Some_Ordinary_Guy

Bunyip story

Jan 14th, 2019
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  1. https://8ch.net/monster/res/357830.html#363251
  2.  
  3. < would mamono mana simply turn a disabled girl into a monster whose intellectual/physical profile most overlaps with their disability?
  4.  
  5. > helping friend by taking care of his rental property for a few weeks
  6.  
  7. > mostly minor repairs, not too hard even if some of the tenants are insufferable
  8.  
  9. > speak of the devil and she shall appear
  10.  
  11. > standard issue political activist hamplanet
  12.  
  13. > bossy as fuck
  14.  
  15. > seems to think you're a fixture included with her apartment that needs berating to function properly
  16.  
  17. > nice solidarity with the proletariat, cunt
  18.  
  19. > dragging along her beta orbiter (almost literally given their comparative masses)
  20.  
  21. > poor guy is totally smitten with her but she treats him like shit
  22.  
  23. > also dragging along that shrinking violet
  24.  
  25. > you can tell she has zero interest in whatever bullshit they're going to but doesn't have the confidence to say no
  26.  
  27. > don't think you've ever seen her manage to look anyone in the eye
  28.  
  29. > although sometimes when she's around you get the strange sense someone is staring at you…
  30.  
  31. > might as well try to be polite, "Have fun storming the castle."
  32.  
  33. > shy girl blushes and acts like her shoes are absolutely fascinating
  34.  
  35. > hamplanet just ignores you and keeps haranguing the guy as they head out
  36.  
  37. > they come back a few hours later
  38.  
  39. > holy shit, the guy is practically dragging the hamplanet by her hair!
  40.  
  41. > really hate to do this but…, "HEY! WHAT DO YOU THINK YOU'RE DOING!"
  42.  
  43. > guy stops and looks at you with an absolutely placid expression, "Giving this bitch what she needs."
  44.  
  45. > wut?!
  46.  
  47. > he forces her mouth open and spits in it, "Isn't that right bitch?"
  48.  
  49. > she looks at him worshipfully, "Yes Master!"
  50.  
  51. > you think your jaw hit the floor hard enough to shatter
  52.  
  53. > they head into her apartment without further comment while your brain reboots
  54.  
  55. > judging by the rhythmic squeaking and muffled "YES!"'s you're pretty sure what's going on in there is "enthusiastically consensual" as the Fat dykess like to say
  56.  
  57. > wow, didn't think that soyboy had it in him
  58.  
  59. > although the chick's behavior kind of makes sense in retrospect
  60.  
  61. > was she trying to get him to stand up to her this whole time?
  62.  
  63. > TamingOfTheShrew.txt
  64.  
  65. > notice the shy girl staggering to her apartment holding the wall for support
  66.  
  67. > "Are you OK Miss?"
  68.  
  69. > she stammers something which could be mistaken for an "I'm OK." and lurches into her apartment
  70.  
  71. > shit, that must have been one hell of a protest
  72.  
  73. > sweeping up that hallway later
  74.  
  75. > judging by the ambient noise soyboy and hamplanet are still going at it
  76.  
  77. > you're kind of impressed
  78.  
  79. > also hear sounds coming from shy girl's room
  80.  
  81. > hard to make out over next door but it sounds like moaning
  82.  
  83. > getting a little worried, not sure if of pain or pleasure
  84.  
  85. > hear a crash
  86.  
  87. > shit
  88.  
  89. > knock on her door, "Miss, are you OK?"
  90.  
  91. > panickedWailing.mp3
  92.  
  93. > fuck, this sounds bad, "Miss! I'm coming in!"
  94.  
  95. > wailing intensifies
  96.  
  97. > barge in and see her thrashing in her bed
  98.  
  99. > her eyes are rolled back and she's covered in sweat but the noises she's making are definitely of pleasure
  100.  
  101. > confused, you move to touch her but she literally starts REEEE'ing and you back off
  102.  
  103. > this is way above your pay grade
  104.  
  105. > call emergency services
  106.  
  107. > operator sounds harried, "What is your emergency?"
  108.  
  109. > quickly explain the symptoms
  110.  
  111. > "FUCK!" you hear them pull the receiver away from their mouth and yell, "Another one!"
  112.  
  113. > "Listen, just stay calm. We're sending someone right over.", then you get put on hold
  114.  
  115. > What the fuck is going on?! How many calls are they getting that they can't stay on the line with you?!
  116.  
  117. > stay with the girl and try to comfort her
  118.  
  119. > she freaks out when you approach her so you stare at the far wall and try to talk soothingly about how help is coming
  120.  
  121. > it might be your imagination but the sound of your voice seems to relax her a bit
  122.  
  123. > help finally arrives in the form of two surprisingly young nuns
  124.  
  125. > they look almost as scared as you are but they seem to know what they're doing
  126.  
  127. > pour some kind of glittery powder over the girl which knocks her out so they can load her into a stretcher
  128.  
  129. > they give each other an odd look when they hear soyboy and hamplanet doing the meaty mambo
  130.  
  131. > "We only have room for one." you hear the blond whisper urgently to her partner
  132.  
  133. > wonder what that was about
  134.  
  135. > help them get the stretcher out of the building and make sure you get the contact information for where they're taking her
  136.  
  137. > text it all to her emergency contacts once the nuns' groundcar peels out
  138.  
  139. > next few days are pretty quiet
  140.  
  141. > amazing how chill life is when you don't follow fake news
  142.  
  143. > or any news really
  144.  
  145. > soyboy and hamplanet are off somewhere
  146.  
  147. > haven't actually seen them since that night even if you did hear plenty of them
  148.  
  149. > they left a note on your door saying that they were going on their honeymoon and to hold all their mail
  150.  
  151. > good for them you guess
  152.  
  153. > haven't seen shy girl either
  154.  
  155. > just got a letter from one of her emergency contacts: her dad
  156.  
  157. > says he's very grateful for how you helped his daughter and would like to offer you a job
  158.  
  159. > provides directions to someplace out in the country for an interview
  160.  
  161. > you figure it's worth a look
  162.  
  163. > head out to the meeting place
  164.  
  165. > turns out to be a luxurious hunting lodge
  166.  
  167. > you're ushered into a well-appointed trophy room
  168.  
  169. > game mounts of animals from almost every continent
  170.  
  171. > neat, a Lee-Enfield
  172.  
  173. > hear someone enter
  174.  
  175. > shy girl's father introduces himself
  176.  
  177. > he's an older man but he has a weathered and tough appearance
  178.  
  179. > engage in small talk as he shows you some of the trophies
  180.  
  181. > you can tell he's trying to take your measure
  182.  
  183. > soon the interview begins in earnest and he starts asking you some hard questions
  184.  
  185. > pretty tense at times but he seems generally satisfied
  186.  
  187. > "Son, I'm afraid I can't tell you much about this job. It's the sort of thing you really have to experience for yourself. In some ways, it will probably be the hardest thing you've ever done. But it's a job I've had myself and I wouldn't trade the experience for anything in the world."
  188.  
  189. > interesting…
  190.  
  191. > "If you're interested then head out that door and follow the blue blazed trail. That will take you down to the river. There's something there you'll need to see."
  192.  
  193. > well, you were interested…
  194.  
  195. > you finally get to the river
  196.  
  197. > great hike, this is a beautiful country
  198.  
  199. > and this river is so peaceful
  200.  
  201. > you stop to rest your pleasantly tired muscles
  202.  
  203. > that's when you feel it
  204.  
  205. > someone or something watching you
  206.  
  207. > try not to let on you've noticed
  208.  
  209. > start walking downstream casually while surreptitiously scanning your surroundings using your peripheral vision
  210.  
  211. > there! an errant ripple in the water!
  212.  
  213. > keep walking
  214.  
  215. > oh yeah, it's definitely following you
  216.  
  217. > not sure what it is but you figure it probably isn't friendly
  218.  
  219. > did that old man set you up?
  220.  
  221. > decide your best bet is to pick the time and place
  222.  
  223. > stop at a spot where the river and shore are broken up by rockfall and scree
  224.  
  225. > pretend to lean over and tie your shoe
  226.  
  227. > it took the bait!
  228.  
  229. > you pivot and axe handle smash the blur as it charges toward you
  230.  
  231. > it goes down with a crash
  232.  
  233. > some kind of strange furry snake monster with a beak
  234.  
  235. > and nice tits?
  236.  
  237. > wait, that's just a mask
  238.  
  239. > a mask knocked askew by your blow, revealing-
  240.  
  241. > shy girl
  242.  
  243. > her skin is a different tone, but you'd recognize those features anywhere
  244.  
  245. > well shit
  246.  
  247. > a lot of what her father said makes more sense now
  248.  
  249. > he had a pretty special "job" in mind for you
  250.  
  251. > snake monster shy girl is already coming around
  252.  
  253. > you look into her eyes for the very first time
  254.  
  255. > behind those inhuman orbs you see a scared and humiliated girl who wants you and is terrified of you all at once
  256.  
  257. > she quickly looks away and freezes, obviously paralyzed with fear
  258.  
  259. > your heart breaks
  260.  
  261. > you know what you have to do
  262.  
  263. > "A M-M-MONSTER!" you shout and turn to run away
  264.  
  265. > and pretend to trip and fall
  266.  
  267. > "OH NO! HOW CAN I ESCAPE!?"
  268.  
  269. > the acting in Scooby Doo is probably more convincing than yours
  270.  
  271. > but out of the corner of your eye you can see her fixing her mask and tentatively moving towards you
  272.  
  273. > "AAAH! IT'S GAINING ON ME!" you scrabble around like you're trying to stand up but failing to get any traction
  274.  
  275. > she's moving with more confidence now
  276.  
  277. > "OH NOOOOO!" while being careful not to look at her directly you sit up a little so she can easily grab your torso
  278.  
  279. > you're rewarded by her fluffy coils wrapping around you
  280.  
  281. > you gasp in shock, for real this time
  282.  
  283. > her embrace is both firm but tender, and the sensation of her fur sliding across your skin is incredible
  284.  
  285. > you shudder in pleasure as she readjusts her coils to bring her chest together with yours
  286.  
  287. > sharp claws effortlessly rip open your shirt and she hugs you close, her large breasts squishing against your bare skin
  288.  
  289. > she buries her head in your shoulder so you can't look at her and squeezes you like a body pillow
  290.  
  291. > it's like being covered in a warm blanket made of love
  292.  
  293. > you shift ever so slightly so you can hug her back and kiss her neck
  294.  
  295. > she tenses, but your hug and soft kisses soon put her at ease
  296.  
  297. > you lie there for quite a while, just holding each other
  298.  
  299. > finally some instinct deep inside her stirs and you can feel her claws at the front of your pants
  300.  
  301. > you offer no resistance and one swift slash later your bare manhood is pressing against her thigh
  302.  
  303. > you can hear her breathing pick up as she readjusts herself
  304.  
  305. > her heart pounds like a jackhammer against you as she begins to take you in
  306.  
  307. > you hold her tighter and make wordless soothing sounds as she slowly engulfs you
  308.  
  309. > by the time you're hilted her breath is coming in short gasps and she's hugging you almost hard enough to hurt
  310.  
  311. > it takes all of your willpower not to start thrusting but you know she needs to do this at her own pace
  312.  
  313. > once again you lie there for quite some time just holding each other, this time joined in the most intimate way possible
  314.  
  315. > eventually her breathing calms down a little and she starts to move her hips
  316.  
  317. > she falls into a pattern of making little mewling noises, speeding up, shuddering with an orgasm, and then slowing down before starting again
  318.  
  319. > wow, this girl is on a hair trigger, she's inadvertently edging you
  320.  
  321. > finally can't take it anymore and sneak your arms under hers so you can hold her head
  322.  
  323. > remove the mask and gently move her so your foreheads are touching
  324.  
  325. > she freezes as you lock eyes with her
  326.  
  327. > give her an Eskimo kiss and very slowly start moving your own hips
  328.  
  329. > you try to convey your feelings for her using your gaze alone as you speed up
  330.  
  331. > you don't last long, you can feel her almost continuously spasming around you as you move
  332.  
  333. > her eyes widen as you finish and she thrashes in a full body orgasm
  334.  
  335. > it feels like her insides are trying to suck your seed straight into her womb
  336.  
  337. > afterward you both slump into each others' arms, exhausted
  338.  
  339. > at first you think you may have gone too far
  340.  
  341. > she still isn't looking at you
  342.  
  343. > but then you notice her staring at you sideways through her bangs
  344.  
  345. > she's blushing and there's a tiny, tiny little smile on her face
  346.  
  347. > she speaks very softly
  348.  
  349. < "H-husband…"
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