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BleedingRaindrops

samurai's wisdom

Feb 20th, 2013
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  1. Anonymous User 1 has opened the document.
  2. Anonymous User 1: Speak
  3. what do I have before me?
  4. me: The beginning of a story
  5. Anonymous User 1: That is meaningless
  6. what do I have here?
  7. me: I meant to attempt a journal format. This is a story about Ponyville. The Mayor was the one who fabricated everything seen in the show, but behind the scenes, Ponyville is a terrible place to live, and it's inhabitants are enslaved by its evil tyrant, Mayor mare.
  8. Anonymous User 1: My friend
  9. Much better
  10. why did you seek me?
  11. me: The biggest reason, I need help beginning this story. It's missing something, and I can't figure out what it is. But why I chose you above the others, is because I have heard you are quite skilled. Also, curiosity. I have not met you.
  12. This would be a humble request
  13. Anonymous User 1: Hahahaha
  14. you have met me
  15. but no matter
  16. why use a journal?
  17. me: It was something I have never done before. I wanted to step out of my comfort zone, and this method seemed most appropriate for the story, because if Ponyville is only secretly a tyrrany, few ponies would be able to get the word out. It seemed appropriate that spike might have kept a journal.
  18. Anonymous User 1: While true
  19. I am wondering if, then, the story is best told through a journal
  20. what is your answer to that little issue?
  21. me: Is that not what I have here?
  22. I'm afraid I don't understand
  23. Anonymous User 1: If I were to write this like a normal story
  24. what would it lose?
  25. me: It would lose the look of a captive desperately trying to reach help, I think.
  26. Anonymous User 1: Good
  27. now you know what is missing
  28. me: Are you saying it does not currently have even that?
  29. Anonymous User 1: see
  30. Not at all
  31. the beginning?
  32. You truly believed that would get the tension required for this?
  33. Journals are personal endeavors
  34. they are mostly about impressions rather than actions
  35. the simple reason being that we write journals to remember
  36. and we remember those better than we remember list of events
  37. currently
  38. there is no tension here
  39. If I don't read the first segment
  40. I have nothing to proof or make me consider anything other than you attempting to hammer out some odd view of the normal show
  41. there is no hook
  42. there is no tension
  43. and
  44. most importantly
  45. there is not enough good hints, or more accurately, the hints are easy missed in the rest
  46. I see a ballon
  47. it needs some air
  48. and perhaps a new nozzle to allow air to get in
  49. me: So, start over? OR are you suggesting a different perspective?
  50. Anonymous user 1: I'm suggesting you tell me if you seriously think starting after they have settled and not mentioning me his feelings in any real way is a good hook
  51. you hint at a period of struggle
  52. and then nothing
  53. nothing
  54. me: So, it's incomplete
  55. Anonymous User 1: and most likely needs a new beginning
  56. and refocus, if it comes to that
  57. I could go right now and make a bullet list of events with this and most likely not have sub-bullets to make
  58. that's
  59. not good for a story
  60. and epistolary stories like this are very fragile in terms of immersion, so the previously mentioned only brings further troubles
  61. so now
  62. tell me
  63. what is the hook?
  64. me: That Ponyville's inhabitants are trapped, and there is some dark secret surrounding it.
  65. Anonymous User 1: no
  66. that's your premise
  67. I need a hook
  68. me: ... I see
  69. Anonymous User 1: something which gets me interested on what is going on
  70. as I said
  71. there is currently no hook
  72. nothing for I, as a reader, to invest my interest or concern in
  73. me: Would you have willing advice as to a good hook to try?
  74. Anonymous User 1: giving a hook willy-nilly is a task I will warn is no exact science
  75. I will point to notions
  76. but I rather not provide specifics
  77. mostly because you know the story better than I
  78. so
  79. in any case
  80. let get on with it, because time is valuable, and we have been here half and hour already
  81. tell me the premise again
  82. me: Ponyville is not what it seems based on the canon of the show. It's citicinz are imprisoned and enslaved by the evil Mayor Mare, a tyrant who forces them to act out a show that she can produce for money.
  83. citizens*
  84. Anonymous User 1: out of the top of your head, list five things which will make people want to stop once the read that as a premise
  85. no deep thought
  86. just say them
  87. me: it
  88. I don't think I know of anything
  89. perhaps that the mayor is seretly evil
  90. Anonymous User 1: continue
  91. a story depends quite a lot in the subtleties
  92. and epistolary stories live or die upon them
  93. so
  94. me: The citizens of ponyville are not who we think they are
  95. Anonymous User 1: discern the subtleties
  96. tell me why a reader would see your story and say "nope, I won't read it"
  97. me: nothing jumps out at me, but I fear I may be biased.
  98. Anonymous User 1: correct
  99. I will suggest you start thinking of such things
  100. let me try
  101. 1.) the story grabs a character we have seen throughout and greatly changes their personality to fit into the plot
  102. 2.) Why would anyone do all of this willingly? What is there to gain?
  103. 3.) How is she controlling everything? What does that mean?
  104. 4.) What events occur outside of the camera?
  105. 5.) If we assume, what dark undertones exists throughout that will appear forced?
  106. five issues
  107. all related
  108. but all different
  109. me: And I only have an answer for one of them yet, the fourth, which will make up the events of the story. I see what you are getting at.
  110. Anonymous User 1: heh
  111. more importnatly
  112. your hook must recognize all of them
  113. me: I see
  114. Anonymous User 1: The best introduction in the western Canon, as far as I'm concerned, remains the ever encompassing beginning of One Hundred Years of Solitude:
  115. Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.
  116. do you see what it did there?
  117. all the things that it implied
  118. me: I have not seen that film, but I can see that perhaps the town was short of water.
  119. Anonymous User 1: hahahahaha
  120. there is no film
  121. One Hundred Years of Solitutde is amongst the best books ever written
  122. me: I have never heard of it before now.
  123. Anonymous User 1: Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.
  124. We get told the future
  125. we get told the past
  126. we get told how distant the characters start away from the world
  127. and we get the one character we should probably watch
  128. me: I did not follow that third point
  129. Anonymous User 1: They knew not of ice
  130. in any shape or form
  131. me: Okay
  132. Anonymous User 1: think of what that implies
  133. but
  134. back to business
  135. note the issues above
  136. how do you account for them?
  137. and, more importantly, how do you recognize them within the story?
  138. me: I haven't got an answer yet, but a question is a better starting point than I had.
  139. Anonymous User 1: heh
  140. indeed
  141. when making your hook
  142. keep in mind those
  143. you don't have to answer them
  144. you have to recognize them
  145. they are there
  146. to face the suspension of disbelief, you have to grab hold of whatever might cause it
  147. and control it like there is no tomorrow
  148. currently
  149. me: I will surely seek to do that, then.
  150. Anonymous User 1: what I see here is a premise
  151. some pre-work on story development
  152. and a pretty uncompelling first segment to raise the stake
  153. my suggestion?
  154. remove that first segment
  155. or
  156. if anything
  157. put it at the end
  158. but right now
  159. they aren't doing much there
  160. now
  161. I will give three suggestions, with the little that we have
  162. again
  163. take them with care
  164. the first one is to start the journal with Spike's scribblings as he attempts to start writing again
  165. the notion of progression must be there since the start
  166. and Spike's allege memory lost can serve as a good way to set up the stage
  167. certainly, placing the hook within the scribbles of mismatched and miswritten words would be a clever thing to do
  168. but for now, let us just keep it simple: the start of the story should show Spike's slow recovery of his ability to write
  169. hmm
  170. do I bore you, Mr.Rain?
  171. me: no
  172. I listen, patiently
  173. Anonymous User 1: Good
  174. but that makes for terrible discussion amongst friends
  175. so feel free to speak
  176. I find far more helpful
  177. after all
  178. I am many things
  179. but a mind reader only on parties
  180. me: I had not thought to show spike's slow progression.
  181. Anonymous User 1: I can imagine
  182. otherwise you would have done it
  183. seeing how you are trying to bring more oomph to the affair
  184. me: Of course. I have little to say, as I have already learned much, and seen that I could stand to give more thought to my written words.
  185. Anonymous User 1: good
  186. next suggestion
  187. me: I too, enjoy trading feedback and remarks, but I am currently at a loss for words
  188. Anonymous User 1: heh
  189. never lose them
  190. it might be true that all men are wise until they open their mouths
  191. but all men are cowards until they do the same
  192. back to the story
  193. the progression of recovery of Spike's writing has a purpose
  194. establishing the issue of the memory loss and hinting at its mechanism
  195. now
  196. please do tell me there is more to it other than an arbitrary "they are blanks for my use" plot device
  197. heh
  198. very well then
  199. me: I'm not sure I understand your inquiry. To spoil the ending, The mayor had (for reasons I've yet to fully grasp myself, I was thinking greed) found a spell that would remove everypony's memories, giving her the opportunity to use them for her devices. Her choice, a staged reality show, that she could broadcast to a distant world. I am juggling the idea that she is not originally pony. Thus, Spike becomes the one to see it all, following Twilight's example.
  200. Though, Twilight, was the first to discover the truth, and was quickly expunged.
  201. Anonymous User 1: heh
  202. people coming for my help fearing spoilers
  203. in any case
  204. then I will not give you the second suggestion
  205. for the memory spell is just a plot point rather than a mechanism of the story
  206. also
  207. the question is to be begged
  208. why not just erase her memory again?
  209. me: It was a memory bomb. The mayor would have left herself some sort of message, or perhaps found an immunity. The spell would not be worth using again for the sake of removing the memory of one pony. It was too valuable a set up to erase so hastily.
  210. Anonymous User 1: hmm
  211. contrived
  212. me: Admittedly, I just came up with that now.
  213. Anonymous User 1: I suggest you revise the notion to ensure it doesn't seem like you pull the memory spell out of your jacket
  214. hmm
  215. in that case
  216. I will keep my suggestions
  217. and you will do the next thing
  218. I want you to write out all the major characters and their characteristics
  219. me: character bibles
  220. Anonymous User 1: then write all the plot points and tools
  221. then write a series of interconnections between all of them
  222. separate documents
  223. work on only one at a time
  224. me: okay
  225. Anonymous User 1: for this story to work
  226. you will need to have your characters, their reasonings, and the plot holes all very much in mind and fixed
  227. Sounds like an interesting premise
  228. a town of characters who act out their lives for the sake of another entity, with no recognition as to why
  229. needs work
  230. and currently you have too little to work with
  231. me: thus, I sought your council
  232. But I thank you
  233. For both your time and insight. You are indeed wise, if not simply thoughtful and clever.
  234. Anonymous User 1: hahaha
  235. I am not a man to take praise
  236. I thank you for them
  237. but there is no need
  238. I am quite certain others will have helped you as well
  239. additionally
  240. no truth comes from sweet tongues
  241. one last matter does come to mind
  242. who guided you this way?
  243. me: It was mostly your reputation that proceeded you, spurred on by the frequent and inderect referments of one Ion-Sturm, but ultimately it was the advice of one who calls himself Khakispony that bade me seek your assistence.
  244. Anonymous User 1: a reputation that precedes me
  245. heh
  246. experience has told me no good comes from that
  247. I will ask for forgiveness, as I must depart
  248. Please do built these three documents
  249. me: Your time has been invaluable. There is nothing to apologize for. I will do as you have instructed.
  250. Anonymous User 1: their separation of functions should make easier to notice holes and problems
  251. as the interaction between them is where most plot faults will be found
  252. also
  253. send my regards to Khakis
  254. me: I will do that.
  255. Anonymous User 1 has left.
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