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- 1
- 00:00:31,292 --> 00:00:33,903
- Once they were
- larger-than-life idols
- 2
- 00:00:33,946 --> 00:00:35,165
- created to
- entertain children
- 3
- 00:00:35,209 --> 00:00:38,168
- and were dismissed
- by the adult world.
- 4
- 00:00:38,212 --> 00:00:39,561
- But in the new
- millennium,
- 5
- 00:00:39,604 --> 00:00:42,216
- characters created over
- half a century ago
- 6
- 00:00:42,259 --> 00:00:45,306
- have re-emerged to dominate
- the box office world wide.
- 7
- 00:00:48,874 --> 00:00:51,703
- This is the story
- of how superheroes
- 8
- 00:00:51,747 --> 00:00:53,140
- have successfully
- transitioned
- 9
- 00:00:53,183 --> 00:00:55,490
- from the comic book page
- to the silver screen
- 10
- 00:00:55,533 --> 00:00:57,927
- and conquered
- popular culture...
- 11
- 00:00:57,970 --> 00:00:59,233
- What
- comics had over movies
- 12
- 00:00:59,276 --> 00:01:01,017
- is they were ahead
- of the audience.
- 13
- 00:01:01,061 --> 00:01:02,105
- They were
- a rough and ready
- 14
- 00:01:02,149 --> 00:01:03,802
- cheap to produce medium.
- 15
- 00:01:03,846 --> 00:01:05,587
- And Hollywood
- is just now,
- 16
- 00:01:05,630 --> 00:01:07,719
- 50, 60 years later
- catching up.
- 17
- 00:01:08,807 --> 00:01:12,072
- Mr. Robert Downey Jr.
- 18
- 00:01:13,638 --> 00:01:15,118
- The idea to me
- 19
- 00:01:15,162 --> 00:01:18,687
- of high school jocks
- and the popular kids
- 20
- 00:01:18,730 --> 00:01:20,210
- grabbing
- their buddies together
- 21
- 00:01:20,254 --> 00:01:21,646
- and racing out
- on opening night
- 22
- 00:01:21,690 --> 00:01:24,606
- to see a movie where
- Thor and Captain America
- 23
- 00:01:24,649 --> 00:01:27,217
- and Iron Man fend off
- an alien invasion
- 24
- 00:01:27,261 --> 00:01:30,133
- was mind-boggling.
- 25
- 00:01:30,177 --> 00:01:32,135
- There's
- still an appeal for characters
- 26
- 00:01:32,179 --> 00:01:34,137
- an audience
- can see themselves in
- 27
- 00:01:34,181 --> 00:01:37,140
- but can see
- what they wish they could do
- 28
- 00:01:37,184 --> 00:01:39,882
- and just cannot.
- That they can fly.
- 29
- 00:01:39,925 --> 00:01:41,623
- That they can
- swing from webs.
- 30
- 00:01:41,666 --> 00:01:43,538
- That they can
- beat up a bully.
- 31
- 00:01:43,581 --> 00:01:46,454
- And there's just
- something intrinsically cool
- 32
- 00:01:46,497 --> 00:01:48,847
- and appealing about
- superheroes who do that.
- 33
- 00:01:48,891 --> 00:01:50,501
- This is now exploding.
- 34
- 00:01:50,545 --> 00:01:51,850
- It is the mainstream.
- 35
- 00:02:06,213 --> 00:02:08,824
- Summer, 1989.
- 36
- 00:02:08,867 --> 00:02:10,521
- A new phenomenon
- has arisen
- 37
- 00:02:10,565 --> 00:02:14,917
- that fuels the imagination of
- audiences across the globe.
- 38
- 00:02:14,960 --> 00:02:16,266
- Ever since the
- first reports
- 39
- 00:02:16,310 --> 00:02:19,051
- that a new Batman feature
- film was imminent,
- 40
- 00:02:19,095 --> 00:02:21,489
- helmed by young director
- Tim Burton,
- 41
- 00:02:21,532 --> 00:02:24,056
- anticipation
- has been high.
- 42
- 00:02:24,100 --> 00:02:27,277
- And now, as the film prepares
- for general release,
- 43
- 00:02:27,321 --> 00:02:29,497
- on the streets
- of cities world wide
- 44
- 00:02:29,540 --> 00:02:32,630
- its presence is impossible
- to ignore.
- 45
- 00:02:32,674 --> 00:02:36,808
- This phenomenon is quickly
- called "Batmania".
- 46
- 00:02:36,852 --> 00:02:38,114
- There really
- had never been anything
- 47
- 00:02:38,158 --> 00:02:40,116
- quite like it
- at that magnitude.
- 48
- 00:02:40,160 --> 00:02:42,640
- You'd seen
- merchandise successes,
- 49
- 00:02:42,684 --> 00:02:43,946
- obviously Star Wars.
- 50
- 00:02:43,989 --> 00:02:45,817
- You'd seen
- merchandizing failures.
- 51
- 00:02:45,861 --> 00:02:47,819
- Dr. Dolittle.
- 52
- 00:02:47,863 --> 00:02:49,343
- You would see
- other things follow it
- 53
- 00:02:49,386 --> 00:02:50,735
- like Dick Tracy.
- 54
- 00:02:50,779 --> 00:02:52,781
- But this one was different.
- 55
- 00:02:57,307 --> 00:02:59,222
- It was
- so alien and so crazy
- 56
- 00:02:59,266 --> 00:03:01,659
- and the anticipation
- was so high.
- 57
- 00:03:01,703 --> 00:03:04,140
- I remember when I was a kid
- and the trailer came out.
- 58
- 00:03:04,184 --> 00:03:05,881
- I remember being
- with all my friends
- 59
- 00:03:05,924 --> 00:03:07,143
- and we just looked
- at each other.
- 60
- 00:03:07,187 --> 00:03:09,232
- We paid to go in the theater
- 61
- 00:03:09,276 --> 00:03:11,060
- just to watch the trailer
- 'cause there was no Internet.
- 62
- 00:03:11,103 --> 00:03:12,931
- - Vicki Vale.
- - Bruce Wayne.
- 63
- 00:03:12,975 --> 00:03:14,977
- And what do you do for a living?
- 64
- 00:03:19,547 --> 00:03:21,026
- We just sat there
- 65
- 00:03:21,070 --> 00:03:22,898
- with our mouths open.
- 66
- 00:03:22,941 --> 00:03:25,248
- What alternate reality
- did I wake up in
- 67
- 00:03:25,292 --> 00:03:27,816
- where I'm watching a trailer
- for a Batmanmovie?
- 68
- 00:03:27,859 --> 00:03:30,079
- And although the
- focus of this hysteria
- 69
- 00:03:30,122 --> 00:03:31,950
- was a new feature film,
- 70
- 00:03:31,994 --> 00:03:33,909
- the release
- reawakened interest
- 71
- 00:03:33,952 --> 00:03:36,259
- in the character
- of Batman himself
- 72
- 00:03:36,303 --> 00:03:38,261
- and helped revitalize
- the medium
- 73
- 00:03:38,305 --> 00:03:39,697
- from which he
- had emerged -
- 74
- 00:03:39,741 --> 00:03:41,743
- the comic book.
- 75
- 00:03:41,786 --> 00:03:43,484
- When Tim
- Burton's Batman came out
- 76
- 00:03:43,527 --> 00:03:45,660
- people were definitely
- reading comics,
- 77
- 00:03:45,703 --> 00:03:49,403
- but it wasn't super cool
- to be reading comics.
- 78
- 00:03:49,446 --> 00:03:52,449
- But when that film came out
- and the marketing started
- 79
- 00:03:52,493 --> 00:03:55,147
- and you had just
- that Bat symbol
- 80
- 00:03:55,191 --> 00:03:57,237
- it looked so cool.
- It wasn't about the actors.
- 81
- 00:03:57,280 --> 00:03:59,500
- It was just about the symbol
- and the character.
- 82
- 00:03:59,543 --> 00:04:01,110
- The whole marketing plan
- 83
- 00:04:01,153 --> 00:04:02,720
- behind the Tim Burton
- Batman film
- 84
- 00:04:02,764 --> 00:04:05,941
- did so much to broaden
- comic book culture
- 85
- 00:04:05,984 --> 00:04:08,552
- and superhero culture
- into all kinds of merchandise
- 86
- 00:04:08,596 --> 00:04:10,989
- and all kinds
- of mainstream fashion.
- 87
- 00:04:11,033 --> 00:04:12,600
- I remember I was
- in high school
- 88
- 00:04:12,643 --> 00:04:13,905
- just a few years earlier
- 89
- 00:04:13,949 --> 00:04:15,864
- and I never wore
- superhero t-shirts
- 90
- 00:04:15,907 --> 00:04:17,779
- and I don't remember
- seeing anybody who did.
- 91
- 00:04:17,822 --> 00:04:19,476
- Then all of a
- sudden in 1989
- 92
- 00:04:19,520 --> 00:04:21,652
- everyone's wearing
- Batman t-shirts.
- 93
- 00:04:21,696 --> 00:04:23,785
- That's the point where
- geek culture, if you will,
- 94
- 00:04:23,828 --> 00:04:27,049
- had started to become cool.
- 95
- 00:04:27,092 --> 00:04:29,094
- The film was
- released to coincide
- 96
- 00:04:29,138 --> 00:04:32,750
- with the 50th anniversary of
- its iconic lead character,
- 97
- 00:04:32,794 --> 00:04:35,492
- and during Batman's
- half-century lifespan,
- 98
- 00:04:35,536 --> 00:04:37,059
- comic books,
- 99
- 00:04:37,102 --> 00:04:39,322
- and the superheroes portrayed
- in their pages,
- 100
- 00:04:39,366 --> 00:04:42,760
- had drifted in and out
- of mainstream consciousness.
- 101
- 00:04:42,804 --> 00:04:45,023
- But they had never been
- 'cool' before,
- 102
- 00:04:45,067 --> 00:04:46,547
- and from the
- very inception
- 103
- 00:04:46,590 --> 00:04:48,331
- of the American
- comic book industry
- 104
- 00:04:48,375 --> 00:04:50,333
- in the late 1930s,
- 105
- 00:04:50,377 --> 00:04:51,987
- they had always
- been dismissed
- 106
- 00:04:52,030 --> 00:04:54,859
- as throwaway entertainment
- for children.
- 107
- 00:04:54,903 --> 00:04:57,427
- It was an
- industry pitched to kids.
- 108
- 00:04:57,471 --> 00:04:59,647
- They were cheap.
- They cost a dime.
- 109
- 00:04:59,690 --> 00:05:02,258
- They were sold in drugstores
- and candy stores.
- 110
- 00:05:02,302 --> 00:05:05,043
- Kids would show up
- and would put their dime,
- 111
- 00:05:05,087 --> 00:05:06,523
- their 20, 30 cents.
- 112
- 00:05:06,567 --> 00:05:09,047
- They'd roll them up,
- stick them in their back pocket.
- 113
- 00:05:09,091 --> 00:05:10,962
- Maybe they'd trade them
- with friends.
- 114
- 00:05:11,006 --> 00:05:13,356
- They were basically
- something you bought
- 115
- 00:05:13,400 --> 00:05:15,793
- with a soda
- and a pack of bubble gum.
- 116
- 00:05:15,837 --> 00:05:17,404
- You stored them
- under your bed.
- 117
- 00:05:17,447 --> 00:05:19,144
- And when you grew up
- 118
- 00:05:19,188 --> 00:05:23,105
- and you were 16
- you never read them again.
- 119
- 00:05:23,148 --> 00:05:24,324
- But
- from the pages
- 120
- 00:05:24,367 --> 00:05:26,369
- of these
- children's picture books
- 121
- 00:05:26,413 --> 00:05:29,372
- would emerge heroes who have
- endured until the present day.
- 122
- 00:05:29,416 --> 00:05:32,593
- Although the formative years
- of the industry were focused
- 123
- 00:05:32,636 --> 00:05:35,160
- on short strips
- and comedy characters,
- 124
- 00:05:35,204 --> 00:05:38,512
- by the late 1930s
- two of its defining icons
- 125
- 00:05:38,555 --> 00:05:42,254
- were developed by New
- York publisher DC comics.
- 126
- 00:05:42,298 --> 00:05:44,692
- In Action Comics
- Issue One,
- 127
- 00:05:44,735 --> 00:05:47,172
- duo Jerry Siegel
- and Joe Shuster
- 128
- 00:05:47,216 --> 00:05:49,392
- introduced Superman,
- 129
- 00:05:49,436 --> 00:05:51,220
- and in response
- the following year
- 130
- 00:05:51,263 --> 00:05:54,223
- Bob Kane and Bill Finger
- created Batman.
- 131
- 00:05:54,266 --> 00:05:56,268
- The all-powerful
- son of Krypton
- 132
- 00:05:56,312 --> 00:05:57,922
- and the Dark
- Knight Detective
- 133
- 00:05:57,966 --> 00:06:00,925
- became archetypes for all
- of the superheroes
- 134
- 00:06:00,969 --> 00:06:02,536
- who followed
- in their wake.
- 135
- 00:06:02,579 --> 00:06:04,625
- When Superman was created
- 136
- 00:06:04,668 --> 00:06:08,019
- they did create a superhero
- from another planet
- 137
- 00:06:08,063 --> 00:06:11,153
- who is in effect almost
- like a god, but not.
- 138
- 00:06:11,196 --> 00:06:13,416
- He really wants
- to be a man.
- 139
- 00:06:13,460 --> 00:06:15,070
- He really wants
- to be Clark Kent.
- 140
- 00:06:15,113 --> 00:06:17,072
- He is the end of the spectrum.
- 141
- 00:06:17,115 --> 00:06:19,944
- All superheroes
- are less than him.
- 142
- 00:06:19,988 --> 00:06:22,643
- Batman is not
- a superhero at all.
- 143
- 00:06:22,686 --> 00:06:24,209
- He just wears a costume.
- 144
- 00:06:24,253 --> 00:06:26,777
- Batman is an everyman
- 145
- 00:06:26,821 --> 00:06:29,345
- who trained himself
- to become a great detective
- 146
- 00:06:29,389 --> 00:06:30,781
- and a great athlete.
- 147
- 00:06:30,825 --> 00:06:33,436
- All the other comic
- book superheroes
- 148
- 00:06:33,480 --> 00:06:36,091
- lie between
- these two characters.
- 149
- 00:06:36,134 --> 00:06:39,834
- These are the alpha
- and omega of our industry.
- 150
- 00:06:39,877 --> 00:06:42,010
- An immediate
- hit with young readers,
- 151
- 00:06:42,053 --> 00:06:45,187
- comic book publishers rushed
- to develop new superheroes
- 152
- 00:06:45,230 --> 00:06:49,321
- to capitalize on the success
- of Superman and Batman.
- 153
- 00:06:49,365 --> 00:06:51,367
- And this creative boom
- occurred
- 154
- 00:06:51,411 --> 00:06:54,022
- just as another industry
- was also enjoying
- 155
- 00:06:54,065 --> 00:06:56,372
- an upsurge of interest
- from young audiences.
- 156
- 00:06:58,069 --> 00:07:00,289
- With the advent of sound
- in cinema,
- 157
- 00:07:00,332 --> 00:07:02,073
- Hollywood was thriving,
- 158
- 00:07:02,117 --> 00:07:04,728
- and film companies were
- looking for new material
- 159
- 00:07:04,772 --> 00:07:06,513
- to bring to the
- silver screen.
- 160
- 00:07:06,556 --> 00:07:08,602
- With their larger-than-life
- characters
- 161
- 00:07:08,645 --> 00:07:11,039
- and their dynamic
- visual style,
- 162
- 00:07:11,082 --> 00:07:12,736
- comic books represented
- 163
- 00:07:12,780 --> 00:07:15,304
- an instantly compatible
- artform.
- 164
- 00:07:15,347 --> 00:07:17,785
- Comics at their
- best are very cinematic.
- 165
- 00:07:17,828 --> 00:07:20,091
- If you look at storyboards
- for movies,
- 166
- 00:07:20,135 --> 00:07:21,832
- they're comic book pages.
- 167
- 00:07:21,876 --> 00:07:24,531
- The closer
- you can get comics
- 168
- 00:07:24,574 --> 00:07:27,011
- to the feel of a movie
- and the flow of a movie
- 169
- 00:07:27,055 --> 00:07:28,622
- the better they are.
- 170
- 00:07:28,665 --> 00:07:32,843
- Not to say that one medium
- is superior over the other.
- 171
- 00:07:32,887 --> 00:07:35,498
- In the
- late 30s, early 40s
- 172
- 00:07:35,542 --> 00:07:38,719
- when people went to the movies
- it was an all-day affair.
- 173
- 00:07:38,762 --> 00:07:41,373
- You would have an 'A' picture,
- you'd have a 'B' picture,
- 174
- 00:07:41,417 --> 00:07:44,376
- you'd have cartoons,
- shorts, newsreels.
- 175
- 00:07:44,420 --> 00:07:47,597
- And really far down on the bill
- was something called a serial.
- 176
- 00:07:49,077 --> 00:07:51,079
- Flash!
- 177
- 00:07:52,254 --> 00:07:54,517
- Don't fire.
- 178
- 00:07:54,561 --> 00:07:56,258
- Save yourself, Flash.
- 179
- 00:07:56,301 --> 00:07:58,129
- You'll be burned to a cinder.
- 180
- 00:07:58,173 --> 00:08:00,175
- I'm setting you free first.
- 181
- 00:08:00,218 --> 00:08:03,570
- He has chosen his own death!
- 182
- 00:08:03,613 --> 00:08:05,049
- These
- were the bottom feeders
- 183
- 00:08:05,093 --> 00:08:08,270
- for mostly kids
- who saw Saturday matinees.
- 184
- 00:08:08,313 --> 00:08:10,054
- They might be
- 18 minutes long,
- 185
- 00:08:10,098 --> 00:08:11,360
- they were black and white,
- 186
- 00:08:11,403 --> 00:08:13,928
- they were filmed
- on an absolute shoestring.
- 187
- 00:08:13,971 --> 00:08:16,147
- They started
- with westerns.
- 188
- 00:08:16,191 --> 00:08:18,019
- Flash Gordon crept in
- in the late 30s
- 189
- 00:08:18,062 --> 00:08:20,195
- and someone spent
- an extra $1.50.
- 190
- 00:08:20,238 --> 00:08:23,677
- Superheroes start appearing on the
- scene, '38, '39, '40,
- 191
- 00:08:23,720 --> 00:08:26,984
- so it was a no brainer
- to try to get them in
- 192
- 00:08:27,028 --> 00:08:28,595
- to these movies.
- 193
- 00:08:35,602 --> 00:08:36,907
- It was
- pretty logical that
- 194
- 00:08:36,951 --> 00:08:38,561
- once comic book superheroes
- did become
- 195
- 00:08:38,605 --> 00:08:40,694
- very popular and visible
- 196
- 00:08:40,737 --> 00:08:42,565
- that they would make
- the transition
- 197
- 00:08:42,609 --> 00:08:44,567
- or attempt to make
- the transition to the screen,
- 198
- 00:08:44,611 --> 00:08:45,960
- to the cinema.
- 199
- 00:08:46,003 --> 00:08:48,092
- Bob Kane, Bill Finger
- were very influenced
- 200
- 00:08:48,136 --> 00:08:49,703
- by Citizen Kane.
- 201
- 00:08:49,746 --> 00:08:52,140
- Jerry Robinson,
- an early Batman artist,
- 202
- 00:08:52,183 --> 00:08:54,055
- took a lot of images from
- 203
- 00:08:54,098 --> 00:08:55,535
- German expressionist
- films
- 204
- 00:08:55,578 --> 00:08:57,014
- and put that intoBatman.
- 205
- 00:08:57,058 --> 00:08:59,234
- Of course, when a Batman
- serial did come out,
- 206
- 00:08:59,277 --> 00:09:00,975
- it didn't look anything like
- Citizen Kane
- 207
- 00:09:01,018 --> 00:09:03,151
- or anything like
- German expressionist films.
- 208
- 00:09:16,686 --> 00:09:18,383
- Oh, a Jap!
- 209
- 00:09:20,429 --> 00:09:23,214
- It is useless
- for you to struggle.
- 210
- 00:09:23,258 --> 00:09:25,565
- My zombies are too strong,
- 211
- 00:09:25,608 --> 00:09:30,091
- even for a superior person
- like yourself to cope with.
- 212
- 00:09:30,134 --> 00:09:32,920
- When I was a kid,
- I watched the Batman serials,
- 213
- 00:09:32,963 --> 00:09:34,617
- which were terrible.
- 214
- 00:09:34,661 --> 00:09:36,837
- I watched the Superman
- serials which were great.
- 215
- 00:09:36,880 --> 00:09:38,926
- I watched all this stuff
- when I went to the movies
- 216
- 00:09:38,969 --> 00:09:40,449
- with my friends.
- 217
- 00:09:40,492 --> 00:09:41,755
- So it wasn't just
- the comic books
- 218
- 00:09:41,798 --> 00:09:43,408
- we had rolled up
- in our back pocket.
- 219
- 00:09:43,452 --> 00:09:46,368
- It was the serials that
- we saw on Saturday morning
- 220
- 00:09:46,411 --> 00:09:48,152
- with the cartoons.
- 221
- 00:09:48,196 --> 00:09:52,374
- Those things were part
- of an evolutionary process
- 222
- 00:09:52,417 --> 00:09:57,248
- that got cut in 1953.
- 223
- 00:09:57,292 --> 00:09:59,511
- Just asSuperman
- graduated from the serials
- 224
- 00:09:59,555 --> 00:10:03,428
- to a household name through a
- successful television show,
- 225
- 00:10:03,472 --> 00:10:05,082
- comic books fell
- under the scrutiny
- 226
- 00:10:05,126 --> 00:10:07,737
- of the US censors.
- 227
- 00:10:07,781 --> 00:10:10,914
- As national concerns
- over juvenile delinquency
- 228
- 00:10:10,958 --> 00:10:12,481
- reached fever pitch,
- 229
- 00:10:12,524 --> 00:10:15,092
- comic books were singled-out
- as a bad influence
- 230
- 00:10:15,136 --> 00:10:17,921
- on young,
- impressionable minds.
- 231
- 00:10:17,965 --> 00:10:20,532
- Having entered
- the mainstream momentarily,
- 232
- 00:10:20,576 --> 00:10:23,927
- superheroes were once again
- cast into obscurity.
- 233
- 00:10:23,971 --> 00:10:25,668
- And here they remained
- 234
- 00:10:25,712 --> 00:10:29,890
- until the world was turned
- upside down in the 1960s.
- 235
- 00:10:29,933 --> 00:10:32,632
- As the Beatles heralded
- the dawn of a vibrant,
- 236
- 00:10:32,675 --> 00:10:36,331
- youth-driven popular culture,
- into this brave new world
- 237
- 00:10:36,374 --> 00:10:39,987
- came the return to screens of
- the Dark Knight detective.
- 238
- 00:10:40,030 --> 00:10:42,206
- And unlike
- his past incarnation
- 239
- 00:10:42,250 --> 00:10:43,730
- in the movie serials,
- 240
- 00:10:43,773 --> 00:10:46,515
- this Batman became
- an international sensation.
- 241
- 00:10:49,213 --> 00:10:51,346
- Yes, Commissioner.
- 242
- 00:10:51,389 --> 00:10:53,391
- Dreadful news. Catwoman is
- on the prowl again.
- 243
- 00:10:53,435 --> 00:10:54,828
- We're on our way.
- 244
- 00:10:55,959 --> 00:10:57,395
- To the Batpoles.
- 245
- 00:11:04,620 --> 00:11:05,839
- WhenBatman appeared
- 246
- 00:11:05,882 --> 00:11:08,189
- on American television
- in 1966,
- 247
- 00:11:08,232 --> 00:11:09,930
- no one had really
- seen Batman.
- 248
- 00:11:09,973 --> 00:11:11,671
- There were a
- couple of serials
- 249
- 00:11:11,714 --> 00:11:15,718
- but this was a full color
- multi-million dollar
- 250
- 00:11:15,762 --> 00:11:18,982
- twice weekly television episode.
- 251
- 00:11:19,026 --> 00:11:22,551
- And the great thing that people
- forget about the '66 Batman
- 252
- 00:11:22,594 --> 00:11:25,510
- was it was shown
- at 7:30 at night
- 253
- 00:11:25,554 --> 00:11:29,123
- and it was the first
- superhero thing, media thing
- 254
- 00:11:29,166 --> 00:11:32,126
- ever pitched at a time
- when adults could also watch it.
- 255
- 00:11:32,169 --> 00:11:34,694
- Batman became
- an adult phenomenon.
- 256
- 00:11:34,737 --> 00:11:37,827
- It exploded this world
- of Bat paraphernalia
- 257
- 00:11:37,871 --> 00:11:39,133
- and Bat merchandise.
- 258
- 00:11:39,176 --> 00:11:41,613
- I would venture to say
- that the Batmobile
- 259
- 00:11:41,657 --> 00:11:44,921
- from the 1966-67 series
- 260
- 00:11:44,965 --> 00:11:46,923
- is probably still
- the most recognizable car
- 261
- 00:11:46,967 --> 00:11:48,011
- in American history.
- 262
- 00:11:54,931 --> 00:11:57,847
- Just as I thought, she's mined
- the road with explosives.
- 263
- 00:11:57,891 --> 00:11:59,675
- No wonder you had me
- put on the Bat armor.
- 264
- 00:11:59,719 --> 00:12:01,633
- Gosh, you really think
- of everything, Batman.
- 265
- 00:12:06,073 --> 00:12:08,771
- What's that?
- 266
- 00:12:08,815 --> 00:12:11,078
- Although the Bat armor
- protected our car,
- 267
- 00:12:11,121 --> 00:12:13,254
- those landmines blew our tires.
- 268
- 00:12:13,297 --> 00:12:15,822
- Robin, turn on the automatic
- tire repair device.
- 269
- 00:12:18,868 --> 00:12:21,784
- In the 1960s,
- you had theBatman TV show
- 270
- 00:12:21,828 --> 00:12:25,440
- which was extremely successful,
- but it was all about camp.
- 271
- 00:12:25,483 --> 00:12:28,312
- It was walking this line
- between on the one hand
- 272
- 00:12:28,356 --> 00:12:31,925
- kids were happy
- to see their hero on TV
- 273
- 00:12:31,968 --> 00:12:34,797
- and generally took
- the adventures at face value,
- 274
- 00:12:34,841 --> 00:12:37,365
- but, of course, adults were
- watching it and laughing at it
- 275
- 00:12:37,408 --> 00:12:39,280
- and by implication laughing
- 276
- 00:12:39,323 --> 00:12:41,456
- at comic book
- superheroes in general.
- 277
- 00:12:41,499 --> 00:12:42,849
- Got you, you thieves!
- 278
- 00:12:42,892 --> 00:12:44,633
- One move and you're a dead duo.
- 279
- 00:12:44,676 --> 00:12:45,895
- Holy Bat trap!
- 280
- 00:12:45,939 --> 00:12:47,810
- Let's fight our way out of this.
- 281
- 00:12:52,249 --> 00:12:55,252
- It was
- intended to be campy.
- 282
- 00:12:55,296 --> 00:12:57,820
- It was intended
- to be a satire.
- 283
- 00:12:57,864 --> 00:13:00,605
- The writing of the show
- was stupid and wonderful
- 284
- 00:13:00,649 --> 00:13:03,304
- at the same time. It was
- just a fantastic thing.
- 285
- 00:13:03,347 --> 00:13:06,786
- It wasn't Batman
- but it was a good satire.
- 286
- 00:13:06,829 --> 00:13:08,396
- It was inspiring
- 287
- 00:13:08,439 --> 00:13:09,701
- because you could
- then look at it and say,
- 288
- 00:13:09,745 --> 00:13:12,052
- "That's not Batman.
- 289
- 00:13:12,095 --> 00:13:14,619
- But at least
- we're doing comic books.
- 290
- 00:13:14,663 --> 00:13:16,621
- It's beginning, OK."
- 291
- 00:13:16,665 --> 00:13:18,841
- Who had the foresight
- to know it's beginning?
- 292
- 00:13:18,885 --> 00:13:20,800
- Nobody. Not really.
- 293
- 00:13:20,843 --> 00:13:22,453
- But now we can look back
- on it and say,
- 294
- 00:13:22,497 --> 00:13:24,586
- "Yes, it's beginning."
- 295
- 00:13:24,629 --> 00:13:28,024
- While this pop art
- parody was propelling Batman
- 296
- 00:13:28,068 --> 00:13:31,245
- into the very heart of
- the 60s cultural revolution,
- 297
- 00:13:31,288 --> 00:13:32,899
- in the comic book world,
- 298
- 00:13:32,942 --> 00:13:35,423
- a new force was
- transforming the industry
- 299
- 00:13:35,466 --> 00:13:38,992
- and rewriting the rules -
- Marvel.
- 300
- 00:13:39,035 --> 00:13:40,950
- Although the company
- had its origins
- 301
- 00:13:40,994 --> 00:13:43,823
- in the comic book boom
- of the late 1930s,
- 302
- 00:13:43,866 --> 00:13:45,650
- it was in the 1960s
- 303
- 00:13:45,694 --> 00:13:48,088
- that it truly made
- its presence felt,
- 304
- 00:13:48,131 --> 00:13:49,829
- powered by
- the remarkable drive
- 305
- 00:13:49,872 --> 00:13:52,875
- of writer and editor,
- Stan Lee.
- 306
- 00:13:52,919 --> 00:13:54,703
- In a surge of
- inspiration,
- 307
- 00:13:54,746 --> 00:13:57,967
- he created a wealth
- of very modern superheroes
- 308
- 00:13:58,011 --> 00:14:00,883
- who proved
- to have an enduring appeal.
- 309
- 00:14:00,927 --> 00:14:03,103
- The Hulk,
- Spider-Man, Daredevil,
- 310
- 00:14:03,146 --> 00:14:05,322
- The Avengers, Iron Man -
- 311
- 00:14:05,366 --> 00:14:06,889
- these are the cadre
- 312
- 00:14:06,933 --> 00:14:09,239
- of great Marvel characters
- that he created
- 313
- 00:14:09,283 --> 00:14:12,242
- with Jack Kirby and Steve Ditko
- almost overnight.
- 314
- 00:14:12,286 --> 00:14:15,811
- He created them all within
- two years which is astonishing.
- 315
- 00:14:15,855 --> 00:14:19,510
- And what Stan Lee did was
- to take these costume geeks,
- 316
- 00:14:19,554 --> 00:14:22,557
- these weirdoes, and set them
- in New York City,
- 317
- 00:14:22,600 --> 00:14:25,908
- and he could bring in
- tensions from the 1960s,
- 318
- 00:14:25,952 --> 00:14:29,694
- radiation,
- communism, alienation,
- 319
- 00:14:29,738 --> 00:14:33,089
- and he simply made them
- psychological and human.
- 320
- 00:14:33,133 --> 00:14:36,440
- Every Marvel hero,
- no matter how ridiculous,
- 321
- 00:14:37,354 --> 00:14:39,574
- tried to have a base
- 322
- 00:14:39,617 --> 00:14:44,666
- in a reality that the audience
- could understand.
- 323
- 00:14:44,709 --> 00:14:48,713
- I had no interest
- in Clark Kent's life,
- 324
- 00:14:48,757 --> 00:14:50,193
- or Superman's life.
- 325
- 00:14:50,237 --> 00:14:54,545
- Bruce Wayne was
- as far beyond the reality
- 326
- 00:14:54,589 --> 00:14:56,286
- I was seeing around me
- 327
- 00:14:56,330 --> 00:14:59,768
- as realistically Donald Trump.
- 328
- 00:14:59,811 --> 00:15:03,032
- That was what was cool
- about Spider-Man,
- 329
- 00:15:03,076 --> 00:15:04,947
- about Peter Parker.
- 330
- 00:15:04,991 --> 00:15:06,122
- He's a high
- school student
- 331
- 00:15:06,166 --> 00:15:07,776
- and he was
- a high school student
- 332
- 00:15:07,819 --> 00:15:10,083
- in a way
- that appealed to geeks -
- 333
- 00:15:10,126 --> 00:15:12,868
- he wore a tie,
- a sleeveless vest.
- 334
- 00:15:12,912 --> 00:15:16,785
- That struck painfully
- close to home.
- 335
- 00:15:16,828 --> 00:15:18,308
- These Marvel characters
- 336
- 00:15:18,352 --> 00:15:20,528
- soon became
- household names,
- 337
- 00:15:20,571 --> 00:15:22,704
- quickly transferred
- from the comic book page
- 338
- 00:15:22,747 --> 00:15:24,140
- to the television set
- 339
- 00:15:24,184 --> 00:15:26,751
- through successful
- cartoon series.
- 340
- 00:15:26,795 --> 00:15:28,928
- Their appeal
- was largely confined
- 341
- 00:15:28,971 --> 00:15:30,625
- to the youth market,
- however,
- 342
- 00:15:30,668 --> 00:15:32,801
- and superheroes continued
- to be regarded
- 343
- 00:15:32,844 --> 00:15:34,455
- as children's
- entertainment.
- 344
- 00:15:36,109 --> 00:15:38,981
- This would alter
- in the following decade.
- 345
- 00:15:39,025 --> 00:15:40,591
- With a change
- in ownership,
- 346
- 00:15:40,635 --> 00:15:44,160
- DC comics had been brought
- into Warner Communications,
- 347
- 00:15:44,204 --> 00:15:45,683
- a vast media group
- 348
- 00:15:45,727 --> 00:15:48,469
- with a powerful
- film production arm.
- 349
- 00:15:48,512 --> 00:15:50,950
- This led, in 1978,
- 350
- 00:15:50,993 --> 00:15:53,865
- to the first
- superhero blockbuster,
- 351
- 00:15:53,909 --> 00:15:56,346
- featuring DC's pioneering
- Man of Steel...
- 352
- 00:16:07,575 --> 00:16:09,664
- While
- Marvel was outdoing DC
- 353
- 00:16:09,707 --> 00:16:11,144
- in the comic books
- 354
- 00:16:11,187 --> 00:16:13,146
- it was totally the opposite
- in cinema
- 355
- 00:16:13,189 --> 00:16:15,409
- because DC had
- the most recognizable characters
- 356
- 00:16:15,452 --> 00:16:17,150
- for a mass audience.
- 357
- 00:16:17,193 --> 00:16:20,457
- So when the Christopher Reeve
- Supermanmovie came out
- 358
- 00:16:20,501 --> 00:16:22,633
- that was obviously
- a huge success.
- 359
- 00:16:26,898 --> 00:16:28,726
- What the hell's that?
- 360
- 00:16:30,163 --> 00:16:31,860
- Easy, Miss. I've got you.
- 361
- 00:16:31,903 --> 00:16:34,906
- You... You've got me?
- Who's got you?!
- 362
- 00:16:36,821 --> 00:16:38,171
- It came
- at a particular time
- 363
- 00:16:38,214 --> 00:16:40,129
- when big ticket cinema events
- 364
- 00:16:40,173 --> 00:16:42,001
- were suddenly really appealing
- to audiences.
- 365
- 00:16:42,044 --> 00:16:43,872
- The idea of queueing
- round the block,
- 366
- 00:16:43,915 --> 00:16:45,526
- hence the 'blockbuster' name,
- 367
- 00:16:45,569 --> 00:16:47,441
- was something that suddenly
- became very exciting to people.
- 368
- 00:16:47,484 --> 00:16:50,705
- And I think he was obviously
- a very well-known property,
- 369
- 00:16:50,748 --> 00:16:53,316
- a very famous property,
- probably the most famous.
- 370
- 00:16:53,360 --> 00:16:55,536
- And, of course,
- it is a family film,
- 371
- 00:16:55,579 --> 00:16:57,190
- but it isn't a
- kid's film.
- 372
- 00:16:57,233 --> 00:16:59,148
- Certainly
- the first and second
- 373
- 00:16:59,192 --> 00:17:00,584
- Superman movies
- of the late 70s
- 374
- 00:17:00,628 --> 00:17:02,543
- with Christopher Reeve,
- directed by Richard Donner
- 375
- 00:17:02,586 --> 00:17:04,458
- and then Richard Lester.
- 376
- 00:17:04,501 --> 00:17:07,417
- They to me are
- mythic American storytelling.
- 377
- 00:17:07,461 --> 00:17:09,158
- They roll out his origin.
- 378
- 00:17:09,202 --> 00:17:12,640
- Superman 2
- is a fantastic Greek story
- 379
- 00:17:12,683 --> 00:17:15,034
- where he has to give up
- his powers to be happy
- 380
- 00:17:15,077 --> 00:17:17,253
- or is he going to be unhappy
- and save the world?
- 381
- 00:17:17,297 --> 00:17:18,950
- This is mythic stuff.
- 382
- 00:17:18,994 --> 00:17:20,735
- With an all-star cast
- 383
- 00:17:20,778 --> 00:17:24,130
- and the largest budget ever
- spent on a feature film,
- 384
- 00:17:24,173 --> 00:17:28,090
- Superman andSuperman II
- were shot back to back
- 385
- 00:17:28,134 --> 00:17:30,092
- and released
- to enormous commercial
- 386
- 00:17:30,136 --> 00:17:32,138
- and critical success.
- 387
- 00:17:32,181 --> 00:17:35,271
- And despite the limitations
- of visual effects at the time,
- 388
- 00:17:35,315 --> 00:17:37,491
- as the original film's poster
- exclaimed,
- 389
- 00:17:37,534 --> 00:17:40,798
- it made audiences believe
- that a man could fly.
- 390
- 00:17:40,842 --> 00:17:43,888
- The challenge
- to any comic book adaptation
- 391
- 00:17:43,932 --> 00:17:45,455
- is making it realistic.
- 392
- 00:17:45,499 --> 00:17:48,110
- For any sci-fi film,
- for any genre film
- 393
- 00:17:48,154 --> 00:17:50,199
- that involves fantasy
- or these elements,
- 394
- 00:17:50,243 --> 00:17:52,027
- it's the willing suspension
- of disbelief.
- 395
- 00:17:52,071 --> 00:17:55,726
- If we can't believe that
- Christopher Reeve was flying
- 396
- 00:17:55,770 --> 00:17:57,467
- in the first Supermanfilm,
- 397
- 00:17:57,511 --> 00:17:59,469
- if we can't believe that these
- characters have these powers.
- 398
- 00:17:59,513 --> 00:18:02,081
- But I think more importantly,
- if we can't believe
- 399
- 00:18:02,124 --> 00:18:04,648
- that the actor
- playing it believes
- 400
- 00:18:04,692 --> 00:18:07,390
- that they are shooting optic
- beams out of their eyes
- 401
- 00:18:07,434 --> 00:18:09,175
- or reading
- the thoughts of others,
- 402
- 00:18:09,218 --> 00:18:11,220
- or teleporting
- across vast distances
- 403
- 00:18:11,264 --> 00:18:13,744
- it's not going to sell
- to the audience.
- 404
- 00:18:13,788 --> 00:18:16,138
- But Superman
- didn't start a trend
- 405
- 00:18:16,182 --> 00:18:17,792
- and in its wake
- 406
- 00:18:17,835 --> 00:18:20,795
- only a handful of superhero
- adaptations followed.
- 407
- 00:18:20,838 --> 00:18:24,190
- In the comics world, however,
- things were changing.
- 408
- 00:18:24,233 --> 00:18:26,235
- This was nowhere
- more apparent
- 409
- 00:18:26,279 --> 00:18:27,758
- than in the pages
- of "Batman",
- 410
- 00:18:27,802 --> 00:18:30,979
- a hero who had undergone
- a radical rethink
- 411
- 00:18:31,022 --> 00:18:34,765
- since the camp caricature
- of the 60s TV show...
- 412
- 00:18:34,809 --> 00:18:36,811
- At first,
- that had a big impact
- 413
- 00:18:36,854 --> 00:18:39,118
- on comic book sales of Batman.
- They really spiked.
- 414
- 00:18:39,161 --> 00:18:41,859
- But they started to follow
- the TV show a little bit.
- 415
- 00:18:41,903 --> 00:18:43,992
- Then when the TV crashed
- 416
- 00:18:44,035 --> 00:18:46,777
- and the ratings plummeted,
- and then it was canceled,
- 417
- 00:18:46,821 --> 00:18:49,258
- the Batman comic books
- were left in this
- 418
- 00:18:49,302 --> 00:18:50,955
- 'what do we do now?'
- 419
- 00:18:50,999 --> 00:18:53,480
- Fortunately, I think
- the writer Denny O' Neil
- 420
- 00:18:53,523 --> 00:18:56,178
- and Neal Adams took
- a very different approach.
- 421
- 00:18:56,222 --> 00:18:59,181
- They took Batman out of
- the TV show completely.
- 422
- 00:18:59,225 --> 00:19:01,227
- They
- went back to the Batman
- 423
- 00:19:01,270 --> 00:19:03,794
- that appeared
- in 1939, 1940.
- 424
- 00:19:03,838 --> 00:19:05,492
- And then got kind of
- whitewashed out.
- 425
- 00:19:05,535 --> 00:19:08,495
- It was a dark avenger
- who only existed at night.
- 426
- 00:19:08,538 --> 00:19:10,410
- He represented vengeance.
- 427
- 00:19:10,453 --> 00:19:12,107
- He represented
- retribution.
- 428
- 00:19:12,151 --> 00:19:14,109
- He led a very tough life.
- 429
- 00:19:14,153 --> 00:19:16,459
- And you had these
- solo adventures of Batman
- 430
- 00:19:16,503 --> 00:19:18,548
- that Frank Miller picked up on
- 431
- 00:19:18,592 --> 00:19:22,161
- in the early 1980s and turned
- into the Dark Knightsaga.
- 432
- 00:19:22,204 --> 00:19:24,554
- And it was this
- darker vision of Batman
- 433
- 00:19:24,598 --> 00:19:26,077
- that would draw
- superheroes
- 434
- 00:19:26,121 --> 00:19:29,298
- into a far grittier world
- in the 1980s.
- 435
- 00:19:29,342 --> 00:19:30,908
- With the release
- 436
- 00:19:30,952 --> 00:19:32,997
- of Frank Miller's
- seminal graphic novel
- 437
- 00:19:33,041 --> 00:19:36,218
- Dark Knight Returns and
- Allan Moore'sKilling Joke,
- 438
- 00:19:36,262 --> 00:19:39,221
- the comic book successfully
- transcended its roots
- 439
- 00:19:39,265 --> 00:19:42,398
- as children's entertainment,
- and became more adult,
- 440
- 00:19:42,442 --> 00:19:45,096
- more bleak
- and often more violent.
- 441
- 00:19:45,140 --> 00:19:47,447
- In February 1989,
- 442
- 00:19:47,490 --> 00:19:49,449
- just as trailers
- began circulating
- 443
- 00:19:49,492 --> 00:19:51,320
- for the forthcoming
- feature film,
- 444
- 00:19:51,364 --> 00:19:53,061
- headlines across America
- 445
- 00:19:53,104 --> 00:19:55,846
- were focused
- on the Batman comic itself,
- 446
- 00:19:55,890 --> 00:19:57,500
- and a four-issue story
- 447
- 00:19:57,544 --> 00:20:00,242
- that ended
- with the murder of Robin.
- 448
- 00:20:00,286 --> 00:20:01,852
- You're on this path
- 449
- 00:20:01,896 --> 00:20:04,246
- where Batman is kind of
- a bellwether character.
- 450
- 00:20:04,290 --> 00:20:09,120
- All comics become
- as mature as Batman,
- 451
- 00:20:09,164 --> 00:20:11,514
- or they become
- as dark as Batman.
- 452
- 00:20:11,558 --> 00:20:13,168
- Batmankind of
- leads the way.
- 453
- 00:20:13,212 --> 00:20:15,692
- Obviously when Tim Burton
- goes to do the character,
- 454
- 00:20:15,736 --> 00:20:17,694
- and the screenwriter
- is assigned
- 455
- 00:20:17,738 --> 00:20:19,174
- and everything else,
- 456
- 00:20:19,218 --> 00:20:21,350
- they're looking
- at the current comics
- 457
- 00:20:21,394 --> 00:20:23,222
- so the character
- was turning dark.
- 458
- 00:20:23,265 --> 00:20:25,441
- And then you add
- Tim Burton to the mix
- 459
- 00:20:25,485 --> 00:20:27,530
- and you get
- what Tim Burton brings
- 460
- 00:20:27,574 --> 00:20:30,229
- and that's how you end up
- with that movie.
- 461
- 00:20:30,272 --> 00:20:33,101
- As much as
- the Batman craze of 1989
- 462
- 00:20:33,144 --> 00:20:34,972
- was driven by publicity,
- 463
- 00:20:35,016 --> 00:20:36,496
- the film itself
- was marketed
- 464
- 00:20:36,539 --> 00:20:39,455
- as the brainchild
- of director Tim Burton,
- 465
- 00:20:39,499 --> 00:20:41,762
- and this was key
- to its appeal.
- 466
- 00:20:41,805 --> 00:20:45,287
- A gifted filmmaker
- with a distinctive vision,
- 467
- 00:20:45,331 --> 00:20:47,420
- he signaled a
- new Hollywood
- 468
- 00:20:47,463 --> 00:20:49,770
- that was young,
- alternative and modern.
- 469
- 00:20:58,996 --> 00:21:01,999
- Ah!
- 470
- 00:21:02,043 --> 00:21:04,088
- Tim Burton's
- Batman was personal.
- 471
- 00:21:05,264 --> 00:21:07,222
- He's got a great look.
- 472
- 00:21:07,266 --> 00:21:09,659
- He's got
- a great sense of things.
- 473
- 00:21:09,703 --> 00:21:12,009
- It was inviting
- a creative talent
- 474
- 00:21:12,053 --> 00:21:14,490
- into the field
- of doing comic books.
- 475
- 00:21:14,534 --> 00:21:18,320
- He couldn't have done it
- in any other way if he tried.
- 476
- 00:21:18,364 --> 00:21:21,628
- Don't kill me.
- Don't kill me, man.
- 477
- 00:21:21,671 --> 00:21:23,717
- Don't kill me.
- Don't kill me, man!
- 478
- 00:21:23,760 --> 00:21:26,763
- I'm not going to kill you.
- I want you to do me a favor.
- 479
- 00:21:26,807 --> 00:21:28,722
- I want you to tell
- all your friends about me.
- 480
- 00:21:28,765 --> 00:21:30,767
- Who are you?
- 481
- 00:21:31,594 --> 00:21:33,161
- I'm Batman.
- 482
- 00:21:40,211 --> 00:21:41,735
- What Tim
- Burton did in his film was
- 483
- 00:21:41,778 --> 00:21:45,869
- he kept it centered
- in the Tim Burton universe.
- 484
- 00:21:45,913 --> 00:21:47,784
- If you look at
- his long list of films
- 485
- 00:21:47,828 --> 00:21:49,351
- from
- A Nightmare Before Christmas
- 486
- 00:21:49,395 --> 00:21:52,136
- to Beetle juice
- to Edward Scissor hands
- 487
- 00:21:52,180 --> 00:21:54,356
- there's a consistency
- across the board.
- 488
- 00:21:54,400 --> 00:21:56,663
- It has a Tim Burton DNA.
- 489
- 00:21:56,706 --> 00:22:00,231
- He was able to bring in
- the elements of Batman
- 490
- 00:22:00,275 --> 00:22:01,929
- that people really understood
- as Batman.
- 491
- 00:22:01,972 --> 00:22:03,583
- Gotham was dark.
- 492
- 00:22:03,626 --> 00:22:06,063
- It had an element of danger
- that was omnipresent
- 493
- 00:22:06,107 --> 00:22:10,938
- which someone like Batman
- to wage a war on crime.
- 494
- 00:22:10,981 --> 00:22:13,462
- He got
- all the right things right
- 495
- 00:22:13,506 --> 00:22:16,639
- while still putting
- the Tim Burton imprint on it.
- 496
- 00:22:16,683 --> 00:22:19,076
- Yet the film was not
- without controversy.
- 497
- 00:22:19,120 --> 00:22:21,209
- When it had
- initially been announced,
- 498
- 00:22:21,252 --> 00:22:23,472
- comic books fans were
- outraged over the casting
- 499
- 00:22:23,516 --> 00:22:25,996
- of Michael Keaton
- in the lead role,
- 500
- 00:22:26,040 --> 00:22:29,130
- an actor more associated
- with comedy than drama.
- 501
- 00:22:29,173 --> 00:22:32,176
- Yet he proved
- an inspired choice.
- 502
- 00:22:32,220 --> 00:22:33,961
- Michael Keaton
- is the last person
- 503
- 00:22:34,004 --> 00:22:37,094
- you would expect
- to see as Batman,
- 504
- 00:22:37,138 --> 00:22:40,576
- looking at any of the actors
- who played it over the years,
- 505
- 00:22:40,620 --> 00:22:42,970
- and yet he was perfect.
- 506
- 00:22:43,971 --> 00:22:46,452
- Excuse me. Excuse me!
- 507
- 00:22:46,495 --> 00:22:48,454
- Excuse me...
- 508
- 00:22:48,497 --> 00:22:49,846
- Could you tell me
- which of these guys
- 509
- 00:22:49,890 --> 00:22:52,153
- is Bruce Wayne?
- 510
- 00:22:52,196 --> 00:22:54,242
- Well, I'm not sure.
- 511
- 00:22:54,285 --> 00:22:56,244
- Thanks anyway.
- 512
- 00:22:56,287 --> 00:22:58,855
- - Yeah.
- - Pretty.
- 513
- 00:22:58,899 --> 00:23:01,858
- Huh? Oh, certainly.
- Yeah.
- 514
- 00:23:01,902 --> 00:23:03,251
- Michael Keaton was
- 515
- 00:23:03,294 --> 00:23:04,600
- exceptional casting.
- 516
- 00:23:04,644 --> 00:23:06,297
- Burton always said that
- 517
- 00:23:06,341 --> 00:23:09,083
- he wanted
- an unexceptional Bruce Wayne
- 518
- 00:23:09,126 --> 00:23:11,520
- who would make
- an extraordinary Batman.
- 519
- 00:23:11,564 --> 00:23:14,741
- And I think what we saw
- because of Batman
- 520
- 00:23:14,784 --> 00:23:17,874
- was the idea that
- you didn't necessarily need
- 521
- 00:23:17,918 --> 00:23:19,746
- an action movie star
- 522
- 00:23:19,789 --> 00:23:21,530
- to make an action movie.
- 523
- 00:23:21,574 --> 00:23:23,140
- You cast the
- human alter-ego,
- 524
- 00:23:23,184 --> 00:23:25,708
- not the superhero.
- 525
- 00:23:25,752 --> 00:23:27,231
- With Jack Nicholson's
- 526
- 00:23:27,275 --> 00:23:29,582
- scene-stealing performance
- as the Joker,
- 527
- 00:23:29,625 --> 00:23:32,106
- Kim Basinger becoming
- a household name
- 528
- 00:23:32,149 --> 00:23:33,716
- as love interest
- Vicki Vale
- 529
- 00:23:33,760 --> 00:23:35,065
- and a soundtrack album
- 530
- 00:23:35,109 --> 00:23:37,764
- featuring
- all new material by Prince,
- 531
- 00:23:37,807 --> 00:23:40,767
- Batman not only revitalized
- superhero movies,
- 532
- 00:23:40,810 --> 00:23:42,638
- but rewrote the rule book
- 533
- 00:23:42,682 --> 00:23:46,076
- on how to successfully launch
- a blockbuster franchise.
- 534
- 00:23:46,120 --> 00:23:47,513
- It was the first
- 535
- 00:23:47,556 --> 00:23:51,473
- pre-ordained blockbuster
- of the modern age.
- 536
- 00:23:51,517 --> 00:23:52,953
- It was revolutionary.
- 537
- 00:23:52,996 --> 00:23:55,259
- It broke the opening
- weekend record by a lot.
- 538
- 00:23:55,303 --> 00:23:57,436
- It made $100 million
- in ten days
- 539
- 00:23:57,479 --> 00:23:59,002
- It showed Hollywood that
- 540
- 00:23:59,046 --> 00:24:02,136
- there was an entire world
- of properties
- 541
- 00:24:02,179 --> 00:24:05,269
- that weren't necessarily
- originated as film
- 542
- 00:24:05,313 --> 00:24:08,490
- that can be made
- into movies.
- 543
- 00:24:08,534 --> 00:24:10,013
- The film industry's focus
- 544
- 00:24:10,057 --> 00:24:12,625
- was not primarily
- on comic books, however,
- 545
- 00:24:12,668 --> 00:24:14,496
- andBatman was seen
- as a revival
- 546
- 00:24:14,540 --> 00:24:17,238
- of both a once
- successful TV series
- 547
- 00:24:17,281 --> 00:24:19,588
- and of a 40s
- pulp fiction hero.
- 548
- 00:24:19,632 --> 00:24:21,634
- Over the coming years,
- 549
- 00:24:21,677 --> 00:24:23,331
- this would see
- big screen outings
- 550
- 00:24:23,374 --> 00:24:25,464
- for Dick Tracy,
- The Rocketeer
- 551
- 00:24:25,507 --> 00:24:27,857
- and other icons
- of the movie serials
- 552
- 00:24:27,901 --> 00:24:31,339
- as well as adaptations
- of classic television shows.
- 553
- 00:24:31,382 --> 00:24:33,515
- Studios were
- also now aware
- 554
- 00:24:33,559 --> 00:24:36,126
- of the box office
- potential of superheroes,
- 555
- 00:24:36,170 --> 00:24:38,085
- and looked to Marvel
- for characters
- 556
- 00:24:38,128 --> 00:24:40,522
- that could translate
- to the big screen.
- 557
- 00:24:40,566 --> 00:24:42,219
- But the three films
- that emerged
- 558
- 00:24:42,263 --> 00:24:44,613
- in Batman's wake -
- The Punisher,
- 559
- 00:24:44,657 --> 00:24:46,876
- Captain America
- and The Fantastic Four-
- 560
- 00:24:46,920 --> 00:24:49,444
- were ultra low-budget
- disappointments
- 561
- 00:24:49,488 --> 00:24:52,969
- that most audiences
- didn't get a chance to see.
- 562
- 00:24:53,013 --> 00:24:54,884
- Marvel comics
- are sitting right there,
- 563
- 00:24:54,928 --> 00:24:57,017
- the best-selling comic book
- in America at that time.
- 564
- 00:24:57,060 --> 00:25:00,020
- And certainly there must be
- movies to be made.
- 565
- 00:25:00,063 --> 00:25:01,456
- Well, there were,
- there would be.
- 566
- 00:25:01,500 --> 00:25:03,066
- But the first ones that came out
- 567
- 00:25:03,110 --> 00:25:06,156
- weren't the ones that
- anybody wanted to see
- 568
- 00:25:06,200 --> 00:25:07,593
- and they weren't
- the ones that
- 569
- 00:25:07,636 --> 00:25:08,855
- people were
- particularly proud of.
- 570
- 00:25:22,085 --> 00:25:24,610
- Everything
- DC Warner Brothers did right
- 571
- 00:25:24,653 --> 00:25:26,699
- Marvel did wrong.
- 572
- 00:25:26,742 --> 00:25:30,616
- Marvel hadn't a clue
- as to how to merchandise
- 573
- 00:25:30,659 --> 00:25:33,706
- its amazingly
- popular franchises.
- 574
- 00:25:33,749 --> 00:25:34,533
- Get in!
- 575
- 00:25:35,272 --> 00:25:36,796
- Come on, come on!
- 576
- 00:25:36,839 --> 00:25:39,450
- And they sold off
- a lot of their characters
- 577
- 00:25:39,494 --> 00:25:41,757
- to make quick money
- into movies
- 578
- 00:25:41,801 --> 00:25:45,848
- that were so ghastly that
- many of them weren't released.
- 579
- 00:25:45,892 --> 00:25:47,676
- While Marvel
- characters were failing
- 580
- 00:25:47,720 --> 00:25:49,504
- to successfully
- make the transition
- 581
- 00:25:49,548 --> 00:25:51,114
- to the big screen,
- 582
- 00:25:51,158 --> 00:25:53,508
- in the comics world
- they were still thriving,
- 583
- 00:25:53,552 --> 00:25:56,685
- and the industry itself was
- going through a boom-time.
- 584
- 00:25:56,729 --> 00:25:58,774
- Thanks to the growing
- maturity of the medium,
- 585
- 00:25:58,818 --> 00:26:01,429
- and to a significant shift
- in youth culture,
- 586
- 00:26:01,472 --> 00:26:04,519
- comics were suddenly selling
- in record numbers,
- 587
- 00:26:04,563 --> 00:26:05,999
- with new publishers
- 588
- 00:26:06,042 --> 00:26:08,610
- and new titles
- constantly being launched.
- 589
- 00:26:08,654 --> 00:26:10,264
- All these people
- 590
- 00:26:10,307 --> 00:26:13,267
- who had been in subcultures
- in the 1970s and 80s,
- 591
- 00:26:13,310 --> 00:26:15,225
- the Star Trek fans,
- 592
- 00:26:15,269 --> 00:26:17,837
- the punk fans, the goths,
- 593
- 00:26:17,880 --> 00:26:19,403
- the comic book fans,
- 594
- 00:26:19,447 --> 00:26:22,058
- had all existed
- in their own little cells
- 595
- 00:26:22,102 --> 00:26:24,191
- and they kind of knew
- about each other
- 596
- 00:26:24,234 --> 00:26:26,062
- but were afraid
- of the outside world
- 597
- 00:26:26,106 --> 00:26:28,151
- and the outside world
- didn't know much about them.
- 598
- 00:26:28,195 --> 00:26:30,197
- Then there was this explosion
- 599
- 00:26:30,240 --> 00:26:32,895
- into the mainstream
- in the 1990s.
- 600
- 00:26:32,939 --> 00:26:34,854
- Certainly you could
- see it in music.
- 601
- 00:26:34,897 --> 00:26:37,552
- Indie rock became
- alternative rock
- 602
- 00:26:37,596 --> 00:26:39,946
- as punk became grunge.
- 603
- 00:26:39,989 --> 00:26:41,643
- It was just
- this huge explosion.
- 604
- 00:26:41,687 --> 00:26:43,732
- Now that became popular.
- 605
- 00:26:43,776 --> 00:26:46,648
- Alternative became
- the thing to be.
- 606
- 00:26:46,692 --> 00:26:50,260
- I think that helped comic books
- and comic book fans
- 607
- 00:26:50,304 --> 00:26:53,786
- grow out of the dingy
- comic book stores
- 608
- 00:26:53,829 --> 00:26:55,352
- into a wider mainstream as well.
- 609
- 00:26:59,269 --> 00:27:02,490
- As this subculture
- pushed into the mainstream,
- 610
- 00:27:02,533 --> 00:27:06,146
- by the summer of 1992
- Michael Keaton's Dark Knight
- 611
- 00:27:06,189 --> 00:27:09,976
- came to the fore once
- again inBatman Returns.
- 612
- 00:27:10,019 --> 00:27:12,543
- And having demonstrated
- his box office value
- 613
- 00:27:12,587 --> 00:27:14,067
- with the original,
- 614
- 00:27:14,110 --> 00:27:16,112
- this time director
- Tim Burton's imagination
- 615
- 00:27:16,156 --> 00:27:17,636
- was given free reign
- 616
- 00:27:17,679 --> 00:27:21,030
- in a far more eccentric take
- on the DC character.
- 617
- 00:27:21,074 --> 00:27:23,163
- Pitting Batman
- against the twin villainy
- 618
- 00:27:23,206 --> 00:27:24,817
- of Danny DeVito's Penguin
- 619
- 00:27:24,860 --> 00:27:26,645
- and Michelle Pfeiffer's
- Catwoman,
- 620
- 00:27:26,688 --> 00:27:30,605
- it proved
- a far more divisive release.
- 621
- 00:27:30,649 --> 00:27:33,390
- Batman Returns
- was a case of
- 622
- 00:27:33,434 --> 00:27:37,612
- Tim Burton making
- a gothic fairytale
- 623
- 00:27:37,656 --> 00:27:39,701
- in the world of Batman.
- 624
- 00:27:39,745 --> 00:27:42,965
- And something that has
- always blown my mind
- 625
- 00:27:43,009 --> 00:27:45,620
- even when I first saw the
- film and I was 12 years old
- 626
- 00:27:45,664 --> 00:27:47,317
- is I'm thinking
- to myself,
- 627
- 00:27:47,361 --> 00:27:51,713
- if this film wasn't based
- on characters we all knew
- 628
- 00:27:51,757 --> 00:27:55,108
- it would be hailed as
- one of the great arthouse
- 629
- 00:27:55,151 --> 00:27:57,850
- whacked out
- fantasy movies of our day.
- 630
- 00:27:57,893 --> 00:27:59,373
- Eat your heart out,
- Terry Gilliam.
- 631
- 00:28:09,992 --> 00:28:12,125
- When I went to see
- it, I absolutely loved it.
- 632
- 00:28:12,168 --> 00:28:14,997
- First of all, the aesthetic was
- like nothing I'd seen before.
- 633
- 00:28:15,041 --> 00:28:17,521
- Certainly nothing
- in any kind of comic book world.
- 634
- 00:28:17,565 --> 00:28:19,610
- That gothic nature to it.
- 635
- 00:28:19,654 --> 00:28:21,308
- It was serious and dark,
- 636
- 00:28:21,351 --> 00:28:23,353
- but it wasn't bleak.
- It was still fun.
- 637
- 00:28:23,397 --> 00:28:26,574
- And for me, as a young
- teen at this point
- 638
- 00:28:26,617 --> 00:28:29,838
- and had never really felt
- as a female that
- 639
- 00:28:29,882 --> 00:28:32,623
- superheroes or comics
- were really for me
- 640
- 00:28:32,667 --> 00:28:34,756
- because in the era I grew up
- that wasn't something
- 641
- 00:28:34,800 --> 00:28:36,453
- that a lot of
- young women did.
- 642
- 00:28:36,497 --> 00:28:40,588
- So I didn't have
- a female superhero to idolize,
- 643
- 00:28:40,631 --> 00:28:43,722
- but what I did have
- is this amazingly cool woman
- 644
- 00:28:43,765 --> 00:28:45,767
- who falls out of the window
- and gets licked by cats
- 645
- 00:28:45,811 --> 00:28:48,814
- and turns into
- this incredibly sexy, sassy,
- 646
- 00:28:48,857 --> 00:28:51,468
- powerful, exciting
- anti-hero.
- 647
- 00:28:51,512 --> 00:28:53,732
- I've always been
- a huge fan of Catwoman.
- 648
- 00:28:53,775 --> 00:28:58,432
- Always. And to actually see her,
- not just on the big screen,
- 649
- 00:28:58,475 --> 00:28:59,825
- not just as a main character,
- 650
- 00:28:59,868 --> 00:29:02,784
- but actually even addressing
- the sexism,
- 651
- 00:29:02,828 --> 00:29:04,220
- that she deals with
- in the office,
- 652
- 00:29:04,264 --> 00:29:05,613
- something that seems so...
- 653
- 00:29:05,656 --> 00:29:07,267
- Well, we haven't
- quite fixed that.
- 654
- 00:29:07,310 --> 00:29:09,008
- But seeing her
- up there was huge
- 655
- 00:29:09,051 --> 00:29:10,923
- and she was powerful.
- 656
- 00:29:10,966 --> 00:29:13,534
- She was sexy,
- which, by the way, is fine.
- 657
- 00:29:13,577 --> 00:29:15,231
- I loved that costume.
- 658
- 00:29:15,275 --> 00:29:17,930
- I think it was incredible for
- a woman had to be sewn into it.
- 659
- 00:29:17,973 --> 00:29:20,454
- And she absolutely held
- her own against Batman.
- 660
- 00:29:20,497 --> 00:29:21,803
- I think it was
- incredible.
- 661
- 00:29:29,376 --> 00:29:30,420
- Miaow.
- 662
- 00:29:33,772 --> 00:29:35,817
- I think Batman
- Returns is a decent film
- 663
- 00:29:35,861 --> 00:29:38,515
- but it started kind of a
- trend in Batman films.
- 664
- 00:29:38,559 --> 00:29:42,998
- where the villains became
- more important than the hero.
- 665
- 00:29:43,042 --> 00:29:45,479
- Also two villains
- for the price of one.
- 666
- 00:29:45,522 --> 00:29:48,308
- That film for me
- feels less focused
- 667
- 00:29:48,351 --> 00:29:49,831
- as a Batman film
- 668
- 00:29:49,875 --> 00:29:52,138
- as it is an
- exploration of
- 669
- 00:29:52,181 --> 00:29:54,096
- these very strange characters
- 670
- 00:29:54,140 --> 00:29:56,316
- as seen through
- Tim Burton's eyes.
- 671
- 00:29:56,359 --> 00:29:58,057
- And these
- strange characters
- 672
- 00:29:58,100 --> 00:30:00,015
- and the sinister tone
- of the film
- 673
- 00:30:00,059 --> 00:30:03,018
- that they inhabited
- limited its wider appeal.
- 674
- 00:30:03,062 --> 00:30:04,759
- I was on Batman books
- 675
- 00:30:04,803 --> 00:30:06,369
- at the time
- Batman Returns came out.
- 676
- 00:30:06,413 --> 00:30:08,458
- And our sales went down,
- 677
- 00:30:08,502 --> 00:30:11,766
- because parents
- were so upset at the movie.
- 678
- 00:30:11,810 --> 00:30:14,856
- They expected to take the kids
- to see a Batman movie
- 679
- 00:30:14,900 --> 00:30:16,249
- you could take kids to see.
- 680
- 00:30:16,292 --> 00:30:18,817
- The Penguin material
- was so frightening
- 681
- 00:30:18,860 --> 00:30:21,167
- and Catwoman too
- was so disturbing.
- 682
- 00:30:21,210 --> 00:30:23,909
- that parents were outraged.
- 683
- 00:30:23,952 --> 00:30:26,476
- Despite a healthy
- opening box office,
- 684
- 00:30:26,520 --> 00:30:28,478
- the film suffered
- from a backlash,
- 685
- 00:30:28,522 --> 00:30:30,567
- forcing fast-food
- giant McDonalds
- 686
- 00:30:30,611 --> 00:30:33,005
- to pull a lucrative
- merchandizing deal.
- 687
- 00:30:33,048 --> 00:30:36,791
- Clearly never intended
- as a family-friendly movie,
- 688
- 00:30:36,835 --> 00:30:39,359
- Batman Returns
- proved too mature
- 689
- 00:30:39,402 --> 00:30:42,057
- for the summer
- blockbuster market.
- 690
- 00:30:42,101 --> 00:30:44,538
- But this didn't deter
- smaller studios
- 691
- 00:30:44,581 --> 00:30:47,062
- from investing
- in comic book adaptations,
- 692
- 00:30:47,106 --> 00:30:49,021
- and the boom
- in that industry meant
- 693
- 00:30:49,064 --> 00:30:53,503
- that there were now far more
- characters to choose from.
- 694
- 00:30:53,547 --> 00:30:57,507
- Independent publishers like
- Caliber, Dark Horse and Image
- 695
- 00:30:57,551 --> 00:30:59,770
- had created a wealth
- of new heroes,
- 696
- 00:30:59,814 --> 00:31:01,120
- and while Marvel
- was struggling
- 697
- 00:31:01,163 --> 00:31:03,426
- to get its characters
- on to the screen,
- 698
- 00:31:03,470 --> 00:31:06,821
- films likeThe Mask,
- Barb Wire andThe Crow
- 699
- 00:31:06,865 --> 00:31:10,259
- showcased these
- more modern creations.
- 700
- 00:31:10,303 --> 00:31:11,957
- The Crow was the first one
- 701
- 00:31:12,000 --> 00:31:14,350
- where you took a character
- the public did not know,
- 702
- 00:31:14,394 --> 00:31:16,048
- was not invested
- in it at all.
- 703
- 00:31:16,091 --> 00:31:18,746
- You had a relatively
- no name cast,
- 704
- 00:31:18,789 --> 00:31:20,313
- you had a low budget,
- 705
- 00:31:20,356 --> 00:31:22,924
- and it was this beautiful
- kick ass movie
- 706
- 00:31:22,968 --> 00:31:24,883
- and the soundtrack was amazing.
- 707
- 00:31:24,926 --> 00:31:26,667
- The production design
- was amazing,
- 708
- 00:31:26,710 --> 00:31:31,063
- and it was totally its own
- singular vision of something
- 709
- 00:31:31,106 --> 00:31:34,153
- that was totally faithful
- to the book as well.
- 710
- 00:31:34,196 --> 00:31:37,199
- For those people to make
- that kind of investment
- 711
- 00:31:37,243 --> 00:31:39,723
- in a movie on a book
- that no one knew about
- 712
- 00:31:39,767 --> 00:31:40,986
- I thought was amazing.
- 713
- 00:31:59,918 --> 00:32:01,571
- I think because
- those characters were new.
- 714
- 00:32:01,615 --> 00:32:03,486
- I think because
- The Crow was new.
- 715
- 00:32:03,530 --> 00:32:07,186
- The rights were much cheaper
- to obtain than Hollywood.
- 716
- 00:32:07,229 --> 00:32:08,839
- Timecopwas another film
- 717
- 00:32:08,883 --> 00:32:11,755
- where you could get an actor
- like Jean-Claude Van Damme.
- 718
- 00:32:11,799 --> 00:32:15,194
- who may not be the most fit
- person to play Timecop
- 719
- 00:32:15,237 --> 00:32:16,717
- but he worked
- in the film.
- 720
- 00:32:16,760 --> 00:32:18,371
- If you look at
- all those characters,
- 721
- 00:32:18,414 --> 00:32:21,026
- people who went to the cinema
- knew the actor
- 722
- 00:32:21,069 --> 00:32:22,592
- more than they did
- the character.
- 723
- 00:32:22,636 --> 00:32:24,377
- So it was very easy
- for the actor
- 724
- 00:32:24,420 --> 00:32:27,641
- to impose his persona
- or her persona
- 725
- 00:32:27,684 --> 00:32:29,295
- over the character themselves,
- 726
- 00:32:29,338 --> 00:32:31,340
- which helped to introduce
- the character to the audience.
- 727
- 00:32:33,603 --> 00:32:36,737
- Los Angeles, 1995.
- 728
- 00:32:36,780 --> 00:32:40,088
- It has taken three years for
- Warner Brothers to regroup,
- 729
- 00:32:40,132 --> 00:32:41,916
- rethink and
- reimagineBatman.
- 730
- 00:32:43,048 --> 00:32:44,832
- Reeling from the outrage
- 731
- 00:32:44,875 --> 00:32:47,487
- at Tim Burton's dark and
- singular previous outing,
- 732
- 00:32:47,530 --> 00:32:50,577
- this time they aim squarely
- at the family market.
- 733
- 00:32:50,620 --> 00:32:53,884
- Once again, the cast
- is an impressive ensemble,
- 734
- 00:32:53,928 --> 00:32:55,974
- with Val Kilmer replacing
- Michael Keaton
- 735
- 00:32:56,017 --> 00:32:57,366
- in the lead role,
- 736
- 00:32:57,410 --> 00:33:00,500
- Oscar-Winner Tommy Lee Jones
- as Two-Face
- 737
- 00:33:00,543 --> 00:33:02,502
- and Hollywood's
- top comic actor,
- 738
- 00:33:02,545 --> 00:33:04,330
- Jim Carrey,
- as The Riddler,
- 739
- 00:33:04,373 --> 00:33:08,290
- alongside Nicole Kidman and
- Chris O'Donnell as Robin.
- 740
- 00:33:08,334 --> 00:33:11,902
- Behind the camera, ex-costume
- designer Joel Schumacher
- 741
- 00:33:11,946 --> 00:33:14,905
- aimed to bring a different
- vision to the series.
- 742
- 00:33:14,949 --> 00:33:17,734
- Yet the resultant film,
- Batman Forever,
- 743
- 00:33:17,778 --> 00:33:19,388
- although
- a commercial success,
- 744
- 00:33:19,432 --> 00:33:22,174
- would prove
- a creative dead end.
- 745
- 00:33:22,217 --> 00:33:24,480
- Once Tim
- Burton steps back,
- 746
- 00:33:24,524 --> 00:33:26,917
- what you're left with is,
- 747
- 00:33:26,961 --> 00:33:28,745
- do we build on
- what Tim has done
- 748
- 00:33:28,789 --> 00:33:31,052
- or do we go in a new direction?
- 749
- 00:33:31,096 --> 00:33:34,490
- There's still the influence
- and power of the memory
- 750
- 00:33:34,534 --> 00:33:36,884
- of theBatman
- television show.
- 751
- 00:33:36,927 --> 00:33:40,192
- So those are the three
- major directions you can go
- 752
- 00:33:40,235 --> 00:33:42,237
- with the franchise.
- 753
- 00:33:42,281 --> 00:33:43,673
- What no one considered
- was doing
- 754
- 00:33:43,717 --> 00:33:45,414
- what the comic books
- were doing,
- 755
- 00:33:45,458 --> 00:33:48,243
- because Hollywood's attitude
- towards comic books was,
- 756
- 00:33:48,287 --> 00:33:50,158
- OK, what's wrong
- with this thing?
- 757
- 00:33:50,202 --> 00:33:51,942
- How can we fix it
- and make it a movie?
- 758
- 00:33:51,986 --> 00:33:53,988
- Every time they pick up
- a comic book
- 759
- 00:33:54,032 --> 00:33:57,122
- their first thought is
- what are we going to get rid of?
- 760
- 00:33:57,165 --> 00:33:59,863
- With all these
- different forces at work
- 761
- 00:33:59,907 --> 00:34:02,736
- what happened next was
- Batman Forever.
- 762
- 00:34:02,779 --> 00:34:04,781
- It was loud,
- it was brash.
- 763
- 00:34:04,825 --> 00:34:06,087
- The imperatives
- were commercial
- 764
- 00:34:06,131 --> 00:34:09,482
- and there were
- a lot of one liners.
- 765
- 00:34:09,525 --> 00:34:11,266
- You called me here for this?
- 766
- 00:34:11,310 --> 00:34:14,052
- The Bat signal is not a beeper.
- 767
- 00:34:14,095 --> 00:34:17,098
- While I wish I could say
- my interest in you was...
- 768
- 00:34:17,142 --> 00:34:19,448
- ...purely professional.
- 769
- 00:34:19,492 --> 00:34:22,060
- Are you trying to get
- under my cape, Doctor?
- 770
- 00:34:22,103 --> 00:34:25,193
- A girl can't live
- by psychosis alone.
- 771
- 00:34:25,237 --> 00:34:27,674
- It's the car, right?
- Chicks love the car.
- 772
- 00:34:27,717 --> 00:34:29,328
- By the time
- it got toBatman Forever,
- 773
- 00:34:29,371 --> 00:34:32,113
- we were still willing to go
- to see a Batman film.
- 774
- 00:34:32,157 --> 00:34:35,334
- That's when the Batman films
- started to slide off the rails.
- 775
- 00:34:35,377 --> 00:34:37,031
- Again we had two villains.
- 776
- 00:34:37,075 --> 00:34:38,554
- We had another actor
- in the Bat suit
- 777
- 00:34:38,598 --> 00:34:40,817
- who weren't
- unwilling to accept.
- 778
- 00:34:40,861 --> 00:34:43,255
- Val Kilmer seemed to
- sleepwalk through the role.
- 779
- 00:34:43,298 --> 00:34:45,474
- But he was upstaged
- by the villains.
- 780
- 00:34:45,518 --> 00:34:49,043
- Tommy Lee Jones' very Joker
- like turn as Two-Face.
- 781
- 00:34:49,087 --> 00:34:50,610
- Let's start this party
- with a bang.
- 782
- 00:34:53,656 --> 00:34:55,702
- It was a character
- who's not like the Joker.
- 783
- 00:34:55,745 --> 00:34:58,270
- And Jim Carrey being Jim Carrey.
- 784
- 00:35:00,576 --> 00:35:02,839
- I hope you made extra.
- 785
- 00:35:02,883 --> 00:35:04,667
- Who the hell are you?
- 786
- 00:35:05,668 --> 00:35:07,409
- Just a friend.
- 787
- 00:35:07,453 --> 00:35:09,063
- But you can call me...
- 788
- 00:35:09,977 --> 00:35:12,066
- ...The Riddler.
- 789
- 00:35:14,286 --> 00:35:16,462
- It seems Schumacher
- wanted to impose
- 790
- 00:35:16,505 --> 00:35:18,159
- his own stylistic vision,
- 791
- 00:35:18,203 --> 00:35:20,335
- which I think is
- very much influenced
- 792
- 00:35:20,379 --> 00:35:22,163
- by the 1960s version.
- 793
- 00:35:22,207 --> 00:35:25,340
- Again, we went back
- to the skewed camera angles.
- 794
- 00:35:25,384 --> 00:35:28,169
- We got a neon approach,
- 795
- 00:35:28,213 --> 00:35:31,738
- rather than the day-glo colors
- of the Batman TV series.
- 796
- 00:35:31,781 --> 00:35:35,176
- Bat nipples.
- Need I go further?
- 797
- 00:35:35,220 --> 00:35:36,482
- Although more suitable
- 798
- 00:35:36,525 --> 00:35:38,048
- as family entertainment,
- 799
- 00:35:38,092 --> 00:35:40,181
- with McDonalds
- firmly back on board
- 800
- 00:35:40,225 --> 00:35:42,052
- for the merchandizing
- tie-in,
- 801
- 00:35:42,096 --> 00:35:45,447
- this was Batman back in
- the territory of camp parody
- 802
- 00:35:45,491 --> 00:35:47,841
- and comics fans
- and reviewers alike
- 803
- 00:35:47,884 --> 00:35:50,017
- voiced their
- disappointment.
- 804
- 00:35:50,060 --> 00:35:53,194
- When, in 1998,
- Schumacher returned
- 805
- 00:35:53,238 --> 00:35:54,848
- with yet another Batman,
- 806
- 00:35:54,891 --> 00:35:56,937
- George Clooney
- for the follow-up,
- 807
- 00:35:56,980 --> 00:35:59,809
- studio hopes were high
- for another smash hit.
- 808
- 00:35:59,853 --> 00:36:01,637
- Yet this star-studded
- spectacle
- 809
- 00:36:01,681 --> 00:36:03,335
- would become infamous,
- 810
- 00:36:03,378 --> 00:36:07,643
- regularly voted as one of
- the worst films ever made.
- 811
- 00:36:07,687 --> 00:36:09,254
- I don't want to be mean
- 812
- 00:36:09,297 --> 00:36:12,213
- but I feel like Schumacher
- single-handedly destroyed
- 813
- 00:36:12,257 --> 00:36:13,954
- the Batman movie
- franchise.
- 814
- 00:36:13,997 --> 00:36:17,262
- In his defense, I don't feel
- like it was entirely his fault.
- 815
- 00:36:17,305 --> 00:36:22,223
- I feel like Warner Brothers'
- lack of understanding
- 816
- 00:36:22,267 --> 00:36:24,617
- of the story and the characters
- 817
- 00:36:24,660 --> 00:36:27,794
- is why he got away
- with that interpretation.
- 818
- 00:36:29,404 --> 00:36:32,190
- But yeah, it's not good.
- 819
- 00:36:37,238 --> 00:36:39,197
- Hi Freeze. I'm Batman.
- 820
- 00:37:00,087 --> 00:37:02,959
- You're not sending me
- to the cooler.
- 821
- 00:37:03,003 --> 00:37:06,267
- Batman and
- Robin was the death knell
- 822
- 00:37:06,311 --> 00:37:07,834
- that would make
- people realize
- 823
- 00:37:07,877 --> 00:37:11,490
- you could not treat these
- movies like a t-shirt shop
- 824
- 00:37:11,533 --> 00:37:14,971
- and expect people
- to come in every summer.
- 825
- 00:37:15,015 --> 00:37:17,409
- I've heard Kevin Feige at Marvel
- refer to Batman and Robin
- 826
- 00:37:17,452 --> 00:37:19,933
- as the most important
- comic book move ever made
- 827
- 00:37:19,976 --> 00:37:22,327
- because it was
- so egregiously bad
- 828
- 00:37:22,370 --> 00:37:25,982
- that it signaled that
- anything was better than this.
- 829
- 00:37:26,026 --> 00:37:28,071
- So someone came up
- with the desperate idea
- 830
- 00:37:28,115 --> 00:37:30,770
- of actually paying attention
- to the source material
- 831
- 00:37:30,813 --> 00:37:33,990
- because now there was
- nothing else to be tried anyway
- 832
- 00:37:34,034 --> 00:37:36,384
- so we might as well try
- to do it the way they did it.
- 833
- 00:37:36,428 --> 00:37:37,777
- It
- would be years
- 834
- 00:37:37,820 --> 00:37:40,170
- before this new approach
- came to fruition.
- 835
- 00:37:40,214 --> 00:37:41,737
- In the meantime,
- 836
- 00:37:41,781 --> 00:37:44,914
- just as the Batman franchise
- crashed and burned,
- 837
- 00:37:44,958 --> 00:37:48,178
- a slump in comic book sales
- saw the entire industry
- 838
- 00:37:48,222 --> 00:37:51,921
- go from boom to bust
- almost overnight.
- 839
- 00:37:51,965 --> 00:37:54,446
- By the close of 1996,
- 840
- 00:37:54,489 --> 00:37:57,884
- industry leader Marvel
- filed for bankruptcy.
- 841
- 00:37:57,927 --> 00:37:59,277
- With the comics
- themselves
- 842
- 00:37:59,320 --> 00:38:01,235
- no longer able
- to keep it afloat,
- 843
- 00:38:01,279 --> 00:38:03,977
- its only hope lay
- in the motion pictures
- 844
- 00:38:04,020 --> 00:38:05,674
- that were currently
- in development
- 845
- 00:38:05,718 --> 00:38:07,502
- with film studios
- at the time,
- 846
- 00:38:07,546 --> 00:38:10,375
- and with their previous lack
- of success at the box office,
- 847
- 00:38:10,418 --> 00:38:12,333
- their chances
- seemed slim.
- 848
- 00:38:12,377 --> 00:38:16,206
- And then, in 1998,
- a film was released
- 849
- 00:38:16,250 --> 00:38:19,732
- focused on a Marvel character
- few were even aware of...
- 850
- 00:38:19,775 --> 00:38:21,603
- ...Blade.
- 851
- 00:38:21,647 --> 00:38:25,259
- Blade was
- Marvel's first successful
- 852
- 00:38:25,303 --> 00:38:28,697
- cinematic theatrical entry in
- the comic book superhero world.
- 853
- 00:38:28,741 --> 00:38:31,526
- But for 99% of people
- going to that movie
- 854
- 00:38:31,570 --> 00:38:34,747
- it was, "Oh, it's a Wesley
- Snipes action-horror movie
- 855
- 00:38:34,790 --> 00:38:37,750
- where he plays a vampire
- and he kills vampires." Neat!
- 856
- 00:38:39,926 --> 00:38:42,102
- It's like a bad dream.
- 857
- 00:38:42,145 --> 00:38:44,278
- There are worse things
- out tonight than vampires.
- 858
- 00:38:44,322 --> 00:38:45,845
- Like what?
- 859
- 00:38:45,888 --> 00:38:47,412
- Like me.
- 860
- 00:38:47,455 --> 00:38:50,415
- It was surprising that
- Marvel's first cinematic hit
- 861
- 00:38:50,458 --> 00:38:51,851
- turned out to be Blade,
- 862
- 00:38:51,894 --> 00:38:53,853
- because even within
- comic book readers
- 863
- 00:38:53,896 --> 00:38:56,290
- Blade was
- an obscure character.
- 864
- 00:38:56,334 --> 00:38:58,379
- He appeared
- in the Marvel comic
- 865
- 00:38:58,423 --> 00:39:01,077
- "Tomb of Dracula
- in the 1970s.
- 866
- 00:39:01,121 --> 00:39:02,383
- Blade was a character
- 867
- 00:39:02,427 --> 00:39:05,604
- who was half vampire
- who hunted vampires.
- 868
- 00:39:05,647 --> 00:39:07,388
- Being able to describe
- the character
- 869
- 00:39:07,432 --> 00:39:09,434
- in two to three sentences
- is very important.
- 870
- 00:39:09,477 --> 00:39:12,262
- If you can do that then
- the audience can accept that.
- 871
- 00:39:12,306 --> 00:39:14,047
- I think the success of
- Blade was that
- 872
- 00:39:14,090 --> 00:39:15,614
- we had
- an established action star
- 873
- 00:39:15,657 --> 00:39:17,485
- or somebody who was on
- the rise as an action star
- 874
- 00:39:17,529 --> 00:39:18,834
- Wesley Snipes.
- 875
- 00:39:18,878 --> 00:39:21,097
- And we had
- a very fun vampire film.
- 876
- 00:39:21,141 --> 00:39:23,404
- It was probably one
- of the first films to capitalize
- 877
- 00:39:23,448 --> 00:39:25,711
- on what would later become
- the vampire zeitgeist,
- 878
- 00:39:25,754 --> 00:39:29,149
- minus the romance and sparkles
- of the twilight series.
- 879
- 00:39:40,726 --> 00:39:43,076
- You're one of them, aren't you.
- 880
- 00:39:45,165 --> 00:39:48,951
- No, I'm something else.
- 881
- 00:39:48,995 --> 00:39:50,866
- There's an interesting
- lesson in Blade.
- 882
- 00:39:50,910 --> 00:39:54,870
- The fact that the character
- was so relatively unknown.
- 883
- 00:39:54,914 --> 00:39:56,263
- There is no one
- that could say,
- 884
- 00:39:56,306 --> 00:39:58,613
- "Hm, I think it should
- be more like this."
- 885
- 00:39:58,657 --> 00:40:01,355
- If you put Superman
- or Batman on screen
- 886
- 00:40:01,399 --> 00:40:03,052
- it's almost like
- a Rorschach test.
- 887
- 00:40:03,096 --> 00:40:04,706
- You can ask
- any film executive
- 888
- 00:40:04,750 --> 00:40:06,491
- what they think a Superman
- movie should have
- 889
- 00:40:06,534 --> 00:40:08,188
- and they'll have an answer.
- 890
- 00:40:08,231 --> 00:40:10,059
- That's not necessarily
- a good thing.
- 891
- 00:40:10,103 --> 00:40:12,714
- Ask them what a Blade movie
- should be like, they don't know.
- 892
- 00:40:12,758 --> 00:40:14,412
- That could be a good thing.
- 893
- 00:40:14,455 --> 00:40:15,804
- I loveBlade.
- 894
- 00:40:15,848 --> 00:40:17,415
- I love the character
- of Blade.
- 895
- 00:40:17,458 --> 00:40:19,591
- I love the movie Blade
- and I love Wesley Snipes.
- 896
- 00:40:19,634 --> 00:40:21,157
- To make
- that kind of investment...
- 897
- 00:40:21,201 --> 00:40:22,942
- It was the same
- thing with The Crow
- 898
- 00:40:22,985 --> 00:40:25,031
- where you have
- an obscure character.
- 899
- 00:40:25,074 --> 00:40:26,946
- On paper it shouldn't work.
- 900
- 00:40:26,989 --> 00:40:30,602
- And at the time, especially
- then it shouldn't work
- 901
- 00:40:30,645 --> 00:40:32,865
- because there was nothing
- in the pop culture landscape
- 902
- 00:40:32,908 --> 00:40:35,171
- that would indicate
- that audiences were hungry
- 903
- 00:40:35,215 --> 00:40:38,044
- for a black vampire killer
- from Marvel comics.
- 904
- 00:40:38,087 --> 00:40:40,438
- A character that didn't
- even have his own book.
- 905
- 00:40:40,481 --> 00:40:43,702
- He was an ancillary character
- from another book.
- 906
- 00:40:43,745 --> 00:40:45,834
- The fact that they threw
- down, they made the investment
- 907
- 00:40:45,878 --> 00:40:47,836
- and they really made it work,
- I thought it was great.
- 908
- 00:40:47,880 --> 00:40:50,056
- I wish that movie
- got more love now
- 909
- 00:40:50,099 --> 00:40:52,798
- compared to a lot of the Marvel
- movies that have come out.
- 910
- 00:40:52,841 --> 00:40:56,236
- None of them would have happened
- without Blade.
- 911
- 00:40:56,279 --> 00:40:58,456
- Blade provided
- a glimmer of hope
- 912
- 00:40:58,499 --> 00:41:00,240
- during Marvel's
- darkest hour,
- 913
- 00:41:00,283 --> 00:41:02,285
- not just a success
- in its own right
- 914
- 00:41:02,329 --> 00:41:05,375
- but only one of a number
- of projects being developed
- 915
- 00:41:05,419 --> 00:41:07,334
- by different studios.
- 916
- 00:41:07,377 --> 00:41:08,901
- This last minute
- resurgence
- 917
- 00:41:08,944 --> 00:41:10,990
- couldn't have been
- better timed.
- 918
- 00:41:11,033 --> 00:41:12,905
- Over the previous decade
- 919
- 00:41:12,948 --> 00:41:14,994
- digital technology
- had been advancing
- 920
- 00:41:15,037 --> 00:41:16,735
- at an astonishing rate,
- 921
- 00:41:16,778 --> 00:41:18,476
- and this evolution
- had fed directly
- 922
- 00:41:18,519 --> 00:41:20,521
- into the cinematic world.
- 923
- 00:41:20,565 --> 00:41:23,437
- FromTerminator 2
- andJurassic Park
- 924
- 00:41:23,481 --> 00:41:25,526
- toTitanic
- andStarship Troopers,
- 925
- 00:41:25,570 --> 00:41:30,226
- in the 1990s computer
- generated imagery, or CGI,
- 926
- 00:41:30,270 --> 00:41:31,750
- began to enable
- filmmakers
- 927
- 00:41:31,793 --> 00:41:35,362
- to realistically portray
- the previously unfilmable.
- 928
- 00:41:35,405 --> 00:41:36,929
- At the dawn
- of the new millennium,
- 929
- 00:41:36,972 --> 00:41:39,061
- a pioneering film emerged
- 930
- 00:41:39,105 --> 00:41:41,324
- that was inspired
- by the comic book form,
- 931
- 00:41:41,368 --> 00:41:45,764
- and it gave a true indication
- of the future of cinema.
- 932
- 00:41:45,807 --> 00:41:48,810
- What was the
- first great comic book movie
- 933
- 00:41:48,854 --> 00:41:51,378
- that signaled
- what the movies could do?
- 934
- 00:41:51,421 --> 00:41:52,771
- For me, it'sThe Matrix.
- 935
- 00:41:52,814 --> 00:41:54,642
- The Matrix is not
- a comic book adaptation.
- 936
- 00:41:54,686 --> 00:41:57,819
- I don't care.
- The Wachowskis came from
- 937
- 00:41:57,863 --> 00:42:00,953
- the universes of Jack Kirby
- and Neal Adams
- 938
- 00:42:00,996 --> 00:42:02,998
- and all the other great
- comic book people.
- 939
- 00:42:03,042 --> 00:42:04,478
- They were conversant.
- 940
- 00:42:04,522 --> 00:42:06,088
- They understood
- the physics of it.
- 941
- 00:42:06,132 --> 00:42:09,570
- They understood
- the wow factor of it.
- 942
- 00:42:09,614 --> 00:42:11,006
- They put it on the screen first.
- 943
- 00:42:16,272 --> 00:42:18,753
- That last scene
- in the first movie when Neo
- 944
- 00:42:18,797 --> 00:42:20,886
- launches himself
- into the sky...
- 945
- 00:42:26,152 --> 00:42:27,762
- Everybody in the theatre
- 946
- 00:42:27,806 --> 00:42:30,460
- that owned a box
- full of comics at home
- 947
- 00:42:30,504 --> 00:42:32,245
- had the same thought.
- 948
- 00:42:32,288 --> 00:42:34,464
- That's Superman.
- That's what is should look like.
- 949
- 00:42:34,508 --> 00:42:36,379
- That's what
- we've been wanting to see.
- 950
- 00:42:36,423 --> 00:42:38,860
- How come I've never seen that
- in a superhero movie?
- 951
- 00:42:38,904 --> 00:42:40,775
- Yet now
- the wait was over.
- 952
- 00:42:40,819 --> 00:42:43,735
- After years of sub-standard,
- low-budget films
- 953
- 00:42:43,778 --> 00:42:46,520
- failing to bring
- the Marvel universe to life,
- 954
- 00:42:46,564 --> 00:42:49,305
- in 2000
- one of its flagship titles
- 955
- 00:42:49,349 --> 00:42:51,481
- made its transition
- to the big screen -
- 956
- 00:42:51,525 --> 00:42:53,353
- The X-Men.
- 957
- 00:42:53,396 --> 00:42:56,008
- Developed by Stan Lee
- and Jack Kirby,
- 958
- 00:42:56,051 --> 00:42:57,705
- it would become
- the biggest-selling comic
- 959
- 00:42:57,749 --> 00:42:59,272
- of the 1990s,
- 960
- 00:42:59,315 --> 00:43:02,362
- although initially
- it proved less successful...
- 961
- 00:43:02,405 --> 00:43:04,059
- The X-Men have a long
- 962
- 00:43:04,103 --> 00:43:05,626
- and convoluted history.
- 963
- 00:43:05,670 --> 00:43:08,020
- They started
- as one of the last teams
- 964
- 00:43:08,063 --> 00:43:11,197
- that Lee and Kirby created
- in the 1960s.
- 965
- 00:43:11,240 --> 00:43:15,331
- Their book got cancelled
- every five days
- 966
- 00:43:15,375 --> 00:43:17,507
- it seemed like
- through the 60s and 70s.
- 967
- 00:43:17,551 --> 00:43:21,294
- And then in the hands of Chris
- Claremont and Dave Cockrum
- 968
- 00:43:21,337 --> 00:43:23,513
- they had
- this incredible resurgence.
- 969
- 00:43:23,557 --> 00:43:25,690
- The appeal
- of the title was simple.
- 970
- 00:43:25,733 --> 00:43:29,650
- A cool bunch of characters
- that had just been created
- 971
- 00:43:29,694 --> 00:43:32,000
- so it was
- totally virgin territory,
- 972
- 00:43:32,044 --> 00:43:34,089
- and the chance to work
- 973
- 00:43:34,133 --> 00:43:36,135
- with one of the best artists
- in the business, Dave Cockrum.
- 974
- 00:43:36,178 --> 00:43:37,963
- Spidey had been around
- for five years.
- 975
- 00:43:38,006 --> 00:43:39,312
- The FF had been.
- 976
- 00:43:39,355 --> 00:43:40,835
- Everyone else
- had continuity.
- 977
- 00:43:40,879 --> 00:43:43,011
- Everyone else had
- a clutch of writers
- 978
- 00:43:43,055 --> 00:43:44,665
- who'd come before
- 979
- 00:43:44,709 --> 00:43:47,189
- who defined the characters
- in the series.
- 980
- 00:43:47,233 --> 00:43:53,631
- This was virgin territory
- and it was irresistible.
- 981
- 00:43:53,674 --> 00:43:55,458
- The X-Men were
- very different
- 982
- 00:43:55,502 --> 00:43:58,331
- from Lee and Kirby's
- other creations.
- 983
- 00:43:58,374 --> 00:44:01,160
- Where their previous heroes
- had been normal people
- 984
- 00:44:01,203 --> 00:44:03,553
- transformed by exposure
- to cosmic rays
- 985
- 00:44:03,597 --> 00:44:05,686
- and radioactive spiders,
- 986
- 00:44:05,730 --> 00:44:07,209
- this was a team
- of mutants
- 987
- 00:44:07,253 --> 00:44:09,124
- who were born
- with their superpowers
- 988
- 00:44:09,168 --> 00:44:11,083
- and shunned by society.
- 989
- 00:44:11,126 --> 00:44:14,652
- During Claremont's
- 17-year tenure on the title,
- 990
- 00:44:14,695 --> 00:44:17,089
- their struggle proved
- particularly resonant
- 991
- 00:44:17,132 --> 00:44:19,439
- for an ever-growing
- number of readers.
- 992
- 00:44:19,482 --> 00:44:20,962
- The X-Men are like
- 993
- 00:44:21,006 --> 00:44:22,660
- comic book fans
- themselves.
- 994
- 00:44:22,703 --> 00:44:26,533
- They are a close-knit
- community of outcasts.
- 995
- 00:44:26,576 --> 00:44:28,622
- Within Marvel, there were
- the Spider-Man,
- 996
- 00:44:28,666 --> 00:44:30,276
- The Hulk, Daredevil fans
- 997
- 00:44:30,319 --> 00:44:31,712
- and then there were
- the X-Men fans
- 998
- 00:44:31,756 --> 00:44:33,758
- who would have liked
- the universe to themselves.
- 999
- 00:44:33,801 --> 00:44:36,238
- I knew some people
- who would read The X-Men
- 1000
- 00:44:36,282 --> 00:44:37,936
- and wouldn't read
- other comic books.
- 1001
- 00:44:37,979 --> 00:44:39,807
- They were totally immersed
- in the X-Men.
- 1002
- 00:44:39,851 --> 00:44:41,766
- It was like punk rock fans.
- 1003
- 00:44:41,809 --> 00:44:43,115
- We only to listen to punk.
- 1004
- 00:44:43,158 --> 00:44:45,160
- We're not going
- to listen to anything else.
- 1005
- 00:44:45,204 --> 00:44:48,163
- The X-Men had that kind
- of effect on comic books.
- 1006
- 00:44:48,207 --> 00:44:50,078
- An X-Men film
- had been in development
- 1007
- 00:44:50,122 --> 00:44:51,689
- since the early 90s,
- 1008
- 00:44:51,732 --> 00:44:53,821
- when Terminator
- director James Cameron
- 1009
- 00:44:53,865 --> 00:44:55,388
- was linked to
- the project,
- 1010
- 00:44:55,431 --> 00:44:57,303
- and although
- 20th Century Fox
- 1011
- 00:44:57,346 --> 00:44:59,871
- had obtained the rights
- in 1994,
- 1012
- 00:44:59,914 --> 00:45:01,350
- they were unable to see
- 1013
- 00:45:01,394 --> 00:45:03,788
- the true value
- of their acquisition.
- 1014
- 00:45:03,831 --> 00:45:06,573
- Fox couldn't
- get a handle on the concept.
- 1015
- 00:45:06,616 --> 00:45:08,053
- So I ended up writing
- a memo
- 1016
- 00:45:08,096 --> 00:45:10,751
- to explain to them
- who are the X-Men,
- 1017
- 00:45:10,795 --> 00:45:12,971
- what makes it different.
- 1018
- 00:45:13,014 --> 00:45:17,236
- What I said was, this is not
- a story about superheroes.
- 1019
- 00:45:17,279 --> 00:45:20,413
- It is about trying to make
- a place for yourself
- 1020
- 00:45:20,456 --> 00:45:23,546
- in a world that
- frankly doesn't want you.
- 1021
- 00:45:25,026 --> 00:45:26,549
- And you have to
- prove to them
- 1022
- 00:45:26,593 --> 00:45:29,422
- we have value,
- we have a right to be here.
- 1023
- 00:45:29,465 --> 00:45:32,512
- With The X-Men,
- it became mostly a story
- 1024
- 00:45:32,555 --> 00:45:36,429
- about immigrants
- coming to America
- 1025
- 00:45:36,472 --> 00:45:38,518
- and trying to fit in.
- 1026
- 00:45:38,561 --> 00:45:40,955
- I have here a list of names
- 1027
- 00:45:40,999 --> 00:45:42,609
- of identified mutants
- 1028
- 00:45:42,652 --> 00:45:44,916
- living right here
- in the United States.
- 1029
- 00:45:44,959 --> 00:45:47,440
- - Senator Kelly.
- - Now here's a girl in Illinois,
- 1030
- 00:45:47,483 --> 00:45:49,268
- who can walk through walls.
- 1031
- 00:45:49,311 --> 00:45:52,140
- Now, what's to stop her
- from walking into a bank vault?
- 1032
- 00:45:52,184 --> 00:45:55,100
- or into the White House
- or into their houses?
- 1033
- 00:45:55,143 --> 00:45:57,450
- - Senator Kelly!
- - There are even rumors,
- 1034
- 00:45:57,493 --> 00:45:59,800
- Ms. Grey,
- of mutants so powerful
- 1035
- 00:45:59,844 --> 00:46:03,412
- that they can enter our minds
- and control our thoughts,
- 1036
- 00:46:03,456 --> 00:46:06,067
- taking away
- our God-given free will.
- 1037
- 00:46:06,111 --> 00:46:09,244
- I think the American people
- deserve the right to decide
- 1038
- 00:46:09,288 --> 00:46:12,770
- whether they want their children
- to be at school with mutants,
- 1039
- 00:46:12,813 --> 00:46:14,249
- to be taught by mutants.
- 1040
- 00:46:15,947 --> 00:46:18,079
- That is
- a more easily embraceable
- 1041
- 00:46:18,123 --> 00:46:20,342
- or relatable concept
- 1042
- 00:46:20,386 --> 00:46:23,258
- and unfortunately
- more real than,
- 1043
- 00:46:23,302 --> 00:46:25,347
- it's the adventures
- of a billionaire
- 1044
- 00:46:25,391 --> 00:46:28,568
- who wants to fight crime.
- 1045
- 00:46:28,611 --> 00:46:31,049
- With acclaimed
- young director Bryan Singer
- 1046
- 00:46:31,092 --> 00:46:32,398
- calling the shots,
- 1047
- 00:46:32,441 --> 00:46:34,922
- anticipation
- for the movie ran high,
- 1048
- 00:46:34,966 --> 00:46:37,664
- yet as withBatman
- a decade beforehand,
- 1049
- 00:46:37,707 --> 00:46:39,274
- fans were anxious
- 1050
- 00:46:39,318 --> 00:46:41,363
- regarding the casting
- of their favorite character,
- 1051
- 00:46:41,407 --> 00:46:44,323
- the violent
- anti-hero Wolverine.
- 1052
- 00:46:44,366 --> 00:46:47,326
- Initially Dougray Scott
- was cast in the role,
- 1053
- 00:46:47,369 --> 00:46:49,110
- but was forced
- to back out,
- 1054
- 00:46:49,154 --> 00:46:51,417
- and Singer returned
- to his original choice,
- 1055
- 00:46:51,460 --> 00:46:53,114
- Russell Crowe.
- 1056
- 00:46:53,158 --> 00:46:56,509
- Crowe too was unavailable,
- but he suggested his friend
- 1057
- 00:46:56,552 --> 00:46:59,729
- and fellow Australian,
- Hugh Jackman, for the part,
- 1058
- 00:46:59,773 --> 00:47:02,994
- an actor most known for
- his work in musical theatre.
- 1059
- 00:47:03,037 --> 00:47:07,172
- And like Michael Keaton, he
- proved an inspired choice.
- 1060
- 00:47:07,215 --> 00:47:08,695
- I think the success
- 1061
- 00:47:08,738 --> 00:47:10,349
- of the X-Men films
- hinged on
- 1062
- 00:47:10,392 --> 00:47:12,090
- the perfect casting
- of Wolverine.
- 1063
- 00:47:12,133 --> 00:47:14,440
- There is no character
- probably more beloved
- 1064
- 00:47:14,483 --> 00:47:16,094
- in the Marvel universe,
- 1065
- 00:47:16,137 --> 00:47:18,226
- a character whose origins
- were shrouded in mystery
- 1066
- 00:47:18,270 --> 00:47:19,532
- for the longest time.
- 1067
- 00:47:19,575 --> 00:47:21,360
- That film lived and died
- 1068
- 00:47:21,403 --> 00:47:23,492
- on Hugh Jackman
- playing Wolverine
- 1069
- 00:47:23,536 --> 00:47:26,321
- in a way that fans
- could get behind.
- 1070
- 00:47:27,801 --> 00:47:30,282
- Come on, buddy.
- This isn't going to work.
- 1071
- 00:47:30,325 --> 00:47:32,197
- - I know what you are.
- - You lost your money.
- 1072
- 00:47:32,240 --> 00:47:34,852
- You keep this up,
- you lose something else.
- 1073
- 00:47:37,071 --> 00:47:38,246
- Look out!
- 1074
- 00:47:45,775 --> 00:47:47,255
- Wolverine
- would not be part
- 1075
- 00:47:47,299 --> 00:47:49,257
- of the pop culture landscape
- without Jackman.
- 1076
- 00:47:49,301 --> 00:47:52,217
- The two are intrinsically
- tied to each other.
- 1077
- 00:47:52,260 --> 00:47:54,393
- None of those movies
- would work without him.
- 1078
- 00:47:54,436 --> 00:47:56,699
- He's so naturally charismatic
- 1079
- 00:47:56,743 --> 00:47:58,701
- and he's handsome
- without being pretty
- 1080
- 00:47:58,745 --> 00:48:01,487
- and he's manly
- without being brutish
- 1081
- 00:48:01,530 --> 00:48:03,445
- and he sells
- the savagery of it.
- 1082
- 00:48:07,145 --> 00:48:08,973
- They built
- this whole franchise
- 1083
- 00:48:09,016 --> 00:48:11,279
- and this whole ensemble
- around him.
- 1084
- 00:48:11,323 --> 00:48:13,629
- He was this unknown Aussie guy
- that came in from nowhere
- 1085
- 00:48:13,673 --> 00:48:16,894
- to replace somebody
- and he made the whole thing.
- 1086
- 00:48:16,937 --> 00:48:18,808
- Like Richard
- Donner'sSuperman,
- 1087
- 00:48:18,852 --> 00:48:21,681
- director Singer assembled
- an ensemble cast,
- 1088
- 00:48:21,724 --> 00:48:23,030
- including British
- heavyweights
- 1089
- 00:48:23,074 --> 00:48:25,076
- Patrick Stewart
- and Ian McKellen
- 1090
- 00:48:25,119 --> 00:48:27,208
- and rising star
- Halle Berry.
- 1091
- 00:48:27,252 --> 00:48:29,080
- And in keeping
- with the comic book,
- 1092
- 00:48:29,123 --> 00:48:31,952
- the film brought a realistic,
- dramatic weight
- 1093
- 00:48:31,996 --> 00:48:34,476
- to its fantastical
- premise.
- 1094
- 00:48:34,520 --> 00:48:37,697
- The ambition of X-Men
- declared itself immediately.
- 1095
- 00:48:37,740 --> 00:48:40,613
- The movie opens in
- a Nazi concentration camp
- 1096
- 00:48:40,656 --> 00:48:43,224
- with a family being marched
- to their death.
- 1097
- 00:48:43,268 --> 00:48:46,662
- This was not Ned Beatty
- making jokes in Metropolis
- 1098
- 00:48:46,706 --> 00:48:49,404
- This was not Jack Nicholson
- mugging for the camera.
- 1099
- 00:48:49,448 --> 00:48:50,928
- This was saying,
- 1100
- 00:48:50,971 --> 00:48:53,060
- "We're going
- into the real world.
- 1101
- 00:48:53,104 --> 00:48:55,628
- We're bringing
- the real world into this."
- 1102
- 00:49:20,348 --> 00:49:21,915
- The film
- opened with $55 million
- 1103
- 00:49:21,959 --> 00:49:23,438
- opening the weekend.
- 1104
- 00:49:23,482 --> 00:49:25,963
- That was the fifth biggest
- opening of all time
- 1105
- 00:49:26,006 --> 00:49:29,096
- and it was the biggest opening
- weekend ever for a non-sequel.
- 1106
- 00:49:29,140 --> 00:49:33,318
- Because Bryan Singer didn't have
- a gazillion dollars
- 1107
- 00:49:33,361 --> 00:49:36,103
- he had to put the emphasis
- on the drama
- 1108
- 00:49:36,147 --> 00:49:38,888
- and the characters
- and the storytelling.
- 1109
- 00:49:38,932 --> 00:49:42,327
- That's why that film still holds
- up, not as an action movie,
- 1110
- 00:49:42,370 --> 00:49:43,545
- 'cause there's
- very little action in it,
- 1111
- 00:49:43,589 --> 00:49:46,287
- but it still works
- as a character drama.
- 1112
- 00:49:49,682 --> 00:49:52,554
- Are you sneaking around
- in here, Charles?
- 1113
- 00:49:52,598 --> 00:49:54,252
- Whatever are you looking for?
- 1114
- 00:50:02,129 --> 00:50:04,044
- I'm looking for hope.
- 1115
- 00:50:05,654 --> 00:50:09,049
- I will bring you hope,
- old friend.
- 1116
- 00:50:09,093 --> 00:50:10,964
- And I ask
- only one thing in return.
- 1117
- 00:50:14,098 --> 00:50:16,100
- Don't get in my way.
- 1118
- 00:50:16,143 --> 00:50:17,579
- It's a
- much more grown up film
- 1119
- 00:50:17,623 --> 00:50:19,668
- than its predecessors,
- in many ways
- 1120
- 00:50:19,712 --> 00:50:22,541
- partly because it tackles
- big political issues.
- 1121
- 00:50:22,584 --> 00:50:25,413
- I think it deliberately
- positioned itself
- 1122
- 00:50:25,457 --> 00:50:28,112
- as not a film just for children,
- 1123
- 00:50:28,155 --> 00:50:30,070
- not a film just for fans.
- 1124
- 00:50:30,114 --> 00:50:31,941
- Something that is
- an origin story,
- 1125
- 00:50:31,985 --> 00:50:33,682
- so you don't have
- to have read the comics.
- 1126
- 00:50:33,726 --> 00:50:35,119
- But if you have read the comics
- 1127
- 00:50:35,162 --> 00:50:36,859
- then you get all the joy
- 1128
- 00:50:36,903 --> 00:50:39,732
- and delight of seeing
- all these people realized.
- 1129
- 00:50:39,775 --> 00:50:42,082
- Particularly post-Matrix,
- the choice of the costumes
- 1130
- 00:50:42,126 --> 00:50:43,649
- was very interesting.
- 1131
- 00:50:43,692 --> 00:50:46,173
- So they don't go with
- the yellow Wolverine suit.
- 1132
- 00:50:46,217 --> 00:50:48,219
- Everyone's wearing leather,
- everyone looks cool.
- 1133
- 00:50:48,262 --> 00:50:50,177
- And again it was a cool film.
- 1134
- 00:50:50,221 --> 00:50:51,787
- There were
- a lot of women in it.
- 1135
- 00:50:51,831 --> 00:50:54,138
- WhenX-Men
- came out as a film
- 1136
- 00:50:54,181 --> 00:50:57,054
- and you had this sort
- of 50-50 cast,
- 1137
- 00:50:57,097 --> 00:50:58,707
- not only were you
- bringing in the guys
- 1138
- 00:50:58,751 --> 00:51:00,231
- that were going
- to see it anyway.
- 1139
- 00:51:00,274 --> 00:51:03,103
- You had a lot of women
- who wanted to go and see it too
- 1140
- 00:51:03,147 --> 00:51:05,236
- because, hey, I want to go
- see kick ass chicks.
- 1141
- 00:51:19,119 --> 00:51:21,556
- It was such
- a huge thrill to see that.
- 1142
- 00:51:21,600 --> 00:51:23,080
- I know for a lot of people
- 1143
- 00:51:23,123 --> 00:51:26,126
- seeing Batman on
- the big screen was a big deal.
- 1144
- 00:51:26,170 --> 00:51:28,389
- But for me it was X-Men.
- 1145
- 00:51:28,433 --> 00:51:30,957
- It was seeing
- all of these women fighting.
- 1146
- 00:51:31,000 --> 00:51:33,481
- I loved that.
- 1147
- 00:51:33,525 --> 00:51:35,744
- After its first
- faltering steps,
- 1148
- 00:51:35,788 --> 00:51:37,268
- in the wake of X-Men
- 1149
- 00:51:37,311 --> 00:51:40,140
- the superhero blockbuster
- was up and running.
- 1150
- 00:51:40,184 --> 00:51:43,230
- Comic books were suddenly
- a popular source material
- 1151
- 00:51:43,274 --> 00:51:45,014
- for a whole
- range of films,
- 1152
- 00:51:45,058 --> 00:51:46,886
- and in the new millennium
- acclaimed works
- 1153
- 00:51:46,929 --> 00:51:48,757
- such asGhost World
- 1154
- 00:51:48,801 --> 00:51:50,716
- and the Oscar-winning
- Road to Perdition
- 1155
- 00:51:50,759 --> 00:51:52,196
- took non-fantasy comics
- 1156
- 00:51:52,239 --> 00:51:54,502
- and turned them
- into serious cinema.
- 1157
- 00:51:56,765 --> 00:51:59,899
- In early 2002,
- the secondBlade film opened
- 1158
- 00:51:59,942 --> 00:52:01,553
- and became
- another commercial
- 1159
- 00:52:01,596 --> 00:52:03,250
- and critical success,
- 1160
- 00:52:03,294 --> 00:52:07,646
- yet all eyes were focused
- on the Summer's big release.
- 1161
- 00:52:07,689 --> 00:52:09,126
- After a short-lived
- TV series
- 1162
- 00:52:09,169 --> 00:52:11,650
- and several
- successful cartoons,
- 1163
- 00:52:11,693 --> 00:52:13,913
- Marvel's most
- well-known character
- 1164
- 00:52:13,956 --> 00:52:17,438
- was making his way
- to the big screen...
- 1165
- 00:52:17,482 --> 00:52:18,787
- The Amazing Spider-man was
- 1166
- 00:52:18,831 --> 00:52:20,180
- one of the most
- amazing creations
- 1167
- 00:52:20,224 --> 00:52:22,008
- in comic book history.
- 1168
- 00:52:22,051 --> 00:52:26,839
- Stan Lee and Steve Ditko
- put together all the great parts
- 1169
- 00:52:26,882 --> 00:52:28,319
- of superheroes.
- 1170
- 00:52:28,362 --> 00:52:31,148
- They took a kid like Robin.
- 1171
- 00:52:31,191 --> 00:52:34,194
- They took a family tragedy
- like Batman.
- 1172
- 00:52:34,238 --> 00:52:36,283
- And they took an alter-ego
- like Superman.
- 1173
- 00:52:36,327 --> 00:52:38,111
- And they put it all together.
- 1174
- 00:52:38,155 --> 00:52:40,461
- And it just
- absolutely caught fire
- 1175
- 00:52:40,505 --> 00:52:43,247
- because Spider-Man was the
- first comic book hero
- 1176
- 00:52:43,290 --> 00:52:47,425
- with any gravitas
- who represented the readers.
- 1177
- 00:52:47,468 --> 00:52:48,730
- The problem
- with Spider-Man
- 1178
- 00:52:48,774 --> 00:52:51,777
- from a mass
- entertainment point of view
- 1179
- 00:52:51,820 --> 00:52:54,954
- is you could do a couple
- of cartoons of him swinging
- 1180
- 00:52:54,997 --> 00:52:57,217
- but he had these powers.
- He was acrobatic.
- 1181
- 00:52:57,261 --> 00:53:00,177
- He jumped around.
- He shot his web shooters.
- 1182
- 00:53:00,220 --> 00:53:03,005
- And there was a terrible
- television show in the 70s
- 1183
- 00:53:03,049 --> 00:53:07,619
- and basically the problem was
- the technology was so poor.
- 1184
- 00:53:07,662 --> 00:53:11,623
- until the magical creation
- of something called CGI.
- 1185
- 00:53:11,666 --> 00:53:15,496
- More than anything,
- that's what bailed Marvel out -
- 1186
- 00:53:15,540 --> 00:53:19,457
- the ability to portray
- their characters on film
- 1187
- 00:53:19,500 --> 00:53:21,981
- in a way that looked
- credible and exciting
- 1188
- 00:53:22,024 --> 00:53:24,636
- and would bring audiences
- into the multiplex.
- 1189
- 00:53:24,679 --> 00:53:26,203
- Look, up there!
- 1190
- 00:53:33,384 --> 00:53:34,950
- Save my baby, please!
- 1191
- 00:53:37,823 --> 00:53:40,608
- I sit there on opening night,
- and I'm thinking,
- 1192
- 00:53:40,652 --> 00:53:44,308
- this feels unreal, after all
- these years reading about it.
- 1193
- 00:53:44,351 --> 00:53:47,485
- Like, I'm actually watching
- a Spider-Man movie!
- 1194
- 00:53:47,528 --> 00:53:49,269
- Seeing
- Spider-Man swinging
- 1195
- 00:53:49,313 --> 00:53:50,836
- across the screen
- for the first time
- 1196
- 00:53:50,879 --> 00:53:53,969
- had as much of an impact
- on audiences
- 1197
- 00:53:54,013 --> 00:53:56,145
- as seeing Christopher Reeve
- fly as Superman
- 1198
- 00:53:56,189 --> 00:53:57,625
- for the first time.
- 1199
- 00:53:57,669 --> 00:54:01,934
- It was such an important moment
- for fans of the comics.
- 1200
- 00:54:01,977 --> 00:54:04,371
- And those fans were
- secure in the knowledge that,
- 1201
- 00:54:04,415 --> 00:54:05,981
- for the first time,
- 1202
- 00:54:06,025 --> 00:54:07,766
- a film adaptation
- was in the creative hands
- 1203
- 00:54:07,809 --> 00:54:12,161
- of one of their own -
- director Sam Raimi.
- 1204
- 00:54:12,205 --> 00:54:14,686
- I've a
- long history with Sam Raimi.
- 1205
- 00:54:14,729 --> 00:54:18,298
- I think he's the perfect
- director for Spider-Man.
- 1206
- 00:54:18,342 --> 00:54:21,823
- The main thing with Sam is
- he loves making movies.
- 1207
- 00:54:21,867 --> 00:54:23,521
- And he loves Spider-Man.
- 1208
- 00:54:23,564 --> 00:54:25,871
- He's a huge Spider-Man geek.
- 1209
- 00:54:25,914 --> 00:54:27,307
- He's a huge comic geek.
- 1210
- 00:54:27,351 --> 00:54:31,355
- Spider-Man, I know he loves it.
- 1211
- 00:54:31,398 --> 00:54:33,879
- He came to that project
- 1212
- 00:54:33,922 --> 00:54:36,316
- with a spirit that
- had not been seen before
- 1213
- 00:54:36,360 --> 00:54:38,710
- by a filmmaker
- adapting a comic book.
- 1214
- 00:54:38,753 --> 00:54:42,583
- As much as Richard Donner
- succeeded with Superman,
- 1215
- 00:54:42,627 --> 00:54:44,759
- he didn't grow up
- immersed in Superman
- 1216
- 00:54:44,803 --> 00:54:46,152
- the way Sam Raimi grew up
- 1217
- 00:54:46,195 --> 00:54:48,154
- immersed in the stories
- of Stan Lee
- 1218
- 00:54:48,197 --> 00:54:49,895
- and Steve Ditko and John Romita.
- 1219
- 00:54:49,938 --> 00:54:52,376
- This is a guy that knew
- what mattered in Spider-Man
- 1220
- 00:54:52,419 --> 00:54:54,943
- when he made his choices
- for the film.
- 1221
- 00:54:54,987 --> 00:54:58,077
- They weren't processed
- through a Hollywood filter.
- 1222
- 00:54:58,120 --> 00:54:59,557
- I think Sam Raimi is
- 1223
- 00:54:59,600 --> 00:55:01,254
- the perfect choice
- to direct Spider-Man.
- 1224
- 00:55:01,298 --> 00:55:02,516
- If you look
- at his body of work
- 1225
- 00:55:02,560 --> 00:55:04,301
- from "Army of Darkness"
- to the Evil Dead films,
- 1226
- 00:55:04,344 --> 00:55:07,086
- he's the kind of guy
- who appreciates the fun
- 1227
- 00:55:07,129 --> 00:55:09,784
- in Spider-Man,
- the fun in comics.
- 1228
- 00:55:09,828 --> 00:55:11,482
- We look at them
- with this gravitas
- 1229
- 00:55:11,525 --> 00:55:13,310
- because they are heroes
- and they protect us
- 1230
- 00:55:13,353 --> 00:55:14,920
- from world changing events.
- 1231
- 00:55:14,963 --> 00:55:17,792
- But there is something
- inherently fun and exhilarating
- 1232
- 00:55:17,836 --> 00:55:20,186
- about swinging through
- the canyons of New York City
- 1233
- 00:55:20,229 --> 00:55:24,669
- with a spider line
- and just being a hero.
- 1234
- 00:55:26,323 --> 00:55:27,715
- And in the
- role of this hero,
- 1235
- 00:55:27,759 --> 00:55:30,283
- Sam Raimi turned down
- the studio's choice,
- 1236
- 00:55:30,327 --> 00:55:33,460
- Freddie Prinz Jr.
- in favor of Tobey Maguire,
- 1237
- 00:55:33,504 --> 00:55:35,897
- an actor
- who had won critical acclaim
- 1238
- 00:55:35,941 --> 00:55:37,595
- in dramas Pleasantville,
- 1239
- 00:55:37,638 --> 00:55:39,771
- The Ice Storm
- and Wonder Boys.
- 1240
- 00:55:39,814 --> 00:55:41,381
- Marvel had a lot riding
- 1241
- 00:55:41,425 --> 00:55:43,078
- on that first
- Spider-Man movie.
- 1242
- 00:55:43,122 --> 00:55:47,518
- So it was extremely important
- who was cast as Spider-Man,
- 1243
- 00:55:47,561 --> 00:55:50,738
- Peter Parker, and who was
- chosen as director.
- 1244
- 00:55:50,782 --> 00:55:54,002
- I think the choice
- of Tobey Maguire was perfect.
- 1245
- 00:56:07,973 --> 00:56:10,323
- Peter!
- 1246
- 00:56:10,367 --> 00:56:12,978
- What's going on in there?
- 1247
- 00:56:13,021 --> 00:56:15,067
- I'm exercising.
- I'm not dressed, Aunt May.
- 1248
- 00:56:15,110 --> 00:56:18,505
- Well, you're acting
- so strangely, Peter.
- 1249
- 00:56:19,680 --> 00:56:21,856
- OK, thanks.
- 1250
- 00:56:21,900 --> 00:56:23,641
- He was Peter Parker.
- 1251
- 00:56:23,684 --> 00:56:25,164
- He had the voice
- and the look.
- 1252
- 00:56:25,207 --> 00:56:28,123
- That's what I always imagined
- Peter Parker to be.
- 1253
- 00:56:28,167 --> 00:56:28,994
- It's perfect.
- 1254
- 00:56:29,037 --> 00:56:30,778
- The film was the right movie
- 1255
- 00:56:30,822 --> 00:56:32,650
- at the right place
- at the right time.
- 1256
- 00:56:32,693 --> 00:56:34,913
- It was good.
- 1257
- 00:56:34,956 --> 00:56:37,263
- It was a character
- driven drama.
- 1258
- 00:56:37,306 --> 00:56:41,354
- It was focused on Peter Parker
- and his journey,
- 1259
- 00:56:41,398 --> 00:56:43,878
- his grief over the death
- of his Uncle Ben,
- 1260
- 00:56:43,922 --> 00:56:47,012
- his struggle to get
- through high school, college,
- 1261
- 00:56:47,055 --> 00:56:49,318
- and eventually balance all that
- with being Spider-Man,
- 1262
- 00:56:49,362 --> 00:56:52,321
- his unrequited love story
- with Mary Jane.
- 1263
- 00:56:52,365 --> 00:56:55,412
- Like Batman,
- it showed that a film
- 1264
- 00:56:55,455 --> 00:56:58,023
- based on a well-known
- beloved comic book character
- 1265
- 00:56:58,066 --> 00:57:00,982
- could blow away
- all the old box office records.
- 1266
- 00:57:01,026 --> 00:57:04,464
- The first film ever
- to make over $100 million
- 1267
- 00:57:04,508 --> 00:57:06,335
- in its opening weekend,
- 1268
- 00:57:06,379 --> 00:57:08,773
- Spider-Man
- was further proof that,
- 1269
- 00:57:08,816 --> 00:57:12,429
- if done right, superheroes
- were box office gold.
- 1270
- 00:57:12,472 --> 00:57:14,082
- And for
- the comic book industry,
- 1271
- 00:57:14,126 --> 00:57:16,694
- these blockbusters were now
- bringing their characters
- 1272
- 00:57:16,737 --> 00:57:18,913
- to an enormous
- global audience.
- 1273
- 00:57:18,957 --> 00:57:21,960
- Television has
- exposed people to characters
- 1274
- 00:57:22,003 --> 00:57:24,919
- they had no idea
- of what they were about.
- 1275
- 00:57:24,963 --> 00:57:26,573
- Maybe they knew who they were,
- 1276
- 00:57:26,617 --> 00:57:28,749
- but until they see the movie
- they don't understand them.
- 1277
- 00:57:28,793 --> 00:57:30,838
- I remember seeing
- the first Spider-Man movie
- 1278
- 00:57:30,882 --> 00:57:32,492
- the first Sam Raimi
- Spider-Man movie.
- 1279
- 00:57:32,536 --> 00:57:36,148
- And when Uncle Ben dies
- the audience is all torn up.
- 1280
- 00:57:36,191 --> 00:57:38,106
- - Stay back, stay back!
- - That's my uncle!
- 1281
- 00:57:39,978 --> 00:57:42,894
- - What happened?
- - Car jacker. He's been shot.
- 1282
- 00:57:42,937 --> 00:57:45,418
- We just called the paramedics.
- They're on their way.
- 1283
- 00:57:45,462 --> 00:57:46,985
- Stay back!
- 1284
- 00:57:47,028 --> 00:57:48,769
- Uncle Ben.
- 1285
- 00:57:48,813 --> 00:57:51,250
- I've known this story
- since I was ten years old.
- 1286
- 00:57:51,293 --> 00:57:53,470
- It obviously affected me
- when I read it.
- 1287
- 00:57:53,513 --> 00:57:56,255
- But I never thought about it
- on a wider audience.
- 1288
- 00:57:56,298 --> 00:57:59,824
- When Uncle Ben dies,
- the audience is devastated.
- 1289
- 00:58:00,694 --> 00:58:02,522
- Whoa!
- 1290
- 00:58:02,566 --> 00:58:05,307
- Here's where things change.
- 1291
- 00:58:05,351 --> 00:58:08,136
- When you stay with the core
- of a comical creation
- 1292
- 00:58:08,180 --> 00:58:11,749
- that I loved
- and millions of others loved,
- 1293
- 00:58:11,792 --> 00:58:13,577
- translate that to film properly
- 1294
- 00:58:13,620 --> 00:58:15,535
- you're going to make some money.
- 1295
- 00:58:15,579 --> 00:58:17,363
- Aware of
- the potential profits,
- 1296
- 00:58:17,406 --> 00:58:20,714
- the Hollywood machine
- now went into overdrive.
- 1297
- 00:58:20,758 --> 00:58:24,762
- In the summer of 2003,
- The Hulk was released,
- 1298
- 00:58:24,805 --> 00:58:26,894
- and withThe Fantastic
- Four and Daredevil film
- 1299
- 00:58:26,938 --> 00:58:28,374
- already in production,
- 1300
- 00:58:28,417 --> 00:58:31,333
- only six years
- after facing bankruptcy,
- 1301
- 00:58:31,377 --> 00:58:34,641
- Stan Lee's creations were now
- the most in-demand properties
- 1302
- 00:58:34,685 --> 00:58:36,164
- in the entertainment
- business.
- 1303
- 00:58:37,862 --> 00:58:42,170
- The filmmakers suddenly realized
- there's a market
- 1304
- 00:58:42,214 --> 00:58:44,869
- for films
- that are bigger than life
- 1305
- 00:58:44,912 --> 00:58:46,827
- with colorful heroes
- 1306
- 00:58:46,871 --> 00:58:49,177
- with wonderful special effects
- 1307
- 00:58:49,221 --> 00:58:52,180
- and obviously where can you
- get better things than that
- 1308
- 00:58:52,224 --> 00:58:55,183
- than in comics,
- especially in Marvel Comics.
- 1309
- 00:58:59,057 --> 00:59:00,406
- The Hulk was
- 1310
- 00:59:00,449 --> 00:59:03,104
- the second
- Marvel Comics creation
- 1311
- 00:59:03,148 --> 00:59:05,803
- between Stan Lee
- and Jack Kirby in the 60s.
- 1312
- 00:59:05,846 --> 00:59:08,501
- Again, in terms of archetypes,
- who is he?
- 1313
- 00:59:08,545 --> 00:59:10,764
- He is Frankenstein,
- 1314
- 00:59:10,808 --> 00:59:12,810
- with Jekyll and Hyde
- kind of mixed in.
- 1315
- 00:59:12,853 --> 00:59:15,943
- The skinny doctor who gets
- bombarded by gamma rays
- 1316
- 00:59:15,987 --> 00:59:17,989
- and turns into
- this hulking brute
- 1317
- 00:59:18,032 --> 00:59:21,166
- and he has no interest
- in defending civil liberty
- 1318
- 00:59:21,209 --> 00:59:23,168
- or civil virtues or America
- in any way.
- 1319
- 00:59:23,211 --> 00:59:24,865
- He's utterly out for himself.
- 1320
- 00:59:30,349 --> 00:59:31,698
- The Incredible Hulk
- 1321
- 00:59:31,742 --> 00:59:33,613
- was Marvel's first
- big television success
- 1322
- 00:59:33,657 --> 00:59:36,137
- in the late 70s and early 80s.
- 1323
- 00:59:38,487 --> 00:59:41,490
- It was well-acted and it took
- the same sort of theme
- 1324
- 00:59:41,534 --> 00:59:44,189
- as The Fugitive,
- the 60s TV show,
- 1325
- 00:59:44,232 --> 00:59:46,583
- and there was
- a tragic theme about it
- 1326
- 00:59:46,626 --> 00:59:48,628
- which I think was true
- to the comic book.
- 1327
- 00:59:48,672 --> 00:59:51,152
- He was a different kind
- of superhero -
- 1328
- 00:59:51,196 --> 00:59:54,503
- somebody who didn't want
- the powers that he had.
- 1329
- 00:59:54,547 --> 00:59:57,158
- And the TV show,
- even though, comic book fans
- 1330
- 00:59:57,202 --> 00:59:59,160
- had a lot to
- quibble with,
- 1331
- 00:59:59,204 --> 01:00:01,467
- I think it was very successful
- for its medium for its time.
- 1332
- 01:00:01,510 --> 01:00:03,774
- But translating The Hulk
- into the big screen
- 1333
- 01:00:03,817 --> 01:00:05,602
- of course you wanted
- more than that.
- 1334
- 01:00:05,645 --> 01:00:08,605
- Now you could have a bigger
- Hulk, a much stronger Hulk,
- 1335
- 01:00:08,648 --> 01:00:10,607
- truer to the comic books.
- 1336
- 01:00:10,650 --> 01:00:12,826
- But being true
- to the comic books
- 1337
- 01:00:12,870 --> 01:00:14,393
- wasn't the primary
- intention
- 1338
- 01:00:14,436 --> 01:00:17,396
- for the creative team
- behind 2003's Hulk.
- 1339
- 01:00:17,439 --> 01:00:20,268
- Award-winning
- Taiwanese filmmaker Ang Lee
- 1340
- 01:00:20,312 --> 01:00:21,835
- was the most
- critically acclaimed
- 1341
- 01:00:21,879 --> 01:00:24,011
- and internationally
- celebrated director
- 1342
- 01:00:24,055 --> 01:00:26,361
- ever to take on
- a superhero adaptation.
- 1343
- 01:00:26,405 --> 01:00:30,148
- His film was more interested
- in psychology than action,
- 1344
- 01:00:30,191 --> 01:00:32,280
- its script steeped
- in allusions
- 1345
- 01:00:32,324 --> 01:00:34,979
- to literary classics
- and mythology.
- 1346
- 01:00:35,022 --> 01:00:38,460
- I loved Hulkin 2003.
- I loved it.
- 1347
- 01:00:38,504 --> 01:00:41,246
- If I hadn't wanted
- to go see the film
- 1348
- 01:00:41,289 --> 01:00:43,901
- because I watched the TV show,
- which I did,
- 1349
- 01:00:43,944 --> 01:00:45,467
- so I already loved Hulk,
- 1350
- 01:00:45,511 --> 01:00:47,426
- I would have gone
- because of the director.
- 1351
- 01:00:47,469 --> 01:00:50,211
- At that point,
- it was pretty obvious
- 1352
- 01:00:50,255 --> 01:00:52,561
- that comic book films
- were going to keep going.
- 1353
- 01:00:52,605 --> 01:00:55,173
- And so I think it was
- a really interesting choice
- 1354
- 01:00:55,216 --> 01:00:57,523
- to take a director
- like Ang Lee and say,
- 1355
- 01:00:57,566 --> 01:01:00,831
- "Here is a big, green guy
- who wears purple pants.
- 1356
- 01:01:00,874 --> 01:01:02,049
- Do what you want with him."
- 1357
- 01:01:02,093 --> 01:01:04,095
- The gamma's too high.
- 1358
- 01:01:04,138 --> 01:01:05,923
- Bruce, I can't stop it.
- 1359
- 01:01:08,969 --> 01:01:10,667
- Harper, get out!
- 1360
- 01:01:11,493 --> 01:01:13,104
- Get out!
- 1361
- 01:01:23,375 --> 01:01:25,290
- The idea of
- somebody like Tim Burton
- 1362
- 01:01:25,333 --> 01:01:27,727
- doing a comic book film
- made sense to people.
- 1363
- 01:01:27,771 --> 01:01:29,990
- Ang Lee. You're like,
- wait, what now?
- 1364
- 01:01:30,034 --> 01:01:31,688
- But I think that
- sort of gave
- 1365
- 01:01:31,731 --> 01:01:34,647
- a little more of a footing
- to comic book movies
- 1366
- 01:01:34,691 --> 01:01:37,171
- for people who might have
- dismissed them as kids' stuff.
- 1367
- 01:01:49,575 --> 01:01:52,012
- The Hulk is
- very much an Ang Lee picture.
- 1368
- 01:01:52,056 --> 01:01:54,754
- But it's also super duper
- comic booky visually
- 1369
- 01:01:54,798 --> 01:01:57,670
- in terms of the use of panels
- as editing devices,
- 1370
- 01:01:57,714 --> 01:02:00,064
- the really bright
- primary colors,
- 1371
- 01:02:00,107 --> 01:02:02,719
- the unapologetic
- larger-than-life action.
- 1372
- 01:02:12,598 --> 01:02:13,686
- No!
- 1373
- 01:02:27,439 --> 01:02:29,702
- But it was a flop.
- 1374
- 01:02:29,746 --> 01:02:32,531
- I think that was
- another case of audiences
- 1375
- 01:02:32,574 --> 01:02:35,273
- not embracing
- a very arthouse drama
- 1376
- 01:02:35,316 --> 01:02:37,536
- that was disguised
- as a comic book movie.
- 1377
- 01:02:37,579 --> 01:02:41,105
- And I think again,
- like withBatman Returns,
- 1378
- 01:02:41,148 --> 01:02:43,542
- the lesson that Hollywood
- took from that is like
- 1379
- 01:02:43,585 --> 01:02:45,326
- bring in great directors
- 1380
- 01:02:45,370 --> 01:02:49,200
- but don't let them
- go completely crazy.
- 1381
- 01:02:49,243 --> 01:02:51,071
- Its ambition
- was commendable
- 1382
- 01:02:51,115 --> 01:02:53,857
- when compared to the rash
- of films that followed.
- 1383
- 01:02:53,900 --> 01:02:56,076
- With the Ben Affleck
- vehicle Daredevil,
- 1384
- 01:02:56,120 --> 01:02:58,818
- the second big screen
- outing ofThe Punisher
- 1385
- 01:02:58,862 --> 01:03:01,473
- and a tepid,
- family-friendly Fantastic Four,
- 1386
- 01:03:01,516 --> 01:03:04,868
- the run of Marvel-based hits
- came to an end,
- 1387
- 01:03:04,911 --> 01:03:07,174
- whereas theCatwoman
- solo feature film
- 1388
- 01:03:07,218 --> 01:03:09,611
- starring Halle Berry
- quickly made its way
- 1389
- 01:03:09,655 --> 01:03:12,179
- into worst-film-
- of-all-time lists.
- 1390
- 01:03:12,223 --> 01:03:15,792
- Yet sequels kept
- the superhero flag flying,
- 1391
- 01:03:15,835 --> 01:03:19,491
- with Sam Raimi's Spider-Man
- 2 and Bryan Singer's X2
- 1392
- 01:03:19,534 --> 01:03:22,494
- hailed as amongst
- the very best of the genre.
- 1393
- 01:03:22,537 --> 01:03:24,801
- Spider-Man 2
- is widely considered
- 1394
- 01:03:24,844 --> 01:03:26,193
- one of the
- greatest sequels,
- 1395
- 01:03:26,237 --> 01:03:27,804
- especially
- in superhero movies.
- 1396
- 01:03:27,847 --> 01:03:30,763
- The special effects had moved on
- that bit more again.
- 1397
- 01:03:30,807 --> 01:03:32,765
- Even in just
- those couple of years
- 1398
- 01:03:32,809 --> 01:03:34,680
- between films
- they're developing,
- 1399
- 01:03:34,723 --> 01:03:36,856
- they're getting
- that bit more weight to them.
- 1400
- 01:03:36,900 --> 01:03:39,641
- And they are just pushing
- what they can do with them.
- 1401
- 01:03:39,685 --> 01:03:41,992
- Particularly with
- the Dr. Octopus character
- 1402
- 01:03:42,035 --> 01:03:44,646
- and all these kind
- of extendable limbs.
- 1403
- 01:03:44,690 --> 01:03:47,084
- It has some of the
- stand-out set pieces still
- 1404
- 01:03:47,127 --> 01:03:50,478
- in terms of superior cinema,
- from that fight on the train
- 1405
- 01:03:50,522 --> 01:03:53,220
- and when they're fighting
- on the side of the building.
- 1406
- 01:03:53,264 --> 01:03:55,396
- It just gets that stuff
- so right.
- 1407
- 01:03:55,440 --> 01:03:57,529
- It's just hugely entertaining.
- 1408
- 01:03:57,572 --> 01:04:00,314
- In terms of
- being faithful to the source,
- 1409
- 01:04:00,358 --> 01:04:04,536
- X2 was probably the high
- watermark at that time
- 1410
- 01:04:04,579 --> 01:04:07,234
- for basically
- a comic book come to life.
- 1411
- 01:04:07,278 --> 01:04:11,325
- X2 feels like a trade
- paperback all in one sitting.
- 1412
- 01:04:11,369 --> 01:04:14,285
- The first 50 minutes of X2,
- the first act, I still think
- 1413
- 01:04:14,328 --> 01:04:16,809
- is some of the best
- comic book cinema ever made.
- 1414
- 01:04:27,211 --> 01:04:30,518
- Don't shoot!
- 1415
- 01:04:30,562 --> 01:04:32,477
- It gets
- even more political in X2
- 1416
- 01:04:32,520 --> 01:04:33,870
- and it gets darker.
- 1417
- 01:04:33,913 --> 01:04:35,219
- Nightcrawler
- was a fantastic character
- 1418
- 01:04:35,262 --> 01:04:38,048
- and his early sequences
- in the White House,
- 1419
- 01:04:38,091 --> 01:04:40,789
- absolutely showcases CGI -
- were very funny, very cool.
- 1420
- 01:04:40,833 --> 01:04:43,357
- And actually really not like
- things we had seen before.
- 1421
- 01:04:43,401 --> 01:04:45,707
- X2 was
- the one that showed
- 1422
- 01:04:45,751 --> 01:04:47,361
- they really can
- do everything.
- 1423
- 01:04:47,405 --> 01:04:49,581
- They were just using
- their powers all the time
- 1424
- 01:04:49,624 --> 01:04:51,104
- without giving it
- a second thought.
- 1425
- 01:04:51,148 --> 01:04:53,193
- And not only are the
- special effects terrific,
- 1426
- 01:04:53,237 --> 01:04:55,543
- they feel seamless.
- They feel like...
- 1427
- 01:04:55,587 --> 01:04:57,937
- ...they're unstrained
- in a narrative sense.
- 1428
- 01:04:57,981 --> 01:05:00,505
- And that's why I'm thinking
- they're going "wow".
- 1429
- 01:05:00,548 --> 01:05:02,724
- This is it. We've done it.
- 1430
- 01:05:02,768 --> 01:05:04,465
- And as
- advances in technology
- 1431
- 01:05:04,509 --> 01:05:07,077
- helped transport superheroes
- to the big screen,
- 1432
- 01:05:07,120 --> 01:05:08,730
- they also helped bring
- 1433
- 01:05:08,774 --> 01:05:11,081
- comic book aficionados
- closer together.
- 1434
- 01:05:11,124 --> 01:05:13,779
- Where the only forum
- for readers
- 1435
- 01:05:13,822 --> 01:05:15,694
- had previously been
- letters pages
- 1436
- 01:05:15,737 --> 01:05:17,565
- and the comic book
- store itself,
- 1437
- 01:05:17,609 --> 01:05:19,741
- with the coming
- of the digital age,
- 1438
- 01:05:19,785 --> 01:05:23,049
- once isolated fans
- embraced the Internet
- 1439
- 01:05:23,093 --> 01:05:27,010
- and reached out to others
- who shared their passion.
- 1440
- 01:05:27,053 --> 01:05:28,576
- Of course,
- the Internet did so much
- 1441
- 01:05:28,620 --> 01:05:31,536
- to propel and explode
- fan culture
- 1442
- 01:05:31,579 --> 01:05:35,018
- for comic books and all kinds
- of fan obsession.
- 1443
- 01:05:35,061 --> 01:05:36,584
- If you were a fan
- of these comic books,
- 1444
- 01:05:36,628 --> 01:05:38,543
- you felt kind of alone.
- 1445
- 01:05:38,586 --> 01:05:41,241
- You know are there
- other people out there
- 1446
- 01:05:41,285 --> 01:05:44,375
- other than just a handful
- of friends who are into this.
- 1447
- 01:05:44,418 --> 01:05:47,334
- What the Internet did
- with the message boards,
- 1448
- 01:05:47,378 --> 01:05:51,164
- now it creates this broad
- international community
- 1449
- 01:05:51,208 --> 01:05:53,993
- where you can comment on
- every comic book or superhero.
- 1450
- 01:05:54,037 --> 01:05:56,082
- You can actually help
- to shape the comic books
- 1451
- 01:05:56,126 --> 01:05:58,345
- because the writers,
- the artists,
- 1452
- 01:05:58,389 --> 01:06:00,173
- would hear about
- this too.
- 1453
- 01:06:00,217 --> 01:06:04,134
- The message board culture
- of the late 90s and early 2000s,
- 1454
- 01:06:04,177 --> 01:06:07,006
- you were able to bridge a gap
- 1455
- 01:06:07,050 --> 01:06:09,487
- between the fans
- and the creatives
- 1456
- 01:06:09,530 --> 01:06:12,794
- and the artist and the
- writers were more accessible.
- 1457
- 01:06:12,838 --> 01:06:15,406
- You could have conversations
- and dialogue with them
- 1458
- 01:06:15,449 --> 01:06:17,277
- and fans were
- able to connect
- 1459
- 01:06:17,321 --> 01:06:19,627
- and talk about what they loved
- or what they didn't love
- 1460
- 01:06:19,671 --> 01:06:23,066
- about movies or comics
- or whatever it may be.
- 1461
- 01:06:23,109 --> 01:06:24,763
- So we started to see,
- 1462
- 01:06:24,806 --> 01:06:26,939
- due to the Internet
- and online communities,
- 1463
- 01:06:26,983 --> 01:06:28,593
- the explosion
- of fan culture
- 1464
- 01:06:28,636 --> 01:06:30,203
- which ultimately
- I think has led
- 1465
- 01:06:30,247 --> 01:06:32,118
- to there being
- as many conventions
- 1466
- 01:06:32,162 --> 01:06:34,381
- and fan conventions
- as there are today.
- 1467
- 01:06:34,425 --> 01:06:36,644
- Comic book culture has
- become more fan culture.
- 1468
- 01:06:36,688 --> 01:06:40,909
- Just people getting together
- and celebrating what they love.
- 1469
- 01:06:40,953 --> 01:06:43,173
- The opening years
- of the new millennium
- 1470
- 01:06:43,216 --> 01:06:44,957
- were notable for
- the explosion
- 1471
- 01:06:45,001 --> 01:06:46,437
- of beloved Marvel
- characters
- 1472
- 01:06:46,480 --> 01:06:49,092
- onto the big screen
- for the first time.
- 1473
- 01:06:49,135 --> 01:06:51,398
- 2005, however,
- was the year
- 1474
- 01:06:51,442 --> 01:06:54,401
- in which the Dark Knight
- once again returned.
- 1475
- 01:06:54,445 --> 01:06:56,229
- Looking to wipe
- the slate clean
- 1476
- 01:06:56,273 --> 01:06:58,362
- after the extravagance
- and incoherence
- 1477
- 01:06:58,405 --> 01:07:01,626
- of the Joel Schumacher years,
- Warner Brothers turned to
- 1478
- 01:07:01,669 --> 01:07:03,671
- young, celebrated
- British director
- 1479
- 01:07:03,715 --> 01:07:06,283
- Christopher Nolan
- to start the series anew,
- 1480
- 01:07:06,326 --> 01:07:09,155
- withBatman Begins.
- 1481
- 01:07:09,199 --> 01:07:10,591
- And in telling
- this story,
- 1482
- 01:07:10,635 --> 01:07:13,768
- the creative team of Nolan
- and David S. Goyer,
- 1483
- 01:07:13,812 --> 01:07:16,075
- the writer behind
- theBlade franchise,
- 1484
- 01:07:16,119 --> 01:07:17,946
- looked directly
- to the comic books -
- 1485
- 01:07:17,990 --> 01:07:21,559
- in particular Frank Miller's
- seminal origin story
- 1486
- 01:07:21,602 --> 01:07:23,343
- Batman: Year One
- 1487
- 01:07:23,387 --> 01:07:27,086
- and the pioneering output of
- Denny O'Neil and Neal Adams
- 1488
- 01:07:27,130 --> 01:07:28,957
- in the 1970s.
- 1489
- 01:07:29,001 --> 01:07:30,568
- Christopher Nolan did
- 1490
- 01:07:30,611 --> 01:07:32,439
- something rather
- remarkable and simple.
- 1491
- 01:07:32,483 --> 01:07:34,702
- He was the first major filmmaker
- 1492
- 01:07:34,746 --> 01:07:38,619
- to tell the story of,
- as they said in 1940,
- 1493
- 01:07:38,663 --> 01:07:42,275
- who Batman is
- and how he came to be.
- 1494
- 01:07:42,319 --> 01:07:44,886
- It's the first origin film
- of Batman.
- 1495
- 01:07:44,930 --> 01:07:47,280
- Batman's origin
- is just tremendous.
- 1496
- 01:07:47,324 --> 01:07:49,152
- It's so emotional
- and so effective
- 1497
- 01:07:49,195 --> 01:07:51,110
- and so effectively done
- by Chris Nolan
- 1498
- 01:07:51,154 --> 01:07:53,330
- that almost that decision alone
- 1499
- 01:07:53,373 --> 01:07:55,201
- gave him three quarters
- of his movie.
- 1500
- 01:07:55,245 --> 01:07:57,334
- Chris Nolan
- approached these movies
- 1501
- 01:07:57,377 --> 01:07:59,858
- almost like a John Ford
- or Howard Hawks.
- 1502
- 01:07:59,901 --> 01:08:03,644
- As a single relentless avenger
- 1503
- 01:08:03,688 --> 01:08:06,125
- trying to find out who he is
- and what he's about.
- 1504
- 01:08:20,966 --> 01:08:22,881
- The work that
- Denny and I had done
- 1505
- 01:08:22,924 --> 01:08:25,144
- influenced that first movie,
- 1506
- 01:08:25,188 --> 01:08:27,146
- and you could see it
- right on the screen.
- 1507
- 01:08:30,367 --> 01:08:33,674
- Of the DC movies
- that had been made,
- 1508
- 01:08:33,718 --> 01:08:35,850
- that first of those three,
- 1509
- 01:08:35,894 --> 01:08:38,549
- just killer,
- it's a killer movie.
- 1510
- 01:08:38,592 --> 01:08:40,116
- The
- achievement ofBatman Begins
- 1511
- 01:08:40,159 --> 01:08:41,726
- can't be underestimated.
- 1512
- 01:08:41,769 --> 01:08:43,206
- Christopher Nolan's
- a brilliant filmmaker.
- 1513
- 01:08:43,249 --> 01:08:45,033
- Start with that.
- 1514
- 01:08:45,077 --> 01:08:47,514
- And watch the movie unfold
- the way he tells the story.
- 1515
- 01:08:47,558 --> 01:08:50,300
- The use of practical effects
- in camera
- 1516
- 01:08:50,343 --> 01:08:53,781
- to get away from CGI
- whenever possible
- 1517
- 01:08:53,825 --> 01:08:56,175
- not because
- it's a financial issue
- 1518
- 01:08:56,219 --> 01:08:57,655
- but because
- of the aesthetic issues
- 1519
- 01:08:57,698 --> 01:09:01,572
- and you've got a street level
- version of Batman
- 1520
- 01:09:01,615 --> 01:09:03,008
- that everybody in the world
- 1521
- 01:09:03,051 --> 01:09:07,447
- except perhaps Joel Schumacher
- was ready for.
- 1522
- 01:09:07,491 --> 01:09:09,884
- LikeSuperman
- and X-Men before it,
- 1523
- 01:09:09,928 --> 01:09:12,191
- Batman Begins
- featured an abundance
- 1524
- 01:09:12,235 --> 01:09:15,151
- of acting talent
- to portray major roles.
- 1525
- 01:09:15,194 --> 01:09:18,154
- Alongside acclaimed but
- little-known British actor
- 1526
- 01:09:18,197 --> 01:09:20,025
- Christian Bale
- as Bruce Wayne,
- 1527
- 01:09:20,068 --> 01:09:23,202
- were Liam Neeson,
- Michael Caine, Gary Oldman
- 1528
- 01:09:23,246 --> 01:09:25,335
- and many other
- esteemed actors
- 1529
- 01:09:25,378 --> 01:09:29,165
- in one of the most impressive
- ensemble casts ever assembled.
- 1530
- 01:09:29,208 --> 01:09:31,906
- This leant the film
- considerable dramatic weight,
- 1531
- 01:09:31,950 --> 01:09:33,560
- and upon its release,
- 1532
- 01:09:33,604 --> 01:09:35,693
- it immediately set
- a new benchmark
- 1533
- 01:09:35,736 --> 01:09:38,130
- for superhero cinema.
- 1534
- 01:09:38,174 --> 01:09:41,307
- Batman Beginsblew my mind
- when it came out.
- 1535
- 01:09:41,351 --> 01:09:42,874
- I knew who Christian Bale was
- 1536
- 01:09:42,917 --> 01:09:44,745
- so I was excited to see
- what he did with it.
- 1537
- 01:09:44,789 --> 01:09:46,312
- But I had no idea.
- 1538
- 01:09:46,356 --> 01:09:48,053
- And I knew some Nolan stuff
- 1539
- 01:09:48,096 --> 01:09:51,230
- But I didn't know
- it was going to be that.
- 1540
- 01:09:51,274 --> 01:09:54,712
- He was so good
- and the story was so dark
- 1541
- 01:09:54,755 --> 01:09:56,888
- and so grounded
- in reality.
- 1542
- 01:09:56,931 --> 01:09:59,456
- That was a whole new thing
- for comic book movies.
- 1543
- 01:10:03,764 --> 01:10:05,462
- A storm's coming.
- 1544
- 01:10:10,118 --> 01:10:13,426
- The scum is getting jumpy
- because you stood up to Falcone.
- 1545
- 01:10:13,470 --> 01:10:14,949
- It's a start.
- 1546
- 01:10:14,993 --> 01:10:17,952
- Commission Loeb set up a massive
- task force to catch you.
- 1547
- 01:10:17,996 --> 01:10:19,867
- He thinks you're dangerous.
- 1548
- 01:10:19,911 --> 01:10:22,479
- What do you think?
- 1549
- 01:10:22,522 --> 01:10:24,394
- I think you're trying to help.
- 1550
- 01:10:30,313 --> 01:10:31,792
- But I've been wrong before.
- 1551
- 01:10:31,836 --> 01:10:34,360
- Nolan wasn't a huge comic geek.
- 1552
- 01:10:34,404 --> 01:10:37,276
- And he wasn't coming at it from
- the point of view of some fan
- 1553
- 01:10:37,320 --> 01:10:39,365
- who got his chance
- to make what he wanted.
- 1554
- 01:10:39,409 --> 01:10:42,194
- He was looking at it like
- a serious dramatic filmmaker
- 1555
- 01:10:42,238 --> 01:10:44,979
- who had an opportunity
- to take this thing
- 1556
- 01:10:45,023 --> 01:10:46,938
- and make it real.
- 1557
- 01:10:46,981 --> 01:10:49,723
- Nolan's Batmans
- were the first time
- 1558
- 01:10:49,767 --> 01:10:53,466
- that someone approached
- superhero mythology
- 1559
- 01:10:53,510 --> 01:10:56,730
- as a legitimate
- dramatic narrative.
- 1560
- 01:10:56,774 --> 01:11:00,038
- I give Warners and Nolan a
- lot of credit for committing
- 1561
- 01:11:00,081 --> 01:11:02,606
- to the degree that they did
- to bring that real
- 1562
- 01:11:02,649 --> 01:11:04,477
- 'cause I think there's
- a whole generation of people
- 1563
- 01:11:04,521 --> 01:11:06,566
- that that's their version
- of Batman.
- 1564
- 01:11:06,610 --> 01:11:08,829
- It was defining.
- 1565
- 01:11:08,873 --> 01:11:10,440
- Batman Begins
- helped to bring
- 1566
- 01:11:10,483 --> 01:11:12,268
- a new level of respect
- 1567
- 01:11:12,311 --> 01:11:16,315
- both to superhero films and
- to comic books themselves.
- 1568
- 01:11:16,359 --> 01:11:18,709
- The year of its
- release, 2005,
- 1569
- 01:11:18,752 --> 01:11:21,146
- also saw
- comic book adaptations
- 1570
- 01:11:21,189 --> 01:11:22,713
- compete for the first time
- at Cannes,
- 1571
- 01:11:22,756 --> 01:11:26,194
- the most prestigious
- international film festival.
- 1572
- 01:11:26,238 --> 01:11:28,980
- Sin City, directed
- by Robert Rodriguez
- 1573
- 01:11:29,023 --> 01:11:30,590
- andA History of Violence,
- 1574
- 01:11:30,634 --> 01:11:33,854
- by veteran Canadian filmmaker
- David Cronenberg,
- 1575
- 01:11:33,898 --> 01:11:36,335
- continued in the tradition
- of earlier films
- 1576
- 01:11:36,379 --> 01:11:38,119
- Road to Perdition
- and Ghost World
- 1577
- 01:11:38,163 --> 01:11:40,992
- in demonstrating that
- comic books were an artform
- 1578
- 01:11:41,035 --> 01:11:43,386
- to be taken seriously.
- 1579
- 01:11:43,429 --> 01:11:45,257
- The things that came out
- 1580
- 01:11:45,301 --> 01:11:47,172
- that weren't
- superhero based
- 1581
- 01:11:47,215 --> 01:11:49,609
- really showed a lot of people
- who don't read comics
- 1582
- 01:11:49,653 --> 01:11:51,829
- that it was more
- than guys in Spandex.
- 1583
- 01:11:51,872 --> 01:11:55,223
- I think it made people take
- the medium more seriously.
- 1584
- 01:11:55,267 --> 01:11:57,835
- That it wasn't just
- the pulp stories.
- 1585
- 01:11:57,878 --> 01:12:01,578
- That it was that you could tell
- a really beautiful narrative
- 1586
- 01:12:01,621 --> 01:12:03,797
- and you had another layer to it.
- 1587
- 01:12:03,841 --> 01:12:05,843
- You had the visuals.
- 1588
- 01:12:05,886 --> 01:12:10,021
- The urgency of
- truly high quality comic books
- 1589
- 01:12:10,064 --> 01:12:11,805
- starts coming across.
- 1590
- 01:12:11,849 --> 01:12:13,981
- Road to Perdition,
- in particular,
- 1591
- 01:12:14,025 --> 01:12:15,896
- I think it's fantastic
- that people don't know
- 1592
- 01:12:15,940 --> 01:12:19,726
- that's based on a comic book.
- I love to tell them and say,
- 1593
- 01:12:19,770 --> 01:12:22,338
- "Oh, it's a very
- faithful adaptation as well."
- 1594
- 01:12:22,381 --> 01:12:23,991
- You see them
- scratch their heads.
- 1595
- 01:12:24,035 --> 01:12:27,995
- That doubt of their sense
- of what a comic book is
- 1596
- 01:12:28,039 --> 01:12:33,000
- is what led to all the great
- things that have happened since.
- 1597
- 01:12:33,044 --> 01:12:35,263
- Yet in the years
- immediately following
- 1598
- 01:12:35,307 --> 01:12:39,050
- the release of Batman Begins,
- the genre still seemed shaky.
- 1599
- 01:12:39,093 --> 01:12:42,183
- Marvel adaptations continued
- to flounder,
- 1600
- 01:12:42,227 --> 01:12:45,622
- with Elektra,
- Ghost Rider and a Fantastic Four sequel
- 1601
- 01:12:45,665 --> 01:12:48,407
- all receiving
- a lukewarm reception,
- 1602
- 01:12:48,451 --> 01:12:50,627
- while third films
- in proven series
- 1603
- 01:12:50,670 --> 01:12:54,500
- X-Men and Spider-Man
- disappointed fans.
- 1604
- 01:12:54,544 --> 01:12:56,110
- Behind the
- scenes, however,
- 1605
- 01:12:56,154 --> 01:12:59,505
- Marvel was looking to take
- its fate into its own hands.
- 1606
- 01:12:59,549 --> 01:13:03,074
- In the 90s Marvel
- was licensing its properties
- 1607
- 01:13:03,117 --> 01:13:04,684
- to a variety
- of different studios.
- 1608
- 01:13:04,728 --> 01:13:08,122
- So, for example,
- Paramount had Iron Man,
- 1609
- 01:13:08,166 --> 01:13:10,342
- Thor, Captain America,
- 1610
- 01:13:10,386 --> 01:13:11,909
- I think it might have had
- Black Panther at the time.
- 1611
- 01:13:11,952 --> 01:13:15,695
- Fox had the X-Men
- universe of course.
- 1612
- 01:13:15,739 --> 01:13:18,437
- Sony had Spider-Man,
- Universal had The Hulk.
- 1613
- 01:13:18,481 --> 01:13:22,963
- But in the mid-2000s, led by
- a guy called David Maisel
- 1614
- 01:13:23,007 --> 01:13:25,444
- Marvel decided
- they would try and employ
- 1615
- 01:13:25,488 --> 01:13:28,534
- a different model
- of movie-making.
- 1616
- 01:13:28,578 --> 01:13:31,189
- Maisel suggested
- that Marvel develop
- 1617
- 01:13:31,232 --> 01:13:33,191
- and produce
- films in-house,
- 1618
- 01:13:33,234 --> 01:13:35,541
- become a production company
- in its own right
- 1619
- 01:13:35,585 --> 01:13:38,196
- and maintain creative
- and financial control
- 1620
- 01:13:38,239 --> 01:13:40,198
- over its own properties.
- 1621
- 01:13:40,241 --> 01:13:41,895
- It was a risky move,
- 1622
- 01:13:41,939 --> 01:13:45,116
- as it required the company to
- secure substantial funding,
- 1623
- 01:13:45,159 --> 01:13:46,900
- yet Marvel
- pressed forward,
- 1624
- 01:13:46,944 --> 01:13:48,467
- with the rights
- to only a handful
- 1625
- 01:13:48,511 --> 01:13:50,730
- of its more
- prominent characters.
- 1626
- 01:13:50,774 --> 01:13:53,951
- In 2007,
- they moved into production,
- 1627
- 01:13:53,994 --> 01:13:56,170
- and under the stewardship
- of David Maisel
- 1628
- 01:13:56,214 --> 01:13:58,346
- and Marvel producer
- Kevin Feige,
- 1629
- 01:13:58,390 --> 01:14:01,262
- soon announced their
- upcoming plans to the press.
- 1630
- 01:14:01,306 --> 01:14:03,308
- I had published a story
- 1631
- 01:14:03,351 --> 01:14:05,353
- that was on the front page of
- the LA Times business section.
- 1632
- 01:14:05,397 --> 01:14:08,400
- It had a picture of the Hulk
- and Thor and Iron Man.
- 1633
- 01:14:08,444 --> 01:14:11,055
- This was before
- the first Iron Man film.
- 1634
- 01:14:11,098 --> 01:14:13,536
- And the headline
- was "The B-Team".
- 1635
- 01:14:13,579 --> 01:14:15,146
- This was notX-Men,
- 1636
- 01:14:15,189 --> 01:14:16,800
- the best-selling
- comic book in America.
- 1637
- 01:14:16,843 --> 01:14:18,192
- This was notSpider-Man.
- 1638
- 01:14:18,236 --> 01:14:21,369
- These characters
- weren't as well-known.
- 1639
- 01:14:21,413 --> 01:14:26,331
- But there's nothing wrong
- with being an unknown
- 1640
- 01:14:26,374 --> 01:14:29,552
- as long as you make
- a good first impression.
- 1641
- 01:14:29,595 --> 01:14:31,684
- In 2008, the pressure
- 1642
- 01:14:31,728 --> 01:14:33,294
- for that first impression
- 1643
- 01:14:33,338 --> 01:14:35,645
- fell on the shoulders
- of Iron Man
- 1644
- 01:14:35,688 --> 01:14:37,516
- and his alter
- ego Tony Stark,
- 1645
- 01:14:37,560 --> 01:14:39,170
- the hero who would front
- 1646
- 01:14:39,213 --> 01:14:42,390
- the debut release
- from Marvel Studios.
- 1647
- 01:14:42,434 --> 01:14:44,567
- Like Blade
- a decade beforehand,
- 1648
- 01:14:44,610 --> 01:14:46,917
- once again
- this was a character
- 1649
- 01:14:46,960 --> 01:14:49,049
- with little
- audience recognition,
- 1650
- 01:14:49,093 --> 01:14:50,660
- although comic
- book readers
- 1651
- 01:14:50,703 --> 01:14:52,270
- had been following
- his adventures
- 1652
- 01:14:52,313 --> 01:14:55,969
- since Stan Lee created him
- back in 1963.
- 1653
- 01:14:56,013 --> 01:14:57,797
- When Marvel got into
- 1654
- 01:14:57,841 --> 01:14:59,190
- its second-tier
- characters
- 1655
- 01:14:59,233 --> 01:15:01,061
- comic book fans, of course,
- knew who they were
- 1656
- 01:15:01,105 --> 01:15:03,020
- but the broader audience didn't.
- 1657
- 01:15:03,063 --> 01:15:05,283
- In advance of the Iron Man
- film coming out
- 1658
- 01:15:05,326 --> 01:15:06,893
- there was
- a big publicity campaign
- 1659
- 01:15:06,937 --> 01:15:09,243
- to make sure that people
- knew he wasn't a robot.
- 1660
- 01:15:09,287 --> 01:15:11,028
- Of course, comic book fans
- already knew that.
- 1661
- 01:15:11,071 --> 01:15:13,378
- Iron Man's an interesting
- character and very timely.
- 1662
- 01:15:13,421 --> 01:15:14,727
- He was a character born
- 1663
- 01:15:14,771 --> 01:15:16,163
- as the United States
- was getting ready
- 1664
- 01:15:16,207 --> 01:15:18,078
- to go to war in Vietnam.
- 1665
- 01:15:18,122 --> 01:15:19,863
- He was a character
- that came out
- 1666
- 01:15:19,906 --> 01:15:21,821
- of the military
- industrial complex.
- 1667
- 01:15:21,865 --> 01:15:24,998
- Tony Stark working
- as a defense contractor
- 1668
- 01:15:25,042 --> 01:15:27,871
- with the government,
- wounded in Vietnam,
- 1669
- 01:15:27,914 --> 01:15:29,655
- and builds this
- Iron Man suit
- 1670
- 01:15:29,699 --> 01:15:32,397
- because he's so brilliant
- with technology.
- 1671
- 01:15:32,440 --> 01:15:34,747
- That's easily adapted
- to our own age
- 1672
- 01:15:34,791 --> 01:15:38,359
- where the United States
- is in Vietnam-like wars,
- 1673
- 01:15:38,403 --> 01:15:40,579
- in Afghanistan and Iraq
- at the time.
- 1674
- 01:15:40,623 --> 01:15:42,755
- Once again we had
- this tension between
- 1675
- 01:15:42,799 --> 01:15:44,801
- trying to master
- this technology
- 1676
- 01:15:44,844 --> 01:15:48,282
- but yet someone who feels
- apart from that as well.
- 1677
- 01:15:48,326 --> 01:15:51,547
- He's still part of that
- military industrial complex.
- 1678
- 01:15:51,590 --> 01:15:53,157
- But he makes it clear that
- 1679
- 01:15:53,200 --> 01:15:55,463
- he's going to turn attention
- elsewhere and help people.
- 1680
- 01:15:57,640 --> 01:16:00,817
- I saw young Americans killed
- 1681
- 01:16:00,860 --> 01:16:04,864
- by the very weapons I created
- to defend and protect them.
- 1682
- 01:16:06,474 --> 01:16:09,129
- And I saw that I...
- 1683
- 01:16:09,173 --> 01:16:10,740
- ...had become part of a system
- 1684
- 01:16:10,783 --> 01:16:14,047
- that is comfortable
- with zero accountability.
- 1685
- 01:16:17,007 --> 01:16:19,575
- What happened over there?
- 1686
- 01:16:19,618 --> 01:16:21,751
- I had my eyes open.
- 1687
- 01:16:21,794 --> 01:16:23,927
- I came to realize
- that I had more
- 1688
- 01:16:23,970 --> 01:16:26,669
- to offer this world
- 1689
- 01:16:26,712 --> 01:16:28,714
- than just making things
- to blow up.
- 1690
- 01:16:28,758 --> 01:16:30,890
- That is why,
- effective immediately,
- 1691
- 01:16:30,934 --> 01:16:33,719
- I am shutting down
- the weapons manufacture...
- 1692
- 01:16:35,634 --> 01:16:38,463
- For a technology
- obsessed culture
- 1693
- 01:16:38,506 --> 01:16:42,206
- you really can't get
- a better superhero than Iron Man
- 1694
- 01:16:42,249 --> 01:16:43,816
- to play to these tensions,
- 1695
- 01:16:43,860 --> 01:16:46,776
- this love-hate
- or love-fear relationship
- 1696
- 01:16:46,819 --> 01:16:48,604
- that we all have
- with technology.
- 1697
- 01:16:52,999 --> 01:16:54,305
- Jarvis, are you there?
- 1698
- 01:16:54,348 --> 01:16:56,263
- At your service, sir.
- 1699
- 01:16:56,307 --> 01:16:57,961
- Gaugeheadsupdisplay.
- 1700
- 01:16:58,004 --> 01:16:59,136
- Check.
- 1701
- 01:16:59,179 --> 01:17:00,964
- All preferences
- from home interface.
- 1702
- 01:17:01,007 --> 01:17:02,705
- Will do, sir.
- 1703
- 01:17:02,748 --> 01:17:05,577
- I know Iron
- Man was sort of risky
- 1704
- 01:17:05,621 --> 01:17:08,493
- because people didn't know
- who that character was.
- 1705
- 01:17:08,536 --> 01:17:12,236
- But I was really excited
- and the reason was...
- 1706
- 01:17:12,279 --> 01:17:16,501
- ...I feel that with something
- like Batman or Captain America
- 1707
- 01:17:16,544 --> 01:17:20,070
- there was this feeling that
- you're not going to do it right.
- 1708
- 01:17:20,113 --> 01:17:23,639
- You're going to mess up
- my Captain America, my Batman.
- 1709
- 01:17:23,682 --> 01:17:27,077
- Where Iron Man, because a lot of
- people didn't know who he was,
- 1710
- 01:17:27,120 --> 01:17:29,906
- you could go in and pretty much
- do anything you want.
- 1711
- 01:17:29,949 --> 01:17:31,385
- So it was a brilliant move.
- 1712
- 01:17:37,609 --> 01:17:40,264
- If you're going to launch
- a cinematic universe
- 1713
- 01:17:40,307 --> 01:17:42,745
- that is completely unique,
- 1714
- 01:17:42,788 --> 01:17:45,095
- you got to do it with somebody
- that no one knows.
- 1715
- 01:17:45,138 --> 01:17:47,271
- But casting
- somebody no one knows
- 1716
- 01:17:47,314 --> 01:17:49,229
- was not an option.
- 1717
- 01:17:49,273 --> 01:17:50,927
- Bringing on board
- a familiar actor
- 1718
- 01:17:50,970 --> 01:17:52,363
- to play Tony Stark
- 1719
- 01:17:52,406 --> 01:17:54,321
- was crucial
- to the film's success
- 1720
- 01:17:54,365 --> 01:17:57,411
- Marvel approached Robert
- Downey Jr. for the role.
- 1721
- 01:17:57,455 --> 01:18:01,241
- An Oscar-winning actor
- who had emerged in the 1980s
- 1722
- 01:18:01,285 --> 01:18:02,678
- and whose career
- had been derailed
- 1723
- 01:18:02,721 --> 01:18:04,375
- by substance abuse issues
- 1724
- 01:18:04,418 --> 01:18:06,333
- and imprisonment
- the following decade,
- 1725
- 01:18:06,377 --> 01:18:08,031
- by the time of Iron Man
- 1726
- 01:18:08,074 --> 01:18:09,815
- his career was
- on the rise once again,
- 1727
- 01:18:09,859 --> 01:18:12,470
- and he proved
- the perfect choice.
- 1728
- 01:18:12,513 --> 01:18:14,298
- This is the
- role of a lifetime for him.
- 1729
- 01:18:14,341 --> 01:18:16,648
- A lot of people thought
- Chaplin was.
- 1730
- 01:18:16,692 --> 01:18:18,215
- I think this guy was born
- to be Tony Stark.
- 1731
- 01:18:18,258 --> 01:18:21,261
- Robert's grown up
- in the public eye.
- 1732
- 01:18:21,305 --> 01:18:23,481
- Everything good and bad
- that's happened in his life
- 1733
- 01:18:23,524 --> 01:18:25,135
- everybody's seen.
- 1734
- 01:18:25,178 --> 01:18:27,964
- And Tony Stark is a guy who's
- also grown up in the public eye.
- 1735
- 01:18:28,007 --> 01:18:30,749
- He's a genius. Everybody
- appreciates his talent.
- 1736
- 01:18:30,793 --> 01:18:32,490
- It made sense to have
- 1737
- 01:18:32,533 --> 01:18:33,926
- Robert Downey
- Jr. do this.
- 1738
- 01:18:33,970 --> 01:18:35,972
- He has a history
- with substance abuse
- 1739
- 01:18:36,015 --> 01:18:38,888
- and Iron Man has a history
- with substance abuse.
- 1740
- 01:18:38,931 --> 01:18:41,020
- Robert Downey Jr.
- had gone through some stuff.
- 1741
- 01:18:41,064 --> 01:18:43,109
- He was still
- a well-respected actor
- 1742
- 01:18:43,153 --> 01:18:46,417
- but his career wasn't
- flourishing the way it is now.
- 1743
- 01:18:46,460 --> 01:18:49,028
- So I think what he did
- for Iron Man,
- 1744
- 01:18:49,072 --> 01:18:50,987
- Iron Mandid for him.
- 1745
- 01:18:51,030 --> 01:18:52,945
- Tony Stark
- is a brilliant character.
- 1746
- 01:18:52,989 --> 01:18:55,774
- In a way he's sort
- of comparable to Batman
- 1747
- 01:18:55,818 --> 01:18:57,907
- in the sense that he
- is a multi-millionaire
- 1748
- 01:18:57,950 --> 01:18:59,299
- and he's a genius.
- 1749
- 01:18:59,343 --> 01:19:00,779
- But that was part
- of the appeal
- 1750
- 01:19:00,823 --> 01:19:03,086
- because the darkness
- in Batmanis fantastic
- 1751
- 01:19:03,129 --> 01:19:04,914
- and that works for him.
- 1752
- 01:19:04,957 --> 01:19:07,220
- But what worked for Iron
- Man is he was really funny.
- 1753
- 01:19:07,264 --> 01:19:10,006
- - Hello, Tony. Remember me?
- - Sure don't.
- 1754
- 01:19:10,049 --> 01:19:12,008
- You cast Robert Downey Jr.
- 1755
- 01:19:12,051 --> 01:19:14,271
- who had famously
- had his own problems
- 1756
- 01:19:14,314 --> 01:19:15,794
- who's not a teenager.
- 1757
- 01:19:15,838 --> 01:19:17,753
- There was no way
- anyone thought
- 1758
- 01:19:17,796 --> 01:19:19,363
- that movie was
- only for kids.
- 1759
- 01:19:19,406 --> 01:19:20,799
- It took on big themes.
- 1760
- 01:19:20,843 --> 01:19:22,540
- It had scenes
- set in Afghanistan.
- 1761
- 01:19:22,583 --> 01:19:23,759
- It had Jeff Bridges in it.
- 1762
- 01:19:23,802 --> 01:19:26,326
- There's a lot
- going on in that movie.
- 1763
- 01:19:26,370 --> 01:19:28,285
- Iron Man
- was successfully sold
- 1764
- 01:19:28,328 --> 01:19:30,374
- as a comic book
- superhero movie
- 1765
- 01:19:30,417 --> 01:19:32,419
- to people that otherwise
- might be embarrassed
- 1766
- 01:19:32,463 --> 01:19:34,291
- to go to a comic book
- superhero movie.
- 1767
- 01:19:34,334 --> 01:19:36,554
- It had adult movie stars.
- 1768
- 01:19:36,597 --> 01:19:40,601
- Robert Downey Jr., Gwyneth
- Paltrow, Jeff Bridges.
- 1769
- 01:19:40,645 --> 01:19:43,604
- This was almost a prestigious
- comic book picture.
- 1770
- 01:19:43,648 --> 01:19:45,955
- right alongside
- Batman Begins.
- 1771
- 01:19:45,998 --> 01:19:48,218
- It comes out
- beginning of May,
- 1772
- 01:19:48,261 --> 01:19:50,698
- shocks everyone
- by doing $102 million
- 1773
- 01:19:50,742 --> 01:19:52,048
- on opening weekend.
- 1774
- 01:19:52,091 --> 01:19:53,832
- Second biggest opening
- for a non-sequel ever
- 1775
- 01:19:53,876 --> 01:19:55,660
- beyond Spider-Man.
- 1776
- 01:19:55,703 --> 01:19:57,880
- That Monday
- Marvel comes out and said,
- 1777
- 01:19:57,923 --> 01:20:00,578
- "OK, here's what
- we're doing next."
- 1778
- 01:20:00,621 --> 01:20:02,275
- Marvel publicly announced
- 1779
- 01:20:02,319 --> 01:20:03,929
- an ambitious
- production slate
- 1780
- 01:20:03,973 --> 01:20:05,626
- that aimed
- to release solo films
- 1781
- 01:20:05,670 --> 01:20:07,846
- for all of
- its key characters,
- 1782
- 01:20:07,890 --> 01:20:11,676
- culminating in a team
- film The Avengers.
- 1783
- 01:20:11,719 --> 01:20:15,549
- And while its other release
- of 2008,The Incredible Hulk,
- 1784
- 01:20:15,593 --> 01:20:17,943
- proved less successful
- than Iron Man,
- 1785
- 01:20:17,987 --> 01:20:20,467
- the studio was confident
- it could bring superheroes
- 1786
- 01:20:20,511 --> 01:20:23,906
- to the screen
- like never before.
- 1787
- 01:20:23,949 --> 01:20:27,257
- As Marvel enjoyed
- the first of many successes,
- 1788
- 01:20:27,300 --> 01:20:31,130
- DC's frontrunner returned to
- movie theatres once again.
- 1789
- 01:20:31,174 --> 01:20:34,003
- And whereBatman Begins had
- created a new benchmark
- 1790
- 01:20:34,046 --> 01:20:35,482
- for comic book
- adaptations,
- 1791
- 01:20:35,526 --> 01:20:38,790
- The Dark Knight
- was a far bleaker sequel
- 1792
- 01:20:38,834 --> 01:20:40,096
- that saw
- Christopher Nolan
- 1793
- 01:20:40,139 --> 01:20:41,532
- continue to push
- the boundaries
- 1794
- 01:20:41,575 --> 01:20:43,055
- of fantasy cinema
- 1795
- 01:20:43,099 --> 01:20:45,841
- and brought Batman's
- arch-nemesis the Joker
- 1796
- 01:20:45,884 --> 01:20:47,886
- back onto the big screen.
- 1797
- 01:20:47,930 --> 01:20:49,583
- This role
- would be immortalized
- 1798
- 01:20:49,627 --> 01:20:51,977
- by Australian actor
- Heath Ledger,
- 1799
- 01:20:52,021 --> 01:20:55,720
- who died just months
- before the film's release.
- 1800
- 01:20:55,763 --> 01:20:57,461
- The darkness
- of The Dark Knight,
- 1801
- 01:20:57,504 --> 01:21:01,247
- was fairly surprising.
- It really went to places that
- 1802
- 01:21:01,291 --> 01:21:03,380
- maybe you'd expect
- a crime thriller to go to
- 1803
- 01:21:03,423 --> 01:21:05,425
- more than a comic book movie.
- 1804
- 01:21:05,469 --> 01:21:07,906
- But I think that had been
- seeded in Batman Begins
- 1805
- 01:21:07,950 --> 01:21:10,822
- taking this much more
- realistic and gritty approach
- 1806
- 01:21:10,866 --> 01:21:13,346
- to the character,
- setting it in a Gotham
- 1807
- 01:21:13,390 --> 01:21:16,219
- that felt much more
- like a crime-ridden city
- 1808
- 01:21:16,262 --> 01:21:18,395
- than a comic
- book metropolis.
- 1809
- 01:21:18,438 --> 01:21:22,486
- People were really excited
- to see a Batman-Joker story
- 1810
- 01:21:22,529 --> 01:21:24,705
- set in that world
- 1811
- 01:21:24,749 --> 01:21:27,621
- with the cool casting
- of Heath Ledger
- 1812
- 01:21:27,665 --> 01:21:30,886
- as a pretty creepy
- looking Joker.
- 1813
- 01:21:30,929 --> 01:21:33,279
- Keep in mind the preview
- came out before he died
- 1814
- 01:21:33,323 --> 01:21:35,455
- so we already had a decent idea
- 1815
- 01:21:35,499 --> 01:21:36,804
- of what kind of Joker
- he would be.
- 1816
- 01:21:40,896 --> 01:21:44,900
- You see, this is how crazy
- Batman's made Gotham.
- 1817
- 01:21:44,943 --> 01:21:47,206
- If you want order
- in Gotham,
- 1818
- 01:21:47,250 --> 01:21:52,211
- Batman must take off his mask
- and turn himself in.
- 1819
- 01:21:52,255 --> 01:21:55,823
- Oh, and every day he doesn't,
- people will die.
- 1820
- 01:21:55,867 --> 01:21:57,956
- There was
- a lot of interest in it
- 1821
- 01:21:58,000 --> 01:22:01,133
- because it was Heath Ledger's
- final complete role on film.
- 1822
- 01:22:04,702 --> 01:22:06,704
- He was obviously
- an actor of interest.
- 1823
- 01:22:06,747 --> 01:22:09,576
- He was Oscar nominated
- for Brokeback Mountain,
- 1824
- 01:22:09,620 --> 01:22:13,580
- so he was someone who
- was clearly taken seriously
- 1825
- 01:22:13,624 --> 01:22:15,147
- butThe Dark Knight
- showed him
- 1826
- 01:22:15,191 --> 01:22:16,757
- in a completely
- different light.
- 1827
- 01:22:16,801 --> 01:22:19,325
- I genuinely believe
- that if he hadn't died,
- 1828
- 01:22:19,369 --> 01:22:21,414
- people would have still been
- as blown away
- 1829
- 01:22:21,458 --> 01:22:22,807
- and interested
- in that performance.
- 1830
- 01:22:28,160 --> 01:22:31,337
- Come on, come on.
- I want you to do it.
- 1831
- 01:22:31,381 --> 01:22:32,512
- Come on.
- 1832
- 01:22:33,687 --> 01:22:34,688
- Come on.
- 1833
- 01:22:36,255 --> 01:22:39,041
- Come on, come on.
- I want you to do it.
- 1834
- 01:22:39,084 --> 01:22:41,478
- Come on, hit me.
- Come on, hit me!
- 1835
- 01:22:43,567 --> 01:22:45,351
- Hit me!
- 1836
- 01:22:47,049 --> 01:22:49,138
- You just don't see
- many performances like that,
- 1837
- 01:22:49,181 --> 01:22:52,184
- especially in terms of
- villains in superhero films
- 1838
- 01:22:52,228 --> 01:22:53,490
- that are kind
- of so intense.
- 1839
- 01:22:53,533 --> 01:22:56,188
- It clearly dug so deep
- into that character
- 1840
- 01:22:56,232 --> 01:22:57,885
- and was really
- quite terrifying.
- 1841
- 01:22:57,929 --> 01:23:00,018
- And that's obviously
- one of the main things
- 1842
- 01:23:00,062 --> 01:23:02,064
- that people remember and love
- about The Dark Knight,
- 1843
- 01:23:02,107 --> 01:23:04,153
- Heath Ledger's performance.
- 1844
- 01:23:04,196 --> 01:23:05,719
- If Stanley
- Kubrick had lived long enough
- 1845
- 01:23:05,763 --> 01:23:07,025
- to do a superhero movie
- 1846
- 01:23:07,069 --> 01:23:08,461
- it would have been
- The Dark Knight.
- 1847
- 01:23:08,505 --> 01:23:11,464
- It was the first time
- that someone committed
- 1848
- 01:23:11,508 --> 01:23:13,031
- to the resources
- you'd need
- 1849
- 01:23:13,075 --> 01:23:16,948
- to take comics out
- of the pop culture class.
- 1850
- 01:23:16,992 --> 01:23:18,515
- It wasn't
- an amazing comic book flick.
- 1851
- 01:23:18,558 --> 01:23:20,082
- It was an amazing movie
- 1852
- 01:23:20,125 --> 01:23:22,040
- that happened to be about
- a comic book character.
- 1853
- 01:23:22,084 --> 01:23:23,520
- And there's a big difference.
- 1854
- 01:23:23,563 --> 01:23:25,130
- The performances
- are amazing.
- 1855
- 01:23:25,174 --> 01:23:27,306
- And the caliber of talent
- he would surround himself
- 1856
- 01:23:27,350 --> 01:23:29,917
- to do those films
- is staggering.
- 1857
- 01:23:29,961 --> 01:23:31,267
- With a
- director like Nolan,
- 1858
- 01:23:31,310 --> 01:23:34,226
- producing these
- incredibly cinematic movies,
- 1859
- 01:23:34,270 --> 01:23:35,793
- it's not that surprising
- 1860
- 01:23:35,836 --> 01:23:38,361
- that these were really
- the first superhero movies
- 1861
- 01:23:38,404 --> 01:23:41,929
- that were seriously considered
- for awards glory.
- 1862
- 01:23:41,973 --> 01:23:45,542
- Heath Ledger was awarded the
- Oscar for his performance
- 1863
- 01:23:45,585 --> 01:23:47,239
- after he'd died.
- 1864
- 01:23:47,283 --> 01:23:49,894
- Although none of those movies
- were nominated for Best Picture,
- 1865
- 01:23:49,937 --> 01:23:51,983
- there was a bit of an outcry
- that they should be -
- 1866
- 01:23:52,027 --> 01:23:53,767
- why shouldn't we take these,
- 1867
- 01:23:53,811 --> 01:23:55,639
- not only seriously
- within their own worlds,
- 1868
- 01:23:55,682 --> 01:24:00,252
- but why shouldn't this be taken
- seriously as a piece of cinema?
- 1869
- 01:24:00,296 --> 01:24:02,341
- And following
- the success of Iron Man
- 1870
- 01:24:02,385 --> 01:24:03,951
- and The Dark Knight,
- 1871
- 01:24:03,995 --> 01:24:06,215
- comic book adaptations
- spread like a hurricane
- 1872
- 01:24:06,258 --> 01:24:07,912
- through popular culture.
- 1873
- 01:24:07,955 --> 01:24:10,045
- Studios desperately raced
- 1874
- 01:24:10,088 --> 01:24:11,829
- to find new characters
- and titles
- 1875
- 01:24:11,872 --> 01:24:13,483
- to bring to the
- big screen,
- 1876
- 01:24:13,526 --> 01:24:16,268
- while Iron Man returned
- for a successful sequel
- 1877
- 01:24:16,312 --> 01:24:18,618
- and Hugh Jackman's Wolverine
- was pulled from the wreck
- 1878
- 01:24:18,662 --> 01:24:20,490
- of the X-Men series
- 1879
- 01:24:20,533 --> 01:24:23,058
- to star in his own
- cinematic adventures.
- 1880
- 01:24:23,101 --> 01:24:25,495
- Having signed
- a lucrative buyout deal
- 1881
- 01:24:25,538 --> 01:24:27,932
- with Disney in 2011,
- 1882
- 01:24:27,975 --> 01:24:30,804
- Marvel Studios returned with
- the next two installments
- 1883
- 01:24:30,848 --> 01:24:32,284
- of its cinematic canon.
- 1884
- 01:24:32,328 --> 01:24:34,765
- The first of these
- to be released was Thor,
- 1885
- 01:24:34,808 --> 01:24:37,463
- and like Iron Man
- this represented
- 1886
- 01:24:37,507 --> 01:24:40,075
- the character's
- big screen debut.
- 1887
- 01:24:40,118 --> 01:24:42,251
- Thor is a god of thunder
- 1888
- 01:24:42,294 --> 01:24:45,950
- who has this enormously powerful
- weapon of mass destruction
- 1889
- 01:24:45,993 --> 01:24:47,865
- that only he can pick up
- 1890
- 01:24:47,908 --> 01:24:52,261
- because he is the only person
- worthy of lifting this burden.
- 1891
- 01:24:52,304 --> 01:24:53,697
- I think that
- Marvel comics,
- 1892
- 01:24:53,740 --> 01:24:55,394
- with Stan Lee
- and Jack Kirby again,
- 1893
- 01:24:55,438 --> 01:24:58,267
- were able to tap into this
- other realm of gods that
- 1894
- 01:24:58,310 --> 01:25:01,183
- we don't really study
- in Western culture.
- 1895
- 01:25:01,226 --> 01:25:02,967
- We have our Greeks
- and our Romans
- 1896
- 01:25:03,010 --> 01:25:05,448
- but the Norse gods
- are very cool.
- 1897
- 01:25:05,491 --> 01:25:08,015
- A god of thunder who
- makes thunder with a hammer
- 1898
- 01:25:08,059 --> 01:25:09,539
- and can shoot
- lightning bolts.
- 1899
- 01:25:09,582 --> 01:25:11,976
- That's something
- we hadn't seen before.
- 1900
- 01:25:12,019 --> 01:25:15,022
- Despite the character's
- longevity in the comics world,
- 1901
- 01:25:15,066 --> 01:25:17,199
- he again seemed
- a risky prospect
- 1902
- 01:25:17,242 --> 01:25:18,939
- for a wider audience.
- 1903
- 01:25:18,983 --> 01:25:21,594
- Yet Marvel Studios,
- and its mastermind,
- 1904
- 01:25:21,638 --> 01:25:23,988
- President of Production
- Kevin Feige,
- 1905
- 01:25:24,031 --> 01:25:27,426
- were confident that they
- could makeThor a hit.
- 1906
- 01:25:27,470 --> 01:25:30,299
- With veteran British actor
- and filmmaker Kenneth Branagh
- 1907
- 01:25:30,342 --> 01:25:32,214
- on board
- to direct the project,
- 1908
- 01:25:32,257 --> 01:25:35,130
- they even altered their
- tried-and-tested formula
- 1909
- 01:25:35,173 --> 01:25:37,306
- and cast unknown
- Australian actor
- 1910
- 01:25:37,349 --> 01:25:41,484
- Chris Hemsworth to portray
- this equally unfamiliar hero
- 1911
- 01:25:41,527 --> 01:25:44,617
- Just the idea that
- you have Norse mythology
- 1912
- 01:25:44,661 --> 01:25:46,837
- with Shakespearean prose
- 1913
- 01:25:46,880 --> 01:25:51,058
- in this fantastical,
- crazy Jack Kirby on acid world.
- 1914
- 01:25:51,102 --> 01:25:52,712
- I remember when
- they announced the movie.
- 1915
- 01:25:52,756 --> 01:25:54,627
- I was like, "How the hell
- are they going to...?"
- 1916
- 01:25:54,671 --> 01:25:56,847
- Everything else
- is so grounded in reality
- 1917
- 01:25:56,890 --> 01:25:58,544
- and Thor is this one thing
- 1918
- 01:25:58,588 --> 01:26:00,416
- that I just couldn't see
- how it would fit.
- 1919
- 01:26:00,459 --> 01:26:03,201
- When I first sat down
- with the Marvel folk
- 1920
- 01:26:03,245 --> 01:26:05,638
- they said, "This is the most
- difficult property we have.
- 1921
- 01:26:05,682 --> 01:26:07,814
- We have so many ways
- to fail doing this."
- 1922
- 01:26:07,858 --> 01:26:09,599
- I thought, "Well, that's great,
- good start."
- 1923
- 01:26:09,642 --> 01:26:11,601
- But when I looked this up
- it said, what's the genre?
- 1924
- 01:26:11,644 --> 01:26:14,821
- It said, action, sci-fi,
- fantasy, adventure, drama.
- 1925
- 01:26:14,865 --> 01:26:16,823
- That's a lot of categories,
- isn't it?
- 1926
- 01:26:16,867 --> 01:26:20,697
- I said, "I think it has all
- those things in the comics.
- 1927
- 01:26:20,740 --> 01:26:23,003
- The biggest challenge is tone."
- 1928
- 01:26:34,537 --> 01:26:37,279
- Thor potentially on paper
- 1929
- 01:26:37,322 --> 01:26:38,889
- is quite a
- difficult sell.
- 1930
- 01:26:38,932 --> 01:26:42,240
- And it is certainly stretching
- the realms of believability.
- 1931
- 01:26:42,284 --> 01:26:46,157
- While you've set up Iron Man
- with this real world guy
- 1932
- 01:26:46,201 --> 01:26:48,333
- who is looking
- at real world issues
- 1933
- 01:26:48,377 --> 01:26:50,248
- and is set
- in a very real world way
- 1934
- 01:26:50,292 --> 01:26:51,728
- and it's very serious,
- 1935
- 01:26:51,771 --> 01:26:53,164
- it's like, and now we're going
- to have a Norse god -
- 1936
- 01:26:53,208 --> 01:26:54,687
- is quite a difficult sell.
- 1937
- 01:26:54,731 --> 01:26:58,430
- What it did expertly
- is it was really funny.
- 1938
- 01:27:02,391 --> 01:27:04,784
- - This drink, I like it.
- - I know, it's great, right?
- 1939
- 01:27:04,828 --> 01:27:05,829
- Another!
- 1940
- 01:27:07,744 --> 01:27:10,181
- Sorry. It was a little accident.
- 1941
- 01:27:13,271 --> 01:27:14,794
- - What was that?
- - It was delicious.
- 1942
- 01:27:14,838 --> 01:27:16,666
- - I want another.
- - You could have just said so.
- 1943
- 01:27:16,709 --> 01:27:19,321
- - I just did.
- - No, I mean ask, nicely.
- 1944
- 01:27:19,364 --> 01:27:23,107
- - I meant no disrespect.
- - Alright, no more smashing.
- 1945
- 01:27:23,150 --> 01:27:24,456
- Deal?
- 1946
- 01:27:26,806 --> 01:27:28,199
- You have my word.
- 1947
- 01:27:28,243 --> 01:27:29,853
- Essentially,
- it's a brilliant fantasy
- 1948
- 01:27:29,896 --> 01:27:32,203
- fish out of water comedy
- 1949
- 01:27:32,247 --> 01:27:34,031
- and didn't take itself
- seriously at all.
- 1950
- 01:27:34,074 --> 01:27:36,860
- Chris Hemsworth
- was the perfect choice.
- 1951
- 01:27:43,823 --> 01:27:45,912
- So is this
- how you normally look?
- 1952
- 01:27:45,956 --> 01:27:48,132
- More or less.
- 1953
- 01:27:48,175 --> 01:27:50,308
- It's a good look.
- 1954
- 01:27:50,352 --> 01:27:52,179
- Given how off the rails
- 1955
- 01:27:52,223 --> 01:27:53,311
- Thor could have been,
- 1956
- 01:27:53,355 --> 01:27:55,139
- I thought they did a great job.
- 1957
- 01:27:55,182 --> 01:27:57,097
- And Hemsworth too.
- 1958
- 01:27:57,141 --> 01:27:59,404
- That guy's no joke as an actor.
- 1959
- 01:27:59,448 --> 01:28:01,624
- Like, yeah, he's big and yoked
- and pretty and everything.
- 1960
- 01:28:01,667 --> 01:28:06,324
- That guy's really good,
- because that's a thankless role.
- 1961
- 01:28:06,368 --> 01:28:09,719
- That could have been
- so ridiculous and so stupid.
- 1962
- 01:28:09,762 --> 01:28:12,330
- Although less
- successful than Iron Man,
- 1963
- 01:28:12,374 --> 01:28:15,333
- Thor proved
- another box office draw,
- 1964
- 01:28:15,377 --> 01:28:17,335
- and anticipation was now
- running high
- 1965
- 01:28:17,379 --> 01:28:19,990
- for Marvel's other
- big release of 2011,
- 1966
- 01:28:20,033 --> 01:28:22,253
- Captain America:
- The First Avenger.
- 1967
- 01:28:22,297 --> 01:28:24,995
- And this character
- was the oldest Superhero
- 1968
- 01:28:25,038 --> 01:28:26,649
- in the company's
- repertoire,
- 1969
- 01:28:26,692 --> 01:28:30,348
- a propaganda symbol dating
- back to the early 1940s
- 1970
- 01:28:30,392 --> 01:28:33,569
- and America's entrance
- into the Second World War.
- 1971
- 01:28:33,612 --> 01:28:35,353
- Captain America,
- for my money,
- 1972
- 01:28:35,397 --> 01:28:37,224
- is the most underrated
- character of them all.
- 1973
- 01:28:37,268 --> 01:28:40,315
- He was forged
- in the crucible of World War II.
- 1974
- 01:28:40,358 --> 01:28:43,405
- He was the first major
- patriotic character.
- 1975
- 01:28:43,448 --> 01:28:46,408
- He emerged
- from the hand of Joe Simon
- 1976
- 01:28:46,451 --> 01:28:48,148
- and the inks of Jack Kirby
- 1977
- 01:28:48,192 --> 01:28:50,760
- and he was the guy who
- was going to fight the Nazis
- 1978
- 01:28:50,803 --> 01:28:53,371
- and whip them
- six ways to Sunday.
- 1979
- 01:28:53,415 --> 01:28:55,547
- The most ingenious idea
- 1980
- 01:28:55,591 --> 01:28:58,420
- was the fact
- that Stanley revived him
- 1981
- 01:28:58,463 --> 01:29:02,293
- after all these other characters
- had come out in the early 1960s
- 1982
- 01:29:02,337 --> 01:29:04,382
- in The Avengers
- comic book.
- 1983
- 01:29:04,426 --> 01:29:06,297
- And he reintroduced him
- 1984
- 01:29:06,341 --> 01:29:08,212
- in a state
- of suspended animation.
- 1985
- 01:29:08,255 --> 01:29:13,435
- He brought him back and Captain
- America had spent 20 years
- 1986
- 01:29:13,478 --> 01:29:15,262
- outside of
- American society.
- 1987
- 01:29:15,306 --> 01:29:17,352
- He famously lost Bucky,
- his companion.
- 1988
- 01:29:17,395 --> 01:29:19,005
- He thought he could
- have saved him.
- 1989
- 01:29:19,049 --> 01:29:20,703
- He's become Hamlet.
- 1990
- 01:29:20,746 --> 01:29:22,618
- He's become the superhero
- as Hamlet.
- 1991
- 01:29:22,661 --> 01:29:25,142
- He has an existential crisis.
- 1992
- 01:29:25,185 --> 01:29:27,710
- Remaining true
- to Stan Lee's concept,
- 1993
- 01:29:27,753 --> 01:29:29,712
- Captain America:
- The First Avenger
- 1994
- 01:29:29,755 --> 01:29:31,191
- was an origin story
- 1995
- 01:29:31,235 --> 01:29:33,846
- set primarily during
- the second world war,
- 1996
- 01:29:33,890 --> 01:29:35,718
- and introduced audiences
- to the character
- 1997
- 01:29:35,761 --> 01:29:38,155
- before his
- present day revival.
- 1998
- 01:29:38,198 --> 01:29:39,504
- With another
- relative unknown
- 1999
- 01:29:39,548 --> 01:29:41,941
- playing Captain America,
- Chris Evans,
- 2000
- 01:29:41,985 --> 01:29:44,204
- and action director
- Joe Johnston at the helm,
- 2001
- 01:29:44,248 --> 01:29:46,119
- despite wider
- public recognition
- 2002
- 01:29:46,163 --> 01:29:47,686
- of the title character,
- 2003
- 01:29:47,730 --> 01:29:51,255
- once again the film
- was no sure-fire hit.
- 2004
- 01:29:51,298 --> 01:29:54,301
- Upon its release
- it proved divisive.
- 2005
- 01:29:54,345 --> 01:29:55,868
- When I first heard
- 2006
- 01:29:55,912 --> 01:29:58,001
- they were going to have
- a Captain America movie,
- 2007
- 01:29:58,044 --> 01:29:59,611
- I was concerned
- 2008
- 01:29:59,655 --> 01:30:02,919
- because he has in the past
- been rather cheesy.
- 2009
- 01:30:02,962 --> 01:30:05,400
- And he was created
- as a propaganda thing.
- 2010
- 01:30:05,443 --> 01:30:08,620
- So I feel like, especially with
- a red, white and blue outfit,
- 2011
- 01:30:08,664 --> 01:30:10,187
- that's hard to do.
- 2012
- 01:30:10,230 --> 01:30:13,408
- I think the first film
- really sold that.
- 2013
- 01:30:13,451 --> 01:30:15,453
- It was very clear
- that he was created,
- 2014
- 01:30:15,497 --> 01:30:17,281
- that this costume
- was created.
- 2015
- 01:30:17,324 --> 01:30:18,587
- It wasn't his
- idea to wear it.
- 2016
- 01:30:18,630 --> 01:30:20,545
- I think
- if they hadn't done that,
- 2017
- 01:30:20,589 --> 01:30:22,460
- a lot of the movie
- would have failed.
- 2018
- 01:30:22,504 --> 01:30:24,419
- You know, the longest time
- I dreamed about...
- 2019
- 01:30:26,029 --> 01:30:28,640
- ...coming overseas
- and being on the frontline,
- 2020
- 01:30:29,902 --> 01:30:32,252
- serving my country,
- 2021
- 01:30:32,296 --> 01:30:34,516
- trying to get everything
- I wanted...
- 2022
- 01:30:37,910 --> 01:30:39,999
- ...and I'm wearing tights.
- 2023
- 01:30:40,043 --> 01:30:41,740
- In some ways,
- Captain America is
- 2024
- 01:30:41,784 --> 01:30:44,221
- the Superman
- of the Marvel universe
- 2025
- 01:30:44,264 --> 01:30:45,788
- in the sense that
- he's this patriotic hero,
- 2026
- 01:30:45,831 --> 01:30:47,398
- this all American guy.
- 2027
- 01:30:47,442 --> 01:30:49,139
- But his story is arguably
- not as interesting
- 2028
- 01:30:49,182 --> 01:30:52,055
- and certainly in the first
- Captain America movie
- 2029
- 01:30:52,098 --> 01:30:54,057
- which many would argue
- 2030
- 01:30:54,100 --> 01:30:57,669
- is one of the weakest
- of the MCU films,
- 2031
- 01:30:57,713 --> 01:31:01,456
- it was already a difficult
- concept to get on board with,
- 2032
- 01:31:01,499 --> 01:31:03,719
- particularly coming
- on the heels of Tony Stark
- 2033
- 01:31:03,762 --> 01:31:07,113
- who was such an interesting,
- flawed hero.
- 2034
- 01:31:07,157 --> 01:31:10,639
- A guy who's just nice and
- wants to serve his country
- 2035
- 01:31:10,682 --> 01:31:14,077
- didn't feel like something
- easy to identify with.
- 2036
- 01:31:14,120 --> 01:31:16,514
- Strangely for me,
- the first half of the movie,
- 2037
- 01:31:16,558 --> 01:31:18,690
- so the period setting,
- was actually more enjoyable
- 2038
- 01:31:18,734 --> 01:31:20,300
- when here was
- this weedy little guy
- 2039
- 01:31:20,344 --> 01:31:21,519
- who really wanted to do his best
- 2040
- 01:31:21,563 --> 01:31:23,347
- and hanging out
- with Peggy and Bucky.
- 2041
- 01:31:23,390 --> 01:31:25,871
- Later when he becomes
- this square-jawed
- 2042
- 01:31:25,915 --> 01:31:29,092
- fairly boring,
- dare I saw it, guy
- 2043
- 01:31:29,135 --> 01:31:30,702
- it didn't really work.
- 2044
- 01:31:45,412 --> 01:31:47,980
- For me, it
- wasn't until Captain America
- 2045
- 01:31:48,024 --> 01:31:49,721
- comes
- and blows my socks off
- 2046
- 01:31:49,765 --> 01:31:52,332
- then I go,
- "OK, now I'm on board.
- 2047
- 01:31:52,376 --> 01:31:54,073
- This movie's awesome."
- 2048
- 01:31:54,117 --> 01:31:56,685
- This is the best working
- story movie since...
- 2049
- 01:31:56,728 --> 01:31:59,688
- It's up there with Batman
- Begins, Spider-Man, Superman,
- 2050
- 01:31:59,731 --> 01:32:01,994
- This is what I wanted out of
- a Marvel comic book movie.
- 2051
- 01:32:02,038 --> 01:32:04,606
- It is a full-fledged,
- uncompromised
- 2052
- 01:32:04,649 --> 01:32:06,956
- World War II
- action adventure movie.
- 2053
- 01:32:06,999 --> 01:32:09,175
- I was never more excited for
- The Avengers
- 2054
- 01:32:09,219 --> 01:32:12,222
- that I was walking out of
- Captain America.
- 2055
- 01:32:12,265 --> 01:32:14,746
- Although both
- Thor and Captain America
- 2056
- 01:32:14,790 --> 01:32:17,314
- had fallen short of the
- huge box office success
- 2057
- 01:32:17,357 --> 01:32:18,750
- of Iron Man,
- 2058
- 01:32:18,794 --> 01:32:20,360
- their 2011
- output suggested
- 2059
- 01:32:20,404 --> 01:32:22,624
- that Marvel Studio's
- audacious plan
- 2060
- 01:32:22,667 --> 01:32:24,582
- was developing smoothly.
- 2061
- 01:32:24,626 --> 01:32:27,411
- And this was not simply
- a Superhero movie craze -
- 2062
- 01:32:27,454 --> 01:32:29,674
- another of the summer's
- tent-pole releases,
- 2063
- 01:32:29,718 --> 01:32:32,459
- a big budget outing
- for DC's Green Lantern,
- 2064
- 01:32:32,503 --> 01:32:36,072
- proved a significant critical
- and commercial failure.
- 2065
- 01:32:36,115 --> 01:32:38,857
- But Marvel was playing
- by its own rules.
- 2066
- 01:32:38,901 --> 01:32:41,686
- Its multi-film strategy,
- which would become known
- 2067
- 01:32:41,730 --> 01:32:44,167
- as the Marvel
- Cinematic Universe,
- 2068
- 01:32:44,210 --> 01:32:46,038
- saw each
- individual release
- 2069
- 01:32:46,082 --> 01:32:49,651
- function as an installment of
- a larger connected series,
- 2070
- 01:32:49,694 --> 01:32:52,828
- with actors signed on to
- portray the same character
- 2071
- 01:32:52,871 --> 01:32:54,612
- in a large
- number of films.
- 2072
- 01:32:54,656 --> 01:32:57,876
- So you're gearing up for your...
- obviously a spin off.
- 2073
- 01:32:57,920 --> 01:33:00,705
- For Avengers or... what?
- 2074
- 01:33:00,749 --> 01:33:02,751
- I got a nine-picture deal.
- I mean you know...
- 2075
- 01:33:02,794 --> 01:33:04,361
- You guys know more
- about the news than I do.
- 2076
- 01:33:04,404 --> 01:33:05,797
- I got a nine-picture deal.
- 2077
- 01:33:05,841 --> 01:33:07,494
- Eventually, I want to make
- all nine of them
- 2078
- 01:33:07,538 --> 01:33:09,148
- or they're gonna kill me.
- 2079
- 01:33:09,192 --> 01:33:11,020
- If Marvel
- could pull it off,
- 2080
- 01:33:11,063 --> 01:33:12,848
- this connected universe
- would be
- 2081
- 01:33:12,891 --> 01:33:14,545
- a revolutionary
- achievement.
- 2082
- 01:33:14,589 --> 01:33:16,678
- And not only
- was the strategy unique,
- 2083
- 01:33:16,721 --> 01:33:19,332
- the studio was also
- approaching superhero cinema
- 2084
- 01:33:19,376 --> 01:33:22,118
- in a fresh way.
- 2085
- 01:33:22,161 --> 01:33:25,382
- Previously the creative drive
- behind many adaptations
- 2086
- 01:33:25,425 --> 01:33:27,732
- was brought
- by distinctive directors -
- 2087
- 01:33:27,776 --> 01:33:29,734
- from Tim Burton
- and Ang Lee
- 2088
- 01:33:29,778 --> 01:33:32,171
- to Bryan Singer
- and Christopher Nolan -
- 2089
- 01:33:32,215 --> 01:33:34,783
- all of whom offered
- their own interpretations
- 2090
- 01:33:34,826 --> 01:33:36,785
- of the source material.
- 2091
- 01:33:36,828 --> 01:33:38,569
- Marvel's vision was
- in the hands
- 2092
- 01:33:38,613 --> 01:33:41,441
- of President of Production
- Kevin Feige, however,
- 2093
- 01:33:41,485 --> 01:33:43,226
- and the filmmakers
- brought on board
- 2094
- 01:33:43,269 --> 01:33:44,575
- were expected to serve
- 2095
- 01:33:44,619 --> 01:33:46,621
- as part
- of a much larger project.
- 2096
- 01:33:46,664 --> 01:33:48,057
- They're
- bringing in people
- 2097
- 01:33:48,100 --> 01:33:49,798
- who are invisible hands.
- 2098
- 01:33:49,841 --> 01:33:53,105
- If you're into film, you'd go,
- "Oh, I see this touch here."
- 2099
- 01:33:53,149 --> 01:33:54,541
- Or, "That's so Shane Black."
- 2100
- 01:33:54,585 --> 01:33:56,413
- But the audience
- doesn't see that.
- 2101
- 01:33:56,456 --> 01:33:59,198
- You can't look at it and go,
- that's a Shane Black film.
- 2102
- 01:33:59,242 --> 01:34:00,896
- Whereas in a Tim Burton film,
- 2103
- 01:34:00,939 --> 01:34:03,028
- you look at one frame and go,
- "I think that's Tim Burton."
- 2104
- 01:34:03,072 --> 01:34:05,335
- They've brought in
- invisible hands.
- 2105
- 01:34:05,378 --> 01:34:08,599
- People like Jon Favreau
- Joe Johnston, guys like that
- 2106
- 01:34:08,643 --> 01:34:10,601
- who know how to deal with...
- how to get it done.
- 2107
- 01:34:10,645 --> 01:34:12,995
- How to get it done on time.
- How to work with a cast.
- 2108
- 01:34:13,038 --> 01:34:14,823
- There's not going
- to be any problems.
- 2109
- 01:34:14,866 --> 01:34:17,913
- Everything in the screenplay
- is going to go on the film.
- 2110
- 01:34:17,956 --> 01:34:20,916
- It's going to be storyboarded,
- all kinds of control.
- 2111
- 01:34:20,959 --> 01:34:22,352
- But I think that's it.
- 2112
- 01:34:22,395 --> 01:34:24,963
- It's just plain old craft,
- that's what it is.
- 2113
- 01:34:25,007 --> 01:34:26,748
- These guys know how
- to make entertaining movies.
- 2114
- 01:34:28,793 --> 01:34:31,709
- The greatest test
- of this ambitious project
- 2115
- 01:34:31,753 --> 01:34:34,451
- came in the
- Spring of 2012.
- 2116
- 01:34:34,494 --> 01:34:36,714
- Having established
- their core characters
- 2117
- 01:34:36,758 --> 01:34:38,803
- in successful solo films,
- 2118
- 01:34:38,847 --> 01:34:41,327
- Marvel Studios brought
- these heroes together
- 2119
- 01:34:41,371 --> 01:34:43,765
- inThe Avengers.
- 2120
- 01:34:43,808 --> 01:34:47,725
- Upon its release it broke
- box-office records worldwide,
- 2121
- 01:34:47,769 --> 01:34:50,249
- and became the highest-
- grossing superhero film
- 2122
- 01:34:50,293 --> 01:34:51,686
- of all time.
- 2123
- 01:34:55,559 --> 01:34:56,995
- They
- built it film by film.
- 2124
- 01:34:57,039 --> 01:34:58,475
- They went
- from strength to strength.
- 2125
- 01:34:58,518 --> 01:35:01,260
- As each film was successful,
- they began building.
- 2126
- 01:35:01,304 --> 01:35:04,524
- But the game plan of building
- all these disparate films,
- 2127
- 01:35:04,568 --> 01:35:07,876
- to have the characters meet
- again in the big blockbuster,
- 2128
- 01:35:07,919 --> 01:35:11,314
- that's never been done
- before. It's brilliant.
- 2129
- 01:35:11,357 --> 01:35:13,577
- And it's offering
- the audience
- 2130
- 01:35:13,620 --> 01:35:16,014
- a level of consistency
- they haven't seen.
- 2131
- 01:35:16,058 --> 01:35:18,974
- Well, they can't get it
- anywhere else.
- 2132
- 01:35:19,017 --> 01:35:20,584
- The
- thing that they've done
- 2133
- 01:35:20,627 --> 01:35:23,413
- with the interconnected universe
- is mind-boggling.
- 2134
- 01:35:23,456 --> 01:35:27,896
- The fact that they got...
- that The Avengers were on film,
- 2135
- 01:35:27,939 --> 01:35:30,594
- I still can't believe it.
- It's been years since it...
- 2136
- 01:35:30,637 --> 01:35:32,509
- I still can't believe
- they pulled that off.
- 2137
- 01:35:44,869 --> 01:35:47,350
- The first
- Avengers film was brilliant.
- 2138
- 01:35:47,393 --> 01:35:49,265
- At the time, I don't think
- I'd ever really felt
- 2139
- 01:35:49,308 --> 01:35:53,182
- such buzz in the cinema about
- how this was going to work.
- 2140
- 01:35:53,225 --> 01:35:56,098
- We weren't sure to be honest
- whether it was going to work.
- 2141
- 01:35:56,141 --> 01:35:58,143
- Certainly for people
- who were fans comic books,
- 2142
- 01:35:58,187 --> 01:35:59,797
- I think it was
- an absolute joy
- 2143
- 01:35:59,841 --> 01:36:02,757
- to finally see these guys
- sharing a screen together
- 2144
- 01:36:02,800 --> 01:36:05,020
- and they were more than
- the sum of their parts.
- 2145
- 01:36:05,063 --> 01:36:08,327
- So together they were better
- than they were as individuals.
- 2146
- 01:36:10,286 --> 01:36:13,028
- And the Avengers
- even saw Marvel triumph
- 2147
- 01:36:13,071 --> 01:36:15,291
- with a character
- who had previously struggled
- 2148
- 01:36:15,334 --> 01:36:18,163
- to cross over
- to movie audiences.
- 2149
- 01:36:18,207 --> 01:36:20,078
- As the film's cast
- were greeted
- 2150
- 01:36:20,122 --> 01:36:22,385
- like rockstars
- at premieres worldwide,
- 2151
- 01:36:22,428 --> 01:36:24,735
- amongst them
- was Mark Ruffalo,
- 2152
- 01:36:24,779 --> 01:36:26,824
- the latest
- in a long line of actors
- 2153
- 01:36:26,868 --> 01:36:31,046
- to portray Dr. Bruce Banner
- and his alter ego, the Hulk.
- 2154
- 01:36:31,089 --> 01:36:32,874
- I think the Hulk found a home.
- 2155
- 01:36:32,917 --> 01:36:35,485
- You could say the whole arc
- of the history of the Hulk
- 2156
- 01:36:35,528 --> 01:36:39,619
- since 1962 was,
- "Where will the Hulk belong?"
- 2157
- 01:36:39,663 --> 01:36:42,144
- Where the Hulk belonged,
- surprise, surprise
- 2158
- 01:36:42,187 --> 01:36:44,146
- was in The Avengers movies,
- 2159
- 01:36:44,189 --> 01:36:47,584
- because it wasn't just him
- hogging up the whole screen.
- 2160
- 01:36:47,627 --> 01:36:50,674
- He really played off
- these other characters.
- 2161
- 01:36:50,717 --> 01:36:53,677
- Mark Ruffalo's rendition of
- Bruce Banner was terrific.
- 2162
- 01:36:53,720 --> 01:36:58,638
- When you didn't need the Hulk,
- you could kind of send him away.
- 2163
- 01:36:58,682 --> 01:37:00,684
- But when you needed him,
- he was very effective.
- 2164
- 01:37:02,729 --> 01:37:05,384
- Dr. Banner...
- 2165
- 01:37:05,428 --> 01:37:08,300
- Now might be a really good time
- for you to get angry.
- 2166
- 01:37:08,344 --> 01:37:10,650
- That's my secret, Captain...
- 2167
- 01:37:12,609 --> 01:37:14,263
- I'm always angry.
- 2168
- 01:37:22,445 --> 01:37:28,930
- The idea to me of, 'high school
- jocks' and the popular kids
- 2169
- 01:37:28,973 --> 01:37:33,630
- and really anyone other than
- 'the nerd demographic',
- 2170
- 01:37:33,673 --> 01:37:35,545
- grabbing
- their buddies together
- 2171
- 01:37:35,588 --> 01:37:39,027
- and racing out on opening night
- to see a movie where Thor
- 2172
- 01:37:39,070 --> 01:37:42,769
- and Captain America and Iron Man
- fend off an alien invasion
- 2173
- 01:37:42,813 --> 01:37:44,902
- was mind-boggling to me.
- 2174
- 01:37:44,946 --> 01:37:49,167
- And that is unquestionably
- Marvel's greatest success
- 2175
- 01:37:49,211 --> 01:37:51,648
- is that they took these
- B-level characters,
- 2176
- 01:37:51,691 --> 01:37:53,128
- comparatively
- B-level characters,
- 2177
- 01:37:53,171 --> 01:37:55,913
- and made them
- into A-level superstars.
- 2178
- 01:37:55,957 --> 01:37:57,610
- While the Marvel Universe
- 2179
- 01:37:57,654 --> 01:38:00,396
- was finally being revealed
- in all its glory,
- 2180
- 01:38:00,439 --> 01:38:02,615
- another Superhero series
- was ready
- 2181
- 01:38:02,659 --> 01:38:04,879
- to unveil
- its final installment.
- 2182
- 01:38:04,922 --> 01:38:07,229
- With audiences
- still reeling
- 2183
- 01:38:07,272 --> 01:38:08,708
- from the impact
- of The Avengers,
- 2184
- 01:38:08,752 --> 01:38:10,188
- two months later
- 2185
- 01:38:10,232 --> 01:38:12,538
- The Dark Knight Rises
- was released.
- 2186
- 01:38:12,582 --> 01:38:15,541
- With Christian Bale taking
- on the mantle of the Bat
- 2187
- 01:38:15,585 --> 01:38:16,891
- for the last time,
- 2188
- 01:38:16,934 --> 01:38:18,936
- he faced off
- against fellow British actor
- 2189
- 01:38:18,980 --> 01:38:22,984
- Tom Hardy as Bane, a
- lesser-known Batman villain
- 2190
- 01:38:23,027 --> 01:38:25,334
- created by Chuck Dixon
- and Graham Nolan,
- 2191
- 01:38:25,377 --> 01:38:30,034
- who had previously appeared
- in 1998's Batman and Robin.
- 2192
- 01:38:30,078 --> 01:38:32,863
- Bane comes off a lot better
- in Dark Knight Rises
- 2193
- 01:38:32,907 --> 01:38:34,256
- than he did in
- Batman and Robin.
- 2194
- 01:38:34,299 --> 01:38:35,953
- He's not a mindless henchman.
- 2195
- 01:38:35,997 --> 01:38:38,173
- They present him
- as a mastermind.
- 2196
- 01:38:38,216 --> 01:38:39,739
- They present him as a bad-ass
- 2197
- 01:38:39,783 --> 01:38:41,524
- which is one of
- the most important things.
- 2198
- 01:38:41,567 --> 01:38:42,917
- He's smart and he's a bad-ass.
- 2199
- 01:38:45,702 --> 01:38:47,182
- Bane!
- 2200
- 01:38:47,225 --> 01:38:50,141
- Let's not stand
- on ceremony here...
- 2201
- 01:38:51,838 --> 01:38:53,971
- ...Mr. Wayne.
- 2202
- 01:39:05,940 --> 01:39:07,985
- Patience has cost
- you your strength.
- 2203
- 01:39:08,029 --> 01:39:09,378
- Victory has defeated you.
- 2204
- 01:39:11,684 --> 01:39:13,251
- They made him
- a household name.
- 2205
- 01:39:13,295 --> 01:39:14,470
- Everybody knows
- who he is now,
- 2206
- 01:39:14,513 --> 01:39:16,559
- which I'm still
- getting my head around.
- 2207
- 01:39:16,602 --> 01:39:19,475
- You know Graham Nolan
- and I are like, wow.
- 2208
- 01:39:19,518 --> 01:39:21,912
- You know, we just came up
- with a crazy idea,
- 2209
- 01:39:21,956 --> 01:39:24,436
- and here it is
- in toys, in key chains
- 2210
- 01:39:24,480 --> 01:39:27,613
- and pajamas and Halloween
- costumes, everything.
- 2211
- 01:39:27,657 --> 01:39:30,007
- Released in July 2012,
- 2212
- 01:39:30,051 --> 01:39:32,879
- with an unfamiliar villain
- and Heath Ledger's performance
- 2213
- 01:39:32,923 --> 01:39:36,100
- as the Joker still fresh
- in moviegoers' memories,
- 2214
- 01:39:36,144 --> 01:39:39,321
- this closing chapter in
- Christopher Nolan's trilogy
- 2215
- 01:39:39,364 --> 01:39:40,975
- had a lot to
- live up to...
- 2216
- 01:39:41,018 --> 01:39:43,281
- There is
- the issue that The Joker
- 2217
- 01:39:43,325 --> 01:39:45,718
- was such an impactful
- presence inThe Dark Knight
- 2218
- 01:39:45,762 --> 01:39:48,983
- that you're inevitably going to
- miss that side in the next film.
- 2219
- 01:39:49,026 --> 01:39:51,028
- You obviously kind of
- want to see him again.
- 2220
- 01:39:51,072 --> 01:39:52,725
- And who knows,
- 2221
- 01:39:52,769 --> 01:39:55,250
- if things hadn't gone the way
- they did with Heath Ledger,
- 2222
- 01:39:55,293 --> 01:39:57,600
- who knows what would have
- happened in the third film.
- 2223
- 01:39:57,643 --> 01:40:00,995
- But one of the things
- I really do like about it is,
- 2224
- 01:40:01,038 --> 01:40:02,735
- it's one of these
- rare superhero films,
- 2225
- 01:40:02,779 --> 01:40:05,390
- which we just
- may never see again,
- 2226
- 01:40:05,434 --> 01:40:06,913
- that actually
- has an ending.
- 2227
- 01:40:06,957 --> 01:40:08,611
- It has a neat,
- wrapped up ending
- 2228
- 01:40:08,654 --> 01:40:11,831
- that you can feel like
- that was where it was going
- 2229
- 01:40:11,875 --> 01:40:13,311
- fromBatman Begins.
- 2230
- 01:40:13,355 --> 01:40:15,487
- You actually get quite
- an emotional pay-off, I think.
- 2231
- 01:40:17,098 --> 01:40:19,100
- I never cared who you were.
- 2232
- 01:40:19,143 --> 01:40:20,579
- Then you were right.
- 2233
- 01:40:20,623 --> 01:40:23,147
- Shouldn't the people know
- the hero who saved them?
- 2234
- 01:40:23,191 --> 01:40:24,322
- A hero can be anyone.
- 2235
- 01:40:24,366 --> 01:40:25,671
- Even a man
- who does something
- 2236
- 01:40:25,715 --> 01:40:27,934
- as simple and reassuring
- 2237
- 01:40:27,978 --> 01:40:30,807
- as putting a coat
- around a young boy's shoulders
- 2238
- 01:40:30,850 --> 01:40:33,375
- to let him know
- the world hadn't ended.
- 2239
- 01:40:52,220 --> 01:40:54,091
- Bruce Wayne.
- 2240
- 01:40:54,135 --> 01:40:56,006
- Nolan stuck to his guns
- 2241
- 01:40:56,050 --> 01:40:57,486
- and did what he
- wanted to do.
- 2242
- 01:40:57,529 --> 01:41:00,271
- He made a successful arc,
- the arc he wanted to tell.
- 2243
- 01:41:00,315 --> 01:41:03,231
- It felt consistent,
- it looked great.
- 2244
- 01:41:03,274 --> 01:41:04,797
- Even though as
- a standalone,
- 2245
- 01:41:04,841 --> 01:41:07,191
- I don't think it's as strong
- as the other two films.
- 2246
- 01:41:07,235 --> 01:41:08,932
- As a set,
- I think it will absolutely
- 2247
- 01:41:08,975 --> 01:41:10,455
- stand up to the
- test of time.
- 2248
- 01:41:10,499 --> 01:41:13,719
- Christopher Nolan's Batman
- series may be the high point
- 2249
- 01:41:13,763 --> 01:41:16,418
- of this balance between,
- 2250
- 01:41:16,461 --> 01:41:20,465
- the filmmaker,
- working high cinema art,
- 2251
- 01:41:20,509 --> 01:41:23,773
- combining, reconciling that
- with what fans want to see.
- 2252
- 01:41:23,816 --> 01:41:26,819
- I think that accomplished it
- about as well as films could.
- 2253
- 01:41:26,863 --> 01:41:29,518
- I don't think any comic book fan
- could be disappointed
- 2254
- 01:41:29,561 --> 01:41:31,389
- with the Christopher
- Nolan films.
- 2255
- 01:41:31,433 --> 01:41:33,957
- And I think any cinema fan,
- 2256
- 01:41:34,000 --> 01:41:36,090
- recognizes the quality
- of what he's doing
- 2257
- 01:41:36,133 --> 01:41:39,397
- even if they had never read
- the comic books themselves.
- 2258
- 01:41:39,441 --> 01:41:40,659
- In the wake of these
- 2259
- 01:41:40,703 --> 01:41:43,401
- two billion dollar
- grossing behemoths,
- 2260
- 01:41:43,445 --> 01:41:46,752
- superheroes
- took over the world.
- 2261
- 01:41:46,796 --> 01:41:50,104
- Comic book culture fully
- exploded into the mainstream,
- 2262
- 01:41:50,147 --> 01:41:54,151
- merchandise flooded into
- every conceivable store,
- 2263
- 01:41:54,195 --> 01:41:56,240
- convention
- attendances soared
- 2264
- 01:41:56,284 --> 01:41:58,199
- and no one had
- to hide their passion
- 2265
- 01:41:58,242 --> 01:42:01,724
- like a guilty pleasure
- anymore.
- 2266
- 01:42:01,767 --> 01:42:04,422
- As The X-Men and Spider-Man
- series saw reboots
- 2267
- 01:42:04,466 --> 01:42:06,729
- that sought to revive
- these franchises
- 2268
- 01:42:06,772 --> 01:42:09,427
- after unpopular
- third installments,
- 2269
- 01:42:09,471 --> 01:42:13,910
- Marvel Studios' cinematic
- output powered ever onwards.
- 2270
- 01:42:13,953 --> 01:42:17,566
- With Iron Man 3,
- Thor: The Dark World
- 2271
- 01:42:17,609 --> 01:42:20,046
- and Captain America:
- Winter Soldier
- 2272
- 01:42:20,090 --> 01:42:21,483
- all opening to
- critical praise
- 2273
- 01:42:21,526 --> 01:42:24,442
- and ever-increasing
- box office returns,
- 2274
- 01:42:24,486 --> 01:42:27,880
- the spotlight soon fell
- upon Kevin Feige.
- 2275
- 01:42:27,924 --> 01:42:30,709
- As the success of the
- interconnected universe
- 2276
- 01:42:30,753 --> 01:42:32,363
- became ever
- more apparent,
- 2277
- 01:42:32,407 --> 01:42:34,452
- the press celebrated
- the mastermind
- 2278
- 01:42:34,496 --> 01:42:36,019
- behind the curtain.
- 2279
- 01:42:36,062 --> 01:42:38,239
- For me it was the notion
- of reading the Marvel comics
- 2280
- 01:42:38,282 --> 01:42:40,719
- and not knowing
- who would appear in what
- 2281
- 01:42:40,763 --> 01:42:43,113
- because they all exist
- in the same universe.
- 2282
- 01:42:43,157 --> 01:42:45,071
- And obviously that
- hadn't been done before
- 2283
- 01:42:45,115 --> 01:42:47,596
- and now that once Marvel...
- 2284
- 01:42:47,639 --> 01:42:50,425
- We started making our own movies
- and we had the entire library.
- 2285
- 01:42:50,468 --> 01:42:52,775
- I thought, wouldn't it be fun
- to start doing that?
- 2286
- 01:42:52,818 --> 01:42:54,472
- It's very smart.
- 2287
- 01:42:54,516 --> 01:42:58,520
- The irony for me is that
- it's just the Marvel universe.
- 2288
- 01:42:58,563 --> 01:43:00,261
- It's the same Marvel universe
- 2289
- 01:43:00,304 --> 01:43:02,741
- that Stan Lee created
- in the 1960s.
- 2290
- 01:43:02,785 --> 01:43:05,744
- And the genius of Kevin Feige
- is that he just went,
- 2291
- 01:43:05,788 --> 01:43:09,574
- "Well, Stan and Jack and Steve
- figured it out in the 60s.
- 2292
- 01:43:09,618 --> 01:43:11,315
- Why mess around with it?"
- 2293
- 01:43:11,359 --> 01:43:13,491
- He's like
- the Steve Jobs of movies.
- 2294
- 01:43:13,535 --> 01:43:16,320
- And I think history is going
- to be very kind to that guy,
- 2295
- 01:43:16,364 --> 01:43:19,323
- when you have the ability
- to look back at what he's done
- 2296
- 01:43:19,367 --> 01:43:22,674
- in its entirety because
- we're still in the middle of it.
- 2297
- 01:43:22,718 --> 01:43:25,895
- I don't think audiences
- can really appreciate
- 2298
- 01:43:25,938 --> 01:43:28,376
- the magnitude
- of what that guy's built.
- 2299
- 01:43:28,419 --> 01:43:30,682
- It's staggering.
- 2300
- 01:43:30,726 --> 01:43:32,336
- With comic
- book characters
- 2301
- 01:43:32,380 --> 01:43:34,208
- dominating
- popular culture,
- 2302
- 01:43:34,251 --> 01:43:37,907
- in 2013 Warner Brothers
- and DC looked to revive
- 2303
- 01:43:37,950 --> 01:43:40,736
- the original
- blockbuster superhero.
- 2304
- 01:43:40,779 --> 01:43:42,912
- With a story by
- theBatman Begins team
- 2305
- 01:43:42,955 --> 01:43:45,349
- of Christopher Nolan
- and David S. Goyer,
- 2306
- 01:43:45,393 --> 01:43:47,786
- director Zach Snyder
- behind the camera
- 2307
- 01:43:47,830 --> 01:43:51,007
- and young British actor Henry
- Cavill in the lead role,
- 2308
- 01:43:51,050 --> 01:43:55,403
- Man of Steel sought to bring
- Superman into the modern age.
- 2309
- 01:43:55,446 --> 01:43:58,319
- And despite some
- negative reactions,
- 2310
- 01:43:58,362 --> 01:44:00,756
- its commercial performance
- convinced Warners
- 2311
- 01:44:00,799 --> 01:44:03,628
- to press ahead
- with plans for a sequel.
- 2312
- 01:44:03,672 --> 01:44:05,587
- Yet the success of
- The Avengers
- 2313
- 01:44:05,630 --> 01:44:07,719
- and Marvel's
- interconnected universe
- 2314
- 01:44:07,763 --> 01:44:10,156
- had sent shockwaves
- through the film industry,
- 2315
- 01:44:10,200 --> 01:44:12,811
- and conventional
- blockbuster franchises
- 2316
- 01:44:12,855 --> 01:44:16,032
- no longer seemed
- so attractive.
- 2317
- 01:44:16,075 --> 01:44:18,469
- Hollywood
- gets the idea that
- 2318
- 01:44:18,513 --> 01:44:20,602
- because The Avengers
- did so well,
- 2319
- 01:44:20,645 --> 01:44:24,214
- they all should be chasing
- cinematic universes.
- 2320
- 01:44:24,258 --> 01:44:28,305
- and I think that's the negative
- impact of The Avengers.
- 2321
- 01:44:28,349 --> 01:44:29,959
- One that
- we're still feeling today,
- 2322
- 01:44:30,002 --> 01:44:35,225
- one that I think may eventually
- have terrible repercussions
- 2323
- 01:44:35,269 --> 01:44:37,401
- for theatrical
- movie-going overall.
- 2324
- 01:44:37,445 --> 01:44:39,098
- Because we really
- don't have any evidence,
- 2325
- 01:44:39,142 --> 01:44:40,709
- we don't have
- much evidence
- 2326
- 01:44:40,752 --> 01:44:43,625
- that audiences actually want
- these cinematic universes
- 2327
- 01:44:43,668 --> 01:44:45,757
- as opposed to they like
- The Avengers.
- 2328
- 01:44:45,801 --> 01:44:49,152
- Man of Steelmay have been
- intended at the time
- 2329
- 01:44:49,195 --> 01:44:51,328
- as a stand alone
- Superman picture,
- 2330
- 01:44:51,372 --> 01:44:54,418
- but between Man of
- Steelbeing greenlit
- 2331
- 01:44:54,462 --> 01:44:56,681
- and The Avengers making
- a billion and a half dollars,
- 2332
- 01:44:56,725 --> 01:44:59,075
- they go, yeah, we're going
- to eventually make this
- 2333
- 01:44:59,118 --> 01:45:01,382
- into what we now know
- is the DC films universe
- 2334
- 01:45:01,425 --> 01:45:03,340
- for better or worse.
- 2335
- 01:45:03,384 --> 01:45:05,647
- With Christian
- Bale's Dark Knight
- 2336
- 01:45:05,690 --> 01:45:07,910
- still fresh
- in audiences' memories,
- 2337
- 01:45:07,953 --> 01:45:10,521
- Warners nevertheless looked
- to bring the character
- 2338
- 01:45:10,565 --> 01:45:13,219
- into the world of
- Man of Steel,
- 2339
- 01:45:13,263 --> 01:45:16,222
- and aBatman v Superman
- project was quickly announced
- 2340
- 01:45:16,266 --> 01:45:18,181
- as the next
- in a series of films
- 2341
- 01:45:18,224 --> 01:45:21,053
- that would include big screen
- outings for Wonder Woman,
- 2342
- 01:45:21,097 --> 01:45:24,796
- Aquaman and other members
- of DC's Justice League.
- 2343
- 01:45:24,840 --> 01:45:27,712
- And without a Kevin Feige
- pulling the strings
- 2344
- 01:45:27,756 --> 01:45:29,627
- and ensuring coherence,
- 2345
- 01:45:29,671 --> 01:45:31,934
- the studio looked
- to director Zack Snyder
- 2346
- 01:45:31,977 --> 01:45:33,283
- to drive the
- creative vision
- 2347
- 01:45:33,327 --> 01:45:35,590
- for this
- interconnected universe.
- 2348
- 01:45:35,633 --> 01:45:38,419
- Casting Ben Affleck
- as a new Caped Crusader
- 2349
- 01:45:38,462 --> 01:45:40,595
- and introducing Gal Gadot
- 2350
- 01:45:40,638 --> 01:45:42,771
- as the first big screen
- Wonder Woman,
- 2351
- 01:45:42,814 --> 01:45:46,862
- upon its release, Batman v
- Superman: Dawn of Justice
- 2352
- 01:45:46,905 --> 01:45:51,823
- came under fire from
- audiences and critics alike.
- 2353
- 01:45:51,867 --> 01:45:53,477
- When you
- look at the DC films,
- 2354
- 01:45:53,521 --> 01:45:56,959
- certainly there is a lot of
- Zack Snyder coming into it.
- 2355
- 01:45:57,002 --> 01:45:58,961
- Zack Snyder,
- who directed Watchmen,
- 2356
- 01:45:59,004 --> 01:46:04,358
- the first real nihilistic
- take on superheroes -
- 2357
- 01:46:04,401 --> 01:46:06,838
- superheroes who are faced
- with not winning,
- 2358
- 01:46:06,882 --> 01:46:08,927
- the unwinnable situation.
- 2359
- 01:46:08,971 --> 01:46:13,018
- With Man of Steel and Batman
- v Superman Dawn of Justice
- 2360
- 01:46:13,062 --> 01:46:15,586
- those films have gone down
- a dark road
- 2361
- 01:46:15,630 --> 01:46:17,675
- because we don't believe
- in the heroes.
- 2362
- 01:46:27,642 --> 01:46:29,426
- Next time they shine
- your light in the sky
- 2363
- 01:46:30,340 --> 01:46:32,168
- don't go to it.
- 2364
- 01:46:32,211 --> 01:46:34,518
- The Bat is dead, buried.
- 2365
- 01:46:36,259 --> 01:46:38,304
- Consider this mercy.
- 2366
- 01:46:39,871 --> 01:46:41,699
- Tell me...
- 2367
- 01:46:45,399 --> 01:46:48,750
- Do you bleed?
- 2368
- 01:46:48,793 --> 01:46:51,230
- I've wanted
- to see Batman and Superman
- 2369
- 01:46:51,274 --> 01:46:54,277
- fight since I was a little kid.
- That's so cool.
- 2370
- 01:46:54,320 --> 01:46:56,453
- I should have gone crazy
- over this movie.
- 2371
- 01:46:56,497 --> 01:47:00,370
- But I feel like
- it was just too processed.
- 2372
- 01:47:00,414 --> 01:47:03,199
- I think we've gone
- too far with the gritty.
- 2373
- 01:47:03,242 --> 01:47:07,246
- I think there wasn't any
- sense of fun about this movie.
- 2374
- 01:47:07,290 --> 01:47:10,119
- It just felt like
- Superman was depressed
- 2375
- 01:47:10,162 --> 01:47:12,338
- and Batman was angry
- and then they fought.
- 2376
- 01:47:12,382 --> 01:47:14,471
- Then Wonder Woman
- comes in and she's great.
- 2377
- 01:47:14,515 --> 01:47:17,779
- Then, we're all angry again
- and everyone's depressed.
- 2378
- 01:47:17,822 --> 01:47:21,870
- It's just all dark
- and it feels dreary.
- 2379
- 01:47:21,913 --> 01:47:24,829
- Dawn
- of Justice is a bad film
- 2380
- 01:47:24,873 --> 01:47:26,527
- and part of the reason
- it's a bad film
- 2381
- 01:47:26,570 --> 01:47:30,139
- is because of how
- massively it betrays
- 2382
- 01:47:30,182 --> 01:47:32,097
- both Batman and Superman,
- 2383
- 01:47:32,141 --> 01:47:35,797
- making them both
- into absolute petulant idiots.
- 2384
- 01:47:35,840 --> 01:47:38,582
- They're both violent
- and selfish and stupid.
- 2385
- 01:47:38,626 --> 01:47:40,584
- And actually it completely
- ruins Lois Lane as well
- 2386
- 01:47:40,628 --> 01:47:42,717
- and makes her into a
- terrible damsel in distress
- 2387
- 01:47:42,760 --> 01:47:45,197
- who's a complete liability
- for the whole film.
- 2388
- 01:47:45,241 --> 01:47:47,635
- It felt like a total betrayal
- 2389
- 01:47:47,678 --> 01:47:50,333
- of these characters that
- we'd loved for such a long time
- 2390
- 01:47:50,376 --> 01:47:53,989
- and a massive misunderstanding.
- 2391
- 01:47:54,032 --> 01:47:56,948
- While DC's
- attempt to launch a rival
- 2392
- 01:47:56,992 --> 01:48:00,474
- to Marvel's cinematic universe
- proved hugely divisive,
- 2393
- 01:48:00,517 --> 01:48:02,432
- elsewhere superhero films
- 2394
- 01:48:02,476 --> 01:48:04,739
- were going
- from strength to strength
- 2395
- 01:48:04,782 --> 01:48:06,784
- and their stock within
- the wider film industry
- 2396
- 01:48:06,828 --> 01:48:09,526
- continued to rise.
- 2397
- 01:48:09,570 --> 01:48:12,137
- A thoroughly refreshed
- X-Men franchise
- 2398
- 01:48:12,181 --> 01:48:14,879
- saw director Bryan Singer
- return to the helm
- 2399
- 01:48:14,923 --> 01:48:16,577
- and combine
- his original heroes
- 2400
- 01:48:16,620 --> 01:48:18,579
- with a new, younger cast
- 2401
- 01:48:18,622 --> 01:48:21,669
- inDays of Future Past,
- which quickly became
- 2402
- 01:48:21,712 --> 01:48:24,976
- the most commercially
- successful film in the series.
- 2403
- 01:48:25,020 --> 01:48:27,370
- Elsewhere,
- Marvel Studios seemed like
- 2404
- 01:48:27,413 --> 01:48:29,111
- it could do no wrong,
- 2405
- 01:48:29,154 --> 01:48:31,635
- and alongside a second
- outing forThe Avengers,
- 2406
- 01:48:31,679 --> 01:48:33,115
- fresh films emerged
- 2407
- 01:48:33,158 --> 01:48:35,291
- that brought even less
- familiar characters
- 2408
- 01:48:35,334 --> 01:48:38,555
- from the publisher's past
- to a global audience.
- 2409
- 01:48:38,599 --> 01:48:40,644
- Marvel
- Studios, they're on fire.
- 2410
- 01:48:40,688 --> 01:48:42,080
- WithGuardians
- of the Galaxy
- 2411
- 01:48:42,124 --> 01:48:45,562
- Marvel showed, we can
- make a billion with people
- 2412
- 01:48:45,606 --> 01:48:48,130
- that even comic book fans
- don't even know who they are.
- 2413
- 01:48:48,173 --> 01:48:50,175
- Guardians of the Galaxy,
- 2414
- 01:48:50,219 --> 01:48:52,438
- a title you can
- barely remember
- 2415
- 01:48:52,482 --> 01:48:54,136
- which was, no
- offense guys,
- 2416
- 01:48:54,179 --> 01:48:56,312
- but one of the worst
- comic books ever done
- 2417
- 01:48:56,355 --> 01:49:00,490
- and they turned it
- into a fantastic movie.
- 2418
- 01:49:00,534 --> 01:49:02,536
- But that's all they had.
- 2419
- 01:49:02,579 --> 01:49:05,321
- The reason they did it was
- because they had nothing else.
- 2420
- 01:49:05,364 --> 01:49:07,628
- They didn't have
- Daredevil, X-Men,
- 2421
- 01:49:07,671 --> 01:49:10,587
- Spider-Man, Fantastic Four.
- 2422
- 01:49:10,631 --> 01:49:12,110
- They'd licenced them all out.
- 2423
- 01:49:12,154 --> 01:49:14,591
- What kind of deal
- were they making with Disney?
- 2424
- 01:49:14,635 --> 01:49:16,985
- Disney in a weird way
- bought a pig in a poke.
- 2425
- 01:49:17,028 --> 01:49:20,118
- But at the same time,
- they took that pig in a poke
- 2426
- 01:49:20,162 --> 01:49:22,556
- and made it into gold.
- 2427
- 01:49:23,905 --> 01:49:25,559
- Each one of them,
- 2428
- 01:49:25,602 --> 01:49:28,474
- they're varying degrees
- of good and great
- 2429
- 01:49:28,518 --> 01:49:30,564
- but they haven't had anything
- that's overtly terrible.
- 2430
- 01:49:30,607 --> 01:49:32,870
- They haven't had anything
- that's a massive flop.
- 2431
- 01:49:32,914 --> 01:49:36,613
- They haven't dropped the ball.
- Even Ant-Man, for God's sake.
- 2432
- 01:49:36,657 --> 01:49:39,703
- If you talk about superheroes
- that should have never worked
- 2433
- 01:49:39,747 --> 01:49:42,140
- should have never been
- able to work... Ant-Man.
- 2434
- 01:49:42,184 --> 01:49:44,316
- What's the one movie
- that will never work?
- 2435
- 01:49:44,360 --> 01:49:47,493
- Ant-Man.
- And it was great.
- 2436
- 01:49:47,537 --> 01:49:51,541
- In some ways
- Ant-Man is the triumphant kiss
- 2437
- 01:49:51,585 --> 01:49:54,413
- that Marvel can say,
- "We've done it."
- 2438
- 01:49:54,457 --> 01:49:56,894
- That we can even get away
- with an Ant-Man movie.
- 2439
- 01:49:56,938 --> 01:49:59,549
- For so long that would be
- a joke. It was a joke.
- 2440
- 01:49:59,593 --> 01:50:01,899
- Will we ever see
- an Ant-Man movie?
- 2441
- 01:50:01,943 --> 01:50:04,075
- Will we even see
- an Ant-Man comic book again?
- 2442
- 01:50:04,119 --> 01:50:07,252
- The fact that Marvel
- was able to pull that off
- 2443
- 01:50:07,296 --> 01:50:10,168
- in a successful film
- again with good casting...
- 2444
- 01:50:12,040 --> 01:50:13,650
- That was Marvel's way
- of saying,
- 2445
- 01:50:13,694 --> 01:50:17,654
- we can get away
- with anything.
- 2446
- 01:50:17,698 --> 01:50:19,090
- And in the
- preceding years,
- 2447
- 01:50:19,134 --> 01:50:21,876
- the studio continued
- to bring its Midas touch
- 2448
- 01:50:21,919 --> 01:50:24,269
- to both sequels
- and new projects,
- 2449
- 01:50:24,313 --> 01:50:27,664
- with Doctor Strange
- making his cinematic debut
- 2450
- 01:50:27,708 --> 01:50:31,625
- and Spider-Man finally brought
- into the Marvel universe.
- 2451
- 01:50:31,668 --> 01:50:34,758
- Elsewhere theX-Men
- franchise expanded,
- 2452
- 01:50:34,802 --> 01:50:37,979
- with two groundbreaking movies
- aimed at an adult audience.
- 2453
- 01:50:38,022 --> 01:50:41,809
- Deadpool blended extreme
- violence with acerbic comedy
- 2454
- 01:50:41,852 --> 01:50:43,811
- and became a
- global sensation,
- 2455
- 01:50:43,854 --> 01:50:47,162
- while Logan was Hugh Jackman's
- swansong asWolverine,
- 2456
- 01:50:47,205 --> 01:50:49,773
- the somber closing chapter
- for the character
- 2457
- 01:50:49,817 --> 01:50:51,732
- that had launched
- his career.
- 2458
- 01:50:51,775 --> 01:50:55,083
- Having dominated popular
- culture for over a decade,
- 2459
- 01:50:55,126 --> 01:50:56,693
- in the wake of
- these films,
- 2460
- 01:50:56,737 --> 01:50:59,522
- comic book adaptations still
- offered new opportunities
- 2461
- 01:50:59,565 --> 01:51:02,133
- for both the studios
- and cinemagoers.
- 2462
- 01:51:02,177 --> 01:51:04,048
- And this was nowhere
- more apparent
- 2463
- 01:51:04,092 --> 01:51:05,528
- than in
- two revolutionary films
- 2464
- 01:51:05,571 --> 01:51:07,225
- released by DC and Marvel
- 2465
- 01:51:07,269 --> 01:51:09,358
- within a 12-month period.
- 2466
- 01:51:09,401 --> 01:51:12,535
- Wonder Woman finally gave
- this 75-year old character
- 2467
- 01:51:12,578 --> 01:51:13,884
- a film of her own,
- 2468
- 01:51:13,928 --> 01:51:16,321
- with Patty Jenkins
- the first ever woman
- 2469
- 01:51:16,365 --> 01:51:19,498
- to helm an American studio
- superhero movie.
- 2470
- 01:51:19,542 --> 01:51:22,110
- Marvel's Black Panther,
- on the other hand,
- 2471
- 01:51:22,153 --> 01:51:26,157
- gave Stan Lee and Jack Kirby's
- landmark African superhero
- 2472
- 01:51:26,201 --> 01:51:28,551
- a historic solo vehicle.
- 2473
- 01:51:28,594 --> 01:51:31,423
- Studio execs
- in the past would have said,
- 2474
- 01:51:31,467 --> 01:51:34,775
- "We can't do a female led movie
- because it won't sell.
- 2475
- 01:51:34,818 --> 01:51:37,212
- We can't do a movie led
- by a person of color,
- 2476
- 01:51:37,255 --> 01:51:39,780
- or people of color
- being the predominant cast
- 2477
- 01:51:39,823 --> 01:51:42,608
- because it won't sell.
- Well, you're wrong.
- 2478
- 01:51:42,652 --> 01:51:44,088
- People love Wonder Woman.
- 2479
- 01:51:44,132 --> 01:51:45,699
- You don't have to be
- a girl to love Wonder Woman.
- 2480
- 01:51:45,742 --> 01:51:47,048
- Everybody loves
- Wonder Woman.
- 2481
- 01:51:47,091 --> 01:51:48,702
- I think it's taken so long
- to get Wonder Woman
- 2482
- 01:51:48,745 --> 01:51:51,269
- to the big screen,
- because everyone was afraid
- 2483
- 01:51:51,313 --> 01:51:52,923
- to do a female superhero movie
- 2484
- 01:51:52,967 --> 01:51:55,230
- and you hold up films like
- Catwoman and Elektra
- 2485
- 01:51:55,273 --> 01:51:57,362
- and say,
- "Oh, well, that's what...
- 2486
- 01:51:57,406 --> 01:51:58,624
- 'cause women
- can't be superheroes."
- 2487
- 01:51:58,668 --> 01:52:01,236
- Well, no, they have to be
- in good movies.
- 2488
- 01:52:01,279 --> 01:52:03,368
- I know when Gal
- Gadot was cast
- 2489
- 01:52:03,412 --> 01:52:04,630
- people were
- a little concerned.
- 2490
- 01:52:04,674 --> 01:52:07,416
- "Oh, well, she doesn't
- look this way."
- 2491
- 01:52:07,459 --> 01:52:08,460
- Screw that.
- She was fantastic.
- 2492
- 01:52:17,513 --> 01:52:19,341
- It was
- extremely important
- 2493
- 01:52:19,384 --> 01:52:21,299
- and extremely significant
- as a movie.
- 2494
- 01:52:21,343 --> 01:52:23,562
- It's ridiculous, quite honestly,
- 2495
- 01:52:23,606 --> 01:52:25,782
- that we've had
- these universes since,
- 2496
- 01:52:25,826 --> 01:52:30,004
- well, even if we just talk
- about MCU and DC it's 2008.
- 2497
- 01:52:30,047 --> 01:52:36,532
- That's ten years that we haven't
- got a single female lead.
- 2498
- 01:52:36,575 --> 01:52:38,621
- We have secondary
- characters around.
- 2499
- 01:52:38,664 --> 01:52:40,318
- We've got Black Widow
- who is amazing
- 2500
- 01:52:40,362 --> 01:52:43,147
- played by Scarlett Johansson,
- one of the most famous,
- 2501
- 01:52:43,191 --> 01:52:44,845
- bankable actresses
- in the world
- 2502
- 01:52:44,888 --> 01:52:46,411
- and she can't get
- her own movie.
- 2503
- 01:52:46,455 --> 01:52:47,978
- This is absolute insanity.
- 2504
- 01:52:48,022 --> 01:52:50,372
- Wonder Woman coming out,
- 2505
- 01:52:50,415 --> 01:52:51,895
- being directed by a woman
- 2506
- 01:52:51,939 --> 01:52:55,116
- having a very strong
- supportive cast of women
- 2507
- 01:52:55,159 --> 01:52:57,074
- was a very
- significant thing.
- 2508
- 01:52:57,118 --> 01:52:59,120
- DC beat
- Marvel to the punch
- 2509
- 01:52:59,163 --> 01:53:03,211
- in terms of getting a female
- superhero their first film.
- 2510
- 01:53:03,254 --> 01:53:06,823
- Then obviously Marvel have
- come out with Black Panther
- 2511
- 01:53:06,867 --> 01:53:10,218
- and I think it is a hugely
- important cultural moment
- 2512
- 01:53:10,261 --> 01:53:13,482
- having this film led by
- people of color set in Africa,
- 2513
- 01:53:13,525 --> 01:53:17,225
- and the film does deal
- with issues of race head on.
- 2514
- 01:53:17,268 --> 01:53:18,835
- It's not
- just that this is led
- 2515
- 01:53:18,879 --> 01:53:22,665
- by a black guy. The cast
- is predominantly black.
- 2516
- 01:53:22,708 --> 01:53:24,841
- And that actually is
- really groundbreaking.
- 2517
- 01:53:24,885 --> 01:53:26,843
- It's not something
- we've seen in that universe.
- 2518
- 01:53:26,887 --> 01:53:29,324
- It's not something we've seen
- in any superhero universe
- 2519
- 01:53:29,367 --> 01:53:32,327
- or even in fact in any
- massive blockbuster universe.
- 2520
- 01:53:32,370 --> 01:53:33,807
- So it is groundbreaking
- 2521
- 01:53:33,850 --> 01:53:35,591
- and by giving it
- to Ryan Coogler,
- 2522
- 01:53:35,634 --> 01:53:37,158
- who is a fantastic director,
- 2523
- 01:53:37,201 --> 01:53:39,813
- who'd made Fruitvale
- Station and Creed,
- 2524
- 01:53:39,856 --> 01:53:41,379
- both with Michael
- B. Jordan,
- 2525
- 01:53:41,423 --> 01:53:44,078
- and it seems giving him
- a fairly free reign
- 2526
- 01:53:44,121 --> 01:53:45,993
- to tell the story
- that he wanted to tell,
- 2527
- 01:53:46,036 --> 01:53:47,690
- what actually you have
- 2528
- 01:53:47,733 --> 01:53:50,562
- is a very important,
- very political,
- 2529
- 01:53:52,260 --> 01:53:55,393
- really uplifting,
- very ground breaking movie
- 2530
- 01:53:55,437 --> 01:53:57,874
- that does still feel like
- a Marvel movie.
- 2531
- 01:53:57,918 --> 01:54:01,922
- To use the MCU to be
- able to talk about issues
- 2532
- 01:54:01,965 --> 01:54:07,841
- that we probably wouldn't see
- in the multiplexes is amazing.
- 2533
- 01:54:07,884 --> 01:54:09,190
- As the enormity
- 2534
- 01:54:09,233 --> 01:54:11,670
- of Black Panther's
- cultural significance
- 2535
- 01:54:11,714 --> 01:54:13,585
- and commercial success
- has proven,
- 2536
- 01:54:13,629 --> 01:54:15,936
- superheroes remain
- not only popular
- 2537
- 01:54:15,979 --> 01:54:19,417
- but hugely influential.
- 2538
- 01:54:19,461 --> 01:54:22,812
- With global audiences still
- being introduced to characters
- 2539
- 01:54:22,856 --> 01:54:25,902
- who have existed in the comics
- world for half a century,
- 2540
- 01:54:25,946 --> 01:54:27,861
- the wealth of heroes
- and stories
- 2541
- 01:54:27,904 --> 01:54:30,776
- yet to make the transition
- from the page to the screen
- 2542
- 01:54:30,820 --> 01:54:33,867
- suggests that
- this popularity will endure.
- 2543
- 01:54:36,782 --> 01:54:39,307
- And although the prominence
- of these icons
- 2544
- 01:54:39,350 --> 01:54:42,005
- is at its highest point
- since their inception,
- 2545
- 01:54:42,049 --> 01:54:43,398
- the comic book itself
- 2546
- 01:54:43,441 --> 01:54:47,358
- has retained
- its specialist reputation.
- 2547
- 01:54:47,402 --> 01:54:51,319
- Never returning to
- its sales peak of the 1990s,
- 2548
- 01:54:51,362 --> 01:54:53,495
- as the print media
- becomes less relevant
- 2549
- 01:54:53,538 --> 01:54:55,149
- in our modern age,
- 2550
- 01:54:55,192 --> 01:54:57,542
- the artform that launched
- this global phenomenon
- 2551
- 01:54:57,586 --> 01:55:01,024
- remains largely ignored.
- 2552
- 01:55:01,068 --> 01:55:03,026
- As far as
- how comics were regarded
- 2553
- 01:55:03,070 --> 01:55:05,376
- I don't think they were
- regarded any different.
- 2554
- 01:55:05,420 --> 01:55:06,856
- You either like them
- or you don't like them.
- 2555
- 01:55:06,900 --> 01:55:09,163
- A lot of people
- just don't like comics.
- 2556
- 01:55:09,206 --> 01:55:13,123
- And there's thankfully people
- who do like them a whole lot.
- 2557
- 01:55:15,821 --> 01:55:17,780
- For me, the key to it
- 2558
- 01:55:17,823 --> 01:55:20,826
- is going to New York,
- 2559
- 01:55:20,870 --> 01:55:23,307
- San Diego, wherever,
- 2560
- 01:55:23,351 --> 01:55:24,961
- and having people
- stand in line
- 2561
- 01:55:25,005 --> 01:55:27,703
- for three or four hours
- 2562
- 01:55:27,746 --> 01:55:30,314
- and come up and say
- I read this book.
- 2563
- 01:55:30,358 --> 01:55:33,535
- This book is cool.
- These characters are cool.
- 2564
- 01:55:33,578 --> 01:55:36,103
- This book was important to me.
- 2565
- 01:55:36,146 --> 01:55:39,497
- It helped me through
- a period of my life.
- 2566
- 01:55:39,541 --> 01:55:41,108
- I thought this
- book was cool.
- 2567
- 01:55:41,151 --> 01:55:43,545
- I've given it to my kids.
- 2568
- 01:55:43,588 --> 01:55:45,329
- We think it's cool too.
- 2569
- 01:55:49,377 --> 01:55:51,205
- Somehow or other,
- 2570
- 01:55:51,248 --> 01:55:52,597
- somehow we did
- something right.
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