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Anon in Equestria: I Wish I Wasn't Sober Part 2

Apr 9th, 2013
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  1. Anon in Equestria: I Wish I Wasn't Sober Part 2
  2.  
  3. >you stand around, trying to dispel this ominous feeling that's permeated the surroundings
  4. >apart from some concerns of resupplying certain items that you wouldn't really be able to manufacture in Equestria, you now had a strange pink pony on your mind
  5. >you had to do everything to ensure that anything she was to concoct wouldn't end up hurting your business too much
  6. >as such, you had to continue production of your flagship product and keep researching new chocolate bars to stay one- nay, two steps ahead of the competition!
  7. >you were born to do this
  8. >in a serious, low tone, you say
  9. "Snails, hold the fort. I've got work to do"
  10. >you pay no attention to his reply
  11. >or how he was drowning in his current situation of jugging customers and bagging their purchased goods
  12. >experience would be a harsh mistress to the lanky colt
  13. >you might need another employee if you were to work in the back room like this
  14. >oh well, you'll put a sign up
  15.  
  16. ---
  17. >two days later
  18. ---
  19.  
  20. >you've hit a wall
  21. >you can't get this coffee toffee marble bar to hold together
  22. >it's fucking toffee
  23. >why isn't it holding with to the chocolate and malted milk puff?
  24. >THIS WAS SUPPOSED TO BE EQUESTRIA, WHERE MAGIC MADE THINGS WORK
  25. >you want to talk to Equestria's fucking manager
  26. >you want a refund
  27. >you wouldn't give this up
  28. >the design was perfect, the execution flawless
  29. >but it still didn't stick together as a bar
  30. >WHY
  31. >WHY WHY WHY
  32. >you'd tried pounding it
  33. >mashing it
  34. >smacking it
  35. >heating it
  36. >cooling it
  37. >you had even tried...
  38. >you shudder at the thought
  39. >you'd even tried power tools
  40. >with damaged pride, you took a step back
  41. >you haven't stopped in a good 42 hours
  42. >organizing the workspaces a little to try to clean up your mess, you lose yourself in thought
  43. >the physics of toffee adhesion would require more study
  44. >knocking at the door
  45. "WHAT!!!" you yell
  46. >who would dare bother you now, of all times?
  47. "Mr. Sir. Anon manager Sir. Mr. Manager Mr...?" calls a nervously cracking, shaky, and completely uncertain voice
  48. >oh
  49. >it was Snails
  50. >you sigh, replying with a bit more patience
  51. "Yes, what is it"
  52. "Well Mr. Anon, I just wanted to know if I could go home now..."
  53. >he's been working nonstop?
  54. >oh no
  55. >no this was terrible
  56. >how could you forget about something so important!?
  57. >THE OVERTIME PAY
  58. >NOOOOOOOOO!!!
  59. "GET OUT GET OUT GET OUUUUT!"
  60. >you start chasing him out the store
  61. "AAAAAH!!!" he yells with fright as your messy-haired, tattered clothing, candy-covered form bolts towards him
  62. "COME BACK IN FOR REGULAR HOURS TOMORROW" you bellow
  63. >Snails flees, yelling
  64. "DON'T HURT ME!"
  65. >you wave as he runs off into the distance
  66. >you really needed another coworker
  67. >a few minutes later, you balance the cash and shut the store down
  68. >it was late anyways, the p0nies didn't usually shop late
  69. >you roll out the makeshift bed you've been using and fall asleep quickly, regardless of your toffee troubles
  70. >you wake up to your trusty clock buzzing
  71. >unlike that bitch on the wall, this one was quite reliable
  72. >you give the wall clock a dirty look
  73. >you'll be watching her closely
  74. >it was behaving for now, but you wouldn't let your guard down
  75. >you ready the store for opening
  76. >coffee was warming up
  77. >lights turning on
  78. >you flip the sign to "Open"
  79. >ready for a brand new day
  80. >Snails walked in an hour late, on time as usual
  81. >a few regulars
  82. >the day felt a little slow
  83. >you were still selling your Chewy Nutella Nougat Crisp well, but it was slowing
  84. >hmmm
  85. >like a slow static shock, you feel the snaking realization spark through your mind
  86. >Pinky Pie
  87. >you twirl on the spot, making a fully rotation before heading out of the door in front of you
  88. >the situation had called for it
  89. >dramatic
  90. >exit
  91. >(.avi)
  92. >you walk across town, grumbling, lips trembling, furrowed brow
  93. >p0nies part in front of you like the seas before Moses
  94. >Sugarcube Corner
  95. >your stare would have lit the building on fire if it wasn't so damned delicious looking
  96. >opening the door with staggering force, you make every being in the store jump
  97. >your eyes go wide when you realize that there's a new shelf on the rack inside the glass display
  98. >"Pinkie's Bubbly Balloon Bubblegum Party Pie Bars"
  99. >that hyperactive pony dared?
  100. >there would be hell to pay
  101. >you walk forward, a black miasma forming around you
  102. >you begin to float off the ground
  103. >your eyes shine with a dark, unholy fire
  104. >they sink back into your skull, weeping blood onto your cheeks
  105. >you begin to sing a shrill cry, like the screeching of nails on chalkboard mixed in with tortured screaming of wounded cats
  106. "ssccccccrrrRRREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE"
  107. >outside, day seems to turn into night
  108. >the customers inside the sweet shop scramble against the walls, shuddering in fear
  109. >unable to scream
  110. >Pinkie bounds in
  111. >over your wail, she gleefully announces
  112. "Hello Mr. Anon! It's nice to see you in Sugarcube Corner. What can I do for you?"
  113. >instantly, everything is back as it was
  114. >no blood
  115. >no screeeeeeeeeeeeeeee
  116. >no miasma
  117. >no hovering
  118. >sun shining brightly outside
  119. >with a regular expression and tone, you ask
  120. "I'd like to purchase one "Pinkie's Bubbly Balloon Bubblegum Party Pie Bar" please."
  121. "That'll be five bits."
  122. "Thank you."
  123. "Please come again!"
  124. >you exit the store, holding the strange candy bar
  125. >this was war
  126. >Pinkie was attempting to start her own line of candy bars
  127. >you attack the colorful confection, shoving it angrily in your mouth
  128. >WHAT WIZARDRY WAS THIS
  129. >it bubbled
  130. >it fizzled
  131. >it partied inside your mouth
  132. >like little bubblegums bubbling candy explosions of little pie balloons
  133. >it was no cheap pop rocks, it was like actual bubblegum bubbles
  134. >with a pie crust and sumptuous pie filling
  135. >how?
  136. >you were now very afraid
  137. >how could you ever compete against such masterful candy?
  138. >this was a world out of your league
  139. >this was a God's candy bar
  140. >you sink to your knees
  141. >crumbling to the ground in front of Sugarcube Corner, you slack lifelessly
  142. >was it all over?
  143. >were you going to be washed off the face of P0nyville?
  144. >a simple oddity?
  145. >doomed to remain a curious, small, forgotten little one-store franchise?
  146. >you look up into the clear blue sky
  147. >warm sunlight on your skin
  148. >it felt like hope
  149. >maybe one day
  150. >maybe when you are old and senile
  151. >maybe when you have no more strength left in your brittle bones
  152. >maybe that day, you would give up, lie down, let the God take you
  153. >but not today
  154. >nay, for today is the day when you stand up and usurps this God's candy kingdom
  155. >you rotate on the spot, your spirit rising as you stand back up, still spinning
  156. >360 degrees were not enough
  157. "RRRRRRRAAAAAAAAAAAAAAAAAAAHHHHHHHHHHH!" you yell, completing a full 1080
  158. >fist raised in defiance, you moonwalk back into Sugarcube Corner
  159. >the door opening in sheer fright of your entrance, you scare the daylights out of the customers yet again
  160. "Mr. Anon! It's so great to see you again, did you like it?" asks Pinkie
  161. >you point at her with an outstretched arm
  162. "We better talk
  163. >you point to the door
  164. outside"
  165. >Pinkie bounds over the counter
  166. "Okay, what about?"
  167. >she then calls out
  168. "Mr. and Mrs. Cake, I'm stepping out for a few minutes!"
  169. >you hear hurried replies of "Pinkie? Wait!" but neither you or the Pink candy wizard pay any heed to them
  170. "So Anon, what did you want to talk about outside? Is it the weather? It's so nice outside, I think Rainbow Dash did her morning cloud-clearing, she's really good at it! You've met Rainbow, right? She's like the best flier in Equestria, maybe that's what you wanted to talk about? She's gone to the wo-
  171. "Pinkie!"
  172. >you weren't in the store, so interrupting her wasn't so bad
  173. >wasn't like interrupting a customer...
  174. >you continue
  175. "Pinkie, I came here to declare that we have a bit of a problem now, and that you better get ready, because I'm about to get... I'm about to get wild."
  176. >she raises an eyebrow
  177. "What problem? Is it serious? If you need Fluttershy's help with your wildness, I'm sure she'll be happy to lend a hoof. She's really good with wild animals and stuff!"
  178. >you shake your head, swinging an arm around and barking the reply
  179. "Pinkie, I'm saying I'm about to unleash the fire. This town isn't big enough for the both of us."
  180. "Anon, you're not THAT big, I mean you're taller than like, everyp0ny I know but you actually take less floor space..."
  181. "FINE! Have it your way. I propose a contest. Tomorrow, here, at noon. The contestant with the best candy bar wins."
  182. >Pinkie bursts into giggles
  183. "I LOVE contests! It'll be so fun, contests are like the best kind of games!"
  184. >her confidence angers you
  185. "You want to play games? We'll see how much you like this game when I
  186. >you glare at her, jumping to a handstand
  187. change
  188. >with twirl of your waist, you spin once and land in a bridge, still staring at the quadruped
  189. the
  190. >you spring back up and switch to Burter’s pose from the Ginyu force
  191. RULES"
  192. >you cartwheel away, leaving Pinkie where she stood
  193. "Okay, it'll be even more fun!" she replies, grinning ear to ear
  194. >she burst into laughter moments later and happily cartwheels for a few seconds, going "Weeeeee!"
  195. >you were too far away to notice
  196. >back in your BATFE store, you glared at the pink menace as she happily bounced back into Sugarcube Corner
  197. >there was no stopping you now
  198. >you look at the store, almost empty save for Snails and a couple customers just browsing around
  199. >a rather small but chubby p0ny was around Snails
  200. "You." you say, pointing at the chubby one
  201. "Me?" he answers, his voice squeaky and rough
  202. "You're hired. Get to work. Snails will show you what to do."
  203. >you take down the "We're hiring" sign
  204. "But I wasn't looking for a jo-
  205. >you slam the door behind you
  206. >one small problem down, one large one to tackle
  207. >more than a mere problem, this was
  208. >you had to take down a God
  209. >a pink, bubbly God
  210. >from your realm of dark, deep chocolate, on your throne of nutty, chewy goodness
  211. >you would challenge the heavens of pastel bonbons and sugary sweets
  212. "SNAILS, GET IN HERE!" you roar
  213. >throwing on a white lab coat, you slip on big, black, thick rubber gloves and safety goggles
  214. >the lanky unicorn runs in
  215. "Yes Mr. Manager Anon Sir?" he slowly stutters
  216. "How's our new employee?"
  217. "Well I just finished teaching him how to put on the unifor-
  218. "Wonderful, now I need your help with this experiment of mine..." you say, moving closer, hands outstretched
  219. >Snails steps back, weary
  220. >your tone is dangerous
  221. "It shouldn't take long."
  222. >before Snails can scamper out, you grab him and drag him towards the large, metallic table in the center of the room
  223. "Wh-what are you doing?!"
  224. >you lift him up and lash him to the cold, bare metal surface
  225. "...Mr. Sir Manager Anon Man?"
  226. >Snails is almost in tears
  227. "Be very still, now."
  228. >although the captured unicorn can't exactly move, he stops fidgeting
  229. >now only shivering with fright
  230. >you've strapped his head down, he can't even look away
  231. >you grab a large cleaver and raise it above the helpless colt
  232. >he shuts his eyes tightly and screams as you swing down
  233. SHWIINNGG-THUNK
  234. "AAAAAAAAAAAAAAAAAAAAAAARRRRRRRRRRRRGHHHHHH"
  235. SWIISSHHH-SPLATCH
  236. "AAAAAIIIIIIIIEEEEEEEERRRGHH"
  237. SHHH-THACK
  238. "AAAAAAAAAAAAAAHAHAHAHEEEEEEHHHHRR"
  239. >the cleaver's vicious cuts land with resounding impacts, singing through the air and smashing down with ground-shaking hacks
  240. >never has toffee been cut so neatly before
  241. >the bits were in a perfect row right above Snail's head
  242. >as the young stallion stops screaming and opens his eyes, he sees you throw the cleaver off to the side
  243. "Now just shoot some magic while I twist this all together..."
  244. >you start kneading the toffee bits
  245. "Mr. Anon manager Sir? Why am I tied down?"
  246. >you roll your eyes
  247. "Well I can't have you moving around while you magic this candy together, you might miss and get the toffee stuck to my hands or something"
  248. >as sparks start to shoot out of his horn, he calms down and mumbles
  249. "Okay..."
  250. >after a few attempts, you think you have the method down
  251. >you make a few bars
  252. >they're now a twisted, damascus-like pattern of coffee toffe, chocolate and malted milk puff
  253. >it was perfect
  254. >you untied Snails
  255. "You can go back to work now, make sure the new guy hasn't set the store on fire or something," you say, nonchalant
  256. >you stare at the simple tray of chocolate bars
  257. >looking at them intensely, you rub your chin
  258. >it was probably the best thing to have been made by human hands
  259. >the blending of flavors, the proportions of the ingredients
  260. >it was wonderful just to look at
  261. >would it meet Pinkie Pie's bubbly creation?
  262. >as it sat?
  263. >probably...
  264. >but it wouldn't exceed it
  265. >it was missing something
  266. >you were still thinking inside the box
  267. >think think think
  268. >how could you take down a God with something this simple?
  269. >this just wouldn't do
  270. >you move the new confections aside
  271. "SNAAAAIIILS, COME BACK IN HERE!"
  272. >you had a bit of work to do
  273. >with the nervous unicorn now white with fearful foreboding, you snapped the rubber gloves back on
  274.  
  275. ---
  276. >six hours later
  277. ---
  278.  
  279. >Snails is unconscious, tongue hanging out, lying in a heap
  280. >you're hurting everywhere
  281. >bleeding in a few places
  282. >slouched in a chair, biting at your dry, chapped lips
  283. >breathing heavily
  284. >yet your eyes shine with passionate fury
  285. >they gleam with a fire as they see what has been completed
  286. >an aberration of nature
  287. >a blasphemy on the laws of existence
  288. >it bends light
  289. >it makes nearby objects fall over
  290. >it even has a sound
  291. >this new candy bar
  292. >this new candy bar was incomprehensible
  293. >you could only see the shadow of it, for it existed in four dimensions of space and two dimensions of time
  294. >the coffee toffee was as hot as a freshly brewed cup of java
  295. >the chocolate, even while bonded to the toffee, was cool
  296. >the malted milk puff was now malted milk ice cream puff, quite cold
  297. >it all sat together, in one stick, ever shifting in hues of rainbow colors and shapes, projecting shadows and images of the bar itself in a kaleidoscope of bokeh flashes
  298. >you had three bars, as far as you could tell
  299. >you also now knew how to make more of them
  300. >euphoric, you stare at the bars
  301. >maybe you went a little too far
  302. >was it even edible at this point?
  303. >only one way to find out
  304. >you step forward, reaching out
  305. >your hand seems to come short
  306. >you have to grab past what you see to actually take hold of the bar
  307. >it feels like you're holding it inside your hand
  308. >not that your hand is closed around it
  309. >but that the bar is inside your hand, physically, as if someone cut your hand open and put it in there
  310. >Snails starts stirring, slowly saying
  311. "Wh... What happened?"
  312. >your tone is serious, almost mournful
  313. "Snails, if I don't survive, give the other candy bar to Pinkie Pie. She'll probably know what to do with it..."
  314. >not understanding what he was seeing in your hand, Snails raises a hoof and yells
  315. "Wait! Don't"
  316. "Snails! You can't stop me now. We have to be prepared to take risks and make sacrifices!"
  317. >not giving him the chance to protest more
  318. >you bite at it, missing it once, then your teeth connect at one point, and you feel like your head exploded, leaving only your mouth and tongue in place
  319. >the world dissolves around you as you consume the chocolate bar
  320. >once
  321. >twice
  322. >thrice
  323. >ages pass
  324. >eons flow around you
  325. >you see forever, but that is nothing compared to what you're tasting and feeling in your mouth
  326. >nothing that is happening around you even compares to the taste
  327. >the texture
  328. >the temperatures that swirl around with it all
  329. >was this capable of taking down the Pink God?
  330. >yes
  331. >yes was too weak of a word
  332. >this would transcend victory
  333. >God was a meaningless, simple term compared to this
  334. >you wake up
  335. >Snails is shaking you
  336. "Anon, are you okay?"
  337. >you get up, looking at the remaining bars
  338. >could it even be named?
  339. >you sealed the remaining bars in a padded metal case
  340. >you gathered the previous twisted coffee toffee bars, put them on a lidded tray and closed up shop for the evening
  341. >tomorrow would be an interesting day, that much would be certain
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