsubasa has devoted himself to mastering the Sword. Though mastering himself came first, Tsubasa's Shukuchi is extremely fast. Some may be able to detect it through different means. However detecting and reacting are two different matters entirely. While this is by no means fast as light, it's just short of traveling at that speed. It's faster then sound however as he does move that quickly with the Shukuchi.
  85.  
  86. [b][u][i] Kierudo Sokuza Aseru:[/b][/u][/i] The move he came up with to deal with situations that require an instant answer. He sheaths his sword, designing this sword to deal with single target enemies. He unsheathes the sword and uses the Shukuchi at the same time, Tsubasa's acceleration allows him to bring the blade out and cut so quickly. That it is absolutely painless, zero blood is spilled due to the sheer speed of the cut. It's said if he cut an enemy with killing intent they would die without a single shred of pain. Tsubasa's final move allowed him to find a place he was comfortable with as a swordsman. This gave him a good place to stand as a per swordsman. Tsubasa's final move here is made to settle battles in an instant without anything held back. This move cannot be influenced by most of the other Kierudo forms. As it's already at it's peak and meant to be used for defeating enemies. Tsubasa considers this a last resort normally, but can execute it fairly often. Due to the form used it's hard to judge it as he can extend the attack distance if need be.
  87.  
  88.  
  89. [size=24][u][i][b]Event Only[/b][/i][/u][/size]
  90.  
  91. [u][i][b]Killer Cyclone:[/b][/i][/u] This event only move is something he activates so rarely that because the massive level of destruction is off the charts, some people believe this is the reason why Tsubasa isn't capable of being called much more then a destruction. Spinning metal and electrical energy from the surroundings upon it's release, the dangerous power seems to spin and form into a giant cyclone around as it slowly builds on size. It's very possible for this to get large enough to cover an entire country if it's left alone, stopping it is simple as making sure it has nothing to feed off of. The cyclone if he allows it can feed off the electrical energy he generates passively. This allows him to feed it at the start, but soon enough the sande turning into glass as it's spun with metal at such a speed that the power of this object can cut some of the strongest of men in half. Tsubasa doesn't use it often, but this equalizer is one reason he's considered a humanoid disaster on the field of battle.
  92.  
  93. Nist himself hasn't yet seen this power, Tsubasa avoids using his metal in conjunction with his powers due to the fact he is well aware of how much danger this move can put people in. This move will only stop when it runs out of energy, it will start small and continue growing in size. Within this spinning vortex, shards of metal and fire are likely. Electrical lighting will vaporize most anyone whom is to far away from Tsubasa. Tsubasa can guard those within it was a special magnetic field that he created to repel the effect. The inside of this giant destroyer doesn't bother him in the slightest, Tsubasa uses this only in emergencies he is not interested in destroying entire cities and taking them out in a blood stained war. Depending on the size and growth rate of this, it will be very large. Below the growth rate can be listed if it's continued in feeding. Within ten posts it will cover an entire city..Twenty Posts two cities, after a day it's possible depending on the state that the entire state will be covered.
  94.  
  95. Tsubasa has called this move the Grim Reaper's Hand, it's as though it stretched out and ripped the souls away without caring about whom or what they were. His crimson gaze is the last thing anyone remembers. Tsubasa despite his dislike of this move if pushed or knowing his enemy will be strong will use it, he is capable of disappearing within the fog of static and metal. The pieces of metal are fully under his control as is the electricity within the field. Tsubasa's fighting area can something be large as a city. The fight within the Deadly vortex can only go so many ways, Tsubasa has designed this move knowing someday he may be fighting alone. However he can shut it down with a metal walls and contain it so long as the size doesn't get to big for him do so. Tsubasa states it could most likely go into four states of a country within 4 days making it no longer in his realm of control.
  96.  
  97.  
  98.  
  99.  
  100. [size=24][u][i][b]Special Kido[/b][/i][/u][/size]
  101.  
  102. [b][u][i]Cardinal Seal:[/b][/u][/i]The spell allows the caster to mark people with a Cardinal Mark. Of one of the Four Directions the fifth being center and the caster. By the casting this spell on someone it engraves it into their being. The spell allows the person with the mark to undergo a special transformation. The effects depend on the person entirely and aren't something you can ascertain. They are completely different from expectation so trying to show would be hard to say. The person who holds the seal must write up their transformation and how it works. These marks are special and may only be cast on five people. The caster must be willing to accept the Center role when putting them. A great deal of power is also required to implant the seal on someone. This isn't a kido done lightly or without considerable measures taken. Only the Unabara's Retainers have them for just such a reason.
  103.  
  104. [b][u][i]Black Coffin Asylum:[/b][/u][/i]Upon activating this kido the entire area becomes dark. As walls of black from around Tsubasa and his intended target. Spears and chains bind the box as they are locked inside of the Coffin. Creating a large dome like area capable of taking blows from the outside and inside. Within this space, the caster has control of the effects of this kido. Time is distorted within this Asylum and what seems like days or hours. Can be mere minutes outside of the Asylum. The inside appears like a Roman Gladiator's arena. Around the sides of it spears of onyx color float around in a clockwise motion. These may be shot at his target by his focus or will when desired. However, the true purpose of the Asylum is to allow a true one versus one battle. Tsubasa's invention of this kido doesn't end with merely it. Upon his defeat or ten posts, the Asylum will vanish allowing both parties to exit freely. Now, this can be avoided as people can see the sphere closing around them. If they act fast enough they can dodge being trapped inside of it. Allowing them to be free of its place. This kido uses the power of the level 90 kido Black Coffin into a different form. Thus why it has no number within the kido chart as the kido number 90 has always been Tsubasa's favorite.
  105.  
  106. [b][u][i]Black Coffin Burial:[/b][/u][/i]Upon activation Black Chains shoot from the area around the victim. The chains have spikes which lacerate the victim and try to chain them down. As the traditional Black Box forms around the victim. Slowly spears impale from all sides piercing the person as they are struck by this. Avoiding the chains and box are part of the struggle. As the chains have a pulling and gravitational pull on them. When struck the kido ends similar to the effects of one without chant. Destroying or getting around it is fairly simple to those who know how to do kido. By performing it with both hands Tsubasa does show a dark mark around his fingers. If the chains are avoided the user is basically capable of completely negating the effects of this spell. Meaning if they dodge the chains with speed or break them with strength. They will be able to avoid the spell entirely, these chains aren't unbreakable. And the spell level is 90 as this is also an alternate form on the Hadō number 90.
  107.  
  108.  
  109. [b][u][i]Electricity Note:[/b][/u][/i] Tsubasa's control over this is immense. He is able to vibrate his molecules and his swords at high speeds and frequency. While their is a limit to what he can do with it. This allows him to slice people with the energy itself, though it does have distance limitations. Meaning stay away from the bright shiney thing and your fine. Also it should be noted he can heal with this skill by accelerating his cell birth rate through electromanipulation. This will cost energy and take time. Finally he can Railgun himself or increase the speed beyond current estimates. This however is a rare occurance due to impact radius. Tsubasa likes to do things quietly, this is not quiet. This creates a lot of noise and will destroy a large portion of things.
  110.  
  111.  
  112. [size=24][u][i][b]Unabara Phantom Tech[/b][/i][/u][/size]
  113.  
  114. [b][u][i]Izanagi:[/b][/u][/i] This device was made and crafted by using Shadin's as a blueprint. This deity was given the name for its help in creating something new. Resources were given and founded by the Unabara, the Gotei, and Thailand to refine and build it. The design is something sleek and slender to rival other technology presently out. By using special materials this allows the Izanagi to survive extremely fast speeds. Able to endure the force of excess mileage coming from the fast Tsubasa's body. It allows the user to comprehend and calculate things at an extremely impressive rate.
  115.  
  116. It's main purpose and design after tinkering and hours of work. Was that the user would be able to create and comprehend things at an enormous rate. By creating a processing speed that was enormous and matched its contemporaries. Given the time and refinement of the quality required its sheer power to endure speed is one of its main attributes along with processing organic and non-organic matter at rapid rates. It allows for an extremely high-speed processing to allow it's user to convert travel speed into combat speed.
  117.  
  118. However, this isn't due to slowing the world down in any way. What it lets the user do is comprehend and have an extremely fast image of things. It allows for high-speed movement similar to an Eagle Eye or something of that nature. Allowing the brain to process and allow for traveling speeds that go beyond the normal. By processing the information of movement and grasping the matter around it. This allows the user to effectively convert what their travel speed would be safely into combat speed. Allowing them to create an offensive flurry of skills that allow it to move and comprehend at unimaginable speeds.
  119.  
  120. By combing this with someone with High Focus skills they will be able to turn it into such. They'll be capable of creating their travel speed into combat speed. However, this does require a high amount of focus in the master range or above. Those in Grand Master can do this and much more with it. Able to comprehend and channel their focus or Mental Deduction into truly devastating weapons.
  121.  
  122. It's secondary and final purpose is to act as a high-speed processor for other technology. It allows them to increase the process of understanding and growth. Giving them the chance to create and develop faster and begin to grow into stronger creatures. This does, however, take away from other skills the technology would have. It doesn't have much to offer in its way of strength or such things. As it's mainly designed to unlock a person potential. Though it can also be used to give computers and such things as Nanobots or other devices a higher processing speed. Allowing them to grasp on to a truly lost art form and calculate at unimaginable speeds for computers and technology in general.
  123.  
  124. The final power of the Izanagi is that it is capable of withstanding high electricity and even helps Tsubasa control it. By having these calculations within his mind. He is capable of controlling the power much more frighteningly. Able to do things that he previously didn't think were even possible. The calculations and nature of understanding the energy flowing from it. Izanagi's power to endure attack and produce results in this area is startling. It has allowed the Pale Rider to truly see the path before him. His power over metal and electricity have been dramatically increased.
  125.  
  126. [u][i][b]Susanoo:[/b][/u][/i] It's said often that the creation process once it begins truly evolves. By experimenting on Nanobots and using the Izanagi process. It became clear the Nanobots could be used to form a fiber like skin that was applied through a liquid submerging. The tests indicated that the skin would act as a layer of the skin comfortably. It's capable of absorbing a megaton of force at its peak. This allows it to take the blow instead of the user. Acting as a cocoon for the wearer and protecting them from its effects. The impact is felt but the user isn't physically damaged as the cells take it.
  127.  
  128. Now on its primary objective, the Susanoo acts as a cellular layer around the skin. Even masking hair and eyes due to the nature of its application. This defense allows it to absorb high impact but also endure high levels of speed. It lets it take strain off the user's physical body. The cells are capable of absorbing high levels of speed making the strain instead fall on them. While they won't fracture from the speed. Due to their design to take high amounts of endurance.
  129.  
  130. The second trait which became clear by making these was that the physical body could be strengthed through the skin. By bathing in the solution these are applied in. The user is exposed and letting the skin absorb the nature of them. Allowing these to create and strength bone and tissues inside of the body. Making organs and other things far stronger. This allows the user to tap into much greater strength especially with the Izanagi processor equipped with them. The function is increased when tied with it. As they are programmed to work flawlessly with that feature. This trait is by no means limitless but will help in curing and creating new methods to heal the body from merely this container.
  131.  
  132. Finally, the feature to restore the broken body from impacts or damages done. This is something that takes time still and could take days depending on the degree of damage. But the user with the Izanagi will find it much faster. However, internal injuries and such things are beyond it to some extent. The factor with restoring the broken cells takes time and effort. The Nano cells will rebuild without the user's needed supervision and recreate what is done. They are immune to electricity and EMPs. As they are directly linked to the human body and only will stop functioning when it dies. In Tsubasa's case, these are linked into his internal Nanobots and allow him to recover faster. They also have enhanced his physical body quite a bit from its previous state. Tsubasa never thought much of such things, but he believes now that he can find that place. That place to fight in the future for his people.
  133.  
  134.  
  135.  
  136.  
  137. [b][u][i][center][size=24]Grandmaster Sword Technique[/b][/u][/i][/center][/size]
  138.  
  139. [b][u][i]Hachiman:[/b][/u][/i]It's a sword technique that falls into no school or category. Tsubasa's skill with a blade is something to be feared and understood. This technique constructs the perfect sword swing into motion. Tsubasa swings his blade and creates a massive shockwave of power and force. By using his skill he's able to create a sword swing that is several hundred cuts into the air. This blast of kinetic force slices through those struck like butter. It has enough power to cut through several buildings and could likely cut through most things. It's not about raw power when he executes Hachiman. It's about him using his skillful wielding of the blade. About him using the resources available to him. He doesn't need to make a big swing when using Hachiman and control the size and strength of the blow. He's even capable fo releasing this from quick drawing his zanpakuto. A good example would be a building hit by this would be cut into small pieces. As it's being cut several times over and over.[b] Grand Master in Zanjutsu or Weapon Skills required[/b]
  140.  
  141.  
  142.  
  143. [b][u][i][center][size=24]Grandmaster Hoho Technique[/b][/u][/i][/center][/size]
  144.  
  145. [b][u][i]Fujin:[/b][/u][/i]This stepping method is much faster and allows Tsubasa to surpass and combine it with his others. This technique was discovered by learning to use his maximum speed from Hoho. He's capable of moving extremely fast enough to hit his enemy with raw power. Using speed this way wasn't something he entirely desired to do. Tsubasa claims this makes him feel like he's become the wind. Whispering into the night and able to move faster than even it. The distant and travel speed are intense. But learning that he could go faster and process even more when he got higher. Fujin allows him to speed up all of his Hoho techniques and moves that he knows. All his stepping methods and techniques are improved with this. They are vastly faster allowing him to use them and not tire out. By learning this he learned how to compose his speed and stepping better. To better himself before anything else was done in this case. He realized his flaws and decided to improve. [b]Grand Master in Hoho Required and Speed to use.[/b]
  146.  
  147. </div>
  148. </DIV></div></DIV></div></DIV></center>
  149. [b][size=13][center][color=#a26500]Template By:[/color] [url=http://www.platinumhearts.net/t5944-thefrost-s-graphic-request][color=black][THEFROST][/color][/url][/b][/size][/center][/quote]
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