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mrkillwolf666

4chan Hazbin Hotel story - Ministry of Joy part 2

Aug 30th, 2020 (edited)
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  1. from /hhg/ - Hazbin Hotel General #378 and #650
  2. part 1: https://pastebin.com/VSBaX94C
  3. https://pastebin.com/raw/VSBaX94C
  4. https://www.youtube.com/watch?v=HpAKsWssXpA
  5. ---
  6. >Vaggie stirs as the realization that something is not quite right comes over her somnolescent mind
  7. >Something...
  8. >Ah
  9. >Charlie's not in bed with her
  10. >She's alone
  11. >And with how cool the sheets are where her lover would normally be resting, she has been so for some time
  12. >Charlie didn't just dip out for a glass of water
  13.  
  14. >Slipping out from under the covers, the moth demon covers herself with a robe for modesty's sake and embarks on her search
  15. >Not in the bathroom
  16. >Not in the little sitting area either
  17. >Vaggie ventures out into the hall and hears the faintest bit of music coming from the common area
  18. >Well, 'music' in a technical sense
  19. >It's certainly not to her taste
  20. >Mixed in with the heavy, thumping beats that pound like the booted feet of a solider on the march are sounds like hysteric, distorted laughter and the scream of twisting metal
  21.  
  22. >Entering the common room, she can see the TV flickering
  23. >Displaying nonsensical images rendered in sharp tones of pitch-black and mustard flower-yellow
  24. >A long haired figure slouches in an armchair in front of the screen
  25. >At this close distance, Vaggie can hear faint chuckles and hums coming from them over the harsh noise of the television
  26.  
  27. >"Charlie?"
  28. -
  29. >Charlie stands up and turns to face her
  30. >She's smiling
  31. >All wrong
  32. >Too wide
  33. >Devoid of sincerity
  34. >Her eyes...
  35. >No, those aren't her eyes
  36. >They're sickening whirlpools of black and gold, endlessly twisting in a hypnotic spiral
  37. >She takes a step forward
  38. >Vaggie takes a step back
  39.  
  40. >"Vaggie!"
  41. >"Fancy seeing you up at this time of night!"
  42. >"Wanna watch TV with me?"
  43.  
  44. >"I found t̴̥̽̉͋͜h̸̗̫́̔͌ǐ̵̧̺s̸͈͗ great̴̮̤͐̾̉̽̈́̓͝ new ŝ̸̤̯͛h̷̟͑ow for̷̛͔̘̻̠͈̥̟͖͙̍͂͊͛̀̉̀̂̃̓̽̔̕͜ us to ẉ̸̨̨̱̱̤͈̺̙͖̩̭̣̦̯̃̃̑͒̊̑̀́̑̔̍͠ͅa̸̡̢̡͍̯̥̪̫̼̖̰̾̄̔̈́́̓̀͜ͅtch"
  45.  
  46. >"It n̵̯̜̘̳̩͖̳̱̺͇͑̍̈́͊͘e̷̱̝̰̊̉͐͋̀̓̊͘͘͝v̵̱̪̞̋́̎͐̎͝͠er fail̵̡̢͚̪̥͕͙͕̱̜͐̉̂̓͒̂̈́̑̚͝ͅs to ma̴̖̝̋͜͝ķ̴̧̜͒̄̔e me S̶̨̠̣͓̪̭͚̬̘̖͕̰̏̽̃̽̂̋̀̐̽͋̃̕̚͘͠͠M̸̩͊I̷͍̍L̶͉̄E̸̩̐"
  47. -
  48. >Vaggie takes another step back
  49. >And another
  50. >Charlie keeps pace with her perfectly
  51.  
  52. >"Charlie"
  53. >"You're not yourself"
  54.  
  55. >The rosy-cheeked zombie cocks her head in recognition
  56.  
  57. >"Of course I'm not!"
  58. >"I'm better than myself!"
  59. >"I'm HAPPY"
  60.  
  61. >Charlie suddenly darts forward, quick as a flash, and seizes Vaggie's wrist
  62.  
  63. >"C'mon Babe, watch with me!"
  64.  
  65. >"NO!"
  66.  
  67. >Vaggie shoves the beaming shell that used to be her lover away from her with all the force she can muster and turns to run
  68. >Only to ram face-first into Husk
  69. >She stumbles back and looks up to meet his gaze, dripping with the same vacuous joy as Charlie's
  70.  
  71. >"Oh, I really think you should"
  72.  
  73. >Her heart sinks
  74.  
  75. >"Yeah, Vags, it'll be good for ya"
  76.  
  77. >"Yeah!"
  78.  
  79. >She looks past Husk as Angel Dust steps into the room, sporting the same grin and churning black-and-yellow eyes as the others
  80. >At his side is Niffty, her vast cyclopean eye now an enormous, whirling spiral
  81. >The moth demon bolts forward and attempts to flee, but she is surrounded
  82. >They are too numerous to shove past
  83. >She struggles and curses as they seize her, but it's futile beyond measure
  84.  
  85. >They carry her to the seat in front of the television
  86. >They force her to sit
  87. >She turns her head away and tries to block out the sound
  88. >They forcibly turn her head toward the screen
  89. >She closes her one good eye
  90. >They force it back open
  91.  
  92. >"Don't struggle now Vaggie"
  93.  
  94. >"Nothing's wrong"
  95.  
  96. >"It's just that..."
  97.  
  98. >"...well..."
  99.  
  100. >"...you know..."
  101.  
  102. >I̵͐̓̇t's t̵̢̡̢̞̟͉͍͚̳̺̫̻͇̦̝̓̃̂̋̓̃͗̑̌͋̔̚͜͠ͅim̸̡̮̯̭̟̤̬̭̝͔͓̬͈͆͐̐̇̀͜͝e to g̴̨̙̙̘̪͉̐̐́́́̎̎et̶̖̀̇͌̎͊͆́̋̉̊̉̌́̚͝ C̷̭͆͑́̓͛̇̌͗̄͘͜Ō̸̡̖̘̯̟̳̙̫̭̣̥̺̩̝̥̎̋̍̀̾͜Ṛ̶̡̜͇̬̭̘͕̼̳̼͛̌̀̕RECŢ̵̡̛̤̳̳̙͇̰͓͎͓͐̂̾̓͛͆̐E̵̡̎̀D̴̡͚̘̞͔͍̃̑̈̔
  103. -
  104. >she continues to struggle, trying to look away from the screen
  105.  
  106. >"Ah-ah-ah~!"
  107.  
  108. >they just push her closer to the screen, until it fills her vision
  109. >the spiral, the static, the smiles - it's all she could see
  110. >she still shakes and shudders, struggling against the vice grip of the others
  111.  
  112. >but she can't look away anymore
  113. >all she can see is the screen, and in it, the bouts of laughter, the smiling faces, and the messages about "correction" and the like, superimposed over a huge, swirling spiral of black and yellow
  114.  
  115. >too tired to fight back anymore, she just stares ahead
  116. >...in a way, it's almost comforting
  117. >after all, the others seemed... happy?͢
  118. >or, at least blissful... Blissfully ignorant, that is...
  119. >no, that's no way to think about your dear friends, now is it, Vagatha?
  120. >they're doing their best, or what they think is the best, to che͟ér͜ you up! Could be a bit more grateful, now couldn't you?
  121. >C'mon, s͘ m͝ i͞ ̵͢l̶͢ ̸̛e͠͡ a little, why don'tcha? Show'em you're h͠ ̀a͘ ̸̷p͜͞ ̸p̡ ͡͠y !̶
  122.  
  123. >a yes, there it is
  124. >the same, broad grin, with the two spirals atop - it vaguely reminds her of Vox
  125. >Hell, it's in the TV, it could be Vox's face, for all she knows...
  126. >she can even make out the red-blue-green color cells of the screen
  127. >wait
  128.  
  129. *plonk!*
  130.  
  131. >in an effort to help their friend, they've pushed her too close to the screen
  132. >and since she had all, but given up, they weren't exactly holding her firmly - this was her chance!
  133. >she only had one shot at this
  134.  
  135. >rearing back her head, she suddenly dunked it forward, eye shut
  136.  
  137. *CRACK!*
  138.  
  139. >she winced to herself as her forehead smashed into the screen, cracking it
  140. >but the results were instantaneous: cracks began to criss-cross the glass, which now only displayed a milky white light, flickering on and off, whilst an increasingly loud buzzing could be heard
  141. >digging her heals into the ground, she launched herself back, dragging the others along with her
  142. >and just in time
  143.  
  144. *BOOM!*
  145. ----------------------------------------------------
  146. You guys remember our Ministry of Joy greentexts?
  147. It was entirely based on "The Smiler" and the backstory they made up for it.
  148.  
  149. Look at this advert:
  150. https://www.youtube.com/watch?v=9xSz-YiXHRM
  151.  
  152. This looks EXACTLY like something Lucifer would build in Lulu World.
  153. -
  154. "LuLu Land's Smiler! New and Improved, now with 75% less limb loss!"
  155. -
  156. that's almost twice as big an improvement from the original!
  157. --
  158. >the smiler but it's in hell so it can be as unsafe as possible and it's fine
  159. BASED
  160. -
  161. Hasn't the real life Smiler already killed a few people?
  162. -
  163. I don't remember if it killed them but I do know there were lost limbs.
  164. -
  165. nah. Just severely maimed.
  166.  
  167. https://en.wikipedia.org/wiki/The_Smiler#Incidents
  168.  
  169. 'A train carrying 16 riders and travelling approximately 20 mph (32 km/h) collided with an empty, stationary train. Of the eleven riders who required medical treatment, five were seriously injured. Two required partial leg amputations in the weeks following the incident. According to reports, the train carrying passengers was stopped automatically on the lift hill by a safety mechanism that prevents two trains from occupying the same section of track. It correctly detected that the empty train sent previously had stalled. A ride engineer manually overrode the mechanism allowing a ride operator to dispatch the halted train, which led to the collision.'
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