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Changeling fic - part 3 -

Nov 30th, 2013
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  1. >As you walk, you hum
  2. >Eventually, it evolves into full-on singing
  3. "I've been in the desert, I'm a horse with no name, it felt good to be out of the caves. In the desert. The heat is hot, and the ground is dry. In the desert, you can't remember your name, 'cause there ain't noone for to give you no name."
  4. >Hey, this is pretty catchy
  5. >Using your unique talents, you whistle along to your own singing
  6. >See, being a hideous, shapeshifting bug-monster has its upsides
  7. >You eventually come across a big, scary-ass forest, full of black vines and scary, dark eyes
  8. >No, fuck this shit, you're so not doing this
  9. >A quick flash of green flame, and you're a pegasus instead
  10. >You fly over the whole forest, emboldened by the cover of darkness, and land on the other side
  11. >You see a cottage with some candlelight in the windows
  12. >Immediately, you transform back into your unicorn form again, hoping nopony's paying attention
  13. >You stop and perk your ears, stopping your breathing completely for a few seconds
  14. >Shit, you hear a voice!
  15. >Although, it doesn't sound alarmed per se
  16. >You resume breathing, although more silently
  17. >"U-um..h-hello?"
  18. >It's a closer, or at least a bit louder now, although still very soft
  19. >"Is..is somepony there?"
  20. >Oh dear, what do you do?
  21. >She (you assume it's a she) seems to know you're there, and a pony coming out of that nasty-looking forest around nightfall must raise all sorts of questions
  22. >Wait!
  23. >Silly you!
  24. >You don't need to be a pony!
  25. >A quick green flash, and you're a dog
  26. >Lolling tongue and wagging tail at the ready
  27. >Due to a life spent in the caves, you're pretty decent at making out things under low-light conditions
  28. >You see a pony coming around the corner of the cottage
  29. >A mare - you can tell she's got a pretty bright coat and a mane to match, though the exact colors elude you
  30. >"H-hello?"
  31. >She sounds incredibly timid
  32. >You decide to approach her
  33. >You run at her and meow
  34. >Dogs meow, right?
  35. >She momentarily looks startled and like she's about to jump back, but then settles down
  36. >"Oh, it's just a kit-"
  37. >She stops, mouth agape, as she sees you running toward her, tongue flapping around your chops
  38. >As you stop in front of her, you can tell she's confused
  39. >Oh fuck, she's seen right through you!
  40. >Of course, idiot, CATS meow, dogs BARK
  41. >M-maybe she'll just let it slide
  42. >"Um...are you feeling alright?"
  43. >Home safe, it looks like
  44. >Okay, don't fuck this up
  45. >You look up at her cheerfully, forcing yourself to not nod
  46. >You're pretty sure dogs don't nod
  47. >She smiles, and it makes you feel so very at ease
  48. >"But what are you doing out here this late at night? Oh, you must be lost, poor thing!"
  49. >She very care fully scoops you up in her front hooves and flies inside with you
  50. >Help, you're being dognapped!
  51. >Or is that bugnapped?
  52. >Whatever, you've got more important things to focus on
  53. >Inside the cottage, there's all manner of animals
  54. >Including one very angry-looking bunny
  55. >Within seconds, you've been put down and presented with a bowl of food
  56. >She beams expectantly at you
  57. >You look at her, then at the bowl, at her, at the bowl again and you do your best shrug and start eating
  58. >It's...rather bland, but hey, it could be worse, right?
  59. >Besides, you're basically being forcefed with her love, which is admittedly, very nice
  60. >It energizes and sates you much more than regular food ever could
  61. >"After you're done eating, maybe you'd like to sleep? You look exhausted. And it is getting very late."
  62. >You look at her and BARK affirmatively
  63. >You can't afford to make her suspicious
  64. >You finish your meal, then follow the yellow pony to her bedroom, where there happens to be a dog-sized animal bed vacant amongst the sea of animal beds
  65. >You lay down and close your eyes
  66. ZZZzzzzzz
  67. >You wake up to the sun's rays poking in through the window, something you'd rather it didn't
  68. >You close your eyes and relax again
  69. >Okay, you have to make a plan to get out of here unnoticed and resume your plan
  70. >You feel that strong emanation of love again, accompanied by hooves on wooden stairs
  71. >She's already awake, and might've been for a while
  72. >Okay, dog mindset
  73. >"Oh, you're awake! How wonderful!"
  74. >You jump out of bed, tail wagging
  75. "Ribbit!"
  76. >ASDLHASLHDIO
  77. >NO
  78. >NO NO NO
  79. >NOOOOOOOOOO
  80. >You dumb, dumb dumb bugbrained idiot!
  81. >She does not look amused
  82. >"First 'meow', now 'ribbit. Excuse me, mister, but somehow I think you're not actually a dog."
  83. >Her gaze seems to pierce your very soul
  84. >You droop your head
  85. >"I'm not mad, just very disappointed"
  86. >That hurt way more than it should've, considering you've only known her for a night
  87. >"But...uhm...if it's okay, could you please tell me what's going on?"
  88. >You sigh, then brace yourself and cower
  89. >Then you drop the disguise
  90. >You must look rather pathetic right now
  91. >Actually, a strange mix of sinister and pathetic would be more correct, you guess
  92. >Aside from a gasp, you can't tell what her reaction is
  93. >You're too busy staring down at the floor
  94. >It's wood, of course
  95. >"C-can you talk?"
  96. >You nod meekly
  97. >"You don't seem like a bad...um...pony?"
  98. >You shake your head
  99. "I.."
  100. >You cough and clear your throat reflexively, caught off-guard by your old, high-pitched, buzzing hiss you would only call a voice in mockery
  101. "I..like to think I'm not a bad...uhm...well, I'm not a pony. I'm...your kind calls me a changeling. As far as I know, we...we're hunted here."
  102. >She looks horrified
  103. >"But why? Do you hurt ponies?"
  104. >Oh chrysalis, you need strength
  105. "We..."
  106. >You wince
  107. >"We feed on your love, and if we drain too much at once, you might get headaches, or worse."
  108. >You're about in tears at this point
  109. >Basically nothing has gone your way this far, and now you're probably going to be lynched
  110. "I..."
  111. >You choke on a sob
  112. "I don't want to hurt ponies, I swear. But...it's the only thing that nourishes us at all."
  113. >You look up at her, but her expression is unreadable and remote, as if she's deciding whether to believe you or not - and what to do if she does
  114. >Then she looks at you with a kind expression
  115. >"Hush, you're not a bad changeling. None of you are; you just need to eat, right?"
  116. >You nod
  117. >"Although...I guess this means there are more changelings here?"
  118. >You nod again
  119. "I'm relatively sure, but most go back to the hive with the love they've gathered now and then, which leaves ponies with time to recover..."
  120. >"Oh, that isn't so bad, then. Or, at least not as bad as it could be."
  121. >She seems vaguely optimistic
  122. >"Are you here to collect love too?"
  123. >You absentmindedly stir the dust on the floor with a hole-riddled hoof
  124. "W-well...sort of. But I'd actually just...um..."
  125. >You stutter and stammer a bit
  126. >She waits patiently
  127. "I just want to live among yo ponies, as one of you. I'm not out to drain anyone's love more than necessary;I just...don't feel like I'm meant to live underground with the hive."
  128. >You transform into Mirror May again
  129. "This...this feels more natural than...than what you just saw. The black, fanged creature underneath...it doesn't feel like me."
  130. >She nods and gives you a small smile
  131. >"I haven't been in that situation myself, but I think I might sort of understand how you feel."
  132. >She stretches out a wing meaningfully
  133. >Oh yeah, it was rather odd that a pegasus lived somewhere else than the clouds, wasn't it
  134. >You trade an understanding look with her
  135. "W-will you...will you turn me over? Let them kill me? O-or..."
  136. >Your voice is starting to break
  137. >She shakes her head
  138. >"If you promise to be good and not hurt or impersonate anyone, I don't see any reason why I should."
  139. >She holds up a hoof
  140. >"However, I will not lie to my friends. Although, I will not let them hurt an innocent critter either."
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