Kinky Boots the Musical (2019)

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♪ Trust your feet in Price & Son ♪

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♪ Our work is tried and true ♪

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♪ Practical, pragmatical ♪

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♪ Steadfast and steady too ♪

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♪ If you stroll or saunter,
amble, walk, jog, hop, or run ♪

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00:00:19,975 --> 00:00:24,975
♪ The prudent shoe for you
to choose is Price & Son ♪

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♪ You might think beauty
comes in spring and sparrow ♪

8
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♪ Or when the sunrise
hits the morning dew ♪

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♪ But if you walk the
straight and narrow ♪

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♪ You'll find the elegance
and comfort is a ♪

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- Do you know what the
most beautiful thing

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in the world is, Charlie?

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- A shoe?

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- A shoe.

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♪ The most beautiful thing in the world ♪

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♪ The most beautiful thing
in the world, Charlie ♪

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♪ That I know ♪

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Sing it, Charlie.

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♪ The most beautiful thing in the world ♪

20
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♪ the most beautiful thing
in the world, Charlie ♪

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♪ It's beautiful ♪

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♪ Four generations have
paved the way before you ♪

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♪ You'll be next in line
when my time is through ♪

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♪ And there's a saying handed
down I've found of value ♪

25
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♪ That you can tell
about a fella from his ♪

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♪ Shoe ♪

27
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♪ The most beautiful thing in the world ♪

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♪ The most beautiful thing
in the world, Charlie ♪

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♪ That I know, I know ♪

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♪ The most beautiful thing in the world ♪

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♪ The most beautiful thing
in the world, Charlie ♪

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♪ It's beautiful, it's beautiful ♪

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- But what if I don't want to make shoes?

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- (laughs) You're a
right funny kid, you are.

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(alarm blaring)

36
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♪ Ooh ♪

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♪ Ah ♪

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♪ The most beautiful thing in the world ♪

39
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♪ The most beautiful thing
in the world, Charlie ♪

40
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♪ That I know, I know ♪

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♪ The most beautiful thing in the world ♪

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♪ The most beautiful thing
in the world, Charlie ♪

43
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♪ It's beautiful, it's beautiful ♪

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♪ Feels like I'm dancing
across the high wire ♪

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♪ Or bravely soaring off into the blue ♪

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♪ Just like a rocket lifts
with sparks and fire ♪

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♪ Feels like the magic
never ends inside these ♪

48
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- Take those things off your feet,

49
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and get inside here, stupid boy!

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(soft pensive music)

51
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(alarm blaring)

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(mystical music)

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- Charlie, here are the
shoes I told you about!

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Come have a look!

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(bright warm music)

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Aren't they the most
necessary things ever?

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If you want to slip a ring on my finger,

58
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you'll first slip these shoes on my feet.

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- A tad posh for life in
Northampton, wouldn't you say?

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- Then good thing we're moving to London!

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And won't they make a fitting farewell

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to the stink of cattle
farms and tanning leather?

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We may have been born
in a small factory town,

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but we sure as hell
don't have to die there.

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- You see the price?

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There's three months' rent.

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- Pinch 'em or pay for
'em, that's up to you,

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but these shoes are in my future.

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♪ To new beginnings ♪

70
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♪ Hello to sunny days ♪

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♪ We're upward mobile now ♪

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♪ Goodbye to small-town ways ♪

73
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♪ Till it's impossible to find ♪

74
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♪ A trace of what we left behind ♪

75
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♪ And the defining element
is in these shoes ♪

76
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♪ The most beautiful thing in the world ♪

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♪ The most beautiful thing
in the world, Charlie ♪

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♪ That I know, I know ♪

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♪ The most beautiful thing in the world ♪

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♪ The most beautiful thing
in the world, Charlie ♪

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♪ It's beautiful, it's beautiful ♪

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- Your life, your future is
right here in this factory.

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You belong here.

84
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- No, I belong with Nicola in London.

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- No, you belong here.

86
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- Will you toast my journey?

87
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- But to leave your family and home

88
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for a job shopping in London.

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- Marketing!

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Dad, Richard Bailey has
offered Nicola and me

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positions marketing real estate.

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- You're breaking me heart, Charlie.

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- Oi, to you, Dad.

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- Shoes can protect a man's journey,

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but only his heart can choose the path.

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And so, a toast to our own Charlie.

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May you never fail to
point your shoes back home.

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- [Workers] To Charlie!

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♪ Beautiful, it's beautiful ♪

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- [Workers] To Charlie!

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♪ Beautiful, it's beautiful ♪

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- [Workers] To Charlie!

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♪ These shoes are symbols
of our family history ♪

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♪ These shoes will carry
me to where I want to be ♪

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♪ Feels like I'm dancing ♪

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♪ These shoes are symbols
of our family history ♪

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♪ Don't you go anywhere
'cause you belong to me ♪

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- You all do realize
you're talking about shoes?

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♪ The most beautiful thing in the world ♪

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♪ The most beautiful thing
in the world, Charlie ♪

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♪ It's beautiful, beautiful,
beautiful, beautiful ♪

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♪ Beautiful thing in the world ♪

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♪ The most beautiful thing
in the world, Charlie ♪

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♪ That I know, I know ♪

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♪ The most beautiful thing in the world ♪

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♪ The most beautiful thing
in the world, Charlie ♪

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♪ It's beautiful, it's
beautiful, it's beautiful ♪

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♪ It's beautiful ♪

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(audience cheering and applauding)

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- God, this flat is dirty
and small and dreary,

121
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and everything about it
needs replacing, except--

122
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- Me!

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- The address!
(Charlie laughs)

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We're in London, Charlie, London,

125
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London, London.

126
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- (laughs) Where'd you say we were?

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- London!

128
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- So you're happy, Nic?

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- I'm ecstatic, aren't you?

130
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- I'm happy if you're happy.

131
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- Oh, is that really the best you can do?

132
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- I love you.

133
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- Well, you can always go back
and muck in with your dad.

134
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- And what, make shoes?

135
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That's not what I want.

136
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- What is it you want?

137
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(cell phone ringing)

138
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- Sorry.

139
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(cell phone ringing)

140
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Hello?

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Yes, this is is his son.

142
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When?

143
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How?

144
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♪ Trust your feet in Price & Son ♪

145
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♪ Our work is tried and true ♪

146
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♪ Practical, pragmatical ♪

147
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♪ Steadfast and sturdy too ♪

148
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♪ If you stroll or saunter,
amble, walk, jog, hop, or run ♪

149
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♪ The prudent shoe for you to choose ♪

150
00:07:47,507 --> 00:07:50,257
♪ Is Price & Son ♪

151
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- Your father would be proud to see you

152
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standing here, Mr. Price.

153
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- Oh, cripes, George,
you've known me all my life.

154
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Call me Charlie.

155
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- Price & Son must have
a Mr. Price, Mr. Price.

156
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- I'm glad you brought that up.

157
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Now, you see, my father
always assumed that one day,

158
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I'd take over the factory,
but I never said I would.

159
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- Excuse me, sir, if you could just,

160
00:08:09,725 --> 00:08:10,736
they're waiting below.
- Huh?

161
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- A word or two, sir.

162
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They'd appreciate hearing from
the new head of Price & Son.

163
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- [Charlie] Oh, that's
not really necessary--

164
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- Just a word, sir.

165
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- Oi, oi, quiet down!

166
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The little prince got somethin' to say.

167
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- Hello, hi.

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(audience laughing)

169
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Cheers.

170
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Thanks for the flowers and
the notes, and whatnot.

171
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- Perhaps a word of
encouragement about the future.

172
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- Yes.

173
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Let's keep making shoes,

174
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great shoes.

175
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And good luck with that.

176
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- Wow, that wanker's got a way with words.

177
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- Mr. Price, come quick!

178
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Chambers' have sent back
their entire shoe order!

179
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- After you, Mr. Price.

180
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- Can someone sign so I can
get the rest of these shoes

181
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off me truck?

182
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- Is there something wrong with them?

183
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- Ask someone who cares.

184
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Sign all three copies.

185
00:09:01,638 --> 00:09:02,867
- All right, Pat, I guess we should put

186
00:09:02,867 --> 00:09:04,475
these in the store room.

187
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- The Chambers' winter shoe
order is already in there.

188
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- What are these?

189
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- The Chambers' spring shoe order.

190
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- And we're currently manufacturing?

191
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- The Chambers' summer shoe
order, and it's a big one.

192
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- You telling me we have
a year's worth of shoes

193
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and no one to buy them?

194
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- It started some time back.

195
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Chambers cut down orders,
but cutting back production

196
00:09:19,946 --> 00:09:21,449
would have meant cutting
back workers' hours,

197
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and your father wouldn't hear of it.

198
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- I would have thought he'd told you,

199
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but then you were busy at
university and with your girl.

200
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- Yeah, but what's to be
done with all these shoes?

201
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- Once or twice, your
father sold overstock

202
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to the discount chains.

203
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- So it's happened before?

204
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- Never as bad as this.

205
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- Actually, of late, he
seemed less concerned.

206
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He said he'd settled on some sort of plan!

207
00:09:37,059 --> 00:09:39,078
- Sort of plan?

208
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What sort of plan?

209
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♪ Whoa ♪

210
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♪ Singin' whoa ♪

211
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♪ Whoa ♪

212
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♪ Singin' whoa ♪

213
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♪ Whoa ♪

214
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- Ladies and gents, band's on a break.

215
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Back in five. (grunts)

216
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(Charlie laughs)

217
00:10:01,977 --> 00:10:03,939
Not bad for a discount shoe salesman, eh?

218
00:10:03,939 --> 00:10:05,139
- Really terrific, Harry.

219
00:10:05,139 --> 00:10:07,371
To you.
- To your father, yeah?

220
00:10:07,371 --> 00:10:08,459
He was a gent.

221
00:10:08,459 --> 00:10:10,419
- And to yours.

222
00:10:10,419 --> 00:10:12,699
(yelling comically)

223
00:10:12,699 --> 00:10:13,809
- Ooh! (laughs)

224
00:10:13,809 --> 00:10:15,990
Well, mate, I assume you didn't
come all the way to London

225
00:10:15,990 --> 00:10:16,999
just to buy me a drink.

226
00:10:16,999 --> 00:10:19,211
- Yeah, seems like we find
ourselves with 600 pairs

227
00:10:19,211 --> 00:10:20,691
of brogues and no buyer.

228
00:10:20,691 --> 00:10:22,531
- Chambers finally canceled
your orders completely,

229
00:10:22,531 --> 00:10:23,364
yeah, I heard.

230
00:10:23,364 --> 00:10:24,529
- But then I remembered
the time your father

231
00:10:24,529 --> 00:10:27,611
found his stock short, and
my dad, at no small expense,

232
00:10:27,611 --> 00:10:29,650
took on the task of filling the shortfall.

233
00:10:29,650 --> 00:10:31,550
- No fair conjuring ancient history.

234
00:10:31,550 --> 00:10:32,851
- Look, I'll give 'em to you at cost.

235
00:10:32,851 --> 00:10:34,800
Cost, Harry, for old time's sake.

236
00:10:34,800 --> 00:10:36,769
- (groan) You see these, Charlie?

237
00:10:36,769 --> 00:10:38,590
I import them from Slovakia and sell them

238
00:10:38,590 --> 00:10:40,961
at a fraction of your cost.

239
00:10:40,961 --> 00:10:42,961
- But they're shite.

240
00:10:42,961 --> 00:10:43,794
(audience laughing)

241
00:10:43,794 --> 00:10:45,920
A Price shoe will last a man a lifetime.

242
00:10:45,920 --> 00:10:48,520
The poor sod who buys these
will need new ones in a season.

243
00:10:48,520 --> 00:10:49,811
- And I'll be right
there to sell him a pair

244
00:10:49,811 --> 00:10:51,281
at a very affordable price.

245
00:10:51,281 --> 00:10:54,339
- Oi, ever hear the saying
poor people stay poor

246
00:10:54,339 --> 00:10:56,401
because they buy cheap shoes?

247
00:10:56,401 --> 00:10:58,120
- You ever hear the saying
no matter how far down

248
00:10:58,120 --> 00:11:00,579
the wrong road you've gone, turn back?

249
00:11:00,579 --> 00:11:03,599
Selling off inventory's only
gonna prolong the inevitable.

250
00:11:03,599 --> 00:11:06,630
But tell me, Charlie,
is manufacturing shoes

251
00:11:06,630 --> 00:11:08,091
really what you had your cap set on?

252
00:11:08,091 --> 00:11:09,870
- Is selling cheap
imports your aspiration?

253
00:11:09,870 --> 00:11:11,579
- If my life was nothing more than shoes,

254
00:11:11,579 --> 00:11:14,219
you'd find me swinging by
my tie from a steam pipe.

255
00:11:14,219 --> 00:11:18,519
My guitar, my mates,
and music are my escape.

256
00:11:18,519 --> 00:11:22,390
It ain't perfect, but it's what I got.

257
00:11:22,390 --> 00:11:25,929
♪ Remember the pub
where our fathers went ♪

258
00:11:25,929 --> 00:11:30,308
♪ To spend the end of their day ♪

259
00:11:30,308 --> 00:11:33,919
♪ Remember the yard behind the pub ♪

260
00:11:33,919 --> 00:11:37,420
♪ Where we'd run and play ♪

261
00:11:37,420 --> 00:11:42,079
♪ Well, the places we loved
came down with a blast ♪

262
00:11:42,079 --> 00:11:45,580
♪ High rise flats rose up so fast ♪

263
00:11:45,580 --> 00:11:48,448
♪ You can't go back ♪

264
00:11:48,448 --> 00:11:52,889
♪ You can't make it last ♪

265
00:11:52,889 --> 00:11:57,368
♪ You've got to take what you've got ♪

266
00:11:57,368 --> 00:12:00,708
♪ Even when your life is in knots ♪

267
00:12:00,708 --> 00:12:05,140
♪ You take aim, take your shot ♪

268
00:12:05,140 --> 00:12:09,700
♪ Sometimes you've
gotta rewrite the plot ♪

269
00:12:09,700 --> 00:12:11,477
♪ You got to take what you got ♪

270
00:12:11,477 --> 00:12:14,559
♪ You'd always say that
one of these days ♪

271
00:12:14,559 --> 00:12:19,268
♪ You'd get out of Northampton town ♪

272
00:12:19,268 --> 00:12:22,447
♪ You'd always say that
you wouldn't stay ♪

273
00:12:22,447 --> 00:12:27,308
♪ No, you wouldn't stick around ♪

274
00:12:27,308 --> 00:12:31,257
♪ Never knew what I wanted before ♪

275
00:12:31,257 --> 00:12:34,748
♪ Now I'm even more unsure ♪

276
00:12:34,748 --> 00:12:37,428
♪ You can't move on ♪

277
00:12:37,428 --> 00:12:41,118
♪ If you're still in the past ♪

278
00:12:41,118 --> 00:12:42,066
♪ Listen ♪

279
00:12:42,066 --> 00:12:46,537
♪ You've gotta take what you've got ♪

280
00:12:46,537 --> 00:12:49,917
♪ Even when your life is in knots ♪

281
00:12:49,917 --> 00:12:54,367
♪ You take aim, take your shot ♪

282
00:12:54,367 --> 00:12:58,857
♪ Sometimes you gotta rewrite the plot ♪

283
00:12:58,857 --> 00:13:02,997
♪ You've got to take what you got ♪

284
00:13:02,997 --> 00:13:06,417
♪ Everybody's telling me ♪

285
00:13:06,417 --> 00:13:09,817
♪ What I need to be ♪

286
00:13:09,817 --> 00:13:13,796
♪ Change with the times,
move to London town ♪

287
00:13:13,796 --> 00:13:17,767
♪ Or live out a legacy ♪

288
00:13:17,767 --> 00:13:22,417
♪ Well, maybe this time, I take a chance ♪

289
00:13:22,417 --> 00:13:26,398
♪ Leap into the vast expanse ♪

290
00:13:26,398 --> 00:13:31,398
♪ Maybe this time, I seize my destiny ♪

291
00:13:32,507 --> 00:13:34,924
♪ My destiny ♪

292
00:13:40,703 --> 00:13:43,164
(audience laughing)

293
00:13:43,164 --> 00:13:47,065
- If you're on the wrong road, turn back.

294
00:13:47,065 --> 00:13:49,775
- So you'll help me out?

295
00:13:49,775 --> 00:13:50,934
Thank you, Harry!

296
00:13:50,934 --> 00:13:51,945
- Two, three!

297
00:13:51,945 --> 00:13:56,574
♪ You've got to take what you've got ♪

298
00:13:56,574 --> 00:13:59,604
♪ Even when your life is in knots ♪

299
00:13:59,604 --> 00:14:04,023
♪ You take aim, take your shot ♪

300
00:14:04,023 --> 00:14:08,423
♪ Sometimes you gotta rewrite the plot ♪

301
00:14:08,423 --> 00:14:10,713
♪ You got to take what you got ♪

302
00:14:10,713 --> 00:14:14,880
♪ You've got to take what you got ♪

303
00:14:15,811 --> 00:14:17,490
- You have something to
spare for a thirsty man, eh?

304
00:14:17,490 --> 00:14:18,732
- Here, here.

305
00:14:18,732 --> 00:14:22,900
A Price & Son shoe will
last a man a lifetime.

306
00:14:22,900 --> 00:14:25,212
- Do I look like a man
whose problem is shoes?

307
00:14:25,212 --> 00:14:27,507
(police siren wailing in distance)

308
00:14:27,507 --> 00:14:28,787
(glass shattering)
- [Lola] All right, fellas,

309
00:14:28,787 --> 00:14:29,849
let's go easy now.

310
00:14:29,849 --> 00:14:31,169
- However you like it, darling!

311
00:14:31,169 --> 00:14:33,467
We can start out easy
and take it from there.

312
00:14:33,467 --> 00:14:34,758
- I'm all for progress!

313
00:14:34,758 --> 00:14:35,846
- Hey, hey, hey, come now, gents!

314
00:14:35,846 --> 00:14:36,679
I think maybe you've had your--

315
00:14:36,679 --> 00:14:38,270
- And what if I said
mind your own business?

316
00:14:38,270 --> 00:14:39,419
- [Charlie] Let the lady go on her way!

317
00:14:39,419 --> 00:14:41,209
- You can take her place if you fancy!

318
00:14:41,209 --> 00:14:44,350
- [Lola] Step aside, sir, I
can handle the likes of these!

319
00:14:44,350 --> 00:14:46,979
(hooligan grunting)
(loud thudding)

320
00:14:46,979 --> 00:14:51,070
♪ Lola ♪

321
00:14:51,070 --> 00:14:55,419
♪ Lola ♪

322
00:14:55,419 --> 00:15:00,419
♪ Lola ♪

323
00:15:04,289 --> 00:15:06,206
♪ Lola ♪

324
00:15:07,479 --> 00:15:09,381
(audience cheering and applauding)

325
00:15:09,381 --> 00:15:11,802
- He's not the first man to fall for me,

326
00:15:11,802 --> 00:15:16,501
and I promise, he won't
be the last. (laughs)

327
00:15:16,501 --> 00:15:19,040
♪ Leave expectations at the door ♪

328
00:15:19,040 --> 00:15:21,101
♪ Just let your eyes explore ♪

329
00:15:21,101 --> 00:15:22,781
♪ My cinematic flair ♪

330
00:15:22,781 --> 00:15:24,821
♪ From my boot to derriere ♪

331
00:15:24,821 --> 00:15:27,111
♪ I got a lacy silken feel ♪

332
00:15:27,111 --> 00:15:28,941
♪ With arms as hard as steel ♪

333
00:15:28,941 --> 00:15:30,981
♪ I am freedom, I'm constriction ♪

334
00:15:30,981 --> 00:15:33,450
♪ A potpourri of contradiction ♪

335
00:15:33,450 --> 00:15:38,450
♪ Leave that humdrum pace of glum behind ♪

336
00:15:41,482 --> 00:15:45,421
♪ Once you walk inside these doors ♪

337
00:15:45,421 --> 00:15:47,541
♪ You're mine ♪

338
00:15:47,541 --> 00:15:49,181
♪ Now let me blow your mind ♪

339
00:15:49,181 --> 00:15:51,425
♪ And like shazam and bam ♪

340
00:15:51,425 --> 00:15:53,326
♪ Here I am, yes, ma'am ♪

341
00:15:53,326 --> 00:15:57,177
♪ I am Lola ♪

342
00:15:57,177 --> 00:15:59,605
♪ And like je suis, ooh-wee ♪

343
00:15:59,605 --> 00:16:01,434
♪ That's me, ebony ♪

344
00:16:01,434 --> 00:16:05,833
♪ I am Lola ♪

345
00:16:05,833 --> 00:16:07,874
♪ Step in, step in to a dream ♪

346
00:16:07,874 --> 00:16:09,973
♪ Where glam, where glamor is extreme ♪

347
00:16:09,973 --> 00:16:12,104
♪ Welcome, welcome to my fantasy ♪

348
00:16:12,104 --> 00:16:13,965
♪ We give good epiphany ♪

349
00:16:13,965 --> 00:16:18,005
♪ So come and take my hand
and welcome to the land ♪

350
00:16:18,005 --> 00:16:21,685
♪ Of Lo ♪

351
00:16:21,685 --> 00:16:23,602
♪ Lola ♪

352
00:16:25,194 --> 00:16:26,731
- No need to be embarrassed.

353
00:16:26,731 --> 00:16:30,932
I like to be looked at,
and you like to look.

354
00:16:30,932 --> 00:16:33,674
I know a way to make us both happy.

355
00:16:33,674 --> 00:16:35,125
♪ Lola, oh ♪

356
00:16:35,125 --> 00:16:37,173
♪ Lola, ooh, yeah ♪

357
00:16:37,173 --> 00:16:38,006
♪ Lola ♪

358
00:16:38,006 --> 00:16:40,144
♪ Got Ginger Rogers savoir faire ♪

359
00:16:40,144 --> 00:16:42,125
♪ With the moves of Fred Astaire ♪

360
00:16:42,125 --> 00:16:44,163
♪ I'm black Jesus, I'm black Mary ♪

361
00:16:44,163 --> 00:16:46,205
♪ But this Mary's legs are hairy ♪

362
00:16:46,205 --> 00:16:48,213
♪ I'm your coco butter bitch ♪

363
00:16:48,213 --> 00:16:50,253
♪ Not just cookie cutter kitsch ♪

364
00:16:50,253 --> 00:16:52,554
♪ I provide the unexpected ♪

365
00:16:52,554 --> 00:16:54,725
♪ With a prize that's undetected ♪

366
00:16:54,725 --> 00:16:59,725
♪ Let Lola lift you to
your highest highs ♪

367
00:17:02,833 --> 00:17:07,833
♪ Let's explore your
flight of fancy tonight ♪

368
00:17:08,794 --> 00:17:10,544
♪ I am gonna treat you right ♪

369
00:17:10,544 --> 00:17:12,685
♪ And like shazam and bam ♪

370
00:17:12,685 --> 00:17:14,674
♪ Here I am, yes, ma'am ♪

371
00:17:14,674 --> 00:17:18,605
♪ I am Lola ♪

372
00:17:18,605 --> 00:17:21,085
♪ And like je suis, ooh-wee ♪

373
00:17:21,085 --> 00:17:22,813
♪ That's me, ebony ♪

374
00:17:22,813 --> 00:17:27,253
♪ I am, hey, Lo, Lo, Lo, Lo, Lo, Lola ♪

375
00:17:27,253 --> 00:17:29,205
♪ Step in, step in to a dream ♪

376
00:17:29,205 --> 00:17:31,204
♪ Where glam, where glamor is extreme ♪

377
00:17:31,204 --> 00:17:33,482
♪ Welcome, welcome to my fantasy ♪

378
00:17:33,482 --> 00:17:35,224
♪ We give good epiphany ♪

379
00:17:35,224 --> 00:17:37,313
♪ Step in, step in to a dream ♪

380
00:17:37,313 --> 00:17:39,473
♪ Where glam, where glamor is extreme ♪

381
00:17:39,473 --> 00:17:41,565
♪ Welcome, welcome to my fantasy ♪

382
00:17:41,565 --> 00:17:43,434
♪ We give good epiphany ♪

383
00:17:43,434 --> 00:17:47,413
♪ So come and take my hand
and welcome to the land ♪

384
00:17:47,413 --> 00:17:51,173
♪ Of Lo ♪

385
00:17:51,173 --> 00:17:54,794
♪ Lola ♪

386
00:17:54,794 --> 00:17:56,576
♪ Lola, say my name ♪

387
00:17:56,576 --> 00:17:58,256
♪ Lola, hey, oh ♪

388
00:17:58,256 --> 00:17:59,677
♪ Lola ♪

389
00:17:59,677 --> 00:18:03,706
♪ So come and take my hand
and welcome to the land ♪

390
00:18:03,706 --> 00:18:07,245
♪ Of Lo ♪

391
00:18:07,245 --> 00:18:09,162
♪ Lola ♪

392
00:18:12,237 --> 00:18:16,487
(audience cheering and applauding)

393
00:18:25,863 --> 00:18:26,696
- Oh!

394
00:18:27,593 --> 00:18:28,426
He lives.

395
00:18:29,295 --> 00:18:30,455
Hello.

396
00:18:30,455 --> 00:18:34,084
They call me Lola because it's my name.

397
00:18:34,084 --> 00:18:34,917
(audience laughing)

398
00:18:34,917 --> 00:18:37,363
Very sweet, you riding to my rescue.

399
00:18:37,363 --> 00:18:38,623
Very Prince Charming.

400
00:18:38,623 --> 00:18:40,583
- You don't appear to be
in much need of rescue.

401
00:18:40,583 --> 00:18:42,815
- A girl's got to know
how to look after herself.

402
00:18:42,815 --> 00:18:45,843
There are some very
funny people out there.

403
00:18:45,843 --> 00:18:47,623
How's your chin?

404
00:18:47,623 --> 00:18:50,351
Ooh, don't flatter yourself.

405
00:18:50,351 --> 00:18:52,939
I will say one thing for you.

406
00:18:52,939 --> 00:18:54,020
You're hard-headed.

407
00:18:54,020 --> 00:18:56,271
Your jaw whacked my heel clean off.

408
00:18:56,271 --> 00:18:58,170
- Oh, well, I could fix these for ya,

409
00:18:58,170 --> 00:18:59,319
but they're just cheap boots.

410
00:18:59,319 --> 00:19:02,736
- Very expensive boots, but cheaply made.

411
00:19:03,599 --> 00:19:06,182
I'd give my left tit for a
shoe that could stand up to me.

412
00:19:06,182 --> 00:19:07,015
(audience laughing)

413
00:19:07,015 --> 00:19:10,598
Oh, but it's my curse
to love these things.

414
00:19:12,226 --> 00:19:14,677
(audience laughing)

415
00:19:14,677 --> 00:19:17,095
- Oh, here, here, please.

416
00:19:17,095 --> 00:19:18,735
Allow me.

417
00:19:18,735 --> 00:19:19,568
- Ooh.

418
00:19:20,666 --> 00:19:22,916
Well, thanks again, mister.

419
00:19:24,746 --> 00:19:26,579
Not to be presumptive,

420
00:19:27,514 --> 00:19:28,936
but you are a mister?

421
00:19:28,936 --> 00:19:31,176
- (laughs) Charlie from Northampton.

422
00:19:31,176 --> 00:19:33,218
- Well, Charlie from Northampton,

423
00:19:33,218 --> 00:19:36,046
if you'll excuse me, I need
to start the second show.

424
00:19:36,046 --> 00:19:37,386
There's a room full of people

425
00:19:37,386 --> 00:19:40,578
waiting to feel normal by comparison.

426
00:19:40,578 --> 00:19:43,776
But please, feel free to join in the fun.

427
00:19:43,776 --> 00:19:46,109
- Oh, very kind, thank you,
but I must be getting back.

428
00:19:46,109 --> 00:19:47,250
I've got a factory full of folk

429
00:19:47,250 --> 00:19:49,329
need firing tomorrow morning.

430
00:19:49,329 --> 00:19:51,680
- And they call me kinky?

431
00:19:51,680 --> 00:19:52,671
(audience laughing)

432
00:19:52,671 --> 00:19:56,279
Well, as Oscar Wilde said, "Be yourself.

433
00:19:56,279 --> 00:19:59,461
"Everyone else is already taken." (laughs)

434
00:19:59,461 --> 00:20:03,122
♪ Lola ♪

435
00:20:03,122 --> 00:20:07,031
♪ Lola ♪

436
00:20:07,031 --> 00:20:10,962
♪ Lola ♪

437
00:20:10,962 --> 00:20:12,879
♪ Lola ♪

438
00:20:16,290 --> 00:20:17,957
- Ladies, gentlemen,

439
00:20:21,250 --> 00:20:24,300
and those who have yet
to make up their minds,

440
00:20:24,300 --> 00:20:26,180
(audience laughing)

441
00:20:26,180 --> 00:20:28,500
I invite you to look around.

442
00:20:28,500 --> 00:20:31,250
You might see something you want.

443
00:20:34,948 --> 00:20:36,047
- Oh!

444
00:20:36,047 --> 00:20:37,089
- Did you catch that?

445
00:20:37,089 --> 00:20:39,689
I just made a man disappear with one wink.

446
00:20:39,689 --> 00:20:41,100
Oh, what a shame.

447
00:20:41,100 --> 00:20:43,012
My girls so wanted to meet him.

448
00:20:43,012 --> 00:20:43,940
Isn't that right?

449
00:20:43,940 --> 00:20:45,649
(bell dings)

450
00:20:45,649 --> 00:20:47,889
Now, don't worry, you're perfectly safe.

451
00:20:47,889 --> 00:20:49,598
My girls are harmless.

452
00:20:49,598 --> 00:20:54,265
But then again, this is live
theater, so you never know.

453
00:20:55,660 --> 00:21:00,038
♪ Leave expectations at the door ♪

454
00:21:00,038 --> 00:21:03,858
♪ Just let your eyes explore ♪

455
00:21:03,858 --> 00:21:08,518
♪ My cinematic flair,
from my boot to derriere ♪

456
00:21:08,518 --> 00:21:10,169
- A two-week notice?

457
00:21:10,169 --> 00:21:11,208
And then what?
- As I've said,

458
00:21:11,208 --> 00:21:13,468
I've found someone to
buy our current stock,

459
00:21:13,468 --> 00:21:14,958
but no orders for next season,

460
00:21:14,958 --> 00:21:16,517
I'm afraid we'll have to shut down.

461
00:21:16,517 --> 00:21:19,300
- Please, Charlie, me
girl's just started school.

462
00:21:19,300 --> 00:21:22,390
It's the uniforms, love, and
me with no husband to help.

463
00:21:22,390 --> 00:21:24,900
- I'm sorry, Trish, but Chambers
has canceled our contract.

464
00:21:24,900 --> 00:21:25,980
What else can I do?

465
00:21:25,980 --> 00:21:27,879
- Is that what all this is about,

466
00:21:27,879 --> 00:21:29,710
them Chambers shoe returns?

467
00:21:29,710 --> 00:21:32,820
All right, so you've had some bad news,

468
00:21:32,820 --> 00:21:34,100
but chin up, me duck.

469
00:21:34,100 --> 00:21:35,809
As me mother used to say,

470
00:21:35,809 --> 00:21:40,609
"Don't worry today because
today ain't tomorrow."

471
00:21:40,609 --> 00:21:43,321
So thanks for the chat,
Charlie, and good luck.

472
00:21:43,321 --> 00:21:44,154
- What?

473
00:21:44,154 --> 00:21:45,670
Trish, no, it's not like that!

474
00:21:45,670 --> 00:21:47,087
Trish, I have to!

475
00:21:48,521 --> 00:21:50,849
♪ And like shazam, and bam ♪

476
00:21:50,849 --> 00:21:52,641
♪ Here I am, yes, ma'am ♪

477
00:21:52,641 --> 00:21:54,974
♪ I am Lola ♪

478
00:21:57,401 --> 00:21:59,401
- So I'm giving everyone
their two-week notice.

479
00:21:59,401 --> 00:22:01,601
We'll use the time to
ratchet down production,

480
00:22:01,601 --> 00:22:03,070
take inventory, clean the machines--

481
00:22:03,070 --> 00:22:04,521
- Who are you kidding?

482
00:22:04,521 --> 00:22:06,841
I've been workin' here
since you and me was kids.

483
00:22:06,841 --> 00:22:08,549
I'm third generation Price & Son.

484
00:22:08,549 --> 00:22:09,382
- Yeah, well, the fact is

485
00:22:09,382 --> 00:22:10,660
that nine out of 10 shoe manufacturers

486
00:22:10,660 --> 00:22:12,608
have shut down already.

487
00:22:12,608 --> 00:22:16,559
And unless I can find a miracle
buyer, what else can I do?

488
00:22:16,559 --> 00:22:20,220
- Do what you like, but you can't fire me.

489
00:22:20,220 --> 00:22:21,990
Remember back at school,
when you tried to cut me

490
00:22:21,990 --> 00:22:23,390
off your rugby team?

491
00:22:23,390 --> 00:22:25,489
Remember what happened?

492
00:22:25,489 --> 00:22:28,310
- You shoved me down a flight
of stairs and got suspended.

493
00:22:28,310 --> 00:22:31,060
- Yeah, but I stayed on the team.

494
00:22:33,220 --> 00:22:35,540
♪ And like je suis, ooh-wee ♪

495
00:22:35,540 --> 00:22:37,169
♪ That's me, ebony ♪

496
00:22:37,169 --> 00:22:39,502
♪ I am Lola ♪

497
00:22:41,980 --> 00:22:43,439
- But what else can I do?

498
00:22:43,439 --> 00:22:45,648
We can't keep making things no one wants!

499
00:22:45,648 --> 00:22:48,189
- Then make something they do.

500
00:22:48,189 --> 00:22:50,150
- Make something they do what?

501
00:22:50,150 --> 00:22:52,650
- Make something they do want.

502
00:22:53,879 --> 00:22:55,462
Change the product.

503
00:22:56,358 --> 00:22:57,191
(audience laughing)

504
00:22:57,191 --> 00:22:59,449
- This is a shoe factory, we make shoes.

505
00:22:59,449 --> 00:23:01,449
- Not ones anyone wants.

506
00:23:02,380 --> 00:23:04,428
Over at the Whitcomb
factory, they noted a lack

507
00:23:04,428 --> 00:23:07,460
of all-weather hiking shoes, so?

508
00:23:07,460 --> 00:23:08,767
(Charlie sighs)

509
00:23:08,767 --> 00:23:10,849
They started making
all-weather hiking shoes

510
00:23:10,849 --> 00:23:12,540
and saved the factory.

511
00:23:12,540 --> 00:23:15,508
Toby's has started making sandals.

512
00:23:15,508 --> 00:23:17,788
All the sods who survived went out looking

513
00:23:17,788 --> 00:23:21,938
for an underserved niche market
and aimed to fill the void.

514
00:23:21,938 --> 00:23:24,268
They didn't sit up in
their offices whining,

515
00:23:24,268 --> 00:23:26,488
"What else can I do?"

516
00:23:26,488 --> 00:23:28,158
(alarm blaring)

517
00:23:28,158 --> 00:23:30,820
(mystical music)

518
00:23:30,820 --> 00:23:32,668
- Well, my wedding shoes are still here,

519
00:23:32,668 --> 00:23:34,849
but my fiance's nowhere in sight.

520
00:23:34,849 --> 00:23:37,358
- Sorry, Nic, I'm completely underwater.

521
00:23:37,358 --> 00:23:39,038
- You're saying you still haven't left?

522
00:23:39,038 --> 00:23:40,909
Charlie, we have an appointment.

523
00:23:40,909 --> 00:23:42,647
If we lose this hall, we'll
wind up gettin' married

524
00:23:42,647 --> 00:23:43,959
in a fish and chip shop.

525
00:23:43,959 --> 00:23:46,027
- Yeah, now that sounds like fun!

526
00:23:46,027 --> 00:23:48,117
- Are you seriously standing me up?

527
00:23:48,117 --> 00:23:50,578
- Come on, Nic, do we
really need a showy wedding?

528
00:23:50,578 --> 00:23:52,406
In the end, shouldn't it be about us?

529
00:23:52,406 --> 00:23:54,447
- A wedding announces
to the world who you,

530
00:23:54,447 --> 00:23:55,877
as a couple, are going to be.

531
00:23:55,877 --> 00:23:57,767
- I've just given two-week
notices to George,

532
00:23:57,767 --> 00:23:59,056
Don, Maggie, Trish--

533
00:23:59,056 --> 00:23:59,978
- Oh, bloody hell!

534
00:23:59,978 --> 00:24:02,157
I forgot to ask Maggie to be a bridesmaid.

535
00:24:02,157 --> 00:24:03,184
She'd like that, wouldn't she?

536
00:24:03,184 --> 00:24:05,007
- I think she'd like getting paid better.

537
00:24:05,007 --> 00:24:06,887
Honestly, Nic, wouldn't
saving all those people's jobs

538
00:24:06,887 --> 00:24:09,227
tell the world a little bit more about us

539
00:24:09,227 --> 00:24:12,207
than having a fancy party
in a pair of 900-quid shoes

540
00:24:12,207 --> 00:24:13,687
you're only gonna wear once?

541
00:24:13,687 --> 00:24:15,797
Talk about your niche market.

542
00:24:15,797 --> 00:24:18,226
(bright music)

543
00:24:18,226 --> 00:24:21,149
Talk about your niche market.

544
00:24:21,149 --> 00:24:23,290
- Talk about what niche market?

545
00:24:23,290 --> 00:24:24,869
- Take what you've got,
change the product,

546
00:24:24,869 --> 00:24:27,309
find an underserved nice
market, and they certainly are

547
00:24:27,309 --> 00:24:29,738
a completely underserved niche market!

548
00:24:29,738 --> 00:24:31,248
- Have you gone off your nut?

549
00:24:31,248 --> 00:24:33,810
- Nic, I'll ring you back.

550
00:24:33,810 --> 00:24:34,969
Lauren to the office.

551
00:24:34,969 --> 00:24:38,302
Come see Mr. Pri, Charlie in his office,

552
00:24:39,429 --> 00:24:40,869
now!

553
00:24:40,869 --> 00:24:42,818
♪ Step in, step in to a dream ♪

554
00:24:42,818 --> 00:24:44,958
♪ Where glam, where glamor is extreme ♪

555
00:24:44,958 --> 00:24:47,069
♪ Welcome, welcome to my fantasy ♪

556
00:24:47,069 --> 00:24:48,850
♪ We give good epiphany ♪

557
00:24:48,850 --> 00:24:53,250
♪ So come and take my hand
and welcome to the land ♪

558
00:24:53,250 --> 00:24:56,559
♪ Lo ♪

559
00:24:56,559 --> 00:24:58,476
♪ Lola ♪

560
00:24:59,970 --> 00:25:01,829
- [Charlie] (clapping) Yes!

561
00:25:01,829 --> 00:25:02,662
Yeah!

562
00:25:02,662 --> 00:25:03,608
- Oh!

563
00:25:03,608 --> 00:25:06,968
You've returned. (laughs)

564
00:25:06,968 --> 00:25:09,389
You've got a dark horse in
this boyfriend of yours.

565
00:25:09,389 --> 00:25:10,469
- [Charlie and Lauren] No,
no, no, no, no, no, no!

566
00:25:10,469 --> 00:25:11,608
- Nothing's going on here!
- She's not my--

567
00:25:11,608 --> 00:25:13,069
- He's got another girl.

568
00:25:13,069 --> 00:25:14,749
I just stuff his boxes.

569
00:25:14,749 --> 00:25:16,589
(audience laughing)

570
00:25:16,589 --> 00:25:19,256
At least for the next two weeks.

571
00:25:20,277 --> 00:25:23,277
(audience laughing)

572
00:25:27,717 --> 00:25:29,227
- What are you staring at?

573
00:25:29,227 --> 00:25:30,768
- Oh, you'll have to forgive him.

574
00:25:30,768 --> 00:25:32,697
We don't get many
transvestites in Northampton.

575
00:25:32,697 --> 00:25:34,117
- Ha, don't kid yourself.

576
00:25:34,117 --> 00:25:35,477
You're never more than 10 steps away

577
00:25:35,477 --> 00:25:37,336
from some sort of cross-dresser.

578
00:25:37,336 --> 00:25:40,917
In any case, those are not transvestites.

579
00:25:40,917 --> 00:25:42,168
They're drag queens.

580
00:25:42,168 --> 00:25:43,568
- There's a difference?
- Yes!

581
00:25:43,568 --> 00:25:46,728
A drag queen puts on a frock,
and suddenly, she's Cleopatra!

582
00:25:46,728 --> 00:25:49,307
A transvestite gets done
up and, often as not,

583
00:25:49,307 --> 00:25:51,619
looks like Winston Churchill
in his mother's knickers.

584
00:25:51,619 --> 00:25:53,947
(Lola and Lauren laughing)

585
00:25:53,947 --> 00:25:54,780
- And so you are--

586
00:25:54,780 --> 00:25:57,107
- Insulted that you need to ask!

587
00:25:57,107 --> 00:26:00,107
(audience laughing)

588
00:26:02,968 --> 00:26:05,979
So you fired this lovely girl?

589
00:26:05,979 --> 00:26:07,619
- Things aren't very good in men's shoes.

590
00:26:07,619 --> 00:26:08,557
- Certainly I'm not.

591
00:26:08,557 --> 00:26:11,117
(Lola and Lauren laughing)

592
00:26:11,117 --> 00:26:12,067
- How much do you weigh?

593
00:26:12,067 --> 00:26:13,377
- Exactly the right amount.

594
00:26:13,377 --> 00:26:15,176
- For a man, but you're
wearing women's boots.

595
00:26:15,176 --> 00:26:16,728
- And I thought you
weren't paying attention.

596
00:26:16,728 --> 00:26:17,561
- Well, it's all wrong.

597
00:26:17,561 --> 00:26:18,456
- Hasn't stopped me yet.

598
00:26:18,456 --> 00:26:20,836
- A heel made for a woman
cannot possibly support

599
00:26:20,836 --> 00:26:22,016
a man's weight.

600
00:26:22,016 --> 00:26:23,116
You need something special.

601
00:26:23,116 --> 00:26:26,325
- And I deserve something special.

602
00:26:26,325 --> 00:26:29,667
- Yes, well, if you trans-vet-erans

603
00:26:29,667 --> 00:26:31,195
are everywhere like you say,

604
00:26:31,195 --> 00:26:33,245
then there must be a niche market

605
00:26:33,245 --> 00:26:34,976
for properly built-to-last women's boots

606
00:26:34,976 --> 00:26:36,809
for women who are men.

607
00:26:37,866 --> 00:26:39,186
Yes?

608
00:26:39,186 --> 00:26:40,376
No?

609
00:26:40,376 --> 00:26:42,795
The international shoe exhibition
is in Milan next month.

610
00:26:42,795 --> 00:26:44,636
If we had something new to show,

611
00:26:44,636 --> 00:26:46,349
something no one else in
the world has to offer,

612
00:26:46,349 --> 00:26:48,045
it might just save the factory.

613
00:26:48,045 --> 00:26:49,019
- Oh!

614
00:26:49,019 --> 00:26:50,088
- I'd like to measure you up,

615
00:26:50,088 --> 00:26:51,976
go back and make a sample pair.

616
00:26:51,976 --> 00:26:53,117
- First riddle me this.

617
00:26:53,117 --> 00:26:54,237
Who gets to keep the boots?

618
00:26:54,237 --> 00:26:55,408
And I'll give you a hint.

619
00:26:55,408 --> 00:26:57,917
The correct answer is you do, Lola.

620
00:26:57,917 --> 00:26:58,847
- You do, Lola.

621
00:26:58,847 --> 00:27:01,077
- Ah, and where do I pick them up?

622
00:27:01,077 --> 00:27:02,267
Price's of Northampton, is it?

623
00:27:02,267 --> 00:27:03,939
- Oh, no, no, no, no, no, no,
no, I'll bring them to you.

624
00:27:03,939 --> 00:27:05,344
I come to London all the time.

625
00:27:05,344 --> 00:27:07,496
- You don't want me to come
to Northampton, do you?

626
00:27:07,496 --> 00:27:09,867
- (laughs) No.

627
00:27:09,867 --> 00:27:10,700
(audience laughing)

628
00:27:10,700 --> 00:27:12,787
- I'm sorry, but I have a terrible habit

629
00:27:12,787 --> 00:27:15,368
of doing exactly the
opposite of what people ask,

630
00:27:15,368 --> 00:27:18,347
which might explain why I'm
wearing this frock today.

631
00:27:18,347 --> 00:27:20,427
See you in Northampton.

632
00:27:20,427 --> 00:27:21,844
Oh, and make them

633
00:27:23,485 --> 00:27:24,318
red!

634
00:27:25,296 --> 00:27:27,225
(audience laughing)

635
00:27:27,225 --> 00:27:31,475
(audience cheering and applauding)

636
00:28:15,152 --> 00:28:19,503
♪ Do I belong here, am
I what's wrong here ♪

637
00:28:19,503 --> 00:28:23,793
♪ Know what I'm doin' or am I a fraud ♪

638
00:28:23,793 --> 00:28:28,073
♪ Do I fit in, where do I begin ♪

639
00:28:28,073 --> 00:28:32,045
♪ Same old Charlie,
frightened and flawed ♪

640
00:28:32,045 --> 00:28:34,735
♪ So I ♪

641
00:28:34,735 --> 00:28:39,508
♪ Pretend ♪

642
00:28:39,508 --> 00:28:43,057
♪ And keep my head up like I know ♪

643
00:28:43,057 --> 00:28:45,188
♪ How this ♪

644
00:28:45,188 --> 00:28:49,857
♪ Will end ♪

645
00:28:49,857 --> 00:28:54,276
♪ Maybe these pieces
are fallin' together ♪

646
00:28:54,276 --> 00:28:58,588
♪ Making me feel like I'm not alone ♪

647
00:28:58,588 --> 00:29:03,055
♪ Punching holes into this leather ♪

648
00:29:03,055 --> 00:29:06,966
♪ This kinda feels like I'm back home ♪

649
00:29:06,966 --> 00:29:10,596
♪ I'm watching myself ♪

650
00:29:10,596 --> 00:29:15,596
♪ And I know what to do ♪

651
00:29:15,766 --> 00:29:20,766
♪ Hey, look at me now ♪

652
00:29:22,366 --> 00:29:27,366
♪ It's a shoe ♪

653
00:29:29,115 --> 00:29:31,505
♪ This is time for a shake-up ♪

654
00:29:31,505 --> 00:29:34,096
♪ Look at me wake up ♪

655
00:29:34,096 --> 00:29:35,857
♪ Taking control ♪

656
00:29:35,857 --> 00:29:38,406
♪ This is a new beginning ♪

657
00:29:38,406 --> 00:29:40,955
♪ My gears are spinning ♪

658
00:29:40,955 --> 00:29:43,096
♪ Let's rock and roll ♪

659
00:29:43,096 --> 00:29:44,857
♪ Just put ♪

660
00:29:44,857 --> 00:29:47,017
♪ One foot ♪

661
00:29:47,017 --> 00:29:49,615
♪ Onward and forward ♪

662
00:29:49,615 --> 00:29:53,027
♪ I used to be a zero,
but now I clearly feel ♪

663
00:29:53,027 --> 00:29:57,057
♪ That I may be the hero
who reinvents the heel ♪

664
00:29:57,057 --> 00:30:00,366
♪ I may be facing the impossible ♪

665
00:30:00,366 --> 00:30:03,827
♪ I may be chasing after miracles ♪

666
00:30:03,827 --> 00:30:08,827
♪ And there may be the
steepest mountain to overcome ♪

667
00:30:11,124 --> 00:30:14,946
♪ But this is step one ♪

668
00:30:14,946 --> 00:30:19,366
♪ This is step one ♪

669
00:30:19,366 --> 00:30:21,777
♪ Who knew I had it in me ♪

670
00:30:21,777 --> 00:30:24,276
♪ Let me begin, see ♪

671
00:30:24,276 --> 00:30:26,046
♪ Where this could go ♪

672
00:30:26,046 --> 00:30:28,626
♪ I've got knowledge and know-how ♪

673
00:30:28,626 --> 00:30:31,177
♪ Don't stop the show now ♪

674
00:30:31,177 --> 00:30:33,318
♪ Don't stop the flow ♪

675
00:30:33,318 --> 00:30:35,066
♪ Just put ♪

676
00:30:35,066 --> 00:30:37,238
♪ One foot ♪

677
00:30:37,238 --> 00:30:39,817
♪ Onward and forward, yeah ♪

678
00:30:39,817 --> 00:30:43,166
♪ I used to live in limbo,
never dying to begin ♪

679
00:30:43,166 --> 00:30:47,267
♪ But now it's sink or swim
so I better dive right in ♪

680
00:30:47,267 --> 00:30:50,587
♪ I may be facing the impossible ♪

681
00:30:50,587 --> 00:30:53,987
♪ I may be chasing after miracles ♪

682
00:30:53,987 --> 00:30:58,987
♪ And there may be the
steepest mountain to overcome ♪

683
00:31:01,566 --> 00:31:06,466
♪ But this is step one ♪

684
00:31:06,466 --> 00:31:10,006
♪ It's not just a factory ♪

685
00:31:10,006 --> 00:31:13,249
♪ This is my family ♪

686
00:31:13,249 --> 00:31:17,082
♪ No one's gonna shut us down ♪

687
00:31:19,036 --> 00:31:21,870
- Not while Charlie Price is around!

688
00:31:21,870 --> 00:31:25,230
♪ We may be facing the impossible ♪

689
00:31:25,230 --> 00:31:28,790
♪ We may be chasing after miracles ♪

690
00:31:28,790 --> 00:31:33,790
♪ And there may be the
steepest mountain to overcome ♪

691
00:31:35,812 --> 00:31:39,181
♪ We may be facing the impossible ♪

692
00:31:39,181 --> 00:31:42,512
♪ We may be chasing after miracles ♪

693
00:31:42,512 --> 00:31:47,512
♪ And there may be the
steepest mountain to overcome ♪

694
00:31:49,909 --> 00:31:54,638
♪ But this is step one ♪

695
00:31:54,638 --> 00:31:59,638
♪ Look what Charlie boy has done ♪

696
00:32:00,499 --> 00:32:03,416
♪ This is step one ♪

697
00:32:08,299 --> 00:32:12,549
(audience cheering and applauding)

698
00:32:15,140 --> 00:32:16,848
- What is this?

699
00:32:16,848 --> 00:32:19,468
(audience laughing)

700
00:32:19,468 --> 00:32:20,468
- Your boot.

701
00:32:21,759 --> 00:32:23,408
- Burgundy?

702
00:32:23,408 --> 00:32:24,540
- Is something wrong?

703
00:32:24,540 --> 00:32:29,459
- Please, Lord, tell me
I've not inspired something

704
00:32:29,459 --> 00:32:30,548
burgundy!

705
00:32:30,548 --> 00:32:33,459
(audience laughing)

706
00:32:33,459 --> 00:32:34,639
- At the club, you said--

707
00:32:34,639 --> 00:32:35,919
- Red.
- You didn't specify--

708
00:32:35,919 --> 00:32:36,752
- Red!

709
00:32:38,740 --> 00:32:39,900
- Burgundy is a red!

710
00:32:39,900 --> 00:32:42,548
- Burgundy's the color
of hot water bottles.

711
00:32:42,548 --> 00:32:44,548
Red is the color of sex.

712
00:32:46,409 --> 00:32:48,689
Burgundy's for cardigans and golF apparel.

713
00:32:48,689 --> 00:32:53,606
Red is passion and danger, and
signs that say do not enter!

714
00:32:56,751 --> 00:32:59,801
(audience laughing)

715
00:32:59,801 --> 00:33:01,820
- I've always been partial to pink.

716
00:33:01,820 --> 00:33:03,951
- Pink is for playthings,
yellow for warnings,

717
00:33:03,951 --> 00:33:07,020
purple for princes, black is for wannabes.

718
00:33:07,020 --> 00:33:08,770
Green is for pickles,

719
00:33:09,898 --> 00:33:10,731
but red

720
00:33:12,578 --> 00:33:13,411
is for

721
00:33:15,189 --> 00:33:16,022
sex.

722
00:33:18,250 --> 00:33:21,250
(audience laughing)

723
00:33:24,208 --> 00:33:25,610
- Well, at least try them on.

724
00:33:25,610 --> 00:33:26,839
I guarantee they're comfy!

725
00:33:26,839 --> 00:33:28,309
- Sex shouldn't be comfy.

726
00:33:28,309 --> 00:33:31,057
- Oh, good, I thought it was just me!

727
00:33:31,057 --> 00:33:32,290
(audience laughing)

728
00:33:32,290 --> 00:33:35,149
- Comfy's what's been
putting you out of business.

729
00:33:35,149 --> 00:33:36,265
You want to save this place?

730
00:33:36,265 --> 00:33:37,098
- Yeah.

731
00:33:37,098 --> 00:33:41,016
- Then you're going to have
to start manufacturing sex,

732
00:33:41,016 --> 00:33:43,933
two-and-a-half-feet of irresistible

733
00:33:45,047 --> 00:33:45,880
tubular

734
00:33:47,298 --> 00:33:48,131
sex.

735
00:33:49,866 --> 00:33:51,458
(audience laughing)

736
00:33:51,458 --> 00:33:52,877
- But at least look at the heel.

737
00:33:52,877 --> 00:33:55,098
You sort can dance all night
and beat up a football team,

738
00:33:55,098 --> 00:33:56,957
but this heel will still be whole.

739
00:33:56,957 --> 00:33:57,926
Isn't that what you wanted?

740
00:33:57,926 --> 00:34:00,855
- Not if it means looking
like a Ukrainian folk dancer.

741
00:34:00,855 --> 00:34:02,195
Ladies!

742
00:34:02,195 --> 00:34:04,755
Would you go out in something like this?

743
00:34:04,755 --> 00:34:06,596
- [Women] No!
(women chattering)

744
00:34:06,596 --> 00:34:09,675
- But I say you'd look all right in 'em,

745
00:34:09,675 --> 00:34:11,327
sweetheart.

746
00:34:11,327 --> 00:34:14,327
(audience laughing)

747
00:34:18,087 --> 00:34:20,004
- And what's your name,

748
00:34:21,487 --> 00:34:22,320
darling?

749
00:34:23,495 --> 00:34:25,995
- It's Don to you, sweetheart.

750
00:34:26,898 --> 00:34:29,648
- (laughs) Well,

751
00:34:30,978 --> 00:34:31,811
Don,

752
00:34:35,047 --> 00:34:37,127
(audience laughing)

753
00:34:37,127 --> 00:34:40,786
(Lola exhaling dramatically)

754
00:34:40,786 --> 00:34:44,476
(audience laughing)

755
00:34:44,476 --> 00:34:47,346
if you can't get women to wear them,

756
00:34:47,346 --> 00:34:50,596
you'll never get 'em on blokes like me.

757
00:34:51,436 --> 00:34:54,296
(Lola laughs)

758
00:34:54,296 --> 00:34:57,076
(audience laughing)

759
00:34:57,076 --> 00:35:00,426
And that's the color red you need!

760
00:35:00,426 --> 00:35:03,094
And Charlie, if you want
to put them over the top,

761
00:35:03,094 --> 00:35:04,511
look to the heel.

762
00:35:07,525 --> 00:35:10,066
♪ The sex is in the heel ♪

763
00:35:10,066 --> 00:35:14,996
♪ Even if you break it ♪

764
00:35:14,996 --> 00:35:17,537
♪ The sex is in the feel ♪

765
00:35:17,537 --> 00:35:22,265
♪ Honey, you can't fake it ♪

766
00:35:22,265 --> 00:35:26,017
♪ Jack it up 'cause I'm no flat tire ♪

767
00:35:26,017 --> 00:35:30,153
♪ Mack it up six inches higher, oh ♪

768
00:35:30,153 --> 00:35:32,924
♪ The sex is in the heel ♪

769
00:35:32,924 --> 00:35:36,233
♪ So just embrace it ♪

770
00:35:36,233 --> 00:35:38,694
I hope you don't mind, but
I brought my own back-up.

771
00:35:38,694 --> 00:35:41,622
Ladies, tell the man what you need!

772
00:35:41,622 --> 00:35:45,193
♪ From London to Milan ♪

773
00:35:45,193 --> 00:35:49,423
♪ Stilettos are an ism ♪

774
00:35:49,423 --> 00:35:53,014
♪ In red and neon life ♪

775
00:35:53,014 --> 00:35:56,404
♪ Gimme Jimmy Choo,
Choo, Choo, Choo, Choo ♪

776
00:35:56,404 --> 00:36:00,439
♪ Shoes in New York, Paris, Hong Kong ♪

777
00:36:00,439 --> 00:36:04,519
♪ Live it like an ism ♪

778
00:36:04,519 --> 00:36:07,878
♪ Seduction amplified ♪

779
00:36:07,878 --> 00:36:12,878
♪ The heel is the transmission ♪

780
00:36:15,756 --> 00:36:17,556
♪ Asserting actual scientific reason ♪

781
00:36:17,556 --> 00:36:19,444
♪ Heels tense the leg and
the hindquarter region ♪

782
00:36:19,444 --> 00:36:21,337
♪ Lifting the rear and making it appear ♪

783
00:36:21,337 --> 00:36:23,548
♪ Pert and ready for mating season ♪

784
00:36:23,548 --> 00:36:25,068
- That's the scientific view.

785
00:36:25,068 --> 00:36:26,867
But you know what I say?

786
00:36:26,867 --> 00:36:31,867
♪ The sex is in the heel,
fierce as you can make it ♪

787
00:36:32,597 --> 00:36:34,377
(Lola growls)

788
00:36:34,377 --> 00:36:39,377
♪ The sex is the appeal,
kinky boys can shake it ♪

789
00:36:41,887 --> 00:36:45,529
♪ Pump it up till it's ostentatious ♪

790
00:36:45,529 --> 00:36:49,552
♪ Funk it up, it's contagious, whoo ♪

791
00:36:49,552 --> 00:36:54,552
♪ The sex is in the heel
so just embrace it ♪

792
00:36:56,663 --> 00:36:57,496
♪ Here we go ♪

793
00:36:57,496 --> 00:37:00,911
♪ From London to Milan ♪

794
00:37:00,911 --> 00:37:05,012
♪ Feed that chic hot feeling ♪

795
00:37:05,012 --> 00:37:08,460
♪ In red and neon life ♪

796
00:37:08,460 --> 00:37:12,321
♪ Won't go nowhere without
my, my, my Manolos ♪

797
00:37:12,321 --> 00:37:15,935
♪ New York, Paris, Hong Kong ♪

798
00:37:15,935 --> 00:37:20,081
♪ Stilettos leave 'em reeling ♪

799
00:37:20,081 --> 00:37:23,500
♪ Seduction amplified ♪

800
00:37:23,500 --> 00:37:25,732
♪ The heel should hit the ceiling ♪

801
00:37:25,732 --> 00:37:27,313
♪ The heel should hit the ♪

802
00:37:27,313 --> 00:37:31,480
♪ The heel should hit the ceiling ♪

803
00:38:01,427 --> 00:38:05,214
♪ The sex is in the heel, heel ♪

804
00:38:05,214 --> 00:38:08,904
♪ The sex is in the heel, heel ♪

805
00:38:08,904 --> 00:38:12,821
♪ The sex is in the heel, heel ♪

806
00:38:51,575 --> 00:38:54,575
(audience cheering)

807
00:38:57,926 --> 00:38:59,086
(audience cheering)

808
00:38:59,086 --> 00:39:02,715
♪ From London to Milan ♪

809
00:39:02,715 --> 00:39:06,915
♪ Stilettos are an ism ♪

810
00:39:06,915 --> 00:39:10,387
♪ In red and neon life ♪

811
00:39:10,387 --> 00:39:14,187
♪ Got a lotta P-P-P-P-P-P-Prada ♪

812
00:39:14,187 --> 00:39:17,907
♪ New York, Paris, Hong Kong ♪

813
00:39:17,907 --> 00:39:22,006
♪ Live it like an ism ♪

814
00:39:22,006 --> 00:39:25,366
♪ Seduction amplified ♪

815
00:39:25,366 --> 00:39:29,675
♪ The heel is the transmission ♪

816
00:39:29,675 --> 00:39:30,635
- These are brilliant!

817
00:39:30,635 --> 00:39:31,816
I'd wear any one of 'em!

818
00:39:31,816 --> 00:39:33,166
- You're not our niche market.

819
00:39:33,166 --> 00:39:34,927
- There are some very
interesting ideas here.

820
00:39:34,927 --> 00:39:36,255
- But they're all stiletto heels!

821
00:39:36,255 --> 00:39:38,365
It's physically impossible
to make a stiletto

822
00:39:38,365 --> 00:39:40,295
that can bear the weight
of a full-grown man.

823
00:39:40,295 --> 00:39:41,462
- Not so fast!

824
00:39:42,809 --> 00:39:44,308
(clears throat)

825
00:39:44,308 --> 00:39:47,892
♪ If we could mold the steel ♪

826
00:39:47,892 --> 00:39:49,721
♪ One piece from ball to heel ♪

827
00:39:49,721 --> 00:39:51,891
♪ We'd underpin it and remake it ♪

828
00:39:51,891 --> 00:39:55,974
♪ So not even Don could break it ♪

829
00:39:58,833 --> 00:40:00,823
(audience laughing)

830
00:40:00,823 --> 00:40:02,393
- Sorry?

831
00:40:02,393 --> 00:40:03,732
- I said.

832
00:40:03,732 --> 00:40:05,513
♪ Underpin it and remake it ♪

833
00:40:05,513 --> 00:40:09,596
♪ So not even Don could break it ♪

834
00:40:11,632 --> 00:40:13,591
- Yeah, you think?

835
00:40:13,591 --> 00:40:14,424
- We can do it!

836
00:40:14,424 --> 00:40:15,257
- We can do it!

837
00:40:15,257 --> 00:40:16,507
- We can do it!

838
00:40:17,601 --> 00:40:21,391
♪ From London to Milan ♪

839
00:40:21,391 --> 00:40:25,537
♪ Stilettos are an ism ♪

840
00:40:25,537 --> 00:40:29,027
♪ In red and neon life ♪

841
00:40:29,027 --> 00:40:32,737
♪ Gimme big red b-b-b-b-b-b-boots ♪

842
00:40:32,737 --> 00:40:36,497
♪ New York, Paris, Hong Kong ♪

843
00:40:36,497 --> 00:40:39,427
♪ Watch out world, watch out world ♪

844
00:40:39,427 --> 00:40:42,010
♪ Here we come ♪

845
00:40:47,025 --> 00:40:51,275
(audience cheering and applauding)

846
00:40:56,395 --> 00:40:57,294
- Lola!

847
00:40:57,294 --> 00:40:58,254
Lola!

848
00:40:58,254 --> 00:40:59,755
Lola, did you hear me?

849
00:40:59,755 --> 00:41:00,744
I said we can do it.

850
00:41:00,744 --> 00:41:01,886
- All right, but you'll have to be quick.

851
00:41:01,886 --> 00:41:03,434
We have an eight o'clock show.

852
00:41:03,434 --> 00:41:05,006
- No, no, no, seriously,
we think we have a way

853
00:41:05,006 --> 00:41:07,606
to make the boots, and if
we can, and if you're right

854
00:41:07,606 --> 00:41:10,264
about never being far
from a cross, customer,

855
00:41:10,264 --> 00:41:11,494
we might just have something.

856
00:41:11,494 --> 00:41:13,086
- That there's cause for celebration.

857
00:41:13,086 --> 00:41:14,254
- Yes!
- Yes.

858
00:41:14,254 --> 00:41:16,326
I need a van to take seven
to the train station.

859
00:41:16,326 --> 00:41:18,076
- You've got to stay.

860
00:41:20,366 --> 00:41:22,355
- I'll ring back.

861
00:41:22,355 --> 00:41:23,433
Me?

862
00:41:23,433 --> 00:41:24,832
Stay?

863
00:41:24,832 --> 00:41:25,784
Here?

864
00:41:25,784 --> 00:41:26,664
Yes?

865
00:41:26,664 --> 00:41:28,115
No!

866
00:41:28,115 --> 00:41:29,035
(audience laughing)

867
00:41:29,035 --> 00:41:31,934
Charlie, my boy, I abandoned
the provinces years ago,

868
00:41:31,934 --> 00:41:34,435
and your fellow Don in there
was a stellar reminder why.

869
00:41:34,435 --> 00:41:35,715
- Forget about Don, he's just--

870
00:41:35,715 --> 00:41:38,494
- Just like every other
man in Northampton.

871
00:41:38,494 --> 00:41:41,286
Charlie, (sighs)

872
00:41:41,286 --> 00:41:43,075
I've lived this life once,
I'm not doing it again.

873
00:41:43,075 --> 00:41:44,632
- Oh, so you head back
to London and I'm here,

874
00:41:44,632 --> 00:41:46,614
trying to save a factory
that four generations

875
00:41:46,614 --> 00:41:49,483
of my family poured
their life's blood into?

876
00:41:49,483 --> 00:41:51,166
- Get to the part that applies to me.

877
00:41:51,166 --> 00:41:52,273
(audience laughing)

878
00:41:52,273 --> 00:41:54,264
- I'm willing to gamble the
fate of this whole enterprise

879
00:41:54,264 --> 00:41:56,494
on you as a designer.

880
00:41:56,494 --> 00:41:58,254
- Me, a designer? (laughs)

881
00:41:58,254 --> 00:41:59,595
Now who's kidding who?

882
00:41:59,595 --> 00:42:01,184
Hand me glitter, feathers,
and a hot glue gun,

883
00:42:01,184 --> 00:42:03,524
and I can make the world a pretty place.

884
00:42:03,524 --> 00:42:04,646
But me, a designer?

885
00:42:04,646 --> 00:42:06,474
- I've been force-fed
shoes since childhood,

886
00:42:06,474 --> 00:42:08,224
but I never seen nothing
like what you just drew.

887
00:42:08,224 --> 00:42:09,555
- They're drawings,

888
00:42:09,555 --> 00:42:11,574
the silly scribblings
of a braggarty sissy boy

889
00:42:11,574 --> 00:42:14,134
who doesn't know when to shut his gob.

890
00:42:14,134 --> 00:42:17,675
Oh, have a gander at me, Charlie.

891
00:42:17,675 --> 00:42:20,155
I wouldn't trust me to babysit a cactus.

892
00:42:20,155 --> 00:42:22,024
(audience laughing)

893
00:42:22,024 --> 00:42:25,366
- You are passionate about shoes.

894
00:42:25,366 --> 00:42:29,574
I haven't heard anyone talk
about a heel that way since,

895
00:42:29,574 --> 00:42:33,907
(laughs) well, not since my father.

896
00:42:35,717 --> 00:42:38,677
You know how rare it is to
feel that way about something?

897
00:42:38,677 --> 00:42:40,408
You know how jealous I am?

898
00:42:40,408 --> 00:42:43,099
I never been passionate about nothin'.

899
00:42:43,099 --> 00:42:44,619
Well, maybe snoggin'.

900
00:42:44,619 --> 00:42:47,379
- Ah, but you're forgetting something.

901
00:42:47,379 --> 00:42:48,819
I don't know how to make a shoe.

902
00:42:48,819 --> 00:42:50,676
- It just so happens I do!

903
00:42:50,676 --> 00:42:52,488
If we're to succeed, we'll
need to produce a boot

904
00:42:52,488 --> 00:42:54,397
unlike anything anyone
has ever seen before.

905
00:42:54,397 --> 00:42:55,966
That's where you come in.

906
00:42:55,966 --> 00:42:57,517
And if we don't want to
be laughed out of Milan,

907
00:42:57,517 --> 00:42:59,483
they'll have to be executed so impeccably

908
00:42:59,483 --> 00:43:01,667
that no one can deny we're
comers to be reckoned with,

909
00:43:01,667 --> 00:43:05,167
and that, God help us, is where I come in.

910
00:43:06,517 --> 00:43:08,208
Three weeks.

911
00:43:08,208 --> 00:43:11,566
Three weeks, Lola, that's all I'm asking.

912
00:43:11,566 --> 00:43:13,128
- Is that a taxi or a police car?

913
00:43:13,128 --> 00:43:15,157
Guess I'll find out
when I offer him money.

914
00:43:15,157 --> 00:43:17,488
- Opportunity has fallen into your lap!

915
00:43:17,488 --> 00:43:19,054
The easy thing, maybe
even the sensible thing

916
00:43:19,054 --> 00:43:21,035
would be to walk off and have a laugh

917
00:43:21,035 --> 00:43:23,393
about the time some
nutter offered you a job

918
00:43:23,393 --> 00:43:25,226
designing kinky boots.

919
00:43:28,155 --> 00:43:30,354
But I promise, if you do,
the rest of your life,

920
00:43:30,354 --> 00:43:33,271
you'll wonder what if I'd said yes?

921
00:43:34,753 --> 00:43:36,336
What if I'd stayed?

922
00:43:43,535 --> 00:43:46,702
- A designer? (sighs)

923
00:43:49,290 --> 00:43:50,207
A designer!

924
00:43:51,603 --> 00:43:53,642
(audience laughing)

925
00:43:53,642 --> 00:43:57,696
I guess I could get used
to the name Kinky Boots.

926
00:43:57,696 --> 00:43:59,763
(gasps)

927
00:43:59,763 --> 00:44:00,930
Or better yet,

928
00:44:02,016 --> 00:44:04,394
Lola's Kinky Boots.

929
00:44:04,394 --> 00:44:07,925
I hope you know you're going
to have to make me a new sign.

930
00:44:07,925 --> 00:44:10,592
And I warn you, it had better be

931
00:44:11,435 --> 00:44:12,268
red!

932
00:44:15,834 --> 00:44:19,456
(audience cheering and applauding)

933
00:44:19,456 --> 00:44:24,456
♪ If you stroll or saunter,
amble, walk, jog, hop, or run ♪

934
00:44:24,616 --> 00:44:27,437
♪ The prudent shoe for you to choose ♪

935
00:44:27,437 --> 00:44:30,187
♪ Is Price & Son ♪

936
00:44:35,285 --> 00:44:37,037
- Price & Son spent the last century

937
00:44:37,037 --> 00:44:39,341
making a range of shoes for men.

938
00:44:39,341 --> 00:44:42,344
We will begin this century
by making a range of shoes

939
00:44:42,344 --> 00:44:43,776
for a range of men.

940
00:44:43,776 --> 00:44:46,107
(audience laughing)

941
00:44:46,107 --> 00:44:50,557
There's no denying it's
do or die, but do we will.

942
00:44:50,557 --> 00:44:52,277
Are there any questions?

943
00:44:52,277 --> 00:44:54,816
All right, let's make shoes, boots!

944
00:44:54,816 --> 00:44:55,837
- If I could just get your signature

945
00:44:55,837 --> 00:44:57,907
on these checks, Mr. Price.

946
00:44:57,907 --> 00:44:59,357
- George, it's Charlie.

947
00:44:59,357 --> 00:45:02,165
- Mr. Price, you've earned it.

948
00:45:02,165 --> 00:45:06,104
Today, at least. (chuckles)

949
00:45:06,104 --> 00:45:09,604
- (laughs) Mr. Price, eh?

950
00:45:10,465 --> 00:45:13,845
Better than What-Else-Can-I-Do-Charlie.

951
00:45:13,845 --> 00:45:17,244
Oi, I'm Take-Charge-Charlie
all the way now.

952
00:45:17,244 --> 00:45:18,077
- Very impressive.

953
00:45:18,077 --> 00:45:19,715
- Yeah, well, thanks to you.

954
00:45:19,715 --> 00:45:21,347
- Any time.

955
00:45:21,347 --> 00:45:22,680
- No, I mean it.

956
00:45:24,294 --> 00:45:25,461
Thanks to you.

957
00:45:26,507 --> 00:45:27,340
Thank you.

958
00:45:27,340 --> 00:45:28,965
- Charlie, can I get your opinion here?

959
00:45:28,965 --> 00:45:29,965
- Excuse me.

960
00:45:31,734 --> 00:45:32,567
- Oh no.

961
00:45:32,567 --> 00:45:33,504
(audience laughing)

962
00:45:33,504 --> 00:45:35,244
Don't you dare.

963
00:45:35,244 --> 00:45:38,077
Girl, girl, girl, I'm warning you.

964
00:45:39,946 --> 00:45:42,029
I think I've got a crush.

965
00:45:43,516 --> 00:45:44,349
I can't.

966
00:45:46,098 --> 00:45:48,431
I think I'm falling for him.

967
00:45:49,527 --> 00:45:50,360
Oh no!

968
00:45:51,618 --> 00:45:53,066
Why not?

969
00:45:53,066 --> 00:45:57,075
♪ Women have been making bad choices ♪

970
00:45:57,075 --> 00:46:00,296
♪ Since the beginning of time ♪

971
00:46:00,296 --> 00:46:05,296
♪ Are you gonna be another one of mine ♪

972
00:46:05,376 --> 00:46:06,993
♪ Oh ♪

973
00:46:06,993 --> 00:46:07,826
- Lauren!

974
00:46:07,826 --> 00:46:10,826
(audience laughing)

975
00:46:14,275 --> 00:46:15,108
Lauren!

976
00:46:15,108 --> 00:46:16,573
(Lauren groans nervously)

977
00:46:16,573 --> 00:46:18,563
I was thinkin' that keepin'
you on the production line

978
00:46:18,563 --> 00:46:20,805
is a waste of your talents.

979
00:46:20,805 --> 00:46:22,685
I'd like you to work with
me on the Milan show.

980
00:46:22,685 --> 00:46:23,715
- You don't owe me a job.

981
00:46:23,715 --> 00:46:24,548
- No?

982
00:46:24,548 --> 00:46:25,381
- No!

983
00:46:25,381 --> 00:46:27,365
- Well, all this started
with you having a fit.

984
00:46:27,365 --> 00:46:30,282
- I had a fit, but you had an idea!

985
00:46:31,205 --> 00:46:34,045
And that's why some of us
get our names on factories,

986
00:46:34,045 --> 00:46:35,453
and the rest on punch cards.

987
00:46:35,453 --> 00:46:37,104
- Well, as someone whose
name is on a factory,

988
00:46:37,104 --> 00:46:39,673
I am asking if I may
please place your name

989
00:46:39,673 --> 00:46:42,590
on one of my executive punch cards?

990
00:46:44,965 --> 00:46:46,473
Good?

991
00:46:46,473 --> 00:46:47,306
Good!

992
00:46:49,634 --> 00:46:51,642
(audience laughing)

993
00:46:51,642 --> 00:46:52,475
What?

994
00:46:53,463 --> 00:46:54,642
Have I got something in my teeth?

995
00:46:54,642 --> 00:46:57,503
- No, it's just funny how you
can know someone all your life

996
00:46:57,503 --> 00:47:00,563
and not really know 'em at all. (laughs)

997
00:47:00,563 --> 00:47:01,753
(audience laughing)

998
00:47:01,753 --> 00:47:03,223
- [Charlie] I guess I'll see you later.

999
00:47:03,223 --> 00:47:04,806
- Sure thing, boss!

1000
00:47:06,603 --> 00:47:10,162
♪ Used to think you
were from outer space ♪

1001
00:47:10,162 --> 00:47:13,774
♪ Who's this bright-eyed
guy in your place ♪

1002
00:47:13,774 --> 00:47:15,772
♪ You're kind of cute ♪

1003
00:47:15,772 --> 00:47:18,804
♪ When you're not so shy ♪

1004
00:47:18,804 --> 00:47:21,042
♪ Oh ♪

1005
00:47:21,042 --> 00:47:22,935
♪ But I've been here before ♪

1006
00:47:22,935 --> 00:47:24,655
♪ Have I come back for more ♪

1007
00:47:24,655 --> 00:47:28,322
♪ Another chapter in the
history of wrong guys ♪

1008
00:47:28,322 --> 00:47:30,164
♪ You used to be so meh ♪

1009
00:47:30,164 --> 00:47:32,004
♪ A limp, lackluster bore ♪

1010
00:47:32,004 --> 00:47:35,943
♪ But now you're changing into
someone I just can't ignore ♪

1011
00:47:35,943 --> 00:47:39,122
♪ Charlie ♪

1012
00:47:39,122 --> 00:47:43,575
♪ Honestly ♪

1013
00:47:43,575 --> 00:47:48,575
♪ I've been hurt like this before ♪

1014
00:47:50,614 --> 00:47:53,655
♪ Is there really more to you ♪

1015
00:47:53,655 --> 00:47:57,834
♪ Than what I always thought ♪

1016
00:47:57,834 --> 00:48:02,834
♪ How can you surprise me any more ♪

1017
00:48:02,855 --> 00:48:04,674
♪ Oh ♪

1018
00:48:04,674 --> 00:48:06,313
♪ Oh ♪

1019
00:48:06,313 --> 00:48:08,724
♪ Oh, whoa ♪

1020
00:48:08,724 --> 00:48:09,884
(Lauren yells comically)

1021
00:48:09,884 --> 00:48:12,644
(audience laughing)

1022
00:48:12,644 --> 00:48:15,194
He's got a girlfriend, you knob.

1023
00:48:15,194 --> 00:48:16,233
(audience laughing)

1024
00:48:16,233 --> 00:48:20,495
♪ Don't want to be another
star-crossed lover ♪

1025
00:48:20,495 --> 00:48:23,583
♪ We all know how that ends ♪

1026
00:48:23,583 --> 00:48:27,815
♪ I'm better off without him,
we're better off as friends ♪

1027
00:48:27,815 --> 00:48:28,833
♪ Yeah ♪

1028
00:48:28,833 --> 00:48:30,855
(groans comically)

1029
00:48:30,855 --> 00:48:32,684
♪ But I've been here before ♪

1030
00:48:32,684 --> 00:48:34,463
♪ Have I come back for more ♪

1031
00:48:34,463 --> 00:48:38,215
♪ Another chapter in the
history of wrong guys ♪

1032
00:48:38,215 --> 00:48:40,044
♪ Yesterday, no spark ♪

1033
00:48:40,044 --> 00:48:41,863
♪ No heart-aching allure ♪

1034
00:48:41,863 --> 00:48:45,793
♪ But today, I'm feeling
something I just can't ignore ♪

1035
00:48:45,793 --> 00:48:48,964
♪ Charlie ♪

1036
00:48:48,964 --> 00:48:53,575
♪ Honestly ♪

1037
00:48:53,575 --> 00:48:58,004
♪ I've been hurt like this before ♪

1038
00:48:58,004 --> 00:48:59,743
♪ Oh ♪

1039
00:48:59,743 --> 00:49:01,444
♪ Oh ♪

1040
00:49:01,444 --> 00:49:04,495
♪ Oh, whoa ♪

1041
00:49:04,495 --> 00:49:06,994
♪ The history of wrong guys ♪

1042
00:49:06,994 --> 00:49:09,295
♪ Chapter one, he's a bum ♪

1043
00:49:09,295 --> 00:49:11,082
♪ Two, he's not into you ♪

1044
00:49:11,082 --> 00:49:12,893
♪ Three, he's a sleaze ♪

1045
00:49:12,893 --> 00:49:14,703
♪ Four, loves the girl next door ♪

1046
00:49:14,703 --> 00:49:16,602
♪ Fives, loves the boy next door ♪

1047
00:49:16,602 --> 00:49:18,513
♪ Six, don't love you no more ♪

1048
00:49:18,513 --> 00:49:21,413
♪ Makes you insecure,
makes you so unsure ♪

1049
00:49:21,413 --> 00:49:25,063
♪ Is so immature, loves his mother more ♪

1050
00:49:25,063 --> 00:49:26,914
♪ Or ♪

1051
00:49:26,914 --> 00:49:31,202
♪ Has a girlfriend named Nicola ♪

1052
00:49:31,202 --> 00:49:32,783
(groans comically)

1053
00:49:32,783 --> 00:49:33,616
(audience laughing)

1054
00:49:33,616 --> 00:49:35,533
- Ready to get to work?

1055
00:49:39,604 --> 00:49:42,792
♪ Charlie ♪

1056
00:49:42,792 --> 00:49:47,394
♪ Honestly ♪

1057
00:49:47,394 --> 00:49:52,394
♪ I've been hurt like this before ♪

1058
00:49:54,244 --> 00:49:57,364
♪ I can see there's more to you ♪

1059
00:49:57,364 --> 00:50:01,913
♪ Than what I always thought ♪

1060
00:50:01,913 --> 00:50:06,433
♪ But I won't be burned anymore ♪

1061
00:50:06,433 --> 00:50:08,274
♪ Oh ♪

1062
00:50:08,274 --> 00:50:09,892
♪ Oh ♪

1063
00:50:09,892 --> 00:50:12,142
♪ Oh, whoa ♪

1064
00:50:14,223 --> 00:50:16,041
- Where are you off to?

1065
00:50:16,041 --> 00:50:17,958
- I've been executized.

1066
00:50:19,511 --> 00:50:23,831
(audience cheering and applauding)

1067
00:50:23,831 --> 00:50:25,722
- Look at this. (laughs)

1068
00:50:25,722 --> 00:50:27,530
(speaking drowned out by
audience cheering and applauding)

1069
00:50:27,530 --> 00:50:29,151
- I didn't hear the tea trolley.

1070
00:50:29,151 --> 00:50:30,903
Don't you boys have work needs doing?

1071
00:50:30,903 --> 00:50:32,572
- Oh, what's the matter?

1072
00:50:32,572 --> 00:50:34,831
Frettin' that the mistress
will slap you down

1073
00:50:34,831 --> 00:50:36,311
for not doin' her biddin'?

1074
00:50:36,311 --> 00:50:39,180
- You're as clever as you are rich.

1075
00:50:39,180 --> 00:50:40,280
(audience laughing)

1076
00:50:40,280 --> 00:50:41,751
- Come on, George!

1077
00:50:41,751 --> 00:50:44,543
He's gonna make Price & Son
the town joke, and you know it.

1078
00:50:44,543 --> 00:50:46,522
- Happens I know no such thing.

1079
00:50:46,522 --> 00:50:49,354
- At Fist'a Cuffs last night,
the fellas from Delaney Shoes

1080
00:50:49,354 --> 00:50:52,187
was callin' us slaves of the pouf.

1081
00:50:53,762 --> 00:50:55,292
- With Delaney's about to shutter,

1082
00:50:55,292 --> 00:50:56,594
one would think those boys would do better

1083
00:50:56,594 --> 00:50:58,741
than to drink their money away.

1084
00:50:58,741 --> 00:51:00,822
Meanwhile, last time I looked,

1085
00:51:00,822 --> 00:51:03,061
you lot were still on the payroll here!

1086
00:51:03,061 --> 00:51:07,478
So why don't you stifle your
yaps and earn your keep?

1087
00:51:08,954 --> 00:51:11,383
- Ooh, you've really been
put in your place now,

1088
00:51:11,383 --> 00:51:12,216
haven't you, Don?

1089
00:51:12,216 --> 00:51:14,042
- Get stuffed, the both of yous!

1090
00:51:14,042 --> 00:51:15,572
(men laughing)

1091
00:51:15,572 --> 00:51:17,489
♪ Lola ♪

1092
00:51:18,903 --> 00:51:21,642
- And here comes Her Royal Highness now.

1093
00:51:21,642 --> 00:51:22,612
- [Male Worker] What the?

1094
00:51:22,612 --> 00:51:23,461
- Ha!

1095
00:51:23,461 --> 00:51:25,691
Just when you were sure
you'd seen it all, eh?

1096
00:51:25,691 --> 00:51:26,852
(men laughing)

1097
00:51:26,852 --> 00:51:28,769
♪ Lola ♪

1098
00:51:40,923 --> 00:51:43,506
(men laughing)

1099
00:51:44,521 --> 00:51:46,013
- Have you got any toilets down here?

1100
00:51:46,013 --> 00:51:47,846
- Oh, I'm sorry, love.

1101
00:51:49,720 --> 00:51:52,893
I'm afraid all we've got is men's

1102
00:51:52,893 --> 00:51:53,880
and women's.

1103
00:51:53,880 --> 00:51:56,463
(men laughing)

1104
00:51:57,322 --> 00:51:59,501
- Charlie, quick!

1105
00:51:59,501 --> 00:52:01,741
Lola's gone and locked
herself in the loo, hurry.

1106
00:52:01,741 --> 00:52:02,922
- All right, I'll talk to her,

1107
00:52:02,922 --> 00:52:04,141
but I'm not going into the ladies' room.

1108
00:52:04,141 --> 00:52:05,421
You go and get her to come out.

1109
00:52:05,421 --> 00:52:06,461
- She's in the gents'.

1110
00:52:06,461 --> 00:52:07,294
- The what?

1111
00:52:07,294 --> 00:52:08,253
- The men's room!

1112
00:52:08,253 --> 00:52:09,653
- Well, of course she is.

1113
00:52:09,653 --> 00:52:12,736
("The Land of Lola")

1114
00:52:20,669 --> 00:52:21,502
Lola.

1115
00:52:24,061 --> 00:52:26,811
Lola, it's Charlie, are you sick?

1116
00:52:27,736 --> 00:52:30,153
- [Lola] Depends who you ask.

1117
00:52:32,898 --> 00:52:33,731
- No!

1118
00:52:34,967 --> 00:52:36,258
Did someone nick your frock?

1119
00:52:36,258 --> 00:52:37,557
(audience laughing)

1120
00:52:37,557 --> 00:52:38,757
- I come up with the daft idea

1121
00:52:38,757 --> 00:52:41,590
that maybe I should try to fit in.

1122
00:52:42,457 --> 00:52:45,658
- Probably get a lot
more work done this way.

1123
00:52:45,658 --> 00:52:47,789
Less bits and bobs to
catch in the machines.

1124
00:52:47,789 --> 00:52:48,986
(audience laughing)

1125
00:52:48,986 --> 00:52:50,776
- Thanks for your support.

1126
00:52:50,776 --> 00:52:52,429
God!

1127
00:52:52,429 --> 00:52:55,909
In a gown, I can bellow
Brunhilde in front of 500 drunks

1128
00:52:55,909 --> 00:52:58,887
and have a laugh, but
put me in men's clothes

1129
00:52:58,887 --> 00:53:02,167
and I can't sodding well say hello.

1130
00:53:02,167 --> 00:53:03,778
Oh, what am I doing here, Charlie?

1131
00:53:03,778 --> 00:53:04,967
- Becoming a designer.

1132
00:53:04,967 --> 00:53:07,338
- Did I ever ask to be one?

1133
00:53:07,338 --> 00:53:10,447
- Well, did you always
want to be a performer?

1134
00:53:10,447 --> 00:53:13,475
I mean, when you were a kid.

1135
00:53:13,475 --> 00:53:15,858
- Whatever it was I wanted as a kid,

1136
00:53:15,858 --> 00:53:18,688
my father beat out of me.

1137
00:53:18,688 --> 00:53:19,966
- Your dad hit you?

1138
00:53:19,966 --> 00:53:21,737
- Not like that.

1139
00:53:21,737 --> 00:53:23,378
He was a boxer.
(Charlie laughs)

1140
00:53:23,378 --> 00:53:25,568
Yeah,, a proper prize fighter

1141
00:53:25,568 --> 00:53:27,797
who never got the title match he wanted.

1142
00:53:27,797 --> 00:53:29,837
But presented with a baby boy?

1143
00:53:29,837 --> 00:53:33,277
Well, if he couldn't raise a
champion's belt over his head,

1144
00:53:33,277 --> 00:53:34,296
his son would.

1145
00:53:34,296 --> 00:53:35,189
- He didn't know about--

1146
00:53:35,189 --> 00:53:36,437
- Of course he knew.

1147
00:53:36,437 --> 00:53:40,196
But he figured if he pushed
me, trained me himself,

1148
00:53:40,196 --> 00:53:42,586
ah, you heard right.

1149
00:53:42,586 --> 00:53:44,835
I am a professionally-trained boxer

1150
00:53:44,835 --> 00:53:47,928
with a dozen amateur bouts
to my name, so don't try me!

1151
00:53:47,928 --> 00:53:50,336
(Charlie and Lola laughing)

1152
00:53:50,336 --> 00:53:55,008
But when I appeared for a fight
in a white cocktail dress,

1153
00:53:55,008 --> 00:53:57,715
(audience laughing)

1154
00:53:57,715 --> 00:53:58,965
he disowned me.

1155
00:54:00,128 --> 00:54:01,628
Refused to see me,

1156
00:54:03,646 --> 00:54:06,979
even when he came down with lung cancer.

1157
00:54:08,296 --> 00:54:10,397
It's ironic, really.

1158
00:54:10,397 --> 00:54:12,696
Fags got him in the end.

1159
00:54:12,696 --> 00:54:17,696
(Lola laughing)
(audience laughing)

1160
00:54:20,436 --> 00:54:21,269
And you?

1161
00:54:22,346 --> 00:54:23,936
You like making shoes?

1162
00:54:23,936 --> 00:54:26,565
(Charlie groans)

1163
00:54:26,565 --> 00:54:29,226
- On the day I was born, my
dad set me down next in line

1164
00:54:29,226 --> 00:54:30,476
of Price & Son.

1165
00:54:32,876 --> 00:54:35,626
For him, a done deal, but for me?

1166
00:54:36,768 --> 00:54:39,778
First opportunity, I grabbed
my childhood sweetheart

1167
00:54:39,778 --> 00:54:42,618
and we jumped on the
next train out of town.

1168
00:54:42,618 --> 00:54:45,445
- What was it you ran off to do?

1169
00:54:45,445 --> 00:54:48,608
- Anything but what he wanted.

1170
00:54:48,608 --> 00:54:50,608
- And yet, here you are.

1171
00:54:52,766 --> 00:54:53,766
- Here I am.

1172
00:54:56,309 --> 00:55:01,309
♪ When I was just a kid ♪

1173
00:55:03,478 --> 00:55:07,664
♪ Everything I did ♪

1174
00:55:07,664 --> 00:55:12,664
♪ Was to be like him ♪

1175
00:55:15,212 --> 00:55:20,212
♪ Under my skin ♪

1176
00:55:23,097 --> 00:55:28,097
♪ My father always thought ♪

1177
00:55:29,657 --> 00:55:34,657
♪ If I was strong and fought ♪

1178
00:55:36,590 --> 00:55:41,590
♪ Not like some albatross ♪

1179
00:55:41,766 --> 00:55:46,766
♪ I'd begin ♪

1180
00:55:48,263 --> 00:55:53,263
♪ To fit in ♪

1181
00:55:56,444 --> 00:55:59,850
♪ Look at me, powerless ♪

1182
00:55:59,850 --> 00:56:03,164
♪ And holding my breath ♪

1183
00:56:03,164 --> 00:56:06,505
♪ Trying hard to repress ♪

1184
00:56:06,505 --> 00:56:09,967
♪ What scared him to death ♪

1185
00:56:09,967 --> 00:56:13,537
♪ It was never easy ♪

1186
00:56:13,537 --> 00:56:16,775
♪ To be his type of man ♪

1187
00:56:16,775 --> 00:56:20,522
♪ To breathe freely ♪

1188
00:56:20,522 --> 00:56:23,743
♪ Was not in his plan ♪

1189
00:56:23,743 --> 00:56:28,743
♪ And the best part of me ♪

1190
00:56:30,412 --> 00:56:34,015
♪ Is what he wouldn't ♪

1191
00:56:34,015 --> 00:56:37,213
♪ See ♪

1192
00:56:37,213 --> 00:56:42,213
♪ I'm not my father's son ♪

1193
00:56:44,622 --> 00:56:48,262
♪ I'm not the image ♪

1194
00:56:48,262 --> 00:56:51,523
♪ Of what he dreamed of ♪

1195
00:56:51,523 --> 00:56:55,183
♪ With the strength of Sparta ♪

1196
00:56:55,183 --> 00:56:59,329
♪ And the patience of Job ♪

1197
00:56:59,329 --> 00:57:04,329
♪ Still couldn't be the one ♪

1198
00:57:06,409 --> 00:57:11,409
♪ To echo what he'd done ♪

1199
00:57:13,351 --> 00:57:17,308
♪ And mirror what was not ♪

1200
00:57:17,308 --> 00:57:22,308
♪ In me ♪

1201
00:57:24,616 --> 00:57:28,379
♪ So I jumped in my dreams ♪

1202
00:57:28,379 --> 00:57:31,288
♪ And found an escape ♪

1203
00:57:31,288 --> 00:57:34,877
♪ Maybe I went to extremes ♪

1204
00:57:34,877 --> 00:57:38,128
♪ Of leather and lace ♪

1205
00:57:38,128 --> 00:57:41,576
♪ But the world seemed brighter ♪

1206
00:57:41,576 --> 00:57:45,099
♪ Six inches off the ground ♪

1207
00:57:45,099 --> 00:57:48,777
♪ And the air seemed lighter ♪

1208
00:57:48,777 --> 00:57:51,947
♪ I was profound ♪

1209
00:57:51,947 --> 00:57:55,274
♪ And I felt so ♪

1210
00:57:55,274 --> 00:57:58,533
♪ Proud ♪

1211
00:57:58,533 --> 00:58:01,965
♪ Just to live out ♪

1212
00:58:01,965 --> 00:58:05,223
♪ Loud ♪

1213
00:58:05,223 --> 00:58:10,223
♪ I'm not my father's son ♪

1214
00:58:12,299 --> 00:58:15,937
♪ I'm not the image ♪

1215
00:58:15,937 --> 00:58:19,080
♪ Of what he dreamed of ♪

1216
00:58:19,080 --> 00:58:22,539
♪ With the strength of Sparta ♪

1217
00:58:22,539 --> 00:58:26,630
♪ And the patience of Job ♪

1218
00:58:26,630 --> 00:58:31,630
♪ Still couldn't be the one ♪

1219
00:58:33,510 --> 00:58:38,510
♪ To echo what he'd done ♪

1220
00:58:40,400 --> 00:58:44,280
♪ And mirror what was not ♪

1221
00:58:44,280 --> 00:58:49,280
♪ In me ♪

1222
00:58:52,379 --> 00:58:57,379
♪ The endless torrent of expectation ♪

1223
00:58:58,680 --> 00:59:03,290
♪ Swirling inside my mind ♪

1224
00:59:03,290 --> 00:59:06,111
♪ Wore me down ♪

1225
00:59:06,111 --> 00:59:11,111
♪ I came to a realization ♪

1226
00:59:11,511 --> 00:59:16,511
♪ And I finally turned around ♪

1227
00:59:16,558 --> 00:59:18,641
♪ To see ♪

1228
00:59:26,602 --> 00:59:29,183
♪ That I ♪

1229
00:59:29,183 --> 00:59:31,893
♪ Could just ♪

1230
00:59:31,893 --> 00:59:36,893
♪ Be me ♪

1231
00:59:39,441 --> 00:59:44,441
♪ I'm not my father's son ♪

1232
00:59:46,609 --> 00:59:50,460
♪ I'm not the image ♪

1233
00:59:50,460 --> 00:59:53,344
♪ Of what he dreamed of ♪

1234
00:59:53,344 --> 00:59:56,814
♪ With the strength of Sparta ♪

1235
00:59:56,814 --> 01:00:00,985
♪ And the patience of Job ♪

1236
01:00:00,985 --> 01:00:05,985
♪ Still couldn't be the one ♪

1237
01:00:07,753 --> 01:00:12,753
♪ To echo what he'd done ♪

1238
01:00:14,526 --> 01:00:18,633
♪ And mirror what was not ♪

1239
01:00:18,633 --> 01:00:23,633
♪ In me ♪

1240
01:00:25,963 --> 01:00:29,733
♪ We're the same, Charlie boy ♪

1241
01:00:29,733 --> 01:00:32,150
♪ You and me ♪

1242
01:00:35,623 --> 01:00:37,873
- Charlie from Northampton,

1243
01:00:39,340 --> 01:00:41,164
meet Simon from Clacton.

1244
01:00:41,164 --> 01:00:45,073
(Charlie laughs)
(audience laughing)

1245
01:00:45,073 --> 01:00:46,656
- Let's make boots.

1246
01:00:47,702 --> 01:00:51,952
(audience cheering and applauding)

1247
01:01:02,482 --> 01:01:03,538
Sorry!

1248
01:01:03,538 --> 01:01:04,810
You wouldn't believe
what's going on in there!

1249
01:01:04,810 --> 01:01:06,698
- Hey, stranger, don't I get a kiss?

1250
01:01:06,698 --> 01:01:07,978
- Sorry.

1251
01:01:07,978 --> 01:01:09,461
I'm just excited, Nic.

1252
01:01:09,461 --> 01:01:11,423
I've found the craziest
solution for the factory.

1253
01:01:11,423 --> 01:01:12,891
- Slow down, Charlie.

1254
01:01:12,891 --> 01:01:14,570
You said you'd hear us out, yeah?

1255
01:01:14,570 --> 01:01:15,613
Like I told you on the phone,

1256
01:01:15,613 --> 01:01:17,331
some of this is gonna come as a shock,

1257
01:01:17,331 --> 01:01:19,881
but you promised you'd
listen with an open mind.

1258
01:01:19,881 --> 01:01:22,183
Charlie, you remember
my boss, Richard Bailey.

1259
01:01:22,183 --> 01:01:23,554
- I was almost your boss too, eh, mate?

1260
01:01:23,554 --> 01:01:24,543
(Charlie laughs)

1261
01:01:24,543 --> 01:01:26,893
Sorry about your dad, but I
hope, once the dust settles,

1262
01:01:26,893 --> 01:01:29,112
maybe you'll come back and work with us.

1263
01:01:29,112 --> 01:01:30,343
In any event, I have to say

1264
01:01:30,343 --> 01:01:32,952
I am totally mad for this project.

1265
01:01:32,952 --> 01:01:35,234
Not all buildings deserve a second life,

1266
01:01:35,234 --> 01:01:36,554
but yours is special.

1267
01:01:36,554 --> 01:01:37,525
- Second life?

1268
01:01:37,525 --> 01:01:39,343
- Let the man talk, darling.

1269
01:01:39,343 --> 01:01:41,003
♪ Price & Son ♪

1270
01:01:41,003 --> 01:01:43,312
- Riverside Apartments,
one, two, and three-bedroom

1271
01:01:43,312 --> 01:01:45,935
loft-style homes with all the luxuries.

1272
01:01:45,935 --> 01:01:47,434
- How exciting is that?

1273
01:01:47,434 --> 01:01:48,274
- Look at the detail.

1274
01:01:48,274 --> 01:01:49,992
It's not what you change about a building,

1275
01:01:49,992 --> 01:01:53,375
it's what you preserve that
marks a great conversion.

1276
01:01:53,375 --> 01:01:55,575
- What makes you think
we're up for conversion?

1277
01:01:55,575 --> 01:01:56,575
- You promised to hear the man out.

1278
01:01:56,575 --> 01:01:58,113
- Price & Son is not for sale.

1279
01:01:58,113 --> 01:02:01,080
- Actually it is, unless you
want to see it foreclosed.

1280
01:02:01,080 --> 01:02:02,801
- No, if you'd listen, you know
that I've found a solution--

1281
01:02:02,801 --> 01:02:03,634
- Charlie!
- To the factory.

1282
01:02:03,634 --> 01:02:04,467
- Charlie!
- Come quick,

1283
01:02:04,467 --> 01:02:05,360
the Angels' train just pulled in,

1284
01:02:05,360 --> 01:02:06,730
the first pair of boots
are on their final polish,

1285
01:02:06,730 --> 01:02:08,888
but we can't unveil them without you!

1286
01:02:08,888 --> 01:02:09,721
Oh, hello!

1287
01:02:10,609 --> 01:02:11,621
(audience laughing)

1288
01:02:11,621 --> 01:02:12,981
I'm Lola, I'm the one designing

1289
01:02:12,981 --> 01:02:15,290
Charlie's new line of
transvestite footwear.

1290
01:02:15,290 --> 01:02:16,123
- Oh, f...

1291
01:02:16,123 --> 01:02:19,123
(audience laughing)

1292
01:02:22,776 --> 01:02:23,857
- Oh.

1293
01:02:23,857 --> 01:02:26,487
(audience laughing)

1294
01:02:26,487 --> 01:02:28,697
There's a slight chill
in the air, isn't there?

1295
01:02:28,697 --> 01:02:30,087
(audience laughing)

1296
01:02:30,087 --> 01:02:31,365
Yes.

1297
01:02:31,365 --> 01:02:34,365
(audience laughing)

1298
01:02:39,094 --> 01:02:40,086
Yes.

1299
01:02:40,086 --> 01:02:44,336
(audience cheering and applauding)

1300
01:02:47,025 --> 01:02:48,608
Maybe I should just

1301
01:02:49,503 --> 01:02:51,074
go away.

1302
01:02:51,074 --> 01:02:52,553
(audience laughing)

1303
01:02:52,553 --> 01:02:57,424
(audience cheering and applauding)

1304
01:02:57,424 --> 01:02:58,507
- That was...

1305
01:03:00,463 --> 01:03:01,494
You have to get to know him.

1306
01:03:01,494 --> 01:03:02,935
Listen, Nic, I haven't
gone into this lightly.

1307
01:03:02,935 --> 01:03:04,386
There actually is a market out there--

1308
01:03:04,386 --> 01:03:06,186
- Before you make a
complete fool of yourself,

1309
01:03:06,186 --> 01:03:08,226
it's time you heard the truth.

1310
01:03:08,226 --> 01:03:10,054
Selling the building
was your father's idea.

1311
01:03:10,054 --> 01:03:11,186
- Oh!
- Yes!

1312
01:03:11,186 --> 01:03:12,614
Your father's idea.

1313
01:03:12,614 --> 01:03:14,367
He approached Richard months ago.

1314
01:03:14,367 --> 01:03:15,200
Tell him.

1315
01:03:15,200 --> 01:03:17,927
- It's true, your dad and
I had several meetings.

1316
01:03:17,927 --> 01:03:20,767
- You yourself told me that
he had a plan, remember?

1317
01:03:20,767 --> 01:03:22,267
Well, this was it.

1318
01:03:23,375 --> 01:03:25,904
The contracts were almost
done when he passed away.

1319
01:03:25,904 --> 01:03:28,432
We can show you the papers.

1320
01:03:28,432 --> 01:03:31,354
Look, Richard came to
me first lest you think

1321
01:03:31,354 --> 01:03:33,744
your father doubted you
could run the business.

1322
01:03:33,744 --> 01:03:35,503
But don't look so down.

1323
01:03:35,503 --> 01:03:37,303
This is all good news!

1324
01:03:37,303 --> 01:03:39,994
The deal Richard's put together
will rid you of the factory,

1325
01:03:39,994 --> 01:03:42,605
settle your family's debts,
and ensure our future

1326
01:03:42,605 --> 01:03:45,605
with a career-defining
selling opportunity!

1327
01:03:45,605 --> 01:03:47,957
We even get a model flat
rent-free while we're selling.

1328
01:03:47,957 --> 01:03:49,653
- I'm asking you to
have a bit of faith in--

1329
01:03:49,653 --> 01:03:50,856
- Stop!

1330
01:03:50,856 --> 01:03:52,357
Are you deaf?

1331
01:03:52,357 --> 01:03:55,965
Your father was cashing
out, you owe him nothing!

1332
01:03:55,965 --> 01:03:57,506
The prison door's open.

1333
01:03:57,506 --> 01:03:59,165
You're free, Charlie.

1334
01:03:59,165 --> 01:04:01,832
All you need to do is walk away.

1335
01:04:03,794 --> 01:04:07,200
♪ You were always telling me ♪

1336
01:04:07,200 --> 01:04:10,320
♪ What I need to be ♪

1337
01:04:10,320 --> 01:04:14,097
♪ But you never really
had enough faith in me ♪

1338
01:04:14,097 --> 01:04:19,097
♪ Dad, you gave up the factory ♪

1339
01:04:21,688 --> 01:04:23,139
♪ Well ♪

1340
01:04:23,139 --> 01:04:26,472
♪ This time, I'm gonna take that chance ♪

1341
01:04:26,472 --> 01:04:29,840
♪ Leap into the vast expanse ♪

1342
01:04:29,840 --> 01:04:34,840
♪ This time, I'm gonna seize my destiny ♪

1343
01:04:35,232 --> 01:04:37,649
♪ My destiny ♪

1344
01:04:40,392 --> 01:04:44,642
(audience cheering and applauding)

1345
01:04:48,541 --> 01:04:52,124
- Well, boss, is this
what you had in mind?

1346
01:04:53,581 --> 01:04:54,440
- Yeah.

1347
01:04:54,440 --> 01:04:55,273
(audience laughing)

1348
01:04:55,273 --> 01:04:56,440
- [Lola] Yeah?

1349
01:05:02,021 --> 01:05:03,331
- Yeah!

1350
01:05:03,331 --> 01:05:04,164
- Yeah!

1351
01:05:04,164 --> 01:05:04,997
- Yeah!

1352
01:05:04,997 --> 01:05:06,958
(factory workers cheering)

1353
01:05:06,958 --> 01:05:07,980
- Come on!

1354
01:05:07,980 --> 01:05:09,638
- Yeah!
- Yes!

1355
01:05:09,638 --> 01:05:10,915
- Charlie (mumbles).

1356
01:05:10,915 --> 01:05:13,966
♪ Let me hear you say yeah, yeah ♪

1357
01:05:13,966 --> 01:05:15,395
♪ Yeah, yeah ♪

1358
01:05:15,395 --> 01:05:17,628
♪ Say yeah, yeah ♪

1359
01:05:17,628 --> 01:05:18,966
♪ Yeah, yeah ♪

1360
01:05:18,966 --> 01:05:20,815
♪ Say yeah ♪

1361
01:05:20,815 --> 01:05:22,516
♪ Say yeah ♪

1362
01:05:22,516 --> 01:05:24,171
♪ Say yeah ♪

1363
01:05:24,171 --> 01:05:26,274
♪ Yeah ♪

1364
01:05:26,274 --> 01:05:29,714
♪ You can throw out the old
way, 'cause it's been done ♪

1365
01:05:29,714 --> 01:05:33,714
♪ We're getting ready for the new ♪

1366
01:05:33,714 --> 01:05:36,812
♪ Witness the future of Price & Son ♪

1367
01:05:36,812 --> 01:05:40,274
♪ Ow, Papa's got a brand new shoe ♪

1368
01:05:40,274 --> 01:05:44,391
♪ A life of broken heels got you down ♪

1369
01:05:44,391 --> 01:05:47,863
♪ Well, we've got your solution ♪

1370
01:05:47,863 --> 01:05:48,696
♪ Get up ♪

1371
01:05:48,696 --> 01:05:51,034
♪ Get it on and get in step ♪

1372
01:05:51,034 --> 01:05:55,730
♪ With our kinky revolution ♪

1373
01:05:55,730 --> 01:05:58,740
♪ Let me hear you say yeah, yeah ♪

1374
01:05:58,740 --> 01:06:00,268
♪ Yeah, yeah ♪

1375
01:06:00,268 --> 01:06:02,380
♪ Say yeah, yeah ♪

1376
01:06:02,380 --> 01:06:03,610
♪ Yeah, yeah ♪

1377
01:06:03,610 --> 01:06:05,900
♪ Let me hear you say yeah, yeah ♪

1378
01:06:05,900 --> 01:06:07,399
♪ Yeah, yeah ♪

1379
01:06:07,399 --> 01:06:08,848
♪ Say yeah ♪

1380
01:06:08,848 --> 01:06:10,308
♪ Yeah ♪

1381
01:06:10,308 --> 01:06:11,679
♪ Yeah ♪

1382
01:06:11,679 --> 01:06:13,370
- Welcome to our future!

1383
01:06:13,370 --> 01:06:14,668
No longer are we making shoes,

1384
01:06:14,668 --> 01:06:19,228
we are making 2-1/2-feet of irresistible

1385
01:06:19,228 --> 01:06:20,061
tubular

1386
01:06:21,940 --> 01:06:23,316
sex!

1387
01:06:23,316 --> 01:06:24,677
(audience cheering)

1388
01:06:24,677 --> 01:06:25,957
So let's do it!

1389
01:06:25,957 --> 01:06:27,148
♪ I punched the holes ♪

1390
01:06:27,148 --> 01:06:29,031
♪ I sewed the seams ♪

1391
01:06:29,031 --> 01:06:32,778
♪ And I pull the leather tight ♪

1392
01:06:32,778 --> 01:06:35,887
♪ I put the steel inside the heel ♪

1393
01:06:35,887 --> 01:06:39,748
♪ Now we go off like dynamite ♪

1394
01:06:39,748 --> 01:06:41,657
♪ Can you picture this ♪

1395
01:06:41,657 --> 01:06:43,476
♪ A glamorous ♪

1396
01:06:43,476 --> 01:06:46,687
♪ Fashion exhibition ♪

1397
01:06:46,687 --> 01:06:50,165
♪ I see flashbulb lights
and fashion heights ♪

1398
01:06:50,165 --> 01:06:54,738
♪ I see press and television ♪

1399
01:06:54,738 --> 01:06:57,805
♪ Let me hear you say yeah, yeah ♪

1400
01:06:57,805 --> 01:06:59,258
♪ Yeah, yeah ♪

1401
01:06:59,258 --> 01:07:01,690
♪ Say yeah, yeah ♪

1402
01:07:01,690 --> 01:07:05,010
♪ He wants to hear you say yeah, yeah ♪

1403
01:07:05,010 --> 01:07:06,467
♪ Yeah, yeah ♪

1404
01:07:06,467 --> 01:07:07,970
♪ Say yeah ♪

1405
01:07:07,970 --> 01:07:09,370
♪ Yeah ♪

1406
01:07:09,370 --> 01:07:10,570
♪ Yeah ♪

1407
01:07:10,570 --> 01:07:12,039
♪ Synergy, my pets ♪

1408
01:07:12,039 --> 01:07:13,667
♪ In patent leather red ♪

1409
01:07:13,667 --> 01:07:15,770
♪ Say whoa ♪

1410
01:07:15,770 --> 01:07:17,559
♪ Whoa ♪

1411
01:07:17,559 --> 01:07:19,359
♪ Tell me, is this kismet ♪

1412
01:07:19,359 --> 01:07:24,359
♪ Now if you are with this, let's go ♪

1413
01:07:25,188 --> 01:07:28,271
♪ Everybody say yeah ♪

1414
01:07:30,250 --> 01:07:31,083
- Ladies!

1415
01:07:32,098 --> 01:07:32,931
Gentlemen!

1416
01:07:34,010 --> 01:07:36,760
Help me welcome our niche market!

1417
01:07:38,087 --> 01:07:41,087
(audience cheering)

1418
01:08:41,857 --> 01:08:44,607
♪ Oi, oi, oi, oi ♪

1419
01:08:58,510 --> 01:09:00,417
- Charlie! (laughs)

1420
01:09:00,417 --> 01:09:01,739
- Somebody catch her!

1421
01:09:01,739 --> 01:09:03,619
- Charlie, give me your hand!

1422
01:09:03,619 --> 01:09:04,702
No, somebody!

1423
01:09:12,200 --> 01:09:17,200
♪ Oi, oi ♪

1424
01:09:21,808 --> 01:09:23,088
♪ Everybody ♪

1425
01:09:23,088 --> 01:09:24,370
♪ Everybody ♪

1426
01:09:24,370 --> 01:09:27,448
♪ Everybody say yeah, yeah ♪

1427
01:09:27,448 --> 01:09:28,741
♪ Yeah, yeah ♪

1428
01:09:28,741 --> 01:09:31,381
♪ Say yeah, yeah ♪

1429
01:09:31,381 --> 01:09:34,581
♪ He wants to hear you say yeah, yeah ♪

1430
01:09:34,581 --> 01:09:35,850
♪ Yeah, yeah ♪

1431
01:09:35,850 --> 01:09:39,799
♪ Say yeah, yeah, yeah, yeah ♪

1432
01:09:39,799 --> 01:09:41,210
♪ Say yeah ♪

1433
01:09:41,210 --> 01:09:42,999
♪ Say yeah ♪

1434
01:09:42,999 --> 01:09:44,981
♪ Say yeah ♪

1435
01:09:44,981 --> 01:09:46,730
♪ Say yeah, yeah, yeah, yeah ♪

1436
01:09:46,730 --> 01:09:48,728
♪ Say yeah, yeah ♪

1437
01:09:48,728 --> 01:09:50,461
♪ Say yeah, yeah ♪

1438
01:09:50,461 --> 01:09:53,048
♪ Say yeah, yeah ♪

1439
01:09:53,048 --> 01:09:54,439
♪ Everybody ♪

1440
01:09:54,439 --> 01:09:55,730
♪ Everybody ♪

1441
01:09:55,730 --> 01:09:59,813
♪ Everybody say yeah, yeah, yeah ♪

1442
01:10:03,991 --> 01:10:08,241
(audience cheering and applauding)

1443
01:10:20,964 --> 01:10:23,797
(energetic music)

1444
01:10:40,051 --> 01:10:42,331
♪ Trust your feet in Price & Son ♪

1445
01:10:42,331 --> 01:10:45,640
♪ Our work is tried and true ♪

1446
01:10:45,640 --> 01:10:48,030
♪ Practical, pragmatical ♪

1447
01:10:48,030 --> 01:10:51,339
♪ Steadfast and sturdy, sturdy too ♪

1448
01:10:51,339 --> 01:10:53,910
♪ Whether you're high brow or pure ♪

1449
01:10:53,910 --> 01:10:57,091
♪ Or posh or working class ♪

1450
01:10:57,091 --> 01:10:59,931
♪ Get your mitts on kinky kicks ♪

1451
01:10:59,931 --> 01:11:01,600
♪ And kick ♪

1452
01:11:01,600 --> 01:11:03,131
♪ Some ♪

1453
01:11:03,131 --> 01:11:04,964
♪ Ass ♪

1454
01:11:06,230 --> 01:11:09,658
(audience cheering and applauding)

1455
01:11:09,658 --> 01:11:11,579
- Uh, where do you think
you're going with those?

1456
01:11:11,579 --> 01:11:13,310
- Ah, something's not quite right.

1457
01:11:13,310 --> 01:11:14,870
I want to see the colors in daylight.

1458
01:11:14,870 --> 01:11:16,550
- What did we talk about the other day?

1459
01:11:16,550 --> 01:11:19,270
I thought we agreed what
constitutes proper working attire!

1460
01:11:19,270 --> 01:11:20,978
- Don't be so hard on yourself.

1461
01:11:20,978 --> 01:11:22,099
You look adorable.

1462
01:11:22,099 --> 01:11:23,499
(audience laughing)

1463
01:11:23,499 --> 01:11:24,769
- Did you approve the lining fabrics

1464
01:11:24,769 --> 01:11:25,858
and fittings for the bags?

1465
01:11:25,858 --> 01:11:26,691
- Right after lunch.

1466
01:11:26,691 --> 01:11:29,057
- And did you call the modeling agency?

1467
01:11:29,057 --> 01:11:30,731
They needed to start castin' yesterday!

1468
01:11:30,731 --> 01:11:31,571
Get it done now!

1469
01:11:31,571 --> 01:11:32,851
- Yes, boss.
- Right now!

1470
01:11:32,851 --> 01:11:33,684
I mean it.

1471
01:11:33,684 --> 01:11:35,750
- Love you too! (laughs)

1472
01:11:35,750 --> 01:11:37,910
- Oh, careful there, big lady.

1473
01:11:37,910 --> 01:11:40,307
Or is it little man?

1474
01:11:40,307 --> 01:11:42,458
Need a hand or a boot?

1475
01:11:42,458 --> 01:11:44,099
- [Men] Yeah!

1476
01:11:44,099 --> 01:11:48,480
- Tell me, Dapper Don, what
can I do that will allow you

1477
01:11:48,480 --> 01:11:50,811
to go on with your life undistracted

1478
01:11:50,811 --> 01:11:52,430
by my sharing the planet?

1479
01:11:52,430 --> 01:11:54,291
- Try dressing like a bloke, for starters.

1480
01:11:54,291 --> 01:11:56,240
- (laughs) Jealous?

1481
01:11:56,240 --> 01:11:57,073
- Me?

1482
01:11:57,073 --> 01:11:58,628
What have I got to be jealous of?

1483
01:11:58,628 --> 01:12:01,258
- Of all the attention
I get from the ladies.

1484
01:12:01,258 --> 01:12:02,425
- You, ladies?

1485
01:12:04,179 --> 01:12:05,539
- Raise your hands if you look to see

1486
01:12:05,539 --> 01:12:07,870
what I wear to work each day?

1487
01:12:07,870 --> 01:12:10,870
(audience cheering)

1488
01:12:12,899 --> 01:12:15,899
(audience laughing)

1489
01:12:17,470 --> 01:12:19,037
(Lola chuckles)

1490
01:12:19,037 --> 01:12:23,037
Now raise your hands if
you care what Don wears.

1491
01:12:23,888 --> 01:12:24,925
(audience laughing)

1492
01:12:24,925 --> 01:12:27,178
- You're telling me you ain't
all tarted up to get blokes?

1493
01:12:27,178 --> 01:12:28,636
- Why would I do that?

1494
01:12:28,636 --> 01:12:32,389
Blokes that fancy blokes fancy blokes.

1495
01:12:32,389 --> 01:12:33,338
- You like women?

1496
01:12:33,338 --> 01:12:35,768
- Ha, I adore them, I worship them.

1497
01:12:35,768 --> 01:12:37,636
My whole being is dedicated to loving them

1498
01:12:37,636 --> 01:12:39,509
and they love me right back.

1499
01:12:39,509 --> 01:12:41,429
- Then why don't all men wear dresses?

1500
01:12:41,429 --> 01:12:43,686
- A question I've been asking all my life!

1501
01:12:43,686 --> 01:12:45,277
(audience laughing)

1502
01:12:45,277 --> 01:12:48,566
- A woman wants a man
what acts like a real man!

1503
01:12:48,566 --> 01:12:51,566
- And what does a real man act like?

1504
01:12:53,624 --> 01:12:54,664
(audience laughing)

1505
01:12:54,664 --> 01:12:56,972
Ladies, care to help Don out?

1506
01:12:56,972 --> 01:12:58,274
Tell him what you want.

1507
01:12:58,274 --> 01:12:59,565
- Me?

1508
01:12:59,565 --> 01:13:04,074
I don't need much, a bit
of companionship, a mate,

1509
01:13:04,074 --> 01:13:06,344
a mate with benefits.

1510
01:13:06,344 --> 01:13:07,834
- I like big hands.

1511
01:13:07,834 --> 01:13:08,813
- And affection.

1512
01:13:08,813 --> 01:13:10,685
- I like to bite.

1513
01:13:10,685 --> 01:13:12,822
(audience laughing)

1514
01:13:12,822 --> 01:13:16,525
- I want sensitivity and
compassion, all right?

1515
01:13:16,525 --> 01:13:20,114
- Companionship, affection,
sensitivity, and compassion,

1516
01:13:20,114 --> 01:13:23,101
traditionally female
characteristics, wouldn't you say?

1517
01:13:23,101 --> 01:13:24,633
- You're off your trolley!

1518
01:13:24,633 --> 01:13:27,861
- (laughs) Really?

1519
01:13:27,861 --> 01:13:30,554
♪ Stand back ♪

1520
01:13:30,554 --> 01:13:35,554
♪ Let me tell you something ♪

1521
01:13:35,832 --> 01:13:38,870
♪ What a woman ♪

1522
01:13:38,870 --> 01:13:43,870
♪ Wants to see ♪

1523
01:13:43,910 --> 01:13:45,260
♪ Stand back ♪

1524
01:13:45,260 --> 01:13:46,550
(men yelling)

1525
01:13:46,550 --> 01:13:51,550
♪ Mr. I-Know-Everything ♪

1526
01:13:51,750 --> 01:13:54,830
♪ But it's what you ♪

1527
01:13:54,830 --> 01:13:57,330
♪ Blindly see ♪

1528
01:13:59,083 --> 01:14:00,821
(Pat gasps)

1529
01:14:00,821 --> 01:14:02,712
♪ What a woman wants ♪

1530
01:14:02,712 --> 01:14:04,075
♪ Masculinity ♪

1531
01:14:04,075 --> 01:14:05,984
♪ What a man, sensitivity ♪

1532
01:14:05,984 --> 01:14:07,917
♪ What a man, in a fantasy ♪

1533
01:14:07,917 --> 01:14:09,946
♪ What a man, what a woman wants ♪

1534
01:14:09,946 --> 01:14:11,946
♪ What a man, a muscle to clutch ♪

1535
01:14:11,946 --> 01:14:14,426
♪ What a man, just a tender touch ♪

1536
01:14:14,426 --> 01:14:16,024
♪ Well, you don't get out too much ♪

1537
01:14:16,024 --> 01:14:18,328
(men yelling)
(Don laughing)

1538
01:14:18,328 --> 01:14:22,775
♪ To know the smoothness of her skin ♪

1539
01:14:22,775 --> 01:14:26,357
♪ With a gentle caress ♪

1540
01:14:26,357 --> 01:14:29,327
♪ Feel the feathery quality ♪

1541
01:14:29,327 --> 01:14:31,910
♪ Of her dress ♪

1542
01:14:34,904 --> 01:14:35,904
(audience laughing)

1543
01:14:35,904 --> 01:14:38,815
♪ What separates a man like you ♪

1544
01:14:38,815 --> 01:14:41,106
♪ From a man like me ♪

1545
01:14:41,106 --> 01:14:43,368
♪ I'm a reflection ♪

1546
01:14:43,368 --> 01:14:45,306
♪ Her protection ♪

1547
01:14:45,306 --> 01:14:50,157
♪ I'm her curious mystery ♪

1548
01:14:50,157 --> 01:14:51,877
♪ What a man, what a woman ♪

1549
01:14:51,877 --> 01:14:53,666
♪ What a man, what a woman ♪

1550
01:14:53,666 --> 01:14:54,775
♪ What a man, what a man ♪

1551
01:14:54,775 --> 01:14:56,008
♪ What a woman wants ♪

1552
01:14:56,008 --> 01:14:58,215
♪ What a man, what a man, what a man ♪

1553
01:14:58,215 --> 01:14:59,816
♪ What a man, what a woman ♪

1554
01:14:59,816 --> 01:15:01,696
♪ What a man, what a woman ♪

1555
01:15:01,696 --> 01:15:02,816
♪ What a man, what a man ♪

1556
01:15:02,816 --> 01:15:04,968
♪ What a woman wants, what a man ♪

1557
01:15:04,968 --> 01:15:07,736
- Oh, come on, we all know
what a bird really wants

1558
01:15:07,736 --> 01:15:09,895
is a rock-solid--

1559
01:15:09,895 --> 01:15:11,645
- Uh-huh, commitment?

1560
01:15:29,440 --> 01:15:32,907
♪ Look at me ♪

1561
01:15:32,907 --> 01:15:34,867
♪ Devilishly ♪

1562
01:15:34,867 --> 01:15:36,440
♪ Debonair ♪

1563
01:15:36,440 --> 01:15:39,227
♪ Look at you ♪

1564
01:15:39,227 --> 01:15:41,770
♪ Divinely dull, drab ♪

1565
01:15:41,770 --> 01:15:43,469
♪ And dumpy ♪

1566
01:15:43,469 --> 01:15:44,627
(Lola laughs)

1567
01:15:44,627 --> 01:15:46,458
♪ A woman wants ♪

1568
01:15:46,458 --> 01:15:50,480
♪ A man to give as much as she can take ♪

1569
01:15:50,480 --> 01:15:52,027
(Don laughs)

1570
01:15:52,027 --> 01:15:55,530
♪ Just like me ♪

1571
01:15:55,530 --> 01:16:00,040
♪ A libidinous Lothario on the make ♪

1572
01:16:00,040 --> 01:16:01,530
- Piss off!

1573
01:16:01,530 --> 01:16:04,149
- I have a challenge for you.

1574
01:16:04,149 --> 01:16:06,850
Write down what you think I
need to do to be a real man,

1575
01:16:06,850 --> 01:16:08,570
and I'll do the same for you.

1576
01:16:08,570 --> 01:16:12,050
Whatever you tell me to
do, I will have to do.

1577
01:16:12,050 --> 01:16:13,032
(Don laughs)

1578
01:16:13,032 --> 01:16:14,488
(Lola imitates Don laughing)

1579
01:16:14,488 --> 01:16:16,080
(women laughing)

1580
01:16:16,080 --> 01:16:19,909
But you will have to do the same for me.

1581
01:16:19,909 --> 01:16:20,742
Deal?

1582
01:16:21,640 --> 01:16:24,129
- I ain't wearin' no poufy dress.

1583
01:16:24,129 --> 01:16:27,101
- (laughs) Chickening out already?

1584
01:16:27,101 --> 01:16:28,889
(Lola imitating chicken clucking)

1585
01:16:28,889 --> 01:16:33,139
(women imitating chicken clucking)

1586
01:16:35,112 --> 01:16:38,112
(audience laughing)

1587
01:16:39,472 --> 01:16:42,032
♪ What a man, what a man,
what a man, what a man ♪

1588
01:16:42,032 --> 01:16:44,729
♪ What a man, what a man,
what a man, what a man ♪

1589
01:16:44,729 --> 01:16:47,519
♪ What a man, what a
man, what a woman wants ♪

1590
01:16:47,519 --> 01:16:49,210
♪ What a man, what a man, what a man ♪

1591
01:16:49,210 --> 01:16:51,224
♪ What a man, what a man, what a man ♪

1592
01:16:51,224 --> 01:16:52,944
♪ What a woman wants ♪

1593
01:16:52,944 --> 01:16:53,904
♪ What a man, what a man ♪

1594
01:16:53,904 --> 01:16:56,034
♪ What a woman wants ♪

1595
01:16:56,034 --> 01:16:58,122
♪ What a man, what a man, what a man ♪

1596
01:16:58,122 --> 01:16:59,078
♪ What a man, what a man ♪

1597
01:16:59,078 --> 01:17:01,009
♪ What a woman, what a man, what a man ♪

1598
01:17:01,009 --> 01:17:04,967
♪ What a woman, what a woman wants ♪

1599
01:17:04,967 --> 01:17:05,800
♪ Is me ♪

1600
01:17:05,800 --> 01:17:08,727
♪ What a woman wants,
what a man, what a man ♪

1601
01:17:08,727 --> 01:17:13,631
♪ What a man, what a
man, what a woman wants ♪

1602
01:17:13,631 --> 01:17:14,562
- You're on!

1603
01:17:14,562 --> 01:17:16,979
♪ What a man ♪

1604
01:17:18,162 --> 01:17:20,286
(audience cheering and applauding)

1605
01:17:20,286 --> 01:17:23,286
(upbeat rock music)

1606
01:17:25,967 --> 01:17:27,127
- Why didn't you warn me?

1607
01:17:27,127 --> 01:17:28,506
- I thought you heard, everyone else did.

1608
01:17:28,506 --> 01:17:29,906
- Do you think I woulda
let it go this far?

1609
01:17:29,906 --> 01:17:31,215
And why didn't you stop it?

1610
01:17:31,215 --> 01:17:33,466
- Have you ever tried stopping
Lola from doing anything?

1611
01:17:33,466 --> 01:17:34,299
(Charlie groans)

1612
01:17:34,299 --> 01:17:35,985
Lola told Don he could give
her any challenge at all

1613
01:17:35,985 --> 01:17:36,945
and this is what he chose!

1614
01:17:36,945 --> 01:17:39,756
- A boxing match between
Lola and Don at Fist'a Cuffs?

1615
01:17:39,756 --> 01:17:41,156
It's gonna be a bloody slaughter!

1616
01:17:41,156 --> 01:17:42,047
- Have some faith.

1617
01:17:42,047 --> 01:17:43,994
I'm sure Lola's got a
few moves up her sleeve.

1618
01:17:43,994 --> 01:17:45,858
- It's not her I'm worried about!

1619
01:17:45,858 --> 01:17:48,836
Lola is a professionally-trained fighter.

1620
01:17:48,836 --> 01:17:49,669
- She's a what?

1621
01:17:49,669 --> 01:17:50,502
- Come on!

1622
01:17:51,567 --> 01:17:54,372
- Oi, oi, looks like
there's gonna be trouble!

1623
01:17:54,372 --> 01:17:58,376
- Oh, he don't know who he's
messing with, all right!

1624
01:17:58,376 --> 01:18:00,068
So shut your mouth!

1625
01:18:00,068 --> 01:18:01,538
(audience cheering)

1626
01:18:01,538 --> 01:18:02,371
- Ladies!

1627
01:18:03,679 --> 01:18:04,512
Gentlemen!

1628
01:18:05,858 --> 01:18:09,525
And those who've yet
to make up their minds!

1629
01:18:11,097 --> 01:18:13,578
♪ In this corner ♪

1630
01:18:13,578 --> 01:18:15,938
♪ Lean and brown ♪

1631
01:18:15,938 --> 01:18:20,938
♪ Weighin' in in a gold
lame gown, yeah, yeah ♪

1632
01:18:20,978 --> 01:18:23,399
♪ In this corner ♪

1633
01:18:23,399 --> 01:18:25,879
♪ Here tonight ♪

1634
01:18:25,879 --> 01:18:30,879
♪ In the cradle of the
bright white light ♪

1635
01:18:30,967 --> 01:18:33,497
♪ Hit him in his big mouth ♪

1636
01:18:33,497 --> 01:18:37,925
♪ Hit him in his insecurity ♪

1637
01:18:37,925 --> 01:18:40,941
♪ Yeah ♪

1638
01:18:40,941 --> 01:18:43,424
♪ Hit him off his high horse ♪

1639
01:18:43,424 --> 01:18:48,424
♪ Hit him so everyone can see ♪

1640
01:18:48,733 --> 01:18:49,765
♪ Yeah ♪

1641
01:18:49,765 --> 01:18:50,941
(audience cheering)

1642
01:18:50,941 --> 01:18:52,725
- Who do you think you
are, coming to our town

1643
01:18:52,725 --> 01:18:55,994
lookin' like a penny sardine
on a five-star plate?

1644
01:18:55,994 --> 01:18:58,132
You better watch your back!

1645
01:18:58,132 --> 01:19:00,582
♪ Whoa ♪

1646
01:19:00,582 --> 01:19:03,062
♪ In this corner ♪

1647
01:19:03,062 --> 01:19:05,492
♪ Heavyweight ♪

1648
01:19:05,492 --> 01:19:06,994
- Come on!
♪ We mean heavy ♪

1649
01:19:06,994 --> 01:19:10,421
♪ Like a buttermilk cake ♪

1650
01:19:10,421 --> 01:19:12,902
♪ Can a real man ♪

1651
01:19:12,902 --> 01:19:15,382
♪ Ever confess ♪

1652
01:19:15,382 --> 01:19:19,853
♪ He was beaten by a guy in a dress ♪

1653
01:19:19,853 --> 01:19:22,971
♪ Ooh, hit him in the lipstick ♪

1654
01:19:22,971 --> 01:19:27,411
♪ Hit him in his feminine mystique ♪

1655
01:19:27,411 --> 01:19:30,442
♪ Yeah ♪

1656
01:19:30,442 --> 01:19:32,984
♪ Hit him off his high heels ♪

1657
01:19:32,984 --> 01:19:34,602
♪ Hit him in the cheek ♪

1658
01:19:34,602 --> 01:19:38,852
♪ And send him back to London town ♪

1659
01:19:40,314 --> 01:19:41,653
- Sequined freak.

1660
01:19:41,653 --> 01:19:42,486
(men yelling)

1661
01:19:42,486 --> 01:19:45,471
- Hey, you are gonna get
slapped, slapped, slapped!

1662
01:19:45,471 --> 01:19:48,271
- All right, all right,
listen up, you two.

1663
01:19:48,271 --> 01:19:53,224
I want a clean, fair, but
artfully performed fight.

1664
01:19:53,224 --> 01:19:56,402
I don't want to see any
blows below the belt,

1665
01:19:56,402 --> 01:19:58,870
or any hairs out of place.

1666
01:19:58,870 --> 01:20:00,312
Oh, hang on, darling, you've
got a tick of lipstick

1667
01:20:00,312 --> 01:20:01,479
on your teeth.

1668
01:20:02,584 --> 01:20:07,584
All right then, back to your
corners and come out fighting!

1669
01:20:07,824 --> 01:20:08,824
(Pat laughs)
- Shut up!

1670
01:20:08,824 --> 01:20:10,594
- He ain't half the man Don is!

1671
01:20:10,594 --> 01:20:12,373
- You can say that again!

1672
01:20:12,373 --> 01:20:14,762
♪ In this corner ♪

1673
01:20:14,762 --> 01:20:17,131
♪ Wow the crowd ♪

1674
01:20:17,131 --> 01:20:22,104
♪ Take him down and make us ladies proud ♪

1675
01:20:22,104 --> 01:20:24,594
♪ In this corner ♪

1676
01:20:24,594 --> 01:20:27,002
♪ Dominate ♪

1677
01:20:27,002 --> 01:20:31,255
♪ Set her up so we can set her straight ♪

1678
01:20:31,255 --> 01:20:32,563
- Round one!

1679
01:20:32,563 --> 01:20:34,980
(bell dings)

1680
01:20:37,333 --> 01:20:39,812
♪ Hit him in his big mouth ♪

1681
01:20:39,812 --> 01:20:44,144
♪ Hit him in his insecurity ♪

1682
01:20:44,144 --> 01:20:47,234
♪ Yeah ♪

1683
01:20:47,234 --> 01:20:49,781
♪ Hit him off his high horse ♪

1684
01:20:49,781 --> 01:20:53,472
♪ Hit him so everyone can see ♪

1685
01:20:53,472 --> 01:20:55,009
♪ Ooh, yeah ♪

1686
01:20:55,009 --> 01:20:55,848
- Hi-yah!

1687
01:20:55,848 --> 01:20:56,979
(bell dinging)

1688
01:20:56,979 --> 01:20:59,273
- Back to your corners, you beasts!

1689
01:20:59,273 --> 01:21:00,339
- Fancy a Grasshopper, darling?

1690
01:21:00,339 --> 01:21:02,019
It'll keep you bouncy!

1691
01:21:02,019 --> 01:21:02,852
- If you finish him off quick,

1692
01:21:02,852 --> 01:21:05,859
we can still get kimchi at the Korean's!

1693
01:21:05,859 --> 01:21:10,859
♪ So you got a good shot,
but don't get cocky ♪

1694
01:21:10,870 --> 01:21:15,771
♪ I'm as pretty as Ali
and tough as Rocky ♪

1695
01:21:15,771 --> 01:21:20,699
♪ If you're lucky, I
might let you off easy ♪

1696
01:21:20,699 --> 01:21:24,830
♪ Don, you know I get
excited when you tease me ♪

1697
01:21:24,830 --> 01:21:26,451
(Don yelling)

1698
01:21:26,451 --> 01:21:31,019
♪ What's the matter, Don,
you look a little pale ♪

1699
01:21:31,019 --> 01:21:33,390
♪ I feel like a hammer ♪

1700
01:21:33,390 --> 01:21:36,188
♪ I feel like the nail ♪

1701
01:21:36,188 --> 01:21:40,350
♪ Come on, Don, knock him black and blue ♪

1702
01:21:40,350 --> 01:21:42,828
♪ Here comes an uppercut, a left hook ♪

1703
01:21:42,828 --> 01:21:45,508
♪ And a pirouette too ♪

1704
01:21:45,508 --> 01:21:46,762
- Round two!

1705
01:21:46,762 --> 01:21:48,972
(bell dings)

1706
01:21:48,972 --> 01:21:51,531
♪ Hit him in his big mouth ♪

1707
01:21:51,531 --> 01:21:55,802
♪ Hit him in his insecurity ♪

1708
01:21:55,802 --> 01:21:58,904
♪ Yeah ♪

1709
01:21:58,904 --> 01:22:01,332
♪ Hit him off his high horse ♪

1710
01:22:01,332 --> 01:22:04,531
♪ Hit him so everyone can, everyone can ♪

1711
01:22:04,531 --> 01:22:07,802
♪ Everyone can ♪

1712
01:22:07,802 --> 01:22:10,914
(punch thudding)

1713
01:22:10,914 --> 01:22:12,863
- Un, deux, trois!

1714
01:22:12,863 --> 01:22:13,812
(bell dinging)

1715
01:22:13,812 --> 01:22:16,223
♪ Hit him off his high horse ♪

1716
01:22:16,223 --> 01:22:20,634
♪ Don really let that big fist fly ♪

1717
01:22:20,634 --> 01:22:23,714
♪ Yeah ♪

1718
01:22:23,714 --> 01:22:26,103
♪ He hit him with his brute force ♪

1719
01:22:26,103 --> 01:22:30,072
♪ Now he can hold his head up high ♪

1720
01:22:30,072 --> 01:22:31,733
♪ Ooh, yeah ♪

1721
01:22:31,733 --> 01:22:33,349
- [Trish and Male Ensemble]
Don, Don, champion!

1722
01:22:33,349 --> 01:22:35,333
Don, Don, champion!

1723
01:22:35,333 --> 01:22:37,501
Don, Don, champion!

1724
01:22:37,501 --> 01:22:38,773
- Less than a week till Milan,

1725
01:22:38,773 --> 01:22:40,701
and you somehow think a
boxing match a good idea?

1726
01:22:40,701 --> 01:22:43,642
- I thought watching Don slap
me around might boost morale.

1727
01:22:43,642 --> 01:22:45,701
- I suppose I should thank
you for not crippling him.

1728
01:22:45,701 --> 01:22:47,522
- Anything for the war effort.

1729
01:22:47,522 --> 01:22:48,802
(Charlie laughs)

1730
01:22:48,802 --> 01:22:49,635
- Charlie.

1731
01:22:51,109 --> 01:22:51,942
Lola.

1732
01:22:54,421 --> 01:22:55,941
- Congratulations.

1733
01:22:55,941 --> 01:22:57,661
(audience laughing)

1734
01:22:57,661 --> 01:22:59,053
- Thanks.

1735
01:22:59,053 --> 01:23:03,136
- Why don't I leave you
two lovebirds to make up?

1736
01:23:07,900 --> 01:23:10,733
- They say vodka's your preferred.

1737
01:23:13,112 --> 01:23:16,362
(glasses clink softly)

1738
01:23:26,523 --> 01:23:28,106
So why'd you do it?

1739
01:23:29,934 --> 01:23:31,684
Why'd you let me win?

1740
01:23:34,006 --> 01:23:34,839
- Really?

1741
01:23:38,945 --> 01:23:40,515
- Really.

1742
01:23:40,515 --> 01:23:41,602
- Because I didn't want you to walk

1743
01:23:41,602 --> 01:23:45,602
into the factory tomorrow
and feel disrespected.

1744
01:23:46,734 --> 01:23:47,654
- How 'bout you?

1745
01:23:47,654 --> 01:23:49,814
- Ha, compared to my challenge,

1746
01:23:49,814 --> 01:23:53,144
losing a fight is like
a polka in the pansies.

1747
01:23:53,144 --> 01:23:56,144
(audience laughing)

1748
01:24:00,090 --> 01:24:03,090
- "Accept someone for who they are."

1749
01:24:08,399 --> 01:24:09,232
What's that mean?

1750
01:24:09,232 --> 01:24:10,065
(Lola scoffs)

1751
01:24:10,065 --> 01:24:12,338
(audience laughing)

1752
01:24:12,338 --> 01:24:14,005
- Just what it says.

1753
01:24:14,966 --> 01:24:17,239
- You lookin' for me to say
men in frocks is all right?

1754
01:24:17,239 --> 01:24:20,739
- I ain't lookin' for you to say anything.

1755
01:24:28,228 --> 01:24:31,228
- "Accept someone for who they are."

1756
01:24:32,378 --> 01:24:34,807
(audience laughing)

1757
01:24:34,807 --> 01:24:36,178
How's that make me a man?

1758
01:24:36,178 --> 01:24:37,011
- Try it.

1759
01:24:38,565 --> 01:24:40,732
- Anyone?
- Anyone at all.

1760
01:24:41,765 --> 01:24:43,098
- And that's it?

1761
01:24:45,418 --> 01:24:46,988
- Good luck!

1762
01:24:46,988 --> 01:24:49,988
(audience laughing)

1763
01:24:53,085 --> 01:24:54,479
(energetic rock music)

1764
01:24:54,479 --> 01:24:56,890
(Lauren and Pat arguing)

1765
01:24:56,890 --> 01:24:59,092
- [Lauren] But you have no
idea what you're doing either!

1766
01:24:59,092 --> 01:25:00,410
We're in the same hole!

1767
01:25:00,410 --> 01:25:03,650
- Whoa, whoa, whoa,
everyone just stop talking!

1768
01:25:03,650 --> 01:25:05,418
Now, one of you, please, cut to the chase.

1769
01:25:05,418 --> 01:25:06,418
- We miscalculated.

1770
01:25:06,418 --> 01:25:08,589
The Milan trip is going to
cost more than we budgeted.

1771
01:25:08,589 --> 01:25:10,519
- No, it can't cost more
because we have no more.

1772
01:25:10,519 --> 01:25:12,109
- It's me, I'm the blunderer.

1773
01:25:12,109 --> 01:25:14,338
I never factored in
land transport in Milan.

1774
01:25:14,338 --> 01:25:15,509
- Or the import taxes.

1775
01:25:15,509 --> 01:25:17,050
- No, I planned for the
taxes on the samples,

1776
01:25:17,050 --> 01:25:18,119
but only one pair of each.

1777
01:25:18,119 --> 01:25:19,029
I know, stupid.
(Charlie groans)

1778
01:25:19,029 --> 01:25:19,862
- Not brilliant.

1779
01:25:19,862 --> 01:25:21,987
- Well, it's all your fault
for putting me in charge.

1780
01:25:21,987 --> 01:25:23,549
What do I know about producing
a bloody fashion show

1781
01:25:23,549 --> 01:25:24,382
in bleedin' Italy?

1782
01:25:24,382 --> 01:25:25,378
- If we don't get our boots to Milan,

1783
01:25:25,378 --> 01:25:26,850
then all this work will
have been for nothing!

1784
01:25:26,850 --> 01:25:28,039
- How about we call the bank?

1785
01:25:28,039 --> 01:25:29,858
Maybe seeing how close
we are, they'd carry us.

1786
01:25:29,858 --> 01:25:30,719
- Good day, Mr. Banker.

1787
01:25:30,719 --> 01:25:32,618
We've gone tits up making
the best shoes in England,

1788
01:25:32,618 --> 01:25:34,879
but we've chucked all that to
make boots for trans-gentries.

1789
01:25:34,879 --> 01:25:35,930
How'd you like to bunk in with us?

1790
01:25:35,930 --> 01:25:37,986
- It would be an awful burden, I know,

1791
01:25:37,986 --> 01:25:40,239
but how about a short-term
mortgage on your new flat?

1792
01:25:40,239 --> 01:25:41,072
- I just did that!

1793
01:25:41,072 --> 01:25:41,997
That's how we got to today.

1794
01:25:41,997 --> 01:25:43,327
- Charlie, Charlie!

1795
01:25:43,327 --> 01:25:45,677
I was sitting on the loo when
I was truck by lightning.

1796
01:25:45,677 --> 01:25:49,578
- Oh, kitten, you ought to
close the window first! (laughs)

1797
01:25:49,578 --> 01:25:51,397
- I spoke to a nice chap
down at the post office.

1798
01:25:51,397 --> 01:25:53,229
Let me see if he can give
us any leeway on the taxes.

1799
01:25:53,229 --> 01:25:54,516
- Will someone listen to me?

1800
01:25:54,516 --> 01:25:55,549
- We're in crisis here!

1801
01:25:55,549 --> 01:25:57,698
- Charlie, you want me
to hire Italian models

1802
01:25:57,698 --> 01:25:59,965
and hair and makeup staff, why?

1803
01:25:59,965 --> 01:26:01,807
- At last, one question
to which I have an answer.

1804
01:26:01,807 --> 01:26:03,378
I want you to hire
models, hair, and makeup

1805
01:26:03,378 --> 01:26:05,029
because we are putting on a show!

1806
01:26:05,029 --> 01:26:06,549
- But why are we using fashion models?

1807
01:26:06,549 --> 01:26:07,517
- Oh, I've got this one too.

1808
01:26:07,517 --> 01:26:09,127
Because we are putting on a fashion show.

1809
01:26:09,127 --> 01:26:11,245
- But why are we using
professional fashion models?

1810
01:26:11,245 --> 01:26:12,269
- Oh, this really is my day.

1811
01:26:12,269 --> 01:26:14,418
Because we are putting on a
professional fashion show!

1812
01:26:14,418 --> 01:26:17,109
- Let's take the girls from the club!

1813
01:26:17,109 --> 01:26:17,942
- The Angels?

1814
01:26:17,942 --> 01:26:19,623
- Who would be more
fun to see on a runway,

1815
01:26:19,623 --> 01:26:22,132
a bunch of personality-free
pretty boys prancing about,

1816
01:26:22,132 --> 01:26:25,701
or a gaggle of fabulous
drags who can demonstrate

1817
01:26:25,701 --> 01:26:27,725
what these boots were born to do?

1818
01:26:27,725 --> 01:26:28,965
- You're not serious,
you want me to gamble

1819
01:26:28,965 --> 01:26:32,093
my family's business,
this building, my home,

1820
01:26:32,093 --> 01:26:33,912
the very shirt on my back
on a ramshackle bunch

1821
01:26:33,912 --> 01:26:35,031
of broken-down--
- There you go,

1822
01:26:35,031 --> 01:26:36,453
biting the hand that feeds!

1823
01:26:36,453 --> 01:26:37,552
- I don't know which one is more daft,

1824
01:26:37,552 --> 01:26:38,990
what you're saying or what you're wearing.

1825
01:26:38,990 --> 01:26:42,541
- Want to have a look at these, Mr. Price?

1826
01:26:42,541 --> 01:26:44,973
- No, no, the heel is wrong,
this isn't the design.

1827
01:26:44,973 --> 01:26:46,323
- [George] True enough, but
up against the deadline,

1828
01:26:46,323 --> 01:26:47,603
we had to improvise.

1829
01:26:47,603 --> 01:26:48,813
- Well, it's nothing like the drawing!

1830
01:26:48,813 --> 01:26:50,224
- [George] We had to put the
heel on a different angle.

1831
01:26:50,224 --> 01:26:51,493
- Why?

1832
01:26:51,493 --> 01:26:53,635
- Else we'd have to create
an entirely new steel shank.

1833
01:26:53,635 --> 01:26:54,772
- Then do it!

1834
01:26:54,772 --> 01:26:55,922
- We'll have no sewing time

1835
01:26:55,922 --> 01:26:57,162
if we have to wait for a new heel.

1836
01:26:57,162 --> 01:26:58,835
- I told them to go ahead like that.

1837
01:26:58,835 --> 01:26:59,668
- But it's not what you drew.

1838
01:26:59,668 --> 01:27:01,012
- One's a drawing, one's a shoe.

1839
01:27:01,012 --> 01:27:01,944
- I didn't give you approval!

1840
01:27:01,944 --> 01:27:03,835
- No, all you give me is deadlines.

1841
01:27:03,835 --> 01:27:05,533
- Okay, we're gonna do
this right or not at all.

1842
01:27:05,533 --> 01:27:07,523
Let me see them?

1843
01:27:07,523 --> 01:27:09,795
No, these seams aren't
straight, you're rushing.

1844
01:27:09,795 --> 01:27:10,692
Do it again.
- Excuse me?

1845
01:27:10,692 --> 01:27:12,584
- And the zipper is set wrong!

1846
01:27:12,584 --> 01:27:14,835
People, this is for Milan,

1847
01:27:14,835 --> 01:27:16,762
for the most sophisticated
shoe buyers in the world!

1848
01:27:16,762 --> 01:27:17,595
- So?

1849
01:27:18,848 --> 01:27:21,533
- So I don't want to be the
laughing stock of the industry!

1850
01:27:21,533 --> 01:27:23,453
We're on thin ice puttin'
these out in the first place!

1851
01:27:23,453 --> 01:27:25,813
Everyone, stop, oi, stop,
stop, hold on the floor!

1852
01:27:25,813 --> 01:27:27,955
Marge, Maggie, George,

1853
01:27:27,955 --> 01:27:30,115
George, Trish, take a look at these.

1854
01:27:30,115 --> 01:27:33,163
Now, they all have to be picked
out and redone correctly.

1855
01:27:33,163 --> 01:27:34,283
They all have to be done again.

1856
01:27:34,283 --> 01:27:35,616
- It's Saturday!

1857
01:27:37,811 --> 01:27:38,644
- And?

1858
01:27:39,921 --> 01:27:42,683
- I don't mind a bit of rah-rah-kumbaya

1859
01:27:42,683 --> 01:27:44,821
for the sake of the team,

1860
01:27:44,821 --> 01:27:47,493
but some of us have a
life outside this factory!

1861
01:27:47,493 --> 01:27:52,160
- And you'll have a bloody
lot more of it if I fire you.

1862
01:27:53,781 --> 01:27:55,114
Now do it again,

1863
01:27:56,341 --> 01:27:57,174
please.

1864
01:28:00,272 --> 01:28:01,105
You have a problem?

1865
01:28:01,105 --> 01:28:02,812
- All right, everyone, back to work!

1866
01:28:02,812 --> 01:28:03,675
- Here's what I don't understand,

1867
01:28:03,675 --> 01:28:06,051
why am I the only one who cares?

1868
01:28:06,051 --> 01:28:07,051
No, not now, Nic!

1869
01:28:07,051 --> 01:28:08,760
- Don't even think about
puttin' me off, Charlie.

1870
01:28:08,760 --> 01:28:11,222
- Sorry, Nic, but I'm up
against a bit of a crisis here.

1871
01:28:11,222 --> 01:28:14,560
- You mortgaged our flat without
even discussin' it with me!

1872
01:28:14,560 --> 01:28:16,769
There I am, havin' my
supper, alone as usual,

1873
01:28:16,769 --> 01:28:18,360
and along comes a man
to measure up the garden

1874
01:28:18,360 --> 01:28:19,319
for the valuation!

1875
01:28:19,319 --> 01:28:20,152
- Yeah, I can explain.

1876
01:28:20,152 --> 01:28:22,689
- No one can ever say I
didn't stand by my man,

1877
01:28:22,689 --> 01:28:24,982
and I'll stand by you still
if you give me but one reason.

1878
01:28:24,982 --> 01:28:26,491
- The reason is right in front of you.

1879
01:28:26,491 --> 01:28:28,749
Isn't saving Price & Son worth everything?

1880
01:28:28,749 --> 01:28:30,428
- Where was this passion
when I was trying to make us

1881
01:28:30,428 --> 01:28:31,331
a new life in London?

1882
01:28:31,331 --> 01:28:32,771
- London was for you.
- For us.

1883
01:28:32,771 --> 01:28:37,011
- For you, you wanted
London and I went along.

1884
01:28:37,011 --> 01:28:37,844
- Really?

1885
01:28:39,160 --> 01:28:42,118
Well, you could have fooled me.

1886
01:28:42,118 --> 01:28:43,582
And what about us?

1887
01:28:43,582 --> 01:28:46,000
Was gettin' engaged just for me too?

1888
01:28:46,000 --> 01:28:48,388
And this, who's this rubbish for?

1889
01:28:48,388 --> 01:28:50,250
Oh, don't tell me it's for your father.

1890
01:28:50,250 --> 01:28:51,799
He's probably spinning in his grave

1891
01:28:51,799 --> 01:28:55,090
over what you've turned his factory into.

1892
01:28:55,090 --> 01:28:56,828
So who's it for, Charlie?

1893
01:28:56,828 --> 01:28:58,100
That fancy friend of yours?

1894
01:28:58,100 --> 01:28:59,540
Doing special favors for him?

1895
01:28:59,540 --> 01:29:00,890
Something going on there
I should know about?

1896
01:29:00,890 --> 01:29:01,940
- Oh, don't be ridiculous!

1897
01:29:01,940 --> 01:29:03,952
- Well, how should I know who
you've been sleeping with?

1898
01:29:03,952 --> 01:29:04,785
Certainly hasn't been with me!

1899
01:29:04,785 --> 01:29:06,075
- I'm doing it for them.
- Who?

1900
01:29:06,075 --> 01:29:07,566
- Them, our friends!

1901
01:29:07,566 --> 01:29:08,399
No?

1902
01:29:08,399 --> 01:29:10,366
We grew up with these people,
we've known them all our lives

1903
01:29:10,366 --> 01:29:12,926
and now their whole livelihood
is riding on this factory!

1904
01:29:12,926 --> 01:29:16,314
- And this factory is riding
straight off the cliff!

1905
01:29:16,314 --> 01:29:17,684
If your father was still here,

1906
01:29:17,684 --> 01:29:18,845
they'd already be out of work.

1907
01:29:18,845 --> 01:29:20,595
- But he isn't, I am!

1908
01:29:21,971 --> 01:29:23,883
- So you're hankering to be a hero.

1909
01:29:23,883 --> 01:29:24,716
- Nic!

1910
01:29:24,716 --> 01:29:27,891
- Charlie to the rescue, is it?

1911
01:29:27,891 --> 01:29:31,224
Well, how do I get Charlie to rescue me?

1912
01:29:36,021 --> 01:29:38,438
- You look nice, all done up.

1913
01:29:41,421 --> 01:29:44,381
- Richard's put me on a new project.

1914
01:29:44,381 --> 01:29:45,838
Big time stuff.
- Yeah.

1915
01:29:45,838 --> 01:29:48,301
- I'm headed back to London for good.

1916
01:29:48,301 --> 01:29:49,551
Are you coming?

1917
01:29:53,360 --> 01:29:56,027
- Aren't those the shoes we saw?

1918
01:29:58,461 --> 01:30:00,757
- How long was I supposed to wait?

1919
01:30:00,757 --> 01:30:02,872
(melancholic music)

1920
01:30:02,872 --> 01:30:05,789
(Charlie sniffles)

1921
01:30:06,792 --> 01:30:08,501
So long, Charlie.
- Yeah.

1922
01:30:08,501 --> 01:30:11,501
(melancholic music)

1923
01:30:14,558 --> 01:30:16,198
- If you're done making wedding plans,

1924
01:30:16,198 --> 01:30:18,158
can we finish discussing the Milan show?

1925
01:30:18,158 --> 01:30:19,251
- [Charlie] There's no
discussion to be had!

1926
01:30:19,251 --> 01:30:21,385
We're using professional models, done!

1927
01:30:21,385 --> 01:30:22,334
- Then you better get on the phone

1928
01:30:22,334 --> 01:30:24,854
because I just called and canceled them.

1929
01:30:24,854 --> 01:30:26,036
- I never told you that you could!

1930
01:30:26,036 --> 01:30:27,006
- Think, Charlie!

1931
01:30:27,006 --> 01:30:28,345
My girls don't need to be paid.

1932
01:30:28,345 --> 01:30:29,525
They'll do it for cocktails, giggles,

1933
01:30:29,525 --> 01:30:31,412
and the chance to walk
a professional runway,

1934
01:30:31,412 --> 01:30:34,145
and my girls do their own hair and makeup,

1935
01:30:34,145 --> 01:30:36,068
so there's the money we
need to get us to Milan.

1936
01:30:36,068 --> 01:30:37,174
- How do I get this into your head?

1937
01:30:37,174 --> 01:30:39,585
We are marketing to the world's
most sophisticated buyers--

1938
01:30:39,585 --> 01:30:41,365
- Half of whom probably
watch the evening news

1939
01:30:41,365 --> 01:30:42,654
wearing their wives' brassieres.

1940
01:30:42,654 --> 01:30:43,926
- News flash for Lola!

1941
01:30:43,926 --> 01:30:44,759
There are a whole lot of us

1942
01:30:44,759 --> 01:30:46,145
who don't watch the
evening news in brassieres!

1943
01:30:46,145 --> 01:30:47,726
- Well, bully for you,
but you ain't my buyers.

1944
01:30:47,726 --> 01:30:48,756
- Then here's another news flash.

1945
01:30:48,756 --> 01:30:50,325
I am not flying all the way across Europe

1946
01:30:50,325 --> 01:30:51,732
just to sell to your chums.

1947
01:30:51,732 --> 01:30:53,925
- We won't be selling to anyone
if we can't get to Milan.

1948
01:30:53,925 --> 01:30:55,732
- Then there's no reason to
go if all we've got to show

1949
01:30:55,732 --> 01:30:58,025
is a bunch of Nancy-boys
stomping about in skirts!

1950
01:30:58,025 --> 01:31:01,212
We need to show these boots on women.

1951
01:31:01,212 --> 01:31:02,065
- Women?
- You heard me.

1952
01:31:02,065 --> 01:31:02,898
- That was never the deal.

1953
01:31:02,898 --> 01:31:03,731
- Well, then the deal was wrong.

1954
01:31:03,731 --> 01:31:04,606
- What did that girl say to you?

1955
01:31:04,606 --> 01:31:06,925
- Look, I am not embarrasin'
the name of Price & Son

1956
01:31:06,925 --> 01:31:08,304
by parading a planeload of misfits--

1957
01:31:08,304 --> 01:31:09,293
- Misfits?
- At the most influential

1958
01:31:09,293 --> 01:31:11,014
footwear show in the world.

1959
01:31:11,014 --> 01:31:13,365
Listen to me, Lola, these
boots can be mainstream!

1960
01:31:13,365 --> 01:31:15,406
- Drag queens are mainstream!

1961
01:31:15,406 --> 01:31:16,996
Just this morning, I was
offered a gig singing

1962
01:31:16,996 --> 01:31:17,926
at a nursing home.

1963
01:31:17,926 --> 01:31:19,465
A nursing home, Charlie, in Clacton.

1964
01:31:19,465 --> 01:31:21,214
- And maybe that's just where you belong!

1965
01:31:21,214 --> 01:31:22,047
- [Lola] What?

1966
01:31:22,047 --> 01:31:23,412
- Look at you.

1967
01:31:23,412 --> 01:31:24,532
You're meant to be a business person.

1968
01:31:24,532 --> 01:31:26,604
How many successful designers
do you think go about

1969
01:31:26,604 --> 01:31:29,124
camped up like the entertainment
at a low-rent tea dance?

1970
01:31:29,124 --> 01:31:30,524
- After all I've shared with you,

1971
01:31:30,524 --> 01:31:31,530
you still think I'm wearing this

1972
01:31:31,530 --> 01:31:32,873
for a lack of a pair of trousers?

1973
01:31:32,873 --> 01:31:34,473
- Look, I get it, I understand.

1974
01:31:34,473 --> 01:31:36,612
All of this frou-frou, it
protects who you really are.

1975
01:31:36,612 --> 01:31:37,903
I heard you.
- You heard nothing!

1976
01:31:37,903 --> 01:31:39,972
- I'm telling you, you don't have to hide!

1977
01:31:39,972 --> 01:31:41,244
Once the industry sees your work,

1978
01:31:41,244 --> 01:31:43,724
you'll be able to stop all of
this and have a normal life!

1979
01:31:43,724 --> 01:31:45,524
- You're a fool!
- Am I?

1980
01:31:45,524 --> 01:31:48,033
I'd wager if we stood side
by side and asked passersby

1981
01:31:48,033 --> 01:31:49,410
which one of us is fooling himself,

1982
01:31:49,410 --> 01:31:51,423
most of the votes would swing your way!

1983
01:31:51,423 --> 01:31:52,256
- Ha!
- Why am I

1984
01:31:52,256 --> 01:31:54,132
the only one in here who believes in you?

1985
01:31:54,132 --> 01:31:56,713
- You believe in my
shoes, I am not my shoes!

1986
01:31:56,713 --> 01:31:57,983
- No, you're a joke!

1987
01:31:57,983 --> 01:31:59,172
You think you're being
all mystical and deep

1988
01:31:59,172 --> 01:32:00,892
representing the best of both sexes,

1989
01:32:00,892 --> 01:32:04,073
but I'm here to tell you
that all you are is daft!

1990
01:32:04,073 --> 01:32:05,503
You say you want to be treated like a man,

1991
01:32:05,503 --> 01:32:07,753
then start acting like one!

1992
01:32:08,783 --> 01:32:12,283
I'm sorry, but sometimes, the truth hurts!

1993
01:32:16,743 --> 01:32:17,743
- The truth?

1994
01:32:20,083 --> 01:32:20,916
The truth?

1995
01:32:23,753 --> 01:32:25,086
We're done here.

1996
01:32:27,433 --> 01:32:28,433
- And Simon!

1997
01:32:30,172 --> 01:32:32,363
Yes, that's right, Simon,

1998
01:32:32,363 --> 01:32:33,443
when you show up at the airport,

1999
01:32:33,443 --> 01:32:38,132
try to look somethin'
like your passport photo.

2000
01:32:38,132 --> 01:32:38,965
Yes?

2001
01:32:40,873 --> 01:32:42,456
For both our sakes.

2002
01:32:49,473 --> 01:32:50,306
- Here.

2003
01:32:53,423 --> 01:32:54,892
- This is shite, do it again.

2004
01:32:54,892 --> 01:32:56,063
- You're outta your bloody mind!

2005
01:32:56,063 --> 01:32:57,241
- This is for Milan!

2006
01:32:57,241 --> 01:32:58,772
- Milan!

2007
01:32:58,772 --> 01:33:01,719
Milan, you don't even know what Milan is.

2008
01:33:01,719 --> 01:33:04,852
You've never been there,
you're just guessin'!

2009
01:33:04,852 --> 01:33:05,692
And I'm goin' home!

2010
01:33:05,692 --> 01:33:07,041
- [Charlie] I don't have to
guess to know what's good.

2011
01:33:07,041 --> 01:33:08,121
- They'd be good enough for your father!

2012
01:33:08,121 --> 01:33:10,371
- Well, I am not my father!

2013
01:33:11,593 --> 01:33:12,676
- Truer words

2014
01:33:14,079 --> 01:33:15,496
were never spoke.

2015
01:33:18,812 --> 01:33:19,979
- Do it again.

2016
01:33:22,972 --> 01:33:26,239
- As the saying goes, you
want something done your way,

2017
01:33:26,239 --> 01:33:27,156
have at it!

2018
01:33:29,251 --> 01:33:31,822
What say we clear out

2019
01:33:31,822 --> 01:33:34,100
and leave the man from
Milan to his stitching!

2020
01:33:34,100 --> 01:33:36,321
- We have all these samples
to make, and no time.

2021
01:33:36,321 --> 01:33:38,241
If you all go home now, what
have we been working for?

2022
01:33:38,241 --> 01:33:39,408
Maggie, Marge.

2023
01:33:40,601 --> 01:33:41,434
George.

2024
01:33:43,222 --> 01:33:44,055
George.

2025
01:33:47,711 --> 01:33:50,294
(door closing)

2026
01:33:59,651 --> 01:34:02,311
♪ Who was I kidding ♪

2027
01:34:02,311 --> 01:34:04,580
♪ This scheme was skidding ♪

2028
01:34:04,580 --> 01:34:09,580
♪ My fractured attempt at taking control ♪

2029
01:34:09,759 --> 01:34:12,458
♪ I tried in vain, now ♪

2030
01:34:12,458 --> 01:34:15,117
♪ I'm to blame ♪

2031
01:34:15,117 --> 01:34:17,399
♪ Now I'm left with ♪

2032
01:34:17,399 --> 01:34:19,599
♪ A deep dark hole ♪

2033
01:34:19,599 --> 01:34:22,690
♪ So confident ♪

2034
01:34:22,690 --> 01:34:26,199
♪ So collected ♪

2035
01:34:26,199 --> 01:34:29,716
♪ And so cool ♪

2036
01:34:29,716 --> 01:34:32,883
♪ Hey, look at me now ♪

2037
01:34:37,297 --> 01:34:38,903
I'm a fool.

2038
01:34:38,903 --> 01:34:42,570
(electricity shutting down)

2039
01:34:51,780 --> 01:34:56,780
♪ I'm bad news, a black and blueser ♪

2040
01:34:58,189 --> 01:35:00,660
♪ Who's a loser ♪

2041
01:35:00,660 --> 01:35:03,811
♪ A merry-go-round spiralin' down ♪

2042
01:35:03,811 --> 01:35:08,811
♪ I'm all used up, I'm
chafed and chewed up ♪

2043
01:35:09,959 --> 01:35:12,479
♪ Who's just screwed up ♪

2044
01:35:12,479 --> 01:35:17,479
♪ The same old Charlie
hitting the ground ♪

2045
01:35:17,550 --> 01:35:22,550
♪ 'Cause I'll never be the soul of a man ♪

2046
01:35:22,940 --> 01:35:25,310
♪ Noble and wise ♪

2047
01:35:25,310 --> 01:35:28,489
♪ Like the soul of a man ♪

2048
01:35:28,489 --> 01:35:31,198
♪ Who lifted me high ♪

2049
01:35:31,198 --> 01:35:34,462
♪ Like the soul of a man ♪

2050
01:35:34,462 --> 01:35:36,873
♪ Heroic and true ♪

2051
01:35:36,873 --> 01:35:41,873
♪ Like a soul of a man
that I looked up to ♪

2052
01:35:45,101 --> 01:35:48,793
♪ What else could I do ♪

2053
01:35:48,793 --> 01:35:51,422
♪ Stupid hubris ♪

2054
01:35:51,422 --> 01:35:54,313
♪ No excuses ♪

2055
01:35:54,313 --> 01:35:56,862
♪ I blew my fuses ♪

2056
01:35:56,862 --> 01:36:00,401
♪ I guess I'm just a ruse
in my father's shoes ♪

2057
01:36:00,401 --> 01:36:03,252
♪ Not amusin' ♪

2058
01:36:03,252 --> 01:36:05,561
♪ No confusin' ♪

2059
01:36:05,561 --> 01:36:08,782
♪ This streak of losin' ♪

2060
01:36:08,782 --> 01:36:13,782
♪ Totally brutal and useless too ♪

2061
01:36:14,313 --> 01:36:19,083
♪ How can I be the soul of a man ♪

2062
01:36:19,083 --> 01:36:21,373
♪ Noble and wise ♪

2063
01:36:21,373 --> 01:36:24,654
♪ Like the soul of a man ♪

2064
01:36:24,654 --> 01:36:27,425
♪ Who lifted me high ♪

2065
01:36:27,425 --> 01:36:30,825
♪ Like the soul of a man ♪

2066
01:36:30,825 --> 01:36:33,093
♪ Heroic and true ♪

2067
01:36:33,093 --> 01:36:35,893
♪ Like the soul of a man ♪

2068
01:36:35,893 --> 01:36:40,893
♪ That I looked up to ♪

2069
01:36:41,364 --> 01:36:43,641
♪ What else could I ♪

2070
01:36:43,641 --> 01:36:48,641
♪ Just when I'm reaching
for that run at the top ♪

2071
01:36:48,821 --> 01:36:53,821
♪ I'm that broken heel,
unsteady, ready, ready to drop ♪

2072
01:36:55,571 --> 01:37:00,571
♪ When will I be the soul of a man ♪

2073
01:37:00,593 --> 01:37:02,913
♪ Noble and wise ♪

2074
01:37:02,913 --> 01:37:06,180
♪ Like the soul of a man ♪

2075
01:37:06,180 --> 01:37:09,811
♪ Who lifted me high ♪

2076
01:37:09,811 --> 01:37:12,182
♪ Soul of a man ♪

2077
01:37:12,182 --> 01:37:14,681
♪ Heroic and true ♪

2078
01:37:14,681 --> 01:37:17,382
♪ Like the soul of a man ♪

2079
01:37:17,382 --> 01:37:22,382
♪ That I looked up to ♪

2080
01:37:22,921 --> 01:37:25,182
♪ What else could I ♪

2081
01:37:25,182 --> 01:37:26,702
♪ Do ♪

2082
01:37:26,702 --> 01:37:30,033
♪ Soul of a man ♪

2083
01:37:30,033 --> 01:37:32,283
♪ I'll never be ♪

2084
01:37:32,283 --> 01:37:34,791
♪ No, I'll never be ♪

2085
01:37:34,791 --> 01:37:38,473
♪ I have gone and let you down ♪

2086
01:37:38,473 --> 01:37:39,950
♪ Oh ♪

2087
01:37:39,950 --> 01:37:41,441
♪ Soul ♪

2088
01:37:41,441 --> 01:37:43,913
♪ Soul of a man ♪

2089
01:37:43,913 --> 01:37:46,473
♪ Here comes that familiar sound ♪

2090
01:37:46,473 --> 01:37:50,973
♪ Same old Charlie hitting the ground ♪

2091
01:38:01,312 --> 01:38:05,562
(audience cheering and applauding)

2092
01:38:18,112 --> 01:38:19,992
Just keep walking.

2093
01:38:19,992 --> 01:38:22,075
You want no part of this.

2094
01:38:23,240 --> 01:38:24,981
- Down, doggie.

2095
01:38:24,981 --> 01:38:26,261
(audience laughing)

2096
01:38:26,261 --> 01:38:27,661
Like every mutt I've ever met,

2097
01:38:27,661 --> 01:38:30,744
you only growl because you're scared.

2098
01:38:31,651 --> 01:38:34,920
- Dogs growl to protect something.

2099
01:38:34,920 --> 01:38:37,587
I've nothing left to growl over.

2100
01:38:38,970 --> 01:38:42,170
- You're a funny one, Charlie Price.

2101
01:38:42,170 --> 01:38:43,981
I always took you for a spoiled brat

2102
01:38:43,981 --> 01:38:47,314
waitin' to have the world handed to him.

2103
01:38:48,150 --> 01:38:52,567
- Don't hand me nothin'
unless you want it destroyed.

2104
01:38:57,421 --> 01:38:58,338
- Budge up.

2105
01:39:06,312 --> 01:39:08,979
Feelin' sorry for ourselves, eh?

2106
01:39:12,584 --> 01:39:13,417
I...

2107
01:39:16,424 --> 01:39:19,507
I felt the same way when my dad died.

2108
01:39:22,205 --> 01:39:23,038
- Yeah?

2109
01:39:25,504 --> 01:39:26,337
- Yeah.

2110
01:39:28,764 --> 01:39:29,931
I was so lost.

2111
01:39:32,504 --> 01:39:34,004
After the funeral,

2112
01:39:35,485 --> 01:39:38,165
the undertaker handed me
a shoebox of his stuff

2113
01:39:38,165 --> 01:39:40,832
and said, "That's what he left."

2114
01:39:42,685 --> 01:39:45,518
And I looked at him and I said no,

2115
01:39:46,674 --> 01:39:48,424
this is what he left.

2116
01:39:52,184 --> 01:39:56,845
What a body leaves behind
ain't in his pocket.

2117
01:39:56,845 --> 01:40:00,428
Sometimes, it's what
he inspired in others.

2118
01:40:03,445 --> 01:40:06,053
(audience laughing)

2119
01:40:06,053 --> 01:40:09,553
(Lauren groans comically)

2120
01:40:12,795 --> 01:40:14,793
Turn around, Charlie.

2121
01:40:14,793 --> 01:40:16,064
- What's going on?

2122
01:40:16,064 --> 01:40:17,584
Why's the factory all lit up?

2123
01:40:17,584 --> 01:40:19,751
- Go and see for yourself.

2124
01:40:20,864 --> 01:40:22,485
- Hey.

2125
01:40:22,485 --> 01:40:24,513
(laughs) You did this?

2126
01:40:24,513 --> 01:40:25,995
- Me? No, no, no.

2127
01:40:25,995 --> 01:40:27,412
Don, Don done it.

2128
01:40:28,755 --> 01:40:30,264
(audience laughing)

2129
01:40:30,264 --> 01:40:32,702
Lola challenged him to accept
someone for who they are,

2130
01:40:32,702 --> 01:40:34,573
and I'd say he rather
rose to the occasion.

2131
01:40:34,573 --> 01:40:35,824
- What, so Don got everyone back to work

2132
01:40:35,824 --> 01:40:37,912
just by accepting Lola?

2133
01:40:37,912 --> 01:40:39,079
- No, Charlie.

2134
01:40:40,600 --> 01:40:41,433
You.

2135
01:40:43,221 --> 01:40:44,638
Don accepted you.

2136
01:40:45,632 --> 01:40:46,465
- Oi!

2137
01:40:48,051 --> 01:40:51,352
I heard you was runnin' low on funds.

2138
01:40:51,352 --> 01:40:53,102
Last week's payslips.

2139
01:40:58,451 --> 01:41:00,152
Who needs to eat?

2140
01:41:00,152 --> 01:41:01,760
(audience laughing)

2141
01:41:01,760 --> 01:41:02,821
- Here we go, mates.

2142
01:41:02,821 --> 01:41:05,891
Should we see what he thinks?

2143
01:41:05,891 --> 01:41:08,891
(audience laughing)

2144
01:41:12,690 --> 01:41:15,607
(audience hooting)

2145
01:41:16,461 --> 01:41:17,491
Well?

2146
01:41:17,491 --> 01:41:18,324
- Wow!

2147
01:41:18,324 --> 01:41:19,960
(audience laughing)

2148
01:41:19,960 --> 01:41:20,793
- My God.

2149
01:41:21,640 --> 01:41:24,619
The man from Milan says yes!

2150
01:41:24,619 --> 01:41:26,680
(workers cheering)

2151
01:41:26,680 --> 01:41:30,280
♪ London to Milan ♪

2152
01:41:30,280 --> 01:41:34,269
♪ Stilettos are an ism ♪

2153
01:41:34,269 --> 01:41:37,720
♪ In red and neon life ♪

2154
01:41:37,720 --> 01:41:42,011
♪ Gimme Kinky B-B-B-B-B-B-B-B-Boots ♪

2155
01:41:42,011 --> 01:41:42,971
- That's the lot, eh, George?

2156
01:41:42,971 --> 01:41:43,804
We got it all?

2157
01:41:43,804 --> 01:41:45,221
- Yeah, van should've been here by now.

2158
01:41:45,221 --> 01:41:47,432
Maybe he's gone around to
the loading bay, I'll check.

2159
01:41:47,432 --> 01:41:48,813
- Lola's not here, she's not coming.

2160
01:41:48,813 --> 01:41:49,646
- [Lauren] Ring her again.

2161
01:41:49,646 --> 01:41:50,613
- I've rung a dozen times.

2162
01:41:50,613 --> 01:41:52,352
I can't even get Pat to answer my calls.

2163
01:41:52,352 --> 01:41:54,592
- Maybe they're flying
straight from London.

2164
01:41:54,592 --> 01:41:55,483
She wouldn't miss this.

2165
01:41:55,483 --> 01:41:56,641
- After what I said?

2166
01:41:56,641 --> 01:41:57,919
- Oh, here comes the van.

2167
01:41:57,919 --> 01:42:01,252
I'll load the boots, you try Lola again.

2168
01:42:07,116 --> 01:42:10,244
(grunts softly)

2169
01:42:10,244 --> 01:42:12,244
- Hello, Lola.

2170
01:42:12,244 --> 01:42:13,577
Guess who again.

2171
01:42:14,585 --> 01:42:15,926
We're on our way to the airport,

2172
01:42:15,926 --> 01:42:20,093
but there's a monumental
hole where you should be,

2173
01:42:21,196 --> 01:42:22,946
which is no surprise.

2174
01:42:24,145 --> 01:42:28,257
Whenever you leave a room,
there's always a great big gap.

2175
01:42:28,257 --> 01:42:31,235
Just how life with you is.

2176
01:42:31,235 --> 01:42:35,265
Anyway, I want you to know
that I don't blame you

2177
01:42:35,265 --> 01:42:37,076
for being angry.

2178
01:42:37,076 --> 01:42:42,076
The way I shot my gob off, I'd
walk out myself if I could.

2179
01:42:42,246 --> 01:42:44,105
Hey, leave it to me to
finally find my passion

2180
01:42:44,105 --> 01:42:46,938
and use it to hurt someone I love.

2181
01:42:51,404 --> 01:42:56,321
But forget me, forget Milan,
forget the boots and business.

2182
01:42:57,340 --> 01:42:59,340
What I wanted to say was

2183
01:43:01,860 --> 01:43:04,129
if anyone ever tries to tell you

2184
01:43:04,129 --> 01:43:07,138
you're something less than a man,

2185
01:43:07,138 --> 01:43:09,305
then you have them see me.

2186
01:43:11,110 --> 01:43:12,779
If being a man means being brave enough

2187
01:43:12,779 --> 01:43:15,809
to take on the entire world,

2188
01:43:15,809 --> 01:43:19,098
then you're the only man I've ever known.

2189
01:43:19,098 --> 01:43:20,681
Certainly the best.

2190
01:43:22,110 --> 01:43:25,277
You challenged Don to change his mind,

2191
01:43:26,641 --> 01:43:28,669
but I'm the one who
really needed that lesson.

2192
01:43:28,669 --> 01:43:32,489
("Hold Me in Your Heart")

2193
01:43:32,489 --> 01:43:36,110
So, this is Charlie from Northampton

2194
01:43:36,110 --> 01:43:38,277
telling Simon from Clacton

2195
01:43:41,161 --> 01:43:43,161
he is so terribly sorry.

2196
01:43:46,481 --> 01:43:47,648
Goodbye, Lola,

2197
01:43:50,201 --> 01:43:51,368
and thank you.

2198
01:43:55,030 --> 01:44:00,030
♪ You don't want to see me ♪

2199
01:44:01,266 --> 01:44:03,893
♪ Anymore ♪

2200
01:44:03,893 --> 01:44:08,893
♪ You can't listen to me ♪

2201
01:44:09,496 --> 01:44:13,554
♪ Laugh out loud ♪

2202
01:44:13,554 --> 01:44:17,954
♪ You don't want to see me dance ♪

2203
01:44:17,954 --> 01:44:22,954
♪ You can't even take the chance ♪

2204
01:44:23,506 --> 01:44:27,296
♪ That it might reflect on ♪

2205
01:44:27,296 --> 01:44:30,605
♪ You ♪

2206
01:44:30,605 --> 01:44:33,928
♪ You missed out ♪

2207
01:44:33,928 --> 01:44:38,928
♪ On the best part of me ♪

2208
01:44:39,175 --> 01:44:41,346
♪ The part ♪

2209
01:44:41,346 --> 01:44:45,946
♪ That made me who I am ♪

2210
01:44:45,946 --> 01:44:47,335
♪ Today ♪

2211
01:44:47,335 --> 01:44:49,426
♪ Oh ♪

2212
01:44:49,426 --> 01:44:53,563
♪ But the best part of me ♪

2213
01:44:53,563 --> 01:44:58,563
♪ Is standing in front of you ♪

2214
01:44:59,194 --> 01:45:04,194
♪ And loves you anyway ♪

2215
01:45:06,714 --> 01:45:10,213
♪ Hold me in your heart ♪

2216
01:45:10,213 --> 01:45:15,213
♪ Till you understand ♪

2217
01:45:15,485 --> 01:45:19,026
♪ Hold me in your heart ♪

2218
01:45:19,026 --> 01:45:23,666
♪ Just the way that I am ♪

2219
01:45:23,666 --> 01:45:25,826
♪ With all your faults ♪

2220
01:45:25,826 --> 01:45:28,043
♪ I love you ♪

2221
01:45:28,043 --> 01:45:30,826
♪ Don't give up ♪

2222
01:45:30,826 --> 01:45:32,095
♪ On me ♪

2223
01:45:32,095 --> 01:45:35,265
♪ I won't give up ♪

2224
01:45:35,265 --> 01:45:37,292
♪ On you ♪

2225
01:45:37,292 --> 01:45:42,094
♪ When you took my hand,
taught me how to be strong ♪

2226
01:45:42,094 --> 01:45:46,603
♪ That's where I picked up
where we went all wrong ♪

2227
01:45:46,603 --> 01:45:50,932
♪ I know that I hurt you,
and you hurt me too ♪

2228
01:45:50,932 --> 01:45:55,932
♪ But you mean more to me,
I must mean more to you ♪

2229
01:45:58,543 --> 01:46:01,923
♪ Hold me in your heart ♪

2230
01:46:01,923 --> 01:46:06,923
♪ Till you understand ♪

2231
01:46:07,322 --> 01:46:10,763
♪ Hold me in your heart ♪

2232
01:46:10,763 --> 01:46:15,432
♪ Just the way that I am ♪

2233
01:46:15,432 --> 01:46:19,933
♪ With all your faults, I love you ♪

2234
01:46:19,933 --> 01:46:22,150
♪ I need you ♪

2235
01:46:22,150 --> 01:46:27,150
♪ To love me that way ♪

2236
01:46:29,363 --> 01:46:31,196
♪ Too ♪

2237
01:46:37,998 --> 01:46:42,248
(audience cheering and applauding)

2238
01:47:00,695 --> 01:47:05,124
- Thank you for welcoming
me to your lovely facility.

2239
01:47:05,124 --> 01:47:06,364
(audience laughing softly)

2240
01:47:06,364 --> 01:47:09,335
Believe it or not, I grew
up just down the road.

2241
01:47:09,335 --> 01:47:12,815
Anyway, it was my pleasure to come.

2242
01:47:12,815 --> 01:47:14,746
You see, you're not my usual audience,

2243
01:47:14,746 --> 01:47:18,614
and I'm probably not
your usual entertainment,

2244
01:47:18,614 --> 01:47:21,676
and that is because I'm actually a man.

2245
01:47:21,676 --> 01:47:23,815
(audience laughing)

2246
01:47:23,815 --> 01:47:25,232
My name is Simon.

2247
01:47:27,087 --> 01:47:28,956
Thank you for listening.

2248
01:47:28,956 --> 01:47:33,206
(audience cheering and applauding)

2249
01:47:40,773 --> 01:47:43,273
It was good to see you, Daddy.

2250
01:47:44,975 --> 01:47:45,808
Goodbye.

2251
01:47:48,275 --> 01:47:50,358
(crying)

2252
01:47:51,404 --> 01:47:52,321
I love you.

2253
01:47:53,623 --> 01:47:56,623
(melancholic music)

2254
01:48:00,880 --> 01:48:04,710
- (speaking Italian) Hallo,
peoples, can you hear me?

2255
01:48:04,710 --> 01:48:06,880
(audience laughing)
(upbeat runway music)

2256
01:48:06,880 --> 01:48:08,261
(speaking Italian)

2257
01:48:08,261 --> 01:48:10,811
This is a (speaking Italian)!

2258
01:48:10,811 --> 01:48:11,644
Donatella!

2259
01:48:12,571 --> 01:48:15,421
(audience laughing)

2260
01:48:15,421 --> 01:48:18,120
(speaking Italian) Kinky Boots?

2261
01:48:18,120 --> 01:48:21,509
(upbeat runway music)

2262
01:48:21,509 --> 01:48:23,520
(speaking Italian)

2263
01:48:23,520 --> 01:48:27,008
Can I see the exhibitors for Price & Son?

2264
01:48:27,008 --> 01:48:29,059
- Oh, that's me!

2265
01:48:29,059 --> 01:48:30,309
- A-ha, and your dressers?

2266
01:48:30,309 --> 01:48:32,109
- That's me.
- A-ha, and your models?

2267
01:48:32,109 --> 01:48:33,621
- Me.

2268
01:48:33,621 --> 01:48:34,738
- A-ha.

2269
01:48:34,738 --> 01:48:36,270
(audience laughing)

2270
01:48:36,270 --> 01:48:39,670
Then you have everyone
you need to proceed, si?

2271
01:48:39,670 --> 01:48:40,698
- Si.
- Si.

2272
01:48:40,698 --> 01:48:42,968
(speaking Italian)

2273
01:48:42,968 --> 01:48:47,968
Your presentation begins
in (speaking Italian).

2274
01:48:50,243 --> 01:48:51,630
(audience laughing)

2275
01:48:51,630 --> 01:48:53,708
- No sign of anyone,
no one, no one at all.

2276
01:48:53,708 --> 01:48:54,541
- Go out front and sit with George.

2277
01:48:54,541 --> 01:48:56,491
I want at least two
friendly faces in the crowd.

2278
01:48:56,491 --> 01:48:57,579
- Charlie, you're not really going to--

2279
01:48:57,579 --> 01:48:59,966
- Now go, go, go, shoo,
shoo, shoo, shoo, shoo!

2280
01:48:59,966 --> 01:49:02,216
- We're going, we're going.

2281
01:49:04,417 --> 01:49:05,250
- Is he really going to--

2282
01:49:05,250 --> 01:49:07,174
- It appears so, yes.

2283
01:49:07,174 --> 01:49:08,214
- Oh!

2284
01:49:08,214 --> 01:49:11,046
(upbeat runway music)

2285
01:49:11,046 --> 01:49:12,233
- Does he look sexy?

2286
01:49:12,233 --> 01:49:13,115
(audience laughing)

2287
01:49:13,115 --> 01:49:15,374
- (laughs) To me?

2288
01:49:15,374 --> 01:49:16,207
Very!

2289
01:49:16,207 --> 01:49:18,750
(audience laughing)

2290
01:49:18,750 --> 01:49:19,583
No.

2291
01:49:21,315 --> 01:49:25,766
♪ Charlie ♪

2292
01:49:25,766 --> 01:49:28,016
♪ Honestly ♪

2293
01:49:31,724 --> 01:49:32,684
(audience laughing)

2294
01:49:32,684 --> 01:49:36,114
♪ How can you surprise me ♪

2295
01:49:36,114 --> 01:49:39,263
♪ Any more ♪

2296
01:49:39,263 --> 01:49:41,623
♪ Oh ♪

2297
01:49:41,623 --> 01:49:43,452
♪ Oh ♪

2298
01:49:43,452 --> 01:49:45,702
♪ Oh, whoa ♪

2299
01:49:48,852 --> 01:49:49,685
Oh, oh!

2300
01:49:53,234 --> 01:49:55,901
Come on, Charlie, you can do it.

2301
01:49:57,314 --> 01:50:00,314
(audience laughing)

2302
01:50:03,244 --> 01:50:07,494
(audience cheering and applauding)

2303
01:50:24,922 --> 01:50:27,922
(audience laughing)

2304
01:50:31,402 --> 01:50:32,711
(electrical crackling)

2305
01:50:32,711 --> 01:50:35,544
(energetic music)

2306
01:50:39,660 --> 01:50:43,602
(audience cheering and applauding)

2307
01:50:43,602 --> 01:50:45,351
- Don't go thinking it
was your sappy phone calls

2308
01:50:45,351 --> 01:50:47,010
that brought me here.

2309
01:50:47,010 --> 01:50:50,620
I have come for one
thing and one thing only:

2310
01:50:50,620 --> 01:50:51,453
adulation!

2311
01:50:55,002 --> 01:50:57,939
People of the world, Price
& Son proudly presents

2312
01:50:57,939 --> 01:50:59,522
Lola's Kinky Boots!

2313
01:51:00,602 --> 01:51:05,602
(energetic runway music)
(audience cheering)

2314
01:51:05,631 --> 01:51:09,298
(audience clapping on beat)

2315
01:51:24,971 --> 01:51:26,471
- Thank you, Lola!

2316
01:51:28,027 --> 01:51:31,720
♪ Once, I was afraid,
but then you came along ♪

2317
01:51:31,720 --> 01:51:35,661
♪ You put your faith in me and
I was challenged to be strong ♪

2318
01:51:35,661 --> 01:51:39,600
♪ When I lost my way, you
were there to see me through ♪

2319
01:51:39,600 --> 01:51:43,931
♪ Now let Lola lend some love
and do the same for you ♪

2320
01:51:43,931 --> 01:51:47,389
♪ Feed your fire to take you higher ♪

2321
01:51:47,389 --> 01:51:51,459
♪ We'll light you up like a live wire ♪

2322
01:51:51,459 --> 01:51:54,909
♪ Celebrate you to elevate you ♪

2323
01:51:54,909 --> 01:51:58,897
♪ When you struggle to stand,
we'll take a helping hand ♪

2324
01:51:58,897 --> 01:52:02,817
♪ If you hit the dust,
let me raise you up ♪

2325
01:52:02,817 --> 01:52:06,808
♪ When your bubble busts,
let me raise you up ♪

2326
01:52:06,808 --> 01:52:10,739
♪ If your glitter rusts,
let me raise you up ♪

2327
01:52:10,739 --> 01:52:12,137
♪ And up ♪

2328
01:52:12,137 --> 01:52:14,114
♪ Raise you up ♪

2329
01:52:14,114 --> 01:52:14,947
♪ Raise you up ♪

2330
01:52:14,947 --> 01:52:16,406
♪ Ooh ♪

2331
01:52:16,406 --> 01:52:19,186
♪ Raise you up ♪

2332
01:52:19,186 --> 01:52:22,878
♪ Never put much heart
in anything before ♪

2333
01:52:22,878 --> 01:52:26,617
♪ You strut into my life and
helped me go for something more ♪

2334
01:52:26,617 --> 01:52:28,444
♪ Now I stand up for myself ♪

2335
01:52:28,444 --> 01:52:30,894
♪ Now I stand out from the crowd ♪

2336
01:52:30,894 --> 01:52:32,644
♪ Now I'm standing on high heels ♪

2337
01:52:32,644 --> 01:52:35,017
♪ If Dad could see me now ♪

2338
01:52:35,017 --> 01:52:38,556
♪ Feed your fire to take you higher ♪

2339
01:52:38,556 --> 01:52:42,606
♪ We'll light you up like a live wire ♪

2340
01:52:42,606 --> 01:52:45,977
♪ Celebrate you to elevate you ♪

2341
01:52:45,977 --> 01:52:50,065
♪ When you struggle to stand,
we'll take a helping hand ♪

2342
01:52:50,065 --> 01:52:53,915
♪ If you hit the dust,
let me raise you up ♪

2343
01:52:53,915 --> 01:52:57,977
♪ When your bubble busts,
let me raise you up ♪

2344
01:52:57,977 --> 01:53:01,777
♪ If your glitter rusts,
let me raise you up ♪

2345
01:53:01,777 --> 01:53:03,356
♪ And up ♪

2346
01:53:03,356 --> 01:53:05,195
♪ Raise you up ♪

2347
01:53:05,195 --> 01:53:06,497
♪ Raise you up ♪

2348
01:53:06,497 --> 01:53:10,114
♪ Ooh, raise you up ♪

2349
01:53:10,114 --> 01:53:14,075
♪ I knew you had it in you,
I knew what you could do ♪

2350
01:53:14,075 --> 01:53:17,876
♪ You believed in me,
let me be right for you ♪

2351
01:53:17,876 --> 01:53:22,175
♪ Your stumbling days are done
and now we're walkin' on air ♪

2352
01:53:22,175 --> 01:53:25,958
♪ I was a loose shoe but you
need two to make a pair ♪

2353
01:53:25,958 --> 01:53:28,657
- Wait, wait, wait, hold
it right there, buster!

2354
01:53:28,657 --> 01:53:30,438
Are you saying you'd like to take me out?

2355
01:53:30,438 --> 01:53:31,271
- Yes.

2356
01:53:31,271 --> 01:53:32,518
- Are you saying that you
and Nicola are through?

2357
01:53:32,518 --> 01:53:33,351
- Yes.

2358
01:53:33,351 --> 01:53:34,286
- [Lauren] And that
you're actually available?

2359
01:53:34,286 --> 01:53:35,762
- Yes.
- And you still like girls?

2360
01:53:35,762 --> 01:53:36,595
- Yes?

2361
01:53:36,595 --> 01:53:37,601
(audience laughing)

2362
01:53:37,601 --> 01:53:38,740
(audience cheering)

2363
01:53:38,740 --> 01:53:39,641
- Carry on!

2364
01:53:39,641 --> 01:53:43,258
♪ Feed your fire to take you higher ♪

2365
01:53:43,258 --> 01:53:47,340
♪ We'll light you up like a live wire ♪

2366
01:53:47,340 --> 01:53:50,660
♪ Celebrate you to elevate you ♪

2367
01:53:50,660 --> 01:53:55,660
♪ When you struggle to stand,
we'll take a helping hand ♪

2368
01:53:56,378 --> 01:53:58,169
♪ Look out, Milan ♪

2369
01:53:58,169 --> 01:54:00,169
♪ Here comes Don ♪

2370
01:54:00,169 --> 01:54:03,961
♪ And Don has brought some friends along ♪

2371
01:54:03,961 --> 01:54:07,790
♪ When you're stuck inside uncertainty ♪

2372
01:54:07,790 --> 01:54:09,641
♪ The ones you love ♪

2373
01:54:09,641 --> 01:54:13,830
♪ Are gonna set you free ♪

2374
01:54:13,830 --> 01:54:18,310
♪ Yeah, yeah ♪

2375
01:54:18,310 --> 01:54:19,143
♪ Whoo ♪

2376
01:54:19,143 --> 01:54:22,506
♪ Feed your fire to take you higher ♪

2377
01:54:22,506 --> 01:54:26,597
♪ We'll light you up like a live wire ♪

2378
01:54:26,597 --> 01:54:30,045
♪ Celebrate you to elevate you ♪

2379
01:54:30,045 --> 01:54:33,997
♪ When you struggle to stand,
we'll take a helping hand ♪

2380
01:54:33,997 --> 01:54:37,917
♪ If you hit the dust,
let me raise you up ♪

2381
01:54:37,917 --> 01:54:41,866
♪ When your bubble busts,
let me raise you up ♪

2382
01:54:41,866 --> 01:54:45,786
♪ If your glitter rusts,
let me raise you up ♪

2383
01:54:45,786 --> 01:54:47,178
♪ And up ♪

2384
01:54:47,178 --> 01:54:49,146
♪ Raise you up ♪

2385
01:54:49,146 --> 01:54:49,979
♪ Raise you up ♪

2386
01:54:49,979 --> 01:54:53,635
♪ If you hit the dust,
let me raise you up ♪

2387
01:54:53,635 --> 01:54:57,573
♪ When your bubble busts,
let me raise you up ♪

2388
01:54:57,573 --> 01:55:01,555
♪ If your glitter rusts,
let me raise you up ♪

2389
01:55:01,555 --> 01:55:02,955
♪ And up ♪

2390
01:55:02,955 --> 01:55:04,853
♪ Raise you up ♪

2391
01:55:04,853 --> 01:55:06,893
♪ Raise you up ♪

2392
01:55:06,893 --> 01:55:09,573
♪ Raise you up ♪

2393
01:55:09,573 --> 01:55:11,933
♪ Just be, raise you up ♪

2394
01:55:11,933 --> 01:55:12,776
(audience cheering)

2395
01:55:12,776 --> 01:55:17,675
♪ Raise you up ♪

2396
01:55:17,675 --> 01:55:20,965
♪ We're the same, Charlie boy ♪

2397
01:55:20,965 --> 01:55:25,256
♪ You and me ♪

2398
01:55:25,256 --> 01:55:26,993
♪ Just be ♪

2399
01:55:26,993 --> 01:55:29,424
♪ Who you wanna be ♪

2400
01:55:29,424 --> 01:55:32,915
♪ Never let 'em tell you
who you ought to be ♪

2401
01:55:32,915 --> 01:55:35,075
♪ Just be ♪

2402
01:55:35,075 --> 01:55:37,176
♪ With dignity ♪

2403
01:55:37,176 --> 01:55:40,755
♪ Celebrate yourself triumphantly ♪

2404
01:55:40,755 --> 01:55:42,744
♪ You'll see ♪

2405
01:55:42,744 --> 01:55:44,755
♪ You'll see ♪

2406
01:55:44,755 --> 01:55:46,664
♪ Just be ♪

2407
01:55:46,664 --> 01:55:48,731
♪ Just be ♪

2408
01:55:48,731 --> 01:55:49,933
♪ Whoo ♪

2409
01:55:49,933 --> 01:55:50,813
- Ladies!

2410
01:55:50,813 --> 01:55:52,023
- Gentlemen!

2411
01:55:52,023 --> 01:55:53,320
- [Lola and Charlie]
And those who have yet

2412
01:55:53,320 --> 01:55:55,511
to make up their minds.

2413
01:55:55,511 --> 01:55:59,470
- As people all over the
world clamor for Kinky Boots,

2414
01:55:59,470 --> 01:56:02,772
(cast cheering)
(audience cheering)

2415
01:56:02,772 --> 01:56:04,972
it is time for us to get back to work.

2416
01:56:04,972 --> 01:56:06,629
But before we go, we'd like to leave you

2417
01:56:06,629 --> 01:56:10,452
with the Price & Simon secret to success.

2418
01:56:10,452 --> 01:56:11,692
- All right, now we've all heard

2419
01:56:11,692 --> 01:56:13,791
of the 12-Step Program, have we not?

2420
01:56:13,791 --> 01:56:14,642
Yes.

2421
01:56:14,642 --> 01:56:16,052
Well, whatever you can do in 12,

2422
01:56:16,052 --> 01:56:18,630
let me tell you, we can do in six.

2423
01:56:18,630 --> 01:56:20,671
♪ Hey, and it goes like this ♪

2424
01:56:20,671 --> 01:56:22,591
♪ One, pursue the truth ♪

2425
01:56:22,591 --> 01:56:24,470
♪ Two, learn something new ♪

2426
01:56:24,470 --> 01:56:28,492
♪ Three, accept yourself and
you'll accept others too ♪

2427
01:56:28,492 --> 01:56:30,532
♪ Four, let love shine ♪

2428
01:56:30,532 --> 01:56:32,560
♪ Five, let pride be your guide ♪

2429
01:56:32,560 --> 01:56:36,180
♪ Six, change the world
when you change your mind ♪

2430
01:56:36,180 --> 01:56:40,269
♪ Just be who you wanna be ♪

2431
01:56:40,269 --> 01:56:43,830
♪ Never let 'em tell you
who you ought to be ♪

2432
01:56:43,830 --> 01:56:44,911
♪ Just be ♪

2433
01:56:44,911 --> 01:56:46,012
(audience cheering)

2434
01:56:46,012 --> 01:56:48,151
♪ With dignity ♪

2435
01:56:48,151 --> 01:56:51,882
♪ Celebrate your life triumphantly ♪

2436
01:56:51,882 --> 01:56:53,882
♪ You'll see it's beautiful ♪

2437
01:56:53,882 --> 01:56:55,812
♪ You'll see it's beautiful ♪

2438
01:56:55,812 --> 01:56:57,740
♪ Just be, it's beautiful ♪

2439
01:56:57,740 --> 01:56:59,612
♪ Just be ♪

2440
01:56:59,612 --> 01:57:01,671
♪ You'll see it's beautiful ♪

2441
01:57:01,671 --> 01:57:03,631
♪ You'll see it's beautiful ♪

2442
01:57:03,631 --> 01:57:05,492
♪ Just be, it's beautiful ♪

2443
01:57:05,492 --> 01:57:07,452
♪ Just be ♪

2444
01:57:07,452 --> 01:57:09,785
♪ Beautiful ♪

2445
01:57:15,711 --> 01:57:19,961
(audience cheering and applauding)

2446
01:57:27,164 --> 01:57:30,973
("The Sex Is in the Heel")

2447
01:57:30,973 --> 01:57:34,640
(audience clapping on beat)

2448
01:58:08,585 --> 01:58:13,418
("The Most Beautiful Thing in the World")

2449
01:58:36,405 --> 01:58:40,576
♪ Whoo, feed your fire
to take you higher ♪

2450
01:58:40,576 --> 01:58:44,565
♪ We'll light you up like a live wire ♪

2451
01:58:44,565 --> 01:58:48,025
♪ Celebrate you to elevate you ♪

2452
01:58:48,025 --> 01:58:52,027
♪ When you struggle to stand,
we'll take a helping hand ♪

2453
01:58:52,027 --> 01:58:55,934
♪ If you hit the dust,
let me raise you up ♪

2454
01:58:55,934 --> 01:58:59,776
♪ When your bubble busts,
let me raise you up ♪

2455
01:58:59,776 --> 01:59:03,696
♪ If your glitter rusts,
let me raise you up ♪

2456
01:59:03,696 --> 01:59:07,707
♪ And raise you up and up and up ♪

2457
01:59:07,707 --> 01:59:08,757
♪ And up ♪

2458
01:59:08,757 --> 01:59:12,317
(audience cheering and applauding)

2459
01:59:12,317 --> 01:59:14,900
(lively music)

2460
02:00:26,414 --> 02:00:29,247
(warm rock music)

2461
02:01:34,936 --> 02:01:37,269
♪ Beautiful ♪