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Dinner with the Dazzlings

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Apr 28th, 2015
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  1. >You are anon.
  2. >You live with the Dazzlings.
  3. >It's around eight o'clock.
  4. >You are preparing the table for dinner along with Adagio.
  5. >Tonight's delight is roasted chicken with oven potatoes and yogurt.
  6. >You go back and forth leaving plates, knives, forks, paper towels and tall glasses of water on the table.
  7. >You move fast.
  8. >You are used to the whole process by now but you still hate making an event out of every lunch and dinner.
  9. >Back when you were alone you'd just make yourself a sandwich and eat it whenever you were hungry.
  10. >No cooking for hours and then setting up the table like you expect the keiser to visit.
  11. >Anything that takes less time to eat than to prepare is not worth bothering with.
  12. >You nod to yourself.
  13. >Hear, hear.
  14. >"Watch it, you hurricane!"
  15. >You stop a few centimeters short of bumping into Adagio.
  16. >She is carrying the glass tray with the chicken and tatters towards the table.
  17. >You take a moment to drink in the sight of Adagio the Housewife.
  18. >She is wearing an apron with two cuddly cartoony kittens over her t-shirt.
  19. >A pair of oven mitts protect her hands from the tray's heat.
  20. >Your staring makes her feel uncomfortable.
  21. >You usually stare at the Dazzlings when you are horny.
  22. >Which is most of the time.
  23. >"What is it, Anonymous?"
  24. >You smirk.
  25. "Nothing, nothing. I was just captivated by the way you rock the look."
  26. >Adagio straightens her back and smiles smugly.
  27. >"I make anything I wear look good..."
  28. "Can I kiss the cook?"
  29. >Adagio frowns and gives you an "are you serious?" look.
  30. >You move your eyebrows up and down a few times.
  31. >Adagio bumps you aside as she passes by you, refusing to dignify you with an answer.
  32. >You look around the room.
  33. >Sonata is sitting in front of the TV.
  34. >The volume is higher than you like, but the show is fun so you don't mind much.
  35.  
  36. >"Imagine if you had no asshole. Vere vould your poo-poos go? They vould back up; first into your low intestine. Zen ze small intestine, ze colons und stomach, EXPANDING UND EXPANDING!...until *POP!* ARGH! You're in a vorld of shit!"
  37. >You chuckle.
  38. >Adagio frowns.
  39. >"Sonata, just because it's a cartoon it doesn't mean it's for kids. Change the channel."
  40. "Yeah Sonata, put it on HBO. Game of Thrones might be on."
  41. >Adagio narrows her eyes at you.
  42. >She likes Game of Thrones.
  43. >Must be because of all the scheming.
  44. >But she doesn't like it when Sonata watches it.
  45. >Again, must be because of all the scheming.
  46. >You raise your arms in mock surrender.
  47. >Adagio turns away.
  48. >"Make yourself useful and fetch Aria. Sonata, come here. The table is ready."
  49. >"Yay, time for food!"
  50. >You exit the dining room.
  51. >You head for Aria's room.
  52. >You pass Adagio's room on your way.
  53. >Sonata had this silly idea to have your names written on your room doors.
  54. >Adagio was, of course, above such childishness.
  55. >Sonata wrote her name in a piece of paper with crayons, glitter and stickers and taped it on her door.
  56. >Aria wanted to write "Here be dragon" on hers but abandoned the idea as soon as you said "Here be dragon dildos" out loud.
  57. >You thought the idea was stupid but Sonata kept bugging you.
  58. >You eventually hung a sign over your door to spite Sonata and the others rather than please them.
  59. >The sign read "Abandon all hope ye who enter here."
  60. >It was sadly only too appropriate.
  61. >Anyway, you're standing in front of Aria's room.
  62. >You knock with one hand as you turn the knob with the other.
  63. >You peek your head in without waiting for an answer, like most of the human population does.
  64. "Hey Aria, dinner's serv-Woah!"
  65.  
  66. >Aria is lying on the bed, wearing nothing but socks, panties and a vest.
  67. >An open vest!
  68. >Time seems to stand still.
  69. >Your eyes open as wide as possible in order to let as much goodness as possible into your mind.
  70. >Her panties cling tightly around her well-defined asscheeks...
  71. >Her skin has no blemishes.
  72. >And those feet, hugged on all sides by her white socks...
  73. >Hnnnng, fffffoot fetish.
  74. >Various cultures in times past and present dictate that women should go about bare breasted in order to show their bodies have come of age and are fertile.
  75. >Aria's unrestrained breasts communicate their message to you and your insticts loud and clear.
  76. >Her nipples are hard and erect...
  77. >You swallow hard and move your tongue around inside your mouth.
  78. >"What the fuck, you asshole?!"
  79. >You are snapped back to reality.
  80. >"Close the fucking door!"
  81. >Your stupified brain mistakes her words for an invitation.
  82. >You enter and close the door behind you.
  83. >Aria sits up on her bed.
  84. >She grabs the book she was reading and throws it at you.
  85. >The book's pages slap together as it flies at you.
  86. >You cover your face with your hands.
  87. >You turn sideways and raise your leg to cover your junk.
  88. >The book slams on the door right next to you and falls on the floor.
  89. >"Get the fuck OUT!"
  90. >Aria covers her tits with one arm while she reaches for her bedside lamp with the other.
  91. >Oh shit.
  92. >You open the door and get out as fast as you can.
  93. >You go to the bathroom to wash and cool your blushing face.
  94. >Adagio calls out to you.
  95. >"Are you coming or what? We'll start without you."
  96. >"I've started already!" says Sonata.
  97. >"Don't talk with your mouth full, Sonata."
  98.  
  99. >A few minutes later.
  100. >You are sitting at the table with the Dazzlings.
  101. >Adagio is cutting the meat and filling the plates.
  102. >You are sitting opposite of Aria.
  103. >She used to sit opposite of Sonata but they kept kicking eachother.
  104. >This is rather awkward for you but you are too embarrassed to ask Adagio to switch places.
  105. >You try to not look at Aria.
  106. >You sneak a few glances though.
  107. >She is blushing and staring angrily at you.
  108. >She is biting her lips.
  109. >"Anon!"
  110. "W-wha?"
  111. >Adagio is staring at you.
  112. >"I said; do you want breast or thigh?"
  113. >Breast or thigh?!
  114. >Your short-circuited brain connects the question to what happened earlier.
  115. "I...I..."
  116. >You are dumbfounded.
  117. >You look around helplessly as if looking for a way out.
  118. >Your gaze falls on Aria.
  119. >She looks at you for a moment in annoyed confusion.
  120. >Then her eyes widen in horrified realization.
  121. >She turns her head and looks down.
  122. >She is completely flustered.
  123. >"Fine, if you're not going to reply today, you won't eat any chicken today. You only get potatoes."
  124. >Huh, what?
  125. >What do potatoes have to do with any-?
  126. >Oooooh, now you get it.
  127. "But-"
  128. >"No buts!" says Adagio as she brings the tray closer to Sonata.
  129. >Sonata giggles.
  130. >"Here you go, Sonata."
  131. >You protest loudly with your mouth and your belly but Adagio will have none of it.
  132. >You watch as Adagio piles a bunch of chicken thigh meat with the skin still on on Sonata's plate.
  133. >The skin!
  134. >The skin is the best part.
  135. >Your stomach laments for the loss.
  136. >Sonata does a delighted little hand clap.
  137. >"You know Adagio, I've heard industrial chickens are full of growth hormones that make tits grow!"
  138. >Oh dear, Sonata just kicked a wasp nest.
  139. >Aria turns to see what's gonna happen.
  140. >Adagio grinds her teeth quite audibly.
  141. >She bangs the tray on the table, spilling some food juice.
  142. >You need to think of something fast!
  143.  
  144. "Well up yours, Sonata. I don't need Adagio to make sure I won't need a bra in the future. Gimme that chicken, Adagio."
  145. >Adagio just stands there disoriented for a few seconds.
  146. >"Fine, you can have some chicken but only because I'm kind and forgiving" she eventually tells you.
  147. >Adagio takes all the chicken off Sonata's plate and puts it back on the tray.
  148. >"Hey, why do you take mine?" protests Sonata.
  149. >"Because I'm kind and forgiving" replies Adagio through her teeth.
  150. >Aria smirks at a pouting Sonata.
  151. >Finally Adagio finishes and sits down.
  152. >You all start to eat.
  153. >You notice Adagio is having a salad with only a bit of chicken and yogurt on the side.
  154. "Who killed your dinner?"
  155. >Adagio stops just before she puts a spoonful of lettuce in her open mouth.
  156. >"I'm sorry?"
  157. "Why do you eat salad?"
  158. >You say the word "salad" with distaste.
  159. >Plants are for dumb animals like goats and cows and hippies.
  160. >"Well, I watch my waistline now so I won't have to watch it later."
  161. "I'll watch it for you-OOF!"
  162. >Adagio hits you in the belly.
  163. "Don't do that ever again, dammit!"
  164. >Adagio smiles to herself.
  165. >"You could do away with that belly."
  166. "Bugger off Adagio, there's barely enough of me to go around as it is."
  167. >You sure wish the girls would pass you around.
  168. >The rest of the dinner passes uneventfully with only a hint of small talk.
  169. >........
  170. >It's bedtime.
  171. >Way past, actually.
  172. >You look at your cellphone.
  173. >2:37.
  174. >You sigh.
  175. >You can't sleep.
  176. >One of the survival traits of land animals in general is that they are jumpy at night.
  177. >They worry more and therefore they are more likely to escape a nocturnal predator.
  178. >That's why it's scarier to go to the bathroom at night.
  179. >Our subconscious is more active at night.
  180. >But humans are complicated animals and as such they have complicated fears.
  181. >You just lie there under the covers with your hands under your head, thinking about your life.
  182.  
  183. >Your financial future, the dream job that you only see in your dreams, your desire to be well liked, your loneliness...
  184. >You sigh.
  185. >You stare at the ceiling.
  186. >Every now and then a car passes, casting it's fleeting lights upon the ceiling as it races into the night.
  187. >You don't know how much time passes like this before your room's door opens.
  188. >It's Aria.
  189. >She is wearing a simple, short nightgown.
  190. >The light behind her penetrates it as she stands there and outlines the naked silhouette underneath.
  191. >Aria enters your room and closes the door behind her.
  192. >She doesn't quite have the air of owning the place like Adagio does but she tries.
  193. >"Anon, I know you're awake. I saw your eyes gleam."
  194. >You open your mouth to let out a witty one-liner.
  195. "What's up, Aria?"
  196. >You rolled an ace.
  197. >"I'm cold."
  198. >That's an understatement.
  199. >You smile wide enough to fit a small plate in your mouth.
  200. >"I-errr-I mean it's cold in my room. The radiator broke down."
  201. "Did you give it a look? What's wrong with it?"
  202. >"How should I know? I'm not a man!"
  203. "Come again?"
  204. >"It's a man's job to fix things around the house. You're a man..."
  205. >"...aren't you?" she adds.
  206. "WHY DON'T YOU GET YOUR ASS HERE AND FIND OUT!"
  207. >There's a moment of silence broken only by your deep breathing.
  208. >You snapped before you knew it.
  209. >Your heart is racing.
  210. >You can see Aria has jumped back a few steps.
  211. >You lie back down, turn your back to her and take a deep breath.
  212. "Go back to bed, Aria. I promise I'll take a look at it tomorrow" you say in a much calmer, if not defeated, tone of voice.
  213. >There's more silence.
  214. >"...No. You know what? I'm not going back in the freezer! It's your fault. I'm sleeping here tonight."
  215. >Yeah well, whatever. She can have the floor.
  216. >Aria walks up to your bed and sits on it.
  217. >"Scoot over. Gimme room."
  218. >You groan but move aside for the Grump Rump anyway.
  219. >She rocks the whole bed trying to get comfortable.
  220.  
  221. >She stops her struggling after a few seconds.
  222. >She has her back turned to you.
  223. >"Gee anon, if I wanted to freeze, I'd stay in my room."
  224. "What now, Aria?"
  225. >"You're hogging all the covers!"
  226. "No I'm not. See?"
  227. >You spread the covers over Aria with your arm.
  228. >You don't take your arm off her shoulder though.
  229. >Skin contact is...nice, you know?
  230. >Cuddling is good for your depression.
  231. >Actually it's good for you, and bad for your depression.
  232. >A few seconds pass like this.
  233. >Aria is holding her breath.
  234. >She is tense and blushing, though you can't see it.
  235. >She is constantly in some kind of competition or another.
  236. >Even though they aren't terribly fond of eachother, the Dazzlings are always together.
  237. >They are mistrustful of outsiders and you can't blame them.
  238. >Even you haven't been fully accepted into their little circle.
  239. >As a result, Aria has to constantly compete with Adagio for independence and Sonata for attention.
  240. >But right now, there is no Adagio or Sonata to compete with.
  241. >She has the undivided attention of a man she's come to not be weary of.
  242. >And to make matters more tense, he is showing her a bit of affection!
  243. >This is new territory for Aria.
  244. >She doesn't know how to feel and react to this new situation and that stresses her.
  245. >"...G-Gee, are you really this desperate to cop a feel?"
  246. "Wh-What?"
  247. >"You are a disgusting pervert, anon. Walking into my room like this to catch me naked."
  248. >It wasn't like this!
  249. "...I-I-I-You see, Ad-"
  250. >"Can't blame you though. I'm sexier than Adagio and Sonata. Boys can't help but lust after me. I don't need a poof or to play dumb to be liked. People like me as I am."
  251. >You know this to be untrue.
  252. >No Dazzling has any private life the others don't know about.
  253. >No private contacts.
  254. >If one does something, another will tattle out loud about it.
  255. >And seeing how other people are reluctant to approach them anyway, it's pretty clear Aria is lying.
  256. >But who is she lying to?
  257.  
  258. >Is she trying to make a good impression to the only person she's befriended?
  259. >Is she trying to hide from herself?
  260. >In any case, you feel bad for her.
  261. >Aria has more personality than she allows others to see.
  262. >She likes a good story.
  263. >She has a sweet tooth.
  264. >She likes to make origami and paper planes.
  265. >She hums to herself when she's alone...Thinks she is, anyway...
  266. >And she is lonely.
  267. >So very lonely.
  268. >You shove your other hand under her and pull her close to you.
  269. >"!!!"
  270. >You spoon her.
  271. >"What the fuck are you doing?!"
  272. "I'm trying to keep you warm and comfy."
  273. >"I'm not a teddybear, you pervert! Y-You are a teddybear!"
  274. >Aria squirms and turns in your embrace.
  275. >She is now facing you.
  276. >She hugs you tightly.
  277. >"See? You're the teddybear now. You're big and hairy already."
  278. "I like this" you tell her with an honest smile.
  279. >Aria is flustered.
  280. >"Oh, yeah?"
  281. >She grabs a chunk of your fleshy asscheek.
  282. >She twists and squeezes it in an effort to make you squeal.
  283. >It hurts so good.
  284. >You tighten your embrace around her.
  285. "You're right, Aria. You are prettier than Adagio and Sonata, and I do like you as you are."
  286. >To your surprise, Aria is riled up by your words.
  287. >"You're just saying that. I've seen how you act around Sonata and Adagio. You are always kind to Sonata, laughing and praising her!"
  288. "That's because..."
  289.  
  290. >It's true, you are being nice to Sonata.
  291. >Everyone is.
  292. >Sonata is like a child.
  293. >You scolded her once.
  294. >Or as Adagio put it, you tried to "shout her out of existence".
  295. >It took days for Sonata to warm up to you again.
  296. >You decided to try positive reinforcement from that point on.
  297. "...remember Master Blaster?"
  298. >"Who?"
  299. "Master Blaster. You know, from Mad Max 3?"
  300. >"...What Ma- Oooh, you mean Beyond Thunderdome."
  301. "Yeah, that's the one. Well, Sonata is like Blaster. She has the mind of a child."
  302. >Aria considers you answer.
  303. >"Whatever. You just wanna fuck. Me, Adagio, it doesn't matter to you."
  304. >That's true actually, but there's a world of difference between fucking and loving.
  305. >"I'll watch it for you" says Aria in a mocking, deep voice.
  306. "Oh, that? I was just teasing. It's fun watching Adagio squirm."
  307. >"...Yeah, I guess it is."
  308. >Purple Rump is green with envy.
  309. >You gently push Aria's chin up with your index finger.
  310. "I never tease you because I want things to be serious between us."
  311. >"What?"
  312. "I said, are you gonna be my girl?"
  313. >Aria smiles and tears up.
  314. >She plants her face on your chest and starts weeping.
  315. >"B-baka. Don't you know it's a sin to make a woman cry?"
  316. >You rub her back and kiss her head.
  317. >"Haven't you kissed a girl before?"
  318. >You smile and raise an eyebrow.
  319. "Why don't you get your ass here and find out?"
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