[Losslessalbum.net]Miklós Rózsa - Treasury (1949-1968) (2010

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Miklós Rózsa - Treasury (1949-1968) (2010)
EAC | FLAC | Tracks (Cue&Log) ~ 5.15 Gb (incl 5%) | Mp3 (CBR320/Stereo) ~ 2.7 Gb (incl 5%) | Scans ~ 134 Mb
Genre: Film Score, Soundtrack | Label: FSM | # FSM BOX 04 | Time: 19:13:08



FSM presents the Miklós Rózsa Treasury (1949-1968), a 15CD set celebrating one of the giants of film music. In this single package FSM makes available virtually every surviving, as-yet-unreleased note from the composer’s fertile and productive association with M-G-M.

At the core of the set are the first-ever complete releases of Madame Bovary and Quo Vadis (reconstructed with sound effects in some cues), two of the most sought-after titles in the composer’s filmography. Scores that have previously circulated in pirate editions—Young Bess, The Story of Three Loves and All the Brothers Were Valiant—are included with professional mastering and comprehensive bonus tracks. There are also complete (or near-complete) scores that have never appeared in any prior format, such as The Light Touch, Crisis, The Asphalt Jungle, Tip on a Dead Jockey, Something of Value and Crest of the Wave, plus surviving cues from The Red Danube, The Miniver Story and East Side, West Side. All this—and more: the U.K. recording of Knights of the Round Table is included for the first time complete (an abridged version was released by Varèse Sarabande), and Rózsa’s (uncredited) contribution to Beau Brummell is presented alongside the full original score by Richard Addinsell.

Extensive bonus tracks throughout the set shed light on both the filmmaking and composing processes, allowing fans to see how certain ideas were developed and changed over time.

The Treasury “closes the book” on previous FSM releases Knights of the Round Table and Lust for Life with additional bonus tracks; and also includes bonus tracks from King of Kings and Ivanhoe for which there was not room on their earlier Rhino editions.

This amazing set also makes available several score re-recordings conducted by Rózsa himself, including El Cid, The V.I.P.s and the first genuine stereo CD release of King of Kings. And for the first time ever on CD, listeners can hear the “greatest hits” album Rózsa recorded for MGM Records in 1963: Great Movie Themes Composed by Miklós Rózsa.

Crowning this magnificent achievement is the premiere release of the complete score to The Power—previously available only in abridged form, now with extensive bonus tracks and mastered for the first time from the (newly discovered) original 35mm scoring masters.

The three clamshell cases come in a deluxe box with a 48-page booklet containing a short essay and complete track listings. Online you will find free extensive notes in the finest FSM tradition by FSM regulars Lukas Kendall and Al Kaplan, plus Rózsa Society members Frank K. DeWald and John Fitzpatrick. There are also original LP notes and a few surprises.

This is a set to be loved and cherished by Rozsaphiles past, present and future. With only 2,000 being pressed, it is sure to become a collector’s item.

This sumptuous set of Rozsa recordings, produced by and for Film Score Monthly, is a prize of impressive proportions, comprised of many of the composer’s finest scores in the fabulously productive latter part of his astonishing career. Most of the work here is devoted to his extensive catalogue at MGM, while a generous number of soundtracks have been compiled and represented on compact disc for the very first time. Rarely has so extensive and exhaustive a compilation been so lovingly documented and presented, for here in this sumptuous package is a virtual treasury of musical legacy and pre-eminence by a master composer at the very peak of his creative talent, influence, and ability.

The post war era and 1950’s gave birth to a fertile explosion of artistic energy in the motion picture industry. Many of the screen’s most gifted and prolific directors and composers found their golden years a coming of age in rich exploration of their maturing genius. Hitchcock and De Mille reached the very pinnacle of their productivity during this period, while composers such as Miklos Rozsa and Bernard Herrmann sired a vital, brilliant new voice, unimagined either in the decades that preceded it or in those that followed. While Rozsa had expressed a unique, original style, and generously impressive body of work throughout the forties, his symphonic voice exploded in creative energy during his long tenure at MGM, culminating in the masterwork that became the brilliant Oscar winning score for BEN-HUR.

It was as if a calculated intellectual suppression of freedom had blown apart with the end of the Second World War, and been virtually reborn as the air cleared over Europe and The United States. There was an excitement, an exhilaration of the spirit, surging throughout the creative community. The arts exploded with new found artistic expression and unfettered imagination. The neo-realism of the post war era gave voice to an expression of unchained fury, as composers like Miklos Rozsa mined the raw underbelly of societal rage with such Mark Hellinger productions as BRUTE FORCE, THE KILLERS, THE NAKED CITY.

The flowering and reawakening of American life styles encouraged a new romanticism on the screen, while smoldering sexuality found passionate translation on film and in recordings. Golden Age composers such as Bernard Herrmann, Alfred Newman, Dimitri Tiomkin, Franz Waxman, and Hugo Friedhofer added their prolific voices to the raw musical energy dominating motion pictures of the nineteen fifties. Rozsa, Herrmann, and Tiomkin, in particular, seemed to reach their creative zenith during this artistic renewal, towering over the cinematic landscape like visionary giants, breaking new ground with ever increasing ferocity. Theirs was the combined artistic presence overwhelming the visionary splendor unspooling upon theater screens across the world, and much of this rich legacy of sound and imagery is preserved for the first time in legitimate representation by the stunningly beautiful treasury presented on compact disc by Film Score Monthly.

Nowhere is such passionate remembrance more expressively and eloquently imagined than in the opening tracks of the Treasury collection with the score for MGM’s 1949 production of MADAME BOVARY. Directed by Vincente Minnelli, the screen translation of Gustav Flaubert’s controversial novel was a seething, sexually charged morality play in which confused and complicit emotions conspire to undermine and eventually destroy their unwittingly decadent heroine. Rozsa’s score sensed the underlying tragedy of Emma Bovary’s plight and condemnation, filling the ears with passion and compassion, sadness and vitality. Rozsa had an uncanny ear for the longing and despair dancing visually upon the screen, and was able to express the power and ultimate destruction of the human spirit in lush musical terms, subtly conveying the desperation and futility of Emma Bovary’s degradation and emotional implosion. MADAME BOVARY marked the beginning of Rozsa’s signature “historical” period in which the culmination of his passion and artistry would find and bare hitherto unimagined fruit.

Returning to his neo-realism, cinema noir roots with John Huston’s 1950 crime drama THE ASPHALT JUNGLE for MGM, the dramatic and searing score by Rozsa helped to elevate this classic of the genre to near mythic heights and intensity. Rozsa’s electrifying themes tragically underscore the futility and desperation of a caper gone brutally wrong.

QUO VADIS, released by MGM in 1951, was perhaps the composer’s most ambitious score thus far, bringing the gladiatorial repression of Christianity by Rome vividly to life. While the presentation of QUO VADIS was often preachy and derivative, a thinly disguised remake of Cecil B. DeMille’s 1932 Paramount release THE SIGN OF THE CROSS, Rozsa embraced its thematic principles of faith and sacrifice with solemnity and fervor. This was a time of renewal for the composer, an artistic awakening of his own inner spirituality in which he would find explosive new avenues of musical composition, sired by a burning artistic intensity unparalleled in his career. Rozsa’s personal theological philosophy embraced music as his world and “religion.” In the historical and biblical thematic materials occupying his middle years, he seemed to have found inspiration, inner solace, and an immensity of maturing artistic expansion and culmination. While QUO VADIS was in many ways an unremarkable film, save for Peter Ustinov’s brilliant portrayal of Nero, its underlying message of faith and redemption served as the inspiration that would later reach its zenith with his individual masterpiece, BEN-HUR, for MGM in 1959.

THE STORY OF THREE LOVES is a forgotten gem from the vaults of MGM, a wonderful romantic trilogy from 1953 seducing the senses with tragic, and near tragic episodes featuring captivating performances by Kirk Douglas and James Mason as haunted souls on the verge of destroying not only themselves, but their loved ones as well. The score by Rozsa is a delight of romantic proportion and splendor.

YOUNG BESS remains one of the composer’s most glorious and spectacular works. Produced in 1953 by MGM, “Bess” is a richly romantic score, joyfully embracing its historically poignant story of love, betrayal and tragedy in England. Rozsa paints a luminous tapestry of human frailty and mythical lyricism in this lavish costume drama.

ALL THE BROTHERS WERE VALIANT, released by MGM the same year, was a rousing sea adventure bringing together the heroism and brotherly love of its pivotal characters, combined with the danger and ferocity haunting sailing vessels and their courageous crewmen of the period. Miklos Rozsa painted a vigorous, lyrical portrait of romance and adventure on the high seas in this exciting and valorous spectacle.

KNIGHTS OF THE ROUND TABLE, produced in 1953, was fairly typical of the historical swashbucklers being filmed by MGM at the time. Following their lavish production of IVANHOE, on screens a year earlier in 1952, the familiar tale of Lancelot and Guinevere found heroic rediscovery in this epic recreation of the Arthurian legend. Robert Taylor, who had earlier graced the screen as Ivanhoe, returned to enact the noble knight in this colorful costume drama. The score by Rozsa was exciting and imaginative, lighting the grandeur of valor and chivalry with the unmistakable flavor of the composer’s exhilarating, pulse pounding palette. The recording represented here is the rarely heard English album conducted by Muir Mathieson.

THE V.I.P.'S, released by MGM in 1963 has, sadly, been unable to survive its lurid reputation, due in part to the scandalous love affair and eventual marriage of its stars, Richard Burton and Elizabeth Taylor. Unfairly trashed as trite romantic drivel at the time of its release by its harshest critics, the picture is essentially a simple love story of irony and marital complacency conspiring to end what was, in its beginnings, a noble union. Rozsa’s powerful, romantic score is among his loveliest, exquisitely conveying the heartache of marriage in the final stages of emotional disruption. The music has endured, while the film that sired it has fallen into undeserved critical disrepair.

1968 saw the return of legendary science fiction producer/director George Pal to the big screen with a star studded film version of Frank M. Robinson’s prophetic fantasy novel, THE POWER. What might have become a classic of the genre was watered down by the studio into a tepid, turgid incarnation of an otherwise fascinating story. Pal, angered by the castration of his vision, admitted openly that MGM had forced him into production after the sudden cancelation of another film project which would have preceded it. Ill prepared to begin filming at this early stage of its evolution, Pal was forced to bite the bullet and make a film that he wasn’t prepared to produce. Embittered by the experience, his solitary joy involving the film was in enticing his friend and fellow Hungarian, Miklos Rozsa, to write a score which far exceeded the source and value of its inspiration. Pal rescued the original tapes of the soundtrack from the vaults at MGM, and proudly donated them some ten years later to The Miklos Rozsa Society. Happily, the music has survived the film it was derived from, and is dramatically represented in this outstanding anthology.

Proliferating this splendid succession of rare recordings are such lost treasures as THE RED DANUBE (1949), EAST SIDE, WEST SIDE (1949), THE MINIVER STORY (1950), CREST OF THE WAVE (1954), TIP ON A DEAD JOCKEY (1957), and SOMETHING OF VALUE (1957), while more classical traditionally known scores such as IVANHOE (1952) LUST FOR LIFE (1956), EL CID (1961), and KING OF KINGS (1961) are represented, either in their entirety or in part, in splendid profusion.

The Rozsa Treasury is encased in a handsomely produced box set from Lukas Kendall and his associates at Film Score Monthly. It is accompanied by a lavish, forty seven page program booklet featuring a generous selection of colorful photographs, and fascinating commentary by producer Lukas Kendall, together with film historian and musicologist Frank K. DeWald.

It is, in the end, a memorable achievement by all concerned, in reverent celebration of the life and music of Miklos Rozsa.

Review by Steve Vertlieb, June 21, 2010

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Disc 1 - Madame Bovary:

Time: 01:17:11

Tracklist:

Madame Bovary - 1949 (Time - 01:05:07)

01. Main Title [01:46]
02. Charles In Love [01:18]
03. Retrospection; Ave Maria; I Knew A Love (sfx) [02:19]
04. Dreams [02:54]
05. Charles Proposes (sfx) [01:30]
06. Arrival In Yonville (sfx) [00:46]
07. Honeymoon (sfx) [02:22]
08. New Dreams; Disillusion [04:44]
09. Passepied; The Marquis's Quadrille; The Gay Sixties-Polka; L'Hirondelle-Galop (sfx) [03:22]
10. Madame Bovary Waltz [04:47]
11. Temptation (Torment) (sfx) [02:34]
12. Crossroads [01:18]
13. The Operation (sfx) [02:32]
14. Remorse (sfx) [01:21]
15. Rodolphe's Love [04:15]
16. Emma's Love (sfx) [01:19]
17. Coach; The Letter [05:45]
18. Recovered [00:39]
19. Emma's Dream Waltz (sfx) [00:30]
20. Leon's Love (sfx) [02:50]
21. Last Day With Leon [02:44]
22. Lheureux's Walk (sfx) [01:19]
23. New Blows; Despair (sfx) [02:10]
24. Humiliation [02:03]
25. Suicide; Arsenic; Agony; Holy Unction (sfx) [06:50]
26. Finale [01:17]

Bonus Tracks (Time - 00:11:57):

27. Anniversary Fanfare #2; Main Title [01:56]
28. Charles In Love (alternate) [01:30]
29. Chanson Populaire (source) (sfx) [01:24]
30. Le Joli Tambour (source) (sfx) [00:55]
31. Recovered; Lucia Di Lamermoor (excerpts) (sfx) [01:50]
32. Agony; Holy Unction (music only) [04:23]

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Disc 2 - The Red Danube/The Miniver Story/The Asphalt Jungle/East Side, West Side/The Light Touch:

Time: 01:17:51

Tracklist:

The Red Danube (00:13:54):

01. Main Title [01:54]
02. Hooky's Billet [00:19]
03. The Colonel's Decision [03:21]
04. Bruloff's Suicide; D.P. Camp [05:21]
05. Row, Row, Row To Rome [00:16]
06. Nicobar's Problem [00:56]
07. Suicide [01:09]
08. End Title [00:45]

The Miniver Story (00:09:19):

09. Rose [03:03]
10. New Hat [01:08]
11. Conflict [02:34]
12. The Girl That I Marry [01:16]
13. New End To Finale [01:25]

The Asphalt Jungle (00:09:00):

14. Main Title [02:37]
15. Hamburger Joint #1 [01:20]
16. Don't Leave Your Guns (Jitterbug #1) [00:26]
17. What About The Dame (Jitterbug #2) [01:19]
18. Dix's Demise [03:25]

East Side, West Side (00:03:43):

19. Bran's Story [02:56]
20. Lonesomeness [00:53]

The Light Touch (00:41:29):

21. Main Title [02:14]
22. The Robbery [03:25]
23. The Typewriter [01:12]
24. Tunis; Arabesque [02:43]
25. Orientale Pt. 1 And 2 [01:30]
26. Viso Perduto [03:11]
27. The Portrait [02:26]
28. Anna And Sam Pt. 1 And 2 [02:21]
29. False Pretense [02:56]
30. Happy Sam [01:49]
31. Three Visitors; The Letter [01:56]
32. Trouble; Unpleasant Discovery [02:33]
33. New Start; Accordion [02:30]
34. The Greek Theater; Exchange [03:46]
35. Brutality [01:18]
36. Alone [01:24]
37. Remorse [00:37]
38. Transformation [01:08]
39. Finale [00:53]
40. Viso Perduto (short version) [01:36]

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Disc 3 - Quo Vadis: Music and Effects:

Time: 01:18:46

Tracklist:

Quo Vadis (Music and Effects Reconstruction):

01. Intermezzo [03:16]
02. Prelude; Drums (Appian Way) [01:40]
03. Marcus' Chariot (sfx) [00:32]
04. Lygia (sfx) [03:00]
05. Marcus And Lygia; Preghiera; Hymn Of The Vestal Virgins (sfx) [05:41]
06. Hail Nero March [04:16]
07. Eunice; The Hostage (sfx) [01:18]
08. The Banquet Of Nero - Roman Bacchanale [03:12]
09. Syrian Dance [01:54]
10. The Burning Of Troy [01:05]
11. Siciliana Antiqua (sfx) [03:57]
12. Escape (sfx) [01:10]
13. Petronius And Eunice (sfx) [01:45]
14. Chilo (sfx) [01:13]
15. Jesu Lord [01:08]
16. Resurrection Hymn [01:13]
17. Vae Victis; Caritas (sfx) [02:05]
18. Mea Culpa (sfx) [01:14]
19. Non Omnia Vincit Amor (sfx) [02:34]
20. Temptation; Eunice's Song At Antium [04:27]
21. Petronius' Presentiment; The Women's Quarters Of Nero (sfx) [03:09]
22. Chariot Chase (sfx) [02:21]
23. The Burning Of Rome (Nero's Fire Song) (sfx) [00:59]
24. Tu Es Petrus; Meditation Of Petronius (sfx) [03:46]
25. Petronius' Decision (sfx) [00:50]
26. The Vision Of Peter; Petronius' Banquet Music (sfx) [02:19]
27. Petronius' Death (Parts 1 And 2) [02:08]
28. Ave Caesar [00:57]
29. Aftermath (sfx) [00:41]
30. Hymen (sfx) [03:41]
31. Ecce Homo Petrus (sfx) [01:09]
32. Finis Poppaea [02:20]
33. Nero's Suicide; Galba's March; Finale (sfx) [05:15]
34. Epilogue [02:31]

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Disc 4 - Quo Vadis: Archival Music:

Time: 01:12:37

Tracklist:

Quo Vadis (Archival Music) [00:26:19]
01. Prelude [01:26]
02. Assyrian Dance [01:53]
03. Lygia [03:16]
04. Roman Bacchanal [03:13]
05. Siciliana Antiqua [02:03]
06. Hymn Of The Vestal Virgins [01:05]
07. Hail Nero, Triumphal March [02:17]
08. Jesu, Lord [01:09]
09. Chariot Chase [01:55]
10. Invocation To Venus [01:22]
11. Petronius' Meditation And Death [03:22]
12. Miracle - Finale [03:25]

Pre-Recordings [00:17:15]
13. Burning Of Troy [02:02]
14. Nero's Fire Song [00:47]
15. Nero's Fire Song [00:16]
16. Invocation To Venus [01:35]
17. Final Chorus [01:51]
18. Fertility Hymn [01:09]
19. Petronius' Banquet [01:18]
20. Assyrian Dance [01:36]
21. Assyrian Dance (slower version) [01:41]
22. Nero's Fire Song [01:54]
23. The Burning Of Troy [02:20]
24. Dance Of The Roman Priests [00:52]

Pre-Recorded Marches [00:18:14]
25. Hail Nero (slow tempo) [06:25]
26. Hail Nero (medium tempo) [05:23]
27. Hail Nero (fast tempo) [04:51]
28. Hail Galba (slow version) [02:08]

Pre-Recorded Fanfares [00:03:05]
29. Fanfares To Triumph (close) [00:48]
30. Fanfares To Triumph (distant) [00:48]
31. Fanfare A [00:31]
32. Fanfare D (stereo) [00:22]
33. Fanfare E (long version) [00:25]
34. Fanfare E (short version) [00:17]

Original Soundtrack Fanfares [00:02:23]
35. First, Second And Third Fanfares For Nero [00:38]
36. Fanfare For Wrestlers (outtake) [00:12]
37. Fourth Fanfare For Nero [00:19]
38. First And Second Arena Fanfares [00:24]
39. Fanfare For Burning [00:14]
40. Fifth Fanfare For Nero [00:12]
41. Fanfare For Lygia [00:14]
42. Fanfare For Bull [00:17]

Additional and Alternate Cues [00:04:28]
43. Burning Of Rome (alternate) [00:55]
44. Nero's Suicide; Galba's March; Finale (score only) [03:28]

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Disc 5 - The Story of Three Loves:

Time: 01:17:56

Tracklist:

The Story of Three Loves [00:55:48]
01. Main Title- Rhapsody On A Theme Of Paganini [02:16]
02. The Audition- Rhapsody On A Theme Of Paganini [01:23]
03. The Audition-Conclusion; Opening Night- Rhapsody On A Theme Of Paganini [01:52]
04. Paula Alone- Rhapsody On A Theme Of Paganini; Studio [03:50]
05. Ballet- Rhapsody On A Theme Of Paganini [07:46]
06. Love Scene- Rhapsody On A Theme Of Paganini; Paula Disappears; Mademoiselle Bridge [03:56]
07. Eternal City [02:48]
08. Witch [01:22]
09. Wish [02:48]
10. Phony Witch; The Miracle [03:22]
11. Nocturne [03:30]
12. Romance; Midnight [0:50]
13. Farewell [01:13]
14. La Java De La Seine [01:13]
15. Visit In Hospital [01:20]
16. Balance [01:54]
17. Fate [01:38]
18. Offer [01:42]
19. Nina's Story [01:26]
20. Man [01:00]
21. Nightmare; Transformation [02:48]
22. Decision [01:01]
23. Finale [00:55]

Bonus Tracks [00:22:01]
24. Main Title Pt.1-extended [03:20]
25. Viso Perduto [02:11]
26. Romance (alternate) [01:38]
27. Madame Bovary Waltz [01:44]
28. Le Joli Tambour [00:30]
29. Dark Is The Night [01:16]
30. Electrical Cafe Piano [01:13]
31. Big White Top [02:25]
32. Barnum And Bailey's Favourite [02:04]
33. Over The Waves [02:19]
34. Memphis The Majestic [01:20]
35. Fanfare; Boccaccio March; Finale [02:02]

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Disc 6 - Young Bess:

Time: 01:17:08

Tracklist:

Young Bess [01:02:01]
01. Prelude; Hatfield House [02:20]
02. Reminiscing; Anne Boleyn's Execution; Exit Anne Boleyn [02:29]
03. Changing Mothers; King Henry [01:44]
04. New Stepmother; Katherine Howard's Execution; Hatfield Again [01:03]
05. Tom Seymour's Mission; Whitehall; Prince Of Wales [03:48]
06. Eavesdropping [01:16]
07. Dies Irae [05:10]
08. Princess Elizabeth; Appointment With Love [02:04]
09. Long Live The King; Anne Boleyn's Daughter; Dinner Music [02:55]
10. Dreams; Reality [01:41]
11. Disillusion [01:43]
12. The King's Diary; The King's Finances; The King's English; Returning Hero [03:29]
13. Your Majesty; Royal Tact [01:39]
14. Old Harry; Chelsea [04:15]
15. Love Will Find Out The Way [00:38]
16. King's Ballad [01:29]
17. Dansk Dance; A Toye [04:09]
18. Desperate Love [01:21]
19. Crossroads; Catherine Parr's End [04:31]
20. King's Birthday [02:08]
21. Bad News Day; Night Visitor; Farewell [06:46]
22. Inquisition [01:28]
23. Alone [01:45]
24. Long Live The Queen [00:08]
25. Finale [02:08]

Bonus Tracks [00:15:01]
26. See-Saw Song (source vocal) [00:19]
27. Reminiscing (original version) [00:34]
28. Exit Anne Bolyn (original version) [01:02]
29. Hatfield Again (original version) [00:37]
30. Up Again (deleted cue) [00:15]
31. King's Barge (source) [01:11]
32. Long Live The King (alternate) [00:12]
33. Anne Boleyn's Daughter (original version) [00:15]
34. See-Saw Song (prerecording) [02:02]
35. Love Will Find Out The Way (prerecording) [01:10]
36. King's Ballad (original version) [01:28]
37. Dansk Dance (prerecording) [01:52]
38. Dans Dance (original version) [01:42]
39. Tom Seymour's Execution (source) [01:28]
40. Her Majesty (alternate) [00:33]
41. See-Saw Song (source vocal) [00:22]

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Disc 7 - All the Brothers Were Valiant:

Time: 01:18:13

Tracklist:

All the Brothers Were Valiant [00:48:46]
01. Prelude [01:40]
02. House Of Shore [02:34]
03. Proposal [02:33]
04. Boat [02:35]
05. Full Sail [01:21]
06. High Sea [01:08]
07. Love And Pride [01:34]
08. Whale; Whaliant Brothers; Prince Of Whales [06:58]
09. Girls; Island [02:53]
10. Abduction; Schooner [01:35]
11. Fright [01:07]
12. Murder; Pearls [05:47]
13. Disillusionment [01:00]
14. Ashamed [02:51]
15. Hard To Lee; Showdown; Mutiny; Fight; Retribution; Finale [13:16]

Revised Cues (adapted by Johnny Green and Conrad Salinger) [00:29:21]
16. Easy Away, Jo'; New Bedford Bridge (revised cue) [01:04]
17. Too Quick A Way; Priscilla And Joel; Proposal (revised cue) [03:18]
18. Departure; Away For Rio; Full Sail (revised cue) [04:14]
19. Tubai (revised cue) [01:12]
20. Sister Priscilla (revised cue) [01:39]
21. Tahitian Dance (revised cue) [01:03]
22. Intro To Girl; Girl; Island (revised cue) [02:56]
23. Murder; Pearls (revised cue) [06:20]
24. Disillusionment (revised cue) [02:33]
25. Ashamed (revised cue) [03:03]
26. Hard To Lee (revised cue) [01:58]

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Disc 8:

Time: 01:18:36

Tracklist:

Knights of the Round Table [01:12:21]
01. Prelude [02:24]
02. Excalibur [01:33]
03. King Of England; On The Road [01:05]
04. Modred's Plot; Lancelot And Elaine [03:40]
05. Lancelot And Arthur; Chivalry [04:55]
06. Percival [02:32]
07. To The Battlefields; Christmas Chimes; Prelude To War [02:16]
08. First Battle Part 1 [03:24]
09. First Battle Part 2 [02:16]
10. Defiance; Guinevere; Good Knight; Farewell [02:39]
11. Sanctus; Cortege; Alleluia [02:23]
12. Queen's Champion [01:03]
13. Happy Island; Court Life; Court Dance #1; Court Dance #2 [02:51]
14. Hawking; Sacrifice [04:44]
15. Departure [02:33]
16. Pict Battle [04:07]
17. The Quest; Distant Thoughts; Dreams [06:37]
18. Merlin's Death; Homecoming [02:07]
19. Proclamation Fanfare; Jousting Fanfare; Pillow Fight Fanfare [00:59]
20. Egg Dance; Wager [01:36]
21. Nocturnal Visit [01:34]
22. Discovered; Devastations [04:13]
23. Morte D'Arthur; Resignation; To The Death; Holy Grail; Finale [10:59]

Source Music [00:06:04]
24. Christmas Carol [02:38]
25. Shepherd Piper; Gareth's Harp; Old English Estampie [00:54]
26. A Lady White [01:39]
27. The Knight's Song [00:53]

EAC log

DR log

------------------------------------------------------------------------------------------------------

Disc 9 - Crest of the Wave/Beau Brummell:

Time: 01:16:39

Tracklist:

Crest of the Wave [00:14:40]
01. Prelude; Torna A Surriento [01:52]
02. Nocturne; Training [01:39]
03. Surprise; Zed Boat [01:07]
04. Discovery [00:59]
05. The Fight [00:43]
06. Reminiscing [00:33]
07. Trial; Disaster; Torna A Surriento [02:51]
08. Exuberance [00:38]
09. Meditation [01:20]
10. Decision [01:26]
11. Realization; Finale [01:37]

Beau Brummell (by Miklos Rozsa) [00:11:34]
12. Main Title [01:31]
13. Rondo [01:22]
14. King's Visit; Waltz Theme; Reminiscence; Farewell; Finale [08:48]

Beau Brummell (by Richard Addinsell) [00:28:15]
15. Main Title [01:35]
16. Pavillion Waltz [02:58]
17. Outside Pavillion [01:53]
18. Fireworks [00:24]
19. Prince Of Wales Dance [02:55]
20. The Cake; Prince Of Wales Dance [01:00]
21. Patricia Visits Brummell; Part 1 [01:50]
22. Patricia Visits Brummell; Part 2 [02:03]
23. Hurdy Gurdy [01:11]
24. Hunt Breakfast [01:24]
25. The Hunt [02:03]
26. Patricia's Bedroom [01:17]
27. Windsor [01:18]
28. Almacks [01:25]
29. Patricia And Brummell [01:25]
30. The King Is Dead [00:51]
31. End Title [02:50]

Source Music [00:07:49]
32. Bugle Calls; Trumpet And Drums [00:32]
33. Milanollo [01:35]
34. Prince Conducts [01:21]
35. Pavilion Source [00:38]
36. Scenes And Variations [00:29]
37. Organ Source [00:27]
38. God Save The King [00:59]
39. L'Entente Cordiale [01:51]

Outtakes [00:08:28]
40. Rondo [02:15]
41. Rule Britannia [01:00]
42. Patricia Visits Brummell, Part 1 [01:29]
43. Hurdy Gurdy [00:34]
44. Unknown Score [00:57]
45. For He's A Jolly Good Fellow [02:21]

Crest of the Wave (by Hans May) [00:05:24]
46. Unused Score - Suite [05:25]

EAC log

DR log

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Disc 10 - Something of Value/Crisis:

Time: 01:18:36

Tracklist:

Something of Value [00:49:26]
01. Prelude [03:29]
02. Lament #1 [01:26]
03. Work Song [01:05]
04. Friendship; Lament #2 [02:47]
05. Celebration Song [01:27]
06. Evening Chant [01:29]
07. The Earth - New; Mount Kenya [02:21]
08. Song Of The Field Hands [01:42]
09. Lament #3 [02:31]
10. Lathela's Chant [00:41]
11. Mau Mau #1; Mau Mau #2; Mau Mau #3 [02:01]
12. Lament #4 [00:58]
13. Mau Mau #4 [01:47]
14. Interrogation [05:17]
15. Earth [01:38]
16. Njogu [01:58]
17. Mau Mau #5; Mau Mau #6 [02:16]
18. Understanding [02:34]
19. Nocturne - New [02:33]
20. Nocturne [02:14]
21. Surrender [01:03]
22. Pursuit [04:39]
23. Finale; End Cast [01:35]

Crisis [00:16:02]
24. Main Title; Fronton [02:05]
25. Jai Ala Marcha [01:10]
26. Proctor's Advice [02:05]
27. Paso Doble [01:18]
28. Fandango [01:24]
29. Cancion De La Revolucion [01:35]
30. Viva La Revolucion [00:36]
31. Flowers For Fernandez [01:36]
32. Un Voluntario [02:20]
33. Muerte De Gonzalez [01:32]
34. Finale [00:27]

Bonus Tracks [00:12:57]
35. Main Title (guitar); Fronton (wild) [03:10]
36. Paso Doble (prerecording) [00:52]
37. Fandango (prerecording) [02:26]
38. Finale (guitar) [00:38]
39. Revolutionary March [02:53]
40. Village Square [02:59]

EAC log

DR log

------------------------------------------------------------------------------------------------------

Disc 11 - Tip On a Dead Jockey/Madame Bovary/Desperate Search/Code Two/Rogue's March:

Time: 01:18:20

Tracklist:

Tip On a Dead Jockey [00:29:01]

01. Main Title [01:36]

02. Madrid; Good Riddance [01:18]

03. Crash [02:37]

04. Phyllis Arrives [01:31]

05. Double Talk [03:27]

06. Accident [02:41]

07. Short Story [01:24]

08. Worried; Undecided; Hideout [03:50]

09. Accusations [02:51]

10. Farewell [01:09]

11. Take Off; Cairo [05:35]

12. Finale [01:08]

Bonus Tracks [00:12:53]

13. The Happy Idiot Waltz [02:08]

14. Madame Bovary Waltz [04:07]

15. Improvisation [01:17]

16. Red Chips [03:15]

17. Take Off, Part 1 (alternate) [02:12]

Madame Bovary [00:26:48]

18. Prelude; Romance [03:14]

19. Torment; Passepied [03:14]

20. Emma's Waltz [03:51]

21. Ave Maria (2nd prerecording) [02:16]

22. Mazurka In F-sharp Minor (prerecording) [00:39]

23. Trianon (prerecording) [01:06]

24. Bitte Schone Polka (prerecording) [00:59]

25. Banditen Galop (prerecording) [00:51]

26. Emma's Waltz (1st prerecording) [04:05]

27. French Medley [02:51]

28. Holy Unction (The Red Danube recording) [01:16]

29. Madame Bovary Waltz (Valley Of The Kings alternate) [02:36]

Rogue's March [00:00:43]

30. Wiped Out [00:50]

Desperate Search [00:04:59]

31. Search Begins [00:46]

32. Search Continues [00:38]

33. Fruitless Search [00:31]

34. Accelerated Search [01:20]

35. Search Grows More Desperate [01:51]

Code Two [00:03:16]

36. Chase [03:20]

EAC log

DR log

------------------------------------------------------------------------------------------------------

Disc 12 - King of Kings:

Time: 01:19:02

Tracklist:

King of Kings [00:42:36]
01. Prelude [02:32]
02. The Holy Of Holies [01:27]
03. Pontius Pilate's Arrival Into Jerusalem [02:07]
04. The Virgin Mary [01:38]
05. Nativity [02:08]
06. The Nativity Of Christ [03:07]
07. John The Baptist [01:35]
08. The Miracles Of Christ [02:51]
09. Salome's Dance [04:08]
10. Mount Galilee And The Sermon On The Mount [02:55]
11. The Prayer Of Our Lord [02:28]
12. Christ's Entry Into Jerusalem And Tempest In Judea [04:42]
13. The Scourging Of Christ [01:21]
14. The Way Of The Cross [03:00]
15. Mary At The Sepulcher [02:14]
16. Resurrection - Finale [04:29]

Soundtrack Alternates and Outtakes [00:33:55]
17. Prelude (alternate choir) [02:32]
18. Sadness And Joy (alternate) [01:44]
19. Mary Magdalene (added choir); Answer From A Stone [02:13]
20. Christ's Answer; The Beheading Of John (added choir) [02:19]
21. Mount Galilee; The Sermon On The Mount; Love Your Neighbor (added organ) [08:19]
22. The Disciples (added choir) [02:45]
23. Premonition (added choir) [01:38]
24. Agony In The Garden; Judas' Kiss (film version with choir) [04:10]
25. Woman Of Sin (early version) [01:25]
26. Woman Of Sin (alternate passage #1) [00:40]
27. Woman Of Sin (alternate passage #2) [00:53]
28. Woman Of Sin (film version) [02:28]
29. Salome's Dance Part 1 (alternate #1) [00:46]
30. Salome's Dance Part 1 (alternate #2) [00:47]
31. Signal For Pilate [00:12]
32. Trumpet Signal For Revolt [00:10]
33. Shofar Signal For Revolt (with rehearsal) [01:01]
34. The Prayer Of Our Lord (Italian singers) [02:19]

EAC log

DR log

------------------------------------------------------------------------------------------------------

Disc 13 - El Cid/Ivanhoe/Knight of the Round Table/Lust for Life/King of Kings:

Time: 01:14:00

Tracklist:

El Cid [00:45:07]
01. Overture [03:18]
02. Prelude [03:32]
03. Palace Music [01:01]
04. Honor And Sorrow; The Court Of Ferdinand [02:12]
05. Fight For Calahorra [03:37]
06. Thirteen Knights [02:35]
07. Farewell [06:29]
08. Intermezzo - The El Cid March [04:06]
09. The Twins [02:27]
10. Battle Of Valencia [07:32]
11. The Cid's Death [03:11]
12. The Legend And Epilogue [05:12]

Ivanhoe [00:11:59]
13. Prelude And Foreword (alternate) [02:18]
14. Song Of Ivanhoe [01:01]
15. Ashby Fanfare 4-8 (film versions) [00:42]
16. Ashby Fanfare 1-8 (original versions) [01:50]
17. Locksley Horn 1-4; Norman Trumpet; Locksley Horn 5-6 [00:50]
18. Trumpet Fanfare 1-3 (original versions) [00:32]
19. Trumpet Fanfare 1-4; First Richard Fanfare (film versions) [01:09]
20. 2nd Richard Fanfare; Finale; Epilogue [03:37]

Knight of the Round Table
21. Queen's Champion (US recording) [06:03]

Lust for Life [00:08:13]
22. Romance [01:56]
23. Pain [00:27]
24. Plein Air [00:34]
25. Inertia; Reaper; Seizure [04:16]
26. False Hopes [01:06]

King of Kings
27. The Prayer Of Our Lord (instrumental) [02:28]

EAC log

DR log

------------------------------------------------------------------------------------------------------

Disc 14 - The V.I.P.s/Great Movie Themes:

Time: 01:14:30

Tracklist:

The V.I.P.s [00:40:55]
01. Prelude [03:15]
02. The Duchess Of Brighton [03:15]
03. The Bracelet [02:18]
04. Conflict [03:08]
05. Mood For Truth [02:41]
06. Adorable Invitation [03:41]
07. The Letter [01:55]
08. Consolation [03:31]
09. Daffodils [01:56]
10. Emotional Cost [02:11]
11. Doubts And Paul's Exit [03:29]
12. Question Of Pride; Suicide; Threat; Finale [09:40]

Great Movie Themes Composed by Miklуs Rуzsa [00:33:29]
13. Theme & Answer To A Dream (from 'Sodom & Gomorrah') [04:26]
14. Spellbound Concerto [05:25]
15. Lydia Waltz [03:10]
16. Quo Vadis Triumphal March [04:16]
17. Ben-Hur [04:02]
18. Paranoia Theme from 'Spellbound' [03:04]
19. Madame Bovary Waltz [04:15]
20. Beauty & Grace (Love Theme From 'Diane') [04:51]

EAC log

DR log

------------------------------------------------------------------------------------------------------

Disc 15 - The Power:

Time: 01:13:36

Tracklist:

The Power [00:46:33]
01. Prelude [02:57]
02. Endurance Test [01:11]
03. First Manifestation; Hallson Dies [01:33]
04. Death In The Centrifuge; Recognition [03:21]
05. The Bird; Toy Soldiers [00:56]
06. The Merry-Go-Round [02:31]
07. Desert Agony [02:24]
08. Shadow In The Darkness [01:03]
09. Viva L'Amour [05:50]
10. Nocturnal Visit; Attack [01:41]
11. Hallgato [02:14]
12. The Power Csardas [01:14]
13. The Elevator [03:24]
14. Disappointment; Pursuit [03:55]
15. Babble Pit; The Revolver [04:15]
16. Dejected [01:29]
17. Adam Hart; Transformation [04:01]
18. The Killer Killed; The End; End Cast [02:39]

Source Music [00:21:52]
19. Gypsy Eyes (source music) [02:37]
20. Andante Cantabile (source music) [03:18]
21. Fun House (source music) [02:15]
22. Saguaro Serenade (source music) [03:15]
23. The Old Folks (source music) [02:26]
24. Cactus Waltz (source music) [01:25]
25. Desert Gaiety (source music) [00:48]
26. Grover's Rock (source music) [00:57]
27. The Willow (source music) [01:28]
28. The Power Mower (source music) [01:31]
29. Sylvia's Strip (source music) [01:53]
30. Hungarian Dance #4 (prerecording) [02:47]
31. Hungarian Dance #1 (prerecording) [02:18]



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