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Adagio/Aria story (Adagio Part 1)

Oct 28th, 2014
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  2. If you read Aria part 1 and don't want to re-read the entire first part you can search for the word "FORK". It will take you to the start of the split between timelines.
  3. --------------------------------------------------------------------------------
  4.  
  5. >you are awoken by the sudden tapping of glass next to you
  6. >you see your coworker standing outside signaling to his watch
  7. >you take a glimpse at yours and notice that your shift was over a few minutes ago
  8. "Shit, sorry man, didnt mean to snooze again"
  9. >you get up and open the door for him
  10. >"Sure you didn't. I still don't understand how the day shift leaves you so tired all the time."
  11. "Maybe I'm just a night person. The moon seems much more interesting than the boring old sun."
  12. >your coworker simply rolls his eyes
  13. >you grab your jacket and keys before leaving the small reception box
  14. >your coworker does the opposite as you begin walking towards your truck
  15. >"hey anon, might get rainy tonight."
  16. "Thanks for the heads up Jimmy."
  17. >you get inside your truck and proceed to pullout of the motel
  18.  
  19. >a storm starts to pick up after driving for a few minutes
  20. "Why couldn't it rain until I got home"
  21. >it was difficult to see in front of you
  22. >you couldn't tell if you missed your next turn or not
  23. "Where the hell am I?"
  24. >you came to notice the lack of cars on the road
  25. >you decide to pull a u turn and drive at a slower pace keeping an eye on the street signs
  26. >not long after turning you notice someone running around a corner as if being chased
  27. >it was a small figure wearing a hoodie with the hood up and some jeans
  28. >almost seconds later you see two more appear from the corner wearing similar clothing with different colors
  29. >as you neared the corner you could begin to recognize them as having a feminine body shape
  30. >they seem to be catching their breath before you notice a larger figure appear behind them
  31. >this doesn't feel right
  32. >you immediately pull over next to the girls
  33. >you leave the engine running and exit the vehicle
  34. >you begin walking towards both parties
  35.  
  36. >"I've finally got you you witches"
  37. >he hasn't noticed you approaching yet
  38. "Hey what's going on here?"
  39. >everyone turned to face you
  40. >"This crazed lunatic is trying to hurt us!"
  41. >one of the girls immediately spoke up upon seeing you
  42. >"yeah, for realzies!"
  43. >a second one spoke, with a much higher pitch
  44. "What's the big deal bub."
  45. >you unknowingly began to circle the figure, coming between him and the girls
  46. >"you don't know what you're getting into so I suggest you get out of the way and . . ."
  47. "I think I do know what I'm getting into. I'm getting into a group of defenseless girls and a creep attempting to harm them"
  48. >the man starts to circle you aswell
  49. >"defenseless? Hah! These are the real creeps"
  50. >you motion for the girls to stand behind you
  51. >"look, buddy, the faster I take care of these harlots, the faster the world can get back to normal."
  52. >both of you stopped turning
  53. >you notice your truck ended up behind him
  54. >crap, looks like you can't just make a run for it with the girls and leave
  55. >a confrontation is in order, or at least a distraction to get the girls in the truck
  56. "Look, I don't want any trouble, but you calling them names is really starting to get on my nerves so how about we . . ."
  57. >'my nerves'? Sure the name calling was starting to upset you but you didn't plan on saying that outloud
  58. >guess you must still be tired
  59. ". . . how about we go home and sleep"
  60. >'sleep'? You know for sure weren't going say that but you felt like saying it
  61. >felt
  62. >You suddenly felt like punching him now
  63. >you began to notice a silence
  64. >you expected to start hearing your heart beating but instead something different came
  65. >you could hear humming
  66.  
  67. >you weren't sure if it was adrenaline rushing through you or something else but you could feel a great urge to create a fist and plant it on this guy's face
  68. >you took notice of your arms and how they began to move on their own
  69. >what your body was doing however was far different from what you were expecting to happen
  70. >you notice both your arms are being raised with both palms open away from you
  71. >you begin to feel a new urge rising from your spine
  72. >you also notice the humming has changed
  73. >as the urge climbed your spine to your brain you begin to realize what you are doing
  74. >or what your body is doing, with you being nothing but a spectator
  75. >you are moving in to push this man away from your truck
  76. >but once you make contact with this man's chest, you feel the urge has arrived
  77. >your eyes widen as you realize that pushing him away from the truck wasn't the plan
  78. >within a fraction of a second you manage to see from the corner of your eye a pair of headlights that weren't from your truck
  79.  
  80. >it happened so quickly
  81. >one minute you were trying to calm things down, the next you could see the face of this stranger disappear into the rain
  82. >the humming reverted back to the first tone
  83. >you stood there motionless for a few seconds
  84. >the silence began to diffuse as the sound of rain, tire screeching, and singing began to fill your head
  85. >'singing'?
  86. >"That was close, that creep nearly hurt you."
  87. >hurt me?
  88. >he didn't even get to lift a fist at me
  89. >you felt a hand touch your shoulder
  90. >snapping out of your frozen state, you notice the singing stopped
  91. >you wish it hadn't
  92. >you turn to face the group of unknown girls
  93. >the one holding your shoulder had a pair of dark pink eyes and yellow skin
  94. >the other two approached you and you can see one possessing dark purple eyes and purple skin and the other had slightly lighter pink eyes and pale blue skin
  95. >"A little bit more and he would have had us. Good thing you showed up."
  96. >The blue one spoke and you felt the need to respond to her
  97. "Happened to be at the right time, and the right place."
  98. >Why did you respond?
  99. >the scene just moments before was something you didn't expect to witness and definitely not be the cause of it
  100. >you should be checking to see if he's okay or call help
  101. >"hey, you wouldn't mind maybe taking us someplace, I don't know, out of the rain maybe?"
  102. >the purple one barked as she began walking towards your truck
  103. >who does she think she is ordering you in that manner
  104. >"What she means to say is if you could take us somewhere safe. Somewhere away from this."
  105. >The orange one spoke, and it was such a soothing voice
  106. "Sure. Where do you want me to take you gals?"
  107. >"Takes us to your place, please. We'll feel much safer there."
  108. >you expected them to ask you to take them to their own house but to yours?
  109. >you don't even know them
  110. "Yeah okay, let's get out of the rain."
  111. >you don't know why you said yes but something inside you wasn't letting you say no
  112.  
  113. >You motion for the girls to follow you to the truck
  114. >Immediately two of them rush over and start fighting for the front seat
  115. >"Come on Aria, I want to sit next to him."
  116. >"No. Then you'll mess things up like last time."
  117. >"At least I won't mess up like you just did."
  118. >The third girl left your shoulder and ran up to the other two
  119. >Your body started to feel cold all of sudden
  120. >"Girls, enough!"
  121. >The two stopped their skirmish
  122. >She quickly eyed you before returning her attention to the two
  123. >They began to whisper among themselves
  124. >You couldn't bring yourself to pay attention to what they were saying
  125. >The warmth on your shoulder was slowly fading away
  126. >You began walking around the front of the truck when you start feel your heart racing
  127. >Your knees buckle and you fall to your hands
  128. >Looking down to the wet concrete, you regain awareness of what happened
  129. "I pushed him . . ."
  130. >You didnt notice that they stopped talking and saw what was happening to you
  131. "I pushed him into the truck . . ."
  132. >You could hear doors open and close
  133. "I ki. . ."
  134. >You couldn't finish your open thought as you felt the warmth return to you
  135. >Turning to your shoulder you see the same hand again
  136.  
  137. >You turn to face the person holding your shoulder
  138. >You see that she wasn't wearing her hood on anymore
  139. >You could see the rain pouring down onto her head
  140. >"It's okay. You're safe with me."
  141. >Droplets from her beehive ran down her face to her cheeks
  142. >She held a smile towards you
  143. >The sight of it made you forget what you were upset about
  144. >She helped you up and walked you to the drivers seat
  145. >She opened the door and let you get inside
  146. >Closing the door, she then proceeds to run around to the side passenger seat
  147. >Your eyes were glued to her the entire time until she got in
  148. >Once inside, you turned your attention forward and noticed the stopped vehicle a couple of yards ahead of you
  149. >You gasped as the horrible cold started rising again
  150. >Before you could say anything, you feel the warmth of her hand once more
  151. >Returning your gaze to her, you see she unzipped her hoodie enough to see a necklace on her
  152. >"You wouldn't mind if we sing a song do you? Sonata is still really scared and singing always calms her down."
  153. >"I'm not scared . . Oof"
  154. >You notice the purple one elbow her
  155. >"You are blowing it."
  156. >"No, you blow it."
  157. >"Quit it you two."
  158. >You return to the orange beauty
  159. >"Please?"
  160. >She was giving that smile again
  161. >Saying no was never going to become an option
  162. "Sure, I'd like to hear you sing."
  163.  
  164. >All three of them started singing but your attention was strictly focused to the warm glow of the girl before you
  165. >The sound coming from her voice was so angelic
  166. >Not long after they started singing did you start hearing that humming in your head again
  167. >You were once again a spectator, watching your body act on its own
  168. >Turning away from her, you grip the steering wheel
  169. >Your eyes once again see the vehicle ahead and you start trembling
  170. >You feel a hand rest on your leg
  171. >You feel safe
  172. >Their singing hasn't stopped yet
  173. >The awareness of knowing what you had done was becoming clearer
  174. >But you didn't feel afraid or disgusted anymore
  175. >You felt relief and was happy he was gone
  176. >You began driving forward, coming up next to the other car
  177. >As the front of it came into view, the song ended
  178. "He got what he deserved."
  179.  
  180. >You were fully aware of what you just said
  181. >You didn't have a reason for why
  182. >The first thing to pop up was 'to protect the girls'
  183. >You did it for them
  184. >You could hear the driver of the other car shout to you but you kept driving
  185. >These girls need to get someplace safe
  186. > Somewhere away from this
  187. >Your place was their first choice
  188. >You felt compelled to oblige
  189. >You turned to face the glowing figure beside you
  190. >She looked into your eyes before giving a devilish grin
  191. >It wasn't the same as the smile she gave you you earlier
  192. >It didn't feel safe
  193. >She then turns to face the other girls
  194. >"That's how it's done."
  195. >She removed her hand from your lap but the warmth didn't leave you this time
  196. >You didn't know what she meant and felt like asking was a normal action to take
  197. >But the urge to ask that also brought a chill
  198. >'They wouldn't want you to ask them that'
  199. >You changed your mind to focus on the road
  200. >Getting them safe was more important
  201.  
  202. >You finally come to a stop in an alley
  203. >"What, no driveway?"
  204. >You wanted to speak up about the purple ones tone but that chill started coming again
  205. "No, I don't own a house. I live in an apartment."
  206. >You could see the disappointment in their eyes
  207. >There was no chill warning this time
  208. >You truly seem to have messed up
  209. >You let them down
  210. >The chill was burning your spine
  211. >You wanted the warmth again
  212. >You turned to the face next to you and could see uncertainty in her face
  213. "But don't worry! I have a perfect place you. I can take you there tomorrow morning."
  214. >She gives you a sly smile
  215. >The chill subsides
  216. >"Okay girls, we stay here the night and rest up. Tomorrow we can go hunting for food."
  217. >"Fine. Lead the way you dolt!"
  218. >The purple she devil smacks you on the head
  219. >It was strange
  220. >You knew what response you were going to give and immediately decided against it
  221. "Sorry. Please follow me to the front of the building."
  222. >No chill creeped up this time
  223.  
  224. >You all exit the truck and are exposed to the heavy downpour
  225. >You rush around the corner with your jacket as a shield against the rain
  226. >You reach the front of the building and turn to see the others stop right behind you
  227. >"What a dump."
  228. >That purple chick is really getting on your nerves
  229. >You remained silent and opened the door
  230. >Once inside, you lead them upstairs to your apartment
  231. >Last floor of the building
  232. >Room 34
  233. >Next level was the rooftop
  234. >You unlock the door and let them all in
  235. "Welcome to my home."
  236. >The room wasn't anything fancy and your organized clutter kept it from looking like a mess
  237. >They all walk in and begin to scan the place
  238. >It only took them a minute before they came back to you
  239. >Their faces were beginning to look like another failure of yours was witnessed
  240. >"There's only one bed."
  241.  
  242. >A million scenarios ran across your head from hearing the words 'one bed'
  243. >The warmest, or what you hope to be, correct response was singled out
  244. "I could sleep on the couch."
  245. >"You will do no such thing."
  246. >This answer surprised you
  247. >The orange haired diva slowly began to strut towards you
  248. >She slowly unzipped her hoodie, giving you a seductive grin as she did
  249. >Feeling slightly intimidated, you began to back up until you hit the closed door behind you
  250. >Her hoodie, now fully unzipped, revealed a heavily drenched shirt
  251. >It was attached to her like a second layer of skin
  252. >It clearly revealed the curves on her upper body
  253. >She was within kissing range, forcing you to look into her eyes
  254. >Her body was giving you signals to move forward and plant a kiss on her
  255. >But those eyes
  256. >They were demanding absolute your attention
  257. >You didn't move
  258. >She chuckled before placing both arms around your neck
  259. >Moving towards your ear, she began to whisper
  260. >"I will take the couch and those two will take the bed."
  261. >You had no urge to talk
  262. >Each word she whispered caused blood to flow downwards
  263. >"I can only guess your wondering where you will sleep."
  264. >That thought was nowhere to be found
  265. >"You will be sleeping where it is almost always moist and wet."
  266. >She really emphasized those two words into your ear
  267. >A shiver went up your spine
  268. >"How does the bathtub sound?"
  269.  
  270. "The bathtub?"
  271. >Blood was slowly returning to the rest of your body
  272. >"Of course. Surely a man like you will love being inside a moist crevice such as that one."
  273. >She started laughing as she lowered her arms from your neck
  274. >Her embrace was greatly overshadowing the current situation
  275. >You wish you remained in her embrace
  276. >She turned to face the other girls, removing her jacket completely as she did
  277. >"You two will sleep in the bed and I will take the couch."
  278. >"What, no fair! Why do I have to sleep with her?"
  279. >"If you want the bed you're gonna have to share it with Sonata."
  280. >"Give me the couch then."
  281. >"Sorry, but as the leader I can't have any distractions so you'll have to put up with her shenanigans."
  282.  
  283. >You stood there like an idiot while the girls talked
  284. >You snapped out of this state when you hear a loud thump from damp clothing hitting the floor
  285. >"Well first thing's first, we got to get out of these wet clothes."
  286. >Slowly but surely, the peach beauty started to remove each article of clothing on her
  287. >With you still standing here
  288. >First item being removed was her shirt
  289. >As if on purpose, she slowly raised it revealing her bare waist and eventually her back
  290. >Your blood starts heading downtown again at the sight
  291. >Feeling full control of your body, you remove your jacket and hold it right in front of you to cover the growing stiff
  292. >"Hey, Adagio, is this creep gonna watch us change like a pervert?"
  293. >Your attention snaps to the she devil who seems to have only removed her sweater
  294. >"Adagio, what are we going to wear?"
  295. >You shift attention to the blue one who was lacking both a sweater and her pants
  296. >You were unsure what you should be doing right now so you started making your way to the bathroom
  297. >Almost as if triggering a spring trap, you are shoved to the wall
  298. >Pulling some 270 degree turn towards you, the orange being was holding you against the wall
  299. >Both her hands resting on either side of wall behind your head, she began to push her still dripping body onto you
  300. >Her waist started rubbing up against your not so concealed stiff
  301. >"I just realized. You have three girls, stripping, in your apartment, and we don't even know your name yet."
  302.  
  303. >Not wanting to fall into the pull of her eyes like last time, you focus your attention just above her head looking at a wall on the opposite side of the room
  304. >She removed one arm from the wall to signal towards the other girls
  305. >"That one's Sonata and the the other one is Aria."
  306. >Returning her hand to the wall, she begins to press even closer with her waist
  307. >You couldn't even tell if she knew what you had down there or just didn't care
  308. >"And I'm Adagio."
  309. >She said this in such a sultry voice it triggered a response
  310. "I'm Anon!"
  311. >Not at all phased by your name shouting, she eased up on the pressure she was applying on you
  312. >Feeling her back away lured you into lowering your gaze from the wall
  313. >Your eyes returned to seeing hers, falling under their spell
  314. >"Well, Anon, we didn't bring any spare clothes so how about you find something for us to wear."
  315. >She turned to walk away and started undoing her bra
  316.  
  317. >As one strap came down after the other, you started to panic
  318. >You weren't sure if she was going to let it fall and turn to face you, chest fully exposed
  319. >You reacted quickly and escaped to your bedroom
  320. "I'll find something for you wear!"
  321. >You couldn't control the volume of your voice
  322. >In the bedroom, you rushed over to the closet and grabbed any piece of clothing that you could get your hands on
  323. >Your selection ended up consisting of a tank top, a long sleeve shirt, two pairs of shorts and your pajamas
  324. >You were one set short so you reached back into the closet
  325. >Before you could pull anything out, someone walked into the room
  326. >"Did you find something already?"
  327. >You turn out startled, thinking it was Adagio that walked in in her birthday suit
  328. >You felt slight relief seeing it was just Aria
  329. >Slight
  330. >She glanced over to the bed where you laid out all the clothes
  331. >"That's it? Fine, I'm taking the pajamas."
  332. "Wait. Those are mi . . ."
  333. >"I said 'I'm taking the pajamas'. You can find something else to wear."
  334. >She collects all the clothes and walks out the room
  335. >You decide to simply let it go and settled with a another pair of shorts and a t shirt
  336.  
  337. >You changed quickly to avoid anyone catching you half naked
  338. >Gathering all your wet clothes, you walk to leave the room, hoping everyone else was dressed
  339. >Heading to the doorway, you collide with Aria and find yourselves caught between it
  340. >Your hands, extended out before you in order to hold the clothes, were now caught between you and her chest
  341. >Only the back of your hands were able to make contact with her breasts
  342. >"You stupid idiot!"
  343. >She raised up an arm and planted a big fist to the side of your face knocking you loose from the doorway
  344. >You swear you noticed her cheeks turn red before only stars clouded your vision
  345. >"Watch where you're going you doofus!"
  346. >She then stomped into the room leaving you dazed on the the floor
  347. >You started coming to when a pair of legs appeared before you
  348. >"She really got you good, didn't she Anon."
  349. >Sonata was looking down at you, wearing a pair of your shorts and your long sleeve shirt
  350. >It was far too long for her seeing as how her hands weren't even visible
  351. "I might have deserved that."
  352. >That punch was definitely uncalled for though
  353. >It was an accident
  354. >You feel pain growing as feeling returned to your cheek
  355. >"You should brace yourself next time you decide to feel her up."
  356.  
  357. >You get up and dust yourself off
  358. "I wasn't trying to feel her up. We just bumped into each other."
  359. >"You don't have to lie. I totally understand if you wanted to feel those knockers of hers."
  360. >You pressed on the bridge of your nose before returning her
  361. "Can you just tell her I'm sorry?"
  362. >"Gotcha. I'll tell her you're sorry for grabbing her melons."
  363. >What! No!
  364. >She already turned to enter the room
  365. >"Hey Aria . . ."
  366. >It was best if you got out of there fast so you picked up your clothes and dashed to the living room
  367.  
  368. >As you walked into the living room, the sight before was something your head will never let you forget
  369. >This time you weren't a spectator watching as your body moves
  370. >This time you were a spectator watching someone else's body move
  371. >Standing before you, with back turned towards you, is Adagio
  372. >You stood there, watching, as she so carefully brought the shorts up her ankles
  373. >Up her calves
  374. >Until finally it made contact with her thighs
  375. >Slowly you watched as her deep red undergarments vanished under the shorts
  376. "I . . . Uhm . . . I . . ."
  377. >Hearing you choke, she turned and gave a puzzled look
  378. >"What's wrong?"
  379.  
  380. >It took you a minute to hide the memory before you could speak clearly
  381. "I just wanted to tell you that . . . I will be heading . . . down stairs . . . to the laundry room to wash these clothes."
  382. >"You don't have to worry about that right now."
  383. >She gingerly walks to your side and grabs hold of your arm
  384. >You didn't notice until now that the constant warmth you felt much earlier had been gone this entire time
  385. >But whenever the warmth would wither, a chill would take its place
  386. >This entire time you seem to have been at some equilibrium, allowing you to have greater control of your actions
  387. >None of your previous actions were met with a warning of the oncoming chill
  388. >Your responses weren't made out of place either
  389. >But once she grabbed you, the warmth returned
  390. >And to her will were you lost
  391. >"How about you take care of this tomorrow morning and take a rest right now?"
  392. >You were feeling sleepy again
  393. >You placed the clothes down and walked into the bathroom
  394.  
  395. >You turn on the lights and walk to the glass doors of the bathtub
  396. >You slide it open and hop inside, lowering yourself into it
  397. >You were about to close the door when Adagio stops you
  398. >"Leave it open so you can hear us."
  399. >You could see serious concern in her eyes
  400. "Yeah, okay."
  401. >You weren't sure what she seemed so worried about but obeyed nonetheless
  402. >She gave you a smile
  403. >It was the same smile she gave you when your were collapsed to your knees earlier
  404. >You felt safe again
  405. >She turned off the light as she left the bathroom
  406. >Your only light source was from a nightlight plugged into a nearby wall and the light from outside the hall
  407. >You couldn't help but notice Adagio turn in the direction of the bedroom
  408. >Soon after you started to hear singing, and with it came the humming in your head
  409. >Slowly you drifted off to sleep
  410.  
  411. >You open your eyes to see nothing but black
  412. >Scanning around, you find yourself alone
  413. >You look down and notice you are wearing the same clothes you were wearing when you left work a while ago
  414. >The same clothes you were wearing when you pulled over to help a group of girls
  415. >The same ones you were wearing when you killed that guy
  416. >The black silence is broken when a green fog cracks through the nothingness followed by harmonious chanting
  417. >It sounded familiar
  418. >As the green fog got closer, so did the chanting get louder
  419. >Within the fog you could see three figures with a red glow coming from each of them
  420. >You felt yourself leave your body, leaving an empty shell below you
  421. >You became a spectator once again but this time from a different perspective
  422. >You see your body turn away from the fog and staring at a different figure
  423. >It was the guy you unwillingly pushed to his death
  424. >The same scene began playing as before but you noticed something you didn't witness before
  425. >One of the figure's within the fog started to move up behind you
  426. >You couldn't see who or what it was but it approached your shell as it was about to deliver a punch
  427. >It touched your shoulder and your action reversed to a standing position
  428. >The figure then got close to your body's ear and whispered
  429. >You knew you were already tripping out here but as it whispered to your body you could hear it as if it were right next to you even though you are currently nothing floating above the scene
  430. >"Kill him for me."
  431.  
  432. >"Boop!"
  433. >You are awakened by a blue finger touching your nose
  434. "Who? What? What's happening?"
  435. >"Calm down, it's just me and good morning by the way!"
  436. "Oh well good morning Sonata. Where are the other two?
  437. >She stood straight and crossed her arms after you asked her that
  438. >"That's it? Good morning Sonata? Why do you only care about them? Why don't I get your awkward stares and friendly groping?
  439. >Awkward stares and friendly groping!?
  440. "Woah, hey. I'm sorry, but those were accidents."
  441. >"Then why don't you 'accidentally' watch me pee. Then I'll be even with them."
  442. "What!?"
  443. >You quickly tried to climb out of the slippery tub, failing as you do so
  444. >Sonata merely laughed as she walked to the toilet
  445. >You resorted to crawling out
  446. >She was already pulling down her shorts as she was about to take a seat
  447. >There was no chance to get up and run
  448. >You continued to crawl all the way out the door
  449. >Once out you shut the door behind you
  450. >"Aww, you big weenie."
  451.  
  452.  
  453. --------------------------------------------------------------------------------
  454. [FORK]
  455. --------------------------------------------------------------------------------
  456.  
  457. >You sat up against the door while Sonata was inside humming a silly tune
  458. >You stayed a bit thinking about the dream that you had
  459. >It felt like a memory you weren't supposed to see
  460. "So can you answer my question?"
  461. >"What was that?"
  462. "Where are the others?"
  463. >"You really don't like me. Adagio went downstairs and I think Aria is on the roof."
  464. >The roof?
  465. >You thought it somewhat strange for a girl like her to be up there sightseeing
  466. >You stood up from the door and headed out of the apartment
  467. >"Anon? Are you still there?"
  468.  
  469. >You closed the door behind you and was faced with two paths
  470. >One lead upstairs to the roof and the other downstairs
  471. >You had no chance to decide
  472. >A certain memory from last night urged you to head down
  473. >You didn't feel no warmth or chill
  474. >You were in full control of your next actions
  475. >You proceed downstairs skipping steps as you went
  476. >Upon reaching the ground floor you saw no one in sight
  477. >As if you possessed a hidden sense, you knew to march further down into the laundry room
  478. >You were now face to face with the door into the basement
  479. >Your body in equilibrium, you willingly opened the door
  480.  
  481. >Too many signs were being thrown your way and something was holding you back
  482. >That 'something' was about to take a seat in the sidelines
  483. >The only thought on your mind was 'she wanted it so she'll get it'
  484. >That memory of her putting on your shorts was drive enough to feed this urge
  485. >There was no stopping it's eventual resurface
  486. >Inside you saw Adagio putting the wet clothes from last night to wash
  487. >No one else was around
  488. >You closed then locked the door behind you
  489. >No one will disturb you two
  490.  
  491. >She was loading up the final load into the washing machine, back still turned to you
  492. >You weren't here to be stealthy so you marched on over to her
  493. >"So, you're up already?"
  494. >Guess she heard or expected you
  495. >You didn't falter your movement
  496. >You stopped behind her, grabbed her arm, and made her face you
  497. >The look of shock in her face revealed she didn't expect this
  498. >You pushed her up against the washer and grabbed a hold of her face
  499. >"What are you doing!?"
  500. "Clearing my head."
  501. >"Wha . . ."
  502. >You pulled your face to hers, locking lips into a kiss
  503. >It lasted a few seconds before she broke it by pushing you away
  504. >Her face showed anger before becoming a malicious smile
  505. >"You put your hands in the cookie jar without permission. Now you'll have no choice but to finish the entire thing."
  506. >She stretched her arm behind her and hit start on the machine
  507. >It started to cycle, her body moving with it
  508. >She brought her arm back forward and, with a finger and the biting of her lip, ordered you forward
  509. >Time to dig deeper into the cookie jar
  510.  
  511. >You sprang forward and grabbed hold of her face again, lips returning to a locked position
  512. >She grabbed your hand and navigated it downwards until she rested it over her breast
  513. >You recall her not wearing a bra and the only thing in the way was the tank top you let her wear
  514. >She used her free arm to maneuver down into her shorts and began rubbing in between her thighs
  515. >Using your own hand she began to grope herself
  516. >She'd moan into your mouth as she performed both actions simultaneously
  517. >Her warm breath hitting your face as she did
  518. >You bring your other hand down from her face to her hip
  519. >She feels this and breaks the kiss
  520. >She grins at you and frees both her hands from their positions
  521. >She pulls your hand away from her hip and shook her finger at you
  522. >"Not yet. You still haven't been punished for stealing that first cookie."
  523. >She switches places with you and throws you up against the machine
  524. >You could feel the cycling resonating through your body
  525. >Adagio brought herself down to her knees and began to pull down your shorts
  526.  
  527. >Your member was suffocating under the bindings of your shorts
  528. >Once Adagio pulled them far enough, your penis sprung up into the world of light
  529. >Mother nature gifted you with a decent rod, but it was nothing to boast about
  530. >The look on Adagio's face said it will be enough to satisfy
  531. >Starting from the base, she began running a finger along the length of it and stopped on the tip
  532. >She then raised it up until it lay against your body
  533. >She used one hand to hold it in place as she started to lick up the shaft
  534. >The warm feel of her tongue on your meat made you give a light moan
  535. >She removed her hand as she got closer to the top
  536. >It dropped back down once she past the head, sliding down her chin and throat
  537. >She gave a playful chuckle and then proceeded to run her lips along its side until ending on the tip again
  538. >From here she slowly let it enter her mouth, covering it with her moist breath
  539. >Your rod slowly disappeared from sight
  540. >The only way you were sure it was still there was because you could feel Adagio's tongue circling it while it lay inside her mouth
  541. >She began to release it as slow as it had entered only now covered in her saliva
  542. >Your moist member returned to the world of light and was then gripped by one of her hands and began stroking
  543. >She started off slow, picking up speed the longer she went
  544. >You were pretty certain you were fully erect now
  545. >Adagio gave it a few more strokes before letting it run through her mouth again
  546. >A string of saliva formed as it exited her mouth this time
  547. >Still not satisfied, she continued to let sink into her mouth and then freeing it
  548.  
  549. >This cycle continued for what felt like an eternity
  550. >You felt ready to burst but didn't want it to be inside Adagio's mouth
  551. >She could feel you squirming and felt she could let go of your now lubricated phallus
  552. >She gave you a smirk, satisfied with your reaction.
  553. >"So maybe now you'll learn what patience is."
  554. >You weren't paying attention to a word she said
  555. >You needed release, and you wanted to be inside her when you did
  556. >You were about to make sure you did
  557. >As soon as she stood up again, you grabbed her by the hips and placed her facing away from you in front of the washing machine
  558. >She gave a surprised gasp as you pulled down her shorts along with her underwear
  559. >"Wait . . ."
  560. >You had no time to talk
  561. >The train was already entering the station
  562. >She gave a loud cry as you penetrated her from behind, her body curving back as she did
  563. >Keeping tight grip of her hips, you began to thrust slowly
  564. >The feeling of ecstasy was making her feel weak so she had support herself on the machine
  565. >With each thrust you moved her whole body closer to the machine until her waist was caught between you and the machine
  566. >Still on, the cycling of the machine began to reverberate down her thighs
  567. >You could feel it as you pounded away
  568. >The feeling of both you entering and exiting along with the vibrations of the wash made her moan in delight
  569. >You reached the point where you could hear the whistle
  570. >The train was about to leave the station
  571. >Final chance to grab any personal items was now
  572. >You reached over with one hand and fondled a breast before boarding
  573. >This forced a scream from Adagio
  574. >"OoH YES!"
  575. >That was your cue
  576.  
  577. >You've reached nirvana
  578. >You managed to release your seed inside Adagio
  579. >All that pressure building up inside you was finally set loose
  580. >That memory of Adagio can be put away or be rid of
  581. >It was nothing next to what just happened right now
  582. >Weak, you pull away from Adagio and sit down next to the washing machine
  583. >Adagio takes a few seconds to catch her breath
  584. >She takes a seat next to you and rests her head on your shoulder
  585. >"You better have enjoyed that because next time their might not be any cookies in the cookie jar."
  586. "I'd be lying I said I didn't. And it was the best damn cookie I've ever tasted."
  587. >She chuckled before getting back up
  588. >You were about to follow suit when she forced her foot onto your chest, holding you down
  589. >"Stay here until those clothes are done will you?"
  590. "Alright."
  591. >"Thanks."
  592. >She went over to the dryer and took out the already dry clothes and placed them in a basket
  593. >You sat there and watched as she carried the basket to the door
  594. >She turned to you and gave you that smile again before heading upstairs
  595. >You feel glad you decided to head downstairs
  596.  
  597. >The washing machine makes a buzz sound as it signals it cycle ending
  598. >You picked yourself up and took the clothes from the washer and placed them into the nearby dryer
  599. >You set the timer and hit start
  600. >You sit yourself back down next to the dryer and started thinking about last night
  601. >When these warm and chilling sensations started coming was after you pushed that guy into his death
  602. >But during that you felt none, and your actions were not your own
  603. >Your emotions during that were also not your own
  604. >Escalating from 'Sleep', 'Punch', to 'Kill? That didn't feel like you at all
  605. >The machine stopped before you could think any further
  606. >You got back up and pull the clothes out then dumping them into a basket
  607. >You look at the pile and the item resting on top was Adagio's bra
  608. >The sight of her moaning and screaming started to fill your mind
  609. >You tried to forget about it else risk coming back to her with a semi begging for seconds
  610. >You picked up the basket and made your way out of the room
  611.  
  612. >You made it upstairs to your floor and saw Aria coming down from the roof
  613. >She sees you and glances at the basket, the bra still on top
  614. >"You make me sick."
  615. >She continues moving forward into the room
  616. >You should have probably put that under the other clothes
  617.  
  618. >You continued forward and walked into your apartment
  619. >Inside you see Aria heading towards the bedroom with a pile of clothes from the basket Adagio brought up
  620. >On the couch you see Sonata laying upside down with her feet in the air
  621. >She had already changed into the same clothes from last night, now recently washed
  622. >You placed the basket down next to the other one
  623. >You saw it only contained a pair of jeans and a shirt
  624. >Through deductive reasoning, you assumed them to belong to Adagio which brought the question: 'Why hasn't she changed yet?'
  625. >You went over to Sonata, who was twiddling with her fingers
  626. "Sonata, where's Adagio?"
  627. >"Hey Anon, look what I can do."
  628. >She ignored your question and placed her fingers over her mouth in a 'V' shape followed by wagging her tongue between them
  629. "What are you doing?!"
  630. >"What, I was just licking the meaty filling inside of a taco shell."
  631. >Ever since last night after taking a punch from Aria you realized Sonata might not be all there
  632. "Look, stop that and tell me where Adagio is."
  633. >"What does a girl need to do for some attention around here? Jeez. She's naked in your temporary bed, okay?"
  634. >You didn't understand what she meant so you left for your bedroom
  635. >Passing through the hallway you hear water running from inside the bathroom
  636. >You then thought back on what Sonata said
  637. >'Naked'. 'Temporary bed'.
  638. >Last night you slept in the bathtub
  639. >. . .
  640. >You weren't sure you fully understood how Sonata's mind worked anymore
  641. >You reach for the doorknob and twist it
  642. >It was unlocked
  643.  
  644. >You fully open the door to be greeted with a room filled with steam
  645. >The mirror above the sink was blurred out by the vapor as well as the glass doors on the bathtub
  646. >You could still make out the luscious, curved silhouette of Adagio behind the doors
  647. >"Oh Anon, you're here. Good."
  648. >You don't know how she could feel your presence but became nervous nevertheless
  649. >"Can you do something for me?"
  650. >You swallowed hard in anticipation of the possible request you were expecting her to ask for
  651. >Downstairs, you were alone and no one would bother you, but up here the other two would be able to hear you
  652. >The thought of Aria and Sonata hearing you two was making you uncomfortable
  653. >Aria especially
  654. >She already seemingly hates your guts based off misunderstandings but now off of this?
  655. >You notice Adagio shifting around behind the doors to face you
  656. >She then pressed her body up against the glass, making her features much more visible
  657. >You needed to leave before your semi reached the top of the mountain
  658. >"Can you get my clothes for me?Thanks."
  659. >She backed away from the glass and shut off the water
  660. >'Shit she's coming out'
  661. >You walked out and closed the door
  662. >You remained at the door trying to calm down
  663. >You didn't realize how fast your blood was pumping
  664. >You hear Sonata bouncing over to you as she hummed to herself
  665. >She was holding Adagio's clothes, all neatly folded
  666. >"I think she'll need these, here you go."
  667. >She left bouncing back to the couch
  668. >You look down at the clothes
  669. "Fuck, I have to go back in."
  670.  
  671. >You take a deep breath before opening the door again
  672. >You walk inside with clothes in hand
  673. >Adagio was standing with a towel already wrapped around her body
  674. >'Thank god'
  675. >"Close the door will you?"
  676. >'She didn't tell you to drop the clothes and leave, shit!'
  677. >You comply and close the door then turn to face her
  678. >She had moved closer when you looked away and was grabbing the clothes from your hands
  679. >She gave a small smile and walked over to the sink
  680. >You were tempted to scan her body from the neck down but something kept moving your attention up to her face
  681. >You tried starting from her legs up and took in the small droplets traveling down her calves
  682. >But as you moved your sight up you once again couldn't look at her neck, forcing your attention away
  683. >"So, Anon . . ."
  684. >You snapped your attention away from her body and up to her face
  685. >"How about you tell me where you'll be taking us to stay today?"
  686. >You remember telling her you had the perfect place for them to stay
  687. "A motel."
  688. >She turned her face and gave you a confused look
  689. >"A motel? That was your 'perfect place'?"
  690. >At this point her reaction would cause the chill to return but you remained the same
  691. "Yeah, it's the place I work at. I can get you three a room to stay in without any problems."
  692. >Her face grew a gentle smile
  693. >"So you'll still be within reach for us?"
  694. >Her smile made you feel warm
  695. "Yeah. I work during the afternoon until late night. The mornings I'll be free."
  696. >"Good then we should leave immediately."
  697. >She tosses the towel off into your face, obscuring your view of her naked body
  698. >Using this chance you walk back into the door and let yourself out
  699. >Once you closed the door you removed the towel and saw Aria leaning on the doorway to your bedroom
  700.  
  701. >"You men are so weak, falling head over heels for a woman's body without even knowing an ounce of who they really are."
  702. >Damn she must really have a grudge on you even though you've done so little to have earned such hate
  703. >Maybe she just hates everyone and everything in general
  704. "Well I could say the same to you. You don't know me that well so you can't hate me based off a few mistakes."
  705. >"Believe me, I know enough about you to see you for what you are. Now tell Adagio to hurry her ass up so we can leave this place."
  706. >Aria left you with those words and head for the living room
  707. >It's almost as if she wants you to hate her
  708. >You ignored her command of hurrying Adagio up and walked into your bedroom so you could change clothes
  709. >You put on a fresh pair of jeans and a plaid shirt with the sleeves rolled up just below your elbows
  710. >You sat on the end of your bed and put on a pair of shoes then decided to lay your back down for bit
  711. >You closed your eyes for a few seconds as well
  712. >You lay there when a couple of fingers started running up your legs
  713. >You sat back up and saw Adagio standing between your legs with a hand on each
  714. >"You ready to come?"
  715.  
  716. "What?"
  717. >"Are you ready to come downstairs? We're all really eager to see this motel of yours."
  718. "Oh, right. Yes, let's go."
  719. >Adagio removes her hands and leaves with a smile
  720. >You felt a little disappointed
  721. >You were expecting a little treat before leaving but you didn't make a big deal of it and got up and followed behind her
  722. >You see the others were no longer in the apartment and it was just you two left in here
  723. >All the more reason to feel upset of 'no special service from Adagio' seeing no one else was around
  724. >Regardless, you carried on and closed the door to your room as you left
  725. >You stayed behind Adagio as you made your way down
  726. >If you were heading upstairs, the view would have been far more interesting
  727. >Once you reached the ground floor, you saw Aria and Sonata waiting by the door
  728. >"You two sure took your sweet time hurrying up. You were probably fooling around while we waited down here."
  729. >You wish that was your excuse
  730. >"Aria, no need to be so jealous about our interactions together. Besides there wasn't nearly enough time for that."
  731. >That sounded like some sort of compliment for you
  732. >"Yeah, whatever, can we just go now?"
  733. >She rushed out the door to hide the blush growing from Adagio's response
  734. >Sonata skipped right behind her followed by you and Adagio
  735.  
  736. >You've been driving for a while now until you finally arrived at the motel
  737. >You pulled into the parking lot and everyone exited the truck
  738. >The motel appeared to be much better quality than your apartment building
  739. >"Ooh, it looks so nice. So which room is ours?"
  740. >'Shit, you didn't check if there were any empty rooms at the moment'
  741.  
  742. "Oh, uh, why don't you girls just wait here and I'll get your keys. Shouldn't take very long."
  743. >I'll come with you then."
  744. >Adagio moved up and wrapped herself around your arm
  745. >You weren't going to say no to that genuine looking smile on her face
  746. >The other two didn't seem to mind
  747. >Sonata placed her hands behind her back and supported herself on the truck as she kept bobbing back and forth
  748. >Aria leaned herself on the truck while looking around the motel with her grumpy expression
  749. >You walked to the small office at the end of the motel with Adagio hooked onto your arm
  750. >You could see your coworker, Micheal, sitting behind the desk reading a magazine
  751. >He worked the early morning til afternoon hours and you were hoping he'd be asleep
  752. >He sees you and Adagio walking over to the office
  753. >He gives you a wave while you signal to him you need to talk for a minute
  754. >You stop in front of the glass of the reception desk and tell Adagio to wait while you talk with him
  755. >She put on a grouchy face and crossed her arms but she let you do your business
  756. >You leave her and make your way to the side door while Michael opens it
  757. "Hehey, Micheal. How you doin?"
  758. >"Hello Anon. What are doing here? Your shift isn't for a couple of hours?"
  759. "Well I was kinda hoping you'd let me see if there are any empty rooms available right now."
  760. >He glances over to Adagio and gets a smirk on his face
  761. >"So you need a place to be alone with the lady, eh?"
  762. "What, no no. I just need . . ."
  763. >"Don't worry bro. I got the perfect room just for you two."
  764. "No. Look, it's for her and two of her friends."
  765. >"Woah hey now. I wouldn't have believed it if you didn't walk over here with a hottie like her on your arm, but 'two' more? No need to exaggerate."
  766. "It's true, I mean, I'm not trying score with all of them, but yes, the other two are waiting by my truck. Look can you please just give me a room with three beds it's all I ask?"
  767.  
  768.  
  769. (Continues in part 2)
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