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- 1
- 00:01:24,200 --> 00:01:25,929
- What's the matter, Mrs. James?
- 2
- 00:01:26,000 --> 00:01:29,641
- You'd better have a good rest tonight.
- It's these 12-hour shifts.
- 3
- 00:01:29,720 --> 00:01:31,768
- I had some bad news this morning, miss.
- 4
- 00:01:31,840 --> 00:01:33,808
- My Jim's missing.
- 5
- 00:01:33,880 --> 00:01:36,804
- Oh, try not to worry.
- I'm sure he'll turn up.
- 6
- 00:01:36,880 --> 00:01:38,803
- Oh, I do hope so, miss.
- 7
- 00:01:38,880 --> 00:01:41,201
- I expect I'll feel better
- when I've had a cup of tea.
- 8
- 00:01:41,280 --> 00:01:44,204
- That's right. It's finishing time now.
- 9
- 00:01:52,240 --> 00:01:54,891
- <i>A million bullets
- for dispatch by the morning?</i>
- 10
- 00:01:54,960 --> 00:01:57,930
- <i>But, I tell you, the girls have done
- ten hours today already.</i>
- 11
- 00:01:58,000 --> 00:01:59,684
- <i>Yes, I realize how urgent it is.</i>
- 12
- 00:02:01,120 --> 00:02:03,600
- <i>But you can't expect these girls to work
- 14 hours a stretch.</i>
- 13
- 00:02:05,120 --> 00:02:06,929
- <i>All right, I'll ask them.</i>
- 14
- 00:02:07,000 --> 00:02:08,604
- <i>She doesn't have to ask us.</i>
- 15
- 00:02:08,680 --> 00:02:11,081
- <i>A million bullets by the morning.</i>
- 16
- 00:02:11,160 --> 00:02:13,367
- <i>All right, come on, girls.
- It's got to be done.</i>
- 17
- 00:02:30,080 --> 00:02:31,969
- Stop. Stop there.
- Stop the bus there.
- 18
- 00:02:32,040 --> 00:02:33,565
- All right, can't go no further.
- 19
- 00:02:33,640 --> 00:02:34,926
- Passengers for Bloomsbury,
- 20
- 00:02:35,000 --> 00:02:36,440
- you're on foot from here.
- 21
- 00:02:52,520 --> 00:02:53,885
- Thank you.
- 22
- 00:02:53,960 --> 00:02:55,485
- - Mmm-hmm.
- - This way, miss.
- 23
- 00:03:04,800 --> 00:03:08,691
- "A million bullets by morning"?
- No wonder the audience booed.
- 24
- 00:03:08,760 --> 00:03:10,728
- - Or snored.
- - We learn from our mistakes.
- 25
- 00:03:10,800 --> 00:03:13,929
- I would have shot the writers,
- not the picture.
- 26
- 00:03:14,000 --> 00:03:16,048
- Authenticity, that's what we're after now.
- 27
- 00:03:16,120 --> 00:03:18,600
- Authenticity informed by optimism.
- 28
- 00:03:18,680 --> 00:03:22,401
- You think I don't understand
- to give an audience optimism?
- 29
- 00:03:22,480 --> 00:03:24,801
- I have three grandsons in the forces.
- 30
- 00:03:24,880 --> 00:03:27,770
- Your company reputation
- is founded primarily on comedy.
- 31
- 00:03:27,840 --> 00:03:31,606
- The highest-grossing British picture
- of the year was a comedy. Mine.
- 32
- 00:03:31,680 --> 00:03:34,126
- And Mr. Buckley here wrote it.
- 33
- 00:03:34,200 --> 00:03:36,089
- Yes, and very entertaining it was, too,
- 34
- 00:03:36,160 --> 00:03:40,449
- but if we are to capture the public
- imagination and their trust,
- 35
- 00:03:40,520 --> 00:03:45,287
- we need more than fat policemen
- toppling off ladders.
- 36
- 00:03:45,360 --> 00:03:48,170
- We need a story to inspire a nation.
- 37
- 00:03:48,240 --> 00:03:51,369
- Give me a real brief, Mr. Swain,
- 38
- 00:03:51,440 --> 00:03:56,651
- and I swear, I will bring you
- a picture to win the war.
- 39
- 00:03:56,720 --> 00:03:59,644
- Or at least one to cheer us up
- if we carry on losing it.
- 40
- 00:03:59,760 --> 00:04:01,922
- So, please, tell us what it is you want.
- 41
- 00:04:02,000 --> 00:04:05,641
- You have your brief, Mr. Baker.
- Authenticity and optimism.
- 42
- 00:04:12,040 --> 00:04:13,320
- Right, so I'll look for a story.
- 43
- 00:04:13,360 --> 00:04:17,206
- So sorry. Monstrous of us
- to have kept you waiting.
- 44
- 00:04:17,280 --> 00:04:20,090
- Welcome to the Ministry
- of Information Film Division.
- 45
- 00:04:20,160 --> 00:04:22,083
- Roger Swain.
- You must be Miss Cole.
- 46
- 00:04:22,160 --> 00:04:25,050
- - Mrs.
- - Ah, splendid. Please, take a seat.
- 47
- 00:04:26,480 --> 00:04:28,164
- Husband in the forces?
- 48
- 00:04:28,240 --> 00:04:32,450
- He volunteers as an air-raid warden,
- but he wasn't fit for conscription.
- 49
- 00:04:32,520 --> 00:04:34,170
- He fought in the war in Spain.
- 50
- 00:04:34,240 --> 00:04:36,322
- Splendid, that's splendid.
- Now, about the job.
- 51
- 00:04:36,400 --> 00:04:40,883
- We need to cultivate a more convincing
- female angle in our output.
- 52
- 00:04:40,960 --> 00:04:44,601
- Mr. Buckley here has been appointed
- to the department as a special adviser.
- 53
- 00:04:44,720 --> 00:04:47,007
- Not special enough to get paid, obviously.
- 54
- 00:04:47,080 --> 00:04:48,889
- He seems to think you're what we need.
- 55
- 00:04:48,960 --> 00:04:52,681
- I said "might be." She can't be worse
- than those chaps you've got.
- 56
- 00:04:52,760 --> 00:04:56,242
- - Did you write this?
- - Mmm-hmm.
- 57
- 00:04:56,320 --> 00:04:58,561
- It was wrapped around my chips.
- 58
- 00:04:58,640 --> 00:05:01,723
- I was the secretary
- at the copywriting department,
- 59
- 00:05:01,800 --> 00:05:04,451
- but all the copywriters got called up.
- 60
- 00:05:04,520 --> 00:05:07,888
- "So-Be-Fee. It ain't beef,
- but it ain't bad,
- 61
- 00:05:07,960 --> 00:05:11,203
- 'cause sometimes you just have
- to make do with what you've got."
- 62
- 00:05:11,280 --> 00:05:12,645
- Ah, splendid.
- 63
- 00:05:12,720 --> 00:05:14,529
- Ministry wages start at three and ten.
- 64
- 00:05:14,600 --> 00:05:17,331
- And obviously, we can't pay you
- as much as the chaps,
- 65
- 00:05:17,400 --> 00:05:19,562
- so shall we say £2 a week?
- 66
- 00:05:19,640 --> 00:05:21,404
- Thank you.
- 67
- 00:05:21,480 --> 00:05:22,845
- - You a cinemagoer?
- - Yes.
- 68
- 00:05:22,920 --> 00:05:25,207
- Then you'll be familiar
- with informationals.
- 69
- 00:05:25,280 --> 00:05:27,965
- We sandwich them between the support
- and the main feature,
- 70
- 00:05:28,040 --> 00:05:30,486
- so the public to be informed
- don't have time to escape.
- 71
- 00:05:30,600 --> 00:05:32,443
- <i>What to do in an air raid.</i>
- 72
- 00:05:32,560 --> 00:05:33,721
- <i>Get under cover at once.</i>
- 73
- 00:05:36,960 --> 00:05:40,601
- <i>Don't stand staring at the sky.
- Take cover at once.</i>
- 74
- 00:05:42,920 --> 00:05:45,571
- You'll find a page of script equates
- to a minute of screen time
- 75
- 00:05:45,640 --> 00:05:47,688
- or roughly 80 yards of celluloid,
- 76
- 00:05:47,760 --> 00:05:50,525
- or it would if directors
- didn't squander the film stock
- 77
- 00:05:50,600 --> 00:05:52,762
- as if it were lavatory paper.
- 78
- 00:05:52,840 --> 00:05:56,811
- Speaking of which,
- ladies' is last door on the left.
- 79
- 00:05:56,880 --> 00:05:59,486
- I wouldn't risk the other facilities
- if I were you.
- 80
- 00:06:00,680 --> 00:06:03,411
- I thought it was a secretarial post.
- 81
- 00:06:03,480 --> 00:06:05,323
- Oh, for God's sake, keep that to yourself.
- 82
- 00:06:17,760 --> 00:06:21,162
- What did they say,
- the War Artists Committee?
- 83
- 00:06:22,280 --> 00:06:27,605
- They find my interpretations
- altogether too brutal and dispiriting.
- 84
- 00:06:32,720 --> 00:06:34,643
- You're so much better
- than all the rest of them.
- 85
- 00:06:34,720 --> 00:06:38,088
- All the rest of them manage
- to put food on the table.
- 86
- 00:06:47,760 --> 00:06:49,808
- Ellis, I had a meeting today...
- 87
- 00:06:51,080 --> 00:06:52,969
- about a new job.
- 88
- 00:06:54,640 --> 00:06:59,601
- They offered it to me.
- £2 a week.
- 89
- 00:07:01,760 --> 00:07:03,967
- You know, Perry wants you
- to model for him.
- 90
- 00:07:05,680 --> 00:07:09,082
- I told him only I'm allowed to paint you.
- 91
- 00:07:09,160 --> 00:07:11,401
- You only ever put me in
- for the perspective.
- 92
- 00:07:11,480 --> 00:07:14,848
- No, I put you in
- because I want you there.
- 93
- 00:07:19,800 --> 00:07:23,009
- Right. I have to get
- to the warden's post.
- 94
- 00:07:27,280 --> 00:07:29,169
- It's a writing job.
- 95
- 00:07:30,600 --> 00:07:32,090
- Well done, Catrin.
- 96
- 00:07:35,320 --> 00:07:38,449
- When there's a raid, I want you to go down
- to the tube station.
- 97
- 00:07:40,680 --> 00:07:43,604
- I didn't bring you all the way from Wales
- to see you hit by a bomb.
- 98
- 00:07:49,360 --> 00:07:51,442
- <i>I saw April today.</i>
- 99
- 00:07:51,520 --> 00:07:53,568
- She and Tony have made up
- ever such a clever code,
- 100
- 00:07:53,640 --> 00:07:55,608
- so he can write to her
- about what he's doing.
- 101
- 00:07:55,680 --> 00:07:59,207
- "The village green,"
- that means "England."
- 102
- 00:07:59,280 --> 00:08:01,647
- "Onion soup" is "France."
- 103
- 00:08:01,720 --> 00:08:03,290
- There's a word for "regiment,"
- 104
- 00:08:03,360 --> 00:08:06,489
- and one for "troop train."
- 105
- 00:08:06,560 --> 00:08:08,449
- Do you really have
- to smoke that thing?
- 106
- 00:08:08,520 --> 00:08:10,648
- - Couldn't you just mime?
- - I can mime smoking.
- 107
- 00:08:10,760 --> 00:08:12,489
- I can't mime smoke.
- 108
- 00:08:12,560 --> 00:08:13,656
- That's a cut.
- 109
- 00:08:13,680 --> 00:08:15,842
- I wonder, would it be possible
- to have some knitting?
- 110
- 00:08:15,920 --> 00:08:19,096
- My hands are aching for something to do,
- and it seems so right for the character.
- 111
- 00:08:19,120 --> 00:08:21,122
- - Props!
- - Yeah, I'll try and find some knitting.
- 112
- 00:08:21,200 --> 00:08:22,406
- Walter, a word.
- 113
- 00:08:22,520 --> 00:08:24,776
- I fully understand the national
- importance of what we're shooting,
- 114
- 00:08:24,800 --> 00:08:27,644
- and obviously there's no question
- of diluting the message.
- 115
- 00:08:27,720 --> 00:08:29,245
- I just...
- 116
- 00:08:29,360 --> 00:08:32,364
- Wonder if it mightn't pack
- a little more punch
- 117
- 00:08:32,440 --> 00:08:35,284
- if Mr. Brown were
- to express a little more.
- 118
- 00:08:35,360 --> 00:08:38,011
- For example, at the mention
- of the clever code,
- 119
- 00:08:38,120 --> 00:08:40,805
- I might say, "Well, that'll be
- the first clever thing
- 120
- 00:08:40,880 --> 00:08:42,291
- April's ever done in her life."
- 121
- 00:08:44,320 --> 00:08:46,448
- Do you see?
- So, just a... Just a...
- 122
- 00:08:46,520 --> 00:08:49,649
- Just a dash of humor.
- And then further along...
- 123
- 00:08:49,720 --> 00:08:51,051
- - Excuse me.
- - Hello.
- 124
- 00:08:51,120 --> 00:08:52,485
- - Hello.
- - Oh, certainly.
- 125
- 00:08:55,080 --> 00:08:56,525
- Oh, no, no, no.
- 126
- 00:08:56,640 --> 00:08:59,291
- It's just that the caption
- at the end's going to be,
- 127
- 00:08:59,360 --> 00:09:02,569
- "He's not listening,
- but the enemy might be."
- 128
- 00:09:02,640 --> 00:09:06,008
- It's a joke for women who think
- their husbands never pay attention.
- 129
- 00:09:06,080 --> 00:09:09,527
- So if you start answering her,
- well, the caption won't make sense.
- 130
- 00:09:12,560 --> 00:09:15,530
- I wrote it. The scenario.
- 131
- 00:09:15,600 --> 00:09:19,366
- I'll be in my dressing room,
- if anyone needs me.
- 132
- 00:09:22,480 --> 00:09:25,450
- Ahem.
- Everybody take ten.
- 133
- 00:09:25,520 --> 00:09:27,090
- Save the lights.
- 134
- 00:09:28,560 --> 00:09:31,689
- Banished from the set.
- What in God's name possessed you?
- 135
- 00:09:31,800 --> 00:09:33,325
- The actor was
- ruining the script.
- 136
- 00:09:33,400 --> 00:09:35,050
- Course he was. He's an actor.
- 137
- 00:09:35,120 --> 00:09:37,122
- What's this? Penance?
- 138
- 00:09:37,200 --> 00:09:41,285
- <i>- Hello, Mabel. How's baby?
- - He's coming along splendidly.</i>
- 139
- 00:09:41,360 --> 00:09:44,569
- <i>With more free time,
- I should like to do some war work.</i>
- 140
- 00:09:44,640 --> 00:09:47,086
- <i>I simply don't know what to do.</i>
- 141
- 00:09:47,160 --> 00:09:49,208
- <i>Are you good with your hands?</i>
- 142
- 00:09:49,280 --> 00:09:51,521
- <i>I think so, yes.</i>
- 143
- 00:09:51,600 --> 00:09:53,887
- <i>Have you thought about factory work?</i>
- 144
- 00:09:55,760 --> 00:09:58,366
- And the version
- without the lines, please.
- 145
- 00:09:58,440 --> 00:10:00,886
- They want to re-use
- the footage for carrots.
- 146
- 00:10:00,960 --> 00:10:05,045
- <i>- Hello, Mabel. How's baby?
- - He's coming along splendidly.</i>
- 147
- 00:10:05,120 --> 00:10:07,248
- An appetite like his father.
- 148
- 00:10:07,320 --> 00:10:08,765
- He's eating us out of the house.
- 149
- 00:10:08,840 --> 00:10:11,411
- <i>I simply don't know what to do.</i>
- 150
- 00:10:11,480 --> 00:10:14,051
- <i>- Are you good...</i>
- - ...in the garden?
- 151
- 00:10:14,120 --> 00:10:15,963
- <i>I think so, yes.</i>
- 152
- 00:10:16,040 --> 00:10:17,849
- <i>- Have you thought about...</i>
- - ...carrots?
- 153
- 00:10:20,280 --> 00:10:22,169
- Right, I'll get that recorded.
- 154
- 00:10:24,840 --> 00:10:28,606
- - Thank you.
- - How's it been, anyway?
- 155
- 00:10:28,680 --> 00:10:31,001
- Boys in Scenarios
- made you feel welcome?
- 156
- 00:10:31,080 --> 00:10:32,844
- They can't see the point of me.
- 157
- 00:10:32,920 --> 00:10:34,331
- "If there's a dog in the script,
- 158
- 00:10:34,400 --> 00:10:37,563
- we don't employ a Jack Russell
- to write 'woof-woof, ' do we?"
- 159
- 00:10:37,640 --> 00:10:41,167
- Just been reading your work.
- None of them could do better.
- 160
- 00:10:41,240 --> 00:10:43,766
- Would you care for some lunch?
- 161
- 00:10:43,840 --> 00:10:46,411
- Now, don't look so chapel.
- It's official business.
- 162
- 00:10:46,480 --> 00:10:48,960
- I've, uh, got a proposal for you.
- 163
- 00:10:55,040 --> 00:10:57,361
- When I'm not busy
- special advising,
- 164
- 00:10:57,440 --> 00:11:00,205
- I work for a man called Gabriel Baker.
- 165
- 00:11:00,280 --> 00:11:02,647
- Remember him?
- The Hungarian.
- 166
- 00:11:02,720 --> 00:11:04,165
- He's a producer.
- 167
- 00:11:04,240 --> 00:11:07,722
- Desperate to make a film
- that will make a difference.
- 168
- 00:11:09,360 --> 00:11:11,806
- - Hello, Tom.
- - Thelma.
- 169
- 00:11:11,880 --> 00:11:13,450
- Sorry. Excuse me.
- 170
- 00:11:16,320 --> 00:11:20,120
- Dunkirk. The evacuation of troops trapped
- by the German advance.
- 171
- 00:11:20,240 --> 00:11:23,289
- Seven hundred fishing boats
- and the Royal Navy
- 172
- 00:11:23,360 --> 00:11:24,930
- on a mission to bring our boys home.
- 173
- 00:11:26,360 --> 00:11:29,170
- Twin sisters took their father's
- cockle boat over to join the rescue,
- 174
- 00:11:29,240 --> 00:11:30,776
- came back with a deck full of soldiers.
- 175
- 00:11:30,800 --> 00:11:34,122
- - It's everything the Ministry are after.
- - Authenticity and optimism.
- 176
- 00:11:34,200 --> 00:11:38,091
- Contradiction in terms, if you ask me,
- but this could be a bloody good story.
- 177
- 00:11:38,160 --> 00:11:39,256
- Before they'll give it the go-ahead,
- 178
- 00:11:39,280 --> 00:11:41,886
- they want someone to go down
- there to talk to the girls.
- 179
- 00:11:41,960 --> 00:11:43,086
- Me?
- 180
- 00:11:43,160 --> 00:11:45,686
- Unless your artist would object.
- 181
- 00:11:50,240 --> 00:11:52,527
- So, how did you meet?
- 182
- 00:11:52,600 --> 00:11:54,296
- He came to Ebbw Vale
- to paint the steelworks.
- 183
- 00:11:54,320 --> 00:11:56,243
- Ah, he's one of those artists.
- 184
- 00:11:56,360 --> 00:11:57,771
- - Older than you?
- - Yes.
- 185
- 00:11:57,840 --> 00:11:58,841
- - Fifty?
- - No.
- 186
- 00:11:58,920 --> 00:12:01,287
- Sixty? Oh, I bet he's a toff.
- 187
- 00:12:01,360 --> 00:12:02,856
- No one else can afford to be an artist.
- 188
- 00:12:02,880 --> 00:12:04,644
- Actually, his family disinherited him.
- 189
- 00:12:04,720 --> 00:12:06,440
- - Because of you?
- - Because of his politics.
- 190
- 00:12:09,560 --> 00:12:11,483
- So what do you think?
- A day at the seaside.
- 191
- 00:12:11,560 --> 00:12:13,720
- And you never know, if there's
- a film at the end of it,
- 192
- 00:12:13,760 --> 00:12:15,762
- there might be a better job in it for you.
- 193
- 00:12:15,880 --> 00:12:17,370
- We'll need someone to write the slop.
- 194
- 00:12:17,440 --> 00:12:19,408
- - Slop?
- - Girl talk.
- 195
- 00:12:19,480 --> 00:12:21,881
- Women's dialogue.
- "Woof, woof."
- 196
- 00:12:31,080 --> 00:12:34,084
- Hello. I've come to see
- Rose and Lily Starling.
- 197
- 00:12:34,160 --> 00:12:37,687
- We're not to talk to the papers.
- We're not to let no one in.
- 198
- 00:12:37,760 --> 00:12:39,125
- I'm not from the papers.
- 199
- 00:12:39,200 --> 00:12:41,089
- I'm from the Ministry of Information.
- 200
- 00:12:41,160 --> 00:12:43,447
- The Film Division.
- 201
- 00:12:44,680 --> 00:12:45,841
- Film?
- 202
- 00:12:50,000 --> 00:12:52,321
- And you went to Dunkirk?
- 203
- 00:12:52,400 --> 00:12:56,644
- We meant to, but the engine stopped
- five miles out.
- 204
- 00:12:56,720 --> 00:13:00,088
- Broken bearing.
- We never got there.
- 205
- 00:13:00,160 --> 00:13:03,846
- But in the paper, it said
- you brought home troops.
- 206
- 00:13:03,920 --> 00:13:06,605
- This steam tug on its way back
- gave us a tow.
- 207
- 00:13:06,720 --> 00:13:10,361
- There were soldiers spilling over
- the rails, so we pulled some on the Nancy.
- 208
- 00:13:10,440 --> 00:13:13,922
- Someone seen us docking
- and put it in the paper.
- 209
- 00:13:15,760 --> 00:13:17,967
- They got the wrong end
- of the stick, didn't they?
- 210
- 00:13:18,040 --> 00:13:20,088
- Dad said he'd be a laughingstock,
- 211
- 00:13:20,160 --> 00:13:23,801
- said we mustn't tell the papers.
- 212
- 00:13:23,880 --> 00:13:27,646
- But you ain't the papers.
- You're the pictures.
- 213
- 00:13:27,720 --> 00:13:29,722
- Can I ask the lady something?
- 214
- 00:13:31,200 --> 00:13:33,168
- - Can Lily ask you something?
- - Yes.
- 215
- 00:13:33,240 --> 00:13:36,847
- Have you ever met Robert Donat?
- The famous actor?
- 216
- 00:13:36,960 --> 00:13:39,361
- No, no. No, I haven't, I'm afraid.
- 217
- 00:13:41,200 --> 00:13:42,406
- Dad!
- 218
- 00:13:44,960 --> 00:13:47,611
- Come quick.
- Would you like to see the kitchen?
- 219
- 00:13:47,720 --> 00:13:49,085
- It's not him.
- 220
- 00:13:50,360 --> 00:13:52,124
- It's all right, Lil.
- 221
- 00:13:52,200 --> 00:13:54,282
- He don't like strangers, see?
- 222
- 00:13:54,360 --> 00:13:56,522
- He don't like a lot of things.
- 223
- 00:14:02,760 --> 00:14:05,604
- And you took his boat without asking?
- 224
- 00:14:06,800 --> 00:14:08,325
- Weren't you scared?
- 225
- 00:14:08,400 --> 00:14:10,448
- One of the soldiers had this kit bag,
- 226
- 00:14:10,520 --> 00:14:13,285
- and suddenly it woofed,
- and it give us such a fright.
- 227
- 00:14:13,360 --> 00:14:14,486
- It was a dog.
- 228
- 00:14:16,080 --> 00:14:18,845
- And one of them Frenchies
- tried to kiss Lil.
- 229
- 00:14:20,880 --> 00:14:23,611
- No, I meant scared
- of what your dad might do.
- 230
- 00:14:23,680 --> 00:14:26,411
- No. He got himself a bottle.
- 231
- 00:14:26,480 --> 00:14:28,608
- We thought we'd be back
- before he woke up.
- 232
- 00:14:28,720 --> 00:14:31,041
- Besides, Eric was in Dunkirk.
- 233
- 00:14:31,120 --> 00:14:34,169
- - Eric?
- - Dad's first mate.
- 234
- 00:14:34,240 --> 00:14:37,767
- He got us photographs for our birthday.
- 235
- 00:14:39,880 --> 00:14:41,211
- We've got the same birthday.
- 236
- 00:14:42,480 --> 00:14:45,450
- Robert Donat in <i>The 39 Steps...</i>
- 237
- 00:14:46,440 --> 00:14:50,081
- and John Clements
- in <i>The Four Feathers.</i>
- 238
- 00:14:50,200 --> 00:14:51,929
- Have you ever met John Clements?
- 239
- 00:14:52,000 --> 00:14:54,844
- No, I haven't.
- 240
- 00:14:54,920 --> 00:14:58,083
- Those ones are Mum's.
- We don't know who he is.
- 241
- 00:15:02,200 --> 00:15:05,647
- - Well, I did meet...
- - Is it going to be a film?
- 242
- 00:15:07,480 --> 00:15:08,891
- Probably not.
- 243
- 00:15:10,840 --> 00:15:13,320
- Stupid bloody engine, eh?
- 244
- 00:15:16,000 --> 00:15:19,209
- - What harm can one little drink do?
- - My dad will throttle me if I'm late.
- 245
- 00:15:19,280 --> 00:15:20,964
- Well, how about a kiss, then?
- 246
- 00:15:21,040 --> 00:15:22,166
- - No, thank you.
- - Come on!
- 247
- 00:15:22,240 --> 00:15:23,685
- I could be back in action tomorrow.
- 248
- 00:15:23,760 --> 00:15:25,842
- Shelterers to the left hand side.
- 249
- 00:15:25,920 --> 00:15:29,242
- <i>Bona fide</i> passengers, come on!
- 250
- 00:15:29,320 --> 00:15:32,244
- <i>Bona fide</i> passengers, to the right.
- 251
- 00:17:18,000 --> 00:17:19,604
- Catrin?
- 252
- 00:17:22,000 --> 00:17:24,002
- I got caught in the raid.
- 253
- 00:17:29,960 --> 00:17:32,406
- I ended up in the Baker Street shelter.
- 254
- 00:17:32,480 --> 00:17:35,086
- I didn't know where you were.
- I didn't know if you were safe.
- 255
- 00:17:35,160 --> 00:17:36,844
- I never know if <i>you're safe.</i>
- 256
- 00:17:36,920 --> 00:17:38,251
- God, look at you.
- 257
- 00:17:38,320 --> 00:17:40,482
- I'll be all right after a cup of tea.
- 258
- 00:17:40,560 --> 00:17:44,007
- The raid ruptured the mains.
- 259
- 00:17:44,080 --> 00:17:46,048
- Now, Catrin, I...
- 260
- 00:17:48,160 --> 00:17:50,322
- I want you to go back to Ebbw Vale.
- 261
- 00:17:50,400 --> 00:17:52,846
- Ellis...
- 262
- 00:17:52,920 --> 00:17:56,641
- It's the biggest steelworks in Europe.
- 263
- 00:17:56,760 --> 00:17:59,331
- I'm more likely to get bombed
- there than here.
- 264
- 00:17:59,400 --> 00:18:00,845
- It's not just the bombing.
- 265
- 00:18:02,480 --> 00:18:04,960
- I can't afford for us to live here
- anymore.
- 266
- 00:18:06,760 --> 00:18:08,569
- I can't afford for us to live anywhere.
- 267
- 00:18:08,640 --> 00:18:10,449
- - But I earn.
- - If I were on my own,
- 268
- 00:18:10,520 --> 00:18:12,568
- I could doss down in Perry's studio.
- 269
- 00:18:12,640 --> 00:18:14,324
- I could keep painting.
- 270
- 00:18:14,400 --> 00:18:17,006
- But you don't have to keep me. I earn.
- 271
- 00:18:17,080 --> 00:18:19,686
- Your wage assumes a husband who
- can put a roof over your head.
- 272
- 00:18:19,760 --> 00:18:22,360
- Please don't turn me into one
- of those things that make it harder.
- 273
- 00:18:24,160 --> 00:18:27,209
- Mr. Cole?
- It's Alf, from downstairs.
- 274
- 00:18:27,280 --> 00:18:31,285
- I'm not the war, I'm not the committee.
- I'm what makes it better.
- 275
- 00:18:31,360 --> 00:18:34,648
- - Mrs. Cole.
- - Hello, Alf.
- 276
- 00:18:34,720 --> 00:18:36,210
- Heavy Rescue.
- 277
- 00:18:36,280 --> 00:18:38,136
- They wanna know how many in the cellar
- at number 12.
- 278
- 00:18:38,160 --> 00:18:39,241
- All right.
- 279
- 00:19:16,560 --> 00:19:19,245
- <i>When the twins got to Dunkirk,</i>
- 280
- 00:19:19,320 --> 00:19:22,449
- they did what every other small boat did,
- 281
- 00:19:22,520 --> 00:19:24,249
- ferried troops off the beach
- 282
- 00:19:24,320 --> 00:19:27,369
- and out to the big ships
- waiting in the deeper water.
- 283
- 00:19:28,840 --> 00:19:34,165
- There was shelling and strafing,
- but they honestly didn't talk about that.
- 284
- 00:19:34,240 --> 00:19:39,644
- What really seems to have stuck
- with them are the details,
- 285
- 00:19:39,720 --> 00:19:42,485
- the little authentic details.
- 286
- 00:19:44,520 --> 00:19:47,842
- The soldier with a dog in his kit bag.
- 287
- 00:19:47,920 --> 00:19:51,242
- Uh, the Frenchman
- that tried to kiss Lily.
- 288
- 00:19:51,320 --> 00:19:55,041
- I wish I could make you understand
- how awfully brave they were.
- 289
- 00:19:55,120 --> 00:19:59,364
- Their father's a bully,
- I think, and a bit of a drunk.
- 290
- 00:19:59,440 --> 00:20:01,283
- They're terrified of him,
- 291
- 00:20:01,360 --> 00:20:04,250
- but they took his boat anyway,
- the <i>Nancy.</i>
- 292
- 00:20:04,320 --> 00:20:06,971
- - “The <i>Nancy"?</i>
- - The <i>Nancy Starling.</i>
- 293
- 00:20:07,040 --> 00:20:09,884
- - After their mother.
- - The nail on the head.
- 294
- 00:20:09,960 --> 00:20:11,485
- Mmm?
- 295
- 00:20:13,080 --> 00:20:14,411
- On the head.
- 296
- 00:20:16,040 --> 00:20:21,001
- Authenticity, optimism, and a dog.
- 297
- 00:20:25,560 --> 00:20:28,404
- I imagine call-up's left
- quite a hole in your ranks,
- 298
- 00:20:28,480 --> 00:20:32,690
- so, in the interest of a quick turnaround,
- we'll let you have some of our people.
- 299
- 00:20:32,760 --> 00:20:35,286
- Mrs. Cole, Miss Moore.
- 300
- 00:20:35,360 --> 00:20:37,044
- - Mmm-hmm?
- - Yes.
- 301
- 00:20:38,320 --> 00:20:40,288
- Be good to get this into the cinemas
- 302
- 00:20:40,360 --> 00:20:42,488
- while there are still
- a few of them standing.
- 303
- 00:20:42,560 --> 00:20:43,721
- Mmm-hmm.
- 304
- 00:20:43,800 --> 00:20:46,326
- Well done. Well done.
- 305
- 00:20:46,400 --> 00:20:47,606
- Yeah.
- 306
- 00:20:47,680 --> 00:20:51,002
- - Do I have the job?
- - Well, why not?
- 307
- 00:20:51,080 --> 00:20:53,208
- Twins, after all.
- Double the slop.
- 308
- 00:20:53,280 --> 00:20:55,487
- Temporary secondment
- to Baker Productions.
- 309
- 00:20:55,560 --> 00:20:57,130
- No screen credit.
- Ministry wages.
- 310
- 00:20:57,200 --> 00:20:59,487
- - I need more.
- - I could throw in a desk.
- 311
- 00:20:59,560 --> 00:21:01,562
- I need more than Ministry wages.
- 312
- 00:21:03,120 --> 00:21:05,043
- I'll talk to Baker.
- 313
- 00:21:08,280 --> 00:21:10,442
- Leslie Banks
- is virtually my age,
- 314
- 00:21:10,520 --> 00:21:12,841
- and he's still staggering
- around the studios,
- 315
- 00:21:12,920 --> 00:21:15,526
- giving his unhinged all
- as young love gone bad...
- 316
- 00:21:15,600 --> 00:21:17,762
- Oh, no, no, no, Cerberus.
- Too much glass.
- 317
- 00:21:20,920 --> 00:21:24,527
- You know, if you paid your clients half
- as much attention as you do that hyena,
- 318
- 00:21:24,600 --> 00:21:26,136
- you might actually be
- an agent worth having.
- 319
- 00:21:26,160 --> 00:21:28,811
- Spitfires.
- Won't you help to buy...
- 320
- 00:21:28,880 --> 00:21:32,566
- Ambrose Hilliard.
- <i>The Man with the Glint.</i>
- 321
- 00:21:32,640 --> 00:21:35,769
- Oh, I know it's a liberty, but would you
- do him for me? Would you?
- 322
- 00:21:35,840 --> 00:21:37,285
- Inspector Charnforth?
- 323
- 00:21:39,040 --> 00:21:40,644
- "Someone has made a mistake.
- 324
- 00:21:40,720 --> 00:21:42,280
- It's a simple mistake and easy to miss.
- 325
- 00:21:42,360 --> 00:21:44,283
- I almost did so myself."
- 326
- 00:21:44,360 --> 00:21:46,124
- Oh!
- 327
- 00:21:47,480 --> 00:21:49,130
- Oh, um...
- 328
- 00:21:49,200 --> 00:21:52,249
- - Spitfires, Sammy.
- - In the pocket. The pocket.
- 329
- 00:21:52,320 --> 00:21:53,924
- Ah.
- 330
- 00:21:54,040 --> 00:21:56,202
- - Thank you.
- - There.
- 331
- 00:21:56,280 --> 00:22:02,128
- When... uh, when can we expect to see you
- back on the screen, Mr. Hilliard?
- 332
- 00:22:02,200 --> 00:22:03,884
- When indeed?
- 333
- 00:22:04,880 --> 00:22:07,611
- Well, apparently Baker Films
- have a Dunkirk script in the works.
- 334
- 00:22:07,720 --> 00:22:08,721
- Mmm?
- 335
- 00:22:33,120 --> 00:22:34,963
- Apparently, you'll be in here.
- 336
- 00:22:44,400 --> 00:22:45,890
- They want a title.
- 337
- 00:22:45,960 --> 00:22:47,803
- We haven't started bloody writing it yet.
- 338
- 00:22:47,880 --> 00:22:49,176
- And they're asking about locations.
- 339
- 00:22:49,200 --> 00:22:50,690
- Want me to start casting it, too?
- 340
- 00:22:50,760 --> 00:22:53,650
- - Don't tempt me.
- - A boat, a beach, twins.
- 341
- 00:22:53,720 --> 00:22:55,722
- - That's all you're getting.
- - Try Devon.
- 342
- 00:22:55,800 --> 00:22:59,202
- Or Dunkirk. You can go
- and scout it personally.
- 343
- 00:23:02,920 --> 00:23:05,127
- Her, seconded here to spy on us.
- 344
- 00:23:05,200 --> 00:23:07,362
- You tell her nothing, understand?
- 345
- 00:23:07,440 --> 00:23:10,808
- We'll have every government department
- and his wife sticking their oar in.
- 346
- 00:23:10,880 --> 00:23:13,167
- Desk. Parfitt, you've met.
- 347
- 00:23:13,240 --> 00:23:15,811
- Writing partner.
- Delighted to have you on board.
- 348
- 00:23:42,360 --> 00:23:44,044
- Report.
- 349
- 00:23:46,120 --> 00:23:47,451
- So, what do you think?
- 350
- 00:23:47,520 --> 00:23:49,443
- Uh, the father leaves a bad taste.
- 351
- 00:23:49,520 --> 00:23:51,761
- Drunken sailor angle's good, though.
- 352
- 00:23:51,840 --> 00:23:54,650
- Make him an uncle.
- Uncle Frank.
- 353
- 00:23:54,720 --> 00:23:56,085
- - Yeah.
- - Soused in the hold.
- 354
- 00:23:56,160 --> 00:23:57,400
- Wakes up in Dunkirk.
- 355
- 00:23:57,480 --> 00:23:59,244
- Double-take
- when he sees the Stukas.
- 356
- 00:23:59,320 --> 00:24:01,607
- Gives us our laughs,
- then takes a bullet in act three.
- 357
- 00:24:01,680 --> 00:24:04,365
- - Comic life, tragic death.
- - Tears all round.
- 358
- 00:24:04,440 --> 00:24:08,604
- Yeah. First mate, bloke in France,
- needs to be a boyfriend.
- 359
- 00:24:08,680 --> 00:24:11,047
- - Rose or Lily's?
- - Either.
- 360
- 00:24:11,120 --> 00:24:13,407
- Both? What are they like?
- 361
- 00:24:13,480 --> 00:24:16,962
- Shy, quiet. Lily hardly spoke.
- 362
- 00:24:17,040 --> 00:24:19,611
- - One quiet, one chatty.
- - They're both quiet.
- 363
- 00:24:19,680 --> 00:24:22,411
- - Not if we want any dialogue.
- - How old are they?
- 364
- 00:24:22,520 --> 00:24:24,522
- - Thirty?
- - Ah, marvelous.
- 365
- 00:24:24,600 --> 00:24:27,251
- Working title, <i>Old Maids of Margate.</i>
- 366
- 00:24:27,360 --> 00:24:28,930
- It's Southend.
- 367
- 00:24:29,000 --> 00:24:32,641
- Twenty-one, Lily sweet, Rose spunky.
- Rose gets the boyfriend.
- 368
- 00:24:32,720 --> 00:24:34,722
- "My darling, I couldn't die
- 369
- 00:24:34,800 --> 00:24:37,963
- without seeing the cornflower blue
- of your eyes a final time."
- 370
- 00:24:38,080 --> 00:24:40,208
- You can have that one on me.
- 371
- 00:24:40,280 --> 00:24:42,681
- What's his name, the boyfriend?
- 372
- 00:24:42,760 --> 00:24:44,285
- Eric. Eric Lumb.
- 373
- 00:24:44,360 --> 00:24:45,646
- Do you hear that noise?
- 374
- 00:24:45,720 --> 00:24:47,449
- That's 200 women in the one and nines
- 375
- 00:24:47,520 --> 00:24:51,684
- vowing aloud never to call their sons
- anything as bloody feeble as Eric.
- 376
- 00:24:51,800 --> 00:24:53,962
- - Now give me a hero's name.
- - John.
- 377
- 00:24:54,040 --> 00:24:55,371
- - Dull.
- - Johnnie.
- 378
- 00:24:56,360 --> 00:24:58,488
- - Mmm-hmm.
- - He'll have to make it back.
- 379
- 00:24:58,600 --> 00:25:02,400
- - Injured.
- - A risk. A rescue.
- 380
- 00:25:02,520 --> 00:25:04,536
- "Don't be a fool, Johnnie.
- There's a sniper out there!"
- 381
- 00:25:04,560 --> 00:25:06,767
- - Yep. Mm...
- - Saves his commanding officer.
- 382
- 00:25:06,840 --> 00:25:08,524
- Fellow soldier?
- 383
- 00:25:08,600 --> 00:25:10,409
- Saves the dog.
- 384
- 00:25:10,480 --> 00:25:13,609
- But he didn't.
- In real life, he didn't.
- 385
- 00:25:13,680 --> 00:25:15,409
- Film, Mrs. Cole.
- 386
- 00:25:15,480 --> 00:25:18,450
- Real life with the boring bits cut out.
- 387
- 00:25:18,520 --> 00:25:21,251
- Don't confuse facts with truth
- and, for Christ's sake,
- 388
- 00:25:21,320 --> 00:25:23,721
- don't let either of them
- get in the way of the story.
- 389
- 00:25:23,800 --> 00:25:28,089
- Now we know how it starts.
- Johnnie in France.
- 390
- 00:25:28,160 --> 00:25:29,924
- - We know how it ends.
- - Home safe.
- 391
- 00:25:30,000 --> 00:25:31,889
- And we know that
- somewhere in between
- 392
- 00:25:31,960 --> 00:25:35,487
- we have dog, Dunkirk,
- 393
- 00:25:35,560 --> 00:25:38,291
- engine failure, and uncle's death.
- 394
- 00:25:39,520 --> 00:25:42,649
- Now all we have to do is fill in the gaps.
- 395
- 00:26:07,840 --> 00:26:09,126
- I'm buying it.
- 396
- 00:26:11,480 --> 00:26:12,845
- Down payment.
- 397
- 00:26:15,760 --> 00:26:20,288
- Call it rent, call it what you like,
- but I am not leaving London.
- 398
- 00:26:40,400 --> 00:26:42,562
- - Hmm!
- - Sorry. Bad night.
- 399
- 00:26:42,640 --> 00:26:46,725
- Buckley, Parfitt, meeting now.
- Ministry of War Transport.
- 400
- 00:26:46,800 --> 00:26:49,690
- Seems they've had wind of
- your proposed filmic scenario.
- 401
- 00:26:49,760 --> 00:26:53,526
- Apparently, they're concerned
- that "the <i>Nancy Starling's</i> engine failure
- 402
- 00:26:53,600 --> 00:26:58,891
- may cast morale-sapping doubt
- on the quality of British engineering."
- 403
- 00:27:05,800 --> 00:27:08,724
- It was her.
- Bloody Ministry spy.
- 404
- 00:27:11,720 --> 00:27:15,964
- What if it's not the engine?
- What if it's the propeller?
- 405
- 00:27:16,040 --> 00:27:17,530
- It gets snarled up with flotsam,
- 406
- 00:27:17,600 --> 00:27:20,251
- Uncle Frank goes in the water
- to free it, gets shot,
- 407
- 00:27:20,320 --> 00:27:22,641
- and the girls have to finish
- the job under fire.
- 408
- 00:27:22,720 --> 00:27:23,896
- - Not the girls.
- - Not the girls?
- 409
- 00:27:23,920 --> 00:27:26,002
- - No. Uh, Johnnie.
- - Johnnie?
- 410
- 00:27:26,120 --> 00:27:28,202
- - Is there an echo in here?
- - Why him?
- 411
- 00:27:28,280 --> 00:27:30,362
- - Because he's the hero.
- - So?
- 412
- 00:27:30,440 --> 00:27:32,976
- Well, how do we know he's the hero
- if he never does anything heroic?
- 413
- 00:27:33,000 --> 00:27:34,040
- Well, he's called Johnnie.
- 414
- 00:27:34,080 --> 00:27:35,736
- Are you trying to pick
- a fight with me, Mrs. Cole?
- 415
- 00:27:35,760 --> 00:27:39,162
- Johnnie can't go in the water.
- He's injured, badly injured.
- 416
- 00:27:39,240 --> 00:27:41,686
- A manly slash on the bicep,
- for Christ's sake.
- 417
- 00:27:41,760 --> 00:27:44,286
- He's not gonna be leaking spleen
- through his trousers.
- 418
- 00:27:46,080 --> 00:27:49,289
- This is Rose and Lily's story,
- and you won't let them do anything.
- 419
- 00:27:49,360 --> 00:27:51,931
- - They go to Dunkirk.
- - And Johnnie pilots them home.
- 420
- 00:27:52,000 --> 00:27:54,048
- They're girls. Girls don't
- want to be the hero.
- 421
- 00:27:54,120 --> 00:27:56,056
- They want to have the hero.
- They want to <i>be had by</i> him.
- 422
- 00:27:56,080 --> 00:27:57,445
- - Tom, cab.
- - Oh!
- 423
- 00:27:57,520 --> 00:27:59,727
- And if that ginger viper
- so much as gets her nose
- 424
- 00:27:59,800 --> 00:28:01,856
- through the office door
- while we're out, you're sacked.
- 425
- 00:28:01,880 --> 00:28:05,282
- And don't think I won't know.
- I can smell her shaving cream on the wind.
- 426
- 00:28:06,720 --> 00:28:08,768
- Anything else?
- 427
- 00:28:08,840 --> 00:28:11,571
- Since you're so keen to flex
- your femininity, you can tidy up!
- 428
- 00:28:27,640 --> 00:28:29,130
- I heard furniture.
- 429
- 00:28:35,560 --> 00:28:37,767
- <i>"Angels of the Sea.
- Across the Waves.</i>
- 430
- 00:28:37,840 --> 00:28:40,320
- <i>Two to Dunkirk.
- Three to Dunkirk.</i>
- 431
- 00:28:40,400 --> 00:28:43,882
- <i>Dunkirk or Bust.
- Busts to Dunkirk."</i>
- 432
- 00:28:45,160 --> 00:28:49,165
- Somewhere in the world there is
- a bullet with that man's name on.
- 433
- 00:28:49,240 --> 00:28:50,810
- Why hasn't he been called up?
- 434
- 00:28:50,880 --> 00:28:53,645
- I mean, Parfitt's too old, but Buckley...
- 435
- 00:28:53,720 --> 00:28:55,051
- Baker persuaded someone
- 436
- 00:28:55,120 --> 00:28:58,090
- that Buckley was more use
- to the war effort with a typewriter.
- 437
- 00:28:59,520 --> 00:29:01,648
- It won't last.
- 438
- 00:29:01,760 --> 00:29:03,920
- He'll end up in uniform,
- like every other mother's son.
- 439
- 00:29:05,280 --> 00:29:07,487
- That is, if he ever had a mother.
- 440
- 00:29:07,560 --> 00:29:10,325
- More likely, Parfitt found him in a pub,
- 441
- 00:29:10,400 --> 00:29:13,165
- spawning spontaneously
- in the sawdust.
- 442
- 00:29:14,360 --> 00:29:16,681
- You know,
- a lot of men are scared
- 443
- 00:29:16,760 --> 00:29:19,684
- we won't go back into our boxes
- when this is all over.
- 444
- 00:29:21,080 --> 00:29:22,969
- It makes them belligerent.
- 445
- 00:29:41,360 --> 00:29:43,488
- Something's changed.
- 446
- 00:29:43,560 --> 00:29:46,928
- I tidied.
- What happened at the meeting?
- 447
- 00:29:47,000 --> 00:29:50,800
- I outlined our proposed changes.
- They accepted them.
- 448
- 00:30:02,120 --> 00:30:04,805
- - What's this?
- - Lunch.
- 449
- 00:30:06,320 --> 00:30:08,641
- The girls can pilot
- the boat home, all right?
- 450
- 00:30:09,960 --> 00:30:11,405
- They can pilot the bloody boat.
- 451
- 00:30:11,480 --> 00:30:13,562
- They can lead the damn fleet,
- for all I care.
- 452
- 00:30:13,640 --> 00:30:15,529
- But Johnnie frees the propeller.
- 453
- 00:30:20,600 --> 00:30:21,647
- Hmm.
- 454
- 00:30:47,000 --> 00:30:49,890
- You're late. I took
- the liberty of ordering.
- 455
- 00:30:49,960 --> 00:30:54,170
- Sorry. We have guests staying,
- friends from Poland.
- 456
- 00:30:54,240 --> 00:30:56,402
- Things are very bad in Europe.
- 457
- 00:30:56,480 --> 00:30:58,600
- It's not exactly a picnic here,
- if you hadn't noticed.
- 458
- 00:30:59,360 --> 00:31:02,887
- You can't find a decent waiter in SoHo
- since Italy joined the war.
- 459
- 00:31:02,960 --> 00:31:05,964
- They were all rounded up as so-called
- enemies of the state,
- 460
- 00:31:06,040 --> 00:31:10,682
- apart from Geppetto over there,
- who almost certainly <i>is</i> a spy.
- 461
- 00:31:12,920 --> 00:31:14,524
- Cerberus!
- 462
- 00:31:18,400 --> 00:31:20,004
- Ugh!
- 463
- 00:31:20,080 --> 00:31:21,923
- Christ, a dead sheep?
- 464
- 00:31:22,000 --> 00:31:24,287
- - Ugh.
- - Not strictly ration book,
- 465
- 00:31:24,400 --> 00:31:26,721
- but Cerberus can't live
- on crusts and scraps.
- 466
- 00:31:26,800 --> 00:31:28,040
- Ugh...
- 467
- 00:31:28,120 --> 00:31:30,726
- Sophie's going to boil it up
- and make him some broth.
- 468
- 00:31:30,800 --> 00:31:32,802
- Lucky fellow.
- 469
- 00:31:34,400 --> 00:31:37,688
- Well, perhaps your sister would
- like to start feeding <i>me,</i> too,
- 470
- 00:31:37,760 --> 00:31:40,525
- unless, of course, you've actually
- found me some work.
- 471
- 00:31:40,600 --> 00:31:43,763
- So, Baker's outline for the Dunkirk film,
- you read it?
- 472
- 00:31:43,880 --> 00:31:46,804
- It rattles along rather better
- than one might have expected.
- 473
- 00:31:46,880 --> 00:31:51,044
- Johnnie's escape from the steel thrust
- of the German war machine.
- 474
- 00:31:51,120 --> 00:31:53,771
- The rescue of the dog was very good.
- 475
- 00:31:56,200 --> 00:31:58,043
- Here, boy. Here.
- 476
- 00:32:00,400 --> 00:32:03,483
- No, no. No, not you, Cerberus.
- 477
- 00:32:03,560 --> 00:32:06,530
- Of course, it all depends on who
- they're planning to cast as Rose.
- 478
- 00:32:16,240 --> 00:32:17,605
- Uncle Frank?
- 479
- 00:32:19,440 --> 00:32:23,604
- "A shipwreck of a man"? Sammy!
- 480
- 00:32:24,800 --> 00:32:27,565
- "Sixties. Looks older"?
- 481
- 00:32:27,640 --> 00:32:29,961
- Senior roles are not
- to be sneered at, Ambrose.
- 482
- 00:32:30,040 --> 00:32:34,011
- - Gravitas. Experience. Maturity.
- - Ugh.
- 483
- 00:32:34,080 --> 00:32:35,456
- We all have a part to play
- in defeating Hitler.
- 484
- 00:32:35,480 --> 00:32:38,768
- Not this part. It's a corpse role.
- He's dead before the end of act three.
- 485
- 00:32:40,200 --> 00:32:41,611
- Mr. Smith.
- 486
- 00:32:41,680 --> 00:32:43,887
- - Mmm-mmm.
- - Mr. Hilliard.
- 487
- 00:32:46,480 --> 00:32:48,084
- Ambrose, you must see...
- 488
- 00:32:48,160 --> 00:32:51,050
- You, me, the industry, we are all
- at the service of the war now.
- 489
- 00:32:51,120 --> 00:32:54,681
- The war. The war.
- 490
- 00:32:54,760 --> 00:32:57,240
- Damn the bloody war!
- 491
- 00:32:57,320 --> 00:33:02,042
- The war has skimmed off the cream,
- and we're left with the rancid curds!
- 492
- 00:33:11,840 --> 00:33:14,525
- I'm sorry I took so long.
- 493
- 00:33:14,600 --> 00:33:17,410
- There was a bomb crater
- on the Marylebone Road. Oh!
- 494
- 00:33:17,480 --> 00:33:19,244
- No one told me there was a meeting.
- 495
- 00:33:19,320 --> 00:33:22,927
- No, we've been rather trying to keep this
- under wraps for the present.
- 496
- 00:33:23,000 --> 00:33:27,483
- It seems that there's a someone
- in Mr. Swain's department
- 497
- 00:33:27,560 --> 00:33:32,088
- who knows a someone who says that
- the Starling sisters never got to Dunkirk.
- 498
- 00:33:33,080 --> 00:33:38,291
- That their engine broke down before
- they were even out of British waters.
- 499
- 00:33:40,640 --> 00:33:43,644
- Pity. Pity all round, really.
- 500
- 00:33:43,720 --> 00:33:45,848
- Your first draft boded so well.
- 501
- 00:33:49,080 --> 00:33:52,641
- - Well...
- - So the Starling sisters lied?
- 502
- 00:33:52,720 --> 00:33:54,609
- What difference does it really make?
- 503
- 00:33:54,680 --> 00:33:57,411
- For God's sake, of course it makes
- a difference. It's not the truth.
- 504
- 00:33:57,480 --> 00:34:00,609
- The truth is, they stole a boat
- from a man who terrified them
- 505
- 00:34:00,680 --> 00:34:04,730
- and set out to cross 50 miles
- of open sea into a war.
- 506
- 00:34:04,800 --> 00:34:08,009
- - They never got there.
- - Because their engine failed.
- 507
- 00:34:08,080 --> 00:34:11,721
- Now, there's a truth we won't be telling.
- Morale-sapping, apparently.
- 508
- 00:34:13,200 --> 00:34:15,726
- We pick our truths.
- Isn't that the point?
- 509
- 00:34:15,800 --> 00:34:18,724
- We're saying this is based
- on a true story.
- 510
- 00:34:18,800 --> 00:34:20,040
- Then don't.
- 511
- 00:34:20,160 --> 00:34:23,562
- Oh, Christ above, man, you're supposed
- to be the propagandist!
- 512
- 00:34:23,640 --> 00:34:29,761
- 700 ships went to Dunkirk.
- 338,000 men came back.
- 513
- 00:34:29,880 --> 00:34:31,530
- Don't say it's based on a true story.
- 514
- 00:34:31,600 --> 00:34:33,602
- Say it's based on 100 true stories.
- 515
- 00:34:33,680 --> 00:34:36,968
- - A thousand.
- - 338,000.
- 516
- 00:34:39,320 --> 00:34:41,926
- Dunkirk, the biggest retreat
- in military history,
- 517
- 00:34:42,000 --> 00:34:45,925
- or the miracle that put the fire back
- in all our bellies?
- 518
- 00:34:47,880 --> 00:34:51,487
- Very well, carry on as you were.
- I have a car waiting.
- 519
- 00:34:59,400 --> 00:35:02,847
- You won't regret it.
- Thank you, Mr. Swain.
- 520
- 00:35:20,800 --> 00:35:22,006
- Buckley!
- 521
- 00:35:23,640 --> 00:35:24,846
- Buckley!
- 522
- 00:35:28,480 --> 00:35:30,244
- Sit. Sit.
- 523
- 00:35:33,360 --> 00:35:35,840
- I don't care that you lied.
- 524
- 00:35:35,920 --> 00:35:38,082
- I care that you lied to us.
- 525
- 00:35:38,160 --> 00:35:40,527
- There wasn't enough money.
- 526
- 00:35:40,600 --> 00:35:42,204
- Ellis wanted me to go back to Wales.
- 527
- 00:35:42,280 --> 00:35:44,760
- And you what, you couldn't bear
- to miss the Blitz?
- 528
- 00:35:44,840 --> 00:35:46,649
- I'm sorry.
- 529
- 00:35:46,720 --> 00:35:49,371
- Well, at least Parfitt will be relieved.
- 530
- 00:35:51,040 --> 00:35:54,123
- His wife, Mary, she's an invalid.
- 531
- 00:35:54,200 --> 00:35:59,331
- He pays for a nurse in the day, but then
- he has to sit with her himself at night.
- 532
- 00:35:59,400 --> 00:36:01,767
- When I told him you wanted
- more than Ministry wages,
- 533
- 00:36:01,840 --> 00:36:05,287
- he was worried you'd found yourself
- in a similar position,
- 534
- 00:36:05,360 --> 00:36:08,250
- what with your husband's Spanish War
- wound and all.
- 535
- 00:36:09,920 --> 00:36:11,081
- Should I...
- 536
- 00:36:14,760 --> 00:36:16,967
- Do you want me to come in tomorrow?
- 537
- 00:36:17,040 --> 00:36:18,929
- And how would that help, losing you?
- 538
- 00:36:20,160 --> 00:36:23,403
- Who the bloody hell else do you think's
- gonna be writing the slop?
- 539
- 00:36:25,600 --> 00:36:27,762
- The work's good, Mrs. Cole.
- 540
- 00:36:30,160 --> 00:36:32,049
- You're doing a good job.
- 541
- 00:36:44,360 --> 00:36:45,486
- Hello, Catrin.
- 542
- 00:36:48,960 --> 00:36:50,450
- - Hello.
- - Hello.
- 543
- 00:36:57,600 --> 00:36:58,681
- Ellis?
- 544
- 00:37:03,360 --> 00:37:05,931
- I just saw Perry and Conroy.
- You had friends over?
- 545
- 00:37:09,480 --> 00:37:10,811
- I got a letter.
- 546
- 00:37:10,880 --> 00:37:14,248
- A commission to document
- bomb damage in the provinces,
- 547
- 00:37:14,320 --> 00:37:17,369
- and an exhibition in London
- straight after.
- 548
- 00:37:17,440 --> 00:37:20,649
- The National Gallery.
- 549
- 00:37:20,720 --> 00:37:22,085
- Oh, Ellis.
- 550
- 00:37:30,040 --> 00:37:32,122
- Will there be Sunday trains,
- do you think?
- 551
- 00:37:32,200 --> 00:37:35,010
- Only I'll need to get back
- to London on Monday mornings.
- 552
- 00:37:38,280 --> 00:37:41,045
- - What are you talking about?
- - Coming to see you.
- 553
- 00:37:41,120 --> 00:37:42,360
- Well, you'll be <i>with me,</i> silly.
- 554
- 00:37:44,240 --> 00:37:45,401
- Yes, of course.
- 555
- 00:37:46,640 --> 00:37:48,529
- After the script is finished.
- 556
- 00:37:51,480 --> 00:37:54,484
- Well, you can get out of that now, surely.
- 557
- 00:37:54,560 --> 00:37:56,483
- But I don't want to get out of it.
- 558
- 00:37:57,920 --> 00:38:00,287
- I don't want to let them down.
- 559
- 00:38:03,080 --> 00:38:05,242
- No, of course not.
- 560
- 00:38:05,320 --> 00:38:09,291
- Well, I leave on Monday, and I'll be back
- in London for the exhibition.
- 561
- 00:38:09,360 --> 00:38:11,886
- I suppose it's not so very far off.
- 562
- 00:38:11,960 --> 00:38:14,930
- No, it's not so very far off.
- 563
- 00:38:15,920 --> 00:38:18,048
- And I'll come and visit as often as I can.
- 564
- 00:38:22,520 --> 00:38:23,851
- Right, then.
- 565
- 00:38:33,400 --> 00:38:36,802
- Veal's off. I've ordered
- cutlets Milanese...
- 566
- 00:38:38,440 --> 00:38:41,887
- and semolina... pudding.
- 567
- 00:38:41,960 --> 00:38:45,089
- You are Mr. Ambrose Hilliard?
- 568
- 00:38:45,160 --> 00:38:46,525
- Yes.
- 569
- 00:38:47,960 --> 00:38:51,567
- I'm Sophie Smith, Sammy's sister.
- 570
- 00:38:51,680 --> 00:38:53,091
- Ah.
- 571
- 00:38:54,400 --> 00:38:56,164
- His office.
- 572
- 00:38:56,240 --> 00:38:59,483
- Last night, he was working late.
- It was bombed.
- 573
- 00:39:00,840 --> 00:39:02,922
- They have asked me to identify him.
- 574
- 00:39:04,840 --> 00:39:06,365
- I am unable.
- 575
- 00:39:41,640 --> 00:39:43,449
- Mr. Hilliard?
- 576
- 00:39:44,760 --> 00:39:46,330
- Mr. Hilliard?
- 577
- 00:39:47,400 --> 00:39:50,847
- I'm afraid, my dear,
- someone has made a mistake.
- 578
- 00:39:50,920 --> 00:39:52,570
- I almost did so myself.
- 579
- 00:39:52,640 --> 00:39:58,522
- You see, Sammy Smith has two fingers
- missing from his left hand.
- 580
- 00:39:58,600 --> 00:40:01,206
- I'm sorry, we try very hard to...
- 581
- 00:40:02,560 --> 00:40:05,166
- to make a whole person.
- 582
- 00:40:05,240 --> 00:40:07,288
- For the relatives.
- 583
- 00:40:16,480 --> 00:40:17,561
- Oh!
- 584
- 00:40:17,640 --> 00:40:20,962
- Is it him?
- Is it your friend?
- 585
- 00:40:24,160 --> 00:40:25,491
- My agent.
- 586
- 00:40:26,960 --> 00:40:28,121
- Yes.
- 587
- 00:40:29,280 --> 00:40:30,611
- That's him.
- 588
- 00:40:34,200 --> 00:40:36,043
- You can stay with us, if you like.
- 589
- 00:40:38,360 --> 00:40:41,967
- It's very peaceful.
- I'm sure we can make room.
- 590
- 00:41:20,760 --> 00:41:22,364
- Thank you.
- 591
- 00:42:51,680 --> 00:42:53,682
- Happy New Year, Mr. Hilliard.
- 592
- 00:42:56,200 --> 00:42:59,727
- Sammy liked the veal, I believe.
- Do you also recommend it?
- 593
- 00:42:59,800 --> 00:43:05,091
- It's not veal in the pre-war sense.
- 594
- 00:43:05,160 --> 00:43:07,208
- Oh.
- 595
- 00:43:08,920 --> 00:43:10,331
- Um, now that Sam...
- 596
- 00:43:14,760 --> 00:43:16,330
- Now that my brother has gone,
- 597
- 00:43:16,400 --> 00:43:19,927
- I must find something
- with which to occupy myself.
- 598
- 00:43:20,000 --> 00:43:23,402
- I have responsibilities, dependents.
- 599
- 00:43:23,480 --> 00:43:26,404
- I have decided therefore
- to continue with the agency.
- 600
- 00:43:29,280 --> 00:43:35,049
- I understand Sammy discussed
- with you Baker's Dunkirk film,
- 601
- 00:43:35,120 --> 00:43:38,203
- - the role of the inebriated uncle.
- - No.
- 602
- 00:43:42,080 --> 00:43:47,371
- You know, after conversations
- like this with my brother, I would say,
- 603
- 00:43:47,440 --> 00:43:50,603
- "What have you got to lose
- by being honest, Sammy?
- 604
- 00:43:50,680 --> 00:43:55,083
- Explain to the man he is 63, not 36.
- 605
- 00:43:55,160 --> 00:43:58,562
- And that his brief moment
- of fame as Inspector Charnfort..."
- 606
- 00:43:58,640 --> 00:44:00,847
- Charnforth!
- Inspector Charnforth!
- 607
- 00:44:00,920 --> 00:44:02,809
- Please be calm, Mr. Hilliard.
- 608
- 00:44:02,880 --> 00:44:05,770
- I am perfectly calm.
- 609
- 00:44:05,840 --> 00:44:10,368
- What you are seeing is controlled anger
- tempered with icy detachment.
- 610
- 00:44:10,440 --> 00:44:14,809
- It's one of the many subtle emotions
- of which a good actor is capable.
- 611
- 00:44:14,920 --> 00:44:18,367
- Three weeks on location in Devon,
- 612
- 00:44:18,440 --> 00:44:20,602
- followed by three in a London studio.
- 613
- 00:44:22,760 --> 00:44:27,402
- There are currently only nine films
- in pre-production in British studios.
- 614
- 00:44:27,480 --> 00:44:30,086
- None of the others holds a role for you.
- 615
- 00:44:30,160 --> 00:44:35,166
- I hope I share some of my brother's
- qualities, Mr. Ambrose.
- 616
- 00:44:35,240 --> 00:44:39,006
- I do not, however, share
- his sentimental attachments.
- 617
- 00:44:39,080 --> 00:44:42,641
- I will not keep unprofitable clients
- on the books.
- 618
- 00:44:42,720 --> 00:44:45,200
- Veal, twice, please.
- 619
- 00:44:46,520 --> 00:44:48,682
- Oh, and semolina pudding?
- 620
- 00:44:49,800 --> 00:44:51,609
- Excellent choice.
- 621
- 00:45:26,160 --> 00:45:27,810
- Too long. Lose half.
- 622
- 00:45:27,880 --> 00:45:30,008
- - Which half?
- - The half you don't need.
- 623
- 00:45:30,120 --> 00:45:32,088
- What's the matter?
- 624
- 00:45:32,160 --> 00:45:33,969
- You look like
- you haven't slept in a month.
- 625
- 00:45:34,040 --> 00:45:35,724
- I'm all right.
- 626
- 00:45:35,800 --> 00:45:37,616
- I just found it easier
- when it was every night.
- 627
- 00:45:37,640 --> 00:45:39,290
- At least you knew what was coming.
- 628
- 00:45:39,360 --> 00:45:41,886
- Well, never having known the joys
- of married love myself...
- 629
- 00:45:41,960 --> 00:45:44,531
- - The bombing.
- - Ah.
- 630
- 00:45:44,600 --> 00:45:49,162
- I thought perhaps too many long treks
- to see the husband in the provinces.
- 631
- 00:45:50,240 --> 00:45:52,208
- Not really.
- 632
- 00:45:52,280 --> 00:45:56,001
- It's difficult, you know? The trains.
- 633
- 00:46:12,440 --> 00:46:13,771
- All right, then
- 634
- 00:46:13,840 --> 00:46:16,081
- What's that?
- 635
- 00:46:16,160 --> 00:46:18,811
- - It's France, Uncle Frank.
- - Oh.
- 636
- 00:46:21,480 --> 00:46:23,164
- Oh!
- 637
- 00:46:24,440 --> 00:46:26,522
- It's Hitler!
- 638
- 00:46:28,000 --> 00:46:31,004
- - Bloody what?
- - Meeting now with Mr. Swain.
- 639
- 00:46:31,080 --> 00:46:33,970
- Rot. We're about to issue this
- as a shooting script.
- 640
- 00:46:34,040 --> 00:46:35,451
- - They want all of you.
- - Oh, no.
- 641
- 00:46:35,560 --> 00:46:37,767
- Oh, don't worry.
- All that's dead and buried.
- 642
- 00:46:37,840 --> 00:46:39,922
- No, this'll be some rear admiral
- in a lather
- 643
- 00:46:40,000 --> 00:46:42,336
- because we've got the wind speed wrong
- for the day in question.
- 644
- 00:46:42,360 --> 00:46:45,125
- Oh, and did I mention?
- It's at Whitehall.
- 645
- 00:46:45,200 --> 00:46:46,531
- The Ministry of War.
- 646
- 00:46:48,920 --> 00:46:53,130
- "We few, we happy few,
- 647
- 00:46:53,200 --> 00:46:55,601
- we band of brothers.
- 648
- 00:46:55,680 --> 00:46:59,810
- For he today who sheds his blood
- with me shall be my brother.
- 649
- 00:46:59,920 --> 00:47:02,571
- And gentlemen in England now abed
- 650
- 00:47:02,640 --> 00:47:05,883
- shall think themselves
- accursed they were not here,
- 651
- 00:47:05,960 --> 00:47:08,327
- and hold their manhood cheap
- 652
- 00:47:08,400 --> 00:47:14,726
- whilst any speak who fought with us
- upon Saint Crispin's Day."
- 653
- 00:47:18,800 --> 00:47:21,963
- The power of the dramatic arts.
- 654
- 00:47:30,720 --> 00:47:32,529
- Ah...
- 655
- 00:47:32,600 --> 00:47:34,090
- America.
- 656
- 00:47:34,160 --> 00:47:40,441
- Firmly against any military involvement
- in a war they see as Europe's business.
- 657
- 00:47:40,520 --> 00:47:42,887
- I'm sure I need not tell <i>you</i>
- 658
- 00:47:42,960 --> 00:47:46,203
- how many people attend the cinema
- every week in this country.
- 659
- 00:47:48,320 --> 00:47:50,721
- - Thirty...
- - Thirty million.
- 660
- 00:47:50,800 --> 00:47:53,804
- And in America
- that figure is closer to 90.
- 661
- 00:47:53,880 --> 00:47:58,249
- Mr. Churchill is persuaded that film,
- 662
- 00:47:58,320 --> 00:48:00,402
- in particular <i>your</i> film,
- 663
- 00:48:00,520 --> 00:48:05,481
- presents us with a unique opportunity
- to put our case to the American people.
- 664
- 00:48:05,560 --> 00:48:07,642
- They fear that we are already beaten.
- 665
- 00:48:07,720 --> 00:48:09,802
- You show that we fight on.
- 666
- 00:48:11,480 --> 00:48:16,691
- They believe this country to be dominated
- by an upper-class elite.
- 667
- 00:48:16,760 --> 00:48:21,163
- You present a vision of Britain
- 668
- 00:48:21,240 --> 00:48:23,925
- in which ordinary working people
- are the heroes.
- 669
- 00:48:25,480 --> 00:48:27,084
- But most crucially of all,
- 670
- 00:48:27,160 --> 00:48:33,850
- your film concerns itself directly
- with the feminine experience,
- 671
- 00:48:33,920 --> 00:48:36,491
- to show your American sisters
- 672
- 00:48:36,600 --> 00:48:40,924
- that this is a war their sons
- and husbands and brothers
- 673
- 00:48:41,000 --> 00:48:43,367
- should be fighting.
- 674
- 00:48:43,480 --> 00:48:47,963
- Of course, if we want America to listen,
- we must give them someone to listen to,
- 675
- 00:48:48,040 --> 00:48:51,567
- a character with whom
- they can really identify.
- 676
- 00:48:51,640 --> 00:48:55,167
- - You want us to put an American in it?
- - Exactly so.
- 677
- 00:48:55,240 --> 00:48:58,562
- Ideally, of course, one would cast
- a star with British connections,
- 678
- 00:48:58,640 --> 00:49:00,722
- a Cary Grant or an Errol Flynn,
- 679
- 00:49:00,800 --> 00:49:05,283
- but the war will not wait on the
- convenience of a Hollywood schedule.
- 680
- 00:49:05,360 --> 00:49:09,968
- Besides, we rather think
- we've done one better.
- 681
- 00:49:13,920 --> 00:49:16,207
- <i>Carl Lundbeck.</i>
- 682
- 00:49:16,280 --> 00:49:19,250
- <i>American boy,
- Norwegian forefathers.</i>
- 683
- 00:49:19,320 --> 00:49:23,006
- <i>Before the war, he flew crop dusters
- on his parents' farm in Michigan.</i>
- 684
- 00:49:25,760 --> 00:49:27,762
- <i>When Germany invaded Norway,</i>
- 685
- 00:49:27,840 --> 00:49:30,525
- <i>Carl made his way to England
- to join the RAF...</i>
- 686
- 00:49:35,040 --> 00:49:38,328
- <i>where he's made himself
- very much at home.</i>
- 687
- 00:49:41,360 --> 00:49:42,691
- <i>Salmon aren't the only creatures</i>
- 688
- 00:49:42,760 --> 00:49:45,127
- <i>who should stay out of Flight Lieutenant
- Lundbeck's way.</i>
- 689
- 00:49:45,200 --> 00:49:48,647
- <i>So far he's shot down 24 German planes,</i>
- 690
- 00:49:48,720 --> 00:49:51,610
- <i>for which Britain gives her gratitude.</i>
- 691
- 00:49:54,000 --> 00:49:56,048
- A genuine hero.
- 692
- 00:49:57,960 --> 00:50:02,887
- An inspiration to all other Americans,
- and, as I believe you chaps say,
- 693
- 00:50:02,960 --> 00:50:04,803
- - the camera loves him.
- - Yeah.
- 694
- 00:50:06,280 --> 00:50:08,760
- Even more if he was in Technicolor.
- 695
- 00:50:10,080 --> 00:50:14,768
- Color? I think we can manage that.
- 696
- 00:50:14,840 --> 00:50:17,446
- But there weren't
- any Americans at Dunkirk.
- 697
- 00:50:17,520 --> 00:50:18,965
- Pedant
- 698
- 00:50:19,040 --> 00:50:21,691
- Pack your bags, Mrs. Cole.
- You're coming to Devon.
- 699
- 00:50:30,160 --> 00:50:32,447
- <i>♪ Pretty copper kettle,
- pretty copper kettle ♪</i>
- 700
- 00:50:32,520 --> 00:50:35,000
- <i>♪ Bright copper kettle,
- bright copper kettle ♪</i>
- 701
- 00:50:35,080 --> 00:50:37,048
- <i>♪ I've got to get a kettle
- I've got to get... ♪</i>
- 702
- 00:50:37,120 --> 00:50:39,441
- <i>♪ I've got to get a kettle,
- I've got to get a kettle ♪</i>
- 703
- 00:50:39,520 --> 00:50:42,046
- <i>♪ Pretty copper kettle... ♪</i>
- 704
- 00:50:42,120 --> 00:50:43,451
- I'm nearly finished.
- 705
- 00:50:43,560 --> 00:50:45,927
- No, you're completely finished.
- 706
- 00:50:46,000 --> 00:50:49,721
- If I hear the fucking word "kettle"
- one more fucking time,
- 707
- 00:50:49,800 --> 00:50:53,122
- I'm gonna find one
- and shove it up your arse.
- 708
- 00:50:53,200 --> 00:50:55,885
- - Sideways.
- - Mm...
- 709
- 00:51:03,600 --> 00:51:04,806
- Sorry.
- 710
- 00:51:13,160 --> 00:51:15,256
- I think some Fuller's earth
- through your hair and grease.
- 711
- 00:51:15,280 --> 00:51:16,281
- God. Fuller's earth?
- 712
- 00:51:16,360 --> 00:51:18,840
- But I would like to make your eyebrows
- really unruly, you know,
- 713
- 00:51:18,920 --> 00:51:20,856
- so that they're sticking out
- in different directions.
- 714
- 00:51:20,880 --> 00:51:23,611
- - Different directions? What, you...
- - And then...
- 715
- 00:51:23,680 --> 00:51:28,288
- I'd rather have four honest words
- than 50 pages of bilge.
- 716
- 00:51:28,360 --> 00:51:31,489
- - Now, you play Rose...
- - No, I play Rose.
- 717
- 00:51:31,560 --> 00:51:32,971
- And I play Lily.
- 718
- 00:51:33,040 --> 00:51:36,965
- This script is the best thing I have read
- in a month of Sundays.
- 719
- 00:51:37,040 --> 00:51:38,451
- - Don't you think?
- - Well...
- 720
- 00:51:38,520 --> 00:51:40,841
- - Wyndham Best. I play Johnnie.
- - Johnnie?
- 721
- 00:51:40,920 --> 00:51:42,445
- - The soldier.
- - Ah.
- 722
- 00:51:42,520 --> 00:51:45,251
- Or the hero, if you will.
- 723
- 00:51:45,320 --> 00:51:47,368
- ...a documentary
- about the Clydeside dockers.
- 724
- 00:51:47,440 --> 00:51:48,805
- Right. Who have we got here?
- 725
- 00:51:48,880 --> 00:51:52,043
- Ah, Alex, mind if I join you?
- 726
- 00:51:52,120 --> 00:51:54,521
- Documentary makers and authenticity.
- 727
- 00:51:54,600 --> 00:51:56,841
- The rancid curds.
- 728
- 00:51:58,080 --> 00:52:00,401
- Buckley, just hide me, hide me.
- 729
- 00:52:03,480 --> 00:52:04,811
- What?
- 730
- 00:52:04,880 --> 00:52:07,770
- Uncle Frank. Mr. Hilliard.
- 731
- 00:52:07,840 --> 00:52:11,003
- - You knew he was gonna be here.
- - Yes, but <i>I</i> didn't expect to be.
- 732
- 00:52:11,080 --> 00:52:13,924
- Is she all right?
- 733
- 00:52:14,000 --> 00:52:17,129
- Avoiding Hilliard.
- Unfortunate experience.
- 734
- 00:52:17,200 --> 00:52:19,965
- - Carnal?
- - What? No.
- 735
- 00:52:20,040 --> 00:52:22,850
- Oh, that? Oh, I shouldn't
- worry about that.
- 736
- 00:52:22,920 --> 00:52:24,684
- He's an actor.
- 737
- 00:52:24,760 --> 00:52:29,049
- Unless you review them, have intercourse
- with them, or do both simultaneously,
- 738
- 00:52:29,120 --> 00:52:31,009
- they don't remember you.
- 739
- 00:52:31,080 --> 00:52:32,730
- Uh, ladies and gentlemen,
- 740
- 00:52:32,800 --> 00:52:36,043
- it is my privilege
- to introduce you now
- 741
- 00:52:36,120 --> 00:52:40,330
- to a young man to whom
- we all owe a great deal.
- 742
- 00:52:40,400 --> 00:52:45,201
- Soon we hand him back to the RAF
- for a very different kind of shooting.
- 743
- 00:52:45,280 --> 00:52:48,966
- Until then,
- he is our very own American.
- 744
- 00:52:50,440 --> 00:52:53,364
- Mr. Carl Lundbeck.
- 745
- 00:52:53,480 --> 00:52:56,131
- - Hi. Hello.
- - Alex Frayle, director.
- 746
- 00:52:56,200 --> 00:52:58,771
- Hi. Good to meet you.
- 747
- 00:52:58,840 --> 00:53:00,842
- Wyndham Best. How do you do?
- I'm playing Johnnie.
- 748
- 00:53:00,920 --> 00:53:02,570
- Carl Lundbeck, Flight Lieutenant.
- 749
- 00:53:04,920 --> 00:53:06,251
- - Hi.
- - Hello.
- 750
- 00:53:07,720 --> 00:53:09,688
- - Mr. Hilliard.
- - If I've got the right...
- 751
- 00:53:09,760 --> 00:53:11,649
- Mr. Ambrose Hilliard.
- 752
- 00:53:11,720 --> 00:53:13,210
- Yes.
- 753
- 00:53:13,280 --> 00:53:17,251
- Sir, I saw every Inspector Charnforth
- picture there ever was.
- 754
- 00:53:17,320 --> 00:53:19,448
- Just used to go right back
- and watch them again.
- 755
- 00:53:19,520 --> 00:53:20,646
- Oh!
- 756
- 00:53:20,720 --> 00:53:24,008
- "You see, someone has
- made a mistake."
- 757
- 00:53:24,080 --> 00:53:25,730
- "A simple mistake, but easy to miss."
- 758
- 00:53:27,200 --> 00:53:29,202
- Yes! Oh!
- 759
- 00:53:30,960 --> 00:53:32,200
- Sir, I need to wire my mom.
- 760
- 00:53:35,000 --> 00:53:36,320
- There's our secret weapon.
- 761
- 00:53:36,400 --> 00:53:41,201
- Now you write him in.
- No excuses and no bar bills.
- 762
- 00:53:41,320 --> 00:53:44,403
- - God bless America.
- - God bless America.
- 763
- 00:53:46,280 --> 00:53:49,602
- - Well, he's very handsome.
- - Oh, come on!
- 764
- 00:53:51,280 --> 00:53:53,931
- So, what's an American doing in Dunkirk?
- 765
- 00:53:54,040 --> 00:53:55,280
- No, scrub that.
- 766
- 00:53:55,360 --> 00:53:56,850
- - What isn't he doing?
- - Fighting.
- 767
- 00:53:56,960 --> 00:54:00,282
- - Yeah, so what does that make him?
- - A priest?
- 768
- 00:54:00,360 --> 00:54:02,647
- - No, we need a hero.
- - I don't know...
- 769
- 00:54:02,760 --> 00:54:06,003
- - Travel writer? Journalist?
- - A journalist.
- 770
- 00:54:06,080 --> 00:54:11,405
- Hard-boiled, wise-cracking Yankee hack
- who can pilot a boat heroically.
- 771
- 00:54:11,480 --> 00:54:13,767
- You're not pinching any more action
- from Rose and Lily.
- 772
- 00:54:13,840 --> 00:54:16,320
- I'm not unpicking
- the entire bloody structure either.
- 773
- 00:54:16,440 --> 00:54:18,807
- Will somebody give them
- a hand over there, please?
- 774
- 00:54:18,880 --> 00:54:20,291
- All the way up.
- 775
- 00:54:20,400 --> 00:54:23,768
- Of course, the irony is,
- 776
- 00:54:23,840 --> 00:54:26,730
- they've given this to a bloody
- documentaries director.
- 777
- 00:54:26,800 --> 00:54:28,200
- He won't want any dialogue, anyway.
- 778
- 00:54:28,240 --> 00:54:31,244
- It will all be fishing nets
- and local kids playing football, you wait.
- 779
- 00:54:31,320 --> 00:54:34,722
- What if it's not what the American does
- that makes him heroic,
- 780
- 00:54:34,800 --> 00:54:36,848
- it's what he doesn't do?
- 781
- 00:54:36,960 --> 00:54:38,450
- He falls for Rose,
- 782
- 00:54:38,520 --> 00:54:40,496
- but he doesn't try to come
- between her and Johnnie.
- 783
- 00:54:40,520 --> 00:54:42,284
- Self-sacrifice, that's noble.
- 784
- 00:54:42,360 --> 00:54:45,569
- - Only if he stands a chance.
- - Maybe he does.
- 785
- 00:54:45,640 --> 00:54:50,202
- Maybe she likes him, because he's the sort
- that'd let <i>her</i> fix the propeller.
- 786
- 00:54:53,480 --> 00:54:55,528
- So give him a name, our journalist.
- 787
- 00:54:55,600 --> 00:54:56,965
- Joe.
- 788
- 00:54:57,040 --> 00:54:58,804
- Hard-boiled types only have last names.
- 789
- 00:54:58,880 --> 00:55:00,689
- - Buckley.
- - Taken.
- 790
- 00:55:02,400 --> 00:55:04,528
- And what were you
- before you became Cole?
- 791
- 00:55:04,600 --> 00:55:05,931
- Catherine Pugh.
- 792
- 00:55:07,960 --> 00:55:11,442
- - Catherine?
- - Catrin's the Welsh version.
- 793
- 00:55:11,520 --> 00:55:15,844
- It was <i>his</i> idea. "A beautiful Welsh girl
- deserves a beautiful Welsh name."
- 794
- 00:55:15,920 --> 00:55:17,445
- Where would you have drawn the line?
- 795
- 00:55:17,520 --> 00:55:19,443
- "Cardiff Cole.
- 796
- 00:55:19,520 --> 00:55:22,410
- Caerphilly Cole.
- Coalmine Cole."
- 797
- 00:55:25,240 --> 00:55:26,241
- Hey!
- 798
- 00:55:27,520 --> 00:55:28,885
- Those were my chips!
- 799
- 00:55:28,960 --> 00:55:31,281
- Right, Catherine Pugh,
- you're coming with me.
- 800
- 00:55:32,800 --> 00:55:34,040
- All right.
- 801
- 00:55:55,320 --> 00:55:58,847
- Brannigan, Johnnie, positions.
- 802
- 00:55:58,920 --> 00:56:01,400
- - No. Uh, no, thank you.
- - Let... Let me.
- 803
- 00:56:01,480 --> 00:56:04,643
- Quiet, please.
- Quiet, please, everyone.
- 804
- 00:56:04,720 --> 00:56:05,721
- Thank you.
- 805
- 00:56:12,400 --> 00:56:15,006
- I'll give you a finger click
- for a sniper shot.
- 806
- 00:56:15,080 --> 00:56:17,321
- Just a very quiet click, please.
- 807
- 00:56:17,400 --> 00:56:20,165
- It's hard to explain to a non-actor,
- 808
- 00:56:20,240 --> 00:56:23,528
- but I want to react
- to the sniper up there
- 809
- 00:56:23,600 --> 00:56:26,046
- And not the click down here.
- Do you see?
- 810
- 00:56:26,120 --> 00:56:29,203
- In fact, there's no chance of firing
- a real gun up there, is there?
- 811
- 00:56:29,320 --> 00:56:31,607
- - No.
- - Right.
- 812
- 00:56:31,680 --> 00:56:33,648
- Going for a take. Sound?
- 813
- 00:56:33,720 --> 00:56:35,370
- Sound rolling.
- 814
- 00:56:35,440 --> 00:56:37,602
- Speed.
- 815
- 00:56:37,680 --> 00:56:41,366
- Dunkirk film, scene 17, take one.
- 816
- 00:56:41,440 --> 00:56:43,090
- Good luck, Lieutenant Lundbeck.
- 817
- 00:56:46,360 --> 00:56:47,600
- Action!
- 818
- 00:56:47,680 --> 00:56:50,331
- Here, boy.
- 819
- 00:56:50,400 --> 00:56:52,084
- Here.
- 820
- 00:56:52,160 --> 00:56:54,367
- Come on, boy.
- 821
- 00:56:57,120 --> 00:56:59,327
- Don't be a fool, Johnnie.
- There's a sniper out there.
- 822
- 00:56:59,400 --> 00:57:02,324
- And he's got a friend.
- It's a Karabiner 98 Kurz.
- 823
- 00:57:02,400 --> 00:57:04,160
- Best damn gun since the Win...
- 824
- 00:57:04,200 --> 00:57:05,440
- ...chester 73.
- 825
- 00:57:09,160 --> 00:57:12,642
- I'm most awfully sorry.
- I'm afraid I've lost my line.
- 826
- 00:57:12,720 --> 00:57:14,688
- Cut.
- 827
- 00:57:15,920 --> 00:57:18,400
- Jesus.
- 828
- 00:57:18,480 --> 00:57:20,881
- Twenty-three takes.
- 829
- 00:57:20,960 --> 00:57:24,043
- We only stopped because
- we ran out of film stock.
- 830
- 00:57:24,120 --> 00:57:26,327
- The War Office wanted him.
- The distributors wanted him.
- 831
- 00:57:26,400 --> 00:57:29,131
- And no one thought to give him
- a bloody screen test?
- 832
- 00:57:30,440 --> 00:57:32,647
- Well, can't we replace him?
- 833
- 00:57:32,760 --> 00:57:34,296
- This film has a significant part to play
- 834
- 00:57:34,320 --> 00:57:36,216
- in putting the national case
- to the American public.
- 835
- 00:57:36,240 --> 00:57:38,527
- - He's the template.
- - If that lump of Yank stays,
- 836
- 00:57:38,640 --> 00:57:40,847
- the film fails
- and the national case with it.
- 837
- 00:57:40,920 --> 00:57:44,003
- He is a brave boy.
- 838
- 00:57:44,080 --> 00:57:46,162
- Would you or I be so brave?
- 839
- 00:58:27,200 --> 00:58:29,726
- Is Mr. Baker all right?
- 840
- 00:58:29,800 --> 00:58:32,724
- - He lost one of his grandsons.
- - Oh...
- 841
- 00:58:32,800 --> 00:58:37,089
- - Hit by a tram on shore leave.
- - Oh!
- 842
- 00:58:37,200 --> 00:58:40,807
- It must make it so much worse
- that it wasn't for anything.
- 843
- 00:58:40,880 --> 00:58:43,884
- - Poor Mr. Baker.
- - It's never for anything.
- 844
- 00:58:45,920 --> 00:58:49,367
- Why do you think people like films?
- 845
- 00:58:49,440 --> 00:58:52,364
- It's because stories are structure.
- 846
- 00:58:52,440 --> 00:58:56,001
- They're a shape, a purpose, a meaning.
- 847
- 00:58:58,080 --> 00:59:01,721
- And when things turn bad, it's still
- part of a plan, you know, it's...
- 848
- 00:59:01,800 --> 00:59:03,165
- There's a point to it.
- 849
- 00:59:04,760 --> 00:59:07,525
- Unlike life.
- 850
- 00:59:07,600 --> 00:59:09,887
- You don't believe in much, do you?
- 851
- 00:59:09,960 --> 00:59:12,281
- I believed this was gonna be
- a good picture.
- 852
- 00:59:14,040 --> 00:59:18,011
- How did you get to do this?
- Writing, I mean.
- 853
- 00:59:18,080 --> 00:59:20,003
- Parfitt.
- 854
- 00:59:20,080 --> 00:59:22,686
- He was making comedies for Baker.
- 855
- 00:59:22,760 --> 00:59:24,489
- I used to collect gags
- I heard in the street
- 856
- 00:59:24,560 --> 00:59:27,166
- and sell them to him
- in the pub, penny a time.
- 857
- 00:59:27,240 --> 00:59:28,969
- Phyl thinks that
- you were born in the pub.
- 858
- 00:59:29,040 --> 00:59:31,407
- I certainly spent
- enough time in them as a kid.
- 859
- 00:59:36,160 --> 00:59:38,481
- He was a soldier, my dad,
- in the last one.
- 860
- 00:59:41,760 --> 00:59:44,889
- The thing about men who get
- sent away to war, Mrs. Cole,
- 861
- 00:59:44,960 --> 00:59:48,726
- is that some of them
- don't come back at all,
- 862
- 00:59:48,800 --> 00:59:51,087
- some come back as heroes...
- 863
- 00:59:53,600 --> 00:59:56,490
- and some of them come back
- drunk, squalid bullies.
- 864
- 00:59:56,560 --> 00:59:58,642
- I was better off out of his way.
- 865
- 00:59:58,720 --> 01:00:02,441
- - In the pub.
- - Or the pictures.
- 866
- 01:00:04,600 --> 01:00:06,489
- I liked the pictures best.
- 867
- 01:00:09,840 --> 01:00:13,811
- Once in a while you just need
- to make one that's worth it,
- 868
- 01:00:13,920 --> 01:00:17,891
- worth the hour and a half of someone's
- life it's gonna cost them to see it.
- 869
- 01:00:23,040 --> 01:00:25,407
- I really thought this one would be.
- 870
- 01:00:28,400 --> 01:00:29,401
- The bloody Yanks.
- 871
- 01:00:29,520 --> 01:00:32,524
- It would be all right if all you had to do
- was look at him.
- 872
- 01:00:41,680 --> 01:00:46,766
- We strip Lundbeck's dialogue
- down to essentials and use a voiceover.
- 873
- 01:00:46,840 --> 01:00:50,481
- "I wasn't there
- at the beginning of the story,
- 874
- 01:00:50,560 --> 01:00:55,088
- but it all began in a little fishing
- village in England."
- 875
- 01:00:55,160 --> 01:00:57,766
- Yes, yes. inarticulacy, authenticity.
- 876
- 01:00:57,880 --> 01:01:01,601
- - He still can't act.
- - No, no, he really can't.
- 877
- 01:01:01,720 --> 01:01:05,327
- But Hilliard can, so we get
- Hilliard to coach him,
- 878
- 01:01:05,400 --> 01:01:08,085
- some sort of on-the-spot dumb show,
- 879
- 01:01:08,160 --> 01:01:09,776
- so the Yank knows
- what he's meant to be doing.
- 880
- 01:01:09,800 --> 01:01:13,771
- Gentlemen, I fear there has been
- some sort of misapprehension.
- 881
- 01:01:13,840 --> 01:01:17,561
- I am an actor,
- a somewhat derided calling,
- 882
- 01:01:17,640 --> 01:01:19,563
- but mine nonetheless.
- 883
- 01:01:19,640 --> 01:01:22,405
- Perhaps because we are engaged
- in an imitation of life,
- 884
- 01:01:22,480 --> 01:01:26,804
- there is a common misconception
- that anything living can do what we do.
- 885
- 01:01:26,880 --> 01:01:28,723
- You have found that not to be so,
- 886
- 01:01:28,800 --> 01:01:32,850
- for which I offer my, um,
- sincerest commiserations.
- 887
- 01:01:32,920 --> 01:01:36,720
- But I am an actor.
- 888
- 01:01:36,800 --> 01:01:39,371
- I know only my art.
- 889
- 01:01:39,440 --> 01:01:43,729
- Of teaching, of coaching, of dumb show,
- 890
- 01:01:43,800 --> 01:01:45,848
- of these things,
- I'm afraid I know nothing.
- 891
- 01:01:46,960 --> 01:01:50,362
- I'm so sorry to disappoint.
- 892
- 01:01:52,360 --> 01:01:55,762
- Mr. Hilliard, you're right.
- 893
- 01:01:55,840 --> 01:01:58,366
- You're right.
- Everything you just said.
- 894
- 01:01:58,440 --> 01:02:03,002
- It's about respect for the art
- and for the artists.
- 895
- 01:02:03,080 --> 01:02:06,641
- And it makes me think
- how wrong we've been,
- 896
- 01:02:06,720 --> 01:02:08,324
- playing Uncle Frank for laughs.
- 897
- 01:02:08,400 --> 01:02:11,006
- Yes, he's a drunkard and a clown,
- 898
- 01:02:11,120 --> 01:02:14,966
- but he's also all those people
- who gave their sons to one war
- 899
- 01:02:15,040 --> 01:02:17,611
- and now their grandsons to another.
- 900
- 01:02:18,600 --> 01:02:21,171
- If we served that truth,
- 901
- 01:02:21,240 --> 01:02:25,802
- if we gave you an Uncle Frank
- really worth your time and your talent,
- 902
- 01:02:25,880 --> 01:02:29,885
- I wonder if you would consider
- putting that same time and talent
- 903
- 01:02:29,960 --> 01:02:33,965
- towards helping Mr. Lundbeck
- and the picture?
- 904
- 01:02:38,400 --> 01:02:40,448
- Mmm.
- 905
- 01:02:40,520 --> 01:02:43,091
- I don't think we've been
- properly introduced.
- 906
- 01:02:44,960 --> 01:02:48,760
- I'm Catrin Cole.
- I'm one of the writers.
- 907
- 01:02:48,840 --> 01:02:53,607
- Catrin, between us,
- we'll have them weeping in the aisles.
- 908
- 01:02:57,960 --> 01:03:00,964
- I need to let Ellis know
- that I won't be there for his opening.
- 909
- 01:03:01,040 --> 01:03:05,170
- I'll arrange a telegram.
- The least we can do.
- 910
- 01:03:07,960 --> 01:03:09,883
- Time and talent was good.
- 911
- 01:03:11,240 --> 01:03:14,210
- Did you think of it beforehand?
- 912
- 01:03:14,280 --> 01:03:17,329
- His exhibition
- only lasts two weeks.
- 913
- 01:03:19,160 --> 01:03:21,640
- We'll have you back in London
- before it closes.
- 914
- 01:03:28,640 --> 01:03:30,244
- Damn!
- 915
- 01:03:33,440 --> 01:03:35,442
- - Here!
- - Cheers.
- 916
- 01:03:39,480 --> 01:03:40,845
- <i>Johnnie Lumb.</i>
- 917
- 01:03:40,960 --> 01:03:42,291
- Kent, England. You?
- 918
- 01:03:42,360 --> 01:03:45,887
- Brannigan. Made in America
- and not for export.
- 919
- 01:03:45,960 --> 01:03:48,327
- - So what are you doing here?
- - Trying to get back.
- 920
- 01:03:52,280 --> 01:03:53,486
- The propeller's snarled.
- 921
- 01:03:53,600 --> 01:03:57,889
- If I can just cut it free...
- 922
- 01:03:57,960 --> 01:04:00,531
- Hurry, Uncle Frank.
- 923
- 01:04:05,960 --> 01:04:08,122
- Oh!
- 924
- 01:04:10,520 --> 01:04:11,681
- Hey! Hey, there!
- 925
- 01:04:19,520 --> 01:04:21,568
- Uncle Frank?
- 926
- 01:04:21,640 --> 01:04:25,565
- I dr... I dro... I dr...
- I dropped the knife.
- 927
- 01:04:31,120 --> 01:04:34,761
- William... Archie...
- 928
- 01:04:34,840 --> 01:04:38,401
- My... My boys.
- 929
- 01:04:40,600 --> 01:04:45,401
- <i>Boys, such an age you've been gone.</i>
- 930
- 01:04:47,080 --> 01:04:50,687
- Why didn't you send word
- you were still in France?
- 931
- 01:04:50,760 --> 01:04:53,764
- I could... I could
- have fetched you home.
- 932
- 01:04:53,840 --> 01:04:57,640
- I could... I could have
- carried you both...
- 933
- 01:04:59,080 --> 01:05:00,764
- home.
- 934
- 01:05:06,280 --> 01:05:08,362
- You're mustard these days,
- aren't you?
- 935
- 01:05:14,080 --> 01:05:16,924
- - Night, Buckley.
- - Night, Mrs. Cole.
- 936
- 01:05:19,360 --> 01:05:22,045
- <i>- Pretty copper kettle.
- - Such an age since...</i>
- 937
- 01:05:22,120 --> 01:05:25,283
- - Bright copper kettle.
- - Been such an age since...
- 938
- 01:05:25,400 --> 01:05:27,084
- Pretty copper kettle,
- bright copper kettle.
- 939
- 01:05:29,800 --> 01:05:32,929
- There it is.
- Dunkirk.
- 940
- 01:05:33,000 --> 01:05:37,642
- Blimey. There's so many of us.
- They'll never...
- 941
- 01:05:37,720 --> 01:05:39,290
- Mrs. Cole?
- 942
- 01:05:40,560 --> 01:05:42,483
- They'll never get us all out.
- 943
- 01:05:42,560 --> 01:05:44,289
- Uh, where... Where is she?
- 944
- 01:05:44,360 --> 01:05:47,125
- - Thank you.
- - Cut!
- 945
- 01:05:47,200 --> 01:05:49,931
- Could someone please get Mr. Hilliard
- out of Dunkirk?
- 946
- 01:05:50,000 --> 01:05:52,082
- - Find Mrs. Cole!
- - Train ticket.
- 947
- 01:05:52,160 --> 01:05:55,050
- Ration card.
- Authorization to travel.
- 948
- 01:05:55,120 --> 01:05:57,536
- Oh, don't be nervous.
- Mr. Hilliard won't notice you're gone...
- 949
- 01:05:57,560 --> 01:06:00,404
- It's not Hilliard. It's Ellis.
- 950
- 01:06:00,480 --> 01:06:04,087
- He's gonna be so disappointed in me
- for missing the opening,
- 951
- 01:06:04,160 --> 01:06:05,969
- for not turning up till the last minute.
- 952
- 01:06:06,040 --> 01:06:09,362
- Nonsense. Your husband
- is a lucky man, Mrs. Cole.
- 953
- 01:06:09,440 --> 01:06:11,408
- I'm sure he knows it.
- 954
- 01:06:11,480 --> 01:06:13,960
- He's not my husband.
- 955
- 01:06:14,040 --> 01:06:16,611
- I mean, he's not anyone else's either.
- It's just...
- 956
- 01:06:17,920 --> 01:06:20,685
- We're not actually married.
- 957
- 01:06:20,760 --> 01:06:22,649
- I bought the ring myself
- in Woolworths.
- 958
- 01:06:22,720 --> 01:06:25,644
- - I see.
- - In love enough to run away with him.
- 959
- 01:06:25,720 --> 01:06:30,328
- Just too proper not to care
- what other people thought.
- 960
- 01:06:30,400 --> 01:06:33,006
- - Er, behind...
- - Better get moving.
- 961
- 01:06:33,080 --> 01:06:34,650
- Hilliard's looking for you.
- 962
- 01:06:34,760 --> 01:06:36,936
- Wants to discuss the stuff you wrote
- for Uncle Frank's death.
- 963
- 01:06:36,960 --> 01:06:39,440
- - What did you think?
- - Too long, obviously.
- 964
- 01:06:39,520 --> 01:06:41,602
- But apart from that...
- 965
- 01:06:41,680 --> 01:06:42,920
- His final moments,
- 966
- 01:06:43,000 --> 01:06:46,721
- believing Brannigan and Johnnie
- are the sons he lost in the last war...
- 967
- 01:06:46,800 --> 01:06:49,087
- - Well...
- - Hmm.
- 968
- 01:06:49,160 --> 01:06:53,051
- "Such an age you've been gone."
- 969
- 01:06:54,560 --> 01:06:56,562
- - Really.
- - Hmm.
- 970
- 01:06:56,640 --> 01:07:01,567
- I still think we need a little more
- in terms of... of, um, of back-seeding.
- 971
- 01:07:01,640 --> 01:07:03,404
- Oh, I'm... I'm awfully sorry,
- Mr. Hilliard,
- 972
- 01:07:03,480 --> 01:07:05,721
- but Mrs. Cole has a train to catch.
- 973
- 01:07:05,800 --> 01:07:07,290
- - What?
- - She must go.
- 974
- 01:07:07,360 --> 01:07:08,691
- - Wha...
- - It's...
- 975
- 01:07:08,760 --> 01:07:11,206
- - It's a personal matter.
- - Oh.
- 976
- 01:07:11,280 --> 01:07:13,442
- Well, will she be back tonight?
- 977
- 01:07:13,520 --> 01:07:16,490
- - Let's get you into makeup.
- - Hmm.
- 978
- 01:07:16,560 --> 01:07:18,847
- You do look handsome in your sou'wester.
- 979
- 01:07:18,920 --> 01:07:20,843
- Really?
- 980
- 01:07:20,920 --> 01:07:22,649
- Gin.
- 981
- 01:07:35,480 --> 01:07:38,529
- Mr. Hilliard's going to be awfully angry.
- 982
- 01:07:38,600 --> 01:07:41,080
- Oh, we'll blame war transport.
- 983
- 01:07:41,200 --> 01:07:44,522
- The old ham can make do with me.
- 984
- 01:07:49,120 --> 01:07:50,246
- So...
- 985
- 01:07:51,680 --> 01:07:54,490
- Positions! Positions!
- 986
- 01:07:54,560 --> 01:07:57,086
- Everybody please be quiet for a take.
- 987
- 01:08:03,920 --> 01:08:06,924
- Don't stand under any thousand-pounders.
- 988
- 01:08:12,960 --> 01:08:14,644
- The director wants
- to speak to you.
- 989
- 01:08:14,720 --> 01:08:19,681
- Let me guess. He's canceling my fitting
- for the dog costume.
- 990
- 01:08:19,760 --> 01:08:22,525
- No, he didn't say what it was about.
- 991
- 01:08:22,600 --> 01:08:24,523
- Tell him you couldn't find me.
- 992
- 01:08:24,600 --> 01:08:27,570
- But... But I <i>have</i> found you.
- 993
- 01:08:27,640 --> 01:08:29,290
- No, you haven't.
- 994
- 01:08:32,840 --> 01:08:35,889
- You are exhausted.
- 995
- 01:08:36,880 --> 01:08:39,486
- You're leaning
- against the rail of the ship,
- 996
- 01:08:39,560 --> 01:08:43,087
- the wounded Johnnie cradled...
- cradled in your arms.
- 997
- 01:08:43,160 --> 01:08:45,731
- Oh, uh, no, thank you.
- 998
- 01:08:49,080 --> 01:08:50,650
- You look up,
- 999
- 01:08:50,720 --> 01:08:54,441
- and you see, coming
- towards you across the deck,
- 1000
- 01:08:54,520 --> 01:08:57,569
- a vision of loveliness.
- 1001
- 01:08:57,640 --> 01:08:59,688
- And you say...
- 1002
- 01:08:59,760 --> 01:09:03,651
- Careful. The kid's pretty messed up.
- 1003
- 01:09:05,760 --> 01:09:08,684
- Careful. The kid's pretty messed up.
- 1004
- 01:09:08,760 --> 01:09:12,651
- He kept talking about some broad
- called Nancy.
- 1005
- 01:09:12,720 --> 01:09:16,042
- Kept talking
- about some broad called Nancy.
- 1006
- 01:09:16,120 --> 01:09:18,600
- I guess that must be you.
- 1007
- 01:09:18,680 --> 01:09:20,842
- I guess that must be you.
- 1008
- 01:09:25,360 --> 01:09:26,646
- Okay.
- 1009
- 01:09:28,040 --> 01:09:29,041
- Action.
- 1010
- 01:09:35,080 --> 01:09:39,563
- Careful. The kid's pretty messed up.
- 1011
- 01:09:39,640 --> 01:09:43,087
- Kept talking
- about some broad called Nancy.
- 1012
- 01:09:43,160 --> 01:09:45,686
- I guess that must be you.
- 1013
- 01:09:45,760 --> 01:09:47,808
- To which she replies...
- 1014
- 01:09:47,880 --> 01:09:49,484
- Ooh.
- 1015
- 01:09:49,560 --> 01:09:52,530
- I'm Rose. This is Nancy.
- The <i>Nancy.</i>
- 1016
- 01:09:52,600 --> 01:09:54,443
- To which you say...
- 1017
- 01:09:56,960 --> 01:09:58,325
- Rose...
- 1018
- 01:09:58,400 --> 01:10:03,406
- Do you know, if one were 20 years younger
- and differently inclined,
- 1019
- 01:10:03,480 --> 01:10:06,484
- one might almost be tempted.
- 1020
- 01:11:01,040 --> 01:11:03,611
- Cat... Catrin...
- 1021
- 01:11:07,280 --> 01:11:08,725
- Catrin!
- 1022
- 01:11:08,800 --> 01:11:11,201
- Cat, don't make me run.
- 1023
- 01:11:20,600 --> 01:11:23,001
- They're always gonna be
- like that, aren't they?
- 1024
- 01:11:23,080 --> 01:11:27,802
- Younger, in awe of you, like I was.
- 1025
- 01:11:27,880 --> 01:11:30,167
- Oh, come on, Cat, you had a choice.
- 1026
- 01:11:31,200 --> 01:11:32,326
- You didn't choose me.
- 1027
- 01:11:34,080 --> 01:11:36,606
- I'll come back in a few days
- and move my things.
- 1028
- 01:11:36,680 --> 01:11:39,490
- Oh, for God's sake, the flat's yours.
- 1029
- 01:11:39,560 --> 01:11:43,087
- You're the one who pays the rent.
- 1030
- 01:11:43,160 --> 01:11:45,731
- Anyway, I'm going
- to Manchester tomorrow.
- 1031
- 01:11:45,800 --> 01:11:47,723
- They decided to take
- the exhibition on tour.
- 1032
- 01:11:47,800 --> 01:11:49,643
- It's a success, then?
- 1033
- 01:11:49,720 --> 01:11:50,960
- It's a success.
- 1034
- 01:11:52,040 --> 01:11:53,326
- I'm glad.
- 1035
- 01:11:55,200 --> 01:11:56,611
- Hmm.
- 1036
- 01:11:58,520 --> 01:12:01,649
- You know, the first time I painted you
- outside the steelworks...
- 1037
- 01:12:03,280 --> 01:12:05,089
- maybe I shouldn't have
- shown you walking away.
- 1038
- 01:12:05,160 --> 01:12:07,447
- Oh, I don't know, Ellis.
- 1039
- 01:12:07,520 --> 01:12:10,808
- Maybe you just shouldn't have
- made me so bloody small.
- 1040
- 01:12:18,400 --> 01:12:20,482
- Your ticket, madam.
- 1041
- 01:12:20,560 --> 01:12:22,801
- Safe journey. Next, please.
- 1042
- 01:12:22,880 --> 01:12:25,406
- War widows.
- 1043
- 01:12:26,760 --> 01:12:29,331
- - War widows.
- - There you are.
- 1044
- 01:12:35,600 --> 01:12:37,364
- War widows.
- 1045
- 01:12:38,520 --> 01:12:40,124
- War widows.
- 1046
- 01:12:41,880 --> 01:12:43,291
- War widows.
- 1047
- 01:12:53,400 --> 01:12:55,721
- <i>♪ I'm not afraid of the dark ♪</i>
- 1048
- 01:12:55,800 --> 01:12:59,771
- <i>- ♪ Are you?♪
- - ♪ Are you? ♪</i>
- 1049
- 01:12:59,840 --> 01:13:02,650
- <i>♪ Gee, but it's nice in the dark ♪</i>
- 1050
- 01:13:02,720 --> 01:13:04,404
- <i>- ♪ With the moon ♪
- - ♪ The moon ♪</i>
- 1051
- 01:13:04,480 --> 01:13:06,403
- <i>- ♪ And you ♪
- - ♪ And you ♪</i>
- 1052
- 01:13:06,480 --> 01:13:09,882
- <i>♪ When we go strolling
- in the park at night ♪</i>
- 1053
- 01:13:09,960 --> 01:13:12,804
- <i>♪ Oh, the darkness is a boon ♪</i>
- 1054
- 01:13:12,880 --> 01:13:16,965
- <i>♪ Who cares if we're without a light ♪</i>
- 1055
- 01:13:17,040 --> 01:13:19,042
- <i>♪ They can't black out the moon ♪</i>
- 1056
- 01:13:20,920 --> 01:13:24,049
- <i>♪ I see you smiling
- in the cigarette glow ♪</i>
- 1057
- 01:13:24,120 --> 01:13:25,565
- <i>♪ Though the picture fades... ♪</i>
- 1058
- 01:13:25,640 --> 01:13:27,563
- Dunkirk in the can.
- 1059
- 01:13:29,040 --> 01:13:30,610
- Done-bloody-kirk.
- 1060
- 01:13:30,680 --> 01:13:34,844
- <i>♪ They can't black out the moon ♪</i>
- 1061
- 01:13:34,920 --> 01:13:38,083
- <i>♪ I see you smiling
- in the cigarette glow ♪</i>
- 1062
- 01:13:38,160 --> 01:13:41,881
- <i>♪ Though the picture fades too soon ♪</i>
- 1063
- 01:13:41,960 --> 01:13:45,203
- <i>♪ But I see all I want to know ♪</i>
- 1064
- 01:13:45,280 --> 01:13:48,250
- <i>♪ They can't black out the moon ♪</i>
- 1065
- 01:13:49,360 --> 01:13:52,170
- <i>♪ We don't grumble ♪</i>
- 1066
- 01:13:52,280 --> 01:13:55,762
- <i>♪ We don't worry about alarms ♪</i>
- 1067
- 01:13:55,840 --> 01:13:59,128
- <i>♪ But when you stumble ♪</i>
- 1068
- 01:13:59,200 --> 01:14:02,921
- <i>♪ You stumble right into my arms ♪</i>
- 1069
- 01:14:03,040 --> 01:14:05,168
- Too young.
- 1070
- 01:14:05,240 --> 01:14:07,891
- - Combined age.
- - Too young twice over.
- 1071
- 01:14:09,520 --> 01:14:13,161
- <i>♪ And, like a love light in your eyes ♪</i>
- 1072
- 01:14:13,240 --> 01:14:16,608
- <i>- ♪ They can't black out the moon ♪</i>
- - Drink?
- 1073
- 01:14:19,080 --> 01:14:20,889
- - Well done.
- - Thank you.
- 1074
- 01:14:23,880 --> 01:14:26,326
- - You're up.
- - Oh, no. No, no, no.
- 1075
- 01:14:26,440 --> 01:14:28,204
- Oh, shut up, Ambrose,
- you know you want to.
- 1076
- 01:14:28,280 --> 01:14:31,443
- All right. "Wild Mountain Thyme"
- in D flat major.
- 1077
- 01:14:31,520 --> 01:14:32,806
- There it is.
- 1078
- 01:14:36,320 --> 01:14:39,324
- <i>♪ O the summertime is coming ♪</i>
- 1079
- 01:14:39,400 --> 01:14:44,281
- <i>♪ And the trees are softly blooming ♪</i>
- 1080
- 01:14:44,360 --> 01:14:48,604
- <i>♪ And the wild mountain thyme ♪</i>
- 1081
- 01:14:48,680 --> 01:14:53,561
- <i>♪ Grows around
- the blooming heather ♪</i>
- 1082
- 01:14:53,640 --> 01:14:59,363
- <i>♪ Will ye go, lassie, go ♪</i>
- 1083
- 01:14:59,440 --> 01:15:04,401
- <i>♪ And we'll all go together ♪</i>
- 1084
- 01:15:04,520 --> 01:15:07,285
- <i>♪ To pull wild mountain thyme... ♪</i>
- 1085
- 01:15:07,360 --> 01:15:09,124
- So how was London?
- 1086
- 01:15:10,560 --> 01:15:15,009
- Quiet. No bombing
- since Tuesday, apparently.
- 1087
- 01:15:15,080 --> 01:15:17,924
- I meant the exhibition.
- 1088
- 01:15:18,000 --> 01:15:20,810
- Very successful.
- 1089
- 01:15:20,880 --> 01:15:23,121
- <i>♪ True love will not come ♪</i>
- 1090
- 01:15:23,200 --> 01:15:25,202
- And your artist?
- 1091
- 01:15:27,080 --> 01:15:29,208
- Likewise.
- 1092
- 01:15:31,240 --> 01:15:33,163
- So why didn't you stay?
- 1093
- 01:15:34,320 --> 01:15:36,322
- You knew I'd cover for you.
- 1094
- 01:15:39,480 --> 01:15:42,723
- I was thinking
- about what Mr. Hilliard said
- 1095
- 01:15:42,800 --> 01:15:45,724
- about needing to back-seed
- the death speech.
- 1096
- 01:15:45,800 --> 01:15:47,131
- Liar.
- 1097
- 01:15:47,200 --> 01:15:48,804
- Sorry.
- 1098
- 01:15:48,880 --> 01:15:51,167
- <i>♪ ...a tower ♪</i>
- 1099
- 01:15:51,240 --> 01:15:54,801
- <i>♪ From the pure and crystal fountain ♪</i>
- 1100
- 01:15:54,880 --> 01:15:56,450
- Hmm.
- 1101
- 01:15:56,520 --> 01:15:59,444
- <i>♪ And it's there I shall rain ♪</i>
- 1102
- 01:16:00,440 --> 01:16:05,002
- <i>♪ All the flowers of the mountain ♪</i>
- 1103
- 01:16:05,120 --> 01:16:11,446
- <i>♪ Will ye go, lassie, go ♪</i>
- 1104
- 01:16:11,520 --> 01:16:17,846
- <i>♪ And we'll all go together ♪</i>
- 1105
- 01:16:17,920 --> 01:16:23,086
- <i>♪ To pull wild mountain thyme ♪</i>
- 1106
- 01:16:23,160 --> 01:16:28,724
- <i>♪ All around
- the blooming heather ♪</i>
- 1107
- 01:16:36,000 --> 01:16:37,729
- Bomber's moon.
- 1108
- 01:16:40,720 --> 01:16:43,530
- Someone'll be copping it.
- 1109
- 01:16:49,880 --> 01:16:50,961
- So...
- 1110
- 01:16:52,360 --> 01:16:54,442
- Another couple of days in Devon.
- 1111
- 01:16:56,960 --> 01:16:58,883
- London for the studio shoot.
- 1112
- 01:17:00,200 --> 01:17:01,281
- Then what?
- 1113
- 01:17:03,080 --> 01:17:05,208
- Back to Careless Talk and carrots?
- 1114
- 01:17:08,120 --> 01:17:09,610
- Don't know.
- 1115
- 01:17:11,480 --> 01:17:14,245
- Swain's talking about another feature.
- 1116
- 01:17:14,320 --> 01:17:15,970
- Air-raid wardens.
- 1117
- 01:17:17,800 --> 01:17:19,689
- There'll be slop.
- 1118
- 01:17:21,440 --> 01:17:22,885
- I don't know.
- 1119
- 01:17:22,960 --> 01:17:25,247
- Here.
- 1120
- 01:17:27,400 --> 01:17:29,368
- I'll get you a real desk.
- 1121
- 01:17:31,760 --> 01:17:33,649
- Marry you.
- 1122
- 01:17:34,800 --> 01:17:36,211
- What?
- 1123
- 01:17:39,080 --> 01:17:41,481
- I'm already married.
- 1124
- 01:17:41,560 --> 01:17:43,483
- No, you're not.
- 1125
- 01:17:44,680 --> 01:17:46,523
- That was private.
- 1126
- 01:17:46,640 --> 01:17:48,961
- It was a private conversation.
- 1127
- 01:17:49,040 --> 01:17:52,567
- You had to buy the ring yourself
- in Woolworths.
- 1128
- 01:17:52,640 --> 01:17:55,803
- When times got hard,
- he tried to send you back to Wales,
- 1129
- 01:17:55,880 --> 01:17:58,929
- and <i>he's</i> disappointed in <i>you?</i>
- 1130
- 01:17:59,000 --> 01:18:03,050
- He's a stupid bloody fool,
- but he's not as much of a fool as you.
- 1131
- 01:18:03,120 --> 01:18:05,282
- He changed your name, for Christ's sake!
- 1132
- 01:18:07,920 --> 01:18:10,002
- Where's your fucking self-respect?
- 1133
- 01:18:10,120 --> 01:18:11,770
- How dare you?
- 1134
- 01:18:14,280 --> 01:18:16,521
- You have no one.
- You don't know.
- 1135
- 01:18:16,600 --> 01:18:19,126
- - I know you deserve better.
- <i>- You?</i>
- 1136
- 01:18:19,200 --> 01:18:20,850
- You're the better?
- 1137
- 01:18:20,920 --> 01:18:24,288
- Catrin... I... I...
- 1138
- 01:18:24,360 --> 01:18:27,170
- I think... Look, I think you're mustard.
- 1139
- 01:18:27,240 --> 01:18:32,724
- And I think...
- you're a drunk, squalid bully.
- 1140
- 01:18:59,400 --> 01:19:00,606
- Come and get out of the water.
- 1141
- 01:19:00,680 --> 01:19:02,045
- Hush!
- 1142
- 01:19:02,120 --> 01:19:04,851
- You were speaking
- of Flight Lieutenant Lundbeck.
- 1143
- 01:19:04,920 --> 01:19:07,605
- Ah. You know he only did the film
- under orders.
- 1144
- 01:19:07,720 --> 01:19:09,496
- "They told me it would be good
- 1145
- 01:19:09,520 --> 01:19:11,522
- for Eagle Squadron recruitment, sir."
- 1146
- 01:19:13,160 --> 01:19:15,162
- He's desperate to get back
- in the air, poor boy.
- 1147
- 01:19:15,240 --> 01:19:16,890
- - Tea, sir?
- - Thank you.
- 1148
- 01:19:16,960 --> 01:19:20,203
- - Oh! Um... Oh, I...
- - Thruppence, please.
- 1149
- 01:19:20,280 --> 01:19:21,281
- Please.
- 1150
- 01:19:23,200 --> 01:19:24,964
- There.
- 1151
- 01:19:25,040 --> 01:19:27,520
- Well, as long as you receive
- an adequate coaching fee,
- 1152
- 01:19:27,600 --> 01:19:30,171
- I see no objection to your continuing
- to instruct him.
- 1153
- 01:19:30,240 --> 01:19:32,322
- - Fee?
- - Yes. Certainly a fee.
- 1154
- 01:19:32,400 --> 01:19:35,244
- I shall be raising the matter
- with Mr. Baker today.
- 1155
- 01:19:35,320 --> 01:19:38,802
- Is there anything else you wish me
- to discuss with him?
- 1156
- 01:19:38,880 --> 01:19:41,087
- Your dressing room is adequate?
- 1157
- 01:19:41,160 --> 01:19:45,006
- Uh... Oh, your intimate needs
- are being catered for?
- 1158
- 01:19:45,080 --> 01:19:47,003
- Mmm?
- 1159
- 01:19:47,080 --> 01:19:52,291
- Sammy once mentioned you do not like
- to share studio facilities with crew.
- 1160
- 01:19:52,360 --> 01:19:54,567
- Electricians in particular?
- 1161
- 01:19:54,640 --> 01:19:58,247
- Yes. Well, one mustn't complain.
- 1162
- 01:19:58,320 --> 01:20:00,163
- They do their best
- to make one comfortable.
- 1163
- 01:20:00,240 --> 01:20:03,528
- And as for the work, uh,
- people...
- 1164
- 01:20:03,600 --> 01:20:07,366
- People seem to be responding
- rather well to Uncle Frank.
- 1165
- 01:20:07,440 --> 01:20:11,365
- I look... I look forward
- to your opinion.
- 1166
- 01:20:13,000 --> 01:20:14,729
- Thank you.
- 1167
- 01:20:21,320 --> 01:20:24,130
- Sometimes one simply has to be firm.
- 1168
- 01:20:26,040 --> 01:20:27,644
- <i>Did you miss me?</i>
- 1169
- 01:20:27,760 --> 01:20:30,286
- <i>You left your jacket in the cabin.</i>
- 1170
- 01:20:30,360 --> 01:20:32,931
- <i>It smelt of you for the longest time.</i>
- 1171
- 01:20:33,000 --> 01:20:34,809
- <i>And then one day, I went in there</i>
- 1172
- 01:20:34,880 --> 01:20:37,486
- <i>and all I could smell
- was Uncle Frank's pipe.</i>
- 1173
- 01:20:37,600 --> 01:20:41,286
- <i>Only I'd understand, you know,</i>
- 1174
- 01:20:41,360 --> 01:20:42,771
- <i>if things have changed.</i>
- 1175
- 01:20:42,840 --> 01:20:44,496
- <i>And that bullet might have
- had my name on it.</i>
- 1176
- 01:20:44,520 --> 01:20:46,170
- <i>Oh, Johnnie.</i>
- 1177
- 01:20:46,240 --> 01:20:49,050
- <i>I wouldn't blame you.
- Brannigan</i> is <i>one in a million.</i>
- 1178
- 01:20:49,120 --> 01:20:51,566
- <i>And I'm not much
- to write home about, am I?</i>
- 1179
- 01:20:51,640 --> 01:20:54,371
- <i>I'm just an everyday sort of bloke.</i>
- 1180
- 01:20:54,440 --> 01:20:56,727
- <i>"Everyday.''</i>
- 1181
- 01:20:58,200 --> 01:21:00,931
- <i>Every day for the rest of my life.</i>
- 1182
- 01:21:07,840 --> 01:21:09,285
- Good work.
- 1183
- 01:21:09,360 --> 01:21:11,000
- Bloody good show,
- what you've shot so far.
- 1184
- 01:21:12,560 --> 01:21:15,769
- When the film's been treated for color,
- it's going to look marvelous.
- 1185
- 01:21:15,840 --> 01:21:18,605
- God, the American's teeth!
- Can they be real?
- 1186
- 01:21:18,680 --> 01:21:21,047
- If the studio shoot goes half as well,
- 1187
- 01:21:21,120 --> 01:21:24,010
- this picture's going to be a triumph.
- 1188
- 01:21:24,080 --> 01:21:27,004
- There is, however,
- one area of concern...
- 1189
- 01:21:27,080 --> 01:21:28,650
- Memo, please.
- 1190
- 01:21:28,720 --> 01:21:31,564
- ...from our American distributors.
- 1191
- 01:21:31,640 --> 01:21:37,488
- I'd ask you to absorb what's said
- without derision, Buckley.
- 1192
- 01:21:37,560 --> 01:21:40,962
- "American picture-goers like
- to be knocked off their feet.
- 1193
- 01:21:41,080 --> 01:21:45,369
- Bangs, crashes, ambulances
- careening around corners.
- 1194
- 01:21:45,440 --> 01:21:47,727
- The same goes for romance.
- 1195
- 01:21:47,840 --> 01:21:53,529
- What you call understatement
- translates as a lack of oomph."
- 1196
- 01:21:56,040 --> 01:21:59,761
- The Americans feel that
- the ending as presently written
- 1197
- 01:21:59,840 --> 01:22:01,251
- is too subtly nuanced,
- 1198
- 01:22:01,320 --> 01:22:04,881
- - too... restrained.
- - Restrained?
- 1199
- 01:22:04,960 --> 01:22:06,724
- I mean, it's practically a call to arms.
- 1200
- 01:22:06,800 --> 01:22:10,725
- Their concern is more
- what one might crudely call
- 1201
- 01:22:10,800 --> 01:22:13,371
- the love triangle.
- 1202
- 01:22:13,440 --> 01:22:15,568
- I have to say, as far as
- the home front goes,
- 1203
- 01:22:15,640 --> 01:22:18,080
- we can't let it look as if she'd rather
- have had the American.
- 1204
- 01:22:18,160 --> 01:22:19,810
- Well, that'll be the teeth.
- 1205
- 01:22:19,880 --> 01:22:21,564
- Teeth or no teeth,
- 1206
- 01:22:21,640 --> 01:22:24,644
- what all parties need is a morally clean,
- 1207
- 01:22:24,720 --> 01:22:28,167
- romantically satisfying resolution.
- 1208
- 01:22:30,680 --> 01:22:36,050
- Well, perhaps if Mrs. Cole could carry on
- her good work with Hilliard on set,
- 1209
- 01:22:36,120 --> 01:22:39,806
- Buckley and I could tackle
- the new ending in the office.
- 1210
- 01:22:39,880 --> 01:22:42,167
- You'll enjoy the studio.
- 1211
- 01:22:42,240 --> 01:22:43,571
- Change of scene.
- 1212
- 01:22:43,640 --> 01:22:45,483
- Excellent. Excellent.
- 1213
- 01:22:57,600 --> 01:23:01,047
- Slowly forward.
- Two steps.
- 1214
- 01:23:01,160 --> 01:23:02,605
- - Look to the side.
- - Like this?
- 1215
- 01:23:02,680 --> 01:23:05,331
- No, left side to the camera,
- your good side,
- 1216
- 01:23:05,400 --> 01:23:08,927
- and now raising your eyes
- and turning as the Stuka...
- 1217
- 01:23:09,000 --> 01:23:12,447
- Please, if you don't mind...
- Stuka.
- 1218
- 01:23:15,040 --> 01:23:16,644
- Johnnie is hit!
- 1219
- 01:23:16,760 --> 01:23:19,047
- Can you bring the light
- over here? Thank you.
- 1220
- 01:23:19,120 --> 01:23:20,360
- Could you move, please?
- 1221
- 01:23:20,440 --> 01:23:22,044
- We're trying to get big boy up there.
- 1222
- 01:23:22,120 --> 01:23:24,327
- - Sorry.
- - Tea. Excuse me.
- 1223
- 01:23:24,400 --> 01:23:27,051
- - Coming through.
- - Anyone for a cup of tea?
- 1224
- 01:23:27,120 --> 01:23:28,616
- I thought that was
- really rather convincing,
- 1225
- 01:23:28,640 --> 01:23:30,210
- - don't you think?
- - Very real.
- 1226
- 01:23:30,280 --> 01:23:33,568
- Oh, I say, are those rock cakes?
- 1227
- 01:23:33,640 --> 01:23:35,608
- Ooh!
- 1228
- 01:23:35,680 --> 01:23:37,808
- They want to know
- when it'll be ready.
- 1229
- 01:23:37,880 --> 01:23:40,042
- <i>It's very much on its way.</i>
- 1230
- 01:23:40,160 --> 01:23:43,209
- Only you keep saying that you'll be
- sending over the new ending, but...
- 1231
- 01:23:43,280 --> 01:23:45,328
- - It's almost ready.
- <i>- Oh.</i>
- 1232
- 01:23:45,400 --> 01:23:46,925
- Let me know when it is.
- 1233
- 01:23:47,040 --> 01:23:50,123
- <i>- Bye, Parfitt.</i>
- - Mrs. Cole.
- 1234
- 01:23:57,120 --> 01:23:59,566
- Shall we find the lady
- who'll do our makeup?
- 1235
- 01:23:59,680 --> 01:24:01,045
- I suppose so.
- 1236
- 01:24:04,760 --> 01:24:07,445
- It's coming over.
- Mind your heads.
- 1237
- 01:24:07,560 --> 01:24:09,005
- Cigarette?
- 1238
- 01:24:12,320 --> 01:24:14,368
- That's it. Okay, line it up, please.
- 1239
- 01:24:14,440 --> 01:24:17,728
- Line it up and keep it straight.
- That's it.
- 1240
- 01:24:20,480 --> 01:24:23,006
- I've never much
- seen the point in men.
- 1241
- 01:24:23,120 --> 01:24:26,090
- Still, I do hate to see you pining.
- 1242
- 01:24:26,160 --> 01:24:28,003
- Oh, I'm not pining.
- 1243
- 01:24:28,080 --> 01:24:30,526
- Ellis moved out weeks ago.
- I'm already used to it.
- 1244
- 01:24:30,600 --> 01:24:32,170
- It wasn't Ellis I was thinking of.
- 1245
- 01:24:34,080 --> 01:24:36,606
- Forgive me.
- It's just that...
- 1246
- 01:24:37,600 --> 01:24:43,243
- When we were shooting in Devon,
- you always seemed so... vivid.
- 1247
- 01:24:47,040 --> 01:24:49,281
- Perhaps I'm just
- in a sentimental mood.
- 1248
- 01:24:51,160 --> 01:24:54,721
- My landlady was killed yesterday.
- 1249
- 01:24:54,800 --> 01:25:00,762
- I could hear her husband crying
- through the wall all night long.
- 1250
- 01:25:00,840 --> 01:25:03,969
- It seems to me when life
- is so very precarious,
- 1251
- 01:25:04,040 --> 01:25:06,361
- it's an awful shame to waste it.
- 1252
- 01:25:13,560 --> 01:25:18,885
- I was wondering.
- On page 76, I say...
- 1253
- 01:25:52,800 --> 01:25:57,362
- They're getting worried.
- About the ending.
- 1254
- 01:25:59,560 --> 01:26:01,642
- Turned Ministry spy now?
- 1255
- 01:26:06,960 --> 01:26:08,849
- Is that it?
- 1256
- 01:26:13,320 --> 01:26:14,560
- Could I...
- 1257
- 01:26:23,120 --> 01:26:25,327
- Sorry.
- 1258
- 01:26:25,400 --> 01:26:28,210
- - I'm sorry. I didn't mean...
- - Don't bother.
- 1259
- 01:26:28,280 --> 01:26:30,567
- It's not worth it.
- 1260
- 01:26:52,320 --> 01:26:54,084
- What do you think?
- 1261
- 01:26:54,160 --> 01:26:55,844
- It's not very good.
- 1262
- 01:26:57,240 --> 01:27:01,131
- It's not very... Buckley.
- 1263
- 01:27:01,200 --> 01:27:03,487
- It's not your fault, you know.
- 1264
- 01:27:03,560 --> 01:27:05,403
- It really isn't.
- 1265
- 01:27:07,600 --> 01:27:09,443
- You'd better go home, Mrs. Cole.
- 1266
- 01:27:17,280 --> 01:27:19,965
- <i>Exterior train. Station.</i>
- 1267
- 01:28:16,760 --> 01:28:20,367
- <i>A full moon, a clear sky.</i>
- 1268
- 01:28:20,480 --> 01:28:24,963
- <i>A man sits by the shore.
- There has been a quarrel.</i>
- 1269
- 01:28:25,040 --> 01:28:27,566
- <i>A woman is walking away from him.</i>
- 1270
- 01:28:27,640 --> 01:28:29,688
- <i>Now she turns back.</i>
- 1271
- 01:28:33,200 --> 01:28:35,680
- <i>"I didn't mean what I just said.</i>
- 1272
- 01:28:38,640 --> 01:28:42,361
- And, anyway, you said worse."
- 1273
- 01:28:45,720 --> 01:28:47,609
- It was a declaration.
- 1274
- 01:28:49,320 --> 01:28:52,529
- "Stupid bloody fool" was good.
- 1275
- 01:28:52,600 --> 01:28:54,682
- Did you think of that beforehand?
- 1276
- 01:28:56,400 --> 01:28:59,324
- Are you trying to pick a fight
- with me, Mrs. Cole?
- 1277
- 01:28:59,400 --> 01:29:01,084
- No.
- 1278
- 01:29:02,360 --> 01:29:05,125
- What I'm trying to say is that...
- 1279
- 01:29:07,480 --> 01:29:09,289
- if all of this stopped...
- 1280
- 01:29:10,400 --> 01:29:14,530
- the sparring and the jibing
- and the insults and the arguments...
- 1281
- 01:29:15,760 --> 01:29:17,444
- I'd miss it.
- 1282
- 01:29:19,560 --> 01:29:22,450
- Even if I were dead,
- 1283
- 01:29:22,520 --> 01:29:25,091
- I'd still miss it.
- 1284
- 01:29:25,160 --> 01:29:28,642
- The Catrin Cole School of Dialogue.
- 1285
- 01:29:28,720 --> 01:29:31,121
- On and on and on
- and on and on.
- 1286
- 01:29:33,400 --> 01:29:35,528
- Lose half.
- 1287
- 01:29:35,640 --> 01:29:37,688
- - Which half?
- - The half you don't need.
- 1288
- 01:29:37,760 --> 01:29:39,808
- All right.
- 1289
- 01:29:39,880 --> 01:29:43,726
- All right. I'd miss you.
- 1290
- 01:29:46,840 --> 01:29:49,127
- I'd miss you more than I can say.
- 1291
- 01:30:29,920 --> 01:30:31,684
- Help me take this.
- 1292
- 01:30:35,440 --> 01:30:38,842
- None on that side.
- Keep going.
- 1293
- 01:30:38,920 --> 01:30:41,241
- Let's go around this way.
- 1294
- 01:30:44,240 --> 01:30:46,163
- Mrs. Cole?
- 1295
- 01:30:53,480 --> 01:30:55,209
- Watch yourself, girl.
- 1296
- 01:30:59,440 --> 01:31:01,681
- - Mrs. Cole?
- - Hmm?
- 1297
- 01:31:01,760 --> 01:31:05,481
- - I thought you was under it.
- - I was in the office.
- 1298
- 01:31:06,560 --> 01:31:07,891
- Hmm.
- 1299
- 01:31:14,360 --> 01:31:16,249
- Okay, coming in from the left.
- 1300
- 01:31:22,760 --> 01:31:25,445
- I might have to borrow clothes.
- 1301
- 01:31:25,520 --> 01:31:29,241
- Talk to the costumes mistress,
- but don't be surprised if she's tetchy.
- 1302
- 01:31:29,320 --> 01:31:32,130
- A parachute mine took the roof
- off Studio Four last night
- 1303
- 01:31:32,200 --> 01:31:34,885
- and her Panzer division uniforms
- are ruined.
- 1304
- 01:31:34,960 --> 01:31:37,122
- They're saying it was
- the worst night of bombing yet.
- 1305
- 01:31:37,200 --> 01:31:39,168
- Nothing left of Wimbledon, apparently.
- 1306
- 01:31:39,240 --> 01:31:41,971
- The props master hasn't turned up,
- the best boy's in hospital,
- 1307
- 01:31:42,040 --> 01:31:43,610
- and no one knows where the grip is,
- 1308
- 01:31:43,680 --> 01:31:45,762
- so we're having to make do
- with whatever we can get.
- 1309
- 01:31:45,840 --> 01:31:48,650
- It's got a bit of a wobble.
- Might have to lash it to the gantry.
- 1310
- 01:31:48,720 --> 01:31:50,848
- There'll be tears before bedtime,
- mark my words.
- 1311
- 01:31:50,920 --> 01:31:52,285
- No, you've got a bit of a wobble.
- 1312
- 01:31:52,400 --> 01:31:54,164
- Chick.
- 1313
- 01:31:55,760 --> 01:32:00,004
- Could we save that lamp
- till we roll, please?
- 1314
- 01:32:00,080 --> 01:32:02,208
- Sorry, Mr. Hilliard.
- It's heavy.
- 1315
- 01:32:02,280 --> 01:32:03,616
- - More?
- - Much more.
- 1316
- 01:32:03,640 --> 01:32:06,928
- This man hasn't had a bath
- since the last time he fell off the boat.
- 1317
- 01:32:07,040 --> 01:32:09,088
- Change of plans.
- 1318
- 01:32:09,160 --> 01:32:10,924
- Going straight
- from Uncle Frank's Mayday
- 1319
- 01:32:11,000 --> 01:32:13,401
- to wounded Johnnie
- fixing the propeller.
- 1320
- 01:32:13,480 --> 01:32:15,403
- Hurry up, Rex.
- We need you over here.
- 1321
- 01:32:15,480 --> 01:32:17,528
- Yes, sir. Coming.
- Quick as I can.
- 1322
- 01:32:19,520 --> 01:32:21,409
- Right, what can I do for you, sir?
- 1323
- 01:32:25,760 --> 01:32:28,843
- Right, be careful. Careful.
- 1324
- 01:32:28,920 --> 01:32:31,651
- And watch out for that...
- Watch the wires, please.
- 1325
- 01:32:31,720 --> 01:32:35,167
- - I thought you'd be at the office.
- - Don't lean against it.
- 1326
- 01:32:36,920 --> 01:32:38,126
- I was.
- 1327
- 01:32:58,560 --> 01:33:00,210
- I read your ending.
- 1328
- 01:33:01,800 --> 01:33:03,290
- You bagged it.
- 1329
- 01:33:04,720 --> 01:33:07,803
- - You were almost there.
- - Nowhere near.
- 1330
- 01:33:08,800 --> 01:33:11,724
- I've been useless for weeks.
- 1331
- 01:33:14,880 --> 01:33:17,167
- I read your other stuff, too.
- 1332
- 01:33:19,520 --> 01:33:21,602
- Oh?
- 1333
- 01:33:21,680 --> 01:33:24,331
- - What did you think?
- - Hmm.
- 1334
- 01:33:24,400 --> 01:33:28,564
- Bit inconclusive. I wasn't really sure
- where it was going next.
- 1335
- 01:33:30,240 --> 01:33:31,605
- No.
- 1336
- 01:33:33,120 --> 01:33:34,690
- I wasn't too sure of that, either.
- 1337
- 01:33:43,400 --> 01:33:44,447
- Crumbs.
- 1338
- 01:33:57,680 --> 01:34:01,048
- Find Mrs. Cole!
- I need to talk to Mrs. Cole.
- 1339
- 01:34:01,120 --> 01:34:02,724
- Mrs. Cole!
- 1340
- 01:34:02,800 --> 01:34:05,326
- Has anyone seen Mrs. Cole?
- 1341
- 01:34:06,760 --> 01:34:08,888
- - Come on before they find us.
- - Where?
- 1342
- 01:34:08,960 --> 01:34:10,883
- I don't know. I never come to the studio.
- 1343
- 01:34:10,960 --> 01:34:12,291
- Mrs. Cole!
- 1344
- 01:34:18,360 --> 01:34:21,170
- The boss wants to try a take
- without Uncle Frank's lines
- 1345
- 01:34:21,240 --> 01:34:24,562
- 'cause he says
- we are losing visual tension.
- 1346
- 01:34:24,640 --> 01:34:27,723
- Mr. Hilliard is talking about
- the integrity of the story,
- 1347
- 01:34:27,800 --> 01:34:32,328
- saying he will play the scene
- as you wrote it or not at all.
- 1348
- 01:34:32,400 --> 01:34:36,530
- - Nobody's had any sleep and you're just...
- - It's all right. I'm coming.
- 1349
- 01:34:43,760 --> 01:34:46,081
- No. Let me deal with it.
- 1350
- 01:34:46,200 --> 01:34:49,602
- Once Hilliard gets his hands on you,
- he won't let you go for hours,
- 1351
- 01:34:49,680 --> 01:34:54,083
- and I was rather hoping to do that myself.
- 1352
- 01:34:54,160 --> 01:34:55,605
- Careful of big boy,
- 1353
- 01:34:55,680 --> 01:34:57,560
- it's got a bit of a wobble on it.
- 1354
- 01:34:58,640 --> 01:35:00,642
- Don't... Don't lean against it.
- 1355
- 01:35:16,320 --> 01:35:18,129
- - Whoa! Nobody move!
- - Buckley!
- 1356
- 01:35:19,720 --> 01:35:23,167
- Nobody move, stay exactly where
- you are until we have some lights in here.
- 1357
- 01:35:23,240 --> 01:35:25,004
- Stay where you are.
- 1358
- 01:35:27,280 --> 01:35:29,362
- Back. Back, please.
- Everybody get back.
- 1359
- 01:35:56,320 --> 01:35:58,846
- Please take the girls
- away from the stage.
- 1360
- 01:35:58,920 --> 01:36:00,729
- Mr. Brown, please take them away.
- 1361
- 01:37:18,120 --> 01:37:20,043
- <i>Almost dawn.</i>
- 1362
- 01:37:23,120 --> 01:37:25,805
- <i>Johnnie has been doing
- his best to fix the engine,</i>
- 1363
- 01:37:25,880 --> 01:37:27,848
- <i>but he is getting weaker by the minute.</i>
- 1364
- 01:37:27,920 --> 01:37:30,400
- <i>And we all know
- when the sun comes up,</i>
- 1365
- 01:37:30,480 --> 01:37:32,687
- <i>the German planes will be back.</i>
- 1366
- 01:37:37,360 --> 01:37:39,044
- <i>Oh!</i>
- 1367
- 01:37:48,800 --> 01:37:51,883
- No one wants to be here,
- 1368
- 01:37:51,960 --> 01:37:54,167
- but we have a hole in this picture.
- 1369
- 01:37:54,240 --> 01:37:56,288
- A stranded boat,
- a broken propeller,
- 1370
- 01:37:56,360 --> 01:37:59,204
- no one to fix it,
- and no Tom Buckley.
- 1371
- 01:38:01,520 --> 01:38:04,490
- - Well, maybe we could reshoot.
- - Who with?
- 1372
- 01:38:04,560 --> 01:38:07,166
- Ambrose Hilliard is still in plaster,
- 1373
- 01:38:07,240 --> 01:38:09,686
- Wyndham Best's
- in the North Atlantic,
- 1374
- 01:38:09,760 --> 01:38:13,162
- and Carl Lundbeck
- is back with the RAF.
- 1375
- 01:38:13,280 --> 01:38:16,011
- Could one of the Frenchies do it?
- 1376
- 01:38:16,080 --> 01:38:19,129
- Come to our rescue,
- same way we came to theirs?
- 1377
- 01:38:19,200 --> 01:38:22,363
- It doesn't seem right morale-wise.
- 1378
- 01:38:23,480 --> 01:38:26,927
- We could, uh, pan across
- the faces of the soldiers
- 1379
- 01:38:27,000 --> 01:38:29,128
- and never actually see who fixes...
- 1380
- 01:38:29,200 --> 01:38:32,409
- <i>The work's good, Mrs. Cole.</i>
- 1381
- 01:38:37,040 --> 01:38:39,361
- None of them
- could have done any better.
- 1382
- 01:38:43,440 --> 01:38:45,522
- You're mustard these days.
- 1383
- 01:38:49,840 --> 01:38:51,729
- Rose could do it.
- 1384
- 01:38:55,240 --> 01:38:57,641
- Rose could free the propeller.
- 1385
- 01:39:06,000 --> 01:39:08,082
- Cerberus, sit.
- 1386
- 01:39:18,080 --> 01:39:19,366
- Rugelach...
- 1387
- 01:39:20,480 --> 01:39:23,689
- - and <i>kogel mogel.</i>
- - Mmm-hmm.
- 1388
- 01:39:23,760 --> 01:39:27,128
- To build you up in time
- for the premiere.
- 1389
- 01:39:34,840 --> 01:39:39,164
- You'll be interested to learn I received
- several unexpected propositions this week.
- 1390
- 01:39:39,240 --> 01:39:43,370
- How delightful for you.
- 1391
- 01:39:43,440 --> 01:39:46,444
- Of course, I do not speak
- of erotic advances.
- 1392
- 01:39:46,520 --> 01:39:50,286
- These were professional inquiries
- regarding your availability.
- 1393
- 01:39:50,360 --> 01:39:54,081
- You will be kind enough to read,
- give your opinion.
- 1394
- 01:39:57,200 --> 01:40:00,807
- The doctors tell me you are
- to be discharged in a few days.
- 1395
- 01:40:00,880 --> 01:40:05,727
- I cannot see you will be in a condition
- to look after yourself. I...
- 1396
- 01:40:08,240 --> 01:40:12,165
- I therefore propose that we should ready
- a room in the apartment for your use.
- 1397
- 01:40:13,600 --> 01:40:16,843
- I believe a few weeks' proper care
- will be of great benefit...
- 1398
- 01:40:18,160 --> 01:40:20,606
- to your career.
- 1399
- 01:40:20,680 --> 01:40:23,445
- You're still a very handsome man,
- Mr. Hilliard.
- 1400
- 01:40:23,520 --> 01:40:25,204
- Yes.
- 1401
- 01:40:25,280 --> 01:40:29,649
- But your good looks have fallen prey
- to a certain scrawniness.
- 1402
- 01:40:29,720 --> 01:40:33,122
- Oh, no, we can correct this,
- I believe, together.
- 1403
- 01:40:35,480 --> 01:40:37,216
- Thank you, Mr. Hilliard.
- 1404
- 01:40:37,240 --> 01:40:38,416
- This way, Mr. Hilliard.
- 1405
- 01:40:42,640 --> 01:40:44,688
- Young ladies, thank you.
- 1406
- 01:40:44,760 --> 01:40:46,330
- - Thank you so much.
- - Thank you.
- 1407
- 01:40:46,400 --> 01:40:49,006
- I'm not concerned
- about how many lines I have.
- 1408
- 01:40:49,080 --> 01:40:50,730
- I'd rather have four honest words
- 1409
- 01:40:50,800 --> 01:40:52,416
- - than 50 pages of bilge.
- - Wyndham Best.
- 1410
- 01:40:52,440 --> 01:40:53,771
- Young lady.
- 1411
- 01:40:53,840 --> 01:40:56,081
- Remarkably good turnout.
- Mr. Frayle.
- 1412
- 01:40:57,960 --> 01:41:01,601
- - Hello. Did you... Is this...
- - Yes.
- 1413
- 01:41:01,680 --> 01:41:03,284
- Congratulations.
- Well done.
- 1414
- 01:41:03,360 --> 01:41:05,601
- - Good evening.
- - Miss Moore. Very ship shape.
- 1415
- 01:41:05,680 --> 01:41:07,409
- - Why, thank you.
- - Hello.
- 1416
- 01:41:07,480 --> 01:41:09,084
- Let me do this.
- 1417
- 01:41:09,160 --> 01:41:12,607
- Mrs. Cole? She's coming?
- 1418
- 01:41:12,680 --> 01:41:13,966
- I tried.
- 1419
- 01:41:24,280 --> 01:41:27,204
- Oh, Miss Pugh,
- your uncle's here to see you.
- 1420
- 01:41:36,200 --> 01:41:37,565
- Forgive the deceit.
- 1421
- 01:41:37,640 --> 01:41:40,723
- Your landlady didn't look the sort
- to approve a gentleman caller.
- 1422
- 01:41:42,120 --> 01:41:44,056
- To be perfectly frank, she's the first
- person I've met for weeks
- 1423
- 01:41:44,080 --> 01:41:45,445
- who didn't recognize me.
- 1424
- 01:41:45,520 --> 01:41:48,808
- She doesn't hold
- with the pictures. Ungodly.
- 1425
- 01:41:58,000 --> 01:41:59,729
- Ah!
- 1426
- 01:41:59,840 --> 01:42:03,242
- That's...
- That's charming.
- 1427
- 01:42:03,320 --> 01:42:05,402
- It's from Rose and Lily.
- 1428
- 01:42:05,480 --> 01:42:07,721
- The real Rose and Lily.
- 1429
- 01:42:07,800 --> 01:42:09,325
- They ran away to join the ATS.
- 1430
- 01:42:09,400 --> 01:42:13,689
- Rose thought if she could fix
- a propeller in a film,
- 1431
- 01:42:13,760 --> 01:42:16,331
- she could learn to mend
- an engine in real life.
- 1432
- 01:42:16,440 --> 01:42:18,124
- Ah.
- 1433
- 01:42:18,200 --> 01:42:20,168
- They're both mechanics now.
- 1434
- 01:42:22,280 --> 01:42:23,770
- Um...
- 1435
- 01:42:30,920 --> 01:42:33,844
- Baker's planning a new film.
- 1436
- 01:42:33,920 --> 01:42:37,925
- Air-raid wardens.
- Wants me in it.
- 1437
- 01:42:38,000 --> 01:42:40,606
- He's pretty much left the part up to me.
- 1438
- 01:42:40,680 --> 01:42:45,720
- So, I was thinking,
- newly retired cat burglar,
- 1439
- 01:42:45,800 --> 01:42:49,247
- not quite reformed.
- That's why he's so good at the rescues.
- 1440
- 01:42:49,320 --> 01:42:51,891
- He knows the way in and out
- of any property.
- 1441
- 01:42:54,000 --> 01:42:56,810
- Thing is, in the hands
- of the wrong writer...
- 1442
- 01:42:59,240 --> 01:43:00,924
- So, I was wondering
- 1443
- 01:43:01,000 --> 01:43:04,368
- if you would consider putting
- your time and talent...
- 1444
- 01:43:04,440 --> 01:43:06,249
- I don't do that anymore.
- 1445
- 01:43:07,480 --> 01:43:09,960
- I'm sorry. I just can't.
- 1446
- 01:43:30,520 --> 01:43:32,887
- You'll get... You'll get soap in your eyes.
- 1447
- 01:43:36,840 --> 01:43:38,444
- Here.
- 1448
- 01:43:55,280 --> 01:43:56,725
- Hmm.
- 1449
- 01:43:56,800 --> 01:43:58,529
- My agent's.
- 1450
- 01:44:00,600 --> 01:44:06,960
- You and me, given opportunities
- only because young men are gone.
- 1451
- 01:44:07,040 --> 01:44:09,725
- Or dying.
- 1452
- 01:44:11,400 --> 01:44:15,564
- But to turn our back
- on those opportunities,
- 1453
- 01:44:15,640 --> 01:44:20,567
- even when one has suffered
- such great loss,
- 1454
- 01:44:20,640 --> 01:44:25,328
- wouldn't that be giving death
- dominion over life?
- 1455
- 01:44:38,840 --> 01:44:42,287
- Have you seen it yet?
- Our film?
- 1456
- 01:44:42,360 --> 01:44:45,921
- You should.
- It's very good.
- 1457
- 01:44:46,000 --> 01:44:48,810
- I'm awfully good.
- 1458
- 01:44:51,520 --> 01:44:53,045
- And so are you.
- 1459
- 01:45:05,440 --> 01:45:08,125
- <i>Calling all small boats.</i>
- 1460
- 01:45:08,200 --> 01:45:12,285
- <i>All seaworthy vessels to report
- to your local harbor master immediately.</i>
- 1461
- 01:45:12,360 --> 01:45:14,488
- <i>Dunkirk. Oh, Lily!</i>
- 1462
- 01:45:14,560 --> 01:45:16,801
- <i>I think they're gonna get 'em out.</i>
- 1463
- 01:45:16,880 --> 01:45:20,646
- <i>Then they're going to need
- all the boats they can get, aren't they?</i>
- 1464
- 01:45:20,720 --> 01:45:22,643
- <i>The Nancy.</i>
- 1465
- 01:45:22,720 --> 01:45:25,564
- <i>Here, boy.</i>
- 1466
- 01:45:25,640 --> 01:45:27,688
- <i>Here.</i>
- 1467
- 01:45:30,560 --> 01:45:31,816
- <i>Don't be a fool, Johnnie.</i>
- 1468
- 01:45:31,840 --> 01:45:33,171
- <i>There's a sniper up there.</i>
- 1469
- 01:45:33,240 --> 01:45:34,776
- <i>I don't care if he's got
- a bleedin' cannon.</i>
- 1470
- 01:45:34,800 --> 01:45:36,640
- <i>I'm not gonna sit by
- and watch him shoot a dog.</i>
- 1471
- 01:45:43,840 --> 01:45:46,081
- Aww!
- 1472
- 01:45:58,360 --> 01:46:01,603
- <i>What in the... What is that?</i>
- 1473
- 01:46:01,680 --> 01:46:03,842
- <i>It's France, Uncle Frank.</i>
- 1474
- 01:46:05,400 --> 01:46:06,811
- <i>Dunkirk.</i>
- 1475
- 01:46:06,920 --> 01:46:10,049
- <i>Blimey.
- There's so many of us.</i>
- 1476
- 01:46:10,120 --> 01:46:12,202
- <i>They'll never get us all out.</i>
- 1477
- 01:46:16,360 --> 01:46:19,091
- <i>Hitler? Hitler?</i>
- 1478
- 01:46:19,160 --> 01:46:22,164
- <i>Who the bleedin' hell
- does he think he is?</i>
- 1479
- 01:46:22,240 --> 01:46:23,696
- Who the bleeding heck
- 1480
- 01:46:23,720 --> 01:46:24,767
- do you think you are?
- 1481
- 01:46:24,840 --> 01:46:26,080
- Who do you think you are?
- 1482
- 01:46:33,560 --> 01:46:35,324
- <i>Johnnie!</i>
- 1483
- 01:46:39,720 --> 01:46:42,849
- <i>That's it. There you go.</i>
- 1484
- 01:46:42,920 --> 01:46:45,764
- <i>Thank you, Grandad.
- You deserve a medal, mate.</i>
- 1485
- 01:46:58,000 --> 01:46:59,047
- <i>Johnnie.</i>
- 1486
- 01:47:02,000 --> 01:47:03,889
- <i>- Johnnie. Johnnie.
- - Careful.</i>
- 1487
- 01:47:03,960 --> 01:47:05,803
- <i>The kid's pretty messed up.</i>
- 1488
- 01:47:05,880 --> 01:47:09,248
- <i>He kept talking
- about some broad called Nancy.</i>
- 1489
- 01:47:09,360 --> 01:47:11,488
- <i>I guess that must be you.</i>
- 1490
- 01:47:11,560 --> 01:47:14,689
- <i>I'm Rose. This is the Nancy.</i>
- 1491
- 01:47:16,280 --> 01:47:17,566
- <i>Rose.</i>
- 1492
- 01:47:23,760 --> 01:47:25,922
- <i>The propeller's snarled.</i>
- 1493
- 01:47:26,040 --> 01:47:30,443
- <i>If I... If I can just cut it free...</i>
- 1494
- 01:47:41,920 --> 01:47:45,242
- <i>Just pretend you're Errol Flynn.
- He can do anything.</i>
- 1495
- 01:48:01,560 --> 01:48:03,449
- <i>I've cut it free.</i>
- 1496
- 01:48:13,400 --> 01:48:15,448
- <i>She's moving.</i>
- 1497
- 01:48:17,080 --> 01:48:19,003
- <i>Come on, you beauty.</i>
- 1498
- 01:48:19,080 --> 01:48:21,970
- She'll do it.
- 1499
- 01:48:35,520 --> 01:48:39,161
- <i>I haven't had the chance to thank you,
- Mr. Brannigan, for bringing Johnnie back.</i>
- 1500
- 01:48:39,280 --> 01:48:42,921
- <i>There's no mister, and back home,
- they call me Gene.</i>
- 1501
- 01:48:43,000 --> 01:48:45,844
- <i>- Thank you, Gene.</i>
- - Thank you, Gene.
- 1502
- 01:48:45,920 --> 01:48:48,082
- <i>Tell me one thing.</i>
- 1503
- 01:48:48,160 --> 01:48:50,447
- <i>In another time, another place,</i>
- 1504
- 01:48:50,520 --> 01:48:52,409
- <i>could it have been me?</i>
- 1505
- 01:48:52,480 --> 01:48:56,451
- <i>Perhaps, but you're talking
- about a world without Johnnie.</i>
- 1506
- 01:48:58,360 --> 01:49:01,091
- <i>And that's not a world
- I'd care to live in.</i>
- 1507
- 01:49:10,720 --> 01:49:13,963
- <i>Have you ever looked at something
- and known you want it,</i>
- 1508
- 01:49:14,040 --> 01:49:17,089
- <i>want it more than anything
- you've ever wanted in your life before,</i>
- 1509
- 01:49:17,160 --> 01:49:18,924
- <i>and known that it can never be yours?</i>
- 1510
- 01:49:20,720 --> 01:49:24,042
- <i>I have, and I tell you,</i>
- 1511
- 01:49:24,160 --> 01:49:26,481
- <i>it'll either finish you
- or put a fire in your belly</i>
- 1512
- 01:49:26,560 --> 01:49:29,086
- <i>that'll keep burning
- to the end of your days.</i>
- 1513
- 01:49:32,560 --> 01:49:35,370
- <i>I wasn't there at the beginning
- of the story,</i>
- 1514
- 01:49:35,440 --> 01:49:38,649
- <i>but you can bet your bottom dollar
- I'm not leaving before the end.</i>
- 1515
- 01:49:38,720 --> 01:49:42,930
- <i>Because I know now that it has to be
- the right sort of ending.</i>
- 1516
- 01:49:44,920 --> 01:49:47,605
- <i>The sort of ending
- that's worth fighting for.</i>
- 1517
- 01:50:13,640 --> 01:50:14,846
- Miss.
- 1518
- 01:50:14,960 --> 01:50:16,405
- Oh.
- 1519
- 01:50:16,480 --> 01:50:18,209
- Wanna stay and watch it again?
- 1520
- 01:50:18,280 --> 01:50:21,523
- You'll find more in to make you laugh
- second time round.
- 1521
- 01:50:21,600 --> 01:50:23,568
- I've seen it five times.
- 1522
- 01:50:23,640 --> 01:50:28,123
- It's our picture, isn't it?
- They're our girls.
- 1523
- 01:50:31,040 --> 01:50:35,364
- Thanks, but I'd better get back to work.
- 1524
- 01:50:35,480 --> 01:50:37,642
- What's work?
- 1525
- 01:50:37,720 --> 01:50:40,371
- Air-raid wardens.
- 1526
- 01:50:50,880 --> 01:50:53,451
- - They want an outline.
- - We haven't got a story yet.
- 1527
- 01:50:53,520 --> 01:50:57,730
- And they're asking about characters,
- apart from Hilliard as a cat burglar.
- 1528
- 01:50:57,800 --> 01:50:59,928
- Three girls,
- three different walks of life.
- 1529
- 01:51:00,000 --> 01:51:01,126
- I need specifics.
- 1530
- 01:51:01,200 --> 01:51:03,123
- A nun, a showgirl,
- a lady wrestler.
- 1531
- 01:51:03,200 --> 01:51:05,885
- Seriously, you push us now,
- and that's what you'll get.
- 1532
- 01:51:05,960 --> 01:51:07,041
- Men?
- 1533
- 01:51:07,120 --> 01:51:09,441
- Well, who else are the girls
- gonna fall in love with?
- 1534
- 01:51:09,520 --> 01:51:12,490
- - Each other?
- - We've got titles.
- 1535
- 01:51:12,600 --> 01:51:15,763
- <i>Raiders Overhead. Fires Overhead.
- Fire in the Sky.</i>
- 1536
- 01:51:15,840 --> 01:51:17,842
- They are looking
- for the female angle again.
- 1537
- 01:51:17,920 --> 01:51:20,287
- <i>A Tin Hat for Tallulah.</i>
- 1538
- 01:51:20,400 --> 01:51:22,767
- <i>- Girls Like Them?
- - Girls Like You.</i>
- 1539
- 01:51:22,840 --> 01:51:24,171
- <i>Girls Like Us?</i>
- 1540
- 01:51:29,200 --> 01:51:31,567
- - You need an ending.
- - We're working on it.
- 1541
- 01:51:36,320 --> 01:51:37,970
- Make it a happy one.
- 1542
- 01:51:38,040 --> 01:51:40,441
- It will be.
- 1543
- 01:52:32,720 --> 01:52:35,485
- <i>♪ I'm not afraid of the dark ♪</i>
- 1544
- 01:52:35,600 --> 01:52:39,571
- <i>- ♪ Are you? ♪
- - ♪ Are you? ♪</i>
- 1545
- 01:52:39,640 --> 01:52:42,450
- <i>♪ Gee, but it's nice in the dark ♪</i>
- 1546
- 01:52:42,520 --> 01:52:44,170
- <i>- ♪ With the moon♪
- - ♪ The moon ♪</i>
- 1547
- 01:52:44,240 --> 01:52:46,163
- <i>- ♪ And you ♪
- - ♪ And you ♪</i>
- 1548
- 01:52:46,240 --> 01:52:49,687
- <i>♪ When we go strolling
- in the park at night ♪</i>
- 1549
- 01:52:49,760 --> 01:52:53,048
- <i>♪ Oh, the darkness is a boon ♪</i>
- 1550
- 01:52:53,160 --> 01:52:56,767
- <i>♪ Who cares
- if we're without a light ♪</i>
- 1551
- 01:52:56,840 --> 01:53:00,287
- <i>♪ They can't black out the moon ♪</i>
- 1552
- 01:53:00,360 --> 01:53:03,921
- <i>♪ I see you smiling
- in the cigarette glow ♪</i>
- 1553
- 01:53:04,000 --> 01:53:07,482
- <i>♪ Though the picture
- fades too soon ♪</i>
- 1554
- 01:53:07,560 --> 01:53:10,848
- <i>♪ But I see
- all I want to know ♪</i>
- 1555
- 01:53:10,920 --> 01:53:14,925
- <i>♪ They can't black out
- the moon ♪</i>
- 1556
- 01:53:15,000 --> 01:53:18,209
- <i>♪ We don't grumble ♪</i>
- 1557
- 01:53:18,280 --> 01:53:21,762
- <i>♪ We don't worry about alarms ♪</i>
- 1558
- 01:53:21,840 --> 01:53:25,003
- <i>♪ But when you stumble ♪</i>
- 1559
- 01:53:25,080 --> 01:53:28,448
- <i>♪ You stumble right
- into my arms ♪</i>
- 1560
- 01:53:28,520 --> 01:53:32,002
- <i>♪ And when you kiss me
- don't you realize ♪</i>
- 1561
- 01:53:32,080 --> 01:53:35,527
- <i>♪ That my heart's like a big balloon ♪</i>
- 1562
- 01:53:35,600 --> 01:53:39,161
- <i>♪ And, like a love light in your eyes ♪</i>
- 1563
- 01:53:39,240 --> 01:53:42,403
- <i>♪ They can't black out the moon. ♪</i>
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