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OneTripPony

Eight - UnusualSuspects

May 28th, 2012
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  1. > The Carousel bar takes my breath away.
  2. > Not in a good way.
  3. > I spend precious time trying to figure out what asylum these p0nies get their architects from.
  4. > Then, I try to figure out if I should be looking for a door or a carnie in a ticket booth.
  5. > As a bar, I guess I can see the need to stand out.
  6. > ...but, according to what I've been told, this was a dress shop a few years ago.
  7. > Shaking my head with disbelief I find the door, still hanging open on one stubborn hinge and slip into the building.
  8. > It's a mess.
  9. > Tables are strewn around, most knocked over.
  10. > Stools too.
  11. > In the corner on a podium sits a piano.
  12. > Not one of those dime-cheap uprights.
  13. > A proper, classy grand design and a bright cream colour to boot.
  14. > The podium was probably some kinda fashion walkway.
  15. > Now? It serves as a stage.
  16. > Not that this town has the kinda clientele that appreciates live shows anymore.
  17. > Live bartender and a fresh drink, clean glass optional is more their idea of a cabaret.
  18. > To the side of the stage there is an open door with stairs visible behind it.
  19. > Right next to that, and blocking ease of access to the stairs, sits the bar.
  20. > It's a long, curved, laquered arch with a mirrored drinks cabinet behind it.
  21. > I drag my eyes away from the cabinet, eventually, and take in the scene.
  22.  
  23. > If it wasn't for the post brawl debris, this'd be a classy joint.
  24. > I stand in the center of the mess and slowly take in the whole room.
  25. > Twilight was right.
  26. > They didn't search it at all.
  27. > Every disturbance is related to the struggle.
  28. > The door, smashed in.
  29. > Broken window near a tipped over table, lantern just visible outside by moonlight, resting in a circle of scorched grass.
  30. > Smashed bottles and glasses from thrown aside tables.
  31. > Broken stool.
  32. > Small splattering of blood on... floor, table on it's side and nearby broken stool.
  33. > Somep0ny took a ding to the head.
  34. > Not enough to be fatal.
  35. > Door behind the bar is hanging open.
  36. > Scrapes on the fleur de lys wallpaper are fresh.
  37. > Somep0ny made a break for it upstairs.
  38. > Didn't get far.
  39. > Door at the top of the stairs is still closed.
  40. > Behind the bar all of the bottles, save those used as ammunition, are still in place.
  41. > The wooden partition is still raised.
  42. > I slip behind the bar and squat down, poking around.
  43. > The light's terrible in here, but I haven't time to find a lantern.
  44. > Instead, I light a match and peer about under the brief lumination.
  45. > Nothing disturbed back here either.
  46. > I poke about a little, then, with a hiss and a shake of my burnt fingers drop the match.
  47.  
  48. > Another match and I'm on the case again.
  49. > I'm here for two things.
  50. > The first I find quickly.
  51. > Three bottles of fairly strong drink.
  52. > No idea what it is, the language looks like some Equestrian version of french.
  53. > Whadda they call that place? Prance?
  54. > Geez...
  55. > I pocket two of the bottles and hold on to the other.
  56. > Next, I hope the reputation of miss Rarity's neatness aren't exaggerated.
  57. > I find a small bin, just as the other match is about to run out.
  58. > Picking it up, I shake the match out and empty the bin onto the counter.
  59. > Junk, rubbish and just what you'd expect.
  60. > ...There... just waht I was looking for.
  61. > A carefully folded, if battered, brown sheet of paper, with length of parcel string in a nearby strata of trash.
  62. > I take the string, then carefully fold out the parcel paper.
  63. > She's a neat mare.
  64. > Untied it, unwrapped it then folded the paper away and placed it in the bin.
  65. > Any other p0ny woulda tore it apart.
  66. > I spend a while looking at the older, less neat folds.
  67. > It's only a guess, but I have a vague idea of the package size which Rarity recieved that night.
  68. > My best guess puts the box about three hands, by 2 by 1.
  69. > Flat cuboid would be my bet.
  70. > All I gotta do now is find the box that fits the wrapper.
  71.  
  72. > No luck downstairs and time is wasting.
  73. > The closed door at the top of the stairs and the scrapes catch my attention.
  74. > Perhaps Rainbow stashed more than just a cloak...
  75. > It'd be just like her to have held a few things back.
  76. > I head up the stairs and find the door unlocked.
  77. > It opens into a similarly decorated level, three rooms.
  78. > Two bedrooms, tidy.
  79. > One looks as if it hasn't been lived in for a long time, but still kept clean.
  80. > Smaller bed, maybe the sister.
  81. > The last room looks like someone has already turned it over.
  82. "Damn it all."...
  83. > ...I mutter to myself, thinking I've been beaten to the punch.
  84. > A few moments looking it over and the truth sinks in.
  85. > This room hasn't been searched.
  86. > Everything that is strewn about is related to dressmaking, stitching and other seamstress work.
  87. > Ribbons, lengths of cloth, sequins, thread, needles a pair of pony dress modelling dolls, one of which is wearing a cape.
  88. > I unhook the cape, fold it over my arm and look around the room
  89. > There's boxes of materials everywhere, but one stands out.
  90. > It's empty and, based on my guess, it's the right size.
  91. > I look it over.
  92. > Solid but plain wood.
  93. > No lock, but a latch.
  94. > Padded, velvet interior with housing for 6 evenly sized objects.
  95. "Hmmm."
  96.  
  97. > I start to piece the scene together.
  98. > Rainbow came dashing up here to stash a cloak and, if I'm right, a package.
  99. > She throws the cloak on the model, hoping it looks like a dress in work.
  100. > Then, she's left with a box.
  101. > The box isn't important though.
  102. > Never is.
  103. > It's what's in it that counts.
  104. > So, she dumps the contents somewhere they blend in, dumps the box and heads downstairs.
  105. > A day later she's spending quality time in the guardhouse with yours truly.
  106. > I examine the box closely, moving to the window to let the moonlight do it's work.
  107. > There's a shard in there...
  108. > A purple sliver of... glass?
  109. > The pieces start to fall into place.
  110. > I peer around the room and notice the open chest.
  111. > It's about a fifth full with gems.
  112. > Emeralds, Rubies, Sapphires.
  113. > A fortune where I come from.
  114. > Here? Gaudy decorations and snacks.
  115. > These p0nies...
  116. > To diamond dogs, it must look like they parade around with donuts stapled to their clothes.
  117.  
  118. > I pick through the gem chest.
  119. > A few of the larger ones are cracked.
  120. > One of them is shattered.
  121. > Purple.
  122. > I pick up a couple of the smaller ones.
  123. > Tapping them together tells me they're real.
  124. > Eventually, one of the larger ones gives itself away as a glass fake.
  125. > Now, why somep0ny would want to use glass fake jewels on a dress is beyond me
  126. > Especially when you consider how plentiful the real deal is on this crazy-horse world.
  127. > You only fake something when the genuine article is outta reach.
  128. > So... What were they trying to copy?
  129. > It's suspicious enough to following up so I grab one of the less damaged fakes, a big red radiant cut.
  130. > I head out of the bar for my last stop with more questions to ask but one big one answered.
  131. > On the way I stop and pick up a small collection of brightly hued cocktail umberellas.
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