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  1. Chapter 7-8 Quiz
  2.  
  3. PartialQuestion 1
  4. 2.5 / 5 pts
  5. The movement stemmed from advocates of aesthetic photography wishing to distinguish there work from the commercial and scientific aspects of photography. Having photography receive the same recognition as a legitimate art form was the primary goal of this group, whose works were known as . Their beliefs stemmed from the early concepts of put forth by the photographer .
  6.  
  7.  
  8. image009.jpg
  9. Answer 1:
  10. Pictorialism
  11. Answer 2:
  12. Pictorialist
  13. Answer 3:
  14. Naturalism
  15. Answer 4:
  16. Alfred Stieglitz
  17.  
  18. Question 2
  19. 5 / 5 pts
  20. Match the following terms with the most appropriate definition or corresponding term.
  21. Roy Stryker FSA
  22. Alfred Stieglitz Photo-Secession
  23. Lewis Hine Child Labor
  24. Jacob Riis Tenement Housing
  25. August Sander Different social class
  26.  
  27. PartialQuestion 3
  28. 3.33 / 5 pts
  29. Select all of the following that have a direct correlation or relevance to Pictorialism.
  30. Marion Post Wolcott
  31. Gertrude Käsebier
  32. F. Holland Day
  33. Gordon Parks
  34. Alfred Stieglitz
  35.  
  36. Question 4
  37. 5 / 5 pts
  38. The three favorite motifs of the aesthetic photographers were ...
  39. urban landscape
  40. the Great Depression
  41. the Industrial Revolution
  42. the male nude
  43. *the female form
  44. social documentation
  45. urban and inner city poor
  46. narrative scenes
  47. genre scenes
  48. *scenes depicting women and children together
  49. allegorical scenes
  50. *pure and natural landscape
  51.  
  52. IncorrectQuestion 5
  53. 0 / 2.5 pts
  54. The ___________ process is a method favored by Pictorialists, whereby a photograph is transferred to a copper plate that is etched, inked, and printed on fine art paper on a flat press, which produces a limited edition of nearly identical prints.
  55.  
  56.  
  57. AnnanThomas.jpg
  58. ennobling
  59. equivalent
  60. gravure
  61. straight printing NOT THIS
  62. stereograph
  63. <!-- /* Font Definitions */ @font-face {font-family:Arial; panose-1:2 11 6 4 2 2 2 2 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} -->
  64.  
  65. straight printing
  66.  
  67. ennobling
  68.  
  69. stereograph
  70.  
  71. gravure
  72.  
  73. equivalent
  74.  
  75.  
  76. PartialQuestion 6
  77. 1.67 / 5 pts
  78. Select all of the following that have a direct correlation or relevance to the FSA.
  79. Walker Evans
  80. Arthur Rothstein
  81. Lewis Hine
  82. Dorothea Lange
  83. Margaret Bourke-White
  84.  
  85. PartialQuestion 7
  86. 3.75 / 5 pts
  87. Select all of the following that have a direct correlation or relevance to the New York Photo Secession.
  88. Berenice Abbot
  89. Gertrude Käsebier
  90. Edward Steichen
  91. Alfred Stieglitz
  92. Clarence H. White
  93.  
  94. PartialQuestion 8
  95. 2.5 / 5 pts
  96. This is one of two iconic images, of which the author of our textbook cites in particular, that later generations of Americans would come to know the rural communities in the midwest of the 1930s. Select all of the following that have a direct correlation or relevance to this image and work.
  97.  
  98.  
  99.  
  100.  
  101. duststorm-sub.jpg
  102. Walker Evans
  103. Pictorialism
  104. Lewis Hine
  105. The Photo League
  106. FSA
  107. Arthur Rothstien
  108. National Child Labor Committee
  109. Gertrude Kasebier
  110. Roy E. Stryker
  111. The Great Depression
  112.  
  113. PartialQuestion 9
  114. 2.5 / 5 pts
  115. Two early Photo Secessionists would go on to become America's best known Pictorialist photographers of the era. was considered the classic American Pictorialist and eventually founded his own photography school, teaching many notable future photographers. His female counterpart , "was praised for having done more for artistic portraiture than any other of her time, painter or photographer."
  116. Answer 1:
  117. Alfred Stiegltz
  118. Answer 2:
  119. Gertrude Kasebier*
  120.  
  121. PartialQuestion 10
  122. 2.5 / 5 pts
  123. Select all of the following that had a direct correlation or relevance to the American Photo-Secession's New York influences.
  124. The Linked Ring
  125. European Modernism
  126. Camera Work
  127. photography as an art object
  128. Realism
  129. straight printing
  130. The Photo League
  131. "291"
  132.  
  133. Question 11
  134. 5 / 5 pts
  135. Match the following terms with the most appropriate definition or corresponding term.
  136. Lewis Hine Photographed huge
  137. Berenice Abbot credited with the the
  138. Gertrude Käsebier credited as having do
  139. John Thomson publication series
  140. August Sander created images dep
  141.  
  142. PartialQuestion 12
  143. 2.5 / 5 pts
  144. This is one of two iconic images, which the author of our textbook cites in particular, that later generations of Americans would come to know the rural communities of the 1930s. Select all of the following that have a direct correlation or relevance to this image and work.
  145.  
  146.  
  147. California1936.jpg
  148. FSA
  149. Dorothea Lange
  150. The Photo league
  151. The New Deal
  152. National Child Labor Committee
  153. Bernice Abbott
  154. The Great Depression
  155.  
  156. PartialQuestion 13
  157. 2 / 5 pts
  158. Match the following terms with the most appropriate definition or corresponding term.
  159. Lewis Hine
  160. Thomas Craig Annan
  161. Clarence H. White
  162. Edward Stiechen
  163. F. Holland Day
  164.  
  165. IncorrectQuestion 14
  166. 0 / 2.5 pts
  167. The Linked Ring was a Pictorialist group that also consisted of some members that favored "straight" photography, involving alternative processes and subject choices instead of physically manipulating photographs.
  168.  
  169. *True
  170. False
  171.  
  172. Question 15
  173. 5 / 5 pts
  174. In an effort to strengthen the position of photographic art the photographer Alfred Stieglitz undertook a project he called Equivalents that were images of clouds and sky. The premise was to demonstrate "that in art, visual form, and not specific subject matter, conveys emotional and psychological meaning."
  175.  
  176.  
  177. 1930.jpg
  178. Answer 1:
  179. Alfred Stieglitz
  180. Answer 2:
  181. Equivalents
  182.  
  183. Question 16
  184. 2.5 / 2.5 pts
  185. [x] was one of the first motifs to be affected by the new Pictorialist sensibility. Pictorialist photographers took their cues from painters like Whistler, Boecklin, and Henry Ward Ranger. An example of this motif in a Pictorialist photograph is Woods Interior by Edward Steichen.
  186. Social documentation
  187. Abstraction
  188. Labor
  189. Still Life
  190. *Landscape and nature
  191.  
  192. IncorrectQuestion 17
  193. 0 / 2.5 pts
  194. The Photo League formed in the 1930's, committed to "aesthetic" picture-making, and early on set out to depict the less picturesque aspects of urban life, which they felt were being ignored by "straight" Modernist photographers.
  195. True
  196. *False
  197.  
  198. PartialQuestion 18
  199. 1.67 / 5 pts
  200. This comparison of images depict how photography outweighed graphic illustrations as being instrumental in establishing photography as the preferred medium with which to champion social problems as early as 1889. Select all of the following that have a direct correlation or relevance to the image and work.
  201.  
  202.  
  203. 1889.jpg
  204. Walker Evans
  205. "Face of our Time"
  206. Pictorialism
  207. August Sander
  208. "How the Other Half Lives"
  209. The Progressive movement
  210. The Photo League
  211. Jacob Riis
  212.  
  213. Question 19
  214. 2.5 / 2.5 pts
  215. The Depression era images taken by the FSA photographers were influential in directing interest to the American scene and reviving the ___________ style in visual arts. This movement enjoyed a brief period of coexistence with more formally conceived modes of expression derived from European modernist movements. This contributed largely to the work being exhibited at the Museum of Modern Art.
  216. Neoclassical
  217. Impressionist
  218. Abstract
  219. *Realist
  220. Romanticist
  221.  
  222. PartialQuestion 20
  223. 4 / 5 pts
  224. Select all of the following that explain how “social documentation” differed from other forms of documentary images, in terms of intent and how they were seen.
  225. *Presented as groups of images rather than individually.
  226. *Closely tied to advances in printing technology and the growth of the popular press.
  227. *Not ordinarily shown in the salons and exhibitions devoted to artistic images.
  228. *Not sold individually in the manner of genre, landscape, and architectural scenes.
  229. *Intended to both inform and move the viewer.
  230.  
  231. PartialQuestion 21
  232. 2.5 / 5 pts
  233. Which of the following photographic methods tended to be favored by Pictorialist photographers?
  234. Photogravure
  235. Silver-gelatin
  236. Daguerreotype
  237. Collodion- albumen
  238. * Gum bichromate printing PLUS ONE MORE
  239.  
  240. Question 22
  241. 5 / 5 pts
  242. This iconic image titled "The Steerage" , with it's unique vantage point and geometric divisions separating the passenger classes, was an early indicator of stylistic changes coming to photography in the early 20th century. Upon seeing this image the painter Picasso remarked "that he and photographer Alfred Stieglitz were working in the same avant-garde spirit."
  243.  
  244.  
  245. SS.jpg
  246. Answer 1:
  247. "The Steerage"
  248. Answer 2:
  249. Alfred Stieglitz
  250.  
  251. Question 23
  252. 2.5 / 2.5 pts
  253. The way the nude figure was handled can often best illustrate the differences that developed between aesthetic camera “pictures” and straight camera documents.
  254. *True
  255. False
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