littlemisswhoever

Loialte + 'The Navigation' Dropdown (Sept. 24)

Sep 24th, 2019
223
0
Never
Not a member of Pastebin yet? Sign Up, it unlocks many cool features!
text 213.99 KB | None | 0 0
  1. <!DOCTYPE html>
  2.  
  3.  
  4.  
  5. <!-- (BASE) THEME BY SAE (INIZIARE) -->
  6.  
  7.  
  8.  
  9.  
  10.  
  11. <html>
  12. <head>
  13. <title>{Title}</title>
  14. <link rel="shortcut icon" href="{Favicon}">
  15. <link rel="alternate" type="application/rss+xml" href="{RSS}">
  16. {block:Description}
  17. <meta name="description" content="{MetaDescription}" />
  18. {/block:Description}
  19. </head>
  20.  
  21.  
  22.  
  23.  
  24.  
  25. <!-- SCRIPT: TOOLTIP -->
  26.  
  27.  
  28. <script src="https://ajax.googleapis.com/ajax/libs/jquery/1.7/jquery.min.js"></script>
  29. <script src="https://static.tumblr.com/iuw14ew/VSQma1786/jquery.style-my-tooltips.js"></script>
  30. <script>
  31. (function($){
  32. $(document).ready(function(){
  33. $("a[title]").style_my_tooltips({
  34. tip_follows_cursor:true,
  35. tip_delay_time:90,
  36. tip_fade_speed:600,
  37. attribute:"title"
  38. });
  39. });
  40. })(jQuery);
  41. </script>
  42.  
  43.  
  44.  
  45.  
  46.  
  47. <!-- SCRIPT: POPUPS -->
  48.  
  49.  
  50. <script>
  51. $(document).ready(function() {
  52. //
  53. $('a.poplight[href^=#]').click(function() {
  54. var popID = $(this).attr('rel'); //Get Popup Name
  55. var popURL = $(this).attr('href'); //Get Popup href to define size
  56. var query= popURL.split('?');
  57. var dim= query[1].split('&');
  58. var popWidth = dim[0].split('=')[1]; //Gets the first query string value
  59. $('#' + popID).fadeIn().css({ 'width': Number( popWidth ) }).prepend('<a href="#" class="close"></a>');
  60. var popMargTop = ($('#' + popID).height() + 80) / 2;
  61. var popMargLeft = ($('#' + popID).width() + 80) / 2;
  62.  
  63. //Apply Margin to Popup
  64. $('#' + popID).css({
  65. 'margin-top' : -popMargTop,
  66. 'margin-left' : -popMargLeft
  67. });
  68.  
  69. $('body').append('<div id="fade"></div>');
  70. $('#fade').css({'filter' : 'alpha(opacity=80)'}).fadeIn(); //Fade in the fade layer - .css({'filter' : 'alpha(opacity=80)'})
  71.  
  72. return false;
  73. });
  74. $('a.close, #fade').live('click', function() {
  75. $('#fade , .popup_block').fadeOut(function() {
  76. $('#fade, a.close').remove(); //fade them both out
  77. });
  78.  
  79.  
  80. return false;
  81. });
  82. });
  83. </script>
  84.  
  85.  
  86.  
  87.  
  88.  
  89. <!-- SCRIPT: jQuery -->
  90.  
  91. <script src="https://ajax.googleapis.com/ajax/libs/jquery/1.7.1/jquery.min.js"></script>
  92.  
  93.  
  94.  
  95.  
  96. <!-- SCRIPT: AUDIO PLAYER -->
  97.  
  98. <script>
  99. $(document).ready(function() {
  100. $('iframe.tumblr_audio_player').load( function() {
  101. $('iframe.tumblr_audio_player').contents().find("head")
  102. .append($("<style type='text/css'> .audio-player{background:{color:background}!important; color:{color:italic} !important;} </style>"));
  103. });
  104. });
  105. </script>
  106.  
  107.  
  108.  
  109.  
  110.  
  111. <!-- SCRIPT: CLICK MENU -->
  112.  
  113. <script>
  114. $(document).ready(function(){
  115. jQuery('.dropbtn').click( function() {
  116. $(this).next('.dropdown-content').fadeToggle();
  117. return false;
  118. });
  119. });
  120.  
  121.  
  122. $('html').click(function(e) {
  123. $('.dropdown-content').fadeOut();
  124. });
  125.  
  126. $('.dropdown-content').click(function(e){
  127. e.stopPropagation();
  128. });
  129.  
  130. </script>
  131.  
  132.  
  133.  
  134.  
  135.  
  136. <!-- SCRIPT: CLICK MENU #2 -->
  137.  
  138. <script>
  139. $(document).ready(function(){
  140. jQuery('.dropbtn2').click( function() {
  141. $(this).next('.dropdown-content2').fadeToggle();
  142. return false;
  143. });
  144. });
  145.  
  146.  
  147. $('html').click(function(e) {
  148. $('.dropdown-content2').fadeOut();
  149. });
  150.  
  151. $('.dropdown-content2').click(function(e){
  152. e.stopPropagation();
  153. });
  154.  
  155. </script>
  156.  
  157.  
  158.  
  159.  
  160.  
  161. <!-- SCRIPT: NAVIGATION TABS -->
  162.  
  163.  
  164. <script>
  165. function openNavi(naviName) {
  166. var i;
  167. var x = document.getElementsByClassName("navi");
  168. for (i = 0; i < x.length; i++) {
  169. x[i].style.display = "none";
  170. }
  171. document.getElementById(naviName).style.display = "block";
  172. }
  173. </script>
  174.  
  175.  
  176.  
  177.  
  178.  
  179. <!-- SCRIPT: MUSE TABS -->
  180.  
  181.  
  182. <script>
  183. function openMuse(museName) {
  184. var i;
  185. var x = document.getElementsByClassName("muse");
  186. for (i = 0; i < x.length; i++) {
  187. x[i].style.display = "none";
  188. }
  189. document.getElementById(museName).style.display = "block";
  190. }
  191.  
  192. </script>
  193.  
  194.  
  195.  
  196. <script type="text/javascript" src="https://static.tumblr.com/8pnyeus/10hors8sn/themekid-popup.min.js"></script>
  197. <script type="text/javascript">
  198. $(document).ready(function(){
  199. popUp(true);
  200. });
  201. </script>
  202.  
  203.  
  204.  
  205.  
  206. <!-- SCRIPT: POPUP TABS -->
  207.  
  208. <script>$(document).ready(function(){
  209. $("ul#tabs li").click(function(e){
  210. if (!$(this).hasClass("active")) {
  211. var tabNum = $(this).index();
  212. var nthChild = tabNum+1;
  213. $("ul#tabs li.active").removeClass("active");
  214. $(this).addClass("active");
  215. $("ul#tab li.active").removeClass("active");
  216. $("ul#tab li:nth-child("+nthChild+")").addClass("active");}});});</script>
  217.  
  218.  
  219.  
  220.  
  221.  
  222. <!-- SCRIPT: RECORD PLAYER BY GLENTHEMES -->
  223.  
  224. <!-------MUSIC PLAYER BY GLENTHEMES------->
  225. <script src="//static.tumblr.com/gtjt4bo/atBpm7kzm/glenplayer03.js"></script>
  226.  
  227. <link href="//fonts.googleapis.com/css?family=Karla" rel="stylesheet">
  228.  
  229. <link href="//fonts.googleapis.com/icon?family=Material+Icons" rel="stylesheet">
  230.  
  231.  
  232.  
  233.  
  234.  
  235.  
  236.  
  237. <!-- CUSTOM FONTS -->
  238.  
  239. <link href="https://fonts.googleapis.com/css?family=Frank+Ruhl+Libre" rel="stylesheet">
  240.  
  241.  
  242. <link rel="stylesheet" href="https://static.tumblr.com/ebrrv1n/YAlpnz5ld/stylesheet.css">
  243.  
  244.  
  245.  
  246.  
  247. <!-- META LINES -->
  248.  
  249.  
  250. <meta name="image:Background" content=""/>
  251. <meta name="image:Sidebar Background" content="https://static.tumblr.com/ebrrv1n/lmXpp6px3/dimensions_side-bg.png"/>
  252. <meta name="image:Sidebar Image Top" content="https://static.tumblr.com/ebrrv1n/Byopp6kos/dimensions_side-small.png"/>
  253. <meta name="image:Sidebar Image Bottom" content="https://static.tumblr.com/ebrrv1n/Byopp6kos/dimensions_side-small.png"/>
  254.  
  255.  
  256. <meta name="text:Custom Capitals Font" content="'customfonthere'">
  257. <meta name="text:Title" content="Title">
  258.  
  259.  
  260. <meta name="color:Background" content="#000000" />
  261. <meta name="color:Border" content="#151515" />
  262. <meta name="color:Body Text" content="#c6c6c6" />
  263. <meta name="color:Bold" content="#555555" />
  264. <meta name="color:Italic" content="#ffffff" />
  265. <meta name="color:Links" content="#ffffff" />
  266. <meta name="color:Links Hover and Active" content="#ffffff" />
  267. <meta name="color:First Letter" content="#151515" />
  268. <meta name="color:Title" content="#D1D1D1" />
  269. <meta name="color:Title Shadow" content="#81939A" />
  270. <meta name="color:Permalink" content="#151515" />
  271. <meta name="color:Tags" content="#151515" />
  272.  
  273.  
  274.  
  275. <meta name="if:Text Wrapping" content="1"/>
  276. <meta name="if:Boxed Blockquotes" content="1"/>
  277. <meta name="if:Icon Borders" content="1"/>
  278. <meta name="if:Bigger Tags on Hover" content="0"/>
  279. <meta name="if:First Letter Styling" content="0"/>
  280. <meta name="if:Muses Page" content="0"/>
  281. <meta name="if:Calibri Font" content="0"/>
  282.  
  283.  
  284. <meta name="text:Popup Page RULES" content="This is a popup page that appears as 'RULES' in the navigation. Recommendation would be to use this for your rules/guidelines, but it's entirely up to you as to how you want to use this. Go wild! <3"/>
  285.  
  286.  
  287. <meta name="text:Navigation 1 Title" content="Title 1"/>
  288. <meta name="text:Navigation 1 Link" content="Link/URL 1"/>
  289.  
  290. <meta name="text:Navigation 2 Title" content="Title 2"/>
  291. <meta name="text:Navigation 2 Link" content="Link/URL 2"/>
  292.  
  293. <meta name="text:Navigation 3 Title" content="Title 3"/>
  294. <meta name="text:Navigation 3 Link" content="Link/URL 3"/>
  295.  
  296. <meta name="text:Navigation 4 Title" content="Title 4"/>
  297. <meta name="text:Navigation 4 Link" content="Link/URL 4"/>
  298.  
  299. <meta name="text:Navigation 5 Title" content="Title 5"/>
  300. <meta name="text:Navigation 5 Link" content="Link/URL 5"/>
  301.  
  302. <meta name="text:Navigation 6 Title" content="Title 6"/>
  303. <meta name="text:Navigation 6 Link" content="Link/URL 6"/>
  304.  
  305. <meta name="text:Navigation 7 Title" content="Title 7"/>
  306. <meta name="text:Navigation 7 Link" content="Link/URL 7"/>
  307.  
  308. <meta name="text:Navigation 8 Title" content="Title 8"/>
  309. <meta name="text:Navigation 8 Link" content="Link/URL 8"/>
  310.  
  311. <meta name="text:Navigation 9 Title" content="Title 9"/>
  312. <meta name="text:Navigation 9 Link" content="Link/URL 9"/>
  313.  
  314. <meta name="text:Navigation 10 Title" content="Title 10"/>
  315. <meta name="text:Navigation 10 Link" content="Link/URL 10"/>
  316.  
  317. <meta name="text:Navigation 11 Title" content="Title 11"/>
  318. <meta name="text:Navigation 11 Link" content="Link/URL 11"/>
  319.  
  320. <meta name="text:Navigation 12 Title" content="Title 12"/>
  321. <meta name="text:Navigation 12 Link" content="Link/URL 12"/>
  322.  
  323.  
  324. <style type="text/css">
  325.  
  326.  
  327. @font-face{ font-family:tamoro; src:url('https://dl.dropboxusercontent.com/s/4qaiyzii4jztyx2/TamoroScript_PersonalUseOnly.ttf');}
  328.  
  329.  
  330.  
  331. /* SCROLLBAR */
  332.  
  333. ::-webkit-scrollbar {
  334. background:transparent;
  335. height: 0px;
  336. display:none;
  337. width: 0px; /* remove scrollbar space */
  338. -ms-overflow-style: none; // IE 10+
  339. overflow: -moz-scrollbars-none; // Firefox
  340. }
  341.  
  342.  
  343. ::-webkit-scrollbar-thumb {
  344. background:transparent;
  345. }
  346.  
  347.  
  348. /* TEXT SELECTION */
  349.  
  350. ::selection {background: #000000; color:#ffffff;}
  351. ::-moz-selection {background: #000000; color:#ffffff;}
  352.  
  353.  
  354.  
  355.  
  356.  
  357.  
  358. /* TOOLTIP */
  359.  
  360.  
  361. #s-m-t-tooltip {
  362. z-index:999999;
  363. height:36px;
  364. line-height:36px;
  365. max-width:350px;
  366. margin-left:10px;
  367. margin-top:10px;
  368. font-weight:bold;
  369. background-color:{color:background};
  370. border:1px solid {color:border};
  371. padding-left:16px;
  372. padding-right:16px;
  373. font-family:calibri;
  374. font-style:normal;
  375. font-size:10px;
  376. color: {color:italic};
  377. text-transform:uppercase;
  378. letter-spacing:0px;
  379. }
  380.  
  381.  
  382.  
  383.  
  384.  
  385.  
  386. /* FOUNDATION */
  387.  
  388.  
  389. body {
  390. background-image:url({image:background});
  391. background-attachment:fixed;
  392. background-repeat:no-repeat;
  393. background-position:center top;
  394. background-color:{color:background};
  395. color:{color:Body Text};
  396. font-size:10px;
  397. line-height:14px;
  398. word-spacing:-1px;
  399. color:{color:Body Text};
  400. font-family: 'Frank Ruhl Libre', serif;
  401. {block:ifCalibriFont}
  402. font-family:calibri;
  403. font-size:10px;
  404. {/block:ifCalibriFont}
  405. word-wrap: break-word;
  406. }
  407.  
  408.  
  409. body a {
  410. font-size:10px;
  411. font-weight:bold;
  412. text-decoration:none!important;
  413. -moz-transition-duration:1s;
  414. -webkit-transition-duration:1s;
  415. -o-transition-duration:1s;
  416. }
  417.  
  418.  
  419.  
  420. body a:hover {
  421. color:{color:LINKS HOVER and active};
  422. -moz-transition-duration:1s;
  423. -webkit-transition-duration:1s;
  424. -o-transition-duration:1s;
  425. }
  426.  
  427.  
  428.  
  429.  
  430.  
  431.  
  432.  
  433.  
  434. /* BLOCKQUOTES */
  435.  
  436.  
  437.  
  438. blockquote {
  439. background-color:{color:background};
  440. padding-left:24px;
  441. padding-right:24px;
  442. padding-top:12px;
  443. padding-bottom:12px;
  444. margin-top:12px;
  445. margin-bottom:12px;
  446. text-align:justify;
  447. margin-left:0px;
  448. margin-right:0px;
  449. border:1px solid {color:border}!important;
  450. word-wrap: break-word!important;
  451. }
  452.  
  453.  
  454.  
  455. blockquote blockquote {
  456. width: auto;
  457. background-color:{color:background};
  458. border-left:1px solid {color:border}important;
  459. border-top:0px!important;
  460. border-bottom:0px!important;
  461. border-right:0px!important;
  462. outline:0px solid transparent;
  463. padding-left:24px;
  464. padding-right:0px;
  465. padding-top:0px;
  466. padding-bottom:0px;
  467. margin-top:12px!important;
  468. margin-bottom:0px!important;
  469. }
  470.  
  471.  
  472.  
  473.  
  474. /* FONT-RELATED */
  475.  
  476.  
  477. small, sub, sup {
  478. font-size:10px;
  479. }
  480.  
  481.  
  482. sub {
  483. font-size:10px;
  484. vertical-align: baseline!important;
  485. position: relative!important;
  486. top: 0em!important;
  487. line-height:14px;
  488. }
  489.  
  490.  
  491.  
  492. sup {
  493. font-size:10px;
  494. vertical-align: baseline!important;
  495. position: relative!important;
  496. top: 0em!important;
  497. line-height:14px;
  498. }
  499.  
  500.  
  501.  
  502.  
  503. ul, ol {
  504. padding:0;
  505. list-style: decimal outside;
  506. margin-left:8px;
  507. }
  508.  
  509.  
  510. li {
  511. padding-left:2px;
  512. }
  513.  
  514.  
  515.  
  516. big {
  517. font-size:120%;
  518. }
  519.  
  520.  
  521. span {
  522. color:{color:links}!important;
  523. }
  524.  
  525.  
  526. b, bold, strong {
  527. font-size:9.5px;
  528. text-transform:uppercase;
  529. font-family: calibri, sans-serif;
  530. font-weight:bold!important;
  531. color:{color:Bold};
  532. padding-right:0px;
  533. padding-left:0px;
  534. text-shadow: 0px 0px 1px rgba(55, 55, 55, .63);
  535.  
  536. }
  537.  
  538.  
  539.  
  540. em, i, italic {
  541. color: {color:Italic};
  542. margin-right:1px;
  543. }
  544.  
  545.  
  546.  
  547.  
  548. {block:ifFirstLetterStyling}
  549. u, u a {
  550. background-color: {color:background};
  551. border: 1px solid {color:border};
  552. font-family:{text:Custom Capitals Font}, 'Frank Ruhl Libre', serif;
  553. color:{color:first letter};!important;
  554. text-decoration:none!important;
  555. font-style:normal!important;
  556. font-weight:lighter!important;
  557. text-transform:uppercase!important;
  558. float:left;
  559. margin-top:0px;
  560. height:56px;
  561. width:56px;
  562. font-size: 48px;
  563. margin-right: 14px;
  564. position: relative;
  565. text-align: center;
  566. vertical-align: middle;
  567. line-height: 56px;
  568. text-shadow:none!important;
  569. }
  570. {/block:ifFirstLetterStyling}
  571.  
  572.  
  573.  
  574.  
  575. pre {
  576. font-weight:lighter;
  577. text-transform:uppercase;
  578. color: #d1d1d1;
  579. line-height:155%;
  580. font-weight:lighter!important;
  581. color:#e6e6e6;
  582. font-size:8.4px;
  583. letter-spacing:0.6px;
  584. white-space: pre-wrap;
  585. white-space: -moz-pre-wrap;
  586. white-space: -pre-wrap;
  587. white-space: -o-pre-wrap;
  588. word-wrap: break-word;
  589. }
  590.  
  591.  
  592. pre a {
  593. color:{color:links};
  594. -moz-transition-duration:2s;
  595. -webkit-transition-duration:2s;
  596. -o-transition-duration:2s;
  597. }
  598.  
  599.  
  600. h1 {
  601. border: 1px solid {color:border};
  602. background-color:{color:background};
  603. line-height:24px;
  604. overflow:hidden;
  605. margin-top:12px;
  606. margin-bottom:12px;
  607. padding-top:6px;
  608. padding-bottom:6px;
  609. padding-left:24px;
  610. padding-right:24px;
  611. line-height:14px;
  612. z-index:9999999;
  613. text-align:left!important;
  614. font-family:calibri;
  615. font-weight:bold;
  616. font-size:10px!important;
  617. text-transform:uppercase;
  618. color: {color:links};
  619. text-shadow: 0px 0px 1px rgba(104, 19, 19, .63);
  620. }
  621.  
  622.  
  623. h1 a {
  624. color: {color:links};
  625. font-size:10px!important;
  626. }
  627.  
  628.  
  629.  
  630.  
  631. h2 {
  632. font-family: calibri, sans-serif;
  633. font-size:13.4px!important;
  634. text-transform:uppercase!important;
  635. color:{color:bold};
  636. letter-spacing:-0.4px;
  637. }
  638.  
  639.  
  640.  
  641. h2 a {
  642. font-family: calibri, sans-serif;
  643. font-size:13.4px!important;
  644. text-transform:uppercase!important;
  645. color:{color:links};
  646. letter-spacing:-0.4px;
  647. }
  648.  
  649.  
  650.  
  651.  
  652.  
  653. h4 {
  654. border:1px solid {color:border};
  655. margin-bottom:12px;
  656. margin-top:12px;
  657. padding-left:24px;
  658. height:25px;
  659. margin-right:0px;
  660. text-align:left;
  661. font-family:calibri;
  662. font-style:normal;
  663. font-weight:bold;
  664. font-size:10px;
  665. line-height:25px;
  666. color: {color:links};
  667. text-transform:uppercase;
  668. text-shadow: 0px 0px 1px rgba(55, 55, 55, .63);
  669. }
  670.  
  671.  
  672.  
  673.  
  674. h4:first-child {
  675. margin-top:0px;
  676. }
  677.  
  678.  
  679.  
  680.  
  681. h4 a {
  682. font-family:calibri;
  683. font-style:normal;
  684. font-weight:700;
  685. font-size:10px;
  686. line-height:10px;
  687. text-shadow: 0px 0px 1px #000;
  688. color: #e8e8e8;
  689. }
  690.  
  691.  
  692.  
  693.  
  694.  
  695.  
  696.  
  697.  
  698.  
  699.  
  700. /* CONTAINER */
  701.  
  702.  
  703. #container {
  704. z-index:9999;
  705. left: 50%;
  706. margin-left:-448px;
  707. margin-top:88px;
  708. position:fixed;
  709. width:896px;
  710. height:490px;
  711. outline:1px solid {color:border};
  712. overflow:hidden;
  713. background: rgba(0, 0, 0, .7);
  714. -webkit-box-shadow: 0px 0px 48px 20px rgba(0,0,0,1);
  715. -moz-box-shadow: 0px 0px 48px 20px rgba(0,0,0,1);
  716. box-shadow: 0px 0px 48px 20px rgba(0,0,0,1);
  717. }
  718.  
  719.  
  720.  
  721.  
  722.  
  723.  
  724. .sidebar {
  725. position:absolute;
  726. width:284px;
  727. height:438px;
  728. left:26px;
  729. top:26px;
  730. overflow-y:hidden;
  731. outline:1px solid {color:border};
  732. }
  733.  
  734.  
  735.  
  736.  
  737.  
  738.  
  739.  
  740.  
  741. .sidebarbg {
  742. -webkit-filter: brightness(1) contrast(1) saturate(1);
  743. opacity:1;
  744. background-image:url('{SideImageOne}');
  745. background-position:top left;
  746. position:absolute;
  747. margin-top:0px!important;
  748. margin-left:0px!important;
  749. outline:0px solid {color:border};
  750. width:284px;
  751. height:438px;
  752. }
  753.  
  754.  
  755.  
  756.  
  757.  
  758.  
  759.  
  760. .inner {
  761. position:absolute;
  762. width:231px;
  763. margin-left:26px;
  764. margin-top:26px;
  765. outline:1px solid {color:border};
  766. background:rgba(0,0,0,.65)
  767. padding:0px;
  768. -webkit-box-shadow: 0px 0px 48px 4px rgba(0,0,0,1);
  769. -moz-box-shadow: 0px 0px 48px 4px rgba(0,0,0,1);
  770. box-shadow: 0px 0px 48px 4px rgba(0,0,0,1);
  771. }
  772.  
  773.  
  774.  
  775.  
  776.  
  777.  
  778. .sidebarimgtop {
  779. -webkit-filter: brightness(1) contrast(1) saturate(1);
  780. opacity:.8;
  781. background-image:url('{SideImageOne}');
  782. background-position:top left;
  783. margin-top:0px!important;
  784. margin-left:0px!important;
  785. outline:1px solid {color:border};
  786. overflow:hidden;
  787. width:231px;
  788. height:120px!important;
  789. }
  790.  
  791.  
  792.  
  793.  
  794.  
  795. .sidebarimgbottom {
  796. -webkit-filter: brightness(1) contrast(1) saturate(1);
  797. opacity:.8;
  798. background-image:url('{SideImageOne}');
  799. background-position:top left;
  800. margin-left:0px!important;
  801. margin-top:1px;
  802. outline:1px solid {color:border};
  803. overflow:hidden;
  804. width:231px;
  805. height:120px;
  806. }
  807.  
  808.  
  809.  
  810.  
  811. .desctitle {
  812. position:absolute;
  813. font-family: tamoro;
  814. color:{color:title};
  815. font-weight:none!important;
  816. text-transform:lowercase;
  817. font-size:70px;
  818. width:400px;
  819. margin-left:-160px;
  820. top:475px;
  821. line-height:14px;
  822. letter-spacing:-5px;
  823. text-align:right!important;
  824. z-index:999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999;
  825. pointer-events:none;
  826. opacity:1;
  827. transform: rotate(0deg);
  828. text-shadow:
  829. }
  830.  
  831.  
  832.  
  833.  
  834.  
  835. .description {
  836. width:183px;
  837. height:100px;
  838. padding-left:24px;
  839. padding-right:24px;
  840. outline:1px solid {color:border};
  841. border-top:27px solid {color:background};
  842. border-bottom:21px solid {color:background};
  843. background-color:{color:background};
  844. margin-top:-3px;
  845. line-height:12.8px;
  846. text-align:justify;
  847. overflow-y:scroll;
  848. -moz-transition-duration:1.5s;
  849. -webkit-transition-duration:1.5s;
  850. -o-transition-duration:1.5s;
  851. }
  852.  
  853.  
  854.  
  855. .description a {
  856. color:{color:bold};
  857. font-family: calibri;
  858. text-transform:uppercase;
  859. font-size:10px;
  860. font-weight:bold!important;
  861. -moz-transition-duration:2s;
  862. -webkit-transition-duration:2s;
  863. -o-transition-duration:2s;
  864. text-shadow: 0px 0px 1px rgba(55, 55, 55, .63);
  865. }
  866.  
  867.  
  868.  
  869.  
  870.  
  871. {block:ifFirstLetterStyling}
  872. .description:first-letter {
  873. background-color: {color:background};
  874. border: 1px solid {color:border};
  875. font-family:{text:Custom Capitals Font}, 'Frank Ruhl Libre', serif;
  876. color:{color:first letter};!important;
  877. text-decoration:none!important;
  878. font-style:normal!important;
  879. font-weight:lighter!important;
  880. text-transform:uppercase!important;
  881. float:left;
  882. margin-top:2px;
  883. padding-left:11px;
  884. padding-right:11px;
  885. font-size: 48px;
  886. margin-right: 10px;
  887. position: relative;
  888. text-align: center;
  889. vertical-align: middle;
  890. line-height: 50px;
  891. }
  892. {/block:ifFirstLetterStyling}
  893.  
  894.  
  895.  
  896.  
  897.  
  898.  
  899.  
  900.  
  901.  
  902.  
  903.  
  904. /* POSTS: GENERAL */
  905.  
  906.  
  907.  
  908. #content {
  909. position:absolute;
  910. text-align:justify;
  911. height:335px;
  912. width:533px;
  913. left:337px;
  914. top:76px;
  915. background-color:transparent;
  916. padding-top:0px!important;
  917. overflow-y:scroll;
  918. overflow-x:hidden;
  919. z-index:9;
  920. outline:1px solid {color:border}!important;
  921. }
  922.  
  923.  
  924.  
  925.  
  926. #content2 {
  927. width:485px;
  928. height:285px;
  929. overflow-y:scroll;
  930. padding-left:25px;
  931. padding-right:25px;
  932. margin-left:-1px;
  933. margin-top:25px!important;
  934. }
  935.  
  936.  
  937.  
  938.  
  939. .posts {
  940. width:485px;
  941. word-wrap: break-word;
  942. text-align:justify;
  943. line-height:14px;
  944. margin-bottom:36px;
  945. }
  946.  
  947.  
  948.  
  949.  
  950.  
  951. .posts:last-child {
  952. margin-bottom:0px!important;
  953. }
  954.  
  955.  
  956.  
  957.  
  958.  
  959.  
  960. .posts a {
  961. font-family: calibri;
  962. text-transform:uppercase;
  963. font-size:9.5px;
  964. font-weight:bold!important;
  965. color:{color:links};
  966. -moz-transition-duration:2s;
  967. -webkit-transition-duration:2s;
  968. -o-transition-duration:2s;
  969. text-shadow: 0px 0px 1px rgba(55, 55, 55, .63);
  970. }
  971.  
  972.  
  973.  
  974.  
  975. .posts a:hover {
  976. color:{color:LINKS HOVER and active};
  977. -moz-transition-duration:2s;
  978. -webkit-transition-duration:2s;
  979. -o-transition-duration:2s;
  980. }
  981.  
  982.  
  983.  
  984.  
  985.  
  986. .posts img {
  987. max-width: -webkit-calc(100% - 22px);
  988. max-width: -moz-calc(100% - 22px);
  989. max-width: calc(100% - 22px);
  990. height:auto;
  991. }
  992.  
  993.  
  994.  
  995.  
  996.  
  997.  
  998.  
  999.  
  1000.  
  1001.  
  1002.  
  1003. /* TEXT-WRAPPING AROUND ICONS/IMAGES */
  1004.  
  1005.  
  1006. #wrap {
  1007. margin-top:12px;
  1008. margin-bottom: 12px;
  1009. }
  1010.  
  1011.  
  1012. #wrap img {
  1013. width: auto;
  1014. overflow: hidden;
  1015. margin-top:0px!important;
  1016. margin-bottom:12px!important;
  1017. padding-right:3px;
  1018. padding-bottom:3px;
  1019. {block:IfTextWrapping}
  1020. float:left;
  1021. margin-right:14px;
  1022. {/block:IfTextWrapping}
  1023. {block:ificonborders}
  1024. padding:9px;
  1025. border:1px solid {color:border};
  1026. {/block:ificonborders}
  1027. -webkit-filter: brightness(1) contrast(1) saturate(1);
  1028. }
  1029.  
  1030.  
  1031.  
  1032. {block:IfTextWrapping}
  1033. #wrap blockquote img {
  1034. margin-top:12px!important;
  1035. margin-bottom:10px!important;
  1036. margin-left:12px;
  1037. margin-right:0px!important;
  1038. float:right;
  1039. -webkit-filter: brightness(.88) contrast(1) saturate(1);
  1040. }
  1041. {/block:IfTextWrapping}
  1042.  
  1043.  
  1044.  
  1045.  
  1046.  
  1047.  
  1048.  
  1049.  
  1050.  
  1051.  
  1052.  
  1053.  
  1054.  
  1055.  
  1056.  
  1057. /* NAVIGATION BAR */
  1058.  
  1059.  
  1060.  
  1061.  
  1062. #navigation {
  1063. top:25px;
  1064. left:336px;
  1065. width:600px;
  1066. position:absolute;
  1067. border:0px solid {color:border};
  1068. height:25px;
  1069. z-index:75!important;
  1070. }
  1071.  
  1072.  
  1073.  
  1074.  
  1075.  
  1076. button {
  1077. display:inline-block;
  1078. box-sizing: border-box;
  1079. font-size:9.5px;
  1080. text-align:center;
  1081. padding-left:25px;
  1082. padding-right:25px;
  1083. font-family: calibri, sans-serif;
  1084. text-transform:uppercase;
  1085. width:180px;
  1086. max-width:180px;
  1087. height:26px;
  1088. background-color:{color:background};
  1089. border:1px solid {color:border};
  1090. line-height:23px;
  1091. margin-left:0px;
  1092. margin-right:-4px;
  1093. color: {color:bold};
  1094. font-weight:bold!important;
  1095. overflow:hidden; /* older browsers */
  1096. text-shadow: 0px 0px 1px rgba(55, 55, 55, .63);
  1097. -webkit-transition: all 0.9s ease-in-out;
  1098. -moz-transition: all 0.9s ease-in-out;
  1099. -o-transition: all 0.9s ease-in-out;
  1100. -ms-transition: all 0.9s ease-in-out;
  1101. transition: all 0.9s ease-in-out;
  1102. }
  1103.  
  1104.  
  1105.  
  1106.  
  1107. button:focus {
  1108. border:1px solid {color:border}!important;
  1109. outline:0px solid {color:border}!important;
  1110. color:{color:links}!important;
  1111. text-shadow: 0px 0px 1px rgba(93, 36, 36, .63);
  1112. }
  1113.  
  1114.  
  1115.  
  1116.  
  1117. button:active {
  1118. border:1px solid {color:border}!important;
  1119. outline:0px solid {color:border}!important;
  1120. color:#3c3c3c!important;
  1121. }
  1122.  
  1123.  
  1124.  
  1125.  
  1126.  
  1127. button:hover {
  1128. color:#ffffff!important;
  1129. -webkit-transition: all 0.9s ease-in-out;
  1130. -moz-transition: all 0.9s ease-in-out;
  1131. -o-transition: all 0.9s ease-in-out;
  1132. -ms-transition: all 0.9s ease-in-out;
  1133. transition: all 0.9s ease-in-out;
  1134. }
  1135.  
  1136.  
  1137.  
  1138. #tabcontent {
  1139. position:absolute;
  1140. text-align:justify;
  1141. height:365px;
  1142. width:485px;
  1143. left:337px;
  1144. top:76px;
  1145. overflow-y:hidden;
  1146. padding-top:0px!important;
  1147. background-color:{color:background};!important;
  1148. border-top:0px solid {color:background};
  1149. border-bottom:24px solid {color:background};
  1150. overflow-y:scroll;
  1151. padding-left:24px;
  1152. padding-right:24px;
  1153. z-index:55;
  1154. outline:1px solid {color:border}!important;
  1155. }
  1156.  
  1157.  
  1158.  
  1159. #tabcontent a {
  1160. font-family:calibri;
  1161. font-family:8px!important;
  1162. color:{color:italic};
  1163. text-transform:uppercase;
  1164. }
  1165.  
  1166.  
  1167.  
  1168.  
  1169.  
  1170.  
  1171.  
  1172. /* POSTS: TEXT */
  1173.  
  1174.  
  1175.  
  1176. #textbody {
  1177. margin-top:-12px!important;
  1178. {block:permalinkpage}
  1179. padding-top:0px;
  1180. {/block:permalinkpage}
  1181.  
  1182. }
  1183.  
  1184.  
  1185.  
  1186.  
  1187. /* POSTS: PHOTO/PHOTOSETS */
  1188.  
  1189.  
  1190. #psingle {
  1191. pointer-events:none;
  1192. width: 505px;
  1193. -webkit-filter: brightness(.75) contrast(1.1) saturate(0.9);
  1194. -webkit-transition: all 0.9s ease-in-out;
  1195. -moz-transition: all 0.9s ease-in-out;
  1196. -o-transition: all 0.9s ease-in-out;
  1197. -ms-transition: all 0.9s ease-in-out;
  1198. transition: all 0.9s ease-in-out;
  1199. }
  1200.  
  1201.  
  1202.  
  1203. #psingle:hover {
  1204. pointer-events:none;
  1205. -webkit-filter: brightness(.75) contrast(1.1) saturate(0.9);
  1206. -webkit-transition: all 0.9s ease-in-out;
  1207. -moz-transition: all 0.9s ease-in-out;
  1208. -o-transition: all 0.9s ease-in-out;
  1209. -ms-transition: all 0.9s ease-in-out;
  1210. transition: all 0.9s ease-in-out;
  1211. }
  1212.  
  1213.  
  1214.  
  1215.  
  1216.  
  1217. #pset {
  1218. pointer-events:none;
  1219. margin-top:-12px!important;
  1220. width: 484px;
  1221. -webkit-filter: brightness(.75) contrast(1.1) saturate(0.85);
  1222. -webkit-transition: all 0.9s ease-in-out;
  1223. -moz-transition: all 0.9s ease-in-out;
  1224. -o-transition: all 0.9s ease-in-out;
  1225. -ms-transition: all 0.9s ease-in-out;
  1226. transition: all 0.9s ease-in-out;
  1227. }
  1228.  
  1229.  
  1230.  
  1231.  
  1232. #pset:hover {
  1233. pointer-events:none;
  1234. -webkit-filter: brightness(.75) contrast(1.1) saturate(0.85);
  1235. -webkit-transition: all 0.9s ease-in-out;
  1236. -moz-transition: all 0.9s ease-in-out;
  1237. -o-transition: all 0.9s ease-in-out;
  1238. -ms-transition: all 0.9s ease-in-out;
  1239. transition: all 0.9s ease-in-out;
  1240. }
  1241.  
  1242.  
  1243.  
  1244.  
  1245.  
  1246.  
  1247.  
  1248.  
  1249.  
  1250. /* POSTS: QUOTE */
  1251.  
  1252.  
  1253. #quotebox {
  1254. outline:1px solid {color:border};
  1255. padding-left:24px;
  1256. padding-right:24px;
  1257. padding-top:24px;
  1258. padding-bottom:0px;
  1259. margin-left:0px;
  1260. margin-right:0px;
  1261. margin-bottom:0px;
  1262. margin-top:24px;
  1263. }
  1264.  
  1265.  
  1266.  
  1267. #quote {
  1268. font-size:14px;
  1269. text-align:left;
  1270. padding-top:0px;
  1271. padding-bottom:0px;
  1272. letter-spacing:-0.6px;
  1273. line-height:14px;
  1274. }
  1275.  
  1276.  
  1277.  
  1278.  
  1279.  
  1280.  
  1281. .source {
  1282. font-family:calibri;
  1283. font-weight:bold;
  1284. text-align:left;
  1285. font-size:9.5px;
  1286. height:24px;
  1287. line-height:24px;
  1288. color: #e8e8e8;
  1289. text-transform:uppercase;
  1290. border-top:1px solid {color:border};
  1291. letter-spacing:0.2px;
  1292. margin-top:-1px;
  1293. padding-right:24px;
  1294. padding-left:24px;
  1295. margin-top:24px;
  1296. margin-left:-25px;
  1297. margin-right:-25px;
  1298. }
  1299.  
  1300.  
  1301.  
  1302.  
  1303.  
  1304.  
  1305. /* POSTS: LINK */
  1306.  
  1307.  
  1308.  
  1309. #link {
  1310. margin-top:32px;
  1311. border:1px solid {color:border};
  1312. padding:24px;
  1313. }
  1314.  
  1315.  
  1316. #link a {
  1317. font-size:12px;
  1318. }
  1319.  
  1320.  
  1321.  
  1322.  
  1323.  
  1324.  
  1325.  
  1326.  
  1327.  
  1328. /* POSTS: CHAT */
  1329.  
  1330.  
  1331. #chatbox {
  1332. margin-right:-25px;
  1333. margin-left:-25px!important;
  1334. padding-bottom:0px!important;
  1335. }
  1336.  
  1337.  
  1338.  
  1339. #chat {
  1340. margin-top:25px;
  1341. border-top:1px solid {color:border};
  1342. padding-top:27px;
  1343. padding-left:24px;
  1344. padding-right:24px;
  1345. }
  1346.  
  1347.  
  1348.  
  1349.  
  1350.  
  1351.  
  1352. /* POSTS: AUDIO */
  1353.  
  1354.  
  1355. #audiobox {
  1356. {block:permalinkpage}
  1357. margin-top:0px;
  1358. {/block:permalinkpage}
  1359. margin-top:-24px!important;
  1360. padding-left:24px;
  1361. padding-right:24px;
  1362. padding-bottom:20px;
  1363. padding-top:24px;
  1364. margin-left:0px;
  1365. margin-right:0px;
  1366. margin-bottom:-18px;
  1367. }
  1368.  
  1369.  
  1370.  
  1371.  
  1372. .player {
  1373. opacity: 1;
  1374. position: absolute;
  1375. z-index: 1;
  1376. line-height:33px;
  1377. margin-left: -16px;
  1378. margin-top:35px;
  1379. display: block;
  1380. }
  1381.  
  1382.  
  1383.  
  1384.  
  1385. .audioplayer {
  1386. width: 24px;
  1387. height: 24px;
  1388. margin-left: 0px;
  1389. overflow: hidden;
  1390. padding: 0px;
  1391. }
  1392.  
  1393.  
  1394.  
  1395. .audioinfo {
  1396. border:1px solid {color:border};
  1397. margin-left: -24px;
  1398. margin-right: -24px;
  1399. padding-left:48px;
  1400. padding-right:24px;
  1401. margin-top:24px;
  1402. margin-bottom:-4px;
  1403. height:48px;
  1404. line-height:48px;
  1405. display: block;
  1406. font-family:calibri;
  1407. font-weight:bold;
  1408. text-transform: uppercase;
  1409. text-align: left;
  1410. letter-spacing:0.2px;
  1411. word-spacing:-0.5px;
  1412. overflow:hidden;
  1413. font-size:9.5px;
  1414. color:{color:bold};
  1415. }
  1416.  
  1417.  
  1418.  
  1419. #acaption {
  1420. border-top:0px solid #151515;
  1421. padding-top:12px;
  1422. padding-bottom:12px;
  1423. margin-left:-24px;
  1424. padding-left:24px;
  1425. }
  1426.  
  1427. #acaption a {
  1428. font-size:10px;
  1429. }
  1430.  
  1431.  
  1432.  
  1433.  
  1434.  
  1435.  
  1436.  
  1437.  
  1438.  
  1439. /* POSTS: VIDEO */
  1440.  
  1441.  
  1442. .video-container {
  1443. margin-top:25px;
  1444. padding:25px;
  1445. outline:1px solid {color:border};
  1446. }
  1447.  
  1448.  
  1449. .video-content {
  1450. -webkit-filter: brightness(1) contrast(1.1) saturate(0.85);
  1451. position: relative;
  1452. margin-top:55px!important;
  1453. height: 0;
  1454. overflow: hidden;
  1455. margin-right:25px!important;
  1456. padding:25px;
  1457. outline:1px solid {color:border};
  1458. }
  1459.  
  1460. .video-content iframe, .video-content object, .video-content embed {
  1461. position: absolute;
  1462. margin-top:25px!important;
  1463. padding:25px;
  1464. outline:1px solid {color:border};
  1465. overflow: hidden;
  1466. }
  1467.  
  1468.  
  1469.  
  1470.  
  1471.  
  1472.  
  1473.  
  1474. /* POSTS: ASK */
  1475.  
  1476.  
  1477. #question {
  1478. width: 80%;
  1479. margin-top:1px;
  1480. height:70px;
  1481. margin-left:1px;
  1482. background-color:{color:background};
  1483. {block:permalinkpage}
  1484. margin-top:1px;
  1485. {/block:permalinkpage}
  1486. }
  1487.  
  1488.  
  1489.  
  1490. #ask {
  1491. z-index:999999!important;
  1492. float:left;
  1493. font-family:calibri, sans-serif;
  1494. text-transform:uppercase;
  1495. position: absolute;
  1496. font-weight:bold;
  1497. background-color:{color:background};
  1498. font-size:9px;
  1499. line-height:12px!important;
  1500. width:368px;
  1501. min-height:21px;
  1502. max-height:21px;
  1503. overflow:scroll;
  1504. margin-top:0px;
  1505. margin-left:0px;
  1506. margin-bottom:0px;
  1507. padding-left:24px;
  1508. padding-right:24px;
  1509. outline:solid 1px {color:border};
  1510. border-top:22px solid {color:background};
  1511. border-bottom:22px solid {color:background};
  1512. -moz-transition-duration:1.5s;
  1513. -webkit-transition-duration:1.5s;
  1514. -o-transition-duration:1.5s;
  1515. }
  1516.  
  1517.  
  1518.  
  1519. #ask:hover {
  1520. max-height:35px!important;
  1521. width:425px;
  1522. z-index:999999!important;
  1523. -moz-transition-duration:1.5s;
  1524. -webkit-transition-duration:1.5s;
  1525. -o-transition-duration:1.5s;
  1526. }
  1527.  
  1528.  
  1529. #ask a {
  1530. font-weight:bold;
  1531. color:{color:links};
  1532. font-size:9.5px;
  1533. text-decoration:none;
  1534. text-shadow: 0px 0px 1px rgba(104, 19, 19, .63);
  1535. }
  1536.  
  1537.  
  1538. #ask b {
  1539. color:{color:links};
  1540. font-size:9.5px;
  1541. line-height:11px;
  1542. font-family:calibri!important;
  1543. text-shadow: 0px 0px 1px rgba(104, 19, 19, .63);
  1544. }
  1545.  
  1546.  
  1547.  
  1548. #ask img {
  1549. -webkit-filter:grayscale(1);
  1550. }
  1551.  
  1552.  
  1553.  
  1554.  
  1555. .letterask {
  1556. font-family:'Frank Ruhl Libre', serif;
  1557. position:relative;
  1558. z-index:9999!important;
  1559. position:absolute;
  1560. text-align:center;
  1561. font-size:44px;
  1562. margin-left:417px;
  1563. outline:1px solid {color:border};
  1564. background-color:{color:background};
  1565. padding-top:25px;
  1566. padding-bottom:26px;
  1567. padding-left:17px;
  1568. padding-right:17px;
  1569. color:{color:first letter};
  1570. -webkit-user-select: none; /* Chrome all / Safari all */
  1571. -moz-user-select: none; /* Firefox all */
  1572. -ms-user-select: none; /* IE 10+ */
  1573. user-select: none; /* Likely future */
  1574. }
  1575.  
  1576.  
  1577.  
  1578.  
  1579. #response {
  1580. margin-top:24px;
  1581. padding-top:0px;
  1582. }
  1583.  
  1584.  
  1585.  
  1586. #response blockquote {
  1587. margin-top:12px;
  1588. margin-bottom:12px!important;
  1589. padding-top:0px;
  1590. padding-bottom:0px;
  1591. }
  1592.  
  1593.  
  1594.  
  1595.  
  1596.  
  1597. /* POST INFORMATION */
  1598.  
  1599.  
  1600.  
  1601. .permalinkbar {
  1602. margin-top:24px!important;
  1603. margin-left:-25px;
  1604. margin-right:-25px;
  1605. color:#151515!important;
  1606. }
  1607.  
  1608.  
  1609.  
  1610.  
  1611. .permalinkbuttons {
  1612. height:25px;
  1613. background-color:{color:background};
  1614. font-weight:bold!important;
  1615. line-height:25px;
  1616. letter-spacing:-0.2px;
  1617. margin-left:0px!important;
  1618. margin-bottom:1px!important;
  1619. border:1px solid {color:border};
  1620. color:{color:border};
  1621. }
  1622.  
  1623.  
  1624.  
  1625.  
  1626. .permalinkbuttons a {
  1627. display:inline-block;
  1628. box-sizing: border-box;
  1629. font-size:9.5px;
  1630. text-align:center;
  1631. padding-left:25px;
  1632. padding-right:25px;
  1633. font-family: calibri, sans-serif;
  1634. text-transform:uppercase;
  1635. width:177px;
  1636. max-width:177px;
  1637. height:25px;
  1638. background-color:{color:background};
  1639. outline:1px solid {color:border};
  1640. line-height:25px;
  1641. color: #2f2f2f;
  1642. font-weight:bold!important;
  1643. overflow:hidden; /* older browsers */
  1644. text-shadow: 0px 0px 1px rgba(47, 47, 47, 63);
  1645. }
  1646.  
  1647.  
  1648. .permalinkbuttons a:hover {
  1649. color:{color:links };
  1650. -moz-transition-duration:2s;
  1651. -webkit-transition-duration:2s;
  1652. -o-transition-duration:2s;
  1653. }
  1654.  
  1655.  
  1656.  
  1657.  
  1658.  
  1659. .tags {
  1660. font-family: calibri!important;
  1661. font-weight:bold!important;
  1662. background-color:{color:background};
  1663. border:1px solid {color:border};
  1664. padding-top:12px;
  1665. padding-bottom:12px;
  1666. padding-left:24px;
  1667. padding-right:24px;
  1668. margin-left:-25px;
  1669. margin-right:-25px;
  1670. margin-top:-2px;
  1671. margin-bottom:-5px!important;
  1672. color:{color:bold};
  1673. text-transform:uppercase!important;
  1674. font-style:normal;
  1675. line-height:150%;
  1676. font-size:8.5px;
  1677. text-align:justify;
  1678. -moz-text-align-last: center; /* Code for Firefox */
  1679. text-align-last: center;
  1680.  
  1681. }
  1682.  
  1683.  
  1684.  
  1685. .tags a {
  1686. text-decoration:none!important;
  1687. font-weight:bold!important;
  1688. font-size:8.5px;
  1689. margin-right:0px;
  1690. text-transform:uppercase!important;
  1691. font-family: calibri!important;
  1692. color:{color:border};
  1693. -moz-transition-duration:1s;
  1694. -webkit-transition-duration:1s;
  1695. -o-transition-duration:1s;
  1696. text-shadow: 0px 0px 1px rgba(47, 47, 47, 0);
  1697. }
  1698.  
  1699.  
  1700. .tags a:hover {
  1701. color:{color:italic}!important;
  1702. -moz-transition-duration:1s;
  1703. -webkit-transition-duration:1s;
  1704. -o-transition-duration:1s;
  1705. {block:ifBiggerTagsonHover}
  1706. font-size:9px!important;
  1707. {block:ifBiggerTagsonHover}
  1708. }
  1709.  
  1710.  
  1711.  
  1712.  
  1713.  
  1714.  
  1715.  
  1716.  
  1717.  
  1718.  
  1719.  
  1720.  
  1721. /* PERMAPAGE NOTES */
  1722.  
  1723.  
  1724. #notes {
  1725. outline:1px solid {color:border};
  1726. margin-bottom:1px!important;
  1727. margin-left:1px;
  1728. margin-right:1px;
  1729. margin-top:25px!important;
  1730. padding-top:16px;
  1731. padding-bottom:16px;
  1732. padding-left:16px;
  1733. padding-right:16px;
  1734. color:{color:body text}!important;
  1735. }
  1736.  
  1737.  
  1738. #notes span, .note span {
  1739. color:{color:body text}!important;
  1740. }
  1741.  
  1742.  
  1743.  
  1744. .note li, .note, .note a {
  1745. list-style-type:none;
  1746. padding-top:0px;
  1747. line-height:14px;
  1748. padding-bottom:0px;
  1749. padding-left:0px;
  1750. padding-right:0px;
  1751. text-align:left!important;
  1752. -moz-transition-duration:0.5s;
  1753. -webkit-transition-duration:0.5s;
  1754. -o-transition-duration:0.5s;
  1755. font-family:calibri!important;
  1756. font-size:9.5px!important;
  1757. font-weight:bold;
  1758. text-transform:uppercase;
  1759. color:{color:body text}!important;
  1760. }
  1761.  
  1762.  
  1763. .note li a {
  1764. text-align:left!important;
  1765. font-family:calibri!important;
  1766. font-size:9.5px!important;
  1767. padding-right:0px;
  1768. font-weight:bold;
  1769. text-transform:uppercase;
  1770. letter-spacing:0px;
  1771. color: {color:italic}!important;
  1772. }
  1773.  
  1774.  
  1775. .more_notes_link, .more_notes_link a {
  1776. text-align:left!important;
  1777. margin-top:25px!important;
  1778. padding-top:25px!important;
  1779. color:{color:italic}!important;
  1780. }
  1781.  
  1782.  
  1783. .note blockquote a {
  1784. padding-top:12px;
  1785. padding-bottom:12px;
  1786. padding-left:24px;
  1787. padding-right:24px;
  1788. margin-top:12px;
  1789. margin-bottom:12px;
  1790. margin-left:0px;
  1791. margin-right:0px;
  1792. color:{color:body text}!important;
  1793. }
  1794.  
  1795.  
  1796. .note img.avatar {
  1797. display:none;
  1798. width: 0px;
  1799. height: 0px;
  1800. }
  1801.  
  1802.  
  1803.  
  1804.  
  1805.  
  1806.  
  1807.  
  1808. /* PAGINATION */
  1809.  
  1810.  
  1811. .navigation1 {
  1812. left:337px;
  1813. top:439px;
  1814. position:absolute;
  1815. width: 533px;
  1816. outline:1px solid {color:border};
  1817. height:25px;
  1818. line-height:25px;
  1819. z-index:10;
  1820. }
  1821.  
  1822.  
  1823.  
  1824.  
  1825.  
  1826. .pagination {
  1827. height:25px;
  1828. line-height:25px;
  1829. }
  1830.  
  1831.  
  1832.  
  1833.  
  1834.  
  1835. .pagination b {
  1836. color:{color:pagination links};!important;
  1837. }
  1838.  
  1839.  
  1840.  
  1841.  
  1842. .pagination a {
  1843. display:inline-block;
  1844. box-sizing: border-box;
  1845. font-size:10px;
  1846. text-align:center;
  1847. padding-left:25px;
  1848. padding-right:25px;
  1849. font-family: calibri, sans-serif;
  1850. text-transform:uppercase;
  1851. width:177px;
  1852. max-width:177px;
  1853. height:25px;
  1854. background-color:{color:background};
  1855. outline:1px solid {color:border};
  1856. line-height:25px;
  1857. margin-right:0px;
  1858. color: {color:bold};
  1859. font-weight:bold!important;
  1860. overflow:hidden; /* older browsers */
  1861. text-shadow: 0px 0px 1px rgba(47, 47, 47, 63);
  1862. }
  1863.  
  1864.  
  1865.  
  1866.  
  1867. .pagination a:first-child {
  1868. margin-left:0px!important;
  1869. }
  1870.  
  1871.  
  1872.  
  1873. .pagination a:last-child {
  1874. margin-right:0px!important;
  1875. }
  1876.  
  1877.  
  1878.  
  1879. .pagination a:hover, .pagination:hover {
  1880. font-weight:bold!important;
  1881. color:#ffffff!important;
  1882. -moz-transition-duration:2s;
  1883. -webkit-transition-duration:2s;
  1884. -o-transition-duration:2s;
  1885. }
  1886.  
  1887.  
  1888.  
  1889.  
  1890.  
  1891.  
  1892.  
  1893.  
  1894.  
  1895.  
  1896.  
  1897.  
  1898.  
  1899.  
  1900.  
  1901.  
  1902.  
  1903. /* POPUP: SIDEBAR */
  1904.  
  1905.  
  1906.  
  1907.  
  1908. #box {
  1909. box-sizing: border-box;
  1910. width:846px;
  1911. height:438px;
  1912. max-height:438px;
  1913. margin-top:26px!important;
  1914. margin-left:26px!important;
  1915. background-color:{color:background}!important;
  1916. outline:0px solid {color:border};
  1917. padding-left:24px;
  1918. padding-right:24px;
  1919. position:relative;
  1920. z-index:55;
  1921. opacity:1;
  1922. overflow-y:hidden;
  1923. text-align:justify;
  1924. overflow-x:hidden;
  1925. }
  1926.  
  1927.  
  1928.  
  1929.  
  1930. #box a {
  1931. color:{color:links};
  1932. }
  1933.  
  1934.  
  1935.  
  1936.  
  1937. .sidebar2 {
  1938. position:absolute;
  1939. width:284px;
  1940. height:438px;
  1941. left:0px;
  1942. top:0px;
  1943. overflow-y:hidden;
  1944. outline:1px solid {color:border};
  1945. }
  1946.  
  1947.  
  1948.  
  1949.  
  1950.  
  1951.  
  1952.  
  1953.  
  1954. .sidebarbg2 {
  1955. -webkit-filter: brightness(1) contrast(1) saturate(1);
  1956. opacity:1;
  1957. background-image:url('{SideImageOne}');
  1958. background-position:top left;
  1959. position:absolute;
  1960. margin-top:0px!important;
  1961. margin-left:0px!important;
  1962. outline:0px solid {color:border};
  1963. width:284px;
  1964. height:438px;
  1965. }
  1966.  
  1967.  
  1968.  
  1969.  
  1970.  
  1971.  
  1972.  
  1973. .inner2 {
  1974. position:absolute;
  1975. width:231px;
  1976. margin-left:26px;
  1977. margin-top:26px;
  1978. outline:1px solid {color:border};
  1979. background:rgba(0,0,0,.65)
  1980. padding:0px;
  1981. -webkit-box-shadow: 0px 0px 48px 4px rgba(0,0,0,1);
  1982. -moz-box-shadow: 0px 0px 48px 4px rgba(0,0,0,1);
  1983. box-shadow: 0px 0px 48px 4px rgba(0,0,0,1);
  1984. }
  1985.  
  1986.  
  1987.  
  1988.  
  1989.  
  1990.  
  1991. .sidebarimgtop2 {
  1992. -webkit-filter: brightness(1) contrast(1) saturate(1);
  1993. opacity:.8;
  1994. background-image:url('{SideImageOne}');
  1995. background-position:top left;
  1996. margin-top:0px!important;
  1997. margin-left:0px!important;
  1998. outline:1px solid {color:border};
  1999. overflow:hidden;
  2000. width:231px;
  2001. height:120px!important;
  2002. }
  2003.  
  2004.  
  2005.  
  2006.  
  2007.  
  2008. .sidebarimgbottom2 {
  2009. -webkit-filter: brightness(1) contrast(1) saturate(1);
  2010. opacity:.8;
  2011. background-image:url('{SideImageOne}');
  2012. background-position:top left;
  2013. margin-left:0px!important;
  2014. margin-top:1px;
  2015. outline:1px solid {color:border};
  2016. overflow:hidden;
  2017. width:231px;
  2018. height:120px;
  2019. }
  2020.  
  2021.  
  2022.  
  2023.  
  2024. .desctitle2 {
  2025. position:absolute;
  2026. font-family: tamoro;
  2027. color:{color:title};
  2028. font-weight:none!important;
  2029. text-transform:lowercase;
  2030. font-size:70px;
  2031. width:400px;
  2032. margin-left:-160px;
  2033. top:475px;
  2034. line-height:14px;
  2035. letter-spacing:-5px;
  2036. text-align:right!important;
  2037. z-index:999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999;
  2038. pointer-events:none;
  2039. opacity:1;
  2040. transform: rotate(0deg);
  2041. text-shadow:
  2042. }
  2043.  
  2044.  
  2045.  
  2046.  
  2047.  
  2048. .description2 {
  2049. width:183px;
  2050. height:100px;
  2051. padding-left:24px;
  2052. padding-right:24px;
  2053. outline:1px solid {color:border};
  2054. border-top:27px solid {color:background};
  2055. border-bottom:21px solid {color:background};
  2056. background-color:{color:background};
  2057. margin-top:-3px;
  2058. line-height:12.8px;
  2059. text-align:justify;
  2060. overflow-y:scroll;
  2061. -moz-transition-duration:1.5s;
  2062. -webkit-transition-duration:1.5s;
  2063. -o-transition-duration:1.5s;
  2064. }
  2065.  
  2066.  
  2067.  
  2068. .description2 a {
  2069. color:{color:bold};
  2070. font-family: calibri;
  2071. text-transform:uppercase;
  2072. font-size:10px;
  2073. font-weight:bold!important;
  2074. -moz-transition-duration:2s;
  2075. -webkit-transition-duration:2s;
  2076. -o-transition-duration:2s;
  2077. text-shadow: 0px 0px 1px rgba(55, 55, 55, .63);
  2078. }
  2079.  
  2080.  
  2081.  
  2082.  
  2083.  
  2084. {block:ifFirstLetterStyling}
  2085. .description2:first-letter {
  2086. background-color: {color:background};
  2087. border: 1px solid {color:border};
  2088. font-family:{text:Custom Capitals Font}, 'Frank Ruhl Libre', serif;
  2089. color:{color:first letter};!important;
  2090. text-decoration:none!important;
  2091. font-style:normal!important;
  2092. font-weight:lighter!important;
  2093. text-transform:uppercase!important;
  2094. float:left;
  2095. margin-top:2px;
  2096. padding-left:11px;
  2097. padding-right:11px;
  2098. font-size: 48px;
  2099. margin-right: 10px;
  2100. position: relative;
  2101. text-align: center;
  2102. vertical-align: middle;
  2103. line-height: 50px;
  2104. }
  2105. {/block:ifFirstLetterStyling}
  2106.  
  2107.  
  2108.  
  2109.  
  2110.  
  2111.  
  2112.  
  2113.  
  2114.  
  2115.  
  2116. /* POPUPS: NAVIGATION */
  2117.  
  2118.  
  2119. #nvbar {
  2120. background-color:{color:background};
  2121. }
  2122.  
  2123.  
  2124.  
  2125. .nvlinks {
  2126. margin-top:10px!important;
  2127. margin-bottom:10px!important;
  2128. margin-left:0px;
  2129. padding-top:0px;
  2130. padding-bottom:0px;
  2131. text-align:center;
  2132. }
  2133.  
  2134.  
  2135.  
  2136. .nvlinks a {
  2137. font-family: calibri, sans-serif;
  2138. font-weight:lighter!important;
  2139. text-transform:uppercase;
  2140. display:inline-block;
  2141. box-sizing: border-box;
  2142. width:178px;
  2143. height:25px!important;
  2144. padding-left:24px;
  2145. line-height:25px;
  2146. margin-left:-0px;
  2147. margin-right:4px;
  2148. margin-bottom:7.2px;
  2149. text-align:left;
  2150. border: 1px solid {color:border};
  2151. line-height:25px;
  2152. color:{color:body text}!important;
  2153. font-size:8px;
  2154. letter-spacing:0.4px;
  2155. cursor: pointer;
  2156. z-index:2;
  2157. -moz-transition-duration:1s;
  2158. -webkit-transition-duration:1s;
  2159. -o-transition-duration:1s;
  2160. }
  2161.  
  2162.  
  2163.  
  2164.  
  2165. .nvlinks a:nth-of-type(2n) {
  2166. margin-right:0px!important;
  2167. }
  2168.  
  2169.  
  2170.  
  2171.  
  2172. .nvlinks:last-child {
  2173. margin-bottom:0px!important;
  2174. bottom:0px!important;
  2175. }
  2176.  
  2177.  
  2178.  
  2179.  
  2180. .nvlinks a:hover {
  2181. color:{color:links hover};
  2182. -moz-transition-duration:1s;
  2183. -webkit-transition-duration:1s;
  2184. -o-transition-duration:1s;
  2185. }
  2186.  
  2187.  
  2188.  
  2189.  
  2190.  
  2191.  
  2192.  
  2193.  
  2194.  
  2195.  
  2196.  
  2197.  
  2198.  
  2199.  
  2200.  
  2201.  
  2202.  
  2203. /* MUSES */
  2204.  
  2205.  
  2206.  
  2207. #page {
  2208. width:485px;
  2209. margin-left:287px;
  2210. margin-top:50px;
  2211. outline:1px solid {color:border};
  2212. padding-left:24px;
  2213. padding-right:25px;
  2214. }
  2215.  
  2216.  
  2217.  
  2218.  
  2219. .mcontent {
  2220. position:absolute;
  2221. left:52px;
  2222. margin-top:173px;
  2223. height:170px;
  2224. max-height:170px;
  2225. width:231px;
  2226. max-width:231px;
  2227. border-bottom:25px solid #000000!important;
  2228. border-top:0px solid #000000!important;
  2229. overflow-y:scroll;
  2230. padding-left:0px;
  2231. padding-right:0px;
  2232. outline:1px solid {color:border}!important;
  2233. opacity:1!important;
  2234. }
  2235.  
  2236.  
  2237.  
  2238.  
  2239.  
  2240. .mtitle {
  2241. position:absolute;
  2242. font-family: 'letter_1882regular';
  2243. color:{color:italic};
  2244. font-weight:100!important;
  2245. font-size:66px;
  2246. width:225px;
  2247. margin-left:0px;
  2248. margin-top:100px;
  2249. line-height:14px;
  2250. letter-spacing:-2px;
  2251. text-align:right!important;
  2252. pointer-events:none;
  2253. z-index:99999999999999999999999999999;
  2254. }
  2255.  
  2256.  
  2257.  
  2258.  
  2259.  
  2260. #mmuse {
  2261. margin-top:0px;
  2262. padding-left:0px!important;
  2263. background-color:{color:background};
  2264. }
  2265.  
  2266.  
  2267.  
  2268.  
  2269. #mmuse li {
  2270. cursor: pointer;
  2271. display:inline-block;
  2272. box-sizing: border-box;
  2273. font-size:9.5px;
  2274. text-align:center;
  2275. padding-left:25px;
  2276. padding-right:25px;
  2277. margin-bottom:-5px!important;
  2278. font-family: calibri, sans-serif;
  2279. text-transform:uppercase;
  2280. width:267.9px;
  2281. max-width:267.9px;
  2282. height:25px;
  2283. background-color:transparent;
  2284. border-right:1px solid {color:border};
  2285. border-bottom:1px solid {color:border};
  2286. line-height:25px;
  2287. margin-left:-1px;
  2288. margin-right:-1px;
  2289. margin-bottom:0px!important;
  2290. color: {color:bold};
  2291. font-weight:bold!important;
  2292. text-shadow: 0px 0px 1px rgba(69, 64, 64, 0.45);
  2293. }
  2294.  
  2295.  
  2296. #mmuse li:nth-child(even) {
  2297. margin-right:-2px;
  2298. }
  2299.  
  2300.  
  2301. #mmuse li a {
  2302. color:{color:bold};
  2303. }
  2304.  
  2305.  
  2306.  
  2307.  
  2308.  
  2309.  
  2310.  
  2311.  
  2312.  
  2313.  
  2314.  
  2315.  
  2316. /* MUSE PAGES */
  2317.  
  2318.  
  2319.  
  2320. .mimage {
  2321. margin-top:0px;
  2322. margin-left:-24px;
  2323. margin-bottom:0px!important;
  2324. height:90px;
  2325. width:534px;
  2326. overflow:hidden;
  2327. outline:1px solid #151515;
  2328. -webkit-filter: brightness(1.1) contrast(1) saturate(1);
  2329. }
  2330.  
  2331.  
  2332.  
  2333. .mnavi {
  2334. margin-top:1px;
  2335. margin-left:-25px!important;
  2336. margin-right:-25px!important;
  2337. margin-bottom:0px;
  2338. outline:0px solid #151515;
  2339. }
  2340.  
  2341.  
  2342.  
  2343.  
  2344.  
  2345.  
  2346. ul#tabs {
  2347. text-align: left;
  2348. Cursor:pointer;
  2349. }
  2350.  
  2351.  
  2352.  
  2353.  
  2354.  
  2355. ul#tabs li {
  2356. display:inline-block;
  2357. box-sizing: border-box;
  2358. font-size:9.5px;
  2359. text-align:center;
  2360. padding-left:25px;
  2361. padding-right:25px;
  2362. margin-bottom:-3px!important;
  2363. font-family: calibri, sans-serif;
  2364. text-transform:uppercase;
  2365. width:266.2px;
  2366. max-width:266.2px;
  2367. height:25px;
  2368. background-color:transparent;
  2369. outline:1px solid {color:border};
  2370. line-height:25px;
  2371. margin-left:0px;
  2372. margin-right:0px;
  2373. color: {color:bold};
  2374. font-weight:bold!important;
  2375. overflow:hidden; /* older browsers */
  2376. text-shadow: 0px 0px 1px rgba(69, 64, 64, 0.45);
  2377. cursor: pointer;
  2378. }
  2379.  
  2380.  
  2381.  
  2382.  
  2383.  
  2384.  
  2385. ul#tabs li.active {
  2386. display:inline-block;
  2387. box-sizing: border-box;
  2388. font-size:9.5px;
  2389. text-align:center;
  2390. padding-left:24px;
  2391. padding-right:24px;
  2392. font-family: calibri, sans-serif;
  2393. text-transform:uppercase;
  2394. background-color:transparent;
  2395. border:1px solid {color:border};
  2396. margin-left:0px;
  2397. margin-right:-2px;
  2398. color:#ffffff;
  2399. font-weight:bold!important;
  2400. overflow:hidden; /* older browsers */
  2401. }
  2402.  
  2403.  
  2404.  
  2405.  
  2406. ul#tab, ul#tabs{
  2407. list-style-type:none;
  2408. margin:0px;
  2409. padding:0px;
  2410. }
  2411.  
  2412.  
  2413.  
  2414.  
  2415.  
  2416. ul#tab li.active {
  2417. display: block;
  2418. }
  2419.  
  2420.  
  2421.  
  2422.  
  2423.  
  2424. ul#tab li {
  2425. display: none;
  2426. }
  2427.  
  2428.  
  2429.  
  2430.  
  2431.  
  2432. .mdescription {
  2433. margin-top:2px!important;
  2434. border-top:25px solid {color:background};
  2435. border-bottom:25px solid {color:background};
  2436. overflow-y:scroll!important;
  2437. height:225px;
  2438. background-color:transparent;
  2439. }
  2440.  
  2441.  
  2442.  
  2443.  
  2444. .mlinks h4 {
  2445. width:457px!important;
  2446. }
  2447.  
  2448.  
  2449.  
  2450.  
  2451. .mlinks {
  2452. margin-top:0px!important;
  2453. margin-bottom:0px!important;
  2454. padding-top:0px!important;
  2455. padding-bottom:0px;
  2456. background-color:{color:background};
  2457. width:489px;
  2458. overflow:hidden;
  2459. }
  2460.  
  2461.  
  2462.  
  2463. .mlinks a {
  2464. font-family:calibri!important;
  2465. font-weight:bold!important;
  2466. display:inline-block;
  2467. box-sizing: border-box;
  2468. width:237.7px;
  2469. height:25px!important;
  2470. padding-left:24px;
  2471. line-height:25px;
  2472. margin-left:-0px;
  2473. margin-right:6px;
  2474. margin-bottom:8.4px;
  2475. text-align:left;
  2476. text-transform:uppercase!important;
  2477. color:{color:body text}!important;
  2478. border: 1px solid {color:border};
  2479. font-size:9.5px;
  2480. }
  2481.  
  2482.  
  2483.  
  2484.  
  2485.  
  2486.  
  2487.  
  2488. .mlinks a:hover, .mlinks:hover {
  2489. color:{color:links hover}!important;
  2490. -moz-transition-duration:1s;
  2491. -webkit-transition-duration:1s;
  2492. -o-transition-duration:1s;
  2493. }
  2494.  
  2495.  
  2496.  
  2497.  
  2498.  
  2499.  
  2500.  
  2501.  
  2502.  
  2503.  
  2504. /* CREDIT */
  2505.  
  2506.  
  2507. #credit {
  2508. background-color:{color:background};
  2509. border:1px solid {color:border};
  2510. padding:6px 10px;
  2511. z-index:999;
  2512. position:absolute;
  2513. bottom:44px;
  2514. right:44px;
  2515. width:6px;
  2516. height:14px;
  2517. word-wrap:break-word;
  2518. font-family:calibri;
  2519. overflow:hidden;
  2520. -webkit-transition:all 1s ease;
  2521. -moz-transition:all 1s ease;
  2522. -o-transition:all 1s ease;
  2523. transition:all 1s ease-in-out;
  2524. }
  2525.  
  2526.  
  2527. #credit a {
  2528. color:{color:links};
  2529. text-transform:uppercase;
  2530. font-size:9.5px;
  2531. }
  2532.  
  2533.  
  2534.  
  2535. #credit:hover {
  2536. width:73px;
  2537. }
  2538.  
  2539.  
  2540.  
  2541.  
  2542. #credit span {
  2543. text-shadow:1px 1px .2px #000;
  2544. color:{color:bold};
  2545. font-family:calibri;
  2546. margin-right:10px;
  2547. font-size:10.5px;
  2548. }
  2549.  
  2550.  
  2551.  
  2552.  
  2553.  
  2554.  
  2555.  
  2556.  
  2557.  
  2558.  
  2559.  
  2560. /* DROPDOWN MENU */
  2561.  
  2562.  
  2563.  
  2564. /* Style The Dropdown Button */
  2565. .dropbtn {
  2566. display:inline-block;
  2567. box-sizing: border-box;
  2568. font-size:9.5px;
  2569. text-align:right;
  2570. padding-left:25px;
  2571. padding-right:25px;
  2572. margin-left:1px;
  2573. margin-top:0px;
  2574. margin-bottom:0px!important;
  2575. font-family: calibri, sans-serif;
  2576. text-transform:uppercase;
  2577. height:26px;
  2578. background-color:transparent;
  2579. outline:0px solid {color:border};
  2580. border:1px solid {color:border};
  2581. line-height:23px;
  2582. margin-right:0px;
  2583. color: {color:bold};
  2584. font-weight:bold!important;
  2585. overflow:hidden; /* older browsers */
  2586. }
  2587.  
  2588.  
  2589.  
  2590.  
  2591.  
  2592.  
  2593. /* Dropdown button on hover & focus */
  2594. .dropbtn:hover, .dropbtn:focus {
  2595. color:{color:links};
  2596. }
  2597.  
  2598.  
  2599.  
  2600.  
  2601.  
  2602.  
  2603. /* The container <div> - needed to position the dropdown content */
  2604. .dropdown {
  2605. position: relative;
  2606. display: inline-block;
  2607. margin-left:0px!important;
  2608. }
  2609.  
  2610.  
  2611.  
  2612.  
  2613.  
  2614.  
  2615. /* Dropdown Content (Hidden by Default) */
  2616. .dropdown-content {
  2617. display: none;
  2618. position: absolute;
  2619. margin-top:25px!important;
  2620. margin-left:-354px!important;
  2621. background-color: {color:background};
  2622. outline:1px solid {color:border};
  2623. width: 533px!important;
  2624. -webkit-box-shadow: 0px 25px 0px 0px rgba(0,0,0,1);
  2625. -moz-box-shadow: 0px 25px 0px 0px rgba(0,0,0,1);
  2626. box-shadow: 0px 25px 0px 0px rgba(0,0,0,1);
  2627. z-index: 999999999999999999999999;
  2628. }
  2629.  
  2630.  
  2631.  
  2632.  
  2633.  
  2634. /* Change color of dropdown links on hover */
  2635. .dropdown-content a:hover, .dropdown a:hover {
  2636. color:#ffffff!important;
  2637. }
  2638.  
  2639.  
  2640.  
  2641.  
  2642. /* Show the dropdown menu (use JS to add this class to the .dropdown-content container when the user clicks on the dropdown button) */
  2643. .show {
  2644. display:block;
  2645. }
  2646.  
  2647.  
  2648.  
  2649.  
  2650.  
  2651.  
  2652.  
  2653.  
  2654.  
  2655.  
  2656. /* DROPDOWN MENU #2 */
  2657.  
  2658.  
  2659.  
  2660. /* Style The Dropdown Button */
  2661. .dropbtn2 {
  2662. display:inline-block;
  2663. box-sizing: border-box;
  2664. font-size:9.5px;
  2665. text-align:center;
  2666. padding-left:25px;
  2667. padding-right:25px;
  2668. margin-left:0px;
  2669. margin-top:-1px;
  2670. margin-bottom:0px!important;
  2671. font-family: calibri, sans-serif;
  2672. text-transform:uppercase;
  2673. height:26px;
  2674. min-width:540px;
  2675. background-color:transparent;
  2676. outline:0px solid {color:border};
  2677. border:1px solid {color:border};
  2678. line-height:23px;
  2679. margin-right:0px;
  2680. color: {color:bold};
  2681. font-weight:bold!important;
  2682. overflow:hidden; /* older browsers */
  2683. }
  2684.  
  2685.  
  2686.  
  2687.  
  2688.  
  2689.  
  2690. /* Dropdown button on hover & focus */
  2691. .dropbtn2:hover, .dropbtn2:focus {
  2692. color:{color:links};
  2693. }
  2694.  
  2695.  
  2696.  
  2697.  
  2698.  
  2699.  
  2700. /* The container <div> - needed to position the dropdown content */
  2701. .dropdown2 {
  2702. position: relative;
  2703. display: inline-block;
  2704. margin-left:0px!important;
  2705. }
  2706.  
  2707.  
  2708.  
  2709.  
  2710.  
  2711.  
  2712. /* Dropdown Content (Hidden by Default) */
  2713. .dropdown-content2 {
  2714. display: none;
  2715. position: absolute;
  2716. margin-top:-1px!important;
  2717. margin-left:1px!important;
  2718. background-color: {color:background};
  2719. outline:1px solid {color:border};
  2720. min-width: 534px;
  2721. width: 534px;
  2722. -webkit-box-shadow: 0px 25px 0px 0px rgba(0,0,0,1);
  2723. -moz-box-shadow: 0px 25px 0px 0px rgba(0,0,0,1);
  2724. box-shadow: 0px 25px 0px 0px rgba(0,0,0,1);
  2725. z-index: 999999999999999999999999;
  2726. }
  2727.  
  2728.  
  2729.  
  2730. /* Change color of dropdown links on hover */
  2731. .dropdown-content2 a:hover, .dropdown2 a:hover {
  2732. color:#ffffff!important;
  2733. }
  2734.  
  2735.  
  2736.  
  2737.  
  2738. /* Show the dropdown menu (use JS to add this class to the .dropdown-content container when the user clicks on the dropdown button) */
  2739. .show {
  2740. display:block;
  2741. }
  2742.  
  2743.  
  2744.  
  2745.  
  2746.  
  2747.  
  2748.  
  2749.  
  2750.  
  2751.  
  2752.  
  2753.  
  2754.  
  2755.  
  2756.  
  2757. /*-------MUSIC PLAYER BY GLENTHEMES-------*/
  2758. #glenplayer03 {
  2759. display:none;
  2760. position:fixed;
  2761. bottom:0;margin-bottom:0px; /* music player position from bottom */
  2762. left:0;margin-left:60px; /* music player position from left */
  2763. font-family:karla;
  2764. z-index:9999999999999999999999999999999;
  2765. outline:1px solid {color:border};
  2766. }
  2767.  
  2768.  
  2769. .glen-box-title {
  2770. padding-left:25px;
  2771. padding-right:25px;
  2772. height:50px;
  2773. line-height:50px;
  2774. background: rgba(0, 0, 0, 1);
  2775. border-bottom:1px solid {color:border};
  2776. text-transform:uppercase;
  2777. letter-spacing:0px;
  2778. font-size:10px;
  2779. color:{color:italic}; /* music player title text color */
  2780. font-family:calibri;
  2781. font-size:9.5px;
  2782. text-align:left;
  2783. font-weight:bold;
  2784. }
  2785.  
  2786. .glen-music-container {
  2787. padding:25px;
  2788. background: rgba(0, 0, 0, 0.5);
  2789. background-image:url({image:background});
  2790. }
  2791.  
  2792. .glen-row {
  2793. display:flex;
  2794. margin-bottom:15px;
  2795. }
  2796.  
  2797. .glen-row > * {
  2798. align-self:center;
  2799. -webkit-align-self:center;
  2800. }
  2801.  
  2802. .glen-row:last-of-type {margin-bottom:0px;}
  2803.  
  2804. .glen-album-art {
  2805. width:40px;
  2806. height:40px;
  2807. border-radius:0px;
  2808. outline:1px solid {color:border};
  2809. }
  2810.  
  2811. .glen-song-text {
  2812. margin-top:-5px!important;
  2813. margin-left:15px;
  2814. text-transform:uppercase;
  2815. font-weight:bold;
  2816. min-width:130px; /* minimum width of song info */
  2817. width:100%;
  2818. }
  2819.  
  2820. .gst-name {
  2821. text-transform:uppercase;
  2822. font-weight:bold;
  2823. font-family:calibri;
  2824. font-size:9.5px;
  2825. color:{color:links}; /* song name text color */
  2826. text-shadow: 0px 0px 1px rgba(55, 55, 55, .63);
  2827. }
  2828.  
  2829. .gst-artist {
  2830. text-transform:uppercase;
  2831. font-weight:bold;
  2832. font-family:calibri;
  2833. font-size:9.5px;
  2834. color:#999; /* song artist text color */
  2835. }
  2836.  
  2837. .gst.material-icons {
  2838. margin-left:15px;
  2839. font-size:18px;
  2840. color:#222; /* play & pause buttons color */
  2841. cursor:pointer;
  2842. }
  2843.  
  2844. .g3-before {display:none!important;}
  2845. .g3-after {display:block!important;}
  2846.  
  2847.  
  2848.  
  2849.  
  2850.  
  2851. </style>
  2852.  
  2853. </head>
  2854.  
  2855.  
  2856.  
  2857.  
  2858.  
  2859. <body>
  2860.  
  2861.  
  2862.  
  2863.  
  2864. <div id="container">
  2865.  
  2866.  
  2867.  
  2868.  
  2869. <!-- sidebarBG -->
  2870.  
  2871. <div class="desctitle">
  2872. {text:Title}
  2873. </div class="desctitle">
  2874.  
  2875.  
  2876. <div class="sidebar">
  2877.  
  2878. <div class="sidebarbg">
  2879. <img src="{image:Sidebar Background}">
  2880. </div class="sidebarbg">
  2881.  
  2882.  
  2883. <div class="inner">
  2884.  
  2885.  
  2886.  
  2887. <div class="sidebarimgtop">
  2888. <img src="{image:Sidebar Image Top}">
  2889. </div class="sidebarimgtop">
  2890.  
  2891.  
  2892. <div class="description">
  2893.  
  2894. <b style="color:{color:links};">LOIALTE:</b> INDEPENDENT AND SELECTIVE <i>MULTI MUSE</i> FEATURING CHARACTERS IN <b>&nbsp; THE MARVEL CINEMATIC UNIVERSE,</b> ASSASSIN'S CREED, <b>REIGN,</b> BBC MUSKETEERS, <b>OUTLANDER,</b> THE SHADOWHUNTER CHRONICLES, <b>AND MANY MORE!</b> &nbsp; &nbsp; LOW ACTIVITY. &nbsp; &nbsp; <i>SALUTED BY EMMA.</i>
  2895.  
  2896. </div class="description">
  2897.  
  2898.  
  2899. <div class="sidebarimgbottom">
  2900. <img src="{image:Sidebar Image Bottom}">
  2901. </div class="sidebarimgbottom">
  2902.  
  2903.  
  2904.  
  2905. </div class="inner">
  2906.  
  2907. </div class="sidebar">
  2908.  
  2909.  
  2910.  
  2911.  
  2912.  
  2913.  
  2914.  
  2915. <!-- POSTS -->
  2916.  
  2917.  
  2918. <div id="navigation">
  2919.  
  2920. <button class="w3-bar-item w3-button" onclick="openNavi('Index'); openMuse('Index')" autofocus style="text-align:left; color:{color:links};">Close the tabs</button>
  2921. <button class="w3-bar-item w3-button" onclick="openMuse('Inquiries')">Inquiries / Askbox</button>
  2922. <div class="dropdown"><button onclick="myFunction()" class="dropbtn">The Navigation</button>
  2923.  
  2924. <div id="myDropdown" class="dropdown-content">
  2925. <div id="mmuse">
  2926.  
  2927.  
  2928. <li style="text-align:left; color:{color:italic};">Muses originating from the Screen</li>
  2929.  
  2930. <li style="text-align:right; color:{color:italic};">Muses originating from the Page</li>
  2931.  
  2932. <li style="text-align:left;" onclick="openMuse('Steve')">
  2933. Marvel Cinematic Universe: Steve Rogers</li>
  2934.  
  2935. <li style="text-align:right;" onclick="openMuse('Alec')">
  2936. Shadowhunter Chronicles: Alec Lightwood</li>
  2937.  
  2938. <li style="text-align:left;" onclick="openMuse('Claudia')">
  2939. Assassin's Creed: Claudia Auditore</li>
  2940.  
  2941. <li style="text-align:right;" onclick="openMuse('Magnus')">
  2942. Shadowhunter Chronicles: Magnus Bane</li>
  2943.  
  2944. <li style="text-align:left;" onclick="openMuse('Porthos')">
  2945. BBC's Musketeers: Porthos du Vallon</li>
  2946.  
  2947. <li style="text-align:right;" onclick="openMuse('Valentine')">
  2948. Mortal Instruments: Valentine Morgenstern</li>
  2949.  
  2950. <li style="text-align:left;" onclick="openMuse('Mary')">
  2951. Reign: Mary, Queen of Scots</li>
  2952.  
  2953. <li style="text-align:right;" onclick="openMuse('Brian')">
  2954. Marvel Comics: Brian Falsworth</li>
  2955.  
  2956. <li style="text-align:left;" onclick="openMuse('Charles')">
  2957. X-Men: Charles Xavier</li>
  2958.  
  2959. <li style="text-align:right;" onclick="openMuse('Jamie')">
  2960. Outlander: Jamie Fraser</li>
  2961.  
  2962. <li style="text-align:left;" onclick="openMuse('Charles')">
  2963. &nbsp;</li>
  2964.  
  2965. <li style="text-align:right;" onclick="openMuse('Diana')">
  2966. All Souls Trilogy: Diana Bishop</li>
  2967.  
  2968. <li style="text-align:left; border-right:0px;" onclick="openMuse('Charles')">
  2969. &nbsp;</li>
  2970.  
  2971. <li style="text-align:right;" onclick="openMuse('Charles')">
  2972. &nbsp;</li>
  2973.  
  2974. <li style="text-align:left; color:{color:links};" onclick="openMuse('Rules')">Rules / Guidelines / Regulations / Laws</li>
  2975.  
  2976. <li style="text-align:right; color:{color:links};" onclick="openMuse('Navigation')">The blog's general navigation / tag links</li>
  2977.  
  2978. <li style="min-width:535px; margin-bottom:-5px!important;"></li>
  2979.  
  2980.  
  2981.  
  2982.  
  2983. </div id="mmuse">
  2984. </div id="myDropdown" class="dropdown-content">
  2985. </div class="dropdown">
  2986. </button>
  2987.  
  2988. </div class="navigation">
  2989.  
  2990.  
  2991.  
  2992.  
  2993.  
  2994.  
  2995. <div id="content">
  2996. <div id="content2">
  2997.  
  2998.  
  2999.  
  3000. {block:Posts}
  3001. <div class="posts">
  3002.  
  3003.  
  3004.  
  3005.  
  3006.  
  3007.  
  3008.  
  3009.  
  3010. <!-- POSTS: TEXT -->
  3011.  
  3012.  
  3013. {block:Text}
  3014.  
  3015.  
  3016. <div id="textbody">
  3017. {block:Title}
  3018. <h1>{Title}</a></h1>
  3019. {/block:Title}
  3020. <div id="wrap">
  3021. {Body}
  3022. <div style="clear:both">
  3023. </div style="clear:both">
  3024. </div id="wrap">
  3025. </div id="textbody">
  3026.  
  3027.  
  3028. {/block:Text}
  3029.  
  3030.  
  3031.  
  3032.  
  3033.  
  3034. <!-- POSTS: PHOTO/SET -->
  3035.  
  3036. {block:Photo}
  3037. <div id="psingle">
  3038. {LinkOpenTag}
  3039. <img src="{PhotoURL-HighRes}">
  3040. {LinkCloseTag}
  3041. </div id="psingle">
  3042.  
  3043. {block:Caption}
  3044. <div id="pcaption">
  3045. {Caption}
  3046. </div id="pcaption">
  3047. {/block:Caption}
  3048. {/block:Photo}
  3049.  
  3050.  
  3051. {block:Photoset}
  3052. <div id="pset">
  3053. {Photoset}
  3054. </div id="pset">
  3055.  
  3056. {block:Caption}
  3057. <div id="pcaption">
  3058. {Caption}
  3059. </div id="pcaption">
  3060. {/block:Caption}
  3061. {/block:Photoset}
  3062.  
  3063.  
  3064.  
  3065.  
  3066.  
  3067. <!-- POSTS: QUOTE -->
  3068.  
  3069. {block:Quote}
  3070. <div id="quote">
  3071. {Quote} — <span style="font-family:calibri; font-size:10.4px; text-transform:uppercase; color:{color:bold}; font-weight:bold!important; letter-spacing:0.2px;">by {Source}</span>
  3072. </div id="quote">
  3073. {/block:Quote}
  3074.  
  3075.  
  3076.  
  3077.  
  3078.  
  3079. <!-- POSTS: LINK -->
  3080.  
  3081. {block:Link}
  3082. <div id="linkpost">
  3083. <div id="link">
  3084. <a href="{URL}" {Target}>{Name}&nbsp;&nbsp; ►</a>
  3085. </div id="link">
  3086. </div id="linkpost">
  3087. {/block:Link}
  3088.  
  3089.  
  3090.  
  3091.  
  3092.  
  3093. <!-- POSTS: CHAT -->
  3094.  
  3095.  
  3096. {block:Chat}
  3097.  
  3098. <div id="chatbox">
  3099. <div id="chat">
  3100. {block:Lines}
  3101. <div id="{Alt}">
  3102. {block:Label}<i>{Label}</i>{/block:Label} {Line}
  3103. </div id="{Alt}">
  3104. {/block:Lines}
  3105. </div id="chat">
  3106. </div id="chatbox">
  3107.  
  3108. {/block:Chat}
  3109.  
  3110.  
  3111.  
  3112.  
  3113.  
  3114. <!-- POSTS: AUDIO -->
  3115.  
  3116. {block:Audio}
  3117. <div id="audiobox">
  3118.  
  3119. <div class="player">
  3120. <div class="audioplayer">
  3121.  
  3122. {AudioPlayerWhite}
  3123.  
  3124. </div class="audioplayer">
  3125. </div class="player">
  3126.  
  3127.  
  3128. <div class="audioinfo">
  3129. {block:TrackName}{TrackName}{/block:TrackName} — {block:Artist}{Artist}{/block:Artist}
  3130. </div class="audioinfo">
  3131.  
  3132. </div id="audiobox">
  3133.  
  3134.  
  3135. {block:Caption}
  3136. {Caption}
  3137. {/block:Caption}
  3138.  
  3139. {/block:Audio}
  3140.  
  3141.  
  3142.  
  3143.  
  3144.  
  3145. <!-- POSTS: VIDEO -->
  3146.  
  3147. {block:Video}
  3148. <div class="video-container">
  3149. {Video-400}
  3150. {block:Caption}{Caption}{/block:Caption}
  3151. </div class="video-container">
  3152. {Caption}
  3153. {/block:Video}
  3154.  
  3155.  
  3156.  
  3157.  
  3158.  
  3159. <!-- POSTS: ASK -->
  3160.  
  3161. {block:Answer}
  3162. <div id="answer">
  3163.  
  3164. <div id="question"><div id="ask"><b>{Asker} is inquiring for information:</b> {Question}</div><div class="letterask">Q</div></div>
  3165.  
  3166.  
  3167.  
  3168.  
  3169. <div id="response"><div id="wrap">{Answer}</div id="wrap"><div style="clear:both; margin-bottom:-5px;"></div>
  3170. </div id="response">
  3171.  
  3172. </div id="answer">
  3173. {/block:Answer}
  3174.  
  3175.  
  3176.  
  3177.  
  3178.  
  3179.  
  3180. <!-- POST INFORMATION -->
  3181.  
  3182.  
  3183.  
  3184. {block:Date}
  3185. {block:indexpage}
  3186.  
  3187. <div class="permalinkbar">
  3188.  
  3189.  
  3190. <div class="permalinkbuttons">
  3191.  
  3192. <a href="{Permalink}" style="text-align:left;">{Month} {DayOfMonth}{DayOfMonthSuffix} / {12Hour}:{Minutes}{CapitalAmPm} / {NoteCountWithLabel}</a>
  3193.  
  3194. {block:RebloggedFrom} <a href="{ReblogParentURL}" title="{ReblogParentName}: {ReblogParentTitle}">REBLOGGED FROM / VIA</a>{/block:RebloggedFrom}
  3195.  
  3196. <a href="{ReblogURL}" target="_blank" class="details" style="float:right; text-align:right;">CLICK HERE TO REBLOG THIS POST</a>
  3197.  
  3198. </div class="permalinkbuttons">
  3199.  
  3200.  
  3201. </div class="permalinkbar">
  3202.  
  3203. {block:HasTags}
  3204. <div class="tags">
  3205. {block:Tags}
  3206. <a href="{TagURL}">{Tag}&nbsp;&nbsp;</a>
  3207. {/block:Tags}
  3208.  
  3209. </div class="tags">
  3210. {/block:HasTags}
  3211. {/block:indexpage}
  3212.  
  3213.  
  3214.  
  3215.  
  3216. {block:permalinkpage}
  3217. <div class="permalinkbar">
  3218. <div class="permalinkbuttons">
  3219. {block:RebloggedFrom}
  3220. <a href="{ReblogParentName}" title="{ReblogParentName}" style="text-align:left;">REBLOGGED FROM / VIA</a>
  3221. {/block:RebloggedFrom}
  3222.  
  3223. <a href="{ReblogURL}" target="_blank" class="details" style="float:right; ">CLICK HERE TO REBLOG THIS POST</a>
  3224. </div class="permalinkbuttons">
  3225.  
  3226.  
  3227. </div class="permalinkbar">
  3228.  
  3229. {block:HasTags}
  3230. <div class="tags">
  3231. {block:Tags}
  3232. <a href="{TagURL}">{Tag}&nbsp;&nbsp;</a>
  3233. {/block:Tags}
  3234.  
  3235. </div class="tags">
  3236. {/block:HasTags}
  3237.  
  3238. {/block:permalinkpage}
  3239.  
  3240.  
  3241. {/block:Date}
  3242.  
  3243.  
  3244.  
  3245.  
  3246. <!-- NOTES -->
  3247.  
  3248. {block:PostNotes}
  3249. <div id="notes">
  3250. <div class="note">
  3251. {PostNotes}
  3252. </div class="note">
  3253. </div id="notes">
  3254. {/block:PostNotes}
  3255.  
  3256.  
  3257.  
  3258.  
  3259. <!-- HIDE VIA/SOURCE IN POSTS -->
  3260.  
  3261.  
  3262. {block:ContentSource}<!-- {SourceURL}
  3263. {block:SourceLogo}<img src="{BlackLogoURL}"width="{LogoWidth}" height="{LogoHeight}" alt="{SourceTitle}" />{/block:SourceLogo}
  3264. {block:NoSourceLogo}{SourceLink}{/block:NoSourceLogo} -->
  3265. {/block:ContentSource}
  3266.  
  3267.  
  3268. <!-- {block:NoRebloggedFrom}
  3269. {block:RebloggedFrom}{ReblogParentName}{/block:RebloggedFrom}
  3270. {/block:NoRebloggedFrom} -->
  3271.  
  3272.  
  3273. </div class="posts">
  3274.  
  3275.  
  3276. {/block:Posts}
  3277.  
  3278.  
  3279.  
  3280. </div id="content2">
  3281. </div id="content">
  3282.  
  3283.  
  3284.  
  3285.  
  3286.  
  3287. <div class="navigation1">
  3288. <div class="pagination">
  3289.  
  3290.  
  3291. <a href="/" style="color:{color:links}; text-shadow: 0px 0px 1px rgba(55, 55, 55, .63); text-align:left;" title="Refresh the page">RETURN TO MAIN PAGE</a>
  3292.  
  3293. {block:Indexpage}
  3294. {block:PreviousPage}<a href="{PreviousPage}">RETURN TO LAST PAGE</a>{/block:PreviousPage}
  3295. {block:NextPage}<a href="{NextPage}" style="float:right; margin-right:1px; text-align:right;">PROCEED TO NEXT PAGE</a>{/block:NextPage}
  3296. {/block:Indexpage}
  3297.  
  3298.  
  3299.  
  3300. {block:PermalinkPagination}
  3301. {block:PreviousPost}<a href="{PreviousPost}" title="Previous Post">RETURN TO LAST POST</a>{/block:PreviousPost}
  3302. {block:NextPost}<a href="{NextPost}" title="Next Post" style="float:right; margin-right:1px; text-align:right;">PROCEED TO NEXT POST</a>{/block:NextPost}
  3303. {/block:PermalinkPagination}
  3304.  
  3305.  
  3306.  
  3307. </div class="pagination">
  3308. </div class="navigation1">
  3309.  
  3310.  
  3311.  
  3312.  
  3313.  
  3314.  
  3315. <div id="Index" class="navi; muse" style="display:block">
  3316.  
  3317. </div id="Index" class="navi; muse">
  3318.  
  3319.  
  3320.  
  3321.  
  3322.  
  3323.  
  3324.  
  3325.  
  3326.  
  3327.  
  3328.  
  3329.  
  3330.  
  3331.  
  3332.  
  3333.  
  3334.  
  3335.  
  3336.  
  3337.  
  3338. <!-- MUSE PAGE: Rules -->
  3339.  
  3340.  
  3341.  
  3342. <div id="Inquiries" class="muse" style="display:none;">
  3343.  
  3344.  
  3345. <div id="box">
  3346.  
  3347. <div class="sidebar2">
  3348.  
  3349. <div class="sidebarbg2">
  3350. <img src="{image:Sidebar Background}">
  3351. </div class="sidebarbg2">
  3352.  
  3353.  
  3354. <div class="inner2">
  3355.  
  3356. <div class="sidebarimgtop2">
  3357. <img src="https://static.tumblr.com/78b85de87c278ab5a99f1f9735137a7c/gjexvml/qagpx40mh/tumblr_static_e9uw1uclb5kwwokk8owws4osc.png">
  3358. </div class="sidebarimgtop2">
  3359.  
  3360.  
  3361. <div class="description2">
  3362.  
  3363. <b style="color:{color:links};">LOIALTE:</b> INDEPENDENT AND SELECTIVE <i>MULTI MUSE</i> FEATURING CHARACTERS IN <b>&nbsp; THE MARVEL CINEMATIC UNIVERSE,</b> ASSASSIN'S CREED, <b>REIGN,</b> BBC MUSKETEERS, <b>OUTLANDER,</b> THE SHADOWHUNTER CHRONICLES, <b>AND MANY MORE!</b> &nbsp; &nbsp; LOW ACTIVITY. &nbsp; &nbsp; <i>SALUTED BY EMMA.</i>
  3364.  
  3365. </div class="description2">
  3366.  
  3367.  
  3368. <div class="sidebarimgbottom2">
  3369. <img src="https://static.tumblr.com/5d24f982a7ea59db29f7e90a13059695/gjexvml/vKepx5tbd/tumblr_static_1vihs3h7bo68gos4s4k8kgwwo.png">
  3370. </div class="sidebarimgbottom2">
  3371.  
  3372.  
  3373.  
  3374. </div class="inner2">
  3375.  
  3376. </div class="sidebar2">
  3377.  
  3378.  
  3379. <div id="page">
  3380.  
  3381. <div class="mimage">
  3382. <img src="https://i.imgur.com/IksElx7.png">
  3383. </div class="mimage">
  3384.  
  3385.  
  3386. <div class="mnavi">
  3387. <ul id="tabs">
  3388.  
  3389. <div class="dropdown2">
  3390. <button onclick="myFunction()" class="dropbtn2">
  3391. </button>
  3392.  
  3393.  
  3394.  
  3395.  
  3396.  
  3397. </ul id="tabs">
  3398. </div class="mnavi">
  3399.  
  3400.  
  3401. <!-- TAB ONE -->
  3402.  
  3403. <div id="mdescription" style="height:500px;">
  3404.  
  3405. <iframe frameborder="0" scrolling="yes" width="465px" height="200px" src="https://www.tumblr.com/ask_form/loialte.tumblr.com" style="padding:8px;margin-top:24px; background-color:transparent; border:1px solid #151515; overflow:hidden;" id="ask_form"></iframe><!--[if IE]><script type="text/javascript">document.getElementById('ask_form').allowTransparency=true;</script><![endif]--></p>
  3406.  
  3407. </div id="mdescription">
  3408.  
  3409.  
  3410. </div id="page">
  3411.  
  3412. </div id="box">
  3413.  
  3414. </div id="Inquiries" class="muse">
  3415.  
  3416.  
  3417.  
  3418.  
  3419.  
  3420.  
  3421.  
  3422.  
  3423.  
  3424.  
  3425.  
  3426.  
  3427.  
  3428.  
  3429.  
  3430.  
  3431.  
  3432.  
  3433.  
  3434.  
  3435.  
  3436.  
  3437.  
  3438.  
  3439.  
  3440. <!-- MUSE PAGE: Rules -->
  3441.  
  3442.  
  3443.  
  3444. <div id="Rules" class="muse" style="display:none;">
  3445.  
  3446.  
  3447. <div id="box">
  3448.  
  3449. <div class="sidebar2">
  3450.  
  3451. <div class="sidebarbg2">
  3452. <img src="{image:Sidebar Background}">
  3453. </div class="sidebarbg2">
  3454.  
  3455.  
  3456. <div class="inner2">
  3457.  
  3458. <div class="sidebarimgtop2">
  3459. <img src="https://i.imgur.com/241CLax.png">
  3460. </div class="sidebarimgtop2">
  3461.  
  3462.  
  3463. <div class="description2">
  3464.  
  3465. <b style="color:{color:links};">LOIALTE:</b> INDEPENDENT AND SELECTIVE <i>MULTI MUSE</i> FEATURING CHARACTERS IN <b>&nbsp; THE MARVEL CINEMATIC UNIVERSE,</b> ASSASSIN'S CREED, <b>REIGN,</b> BBC MUSKETEERS, <b>OUTLANDER,</b> THE SHADOWHUNTER CHRONICLES, <b>AND MANY MORE!</b> &nbsp; &nbsp; LOW ACTIVITY. &nbsp; &nbsp; <i>SALUTED BY EMMA.</i>
  3466.  
  3467. </div class="description2">
  3468.  
  3469.  
  3470. <div class="sidebarimgbottom2">
  3471. <img src="https://i.imgur.com/6m2Z8zV.png">
  3472. </div class="sidebarimgbottom2">
  3473.  
  3474.  
  3475.  
  3476. </div class="inner2">
  3477.  
  3478. </div class="sidebar2">
  3479.  
  3480.  
  3481. <div id="page">
  3482.  
  3483. <div class="mimage">
  3484. <img src="https://i.imgur.com/UgdFvzu.png">
  3485. </div class="mimage">
  3486.  
  3487.  
  3488. <div class="mnavi">
  3489. <ul id="tabs">
  3490.  
  3491. <div class="dropdown2">
  3492. <button onclick="myFunction()" class="dropbtn2">
  3493. Multi Muse: General Rules / Guidelines </button>
  3494. </div class="dropdown2">
  3495.  
  3496.  
  3497.  
  3498.  
  3499. </ul id="tabs">
  3500. </div class="mnavi">
  3501.  
  3502.  
  3503.  
  3504. <!-- TAB ONE -->
  3505.  
  3506.  
  3507. <ul id="tab"><li class="active">
  3508.  
  3509.  
  3510. <div class="mdescription">
  3511.  
  3512. <blockquote style="margin-top:0px!important;"><i>Oh, say can you see by the dawn's early light what so proudly we hailed at the twilight's last gleaming? Whose broad stripes and bright stars through the perilous fight, O'er the ramparts we watched were so gallantly streaming? And the rocket's red glare, the bombs bursting in air,
  3513. gave proof through the night that our flag was still there.
  3514. Oh, say does that star-spangled banner yet wave O'er the land of the free and the home of the brave?</i></blockquote>
  3515.  
  3516.  
  3517. <h4>001. IT'S GO TIME!</h4>
  3518.  
  3519. <p><u>I</u> tend to keep these really simple because I assume that most people understand the basic rules of tumblr roleplay by now but I will take the time to mention the finer rules somewhere along the line. For now, let me thank you for taking the time to read these and for considering following my blog.<br><br>
  3520.  
  3521. <h4>002. WARNINGS / TRIGGERS</h4>
  3522.  
  3523. <p><u>F</u>irst and foremost, this blog will have dark themes and mature content. No shocker there seeing as we’re going with the fandoms that I have listed, but let me go through this for the heck of it. Please know from the outset that this blog will have swearing, character death mentions, torture mentions, bodily harm, blood, and many others.
  3524.  
  3525. <p>Anything triggering will be tagged and I hope I manage to get it all, though if I happen to miss anything feel free to message me nicely and let me know so I can fix it asap. Aside from that nsfw will be tagged as such as I don’t usually have any on my blog anyway but I would love if you would do the same so I don’t have to track every single nsfw variant tag out there. My own trigger is spiders in picture, video or gif form. Please tag them.
  3526.  
  3527. <h4>003. GENERAL / INTERACTIONS</h4>
  3528.  
  3529. <p><u>I</u>f you want to write with me then please come write with me. I am mutuals only, of course, but I’m happy to have a meme turned into a thread, plotted threads, quick starter threads, etc. I like to plot but it’s an added bonus to writing and getting to know the mun’s behind the muses out there!
  3530.  
  3531. <p>Unless it isn’t clear enough, I’m not associated with any: writers, actors, books, shows, movies, etc, etc.
  3532.  
  3533. <p>Now for the quick draw rules that I assume everyone knows but will throw in here very quickly just in case:<br>
  3534. <b>DON’T:</b> Godmod, hound for replies, force ship, guilt trip, be angry if I’m slow.<br>
  3535. <b>DO:</b> Come into my IM’s and chat/plot, mention me/my muse in posts, ask for my Discord!
  3536.  
  3537. <h4>004. BEHIND THE SCENES</h4>
  3538.  
  3539. <p><u>A</u>lright lads? The mun’s name is Emma, she/her, 25+, from the U.K. I’m here to have fun, with the hopes that you’ll be having fun while interacting with me too! I work five days a week and have a life outside of tumblr so please understand that I am not fast when it comes to responses. I am however, very invested in my blog so please don’t let my slow reply nature keep you from interacting with me!
  3540.  
  3541. </div class="mdescription">
  3542.  
  3543.  
  3544. </div id="page">
  3545.  
  3546. </div id="box">
  3547.  
  3548. </div id="Rules" class="muse">
  3549.  
  3550.  
  3551.  
  3552.  
  3553.  
  3554.  
  3555.  
  3556.  
  3557.  
  3558.  
  3559.  
  3560.  
  3561.  
  3562.  
  3563.  
  3564.  
  3565.  
  3566.  
  3567.  
  3568.  
  3569.  
  3570.  
  3571.  
  3572.  
  3573.  
  3574.  
  3575.  
  3576.  
  3577.  
  3578. <!-- MUSE PAGE: Navigation -->
  3579.  
  3580.  
  3581.  
  3582. <div id="Navigation" class="muse" style="display:none;">
  3583.  
  3584.  
  3585. <div id="box">
  3586.  
  3587. <div class="sidebar2">
  3588.  
  3589. <div class="sidebarbg2">
  3590. <img src="{image:Sidebar Background}">
  3591. </div class="sidebarbg2">
  3592.  
  3593.  
  3594. <div class="inner2">
  3595.  
  3596. <div class="sidebarimgtop2">
  3597. <img src="https://i.imgur.com/241CLax.png">
  3598. </div class="sidebarimgtop2">
  3599.  
  3600.  
  3601. <div class="description2">
  3602.  
  3603. <b style="color:{color:links};">LOIALTE:</b> INDEPENDENT AND SELECTIVE <i>MULTI MUSE</i> FEATURING CHARACTERS IN <b>&nbsp; THE MARVEL CINEMATIC UNIVERSE,</b> ASSASSIN'S CREED, <b>REIGN,</b> BBC MUSKETEERS, <b>OUTLANDER,</b> THE SHADOWHUNTER CHRONICLES, <b>AND MANY MORE!</b> &nbsp; &nbsp; LOW ACTIVITY. &nbsp; &nbsp; <i>SALUTED BY EMMA.</i>
  3604.  
  3605. </div class="description2">
  3606.  
  3607.  
  3608. <div class="sidebarimgbottom2">
  3609. <img src="https://i.imgur.com/6m2Z8zV.png">
  3610. </div class="sidebarimgbottom2">
  3611.  
  3612.  
  3613.  
  3614. </div class="inner2">
  3615.  
  3616. </div class="sidebar2">
  3617.  
  3618.  
  3619. <div id="page">
  3620.  
  3621. <div class="mimage">
  3622. <img src="https://i.imgur.com/UgdFvzu.png">
  3623. </div class="mimage">
  3624.  
  3625.  
  3626. <div class="mnavi">
  3627. <ul id="tabs">
  3628.  
  3629. <div class="dropdown2">
  3630. <button onclick="myFunction()" class="dropbtn2">
  3631. Multi Muse: General Rules / Guidelines </button>
  3632. </div class="dropdown2">
  3633.  
  3634.  
  3635.  
  3636.  
  3637. </ul id="tabs">
  3638. </div class="mnavi">
  3639.  
  3640.  
  3641.  
  3642. <!-- TAB ONE -->
  3643.  
  3644.  
  3645. <ul id="tab"><li class="active">
  3646.  
  3647.  
  3648. <div class="mdescription">
  3649.  
  3650. <blockquote><i>Who's strong and brave, here to save the American Way? Who vows to fight like a man for what's right night and day? Who will campaign door-to-door for America? Carry the flag shore to shore for America from Hoboken to Spokane, The Star Spangled Man with a plan!</i></blockquote>
  3651.  
  3652.  
  3653.  
  3654.  
  3655. <h4>out of character / general tags</h4>
  3656.  
  3657. <div class="mlinks" style="margin-top:0px!important;">
  3658.  
  3659. <a href="/tagged/「-ooc-」-so-every-time-that-they-want-to-count-you-out%3A-use-your-voice-every-single-time-you-open-up-your-mouth.">
  3660. out of character
  3661. </a>
  3662.  
  3663. <a href="/tagged/「-psa-」-thought-you-was-batman-and-hit-the-party-with-a-gas-can.">
  3664. public service announcement
  3665. </a>
  3666.  
  3667. <a href="/tagged/「-answered-%2F-ooc-」-everybody-wants-to-save-the-world-but-no-one-wants-to-die.">
  3668. answered asks / ooc
  3669. </a>
  3670.  
  3671. <a href="/tagged/「-promotions-」-you%27re-the-broken-glass-in-the-morning-light.-be-a-burning-star-if-it-takes-all-night.">
  3672. promotions
  3673. </a>
  3674.  
  3675. <a href="/tagged/「-meme-」-ain%27t-nobody-gonna-take-my-life.-ain%27t-nobody-gonna-get-the-best-of-me.">
  3676. memes
  3677. </a>
  3678.  
  3679. <a href="/tagged/「-wishes-」-if-wishes-were-horses-i%27d-need-a-very-big-stable.">
  3680. wishes
  3681. </a>
  3682.  
  3683. <a href="https://www.rpthreadtracker.com/public/loialte/reply">thread tracker / reply</a>
  3684.  
  3685. <a href="https://www.rpthreadtracker.com/public/loialte/replied">thread tracker / replied</a>
  3686.  
  3687.  
  3688. </div class="mlinks">
  3689.  
  3690.  
  3691. </div class="mdescription">
  3692.  
  3693.  
  3694. </div id="page">
  3695.  
  3696. </div id="box">
  3697.  
  3698. </div id="Navigation" class="muse">
  3699.  
  3700.  
  3701.  
  3702.  
  3703.  
  3704.  
  3705.  
  3706.  
  3707.  
  3708.  
  3709.  
  3710.  
  3711.  
  3712.  
  3713.  
  3714.  
  3715.  
  3716.  
  3717.  
  3718.  
  3719.  
  3720. <!-- MUSE PAGE: Steve -->
  3721.  
  3722.  
  3723. <div id="Steve" class="muse" style="display:none;">
  3724.  
  3725.  
  3726. <div id="box">
  3727.  
  3728.  
  3729. <div class="sidebar2">
  3730.  
  3731. <div class="sidebarbg2">
  3732. <img src="{image:Sidebar Background}">
  3733. </div class="sidebarbg2">
  3734.  
  3735.  
  3736. <div class="inner2">
  3737.  
  3738. <div class="sidebarimgtop2">
  3739. <img src="https://i.imgur.com/qXcVAXX.png">
  3740. </div class="sidebarimgtop2">
  3741.  
  3742.  
  3743. <div class="description2">
  3744.  
  3745. <b style="color:{color:links};">CAPTAIN AMERICA / STEVE ROGERS:</b>
  3746. <p>"I know I'm asking a lot, but the price of freedom is high; it always has been. And it's a price I'm willing to pay. And if I'm the only one, then so be it. But I'm willing to bet I'm not."
  3747.  
  3748.  
  3749. </div class="description2">
  3750.  
  3751.  
  3752. <div class="sidebarimgbottom2">
  3753. <img src="https://i.imgur.com/HSlKoZg.png">
  3754. </div class="sidebarimgbottom2">
  3755.  
  3756.  
  3757.  
  3758. </div class="inner2">
  3759.  
  3760. </div class="sidebar2">
  3761.  
  3762.  
  3763.  
  3764. <div id="page">
  3765.  
  3766. <div class="mimage">
  3767. <img src="https://i.imgur.com/fGlxmNE.png">
  3768. </div class="mimage">
  3769.  
  3770.  
  3771. <div class="mnavi">
  3772. <ul id="tabs">
  3773.  
  3774. <div class="dropdown2">
  3775. <button onclick="myFunction()" class="dropbtn2">
  3776. Steve Rogers: Click for Navigational Pages</button>
  3777. <div id="myDropdown2" class="dropdown-content2">
  3778. <li style="text-align:left;" autofocus>General Information</li>
  3779. <li style="text-align:right;">Character Tags</li>
  3780. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  3781. </div id="myDropdown" class="dropdown-content2">
  3782. </div class="dropdown2">
  3783.  
  3784.  
  3785.  
  3786.  
  3787. </ul id="tabs">
  3788. </div class="mnavi">
  3789.  
  3790.  
  3791.  
  3792. <!-- TAB ONE -->
  3793.  
  3794.  
  3795. <ul id="tab"><li class="active">
  3796.  
  3797.  
  3798. <div class="mdescription">
  3799.  
  3800.  
  3801. <blockquote style="font-style:italic!important; margin-top:0px!important; color:"><b>his nation was founded on one principle above all else: The requirement that we stand up for what we believe, no matter the odds or the consequences. When the mob and the press and the whole world tell you to move, your job is to plant yourself like a tree beside the river of truth, and tell the whole world — 'No, you move'.</i></b></blockquote>
  3802.  
  3803.  
  3804. <h4>Introduction / Importances</h4>
  3805. Coming soon.
  3806.  
  3807. <h4>Elaboration: Shipping</h4>
  3808. Coming soon.
  3809.  
  3810.  
  3811. <h4>ENDGAME DIVERGENCE / POST-ENDGAME ROLE</h4>
  3812.  
  3813. <p>He returns the stones. Each one going back to the moment it was taken, as if they had never left to begin with — they couldn’t risk any more timeline changes and none of them would compromise their new peace. They had taken hits, lost some good people, but that was always the way when there were war’s, Steve knew that more than most. For Steve, he’d lost two good friends, one who had stood by his side since the Avengers were formed, a best friend to him and without her by his side Steve was sure he would be at a loss, and the other the most heroic man that he had the pleasure of knowing. Both of them had surprised him continuously and he would miss them both terribly. Then there was what he had lost inside fighting for so many years — he was so far from the bright eyed young man he had been when he’d been selected for the super soldier programme all those years back.
  3814.  
  3815. <p>Once he returned to the platform, having returned the stones and Thor’s hammer, Steve makes a choice. He had time to think whilst returning the infinity stones and following his return he hands over the mantle of Captain America.
  3816.  
  3817. <p>News of the Snap spreads around the world and slowly the news of what the avengers did for the world is reported — a public memorial service takes place for Iron Man and Black Widow, statues of the fallen heroes erected for the world to see and remember the sacrifices that were made.
  3818.  
  3819. <p>Contacted by President of the United States, Steve is invited to the White house where “Captain America” is pardoned for his actions during Civil War. Steve explains that he didn’t intend to resume wielding the shield, but would if asked. The President agrees and explains that he had another idea for Steve’s services in the future — offering to make him the new head of security of the United States. Upon evaluation, Steve agrees with the condition that he would get to do the job his way. Following this, the Sokovia Accords were repealed and once again a new Avengers base was established with Steve taking up the head of operations, with every intent in keeping out of as many fights as possible, instead taking to his new role seriously — he’d leave the heroics to the rest of the Avengers — unless there was an emergency situation.
  3820.  
  3821. <br>
  3822.  
  3823. <p>** PLEASE NOTE: If you write a Tony or Nat and want to interact post-endgame and don't follow their deaths then feel free to let me know because I will happily ignore their deaths in favour of Steve keeping his pals.
  3824.  
  3825. <p>** ALSO: if you interact with Steve post-Endgame, this is what Steve will be doing. This is his new role, watching over those that he loves while also keeping an eye on the world. He's just trying to do his best following everything that happened. He'll contact any Suit and Enhanced to either recruit you, ally himself with them or inform them of a pending situation. The world still needs heroes and Steve would rather have everyone working together than apart.
  3826.  
  3827.  
  3828.  
  3829. </div class="mdescription">
  3830.  
  3831.  
  3832. </li>
  3833.  
  3834.  
  3835.  
  3836. <!-- TAB TWO -->
  3837.  
  3838. <li>
  3839.  
  3840.  
  3841. <div class="mdescription">
  3842.  
  3843.  
  3844. <div class="mlinks" style="margin-top:0px!important;">
  3845.  
  3846. <h4>General Links</h4>
  3847.  
  3848.  
  3849. <a href="/tagged/「-steve-rogers-%2F-study-」-for-all-of-us-who%27ve-seen-the-light-salute-the-dead-and-lead-the-fight.">
  3850. study
  3851. </a>
  3852.  
  3853. <a href="/tagged/「-steve-rogers-%2F-visage-」-we-may-not-be-perfect-but-the-safest-hands-are-still-our-own.">
  3854. visage
  3855. </a>
  3856.  
  3857. <a href="/tagged/「-steve-rogers-%2F-headcanon-」-just-save-yourself-and-i%27ll-hold-them-back-tonight.">
  3858. headcanon
  3859. </a>
  3860.  
  3861. <a href="/tagged/「-steve-rogers-%2F-answered-ic-」-i-don%27t-want-to-kill-anyone-but-i-don%27t-like-bullies.-i-don%27t-care-where-they%27re-from.">
  3862. answered / in character
  3863. </a>
  3864.  
  3865.  
  3866.  
  3867. <h4>Universes</h4>
  3868.  
  3869.  
  3870. <a href="/tagged/「-steve-rogers-%2F-vs%3A-first-avenger-」-keep-your-feet-ready.-heartbeat-steady.">
  3871. The First Avenger
  3872. </a>
  3873.  
  3874. <a href="/tagged/「-steve-rogers-%2F-vs%3A-avengers-assemble-」-i-stand-here-right-beside-you%3B-tonight-we%27re-fighting-for-our-lives.">
  3875. Avengers Assemble
  3876. </a>
  3877.  
  3878. <a href="/tagged/「-steve-rogers-%2F-vs%3A-winter-soldier-」-i%27ve-got-a-voice%3B-a-beating-heart-inside-of-me.-i%27m-an-army-of-one.">
  3879. The Winter Solider
  3880. </a>
  3881.  
  3882. <a href="/tagged/「-steve-rogers-%2F-vs%3A-age-of-ultron-」-make-no-apology.-it%27s-death-or-victory.">
  3883. Age of Ultron
  3884. </a>
  3885.  
  3886. <a href="/tagged/「-steve-rogers-%2F-vs%3A-civil-war-」-we-are-the-ones-who-will-never-be-broken.-with-our-final-breath-we%27ll-fight-to-the-death.">
  3887. Civil War
  3888. </a>
  3889.  
  3890. <a href="/tagged/「-steve-rogers-%2F-vs%3A-infinity-war-」-what-have-you-become-when-they-take-from-you-almost-everything%3F">
  3891. Infinity War
  3892. </a>
  3893.  
  3894. <a href="/tagged/「-steve-rogers-%2F-vs%3A-endgame-」-you-can%27t-erase-us.-you%27ll-just-have-to-face-us%21">
  3895. Endgame
  3896. </a>
  3897.  
  3898. <a>
  3899. </a>
  3900.  
  3901.  
  3902. <h4>Connections</h4>
  3903.  
  3904. <a href="/tagged/「-steve-rogers-%2F-dyn%3A-bucky-」-the-tricky-thing-is-yesterday-we-were-just-children-playing-soldiers-just-pretending.">
  3905. Bucky
  3906. </a>
  3907.  
  3908. <a href="/tagged/「-steve-rogers-%2F-dyn%3A-peggy-」-the-world-has-changed-and-none-of-us-can-go-back.-all-we-can-do-is-our-best.">
  3909. Peggy
  3910. </a>
  3911.  
  3912. <a href="/tagged/「-steve-rogers-%2F-dyn%3A-sam-」-oh-that%27s-how-it-is%3F-%2F-oh-that%27s-how-it-is.">
  3913. Sam
  3914. </a>
  3915.  
  3916. <a href="/tagged/「-steve-rogers-%2F-dyn%3A-tony-」-no-one-else-is-going-to-deal-with-the-fact-that-cap-just-said-language%3F-%2F-i-know.-it-just-slipped-out.">
  3917. Tony
  3918. </a>
  3919.  
  3920. <a href="/tagged/「-steve-rogers-%2F-dyn%3A-natasha-」-hey-fellas.-either-one-of-you-know-where-the-smithsonian-is%3F-i%27m-here-to-pick-up-a-fossil.">
  3921. Natasha
  3922. </a>
  3923.  
  3924. <a href="/tagged/「-steve-rogers-%2F-dyn%3A-howling-commandos-」-gunning-out-of-this-place-in-a-bullet%27s-embrace-then-we%27ll-do-it-again.">
  3925. Howling Commandos
  3926. </a>
  3927.  
  3928. </div class="mlinks">
  3929. </div class="mdescription">
  3930.  
  3931. </li></ul>
  3932.  
  3933. </div id="page">
  3934.  
  3935. </div id="box">
  3936.  
  3937. </div id="Steve" class="muse">
  3938.  
  3939.  
  3940.  
  3941.  
  3942.  
  3943.  
  3944.  
  3945.  
  3946.  
  3947.  
  3948.  
  3949.  
  3950.  
  3951.  
  3952.  
  3953.  
  3954.  
  3955.  
  3956.  
  3957.  
  3958.  
  3959.  
  3960.  
  3961.  
  3962.  
  3963. <!-- MUSE PAGE: Claudia -->
  3964.  
  3965.  
  3966. <div id="Claudia" class="muse" style="display:none;">
  3967.  
  3968.  
  3969.  
  3970. <div id="box">
  3971.  
  3972. <div class="sidebar2">
  3973.  
  3974. <div class="sidebarbg2">
  3975. <img src="{image:Sidebar Background}">
  3976. </div class="sidebarbg2">
  3977.  
  3978.  
  3979. <div class="inner2">
  3980.  
  3981. <div class="sidebarimgtop2">
  3982. <img src="https://i.imgur.com/ECVLvG1.png">
  3983. </div class="sidebarimgtop2">
  3984.  
  3985.  
  3986. <div class="description2">
  3987.  
  3988. <b style="color:{color:links};">Claudia Auditore:</b>
  3989. <br>There were dead Borgia guards everywhere, those that were not dead were badly wounded or dying. In their midst, by the fountain, stood Claudia, her dress drenched in blood, with a rondel dagger in one hand and a stiletto in the other.
  3990.  
  3991. </div class="description2">
  3992.  
  3993.  
  3994. <div class="sidebarimgbottom2">
  3995. <img src="https://i.imgur.com/GrcbuhA.png">
  3996. </div class="sidebarimgbottom2">
  3997.  
  3998.  
  3999.  
  4000. </div class="inner2">
  4001.  
  4002. </div class="sidebar2">
  4003.  
  4004.  
  4005.  
  4006. <div id="page">
  4007.  
  4008. <div class="mimage">
  4009. <img src="https://i.imgur.com/GNIN1gp.png">
  4010. </div class="mimage">
  4011.  
  4012.  
  4013. <div class="mnavi">
  4014. <ul id="tabs">
  4015.  
  4016. <div class="dropdown2">
  4017. <button onclick="myFunction()" class="dropbtn2">
  4018. Claudia Auditore da Firenze: Click for Navigational Pages</button>
  4019. <div id="myDropdown2" class="dropdown-content2">
  4020. <li style="text-align:left;" autofocus>General Information</li>
  4021. <li style="text-align:right;">Character Tags</li>
  4022. <li style="text-align:left; min-width:534px;">Character Encyclopedia </li>
  4023. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  4024. </div id="myDropdown" class="dropdown-content2">
  4025. </div class="dropdown2">
  4026.  
  4027.  
  4028.  
  4029.  
  4030. </ul id="tabs">
  4031. </div class="mnavi">
  4032.  
  4033.  
  4034.  
  4035. <!-- TAB ONE -->
  4036.  
  4037.  
  4038. <ul id="tab"><li class="active">
  4039.  
  4040.  
  4041. <div class="mdescription">
  4042.  
  4043.  
  4044. <blockquote style="font-style:italic!important; margin-top:0px!important; color:"><b>They made their way to the Church of Santa Maria in Cosmedin and climbed its bell tower. Carefully guided by Bartolomeo and La Volpe, Claudia fearlessly threw herself into the void just as the golden orb of the sun broke free of the eastern horizon and caught the folds of her silver dress in its light and turned them golden, too. Ezio watched her land safely and walk with Bartolomeo and La Volpe in the direction of a nearby colonnade.</b></i></blockquote>
  4045.  
  4046.  
  4047. <h4>Introduction / Importances</h4>
  4048. Coming soon.
  4049.  
  4050. <h4>Canon elaboration: Shipping</h4>
  4051. Coming soon.
  4052.  
  4053. </div class="mdescription">
  4054.  
  4055.  
  4056. </li>
  4057.  
  4058.  
  4059.  
  4060. <!-- TAB TWO -->
  4061.  
  4062. <li>
  4063.  
  4064.  
  4065. <div class="mdescription">
  4066.  
  4067.  
  4068. <div class="mlinks" style="margin-top:0px!important;">
  4069.  
  4070.  
  4071. <h4>General Links</h4>
  4072.  
  4073.  
  4074. <a href="/tagged/「-claudia-auditore-%2F-study-」-fearlessly-threw-herself-into-the-void-as-the-golden-orb-of-the-sun-broke-free-of-the-eastern-horizon.">
  4075. study
  4076. </a>
  4077.  
  4078. <a href="/tagged/「-claudia-auditore-%2F-visage-」-her-dress-drenched-in-blood-with-a-rondel-dagger-in-one-hand-and-a-stiletto-in-the-other.">
  4079. visage
  4080. </a>
  4081.  
  4082. <a href="/tagged/「-claudia-auditore-%2F-headcanon-」-nothing-is-true.-everything-is-permitted.">
  4083. headcanon
  4084. </a>
  4085.  
  4086. <a href="/tagged/「-claudia-auditore-%2F-answered-ic-」-you-do-this-claudia-and-you%27re-on-your-own-%2F-i%27ve-been-on-my-own-for-twenty-years.">
  4087. answered / in character
  4088. </a>
  4089.  
  4090.  
  4091.  
  4092. <h4>Universes</h4>
  4093.  
  4094.  
  4095. <a href="/tagged/「-claudia-auditore-%2F-vs%3A-ii-」-he%27s-making-me-work%21-if-father-was-here-i%27d-never-be-stuck-behind-a-desk-like-this.">
  4096. AC: II
  4097. </a>
  4098.  
  4099. <a href="/tagged/「-claudia-auditore-%2F-vs%3A-brotherhood-」-welcome-to-our-brotherhood-%2F-sisterhood-too%3F-%2F-if-you-like.">
  4100. AC: Brotherhood
  4101. </a>
  4102.  
  4103. <a href="/tagged/「-claudia-auditore-%2F-vs%3A-revelations-」-i%27ve-only-been-doing-it-for-two-years-but-i-realize-what-you-have-been-carrying-on-your-shoulders.">
  4104. AC: Revelations
  4105. </a>
  4106.  
  4107. <a href="/tagged/">
  4108. AC: Embers
  4109. </a>
  4110.  
  4111.  
  4112.  
  4113. <h4>Connections</h4>
  4114.  
  4115.  
  4116. <a href="/tagged/「-claudia-auditore-%2F-dyn%3A-ezio-」-we-have-come-here.-we-have-taken-a-house-in-rome.-our-place-is-with-you.">
  4117. Ezio
  4118. </a>
  4119.  
  4120. <a>&nbsp;</a>
  4121.  
  4122.  
  4123.  
  4124. </div class="mlinks">
  4125.  
  4126. </div class="mdescription">
  4127.  
  4128. </li>
  4129.  
  4130.  
  4131.  
  4132. <!-- TAB THREE -->
  4133.  
  4134. <li>
  4135. <div class="mdescription">
  4136.  
  4137. <blockquote style="font-style:italic!important;">
  4138. <strong>The Assassin's Creed franchise</strong> frequently uses terms that will be <i>confusing to anyone who's unfamiliar with the games</i> as a whole. Similarly, I'll make reference to numerous specific terms and names. So instead of potentially and unwillingly having to send you to the respective wiki that is bombarded with infinite information, I've assembled a list that consists of numerous such terms and their definitions. An encyclopedia to help you out, if you will. This list will be updated as need arises.
  4139. </blockquote>
  4140.  
  4141.  
  4142. <h4>The Assassin Brotherhood</h4>
  4143. Also known as the <strong>Liberalis Circulum or Hashshashin</strong> in their respective eras, the Assassins are an ancient organization that <b>works to preserve the existence of freedom and liberty among the people,</b> believing that it will allow for the most progression of overall intelligence and individual growth, which lead to overall peace. They are opposed by another ancient organization known as the Templar Order, whom they have fought a covert war with since prehistorian times. Ezio Auditore was formally inducted into the Italian branch of the Assassin Brotherhood at twenty-nine.
  4144.  
  4145.  
  4146. <h4>The Assassin's Creed</h4>
  4147.  
  4148. Often referred to in passing as The Creed, it is a code that serves as a guiding philosophy for the Assassins, that has been passed down generations, dating back earlier than the Middle Ages. The Creed is not a book or written rules, as much as it is a concept that will continue to exist even if all its followers perish. While consisting of numerous tenets, it emphasizes on three in specific, which are as follows: <b>I. Stay your blade from the flesh of an innocent. II. Hide in plain sight. III. Never compromise the Brotherhood.</b> The Creed also bears a maxim as follows: <strong>Nothing is true; everything is permitted.</strong> Which preaches not freedom, but wisdom. Not a doctrine to be adhered, but a reminder of reality.
  4149.  
  4150.  
  4151. <h4>The Templar Order</h4>
  4152. Also known as the Order of the <strong>Knight's Templar,</strong> they are the sworn enemy of the Assassin Brotherhood. While aiming to create a perfect world (with an, at times, distorted vision of peace) much like their adversaries, their beliefs as to how to achieve this directly contradicts that of the Assassins. They believe in order and control and highly prioritize both over the former, with some extreme individuals in the Order looking to strip humanity of free will with aid of the <a href="#apple">Apples of Eden.</a>
  4153.  
  4154.  
  4155. <h4>Origins of the Orders</h4>
  4156.  
  4157. A minimal fraction of important figures within the Assassin Order, including Ezio Auditore, are distant descendants of <a href="#adam">Adam (as known in the book of Genesis).</a> And Templars have their origins traced back to Cain, the first son born to Adam and Eve and they have (and continue to) utilize his 'mark' as their crest and insignia.
  4158.  
  4159.  
  4160. <h4>First Civilization</h4>
  4161.  
  4162. An ancient and advanced species of humanoids <strong>(also known as the Isu or The Ones Who Came Before)</strong> that predated the human race and were among the first to populate the Earth. This First Civilization, while not Gods in any form of the word, were responsible for the creation of the human race that we know today. Building them in their own image to be both durable and capable, the homo sapiens were created as a docile workforce while homo neanderthalensis were designed to function as both an expeditionary force and a military army respectfully. This species of advanced humanoids was met with an inevitable extinction roughly a century after a cataclysmic event, which is often referred to as the <b>Toba catastrophe</b>, after they failed to fully recover their heavily declining population numbers.
  4163.  
  4164.  
  4165. <h4>(Garden of) Eden</h4>
  4166.  
  4167. Or simply known as <b>Eden,</b> this was a location that was under full control of the First Civilization. Differing from many other regions on the Earth at that time, the architecture was unique with flora and fauna growing in abundance, showing that they held this location in high regard and that it proved significant to them. This is why their most cherished and succesful creations were found here, this is where humanity existed and where the Pieces of Eden were stored and kept. <a name="apple"></a>
  4168.  
  4169.  
  4170. <h4>Pieces of Eden</h4>
  4171.  
  4172. Created by the First Civilization, these were technologically advanced devices that served multiple purposes. Some of these had the aim of bending the minds of homo sapiens through a unique neurotransmitter located in their brain. While humans revered the First Civilization as if they were Gods, their level of obidience fell short of what was desired. Through the use of these pieces of Eden (notably and more specifically, <b>Apples of Eden</b>), direct enslavement became an option. Despite the First Civilization's exctinction long ago, roughly fifty of these devices still exist. The Orders believe these Apples to be responsible for numerous historical miracles, such as the parting of the Red Sea, the Trojan War, the miracles enacted by Jesus Christ and the biblical plagues that terrorized Egypt. <a name="adam"></a>
  4173.  
  4174.  
  4175. <h4>Adam / Eve</h4>
  4176.  
  4177. In an attempt to preserve the DNA of the technologically advanced First Civilization, interbreeding eventually came to occur between them and the lesser homo sapiens. Referring to them as Isu-Human hybrids, Adam and Eve were considered the first among their kind. Possessing the genetics of the Isu, these hybrids were biologically immune to the mental effects of the devices that were meant to control them, alongside inheriting a natural possession of the renowned <a href="#vision">Eagle Vision.</a>
  4178.  
  4179.  
  4180. <h4>Human Rebellion</h4>
  4181.  
  4182. Rebelling against their creators, Adam and Eve managed to obtain an Apple of Eden and attempted to flee the Garden of Eden. This theft instigated a war between the First Civilization and the humans. While the Isu had the advantage of technology, knowledge and power, the humans were far greater in numbers. Lasting a whole ten years, both sides suffered extreme losses, and the war blinded them both to the inpending dangers of the Toba catastrophe's incoming threat to their planet. <a name="vision"></a>
  4183.  
  4184.  
  4185. <h4>Eagle Vision</h4>
  4186.  
  4187. The ability to instinctively sense how other human beings, animals and objects relate to them. This is a sixth sense that lays dormant in every human being, however they are generally unaware of its existence and to learn how to utilize it, requires very intense and prolonged training. However, descendants of Adam and/or Eve will naturally exhibit this sense, due to the higher concentration of DNA of the First Civilization found in their genes. <strong>Some</strong> of these individuals are able to evolve it to a much more advanced stage, known as <b>Eagle Sense.</b>
  4188.  
  4189.  
  4190. <h4>Eagle Sense</h4>
  4191.  
  4192. In very rare occasions, the aforementioned Eagle Vision could evolve into its most robust form, where it increases in capablity and influences/heightens all other senses. While known of, this is referred to as a quite rare form of extrasensory perception by the Assassin Order. Comparable to the exceptional and natural instinct of an eagle, the individual's smell, eyesight and hearing are enhanced to above human levels. As Ezio matured, many of his senses seemed to heighten, one of which was his Eagle Vision. His level and use of Eagle Sense thereafter, was found to be renowned within the Order at the time and well-acknowledged among Assassins globally. This robust form is not shared by all protagonists.
  4193.  
  4194.  
  4195. <h4>Hidden Blade</h4>
  4196.  
  4197. The signature weapon of the Assassins throughout history. Its main component is a blade that can be extended or retracted from a mechanism worn on the assassin's wrist, which works through a small flick of a muscle by the carpal tunnel. Ezio initially utilized one like most Assassins, until acquiring a second at the age of nineteen, he dual wields them from that moment forward. <a href="https://assassinscreed.wikia.com/wiki/File:Eerste-info-onthuld-over-assassin-s-creed-2_5_460x0.jpg" target="_blank">Visual reference.</a>
  4198.  
  4199.  
  4200. </div class="mdescription">
  4201.  
  4202. </li>
  4203. </ul>
  4204.  
  4205. </div id="page">
  4206.  
  4207. </div id="box">
  4208.  
  4209. </div id="Claudia" class="muse">
  4210.  
  4211.  
  4212.  
  4213.  
  4214.  
  4215.  
  4216.  
  4217.  
  4218.  
  4219.  
  4220.  
  4221.  
  4222.  
  4223.  
  4224.  
  4225.  
  4226.  
  4227.  
  4228.  
  4229.  
  4230.  
  4231.  
  4232.  
  4233.  
  4234.  
  4235.  
  4236.  
  4237.  
  4238. <!-- MUSE PAGE: Porthos -->
  4239.  
  4240.  
  4241. <div id="Porthos" class="muse" style="display:none;">
  4242.  
  4243.  
  4244.  
  4245. <div id="box">
  4246.  
  4247. <div class="sidebar2">
  4248.  
  4249. <div class="sidebarbg2">
  4250. <img src="{image:Sidebar Background}">
  4251. </div class="sidebarbg2">
  4252.  
  4253.  
  4254. <div class="inner2">
  4255.  
  4256. <div class="sidebarimgtop2">
  4257. <img src="https://i.imgur.com/aTV2Xjf.png">
  4258. </div class="sidebarimgtop2">
  4259.  
  4260.  
  4261. <div class="description2">
  4262.  
  4263. <b style="color:{color:links};">Porthos du Vallon:</b>
  4264. <br>"Heat. Flies. Boredom. I do so love parades. You know, I'm thinking about fainting just for something to do."
  4265. <br>"Let him take the credit. We don't need praise or glory" / "Praise and glory are two of my favorite things."
  4266. </div class="description2">
  4267.  
  4268.  
  4269. <div class="sidebarimgbottom2">
  4270. <img src="https://i.imgur.com/yTC0urW.png">
  4271. </div class="sidebarimgbottom2">
  4272.  
  4273.  
  4274.  
  4275. </div class="inner2">
  4276.  
  4277. </div class="sidebar2">
  4278.  
  4279.  
  4280.  
  4281. <div id="page">
  4282.  
  4283. <div class="mimage">
  4284. <img src="https://i.imgur.com/F7gF6Tv.png">
  4285. </div class="mimage">
  4286.  
  4287.  
  4288. <div class="mnavi">
  4289. <ul id="tabs">
  4290.  
  4291. <div class="dropdown2">
  4292. <button onclick="myFunction()" class="dropbtn2">
  4293. Porthos du Vallon: Click for Navigational Pages</button>
  4294. <div id="myDropdown2" class="dropdown-content2">
  4295. <li style="text-align:left;" autofocus>General Information</li>
  4296. <li style="text-align:right;">Character Tags</li>
  4297. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  4298. </div id="myDropdown" class="dropdown-content2">
  4299. </div class="dropdown2">
  4300.  
  4301.  
  4302.  
  4303.  
  4304. </ul id="tabs">
  4305. </div class="mnavi">
  4306.  
  4307.  
  4308.  
  4309. <!-- TAB ONE -->
  4310.  
  4311.  
  4312. <ul id="tab"><li class="active">
  4313.  
  4314.  
  4315. <div class="mdescription">
  4316.  
  4317.  
  4318. <blockquote style="font-style:italic!important; margin-top:0px!important; color:"><b>Porthos: Men are born free. No one has the right to make slaves of them.<br>
  4319. Émile Bonnaire: Yes, but the real world isn't driven by romantic notions of freedom, is it? It's driven by commerce... and I'm a trader. That's all. I deal in commodities.<br>
  4320. Porthos: A man is not a commodity.<br>
  4321. Émile Bonnaire: Oh, in Africa he is.</b></i></blockquote>
  4322.  
  4323.  
  4324. <h4>Introduction / Importances</h4>
  4325. Coming soon.
  4326.  
  4327. <h4>Canon elaboration: Shipping</h4>
  4328. Coming soon.
  4329.  
  4330. </div class="mdescription">
  4331.  
  4332.  
  4333. </li>
  4334.  
  4335.  
  4336.  
  4337. <!-- TAB TWO -->
  4338.  
  4339. <li>
  4340.  
  4341.  
  4342. <div class="mdescription">
  4343.  
  4344.  
  4345. <div class="mlinks" style="margin-top:0px!important;">
  4346.  
  4347. <h4>General Links</h4>
  4348.  
  4349. <a href="/tagged/「-porthos-%2F-study-」-i%27m-thinking-about-fainting-just-for-something-to-do.">
  4350. study
  4351. </a>
  4352.  
  4353. <a href="/tagged/「-porthos-%2F-visage-」-praise-and-glory-are-two-of-my-favourite-things.">
  4354. visage
  4355. </a>
  4356.  
  4357. <a href="/tagged/「-porthos-%2F-headcanon-」-just-like-a-heart-beat-the-drumbeat-carries-on.">
  4358. headcanon
  4359. </a>
  4360.  
  4361. <a href="/tagged/「-porthos-%2F-answered-ic-」-how-old-would-you-be-if-you-didn%27t-know-how-old-you-were%3F">
  4362. answered / in character
  4363. </a>
  4364.  
  4365.  
  4366.  
  4367. <h4>Universes</h4>
  4368.  
  4369. <a href="/tagged/「-porthos-%2F-vs%3A-s01-」-i-prefer-dangerous-freedom-over-peaceful-slavery.">
  4370. Season 01
  4371. </a>
  4372.  
  4373. <a href="/tagged/「-porthos-%2F-vs%3A-s02-」-if-you-want-to-start-a-fight-you-better-throw-he-first-punch.-make-it-a-good-one.">
  4374. Season 02
  4375. </a>
  4376.  
  4377. <a href="/tagged/「-porthos-%2F-vs%3A-s03-」-there%27s-bullets-flying-through-the-air-and-they-still-carry-on.">
  4378. Season 03
  4379. </a>
  4380.  
  4381. <a>&nbsp;</a>
  4382.  
  4383.  
  4384.  
  4385. <h4>Connections</h4>
  4386.  
  4387.  
  4388. <a href="/tagged/">
  4389. d'Artagnan
  4390. </a>
  4391.  
  4392. <a href="/tagged/">
  4393. Athos
  4394. </a>
  4395.  
  4396. <a href="/tagged/">
  4397. Aramis
  4398. </a>
  4399.  
  4400. <a>&nbsp;</a>
  4401.  
  4402.  
  4403. </div class="mlinks">
  4404.  
  4405. </div class="mdescription">
  4406.  
  4407. </li></ul>
  4408.  
  4409. </div id="page">
  4410.  
  4411. </div id="box">
  4412.  
  4413. </div id="Porthos" class="muse">
  4414.  
  4415.  
  4416.  
  4417.  
  4418.  
  4419.  
  4420.  
  4421.  
  4422.  
  4423.  
  4424.  
  4425.  
  4426.  
  4427.  
  4428.  
  4429.  
  4430.  
  4431.  
  4432.  
  4433.  
  4434.  
  4435.  
  4436. <!-- MUSE PAGE: Mary -->
  4437.  
  4438.  
  4439. <div id="Mary" class="muse" style="display:none;">
  4440.  
  4441. <div id="box">
  4442.  
  4443. <div class="sidebar2">
  4444.  
  4445. <div class="sidebarbg2">
  4446. <img src="{image:Sidebar Background}">
  4447. </div class="sidebarbg2">
  4448.  
  4449.  
  4450. <div class="inner2">
  4451.  
  4452. <div class="sidebarimgtop2">
  4453. <img src="https://i.imgur.com/d8jHfIo.png">
  4454. </div class="sidebarimgtop2">
  4455.  
  4456.  
  4457. <div class="description2">
  4458.  
  4459. <b style="color:{color:links};">MARY, QUEEN OF SCOTS:</b>
  4460.  
  4461. <p>To those men, you are their liege lord, the one to whom oaths of loyalty are made. They are ready to give their hearts to you, the true queen. There is power there, if you can take it and keep it.
  4462.  
  4463.  
  4464. </div class="description2">
  4465.  
  4466.  
  4467. <div class="sidebarimgbottom2">
  4468. <img src="https://i.imgur.com/9fiStDJ.png">
  4469. </div class="sidebarimgbottom2">
  4470.  
  4471.  
  4472.  
  4473. </div class="inner2">
  4474.  
  4475. </div class="sidebar2">
  4476.  
  4477.  
  4478.  
  4479. <div id="page">
  4480.  
  4481. <div class="mimage">
  4482. <img src="https://i.imgur.com/fCBmQCb.png">
  4483. </div class="mimage">
  4484.  
  4485.  
  4486. <div class="mnavi">
  4487. <ul id="tabs">
  4488.  
  4489. <div class="dropdown2">
  4490. <button onclick="myFunction()" class="dropbtn2">
  4491. Mary Stuart, Queen of Scots: Click for Navigational Pages</button>
  4492. <div id="myDropdown2" class="dropdown-content2">
  4493. <li style="text-align:left;" autofocus>General Information</li>
  4494. <li style="text-align:right;">Character Tags</li>
  4495. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  4496. </div id="myDropdown" class="dropdown-content2">
  4497. </div class="dropdown2">
  4498.  
  4499.  
  4500.  
  4501.  
  4502. </ul id="tabs">
  4503. </div class="mnavi">
  4504.  
  4505.  
  4506.  
  4507. <!-- TAB ONE -->
  4508.  
  4509.  
  4510. <ul id="tab"><li class="active">
  4511.  
  4512.  
  4513. <div class="mdescription">
  4514.  
  4515. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  4516. <b>I was born on this soil, crowned after the English murdered my father when I was six days old. I was raised to fight for this nation. I AM SCOTTISH, this country is in my blood as I know it is in yours. I believe in a Scotland that is independent, prosperous and peaceful. A Scotland that cannot be frightened, bullied, or bought by anyone. If you agree, then you will stand with me and tell this English delegation, who would urge you to bow to their queen, what we have told countless invaders before them that this is our land. And that, though they may spill our blood, THEY WILL NEVER TAKE THE SCOTLAND THAT POUNDS IN OUR VEINS!</b></blockquote>
  4517.  
  4518.  
  4519.  
  4520. <h4>Introduction / Importances</h4>
  4521.  
  4522. Coming soon.
  4523.  
  4524.  
  4525. <h4>Canon elaboration: Shipping</h4>
  4526. Coming soon.
  4527.  
  4528.  
  4529. </div class="mdescription">
  4530.  
  4531.  
  4532.  
  4533.  
  4534. </li>
  4535.  
  4536.  
  4537.  
  4538. <!-- TAB TWO -->
  4539.  
  4540. <li>
  4541.  
  4542. <div class="mdescription">
  4543.  
  4544.  
  4545. <div class="mlinks" style="margin-top:0px!important;">
  4546.  
  4547. <h4>General Links</h4>
  4548.  
  4549.  
  4550. <a href="/tagged/「-mary-stuart-%2F-study-」-my-blood-may-hail-from-scotland-but-my-heart-is-french.">
  4551. study
  4552. </a>
  4553.  
  4554. <a href="/tagged/「-mary-stuart-%2F-visage-」-in-a-hundred-years-as-queen-i-will-be-remembered.">
  4555. visage
  4556. </a>
  4557.  
  4558. <a href="/tagged/「-mary-stuart-%2F-headcanon-」-in-my-end-is-my-beginning.">
  4559. headcanon
  4560. </a>
  4561.  
  4562. <a href="/tagged/「-mary-stuart-%2F-answered-ic-」-i%27d-defy-the-devil-himself-if-he-tried-to-buy-and-sell-my-country.">
  4563. answered / in character
  4564. </a>
  4565.  
  4566.  
  4567.  
  4568. <h4>Universes</h4>
  4569.  
  4570.  
  4571. <a href="/tagged/「-mary-stuart-%2F-vs%3A-season-01-」-i-know-how-to-keep-my-life-and-my-crown.">
  4572. Season 01
  4573. </a>
  4574.  
  4575. <a href="/tagged/「-mary-stuart-%2F-vs%3A-season-02-」-i-will-spill-blood-to-defend-what-is-mine.">
  4576. Season 02
  4577. </a>
  4578.  
  4579. <a href="/tagged/「-mary-stuart-%2F-vs%3A-season-03-」-we-were-supposed-to-dance-under-the-stars.">
  4580. Season 03
  4581. </a>
  4582.  
  4583. <a>&nbsp;</a>
  4584.  
  4585.  
  4586. <h4>Connections</h4>
  4587.  
  4588.  
  4589. <a href="/tagged/「-mary-stuart-%2F-dyn%3A-francis-ii-」-you-are-my-most-precious-possession.">
  4590. francis II
  4591. </a>
  4592.  
  4593. <a href="/tagged/「-mary-stuart-%2F-dyn%3A-catherine-」-trust-that-i-can-get-you-through-this-because-i-swear-to-you-that-i-can.">
  4594. catherine
  4595. </a>
  4596.  
  4597. </div class="mlinks">
  4598.  
  4599.  
  4600. </div class="mdescription">
  4601.  
  4602.  
  4603. </li></ul>
  4604.  
  4605. </div id="page">
  4606.  
  4607. </div id="box">
  4608.  
  4609. </div id="Mary" class="muse" style="display:none;">
  4610.  
  4611.  
  4612.  
  4613.  
  4614.  
  4615.  
  4616.  
  4617.  
  4618.  
  4619.  
  4620.  
  4621.  
  4622.  
  4623.  
  4624.  
  4625.  
  4626.  
  4627.  
  4628.  
  4629.  
  4630.  
  4631.  
  4632.  
  4633.  
  4634.  
  4635.  
  4636.  
  4637.  
  4638.  
  4639.  
  4640.  
  4641.  
  4642. <!-- MUSE PAGE: Alec -->
  4643.  
  4644.  
  4645. <div id="Alec" class="muse" style="display:none;">
  4646.  
  4647. <div id="box">
  4648.  
  4649. <div class="sidebar2">
  4650.  
  4651. <div class="sidebarbg2">
  4652. <img src="{image:Sidebar Background}">
  4653. </div class="sidebarbg2">
  4654.  
  4655.  
  4656. <div class="inner2">
  4657.  
  4658. <div class="sidebarimgtop2">
  4659. <img src="https://i.imgur.com/uj35U6A.png">
  4660. </div class="sidebarimgtop2">
  4661.  
  4662.  
  4663. <div class="description2">
  4664.  
  4665. <b style="color:{color:links};">ALEC LIGHTWOOD:</b>
  4666. <br> Jace Herondale, famed among the nephilim as a master strategist, apparently thought "ABOUT A DOZEN DEMONS" was a fair estimate for "DEFINITELY THIRTHY-SEVEN DEMONS." Alec had gone around counting out of spite.
  4667.  
  4668. </div class="description2">
  4669.  
  4670.  
  4671. <div class="sidebarimgbottom2">
  4672. <img src="https://i.imgur.com/zGZhMQV.png">
  4673. </div class="sidebarimgbottom2">
  4674.  
  4675.  
  4676.  
  4677. </div class="inner2">
  4678.  
  4679. </div class="sidebar2">
  4680.  
  4681.  
  4682.  
  4683. <div id="page">
  4684.  
  4685. <div class="mimage">
  4686. <img src="https://i.imgur.com/UUhRwh3.png">
  4687. </div class="mimage">
  4688.  
  4689.  
  4690. <div class="mnavi">
  4691. <ul id="tabs">
  4692.  
  4693. <div class="dropdown2">
  4694. <button onclick="myFunction()" class="dropbtn2">
  4695. Alec Lightwood: Click for Navigational Pages</button>
  4696. <div id="myDropdown2" class="dropdown-content2">
  4697. <li style="text-align:left;" autofocus>General Information</li>
  4698. <li style="text-align:right;">Character Tags</li>
  4699. <li style="text-align:left;">Encyclopedia</li>
  4700. <li style="text-align:right;">Book/Show Differences</li>
  4701. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  4702. </div id="myDropdown" class="dropdown-content2">
  4703. </div class="dropdown2">
  4704.  
  4705.  
  4706.  
  4707.  
  4708. </ul id="tabs">
  4709. </div class="mnavi">
  4710.  
  4711.  
  4712.  
  4713. <!-- TAB ONE -->
  4714.  
  4715.  
  4716. <ul id="tab"><li class="active">
  4717.  
  4718.  
  4719. <div class="mdescription">
  4720.  
  4721. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  4722. <b>"Just because you said dragon demons were extinct—"<br/>
  4723. "I said <b>mostly</b> extinct."<br/>
  4724. Alec jabbed a finger toward him. "Mostly extinct," he said, his voice trembling with rage, <i>"is NOT EXTINCT ENOUGH."</i><br/>
  4725. "I see," said Jace. "I'll just have them change the entry in the demonology textbook from 'almost extinct' to '<i>not extinct enough for Alec.</i> He prefers his monsters really, really extinct.' Will that make you happy?”
  4726. </b></blockquote>
  4727.  
  4728.  
  4729. <h4>IMPORTANCES: REGARDING THE SHOW</h4>
  4730. Know from the start, though I did once follow the Freeform show Shadowhunters, I no longer do so and I do not roleplay anything from the show. I am rather critical of it and the direction it has been taken in, therefore please understand that you are likely to see my own opinions and comments on the show if you follow me. Know that, <i>though I support the actors and their work on the show,</i> <b>I do not support the show writers purely based on the material they have provided for the show.</b> This is my own opinion and in no way should influence your own views.
  4731.  
  4732.  
  4733. <h4>IMPORTANCES: REGARDING MOVIE/SHOW BLOGS</h4>
  4734.  
  4735. I would <i>love</i>&nbsp;to rp with any/all show or movie based blogs – in fact I would be <b>thrilled</b>. Here’s my deal though: my blog is <i>book based</i>. Now lets be real here, The Mortal Instruments: City of Bones was <i>pretty damn close</i>&nbsp;to the books – close enough that honestly? It shouldn’t matter too much what we touch on because it’s <b>close enough</b>. With Shadowhunters, it’s a completely different story. <i>Regardless of the facts,</i>&nbsp;if your blog is outside of book canon, we will have to chat about our muses and how to work them together. Mostly so I can hear the things you liked about the show or movie and what you would want to keep! I’m one of those people where, <i>if you can tell me a sound reason for keeping the the thing you want to keep that differs from the book</i>, I can usually find a way to make it work for me.</small></p>
  4736.  
  4737. <b>TLDR:</b> Just because I am <i>book based</i>, does not mean that I have a problem following and/or RPing with movie or show based blogs, provided we can find a <b>common ground</b>&nbsp;for our muses and we can plot about it first –&nbsp;<i>especially</i>&nbsp;when it comes to alternate canons!
  4738.  
  4739.  
  4740. </div class="mdescription">
  4741.  
  4742.  
  4743.  
  4744.  
  4745. </li>
  4746.  
  4747.  
  4748.  
  4749. <!-- TAB TWO -->
  4750.  
  4751. <li>
  4752.  
  4753. <div class="mdescription">
  4754.  
  4755.  
  4756. <div class="mlinks" style="margin-top:0px!important;">
  4757.  
  4758. <h4>General Links</h4>
  4759.  
  4760.  
  4761. <a href="/tagged/「-alec-lightwood-%2F-study-」-have-each-other%27s-backs-so-we-don%27t-have-to-fight-alone.">
  4762. study
  4763. </a>
  4764.  
  4765. <a href="/tagged/「-alec-lightwood-%2F-visage-」-he%27s-brave-good-and-loyal%3A-like-all-lightwood%27s-he-has-cheekbones-that-could-slice-salami.">
  4766. visage
  4767. </a>
  4768.  
  4769. <a href="/tagged/「-alec-lightwood-%2F-headcanon-」-we-can-gloss-over-whatever-you-want-just-don’t-kiss-me-again.">
  4770. headcanon
  4771. </a>
  4772.  
  4773. <a href="/tagged/「-alec-lightwood-%2F-answered-ic-」-lightwoods%3B-they-always-have-to-have-the-last-word.">
  4774. answered / in character
  4775. </a>
  4776.  
  4777.  
  4778.  
  4779.  
  4780. <h4>Universes</h4>
  4781.  
  4782.  
  4783. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-mortal-instruments-」-silver-though-few-people-knew-it-was-a-rarer-metal-than-gold.">
  4784. Mortal Instruments
  4785. </a>
  4786.  
  4787. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-eldest-curses-」-alec-keeps-sending-me-annoying-photos.-lots-of-captions-like-wish-you-were-here-except-not-really.">
  4788. Eldest Curses
  4789. </a>
  4790.  
  4791. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-shadowhunter-academy-」-he-approached-the-world-with-a-tender-wonder-that-made-all-things-new.">
  4792. Shadowhunter Academy
  4793. </a>
  4794.  
  4795. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-shadow-market-」-ready-for-another-round-of-heroically-defending-the-world%3F-or-if-it%27s-a-slow-night-pranking-simon%3F">
  4796. Shadow Market
  4797. </a>
  4798.  
  4799. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-dark-artifices-」-outside-the-wards-of-idris-we-will-fight-on-to-protect-the-world.">
  4800. Dark Artifices
  4801. </a>
  4802.  
  4803. <a>&nbsp;</a>
  4804.  
  4805.  
  4806. <h4>Connections</h4>
  4807.  
  4808.  
  4809. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-magnus-bane-」-alec-was-a-warrior-who-brought-him-peace.">
  4810. Magnus
  4811. </a>
  4812.  
  4813. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-jace-lightwood-herondale-」-i-don’t-feel-like-i’m-missing-a-part-of-me-anymore.">
  4814. Jace
  4815. </a>
  4816.  
  4817. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-isabelle-lightwood-」-she-wasn%27t-scared-of-much-but-alec-was-always-fussing.">
  4818. Isabelle
  4819. </a>
  4820.  
  4821. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-clary-fairchild-」-alec-had-come-to-love-her-after-resenting-her-so-much-at-first.">
  4822. Clary
  4823. </a>
  4824.  
  4825. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-simon-lewis-」-don%27t-talk.-alec-gestured-at-him-with-an-expression-of-vague-disgust.">
  4826. Simon
  4827. </a>
  4828.  
  4829. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-lily-chen-」-thank-you-for-coming-with-me.-also-you%27re-the-worst.">
  4830. Lily
  4831. </a>
  4832.  
  4833.  
  4834. </div class="mlinks">
  4835.  
  4836.  
  4837. </div class="mdescription">
  4838.  
  4839.  
  4840. </li>
  4841.  
  4842. <!-- TAB THREE -->
  4843.  
  4844. <li>
  4845.  
  4846. <div class="mdescription">
  4847.  
  4848.  
  4849. <blockquote style="font-style:italic!important;">
  4850. <u>T</u><b>he Mortal Instruments franchise</b> introduces us to a world that contains terminology that'll be entirely confusing for anyone unfamiliar with the novels. So while I could easily refer people to the according wiki pages that will each contain more information than you need to grasp the concept of each word, I'm assembling a list consisting of numerous terms that you're likely to come across at one point on this blog. See it as an encyclopedia of sorts. <i>This list will be updated as time passes.</i></blockquote>
  4851.  
  4852.  
  4853. <h4>Shadowhunters / Nephilim</h4>
  4854. <i>Descensus facilis Averno est;</i> <b>The descent into Hell is easy.</b> The Nephilim, commonly known as Shadowhunters are a race of mortal beings that're born human and appear as such, but have angelic blood running through their veins. They represent an order, if you will, that fight against demons alongside Downworlders in the Shadow World that is invisible to the mere human eye. In essence, the Shadowhunters' objective is to one day rid the world of Earth of these demons, bringing an end to a war that dates back well over a thousand years.
  4855.  
  4856.  
  4857. <h4>The Angel Raziel</h4>
  4858. Known as the patron and creator of the race of the Shadowhunters. Legend goes that they were created well over a thousand years ago, during an uprising of demons invading the Mundane world. A warlock is said to have summoned an angel by the name of Raziel. This assumed archangel chose to mix his own blood with that of mortal men into a cup, that would later become known as the <i>Mortal Cup,</i> and offered the mixture to these same men to drink. Those who chose to consume it became Shadowhunters, a decision that would mark their family's line, as all descendants would then be born Nephilim as well.
  4859.  
  4860.  
  4861. <h4>Mundanes & Glamour </h4>
  4862. In the world of Cassandra Clare's <b>The Mortal Instruments,</b> the term <i>mundane</i> is utilized for those of human birth. In essence, they are individuals like you and I. They are generally entirely oblivious to the existence of Nephilim, demons and Downworlders as a whole— as this war is combatted behind <i>glamour,</i> which is a form of magic that conceals the Shadow World to the naked eye, visible to only those with ability known as The Sight.
  4863.  
  4864. <h4>The Sight </h4>
  4865. Shadowhunters are generally <i>naturally born with</i> the ability of <b>The Sight</b> to see through glamour; it is a trait that is inherited through their Shadowhunter parents, which is bettered through training and then further improved upon further through usage of a permanent rune known as the rune of Voyance.
  4866.  
  4867. <h4>Runes</h4>
  4868. For Shadowhunters, these runes (known as <b>Marks)</b> are a <i>complex runic language</i> granted to them by the Angel Raziel, consisting of symbols that are burned into a Nephilim's skin with help of a stele (a tool created for the specific purpose of drawing these symbols) and work as empowerments, protection or various other uses. There are thousands of runes in existence.
  4869.  
  4870. <h4>Downworlders</h4>
  4871. This is a commonly used term for the, in essence, counterpart of the Nephilim. Where they are part human and part angel, the Downworlders are part human and part demon. The Downworlders consist of the <i>werewolves, faeries, vampires and warlocks.</i> While they are all demonic in origin and nature, they are regarded as human by the inhabitants of Heaven due to possessing human souls, which is what sets them apart from demons as a whole. Though often considered the logical and biological counterpart of the Shadowhunters, they live in peace and can fight side by side against demons in an allegiance created by the Accords.
  4872.  
  4873. <h4>WARLOCKS</h4>
  4874. Warlocks, also known as Lilith's Children, are an immortal race of Downworlder offsprings of demons and mundanes. Warlocks are born from demons and humans, usually rape or deceit from shape-shifting Eidolon demons, disguised as humans or a human's loved one or an object of sexual desire.
  4875. Warlocks are immortal beings. At one point in their lives, they stop ageing—which point exactly will depend on their warlock parent. At one point, however, after an unspecific but long duration of time, warlocks, like most immortal or long-lived beings such as Silent Brothers, can "fade" and "petrify"—when they grow bored or unsurprised by life and stop looking forward to their years ahead, when the weight of their long lives settle on them, they may begin to lose their minds, and/or stop feeling and living, in all other essences of the word except literally.
  4876. <p>A universal trait among them are their warlock or demon marks, a part of their body that is strange or unique that identifies them as unearthly.
  4877. Additionally, warlocks are unable to have children. Warlock pregnancy always results in stillbirth as they are crossbreeds and are thus sterile.
  4878. <p>An exception from these limitations are the very rare offspring of demons and unmarked Shadowhunters; without Marks to resist the demonic energy in a fetus, the pregnancy results in a living child—particularly, a dominantly Shadowhunter being with traces of warlock abilities. The only known case so far is Tessa Gray, who does not have a warlock mark and has given birth.
  4879. <p>Because of their half-demon, half-human nature, other Downworlders sometimes insultingly refer to them as "half-breeds."
  4880.  
  4881. <h4>The Accords</h4>
  4882. These are a set of amendments that together signify a peace treaty between Shadowhunters and Downworlders. As long as each of these amendments are never broken, the two can live side by side without bother, even finding allegiance when the need so arises. These Accords are revised and signed every fifteen years by <i>the Clave</i> (the political body of the Nephilim) and the representatives of all involved Downworlders.
  4883.  
  4884. <h4>THE MORTAL INSTRUMENTS</h4>
  4885. Three divine items given by the Angel Raziel to Jonathan Shadowhunter, the first of the Nephilim. Raziel gave them to the Nephilim not only for individual use, but also in case of dire emergency, when he would heed their call only once; when used all together, the Instruments would summon the Angel.
  4886. <p>A thousand years ago, the Angel Raziel was summoned during a time when the Incursion was at its peak, when a huge wave of demons crossed dimensions into the human world. Raziel rose from Lake Lyn and mixed some of his own blood with the blood of Jonathan in a Cup, which became known as the Mortal Cup, and gave it to him to drink, entrusting with him the responsibility of creating more of his kind by letting others drink from it. Along with the Cup, Raziel also gave him the Mortal Sword.
  4887. <p>For years, however, the Mortal Mirror was believed to be lost. It was in 2007 when it was revealed, after being deduced by Hodge Starkweather, that it was in fact Lake Lyn in Idris. The same year, the Mortal Instruments were used by Valentine Morgenstern to summon Raziel. Because of this, the Instruments can apparently no longer be used to re-summon him.
  4888.  
  4889. <h4>INSTITUTE</h4>
  4890. An Institute is an asylum for Shadowhunters, and in some cases Downworlders and mundanes under their protection, and a safe house meant to lodge and assist Nephilim from around the world in their quest to kill demons. They are found in every major city across the world and are often located in churches or built on holy ground.
  4891.  
  4892. <h4>PORTALS</h4>
  4893. The invention of the first successful Portal was a product of a collaboration between a Shadowhunter and a Downworlder, namely Henry Branwell from the London Institute, who drafted the plans for the device, and Magnus Bane, the warlock, whose name as the co-creator of the Portal is not recorded or credited in history, who used magic and demonic runes to make it work, in 1878.
  4894. Sometimes referred to as a Five-Dimensional Door, a portal is a magical means of transportation used by Shadowhunters.
  4895. <p>Portals are used as means for rapid travel all over the world which, if not warded properly, may be used by powerful demons to get through.
  4896. When a Portal is active, the surroundings light up brightly.
  4897. <p>The kind of runic manipulation required to create Portals is not available to Shadowhunters, and so they need to be created and set up by warlocks. To get around this, a large number of permanent Portals have been established to transport Nephilim to and from Idris without having to hire warlocks for every trip, which is still the case in other parts of the world. Warlocks are now also able to easily create Portals.
  4898. <p>The only known Shadowhunter to have successfully made a Portal without aid from a warlock is Clary Fray, who first managed it in late 2007 with an ancient rune.
  4899. <p>Additionally, a person needs to be familiar with the destination when going through a Portal. Otherwise, it will take the person to whatever place he/she is thinking of, or the place the last user of the Portal went to.
  4900.  
  4901. <h4>WITCHLIGHT</h4>
  4902. Witchlight is a light, flat, smooth gray stone that emits light, giving off a pure white glow when held by Shadowhunters. All Shadowhunters carry witchlight stones to remind them that light can be found even among the darkest shadows, and also to supply them with actual light when they are literally among dark shadows. Shadowhunters typically carry two witchlights.
  4903. <p>Although witchlight normally does not respond to the touch of mundanes and Downworlders; it glows a deep red, instead of the usual bright white, when held by Magnus Bane. This a result of his ancestry, as his father, Asmodeus, is a fallen angel.
  4904.  
  4905. <h4>THE GRAY BROOK</h4>
  4906. The Gray Book, formally The Book of Gramarye, is a tome that contains an exact replica of the original Book of the Covenant, in which the Angel Raziel inscribed the runes, or Marks, the Nephilim are permitted to use.
  4907. <p>There are only a few copies of the book, as each has to be specially made by Silent Brothers, particularly because it requires special paper to withstand the power of the runes. The High Warlock of Brooklyn, Magnus Bane, and every Institute each have their own copy of the book.
  4908. <p>All young Shadowhunters learn the Marks from this book. Because of the fragility of the human mind, most Shadowhunter children grow up learning one rune from the Book at a time over a period of years. Reading too many runes at once would apparently give the reader a headache.
  4909.  
  4910. <h4>THE CLAVE</h4>
  4911. The Clave is the collective name for the political body made up of all active Shadowhunters. The Clave keeps and interprets the Law, and makes decisions about the guidance of the Nephilim through history as it unfolds and decides on important matters that affect the Nephilim.
  4912.  
  4913. <h4>SILENT BROTHERS</h4>
  4914. The Silent Brothers are a powerful group of male Shadowhunterswho serve as archivists and medics of the Nephilim. To strengthen their minds, they have taken upon themselves the most powerful of runes known to Shadowhunters. They are feared among the Nephilim. They reside in the Silent City, away from the rest of their kind. In the 17th century, as an orphan, Magnus Bane was raised by the Silent Brothers in Madrid, Spain.
  4915.  
  4916. <h4>IRON SISTERS</h4>
  4917. The Iron Sisters are a communal organization of female Shadowhunters that forge weapons for their kind. The Iron Sisters are considered the female counterparts of the Silent Brothers, albeit more secluded. They reside in the Adamant Citadel, where they live in almost total solitude and speak only, and occasionally, to female Shadowhunters.
  4918.  
  4919. <h4>PRAETOR LUPUS</h4>
  4920. Praetor Lupus is an alliance of werewolves founded by Woolsey Scott in the 1800s. It literally means "Wolf Guardians," and is based on the Praetorians, an elite Roman military force. The Praetor is the first and largest self-policing organization among the Downworlders.
  4921.  
  4922. <h4>SCHOLOMANCE</h4>
  4923. The Scholomance is a Shadowhunter school where the most elite of Shadowhunters are trained to deal with demons and Downworlders.
  4924. It had been open for centuries until it was closed in 1872, when the First Accords were signed, as a show of good faith that Downworlders and Shadowhunters were no longer at war.
  4925. <p>A while after the Dark War in 2007, the Scholomance was reopened during the advent of the Cold Peace. It now trains Centurions to investigate cases involving faeries and continue their research.
  4926.  
  4927. <h4>THE WILD HUNT</h4>
  4928. The Wild Hunt are an independent and free-ranging group of faeries who have no allegiance to any of the earthly Courts, which they disdain. They also have no agreement with the Nephilim. They do not fall under and nor do they recognize or the jurisdiction of the Clave; they do not abide by any laws and refuse to involve themselves with the Accords.
  4929. <p>Led by Gwyn ap Nudd, the Wild Hunt rides at night across the skies or along the ground, in mad pursuit of an eternal hunt. They anticipate battles and lie in wait until it's all over, after which they come to gather the dead, though at times they choose their battles. From these dying men, they claim some to either serve them or join them in their hunts. Aside from this, new Hunters are recruited once a year, when a mortal is allowed or given the opportunity to join them; once they join the Hunt, however, they can never leave it. The only time a Hunter may leave is when they are actually given permission.</p>
  4930.  
  4931.  
  4932. </div class="mdescription">
  4933.  
  4934.  
  4935. </li>
  4936.  
  4937.  
  4938. <!-- TAB FOUR -->
  4939.  
  4940. <li>
  4941.  
  4942. <div class="mdescription">
  4943.  
  4944.  
  4945. <blockquote style="font-style:italic!important;"><b>
  4946. There are a great many differences between the show <i>Shadowhunters</i> and the books, <i>The Shadowhunter Chronicles</i>. I have compiled a list of things in the show that are <i>not</i> the same as in the books. Remember, this blog is <i>strictly book based</i> and so this list is purely to help those that aren't sure about what won't be the same between the books and the show, should we interact. This may be added to in the future, but for now, these are the things that are <b>important</b> to remember when interacting with my Alec.
  4947. </b></blockquote>
  4948.  
  4949.  
  4950.  
  4951.  
  4952.  
  4953. <h4>PORTALS</h4>
  4954. Contrary to the show's wonderful world of <b>a portal can be created by a warlock at any time, anywhere</b>, mentality... Portal's don't actually work that way. The only person who can whip up a portal on a whim is Clary Fairchild, and she has Angelic Blood to help her do that. The fact is, portals are either created temporarily and specifically for a purpose, which takes some time to put together, or the ones that already exist are utilised – which is more usually the case. Want to portal in New York? Then we're travelling to the nearest one and if you want Magnus Bane to do it, then it'll probably cost you more than a plane ticket would.
  4955.  
  4956.  
  4957. <h4>RUNES</h4>
  4958. Aside from three permanent runes (Voyance, Parabatai and Mnemosyne), every rune needs to be re-drawn. There is no process in the books as there is in the show, where the stele is hovered over a 'faded' rune and that it reactivates. That isn't how they work. Permanent and fresh runes are black and when their effect fades, the runes fade through shades of grey until it turns to a faint silvery white scar of sorts— which vanishes entirely over time. THERE IS NO SUCH THING AS FADED RED-LOOKING RUNES THAT ARE REACTIVATED.
  4959.  
  4960.  
  4961. <h4>TECHNOLOGY</h4>
  4962. Shadowhunters don't use technology. In fact, they barely use phones -- and only those that live outside Idris are able to have one. Their Institutes are <i>not</i> kitted out with all the latest technology, in fact, they are structually old buildings that were once holy buildings which are usually drafty and passed down throughout the generations. Technology doesn't work in Idris and is useless to the Nephilim as a whole and they ride horses as vehicles won't work within the capital city, Alicante.
  4963.  
  4964.  
  4965. <h4>THE SHOW WEDDING OF ALEC AND LYDIA BRANWELL</h4>
  4966. I mean, first and foremost, Lydia Branwell doesn't exist as far as we know within the Mortal Instruments books. The whole idea that Alec would ever agree to marry someone he didn't love when he knew that he couldn't ever be happy with them is ridiculous. Furthermore, it isn't in the books and will not be accepted into any part of my portrayal of Alec. It didn't happen.
  4967.  
  4968.  
  4969. <h4>MAX LIGHTWOOD'S DEATH</h4>
  4970. I don't fully understand why Max didn't die in the show? I know the death of a child can be traumatic and alter the characters affected by that death in many ways, but <i>that</i> is the reason why Max Lightwood's death is so important to the Lightwood family and their development. It's part of what spurs Jace on to kill Sebastian. It's what allows Maryse and Robert to separate. It's what play's on Alec's mind and Max is who Alec and Magnus name their Warlock son after when they adopt him. Alec wants to do the best he can by his son so that he gets to do right by his brother in some way. Max's death is <i>important</i> for character development. <b>Max had to die.</b> I never would ask for the death of a child, regardless of the fact that he's a fictional character, but Max Lightwood's death is important in so many ways and the show has brushed it aside as if all the things that Max's death brings about are unimportant.
  4971.  
  4972.  
  4973. <h4>THE BREAK UP™</h4>
  4974. The Angel give me strength... Honestly, I know a lot of show watchers liked the break up but really? The show writers took something so important to Magnus and Alec's development and made it meaningless. Firstly, what was Magnus' reasons for breaking up with Alec? Because Alec has 'hidden' the fact that the Soul Sword, that wasn't even activated by the way, was missing. Okay, sure, if that thing was activated, then it could do some real damage to the Downworld... but it wasn't activated! Also the two people that <i>can</i> activate it are both within reach? Honestly, were the show runner's reaching with this one or what?!
  4975. <p>The book break up goes thus; Alec is secretly meeting up with Camille Belcourt, someone that Magnus warned was manipulative, talking about a way to take away Magnus' immortality. (Doesn't this sound like a really good reason to break up with someone? I know!) Magnus hadn't been opening up to Alec properly and had been talking about people he had previously been with, Alec was jealous and sneaking around. In short, Magnus follows Alec one time when he goes to meet Camille and Magnus out's him, breaks up with him and admits that he loves Alec but that it doesn't change anything. There we go, a <i>legitimate</i> reason to break up with someone.
  4976.  
  4977.  
  4978. <h4>HEADING AN INSTITUTE</h4>
  4979. Alec at <b>no point</b> is head of the New York Institute. In fact, he doesn't <i>want</i> to head any institute at all. The Clave had been trying to make him Head of an Institute since the Cold War -- thus Jace Herondale co-head's the New York Institute with CLary Fairchild. Later Alec is made temportary Head of the London Institute before taking the Blackthorn kids alongside Kit Herondale, Emma Carstairs and Kieran Hunter to Idris. I stress that the position is temporary due to the fact that Alec had agreed to take over his father's role as Inquisitor upon Robert finding a time to step down.
  4980.  
  4981.  
  4982. </li>
  4983. </ul>
  4984.  
  4985. </div id="page">
  4986.  
  4987. </div id="box">
  4988.  
  4989. </div id="Alec" class="muse" style="display:none;">
  4990.  
  4991.  
  4992.  
  4993.  
  4994.  
  4995.  
  4996.  
  4997.  
  4998.  
  4999.  
  5000.  
  5001.  
  5002.  
  5003.  
  5004.  
  5005.  
  5006.  
  5007.  
  5008.  
  5009.  
  5010.  
  5011.  
  5012.  
  5013. <!-- MUSE PAGE: Magnus -->
  5014.  
  5015.  
  5016. <div id="Magnus" class="muse" style="display:none;">
  5017.  
  5018. <div id="box">
  5019.  
  5020. <div class="sidebar2">
  5021.  
  5022. <div class="sidebarbg2">
  5023. <img src="{image:Sidebar Background}">
  5024. </div class="sidebarbg2">
  5025.  
  5026.  
  5027. <div class="inner2">
  5028.  
  5029. <div class="sidebarimgtop2">
  5030. <img src="https://static.tumblr.com/bxa8dla/UA1pyc7o6/magnus12.png">
  5031. </div class="sidebarimgtop2">
  5032.  
  5033.  
  5034. <div class="description2">
  5035.  
  5036. <b style="color:{color:links};">MAGNUS BANE:</b>
  5037. <br> Jace Herondale, famed among the nephilim as a master strategist, apparently thought "ABOUT A DOZEN DEMONS" was a fair estimate for "DEFINITELY THIRTHY-SEVEN DEMONS." Alec had gone around counting out of spite.
  5038.  
  5039. </div class="description2">
  5040.  
  5041.  
  5042. <div class="sidebarimgbottom2">
  5043. <img src="https://static.tumblr.com/bxa8dla/iaopyc4fp/magnus01.png">
  5044. </div class="sidebarimgbottom2">
  5045.  
  5046.  
  5047.  
  5048. </div class="inner2">
  5049.  
  5050. </div class="sidebar2">
  5051.  
  5052.  
  5053.  
  5054. <div id="page">
  5055.  
  5056. <div class="mimage">
  5057. <img src="https://static.tumblr.com/bxa8dla/T2rpyc6q3/magnush1.png">
  5058. </div class="mimage">
  5059.  
  5060.  
  5061. <div class="mnavi">
  5062. <ul id="tabs">
  5063.  
  5064. <div class="dropdown2">
  5065. <button onclick="myFunction()" class="dropbtn2">
  5066. Magnus Bane: Click for Navigational Pages</button>
  5067. <div id="myDropdown2" class="dropdown-content2">
  5068. <li style="text-align:left;" autofocus>General Information</li>
  5069. <li style="text-align:right;">Character Tags</li>
  5070. <li style="text-align:left;">Encyclopedia</li>
  5071. <li style="text-align:right;">Book/Show Differences</li>
  5072. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  5073. </div id="myDropdown" class="dropdown-content2">
  5074. </div class="dropdown2">
  5075.  
  5076.  
  5077.  
  5078.  
  5079. </ul id="tabs">
  5080. </div class="mnavi">
  5081.  
  5082.  
  5083.  
  5084. <!-- TAB ONE -->
  5085.  
  5086.  
  5087. <ul id="tab"><li class="active">
  5088.  
  5089.  
  5090. <div class="mdescription">
  5091.  
  5092. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  5093. <b>"Just because you said dragon demons were extinct—"<br/>
  5094. "I said <b>mostly</b> extinct."<br/>
  5095. Alec jabbed a finger toward him. "Mostly extinct," he said, his voice trembling with rage, <i>"is NOT EXTINCT ENOUGH."</i><br/>
  5096. "I see," said Jace. "I'll just have them change the entry in the demonology textbook from 'almost extinct' to '<i>not extinct enough for Alec.</i> He prefers his monsters really, really extinct.' Will that make you happy?”
  5097. </b></blockquote>
  5098.  
  5099.  
  5100. <h4>IMPORTANCES: REGARDING THE SHOW</h4>
  5101. Know from the start, though I did once follow the Freeform show Shadowhunters, I no longer do so and I do not roleplay anything from the show. I am rather critical of it and the direction it has been taken in, therefore please understand that you are likely to see my own opinions and comments on the show if you follow me. Know that, <i>though I support the actors and their work on the show,</i> <b>I do not support the show writers purely based on the material they have provided for the show.</b> This is my own opinion and in no way should influence your own views.
  5102.  
  5103.  
  5104. <h4>IMPORTANCES: REGARDING MOVIE/SHOW BLOGS</h4>
  5105.  
  5106. I would <i>love</i>&nbsp;to rp with any/all show or movie based blogs – in fact I would be <b>thrilled</b>. Here’s my deal though: my blog is <i>book based</i>. Now lets be real here, The Mortal Instruments: City of Bones was <i>pretty damn close</i>&nbsp;to the books – close enough that honestly? It shouldn’t matter too much what we touch on because it’s <b>close enough</b>. With Shadowhunters, it’s a completely different story. <i>Regardless of the facts,</i>&nbsp;if your blog is outside of book canon, we will have to chat about our muses and how to work them together. Mostly so I can hear the things you liked about the show or movie and what you would want to keep! I’m one of those people where, <i>if you can tell me a sound reason for keeping the the thing you want to keep that differs from the book</i>, I can usually find a way to make it work for me.</small></p>
  5107.  
  5108. <b>TLDR:</b> Just because I am <i>book based</i>, does not mean that I have a problem following and/or RPing with movie or show based blogs, provided we can find a <b>common ground</b>&nbsp;for our muses and we can plot about it first –&nbsp;<i>especially</i>&nbsp;when it comes to alternate canons!
  5109.  
  5110.  
  5111. </div class="mdescription">
  5112.  
  5113.  
  5114.  
  5115.  
  5116. </li>
  5117.  
  5118.  
  5119.  
  5120. <!-- TAB TWO -->
  5121.  
  5122. <li>
  5123.  
  5124. <div class="mdescription">
  5125.  
  5126.  
  5127. <div class="mlinks" style="margin-top:0px!important;">
  5128.  
  5129. <h4>General Links</h4>
  5130.  
  5131.  
  5132. <a href="/tagged/「-alec-lightwood-%2F-study-」-have-each-other%27s-backs-so-we-don%27t-have-to-fight-alone.">
  5133. study
  5134. </a>
  5135.  
  5136. <a href="/tagged/「-alec-lightwood-%2F-visage-」-he%27s-brave-good-and-loyal%3A-like-all-lightwood%27s-he-has-cheekbones-that-could-slice-salami.">
  5137. visage
  5138. </a>
  5139.  
  5140. <a href="/tagged/「-alec-lightwood-%2F-headcanon-」-we-can-gloss-over-whatever-you-want-just-don’t-kiss-me-again.">
  5141. headcanon
  5142. </a>
  5143.  
  5144. <a href="/tagged/「-alec-lightwood-%2F-answered-ic-」-lightwoods%3B-they-always-have-to-have-the-last-word.">
  5145. answered / in character
  5146. </a>
  5147.  
  5148.  
  5149.  
  5150.  
  5151. <h4>Universes</h4>
  5152.  
  5153.  
  5154. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-mortal-instruments-」-silver-though-few-people-knew-it-was-a-rarer-metal-than-gold.">
  5155. Mortal Instruments
  5156. </a>
  5157.  
  5158. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-eldest-curses-」-alec-keeps-sending-me-annoying-photos.-lots-of-captions-like-wish-you-were-here-except-not-really.">
  5159. Eldest Curses
  5160. </a>
  5161.  
  5162. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-shadowhunter-academy-」-he-approached-the-world-with-a-tender-wonder-that-made-all-things-new.">
  5163. Shadowhunter Academy
  5164. </a>
  5165.  
  5166. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-shadow-market-」-ready-for-another-round-of-heroically-defending-the-world%3F-or-if-it%27s-a-slow-night-pranking-simon%3F">
  5167. Shadow Market
  5168. </a>
  5169.  
  5170. <a href="/tagged/「-alec-lightwood-%2F-vs%3A-dark-artifices-」-outside-the-wards-of-idris-we-will-fight-on-to-protect-the-world.">
  5171. Dark Artifices
  5172. </a>
  5173.  
  5174. <a>&nbsp;</a>
  5175.  
  5176.  
  5177. <h4>Connections</h4>
  5178.  
  5179.  
  5180. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-magnus-bane-」-alec-was-a-warrior-who-brought-him-peace.">
  5181. Magnus
  5182. </a>
  5183.  
  5184. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-jace-lightwood-herondale-」-i-don’t-feel-like-i’m-missing-a-part-of-me-anymore.">
  5185. Jace
  5186. </a>
  5187.  
  5188. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-isabelle-lightwood-」-she-wasn%27t-scared-of-much-but-alec-was-always-fussing.">
  5189. Isabelle
  5190. </a>
  5191.  
  5192. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-clary-fairchild-」-alec-had-come-to-love-her-after-resenting-her-so-much-at-first.">
  5193. Clary
  5194. </a>
  5195.  
  5196. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-simon-lewis-」-don%27t-talk.-alec-gestured-at-him-with-an-expression-of-vague-disgust.">
  5197. Simon
  5198. </a>
  5199.  
  5200. <a href="/tagged/「-alec-lightwood-%2F-dyn%3A-lily-chen-」-thank-you-for-coming-with-me.-also-you%27re-the-worst.">
  5201. Lily
  5202. </a>
  5203.  
  5204.  
  5205. </div class="mlinks">
  5206.  
  5207.  
  5208. </div class="mdescription">
  5209.  
  5210.  
  5211. </li>
  5212.  
  5213. <!-- TAB THREE -->
  5214.  
  5215. <li>
  5216.  
  5217. <div class="mdescription">
  5218.  
  5219.  
  5220. <blockquote style="font-style:italic!important; margin-top:0px!important;">The Mortal Instruments franchise</b> introduces us to a world that contains terminology that'll be entirely confusing for anyone unfamiliar with the novels. So while I could easily refer people to the according wiki pages that will each contain more information than you need to grasp the concept of each word, I'm assembling a list consisting of numerous terms that you're likely to come across at one point on this blog. See it as an encyclopedia of sorts. <i>This list will be updated as time passes.</i></blockquote>
  5221.  
  5222.  
  5223. <h4>Shadowhunters / Nephilim</h4>
  5224. <i>Descensus facilis Averno est;</i> <b>The descent into Hell is easy.</b> The Nephilim, commonly known as Shadowhunters are a race of mortal beings that're born human and appear as such, but have angelic blood running through their veins. They represent an order, if you will, that fight against demons alongside Downworlders in the Shadow World that is invisible to the mere human eye. In essence, the Shadowhunters' objective is to one day rid the world of Earth of these demons, bringing an end to a war that dates back well over a thousand years.
  5225.  
  5226.  
  5227. <h4>The Angel Raziel</h4>
  5228. Known as the patron and creator of the race of the Shadowhunters. Legend goes that they were created well over a thousand years ago, during an uprising of demons invading the Mundane world. A warlock is said to have summoned an angel by the name of Raziel. This assumed archangel chose to mix his own blood with that of mortal men into a cup, that would later become known as the <i>Mortal Cup,</i> and offered the mixture to these same men to drink. Those who chose to consume it became Shadowhunters, a decision that would mark their family's line, as all descendants would then be born Nephilim as well.
  5229.  
  5230.  
  5231. <h4>Mundanes & Glamour </h4>
  5232. In the world of Cassandra Clare's <b>The Mortal Instruments,</b> the term <i>mundane</i> is utilized for those of human birth. In essence, they are individuals like you and I. They are generally entirely oblivious to the existence of Nephilim, demons and Downworlders as a whole— as this war is combatted behind <i>glamour,</i> which is a form of magic that conceals the Shadow World to the naked eye, visible to only those with ability known as The Sight.
  5233.  
  5234. <h4>The Sight </h4>
  5235. Shadowhunters are generally <i>naturally born with</i> the ability of <b>The Sight</b> to see through glamour; it is a trait that is inherited through their Shadowhunter parents, which is bettered through training and then further improved upon further through usage of a permanent rune known as the rune of Voyance.
  5236.  
  5237. <h4>Runes</h4>
  5238. For Shadowhunters, these runes (known as <b>Marks)</b> are a <i>complex runic language</i> granted to them by the Angel Raziel, consisting of symbols that are burned into a Nephilim's skin with help of a stele (a tool created for the specific purpose of drawing these symbols) and work as empowerments, protection or various other uses. There are thousands of runes in existence.
  5239.  
  5240. <h4>Downworlders</h4>
  5241. This is a commonly used term for the, in essence, counterpart of the Nephilim. Where they are part human and part angel, the Downworlders are part human and part demon. The Downworlders consist of the <i>werewolves, faeries, vampires and warlocks.</i> While they are all demonic in origin and nature, they are regarded as human by the inhabitants of Heaven due to possessing human souls, which is what sets them apart from demons as a whole. Though often considered the logical and biological counterpart of the Shadowhunters, they live in peace and can fight side by side against demons in an allegiance created by the Accords.
  5242.  
  5243. <h4>WARLOCKS</h4>
  5244. Warlocks, also known as Lilith's Children, are an immortal race of Downworlder offsprings of demons and mundanes. Warlocks are born from demons and humans, usually rape or deceit from shape-shifting Eidolon demons, disguised as humans or a human's loved one or an object of sexual desire.
  5245. Warlocks are immortal beings. At one point in their lives, they stop ageing—which point exactly will depend on their warlock parent. At one point, however, after an unspecific but long duration of time, warlocks, like most immortal or long-lived beings such as Silent Brothers, can "fade" and "petrify"—when they grow bored or unsurprised by life and stop looking forward to their years ahead, when the weight of their long lives settle on them, they may begin to lose their minds, and/or stop feeling and living, in all other essences of the word except literally.
  5246. <p>A universal trait among them are their warlock or demon marks, a part of their body that is strange or unique that identifies them as unearthly.
  5247. Additionally, warlocks are unable to have children. Warlock pregnancy always results in stillbirth as they are crossbreeds and are thus sterile.
  5248. <p>An exception from these limitations are the very rare offspring of demons and unmarked Shadowhunters; without Marks to resist the demonic energy in a fetus, the pregnancy results in a living child—particularly, a dominantly Shadowhunter being with traces of warlock abilities. The only known case so far is Tessa Gray, who does not have a warlock mark and has given birth.
  5249. <p>Because of their half-demon, half-human nature, other Downworlders sometimes insultingly refer to them as "half-breeds."
  5250.  
  5251. <h4>The Accords</h4>
  5252. These are a set of amendments that together signify a peace treaty between Shadowhunters and Downworlders. As long as each of these amendments are never broken, the two can live side by side without bother, even finding allegiance when the need so arises. These Accords are revised and signed every fifteen years by <i>the Clave</i> (the political body of the Nephilim) and the representatives of all involved Downworlders.
  5253.  
  5254. <h4>THE MORTAL INSTRUMENTS</h4>
  5255. Three divine items given by the Angel Raziel to Jonathan Shadowhunter, the first of the Nephilim. Raziel gave them to the Nephilim not only for individual use, but also in case of dire emergency, when he would heed their call only once; when used all together, the Instruments would summon the Angel.
  5256. <p>A thousand years ago, the Angel Raziel was summoned during a time when the Incursion was at its peak, when a huge wave of demons crossed dimensions into the human world. Raziel rose from Lake Lyn and mixed some of his own blood with the blood of Jonathan in a Cup, which became known as the Mortal Cup, and gave it to him to drink, entrusting with him the responsibility of creating more of his kind by letting others drink from it. Along with the Cup, Raziel also gave him the Mortal Sword.
  5257. <p>For years, however, the Mortal Mirror was believed to be lost. It was in 2007 when it was revealed, after being deduced by Hodge Starkweather, that it was in fact Lake Lyn in Idris. The same year, the Mortal Instruments were used by Valentine Morgenstern to summon Raziel. Because of this, the Instruments can apparently no longer be used to re-summon him.
  5258.  
  5259. <h4>INSTITUTE</h4>
  5260. An Institute is an asylum for Shadowhunters, and in some cases Downworlders and mundanes under their protection, and a safe house meant to lodge and assist Nephilim from around the world in their quest to kill demons. They are found in every major city across the world and are often located in churches or built on holy ground.
  5261.  
  5262. <h4>PORTALS</h4>
  5263. The invention of the first successful Portal was a product of a collaboration between a Shadowhunter and a Downworlder, namely Henry Branwell from the London Institute, who drafted the plans for the device, and Magnus Bane, the warlock, whose name as the co-creator of the Portal is not recorded or credited in history, who used magic and demonic runes to make it work, in 1878.
  5264. Sometimes referred to as a Five-Dimensional Door, a portal is a magical means of transportation used by Shadowhunters.
  5265. <p>Portals are used as means for rapid travel all over the world which, if not warded properly, may be used by powerful demons to get through.
  5266. When a Portal is active, the surroundings light up brightly.
  5267. <p>The kind of runic manipulation required to create Portals is not available to Shadowhunters, and so they need to be created and set up by warlocks. To get around this, a large number of permanent Portals have been established to transport Nephilim to and from Idris without having to hire warlocks for every trip, which is still the case in other parts of the world. Warlocks are now also able to easily create Portals.
  5268. <p>The only known Shadowhunter to have successfully made a Portal without aid from a warlock is Clary Fray, who first managed it in late 2007 with an ancient rune.
  5269. <p>Additionally, a person needs to be familiar with the destination when going through a Portal. Otherwise, it will take the person to whatever place he/she is thinking of, or the place the last user of the Portal went to.
  5270.  
  5271. <h4>WITCHLIGHT</h4>
  5272. Witchlight is a light, flat, smooth gray stone that emits light, giving off a pure white glow when held by Shadowhunters. All Shadowhunters carry witchlight stones to remind them that light can be found even among the darkest shadows, and also to supply them with actual light when they are literally among dark shadows. Shadowhunters typically carry two witchlights.
  5273. <p>Although witchlight normally does not respond to the touch of mundanes and Downworlders; it glows a deep red, instead of the usual bright white, when held by Magnus Bane. This a result of his ancestry, as his father, Asmodeus, is a fallen angel.
  5274.  
  5275. <h4>THE GRAY BROOK</h4>
  5276. The Gray Book, formally The Book of Gramarye, is a tome that contains an exact replica of the original Book of the Covenant, in which the Angel Raziel inscribed the runes, or Marks, the Nephilim are permitted to use.
  5277. <p>There are only a few copies of the book, as each has to be specially made by Silent Brothers, particularly because it requires special paper to withstand the power of the runes. The High Warlock of Brooklyn, Magnus Bane, and every Institute each have their own copy of the book.
  5278. <p>All young Shadowhunters learn the Marks from this book. Because of the fragility of the human mind, most Shadowhunter children grow up learning one rune from the Book at a time over a period of years. Reading too many runes at once would apparently give the reader a headache.
  5279.  
  5280. <h4>THE CLAVE</h4>
  5281. The Clave is the collective name for the political body made up of all active Shadowhunters. The Clave keeps and interprets the Law, and makes decisions about the guidance of the Nephilim through history as it unfolds and decides on important matters that affect the Nephilim.
  5282.  
  5283. <h4>SILENT BROTHERS</h4>
  5284. The Silent Brothers are a powerful group of male Shadowhunterswho serve as archivists and medics of the Nephilim. To strengthen their minds, they have taken upon themselves the most powerful of runes known to Shadowhunters. They are feared among the Nephilim. They reside in the Silent City, away from the rest of their kind. In the 17th century, as an orphan, Magnus Bane was raised by the Silent Brothers in Madrid, Spain.
  5285.  
  5286. <h4>IRON SISTERS</h4>
  5287. The Iron Sisters are a communal organization of female Shadowhunters that forge weapons for their kind. The Iron Sisters are considered the female counterparts of the Silent Brothers, albeit more secluded. They reside in the Adamant Citadel, where they live in almost total solitude and speak only, and occasionally, to female Shadowhunters.
  5288.  
  5289. <h4>PRAETOR LUPUS</h4>
  5290. Praetor Lupus is an alliance of werewolves founded by Woolsey Scott in the 1800s. It literally means "Wolf Guardians," and is based on the Praetorians, an elite Roman military force. The Praetor is the first and largest self-policing organization among the Downworlders.
  5291.  
  5292. <h4>SCHOLOMANCE</h4>
  5293. The Scholomance is a Shadowhunter school where the most elite of Shadowhunters are trained to deal with demons and Downworlders.
  5294. It had been open for centuries until it was closed in 1872, when the First Accords were signed, as a show of good faith that Downworlders and Shadowhunters were no longer at war.
  5295. <p>A while after the Dark War in 2007, the Scholomance was reopened during the advent of the Cold Peace. It now trains Centurions to investigate cases involving faeries and continue their research.
  5296.  
  5297. <h4>THE WILD HUNT</h4>
  5298. The Wild Hunt are an independent and free-ranging group of faeries who have no allegiance to any of the earthly Courts, which they disdain. They also have no agreement with the Nephilim. They do not fall under and nor do they recognize or the jurisdiction of the Clave; they do not abide by any laws and refuse to involve themselves with the Accords.
  5299. <p>Led by Gwyn ap Nudd, the Wild Hunt rides at night across the skies or along the ground, in mad pursuit of an eternal hunt. They anticipate battles and lie in wait until it's all over, after which they come to gather the dead, though at times they choose their battles. From these dying men, they claim some to either serve them or join them in their hunts. Aside from this, new Hunters are recruited once a year, when a mortal is allowed or given the opportunity to join them; once they join the Hunt, however, they can never leave it. The only time a Hunter may leave is when they are actually given permission.</p>
  5300.  
  5301. <header>ASSOCIATIONS</header>
  5302.  
  5303. <h4>CATARINA LOSS</h4>
  5304. Catarina is one of Magnus's closest friends. They share a close relationship with each other since they both are immortal, and Magnus had saved Catarina from being burned as a witch. Magnus says that Catarina "had a good heart" since she chose to heal others.
  5305. <p>She is an exceptionally powerful warlock who used to work as a nurse at the Beth Israel Hospital in New York. Catarina taught at the Shadowhunter Academy for the first few years since its reopening. Though she is currently at the Scholomance, she still occasionally gives lectures on Downworlder studies at the Academy.
  5306.  
  5307. <h4>RAGNOR FELL</h4>
  5308. Along with Catarina, these three warlocks were a very close group of warlock friends. Ragnor often chastised and mocked Magnus for his decisions, but they were good friends nonetheless. He was also a regular lecturer at the Shadowhunter Academy.
  5309.  
  5310. <h4>ASMODEUS</h4>
  5311. A Greater Demon, particularly a Prince of Hell and a fallen angel. He is also the father of the warlock Magnus Bane who, because of Asmodeus' influence and power, is often let off by other demons.
  5312.  
  5313. <h4>CAMILLE BELCOURT</h4>
  5314. In The Infernal Devices, Magnus is the lover of Lady Camille Belcourt. However, they break up after Magnus discovers that Camille has gone to St. Petersburg to be with a human lover. Despite what happened, however, Magnus still cared for her enough to help her and her vampire clan quit their addiction to drugs. He does, however, have Catarina Loss take the memory of helping her and remains cold toward her in the time after. He often refers to her as cold and manipulative.
  5315.  
  5316. <h4>TESSA GRAY</h4>
  5317. An American warlock, particularly a new kind of warlock—the rare half-Shadowhunter, half-Eidolon demon. She moved to London in 1878 and her life has since been entangled in the lives of the Nephilim.
  5318. <p>Magnus and Tessa became close friends over the years since they first met at Alexei de Quincey's party in 1878. Following the death of Tessa's husband in 1937, she and Magnus shared an apartment in Paris for five years. During that time, he helped her get over her lover's death. They have since been good friends, occasionally visiting each other.
  5319.  
  5320. <h4>BROTHER ZACHARIAH</h4>
  5321. Brother Zachariah was a Silent Brother, a feared and respected figure in the Shadow World. He was the most frequently called upon Silent Brother in London until the 1900s, and in New York in 2007 after the death of Brother Jeremiah.
  5322. <p>Zachariah was the name used by Jem Carstairs during his time among the Silent Brothers. Because of the circumstances leading to his transformation and subsequent joining of the Brotherhood, Brother Zachariah maintained more of his humanity than his fellow Brothers. As of 2008, he has been cured of his illness and has left the Brotherhood.
  5323.  
  5324. <h4>ALDOUS NIX</h4>
  5325. Supposedly born into the world early, Aldous apparently lived for almost two thousand years. By 1929, he had already become the High Warlock of Manhattan. With the passage of time, however, Aldous had become very powerful but also eccentric, losing bits of his sanity the longer he lived in isolation.
  5326. <p>Although he had grown sick of mundane ways and the world they lived in, he allowed himself to be hired by mundanes so he could live at the Hotel Dumont. During this period, he studied a way to open a Portal to Pandemonium in the Void, otherwise known as Hell, where his parentage resided. Aldous had also correctly predicted the crash of the stock market.
  5327. <p>The day the stock market crashed, Aldous completed the final part of his Portal. He offered Magnus the chance to join him in what he considered to be their true home. Magnus refused but didn't stop Aldous from trying to complete the final piece: sacrificing warlock blood. Before he could do so, however, a Shadowhunter shot him with an arrow. Regardless, his blood dripped into the spell and activated the channel. His body was ultimately consumed by the Portal and, according to Magnus's mysterious father, has joined his brethren, in a way allowing him to fulfil his goal of living in the Void.
  5328.  
  5329.  
  5330. </div class="mdescription">
  5331.  
  5332.  
  5333. </li>
  5334.  
  5335.  
  5336. <!-- TAB FOUR -->
  5337.  
  5338. <li>
  5339.  
  5340. <div class="mdescription">
  5341.  
  5342.  
  5343. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  5344. There are a great many differences between the show <i>Shadowhunters</i> and the books, <i>The Shadowhunter Chronicles</i>. I have compiled a list of things in the show that are <i>not</i> the same as in the books. Remember, this blog is <i>strictly book based</i> and so this list is purely to help those that aren't sure about what won't be the same between the books and the show, should we interact. This may be added to in the future, but for now, these are the things that are <b>important</b> to remember when interacting with my Magnus.
  5345. </b></blockquote>
  5346.  
  5347.  
  5348.  
  5349.  
  5350.  
  5351. <h4>SMOKING</h4>
  5352. Though you never see Magnus smoke in the show, the reality is that Magnus <i>does</i>, in fact, smoke. It's the one addictive thing that he does, considering he won't touch drugs (claiming that drugs and magic don't mix), and will drink as much as he likes without any worries about his liver. He's immortal, he needs his vices. Just remember, he's lived through a great many years where smoking was <i>the thing to do</i>. He just hasn't kicked the habit.
  5353.  
  5354. <h4>PORTALS</h4>
  5355. Contrary to the show's wonderful world of <b>a portal can be created by a warlock at any time, anywhere</b>, mentality... Portal's don't actually work that way. The only person who can whip up a portal on a whim is Clary Fairchild, and she has Angelic Blood to help her do that. The fact is, portals are either created temporarily and specifically for a purpose, which takes some time to put together, or the ones that already exist are utilised – which is more usually the case. Want to portal in New York? Then we're travelling to the nearest one and if you want Magnus Bane to do it, then it'll probably cost you more than a plane ticket would.
  5356.  
  5357. <h4>PANDEMONIUM</h4>
  5358. I don't actually know where the show got the idea that Magnus owned and ran a nightclub known as Pandemonium. They were probably combining Magnus' love for partying, the fact that he did run a bar after the war in the 1900's, and the idea of a Pandemonium club... but first and foremost, and the thing to remember is; Magnus doesn't actually enjoy Pandemonium Club's. Secondly, these clubs are primarily run by Mundane's interested in the Shadow World and thus, Magnus never ran one. The truth is, Pandemonium Club's have a lot of shady goings on in them and if you read <b>The Infernal Devices</b>, this would all be common knowledge. Sure, the idea of Magnus running a nightclub <i>sounds</i> good, but being the High Warlock of Brooklyn is more than enough to be getting on with, without also adding the stress of actually owning and running a nightclub on top of it. He'll stick to spontaneously throwing outstanding parties, thank you.
  5359.  
  5360. <h4>AGE</h4>
  5361. If you check out Magnus Bane's Clave file (not that I'm claiming that the Clave know the first thing about Magnus), you will find that Magnus was born in Batavia, the Dutch East Indies in the early 1600's. Just to clarify this a little for those that haven't looked into the history of what we now call Indonesia; Batavia was only known by that name from the year 1619, before that, the City was known as Jayakarta. This means that Magnus was born <i>after</i> that date, though possibly near it, if we go by Cassandra Clare's note of his birth being in the <b>early</b> 1600's. This makes his actual age <i>over</i> 400 years old, but not by much. What's your point, I hear you ask? Well, I mention this because showrunner Todd Slavkin has also stated that Show!Magnus is much older that his book counterpart. Listen, we all know that Magnus likes to exaggerate his age. He does it to fool people into thinking he's more powerful than he is. He's been doing that all of his professional (I use that term loosely) life. Just because he <i>says</i> that he was around when the Dead Sea "was just a lake that was feeling a little bit poorly", doesn't mean that he <b>actually was</b>! Most things that Magnus says about his age, need to be taken with a pinch of salt.
  5362.  
  5363. <h4>RELATIONSHIPS</h4>
  5364. This part continues a little from the 'age' talk above. Here's the thing, Magnus is in his 400's, age wise. I'm literally going to point out the ridiculousness of the show runner's here because, if Magnus Bane is 400, then how could he <i>possibly</i> have been with 17,000 lovers in his time? Please do the math for a moment. If Magnus is 400, that would mean that he would need to be sleeping or in a relationship with 42 people a day, every day, for exactly 400 years. I don't know how that sit's with anyone else, but the idea of that just seems outright <i>ridiculous</i>.
  5365. <p>Now, I'm not saying that Magnus hasn't had his fair share of relationships, because lets face it, he has. We only know of a handful of them but that handful gives us an insight into what Magnus is like when in a relationship. Take into consideration, also, that Magnus hadn't been in a relationship since Etta back in the early 1900's before Alec Lightwood comes along. Much to the show's contradiction, Magnus Bane <b>isn't</b> a slut. He'll sleep with his share of people, but he <b>does</b> have self respect, thank you, Todd Slavakin.
  5366.  
  5367. <h4>INSECURITIES</h4>
  5368. Magnus Bane is <i>proud</i> of his eyes, he doesn't hide them and he would never <b>dream</b> of glamouring them to anyone unnecessarily. The whole idea the show has about Magnus being self conscious of his eyes, which is one of <i>two</i> Warlock marks that he has, is outstandingly wrong. He's lived 400 years with these physical features, why would he still have those insecurities about himself but have the self confidence to supposedly have slept with 17,000 individuals? Honestly, I don't know where the show runners are making this stuff up? He also, in the show, seemingly has deep trust issues (I'm not going to dispute the trust issues, honestly) and anxiety about Alec wanting to hide their relationship or that he, Magnus, has done something wrong. I'm sorry, remind me, which one of the two is the 400 year old Warlock and which one is the 18 year old in their first relationship?? Because honestly, at this point I'm not sure.
  5369.  
  5370. <h4>THE BREAK UP™</h4>
  5371. The Angel give me strength... Honestly, I know a lot of show watchers liked the break up but really? The show writers took something so important to Magnus and Alec's development and made it meaningless. Firstly, what was Magnus' reasons for breaking up with Alec? Because Alec has 'hidden' the fact that the Soul Sword, that wasn't even activated by the way, was missing. Okay, sure, if that thing was activated, then it could do some real damage to the Downworld... but it wasn't activated! Also the two people that <i>can</i> activate it are both within reach? Honestly, were the show runner's reaching with this one or what?!
  5372. <p>The book break up goes thus; Alec is secretly meeting up with Camille Belcourt, someone that Magnus warned was manipulative, talking about a way to take away Magnus' immortality. (Doesn't this sound like a really good reason to break up with someone? I know!) Magnus hadn't been opening up to Alec properly and had been talking about people he had previously been with, Alec was jealous and sneaking around. In short, Magnus follows Alec one time when he goes to meet Camille and Magnus out's him, breaks up with him and admits that he loves Alec but that it doesn't change anything. There we go, a <i>legitimate</i> reason to break up with someone.
  5373.  
  5374. <h4>ACTIONS AND REACTIONS</h4>
  5375. This follows a little from the 'insecurities' talk above. Once again, I mention Magnus' age. He's lived for a very many years and learnt a lot over his time. Patience is one of them, the fact that people aren't perfect and make mistakes is another. Basically, Magnus is usually a very understanding individual, unless you're doing something fundamentally wrong. Some of Magnus' reactions in the show are extremely against his character. An example of this is the way he <i>overreacts</i> when Luke informs him of the Soul Sword being missing and that Alec knew about it. Because, <b>please</b>, that was unnecessary. Another example is the way that Magnus treats Alec after their break up. What was that? Is Magnus the 18 year old? Was this his first relationship? Are his sodium levels okay? That is the most out of character thing I have seen in the entirety of the show's interpretation of Magnus Bane. Just no.
  5376.  
  5377. <h4>THE SEELIE QUEEN</h4>
  5378. Honestly what was this? Do I really need to say anything here? Magnus and the Seelie Queen have an unpleasant history. I'm just going to say <i>the team up that happened in the show would never happen</i> and leave you with a conversation that Magnus and Alec have in City of Lost Souls.
  5379. <p>“How was the Seelie Queen?"<br/>
  5380. "Same as usual."<br/>
  5381. "Raging bitch, then?"<br/>
  5382. "Pretty much.”
  5383.  
  5384. <h4>MAX LIGHTWOOD'S DEATH</h4>
  5385. I don't fully understand why Max didn't die in the show? I know the death of a child can be traumatic and alter the characters affected by that death in many ways, but <i>that</i> is the reason why Max Lightwood's death is so important to the Lightwood family and their development. It's part of what spurs Jace on to kill Sebastian. It's what allows Maryse and Robert to separate. It's what play's on Alec's mind and Max is who Alec and Magnus name their Warlock son after when they adopt him. Alec wants to do the best he can by his son so that he gets to do right by his brother in some way. Max's death is <i>important</i> for character development. <b>Max had to die.</b> I never would ask for the death of a child, regardless of the fact that he's a fictional character, but Max Lightwood's death is important in so many ways and the show has brushed it aside as if all the things that Max's death brings about are unimportant.
  5386.  
  5387. <h4>JOCELYN FAIRCHILD'S DEATH</h4>
  5388. This woman has been cheated in the show. She deserved better than the death she got. She deserves to fight until the end, she deserves to see her daughter happy, she deserves to marry Lucien Graymark, she deserves a second chance at happiness. I understand that sometimes actors have other commitments and have to leave a show, but honestly they could have just recast her. I'm pretty sure the fandom would have gotten over it. Not only has her death affected Clary, it also affected Luke; another person who deserved some happiness. I'm pretty sure I'm always going to be disappointed in this particular part of the show's development, but there we go.
  5389.  
  5390. <h4>DOROTHEA ROLLINS</h4>
  5391. Honestly, this character doesn't exist in the books and won't exist to my Magnus. The show character 'Dot' is a nice mix of Etta, who Magnus dated in the 1900's and Madam Dorothea, the old woman that is possessed by a greater demon in City of Bones. I'm not even entirely sure what her purpose was in the show? To die a pointless and unacknowledged death? If so, good job, show runners! You achieved your goal.
  5392.  
  5393.  
  5394. </li>
  5395. </ul>
  5396.  
  5397. </div id="page">
  5398.  
  5399. </div id="box">
  5400.  
  5401. </div id="Magnus" class="muse" style="display:none;">
  5402.  
  5403.  
  5404.  
  5405.  
  5406.  
  5407.  
  5408.  
  5409.  
  5410.  
  5411.  
  5412.  
  5413.  
  5414.  
  5415.  
  5416.  
  5417.  
  5418.  
  5419.  
  5420.  
  5421.  
  5422.  
  5423. <!-- MUSE PAGE: Valentine -->
  5424.  
  5425.  
  5426. <div id="Valentine" class="muse" style="display:none;">
  5427.  
  5428. <div id="box">
  5429.  
  5430. <div class="sidebar2">
  5431.  
  5432. <div class="sidebarbg2">
  5433. <img src="{image:Sidebar Background}">
  5434. </div class="sidebarbg2">
  5435.  
  5436.  
  5437. <div class="inner2">
  5438.  
  5439. <div class="sidebarimgtop2">
  5440. <img src="https://i.imgur.com/1m9193G.png">
  5441. </div class="sidebarimgtop2">
  5442.  
  5443.  
  5444. <div class="description2">
  5445.  
  5446. <b style="color:{color:links};">VALENTINE MORGENSTERN:</b>
  5447. <p>"We are meant for a <b>higher purpose, you and I.</b> The distractions of the world are just that, <i>distractions.</i> If we allow ourselves to be turned aside from our course by them, we are duly <b>punished."</b>
  5448. </div class="description2">
  5449.  
  5450.  
  5451. <div class="sidebarimgbottom2">
  5452. <img src="https://i.imgur.com/1nm8Cnq.png">
  5453. </div class="sidebarimgbottom2">
  5454.  
  5455.  
  5456.  
  5457. </div class="inner2">
  5458.  
  5459. </div class="sidebar2">
  5460.  
  5461.  
  5462.  
  5463. <div id="page">
  5464.  
  5465. <div class="mimage">
  5466. <img src="https://i.imgur.com/nabl3L0.png">
  5467. </div class="mimage">
  5468.  
  5469.  
  5470. <div class="mnavi">
  5471. <ul id="tabs">
  5472.  
  5473. <div class="dropdown2">
  5474. <button onclick="myFunction()" class="dropbtn2">
  5475. Valentine Morgenstern: Click for Navigational Pages</button>
  5476. <div id="myDropdown2" class="dropdown-content2">
  5477. <li style="text-align:left;" autofocus>General Information</li>
  5478. <li style="text-align:right;">Character Tags</li>
  5479. <li style="text-align:left;">Encyclopedia</li>
  5480. <li style="text-align:right;">Book/Show Differences</li>
  5481. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  5482. </div id="myDropdown" class="dropdown-content2">
  5483. </div class="dropdown2">
  5484.  
  5485.  
  5486.  
  5487.  
  5488. </ul id="tabs">
  5489. </div class="mnavi">
  5490.  
  5491.  
  5492.  
  5493. <!-- TAB ONE -->
  5494.  
  5495.  
  5496. <ul id="tab"><li class="active">
  5497.  
  5498.  
  5499. <div class="mdescription">
  5500.  
  5501. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  5502. <b>
  5503. "It's better to reign in hell than serve in heaven, etcetera, and so on." — "N</u>on serviam," said Valentine. <b>"'I will not serve.'</b> <i>It's what Lucifer had inscribed upon his banner when he rode with his host of rebel angels against a corrupt authority."</i> — "What's your point? That you're on the devil's side?" — <b>"Some say Milton was on the devil's side himself.</b> His Satan is certainly a more interesting figure than his God."
  5504. </b>
  5505. </blockquote>
  5506.  
  5507.  
  5508.  
  5509. <h4>IMPORTANCES: REGARDING THE SHOW</h4>
  5510. Please know from the start, though I did once follow the Freeform show Shadowhunters, I no longer do so and I do not roleplay anything from the show. I am rather critical of it and the direction it has been taken in, therefore please understand that you are likely to see my own opinions and comments on the show if you follow me. Know that, though I support the actors and their work on the show, I do not support the show writers purely based on the material they have provided for the show. This is my own opinion and in no way should influence your own views.
  5511.  
  5512.  
  5513. <h4>IMPORTANCES: REGARDING MOVIE/SHOW BLOGS</h4>
  5514.  
  5515. I would <i>love</i>&nbsp;to rp with any/all show or movie based blogs – in fact I would be <b>thrilled</b>. Here’s my deal though: my blog is <i>book based</i>. Now lets be real here, The Mortal Instruments: City of Bones was <i>pretty damn close</i>&nbsp;to the books – close enough that honestly? It shouldn’t matter too much what we touch on because it’s <b>close enough</b>. With Shadowhunters, it’s a completely different story. <i>Regardless of the facts,</i>&nbsp;if your blog is outside of book canon, we will have to chat about our muses and how to work them together. Mostly so I can hear the things you liked about the show or movie and what you would want to keep! I’m one of those people where, <i>if you can tell me a sound reason for keeping the the thing you want to keep that differs from the book</i>, I can usually find a way to make it work for me. An example of this is over on my Magnus blog, I rp with a duel show/book canon Alec – they have a sound reason for keeping the wedding and the fact that he is the head of the New York Institute in their portrayal and I’m a fan of their passion for it.</small></p>
  5516. <b>TLDR:</b> Just because I’m <i>book based</i>, doesn’t mean I have a problem following/rping with movie or show based blogs, provided we can find a <b>common ground</b>&nbsp;for our muses and we can plot about it first –&nbsp;<i>especially</i>&nbsp;when it comes to alternate canons!
  5517.  
  5518.  
  5519. </div class="mdescription">
  5520.  
  5521.  
  5522.  
  5523.  
  5524. </li>
  5525.  
  5526.  
  5527.  
  5528. <!-- TAB TWO -->
  5529.  
  5530. <li>
  5531.  
  5532. <div class="mdescription">
  5533.  
  5534. <div class="mlinks" style="margin-top:0px!important;">
  5535.  
  5536. <h4>General Links</h4>
  5537.  
  5538. <a href="/tagged/「-valentine-morgenstern-%2F-study-」-i-can%27t-change-the-blood-in-my-veins-if-i-wished-to-and-i-don%27t.">
  5539. study
  5540. </a>
  5541.  
  5542. <a href="/tagged/「-valentine-morgenstern-%2F-visage-」-he-looked-at-everything-closely-analysing-in-what-way-it-could-be-turned-to-his-advantage.">
  5543. visage
  5544. </a>
  5545.  
  5546. <a href="/tagged/「-valentine-morgenstern-%2F-headcanon-」-i-am-and-i-will-always-be-nephilim.">
  5547. headcanon
  5548. </a>
  5549.  
  5550. <a href="/tagged/「-valentine-morgenstern-%2F-answered-ic-」-we-are-meant-for-a-higher-purpose.">
  5551. answered / in character
  5552. </a>
  5553.  
  5554.  
  5555.  
  5556.  
  5557. <h4>Universes</h4>
  5558.  
  5559.  
  5560. <a href="/tagged/「-valentine-morgenstern-%2F-vs%3A-the-circle-」-preserve-the-purity-of-the-bloodlines-of-idris.">
  5561. the circle
  5562. </a>
  5563.  
  5564. <a href="/tagged/「-valentine-morgenstern-%2F-vs%3A-city-of-bones-」-i-am-my-beloved’s-and-my-beloved-is-mine-as-the-song-of-songs-goes.">
  5565. city of bones
  5566. </a>
  5567.  
  5568. <a href="/tagged/「-valentine-morgenstern-%2F-vs%3A-city-of-ashes-」-a-man-does-not-have-to-agree-with-his-government-to-be-a-patriot.">
  5569. city of ashes
  5570. </a>
  5571.  
  5572. <a href="/tagged/「-valentine-morgenstern-%2F-vs%3A-city-of-glass-」-power-doesn’t-need-to-be-unlimited-to-be-deadly.">
  5573. city of glass
  5574. </a>
  5575.  
  5576. <a href="/tagged/「-valentine-morgenstern-%2F-vs%3A-alternate-」-the-evil-we-love.">
  5577. Alt: the evil we love
  5578. </a>
  5579.  
  5580. <a>&nbsp;</a>
  5581.  
  5582.  
  5583.  
  5584.  
  5585. <h4>Connections</h4>
  5586.  
  5587.  
  5588. <a href="/tagged/「-valentine-morgenstern-%2F-dyn%3A-jocelyn-」-he-had-loved-me-and-i-had-betrayed-him.">
  5589. Jocelyn
  5590. </a>
  5591.  
  5592. <a href="/tagged/「-valentine-morgenstern-%2F-dyn%3A-lucian-」-you-tore-my-heart-out-years-ago-when-you-betrayed-and-deserted-me.">
  5593. Lucian
  5594. </a>
  5595.  
  5596. <a href="/tagged/「-valentine-morgenstern-%2F-dyn%3A-jonathan-」-there-is-no-one-else-in-the-world-like-you.">
  5597. Jonathan
  5598. </a>
  5599.  
  5600. <a href="/tagged/「-valentine-morgenstern-%2F-dyn%3A-jonathan-christopher-」-you-are-valentine’s-arrow.-whether-you-know-it-or-not.">
  5601. Jonathan Christopher
  5602. </a>
  5603.  
  5604. <a href="/tagged/「-valentine-morgenstern-%2F-dyn%3A-clarissa-」-you-have-a-dark-heart-in-you-valentine%27s-daughter.">
  5605. Clarissa
  5606. </a>
  5607.  
  5608. <a>&nbsp;</a>
  5609.  
  5610.  
  5611. </div class="mlinks">
  5612.  
  5613.  
  5614. </div class="mdescription">
  5615.  
  5616.  
  5617. </li>
  5618.  
  5619. <!-- TAB THREE -->
  5620.  
  5621.  
  5622. <li>
  5623.  
  5624.  
  5625. <div class="mdescription">
  5626.  
  5627. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  5628. <b>
  5629. The Mortal Instruments franchise introduces us to a world that contains terminology that'll be entirely confusing for anyone unfamiliar with the novels. So while I could easily refer people to the according wiki pages that will each contain more information than you need to grasp the concept of each word, I'm assembling a list consisting of numerous terms that you're likely to come across at one point on this blog. See it as an encyclopedia of sorts. This list will be updated as time passes.
  5630. </b>
  5631. </blockquote>
  5632.  
  5633.  
  5634. <p><h4>Shadowhunters / Nephilim</h4>
  5635. <i>Descensus facilis Averno est;</i> <b>The descent into Hell is easy.</b> The Nephilim, commonly known as Shadowhunters are a race of mortal beings that're born human and appear as such, but have angelic blood running through their veins. They represent an order, if you will, that fight against demons alongside Downworlders in the Shadow World that is invisible to the mere human eye. In essence, the Shadowhunters' objective is to one day rid the world of Earth of these demons, bringing an end to a war that dates back well over a thousand years.
  5636.  
  5637.  
  5638. <p><h4>The Angel Raziel</h4>
  5639. Known as the patron and creator of the race of the Shadowhunters. Legend goes that they were created well over a thousand years ago, during an uprising of demons invading the Mundane world. A warlock is said to have summoned an angel by the name of Raziel. This assumed archangel chose to mix his own blood with that of mortal men into a cup, that would later become known as the <i>Mortal Cup,</i> and offered the mixture to these same men to drink. Those who chose to consume it became Shadowhunters, a decision that would mark their family's line, as all descendants would then be born Nephilim as well.
  5640.  
  5641.  
  5642. <p><h4>Mundanes & Glamour </h4>
  5643. In the world of Cassandra Clare's <b>The Mortal Instruments,</b> the term <i>mundane</i> is utilized for those of human birth. In essence, they are individuals like you and I. They are generally entirely oblivious to the existence of Nephilim, demons and Downworlders as a whole— as this war is combatted behind <i>glamour,</i> which is a form of magic that conceals the Shadow World to the naked eye, visible to only those with ability known as The Sight.
  5644.  
  5645. <p><h4>The Sight </h4>
  5646. Shadowhunters are generally <i>naturally born with</i> the ability of <b>The Sight</b> to see through glamour; it is a trait that is inherited through their Shadowhunter parents, which is bettered through training and then further improved upon further through usage of a permanent rune known as the rune of Voyance.
  5647.  
  5648. <p><h4>Runes (+ Stele)</h4>
  5649. For Shadowhunters, these runes (known as <b>Marks)</b> are the language of Angels, a very <i>complex runic language</i> that was granted to them by the Angel Raziel. It consists of symbols that are burned into a Nephilim's skin with help of a stele (which is a tool created for the specific purpose of drawing these symbols) and work as empowerments, protection or various other uses. There are thousands of runes in existence.
  5650.  
  5651. <p>Most runes are temporary and fade to white before vanishing from a Shadowhunter’s skin entirely through time. There are few runes that are permanent and they are Voyance, Parabatai and Mnemosyne. The first rune that a shadowhunter receives is the Voyance rune and it is placed upon their <i>dominant hand,</i> this is simultaneously also the clearest identification marker of a Shadowhunter. Young shadowhunters slowly learn the different runes to understand their use and how to draw them properly, which take fair practice and patience, but skillful accuracy is rewarded with maximum benefit. As power is released from the runes, they begin to fade on the body until they inevitably turns silvery-white. <i>Important: </i> Runes drawn closest to the heart and aorta will be most effective, as the strongest presence of blood mirrors the effectiveness of the runes.
  5652.  
  5653. <p><h4>Downworlders</h4>
  5654. This is a commonly used term for the, in essence, counterpart of the Nephilim. Where they are part human and part angel, the Downworlders are part human and part demon. The Downworlders consist of the <i>werewolves, faeries, vampires and warlocks.</i> While they are all demonic in origin and nature, they are regarded as human by the inhabitants of Heaven due to possessing human souls, which is what sets them apart from demons as a whole. Though often considered the logical and biological counterpart of the Shadowhunters, they live in peace and can fight side by side against demons in an allegiance created by the Accords.
  5655.  
  5656. <p><h4>The Accords</h4>
  5657. These are a set of amendments that together signify a peace treaty between Shadowhunters and Downworlders. As long as each of these amendments are never broken, the two can live side by side without bother, even finding allegiance when the need so arises. These Accords are revised and signed every fifteen years by <i>the Clave</i> (the political body of the Nephilim) and the representatives of all involved Downworlders.
  5658.  
  5659. <p><h4>SILENT BROTHERS</h4>
  5660. The Silent Brothers are a powerful group of male Shadowhunterswho serve as archivists and medics of the Nephilim. To strengthen their minds, they have taken upon themselves the most powerful of runes known to Shadowhunters. They are feared among the Nephilim. They reside in the Silent City, away from the rest of their kind.
  5661.  
  5662.  
  5663. <p><h4>IRON SISTERS</h4>
  5664. The Iron Sisters are a communal organization of female Shadowhunters that forge weapons for their kind. The Iron Sisters are considered the female counterparts of the Silent Brothers, albeit more secluded. They reside in the Adamant Citadel, where they live in almost total solitude and speak only, and occasionally, to female Shadowhunters.
  5665.  
  5666.  
  5667. <p><h4>To be updated!</h4>
  5668.  
  5669.  
  5670.  
  5671. </div class="mdescription">
  5672.  
  5673.  
  5674.  
  5675.  
  5676. </li>
  5677.  
  5678.  
  5679. <!-- TAB FOUR -->
  5680.  
  5681.  
  5682. <li>
  5683.  
  5684.  
  5685. <div class="mdescription">
  5686.  
  5687. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  5688. <b>There are a great many differences between the show <i>Shadowhunters</i> and the books, <i>The Shadowhunter Chronicles</i>. I have compiled a list of things in the show that are <i>not</i> the same as in the books. Remember, this blog is <i>strictly book based</i> and so this list is purely to help those that aren't sure about what won't be the same between the books and the show, should we interact. This may be added to in the future, but for now, these are the things that are <b>important</b> to remember when interacting with my Valentine.
  5689. </b></blockquote>
  5690.  
  5691.  
  5692. <h4>PORTALS</h4>
  5693. Contrary to the show's wonderful world of <b>a portal can be created by a warlock at any time, anywhere</b>, mentality... Portal's don't actually work that way. The only person who can whip up a portal on a whim is Clary Fairchild, and she has Angelic Blood to help her do that. The fact is, portals are either created temporarily and specifically for a purpose, which takes some time to put together, or the ones that already exist are utilised – which is more usually the case. Want to portal in New York? Then we're travelling to the nearest one and you better expect to pay heavily for it.
  5694.  
  5695. <h4>CIRCLE RUNES</h4>
  5696. I don't honestly know where the show got these runes from seeing as they <i>don't exist</i> in the books. Hodge being cursed by the Clave, we can all get behind, that was in the book; but these big red runes that stand out quite obviously and would have needed to be created? I don't really understand? Seeing as Clary is the only one that can create new runes, I find it strange that the Circle magically managed to create a new rune for their cause and scar themselves visibly with it. Clearly I'm not a fan.
  5697.  
  5698. <h4>MICHAEL WAYLAND</h4>
  5699. What was the idea that Valentine had a glamour on whilst pretending to be Michael Wayland? It didn't happen. Hodge was still working with Valentine when Jace came to the New York Institute, thus he would have been able to keep all images of the Circle, Valentine and Michael Wayland away from him, proclaiming that it would be upsetting to Jace (who had lost his father) to see them. There was never any need for Valentine to glamour himself in front of Jace, it would only make things more complicated later on down the line if he ever needed to bring him back into the fold.
  5700.  
  5701. <h4>ACTIVATING MAELLARTACH (THE MORTAL SWORD)</h4>
  5702. The whole 'Jace or Clary needed to touch the Sword to activate it because of their advanced Angel blood' story like? Absolute crap. To be able to use the Sword as he wanted, Valentine would need to make it demonically-aligned, with which he could then use the Sword to summon and control demons to use for his own ends. None of this, 'destroy all Downworlders' storyline that they fabricated seemingly on the spot. To be able to make the Sword demonically-aligned, the Sword must be dipped in four different types of blood of a child (fair folk, vampire, werewolf and warlock) and burned in a fire in between each different blood change. A little more realistic than advanced Angel blooded (the first of their kind) children having to touch the Sword to activate it.
  5703.  
  5704. <h4>PURE ANGEL BLOOD?</h4>
  5705. Just a quick one here, Clary and Jace <i>aren't</i> pure of Angel blood. They have <i>more</i> Angel blood in them than the average Nephilim, but that doesn't in any way mean that they're made up of pure Angel blood. Yes, that's where their powers come from, but Jace can't go activating Clary's runes through himself or any of that rubbish. It's all really that simple.
  5706.  
  5707. <h4>TREATMENT OF JONATHAN HERONDALE</h4>
  5708. Honestly, people are going to disagree with me here, I'm pretty sure about that considering people's opinions of Valentine as a whole. This isn't necessarily a book/show difference but a quick reminder of how Valentine raised Jace.
  5709. <p>The first thing to remember is that Jace was still a Nephilim child, needing a certain amount of care and love. Because of this, Valentine did love Jace in his own way, despite Jace not being of his own blood. The next thing to consider is that to Valentine, his son's were to be raised as soldiers; he wanted obedience and loyalty. Raising Jace this way was always Valentine's plan, including discipline whenever Jace did something wrong, this meant that Valentine doesn't punish without cause. Everything has a cause and effect. An example of this is when Valentine finds Jace in the Silent City and doesn't free him. Valentine himself would never have allowed for Jace to be put into the Silent City for the night, seeing as he hadn't done anything to deserve such treatment, but he also didn't free him from his restraints because he was teaching Jace a lesson that Valentine was his father and that disobedience and disloyalty come with consequences, usually in the form of distrust (hence, the conversation they had).
  5710. <p>Jace was always rewarded with whatever he wanted on his birthday, as long as it was within Valentine's means to locate. This was explained with Jace's story about having a bath full of spaghetti. Valentine gave Jace books, music to play, a father that loved him and fond memories of a home in Idris.
  5711. <p>Now comes my main point; Valentine didn't abuse Jace. He didn't hit the child without Jace giving him a reason to, he wasn't cruel to him, he wasn't angry and quick to raise his voice. Valentine raised Jace with some influence of how Jocelyn would have raised a child with him and thus, Valentine loved Jace in his own way.
  5712.  
  5713. <h4>TREATMENT OF JONATHAN MORGENSTERN</h4>
  5714. Again, this is less of a book/show difference and more of a reminder of how Valentine raised Jonathan. Once Again, people may not agree with me on these but this is how I see Valentine and how he raised his children.
  5715. <p>Despite the fact that Jonathan was raised by the same man as Jace, they were raised differently. While Jace was able to respond to love and nurture, Jonathan was raised strictly as a soldier; mostly due to the latter's lack of true, human emotions. Valentine got more than he bargained for, however, as Jonathan was not only born with enhanced physical abilities but also with the nature of a demon. He realised this early on and quickly grew tired of Jonathan's unpredictable behaviour, and thus, he often punished Jonathan.
  5716. <p>His harsh and strict treatment of the boy was due to the fact that, aside from Jonathan having a naturally dark nature and an inclination towards terrible acts that needed disciplining, he saw Jonathan as a living reminder of the evil he had committed. Valentine loved him to some extent and often confided in him, but he had hated him, too as Jonathan was in essence, the very thing that Valentine strived to rid the world of.
  5717.  
  5718. <h4>MAGNUS/VALENTINE BODY SWAP</h4>
  5719. Didn't happen. I don't acknowledge it. Who even came up with that idea? No.
  5720.  
  5721. <h4>JOCELYN'S SHOW-DEATH</h4>
  5722. This woman has been cheated in the show. She deserved better than the death she got. She deserves to fight until the end, she deserves to see her daughter happy, she deserves to marry Lucien Graymark, she deserves a second chance at happiness. I understand that sometimes actors have other commitments and have to leave a show, but honestly they could have just recast her. I'm pretty sure the fandom would have gotten over it. Not only has her death affected Clary, it also affected Luke; another person who deserved some happiness. I'm pretty sure I'm always going to be disappointed in this particular part of the show's development, but there we go.
  5723. <p>Pertaining to Valentine, know that he would never allow Jocelyn to be put in the way of that kind of harm. She would never have been in a situation where she could have died as she did, especially since it was Valentine that put the Demon in the institute to begin with. Honestly, none of this would ever happen and as far as my portrayal is concerned, she didn't die. Understand, that Valentine is still very much in love with Jocelyn and hopes that she might one day return to him. He would never allow her to come to harm.
  5724.  
  5725. <h4>JACE & VALENTINE'S DEATHS</h4>
  5726. First of all, <i>CLARY AND JACE DO NOT ARRIVE AT THE SUMMONING SITE OF RAZIEL TO STOP VALENTINE TOGETHER,</i> Clary arrives there first by Portal. Upon awakening, she finds herself laying on damp earth, wrists bound and unable to speak because of a Quietude rune. When Jace arrives, he is not stabbed in surprise by Valentine. On the contrary, in the books, Jace initially has the upper-hand: a knife pointed at Valentine's throat. His death comes, in essence, as a result of him underestimating Valentine's conviction in his own cause and he's taken wholly by surprise. When he is stabbed through the heart, it is not at the hand of something that seems the size of merely a pocket knife, but instead, by <i>MAELLARTACH</i> itself, better known as the Mortal Sword. Furthermore, <i>THERE IS NO GOODBYE BETWEEN JACE AND CLARY,</i> instead, Jace dies while cradled by Valentine. When the latter returns to the ritual at hand, Clary utilizes all force she has to crawl over to Jace, but she is unable to touch him or speak. And lastly, when the Quietude rune is removed by a summoned Raziel— it is he who kills Valentine, <i>IT IS NOT CLARY.</i>
  5727. <p><i>VALENTINE GRIEVES FOR HIS SON:</i> You need to remember that Valentine does <i>love</i> Jace in his way, and regrets that he is forced to kill Jace. Also take into consideration that Jace is standing in the way of the goal that Valentine has worked his whole life for and is threatening to stop what he believes to be his higher cause.
  5728.  
  5729. <h4>MADZIE</h4>
  5730. While in the show, Madzie is a good representation of what the show writers believe to be the way that Valentine treats children in his care, she doesn't actually exist in the books. Thus, this character doesn't exist to Valentine.
  5731.  
  5732. <h4>DOROTHEA ROLLINS</h4>
  5733. Honestly, this character doesn't exist in the books and won't exist to me. The show character 'Dot' is a nice mix of Etta, who Magnus Bane dated in the 1900's and Madam Dorothea, the old woman that is possessed by a greater demon in City of Bones. I'm not even entirely sure what her purpose was in the show? To die a pointless and unacknowledged death? If so, good job, show runners! You achieved your goal.
  5734.  
  5735.  
  5736. </div class="mdescription">
  5737.  
  5738.  
  5739.  
  5740.  
  5741. </li>
  5742.  
  5743.  
  5744.  
  5745. </ul>
  5746.  
  5747. </div id="page">
  5748.  
  5749. </div id="box">
  5750.  
  5751. </div id="Valentine" class="muse" style="display:none;">
  5752.  
  5753.  
  5754.  
  5755.  
  5756.  
  5757.  
  5758.  
  5759.  
  5760.  
  5761.  
  5762.  
  5763.  
  5764.  
  5765.  
  5766.  
  5767.  
  5768.  
  5769.  
  5770.  
  5771.  
  5772.  
  5773.  
  5774.  
  5775.  
  5776.  
  5777.  
  5778.  
  5779.  
  5780.  
  5781.  
  5782.  
  5783.  
  5784.  
  5785.  
  5786. <!-- MUSE PAGE: Brian -->
  5787.  
  5788.  
  5789. <div id="Brian" class="muse" style="display:none;">
  5790.  
  5791. <div id="box">
  5792.  
  5793. <div class="sidebar2">
  5794.  
  5795. <div class="sidebarbg2">
  5796. <img src="{image:Sidebar Background}">
  5797. </div class="sidebarbg2">
  5798.  
  5799.  
  5800. <div class="inner2">
  5801.  
  5802. <div class="sidebarimgtop2">
  5803. <img src="https://i.imgur.com/mzlUlIS.png">
  5804. </div class="sidebarimgtop2">
  5805.  
  5806.  
  5807. <div class="description2">
  5808.  
  5809. <b style="color:{color:links};">UNION JACK / BRIAN FALSWORTH:</b>
  5810. <p>Thy choicest gifts in store on her be pleased to pour; <br><i>long may she reign.</i>
  5811. May she defend our laws, and ever give us cause to sing with heart and voice, &nbsp; &nbsp; &nbsp; &nbsp; <b>God save the Queen!</b>
  5812.  
  5813. </div class="description2">
  5814.  
  5815.  
  5816. <div class="sidebarimgbottom2">
  5817. <img src="https://i.imgur.com/FrTwxf8.png">
  5818. </div class="sidebarimgbottom2">
  5819.  
  5820.  
  5821.  
  5822. </div class="inner2">
  5823.  
  5824. </div class="sidebar2">
  5825.  
  5826.  
  5827.  
  5828. <div id="page">
  5829.  
  5830. <div class="mimage">
  5831. <img src="https://i.imgur.com/GXgZtxo.png">
  5832. </div class="mimage">
  5833.  
  5834.  
  5835. <div class="mnavi">
  5836. <ul id="tabs">
  5837.  
  5838. <div class="dropdown2">
  5839. <button onclick="myFunction()" class="dropbtn2">
  5840. Brian Falsworth: Click for Navigational Pages</button>
  5841. <div id="myDropdown2" class="dropdown-content2">
  5842. <li style="text-align:left;" autofocus>General Information</li>
  5843. <li style="text-align:right;">Character Tags</li>
  5844. <li style="text-align:left;">Biography / Statistics</li>
  5845. <li style="text-align:right;">Abilities / Weaponry</li>
  5846. <li style="text-align:left;">Universes</li>
  5847. <li style="text-align:right;"></li>
  5848. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  5849. </div id="myDropdown" class="dropdown-content2">
  5850. </div class="dropdown2">
  5851.  
  5852.  
  5853.  
  5854.  
  5855. </ul id="tabs">
  5856. </div class="mnavi">
  5857.  
  5858.  
  5859.  
  5860. <!-- TAB ONE -->
  5861.  
  5862.  
  5863. <ul id="tab"><li class="active">
  5864.  
  5865.  
  5866. <div class="mdescription">
  5867.  
  5868. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  5869. <b>
  5870. While there's a busy street, wherever there's a turning wheel, a million marching feet -- Red, white and blue, what does it mean to you? Surely you're proud, shout it loud -- Britons awake! There'll always be an England and England shall be free, if England means as much to you as England means to me.
  5871. </b>
  5872. </blockquote>
  5873.  
  5874.  
  5875.  
  5876. <h4>Introduction / Importances</h4>
  5877.  
  5878. Coming soon.
  5879.  
  5880.  
  5881. </div class="mdescription">
  5882.  
  5883.  
  5884.  
  5885.  
  5886. </li>
  5887.  
  5888.  
  5889.  
  5890. <!-- TAB TWO -->
  5891.  
  5892. <li>
  5893.  
  5894. <div class="mdescription">
  5895.  
  5896.  
  5897. <div class="mlinks" style="margin-top:0px!important;">
  5898.  
  5899. <h4>General Links</h4>
  5900.  
  5901.  
  5902. <a href="/tagged/「-brian-falsworth-%2F-study-」-england-will-be-free-if-it-means-to-you-as-it-means-to-me.">
  5903. study
  5904. </a>
  5905.  
  5906. <a href="/tagged/「-brian-falsworth-%2F-visage-」-may-this-fair-land-we-love-in-dignity-and-freedom-dwell.">
  5907. visage
  5908. </a>
  5909.  
  5910. <a href="/tagged/「-brian-falsworth-%2F-headcanon-」-shout-it-out-loud.-britons-awake%21">
  5911. headcanon
  5912. </a>
  5913.  
  5914. <a href="/tagged/「-brian-falsworth-%2F-answered-ic-」-red-white-and-blue.-what-does-it-mean-to-you%3F">
  5915. answered / in character
  5916. </a>
  5917.  
  5918.  
  5919.  
  5920. <h4>Universes</h4>
  5921.  
  5922.  
  5923. <a href="/tagged/「-brian-falsworth-%2F-vs%3A-01-」-too-bad-that-we-had-no-time-to-rewind.">
  5924. VRS 01.
  5925. </a>
  5926.  
  5927. <a href="/tagged/「-brian-falsworth-%2F-vs%3A-02-」-tell-my-parents-that-i%27m-dead-and-hope-to-god-i%27m-never-found.">
  5928. VRS 02.
  5929. </a>
  5930.  
  5931. <a href="/tagged/「-brian-falsworth-%2F-vs%3A-03-」-if-we-can-find-the-light-we-can-make-our-way-back-home.">
  5932. VRS 03.
  5933. </a>
  5934.  
  5935. <a href="/tagged/「-brian-falsworth-%2F-vs%3A-04-」-alt%3A-super-spy.-super-soldier.-super-cool.">
  5936. ALT VRS: 04.
  5937. </a>
  5938.  
  5939. <a href="/tagged/「-brian-falsworth-%2F-vs%3A-05-」-alt%3A-to-infinity-and-beyond.">
  5940. ALT VRS: 05.
  5941. </a>
  5942.  
  5943. <a>&nbsp;</a>
  5944.  
  5945.  
  5946.  
  5947.  
  5948. <h4>Connections</h4>
  5949.  
  5950. <a href="/tagged/">
  5951. MONTGOMERY 'JACK' FALSWORTH
  5952. </a>
  5953.  
  5954. <a href="/tagged/">
  5955. JACQUELINE 'SPITFIRE' FALSWORTH
  5956. </a>
  5957.  
  5958.  
  5959.  
  5960.  
  5961. </div class="mlinks">
  5962.  
  5963.  
  5964. </div class="mdescription">
  5965.  
  5966.  
  5967. </li>
  5968.  
  5969.  
  5970.  
  5971. <li>
  5972.  
  5973.  
  5974. <div class="mdescription">
  5975.  
  5976.  
  5977.  
  5978. <h4>BIOGRAPHY</h4>
  5979.  
  5980. Born the son of James Montgomery Falsworth, Brian Falsworth was raised into money. He lived and grew in Falsworth Manor, in a village North of London where he spent a great deal of time playing, learning and looking up to his father; his role model. Of course, as he grew older, Brian began to have a mind of his own and diverted from the life which his father might have liked him to have in favour of one that he believed in.</p>
  5981.  
  5982. Roger Aubrey, best friend and lover to the very same Falsworth son, was somewhat of an influence on Brian. They grew together and so held some of the same views and beliefs about the world. The pair were pacifists and wanted peace between Germany and the United Kingdom. It was through these beliefs that the pair opted to travel to Germany during the 1938 to help encourage peace.</p>
  5983.  
  5984. However, early in the war the pair discovered the evil nature of the Nazi regime and attempted to leave Germany. The Nazi Government was unwilling to risk the possibility that Falsworth and Aubrey would reverse their anti-war positions and so tore up their passports to render them unable to leave the country. They were then arrested by the Gestapo for their anti-war propaganda. The two were separated and brought to different prisons.</p>
  5985.  
  5986. While in prison Brian met Professor Schmitt who was imprisoned by the Red Skull for having a Jewish background. Schmitt worked along side Professor Erskine before he defected to the America to create the super-soldier formula and made Captain America. Schmitt had made an imperfect variant of the Super-Soldier Serum of his own while in prison and gave it to Brian to take in an attempt to ensure their escape of the prison.</p>
  5987.  
  5988. Failing in his attempt at escape and with Schmitt dead, Brian was turned over to the Institute of Nazi Science, where he was subjected to brainwashing and experiments that altered his memories and thoughts, resulting in his compliance to fight alongside the Nazi's.</p>
  5989.  
  5990. With his memories gone, the Nazi's turned Brian into a costumed fighter, calling him the Destroyer. They unleashed their new soldier against those that fought against them, bringing with it the turning point in the war in the favour of Nazi forces.</p>
  5991.  
  5992. Some months later and during this time Brian's boyfriend, Roger Aubrey, was being experimented on and became brain-washed, emerging with the powers to shrink in size. The Germans send Roger to England to confront the Invaders, whereupon he was captured by the allied forces. Lord James Montgomery Falsworth –– the Union Jack –– and Spitfire (Lady Jaqueline Falsworth, Brian's sister) heard news from Roger of the Destroyer in Germany and with intentions of finding a means of restoring Brian's memory, the trio parachuted into enemy territory with hopes that once Brian's memory was restored, he would reveal his identity to them. However the pair were captured by Germans and were detained in their efforts, having to fight their captors and escape with some help from a captured scientist whom gave his word to aid in restoring Brian's memories.</p>
  5993.  
  5994. The Destroyer had no intentions of going easily and so fought to continue accomplishing his given mission until he was detained by the Union Jack and Spitfire and his memories once again became his own.</p>
  5995.  
  5996. Upon their return to Britain, his father handed down the responsibilities of the Union Jack to Brian, allowing him a new sense of purpose in his home country as its protector. It was through this that he became a member of the Invaders.</p>
  5997.  
  5998. Following the war, Brian remained active as the Union Jack, fighting for the good of his country. However, Brian had accumulated a large amount of attention during this time as a hero. Some time thereafter, reports of a car crash on a British road in 1953 hit the tabloids, announcing the end of Brian Falsworth's career and his life. It was a tragic end to a respected Heroes life.</p>
  5999.  
  6000.  
  6001.  
  6002. <br>
  6003.  
  6004.  
  6005.  
  6006. <h4>BASICS</h4>
  6007. • <i>Full Name:</i> Brian Falsworth.
  6008. <br>• <i>Other Names:</i> Bri or Falsworth.
  6009. <br>• <i>Aliases:</i> Destroyer, Union Jack.
  6010. <br>• <i>Date Of Birth:</i> 24th October.
  6011. <br>• <i>Place Of Birth:</i> Falsworth Manor, England.
  6012. <br>• <i>Age:</i> Exceptionally verse dependent.
  6013. <br>• <i>Gender:</i> Male.
  6014. <br>• <i>Pronouns:</i> He/him/his.
  6015. <br>• <i>Orientation:</i> Homosexual.
  6016. <br>• <i>Species:</i> Human, Genetically enhanced via imperfect variant of Super Soldier Serum.
  6017. <br>• <i>Occupation:</i> Adventurer.
  6018. <br>• <i>Abilies:</i> Agility, Healing, Intellect, Stealth, Super Strength, Unarmed Combat, Weapon Master.
  6019. <br>• <i>Languages Spoken:</i> English, French, German.
  6020.  
  6021. <p><h4>APPEARANCE</h4>
  6022. • <i>Face Claim:</i> Joseph Morgan.
  6023. <br>• <i>Hair Colour:</i> Brown.
  6024. <br>• <i>Eye Colour:</i> Brown.
  6025. <br>• <i>Height:</i> 6'0".
  6026.  
  6027. <h4>HEALTH</h4>
  6028. • <i>Allergies:</i> None known.
  6029. <br>• <i>Sleeping Habits:</i> Sleeps when he can, no schedule, insomnia post WWII.
  6030. <br>• <i>Body Temperature:</i> Average.
  6031. <br>• <i>Drug Use:</i> None.
  6032. <br>• <i>Tobacco Use:</i> Casual Smoker.
  6033. <br>• <i>Alcohol Use:</i> Whenever he wants a drink, he has one.
  6034. <br>• <i>Mental Health:</i> PTSD post WWII and nightmares.
  6035.  
  6036. <h4>family</h4>
  6037. • <i>Father:</i> James 'Jack' Montgomery Falsworth, Lord.
  6038. <br>• <i>Mother:</i> Elizabeth Falsworth, Lady.
  6039. <br>• <i>Sister:</i> Jacqueline Falsworth, Lady.
  6040.  
  6041.  
  6042. </div class="mdescription">
  6043.  
  6044.  
  6045.  
  6046.  
  6047. </li>
  6048.  
  6049.  
  6050. <li>
  6051.  
  6052.  
  6053. <div class="mdescription">
  6054.  
  6055.  
  6056.  
  6057. <h4>ABILITIES</h4>
  6058.  
  6059. <blockquote><i>Note:</i> While Brian was subject to a formula based off of the serum that created Captain America, it was in no way an exact replica; thus some of the abilities and changes in Brian will not be the exact same as those in Steve Rogers.</blockquote>
  6060.  
  6061. <h4>SUPER HUMAN STRENGTH</h4>
  6062.  
  6063. • &nbsp; &nbsp; &nbsp; &nbsp; Falsworth possesses the strength to lift approximately 1000 lbs (71 stone).
  6064.  
  6065. <h4>PEAK HUMAN SPEED</h4>
  6066.  
  6067. • &nbsp; &nbsp; &nbsp; &nbsp; At peak of human efficiency, he can sprint at speeds of up to 30 miles per hour.
  6068.  
  6069. <h4>SUPERHUMAN STAMINA</h4>
  6070.  
  6071. • &nbsp; &nbsp; &nbsp; &nbsp; Falsworth's augmented and superior musculature produced less fatigue toxins during physical activity than the musculature of a normal human. He could exert himself at peak capacity for up to three hours before the build up of fatigue toxins in his blood began to impair him.
  6072.  
  6073. <h4>SUPERHUMAN DURABILITY</h4>
  6074.  
  6075. • &nbsp; &nbsp; &nbsp; &nbsp; His bodily tissues were augmented by the Super-Soldier formula to the point that they are tougher and more resistant to some kinds of injury than the bodily tissues of an ordinary human. While far from invulnerable, Falsworth can withstand powerful impact forces. He can withstand impacts with little to no injury to himself, such as being struck by a superhumanly strong opponent or falling from several stories, that would severely injure or kill a normal human.
  6076.  
  6077. <h4>SUPERHUMAN AGILITY</h4>
  6078.  
  6079. • &nbsp; &nbsp; &nbsp; &nbsp; His natural agility, balance and bodily coordination was enhanced to levels that are beyond the natural physical limits of the finest human athlete. Falsworth's agility is often likened with that of a tiger.
  6080.  
  6081. <h4>SUPERHUMAN REFLEXES</h4>
  6082.  
  6083. • &nbsp; &nbsp; &nbsp; &nbsp; Falsworth's reflexes were similarly enhanced and are superior to those of the finest human athlete.
  6084.  
  6085. <h4>WEAPONS</h4>
  6086.  
  6087. <i>SPECIFIC TO THE UNION JACK.</i></p>
  6088. <blockquote>
  6089. <b>DAGGER:</b> Union Jack carried a steel dagger with a 6-inch blade, which he strapped to his left hip.</p>
  6090.  
  6091. <b>SIDEARM:</b> Union Jack carries a Webley .455 caliber pistol in a tied-down flapped holster on his right hip.
  6092. </blockquote>
  6093.  
  6094. <i>SPECIFIC TO BRIAN.</i></p>
  6095. <blockquote>
  6096. <b>GUNS:</b> After his time working under the influence of the Nazi's, Brian has aquired a variety of firearms knowledge. In this respect, he is able to work most guns ––– however, long range weapons are not his specialty as he is a more accurate shot when within near-firing range.
  6097. </blockquote>
  6098.  
  6099. <h4>MISCELLANEOUS</h4></p>
  6100.  
  6101. This includes any other knowledge or training that may play a part in Brian's role as the Union Jack or come to light when interacting with him.</p>
  6102.  
  6103. <blockquote>
  6104. <i>MAPS AND TACTICS:</i> Brian can read and understand maps easily. During his time under Nazi influence, Brian was used to take out towns and bring in or kill the Allied. He is well trained in tactical advances and manoeuvres.</p>
  6105.  
  6106. <i>ALLIANCES:</i> The Union Jack has alliances within the British Army, where he has helped them on multiple occasions and is respected among the men. He knows and has fought alongside Captain America during World War II and is familiar with the Howling Commandos, due to Brian's father having fought alongside them in the war.
  6107. </blockquote>
  6108.  
  6109.  
  6110. </div class="mdescription">
  6111.  
  6112.  
  6113.  
  6114.  
  6115. </li>
  6116.  
  6117.  
  6118.  
  6119. <li>
  6120.  
  6121.  
  6122. <div class="mdescription">
  6123.  
  6124.  
  6125.  
  6126. <h4>UNIVERSES</h4>
  6127.  
  6128.  
  6129. <h4>001. TOO BAD THAT WE HAD NO TIME TO REWIND.</h4>
  6130.  
  6131. <i>PRE WORLD WAR II:</i> Born the son of James Montgomery Falsworth, Brian Falsworth was raised into money. He lived and grew in Falsworth Manor, in a village North of London where he spent a great deal of time playing, learning and looking up to his father; his rolemodel. Of course, as he grew older, Brian began to have a mind of his own and diverted from the life which his father might have liked him to have in favour of one that he believed in.</p>
  6132.  
  6133. Roger Aubrey, best friend and lover to the very same Falsworth son, was somewhat of an influence on Brian. They grew together and so held some of the same views and beliefs about the world. The pair were pacifists and wanted peace between Germany and the United Kingdom. It was through these beliefs that the pair opted to travel to Germany during the 1938 to help encourage peace.</p>
  6134.  
  6135. <h4>002. TELL MY PARENTS THAT I'M DEAD AND HOPE TO GOD I'M NEVER FOUND.</h4>
  6136.  
  6137. <i>THE DESTROYER:</i> Early in the war Brian and Rober discovered the evil nature of the Nazi regime and attempted to leave Germany. The Nazi Government was unwilling to risk the possibility that Falsworth and Aubrey would reverse their anti-war positions and so tore up their passports to render them unable to leave the country. They were then arrested by the Gestapo for their anti-war propaganda. The two were separated and brought to different prisons.</p>
  6138.  
  6139. While in prison Brian met Professor Schmitt who was imprisoned by the Red Skull for having a Jewish background. Schmitt worked along side Professor Erskine before he defected to the America to create the super-soldier formula and made Captain America. Schmitt had made a imperfect variant of the Super-Soldier Serum of his own while in prison and gave it to Brian to take in an attempt to ensure their escape of the prison.</p>
  6140.  
  6141. Failing in his attempt at escape and with Schmitt dead, Brian was turned over to the Institute of Nazi Science, where he was subjected to brainwashing and experiments that altered his memories and thoughts, resulting in his compliance to fight alongside the Nazi's.</p>
  6142.  
  6143. With his memories gone, the Nazi's turned Brian into a costumed fighter, calling him the Destroyer. They unleashed their new soldier against those that fought against them, bringing with it the turning point in the war in the favour of Nazi forces.</p>
  6144.  
  6145. <h4>003. IF WE CAN FIND THE LIGHT WE CAN MAKE OUR WAY BACK HOME.</h4>
  6146.  
  6147. <i>UNION JACK:</i> Upon their return to Britain, his father handed down the responsibilties of the Union Jack to Brian, allowing him a new sense of purpose in his home country as its protector. It was through this that he became a member of the Invaders.</p>
  6148.  
  6149. Following the war, Brian remained acive as the Union Jack, fighting for the good of his country. However, Brian had accumulated a large amount of attention during this time as a hero. Some time thereafter, reports of a car crash on a British road in 1953 hit the tabloids, announcing the end of Brian Falsworth's career and his life. It was a tragic end to a respected Hero's life.</p>
  6150.  
  6151. <h4>004. ALT: SUPER SPY. SUPER SOLDIER. SUPER COOL.</h4>
  6152.  
  6153. <i>PSEUDOCIDE (THE SECOND DEATH OF BRIAN FALSWORTH):</i> Following the war, Brian remained acive as the Union Jack, fighting for the good of his country. However, Brian had accumulated a large amount of attention during this time as a hero. Through this he decided that it would be best if the Union Jack and consequentally, Brian Falswoth, disappeared from their radar. Reports of a car crash on a British road in 1953 hit the tabloids, announcing the end of Brian Falsworth's career and his life. The deceased hero kept himself from the public eye and lived for two decades without anyone knowing that he was alive.</p>
  6154.  
  6155. Brian Falsworth's return to Falsworth Manor was a shocking one ––– something that he wished never to experiance again throughout the course of his life. This was the second time that he had been considered dead to his family and his return, following what had happened first in Germany and now again with his car crash, brought his family into an uproar and forced him to promise never to let them believe that he was dead again.</p>
  6156.  
  6157. In following years, Brian once again donned the suit for the Union Jack and took to the streets to continue to protect his country. During this time he also made the decision to follow the future that his father had wanted for him, agreeing to take over his family business in the tea industry.</p>
  6158.  
  6159. The discovery of Captain America hit the news some many years later. The formula that Brian had taken had enhanced his life expectancy to the point of near immortality, pending the notion that he wasn't mortally wounded or blown up at any point in his now long life. Brian looked the same as the day he had been imprisoned in Germany back during the war and with the resurrection of his old friend and brother in arms, Steve Rogers, came the knowledge that though the past was gone, it lived on in the heroes that fought and lived through those years.</p>
  6160.  
  6161. <h4>005. ALT: TO INFINITY AND BEYOND.</h4>
  6162.  
  6163. <i>INFINITY WAR & ENDGAME:</i> A continuation of <i>004. ALT: THE SECOND DEATH OF BRIAN FALSWORTH</i>; Brian is called upon as the Union Jack by his old friend and ally, Captain America in a bid to aid the remainder of the Avengers in stopping Thanos once and for all.
  6164.  
  6165.  
  6166. </div class="mdescription">
  6167.  
  6168.  
  6169.  
  6170.  
  6171. </li>
  6172.  
  6173.  
  6174.  
  6175. </ul>
  6176.  
  6177. </div id="page">
  6178.  
  6179. </div id="box">
  6180.  
  6181. </div id="Brian" class="muse" style="display:none;">
  6182.  
  6183.  
  6184.  
  6185.  
  6186.  
  6187.  
  6188.  
  6189.  
  6190.  
  6191.  
  6192.  
  6193.  
  6194.  
  6195.  
  6196.  
  6197.  
  6198.  
  6199.  
  6200.  
  6201.  
  6202.  
  6203.  
  6204.  
  6205.  
  6206.  
  6207.  
  6208.  
  6209.  
  6210.  
  6211.  
  6212.  
  6213.  
  6214.  
  6215.  
  6216. <!-- MUSE PAGE: Jamie -->
  6217.  
  6218.  
  6219. <div id="Jamie" class="muse" style="display:none;">
  6220.  
  6221. <div id="box">
  6222.  
  6223. <div class="sidebar2">
  6224.  
  6225. <div class="sidebarbg2">
  6226. <img src="{image:Sidebar Background}">
  6227. </div class="sidebarbg2">
  6228.  
  6229.  
  6230. <div class="inner2">
  6231.  
  6232. <div class="sidebarimgtop2">
  6233. <img src="https://i.imgur.com/DAm22h2.png">
  6234. </div class="sidebarimgtop2">
  6235.  
  6236.  
  6237. <div class="description2">
  6238.  
  6239. <b style="color:{color:links};">Jamie Fraser:</b>
  6240. <p>“When the day shall come that we do part," he said softly, and turned to look at me, "if my last words are not 'I love you' — ye'll ken it was because I didna have time.”
  6241.  
  6242. </div class="description2">
  6243.  
  6244.  
  6245. <div class="sidebarimgbottom2">
  6246. <img src="https://i.imgur.com/fGxWSCy.png">
  6247. </div class="sidebarimgbottom2">
  6248.  
  6249.  
  6250.  
  6251. </div class="inner2">
  6252.  
  6253. </div class="sidebar2">
  6254.  
  6255.  
  6256.  
  6257. <div id="page">
  6258.  
  6259. <div class="mimage">
  6260. <img src="https://i.imgur.com/mNCRPd3.png">
  6261. </div class="mimage">
  6262.  
  6263.  
  6264. <div class="mnavi">
  6265. <ul id="tabs">
  6266.  
  6267. <div class="dropdown2">
  6268. <button onclick="myFunction()" class="dropbtn2">
  6269. Jamie Fraser: Click for Navigational Pages</button>
  6270. <div id="myDropdown2" class="dropdown-content2">
  6271. <li style="text-align:left;" autofocus>General Information</li>
  6272. <li style="text-align:right;">Character Tags</li>
  6273. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  6274. </div id="myDropdown" class="dropdown-content2">
  6275. </div class="dropdown2">
  6276.  
  6277.  
  6278.  
  6279.  
  6280. </ul id="tabs">
  6281. </div class="mnavi">
  6282.  
  6283.  
  6284.  
  6285. <!-- TAB ONE -->
  6286.  
  6287.  
  6288. <ul id="tab"><li class="active">
  6289.  
  6290.  
  6291. <div class="mdescription">
  6292.  
  6293. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  6294. <b>It was a warm day for late October, and his shirt was clinging to his shoulders already. He wiped a sleeve across his face and examined the damp patch critically. If he got wringing, Brianna would insist on washing it again, protest as he might that sweat was clean enough. “Phew,” she would say, with a disapproving nostril-flare, wrinkling her long nose up like a possum. He had laughed out loud when he first saw her do it; as much from surprise as from amusement.
  6295.  
  6296. <p>His mother had died long ago, in his childhood, and while the odd memory of her came now and then in dreams, he had mostly replaced her presence with static pictures, frozen images in his mind. But she had said “Phew!” to him when he came in mucky, and wrinkled up her long nose in just that way—it had come back with a flash when he saw Brianna do it.</b>
  6297. </blockquote>
  6298.  
  6299.  
  6300.  
  6301. <h4>Introduction / Importances</h4>
  6302.  
  6303. Coming soon.
  6304.  
  6305.  
  6306. </div class="mdescription">
  6307.  
  6308.  
  6309.  
  6310.  
  6311. </li>
  6312.  
  6313.  
  6314.  
  6315. <!-- TAB TWO -->
  6316.  
  6317. <li>
  6318.  
  6319. <div class="mdescription">
  6320.  
  6321.  
  6322. <div class="mlinks" style="margin-top:0px!important;">
  6323.  
  6324. <h4>General Links</h4>
  6325.  
  6326.  
  6327. <a href="/tagged/「-jamie-fraser-%2F-study-」-i%27m-too-hungry-to-be-a-threat-to-anything-but-breakfast.">
  6328. study
  6329. </a>
  6330.  
  6331. <a href="/tagged/「-jamie-fraser-%2F-visage-」-ribbons-of-melted-bronze-across-his-shoulders.">
  6332. visage
  6333. </a>
  6334.  
  6335. <a href="/tagged/「-jamie-fraser-%2F-headcanon-」-it%27s-a-damn-thin-line-between-justice-and-brutality.">
  6336. headcanon
  6337. </a>
  6338.  
  6339. <a href="/tagged/「-jamie-fraser-%2F-answered-ic-」-who-in-god%27s-name-is-john-wayne%3F">
  6340. answered / in character
  6341. </a>
  6342.  
  6343.  
  6344.  
  6345. <h4>Universes</h4>
  6346.  
  6347.  
  6348. <a href="/tagged/「-jamie-fraser-%2F-vs%3A-1740s-」-the-popular-english-conception-of-a-highland-thug.">
  6349. 1740s
  6350. </a>
  6351.  
  6352. <a href="/tagged/「-jamie-fraser-%2F-vs%3A-1750s-」-ropes-about-our-necks-to-show-that-our-lives-were-forfeit.">
  6353. 1750s
  6354. </a>
  6355.  
  6356. <a href="/tagged/「-jamie-fraser-%2F-vs%3A-1760s-」-ye-dinna-need-to-be-so-brave-about-things-if-ye-ken-ye-canna-help-it.">
  6357. 1760s
  6358. </a>
  6359.  
  6360. <a href="/tagged/「-jamie-fraser-%2F-vs%3A-1770s-」-if-i-am-to-live-as-a-man-i-must-have-a-mountain.">
  6361. 1770s
  6362. </a>
  6363.  
  6364.  
  6365. <h4>Connections</h4>
  6366.  
  6367.  
  6368. <a href="/tagged/「-jamie-fraser-%2F-dyn%3A-claire-」-let-me-be-brave-enough-not-to-fall-on-my-knees-and-beg-her-to-stay.">
  6369. Claire
  6370. </a>
  6371.  
  6372. <a href="/tagged/「-jamie-fraser-%2F-dyn%3A-brianna-」-his-arms-were-as-strong-about-her-as-she-had-ever-dared-to-hope.">
  6373. Brianna
  6374. </a>
  6375.  
  6376.  
  6377.  
  6378. </div class="mlinks">
  6379.  
  6380.  
  6381. </div class="mdescription">
  6382.  
  6383.  
  6384. </li></ul>
  6385.  
  6386. </div id="page">
  6387.  
  6388. </div id="box">
  6389.  
  6390. </div id="Jamie" class="muse" style="display:none;">
  6391.  
  6392.  
  6393.  
  6394.  
  6395.  
  6396.  
  6397.  
  6398.  
  6399.  
  6400.  
  6401.  
  6402.  
  6403.  
  6404.  
  6405.  
  6406.  
  6407.  
  6408.  
  6409.  
  6410.  
  6411.  
  6412.  
  6413.  
  6414.  
  6415.  
  6416.  
  6417.  
  6418.  
  6419.  
  6420.  
  6421.  
  6422.  
  6423.  
  6424.  
  6425. <!-- MUSE PAGE: Charles -->
  6426.  
  6427.  
  6428. <div id="Charles" class="muse" style="display:none;">
  6429.  
  6430. <div id="box">
  6431.  
  6432. <div class="sidebar2">
  6433.  
  6434. <div class="sidebarbg2">
  6435. <img src="{image:Sidebar Background}">
  6436. </div class="sidebarbg2">
  6437.  
  6438.  
  6439. <div class="inner2">
  6440.  
  6441. <div class="sidebarimgtop2">
  6442. <img src="https://i.imgur.com/jFLBOJt.png">
  6443. </div class="sidebarimgtop2">
  6444.  
  6445.  
  6446. <div class="description2">
  6447.  
  6448. <b style="color:{color:links};">Charles Xavier</b> "The past: a new and uncertain world. A world of endless possibilities and infinite outcomes. Countless choices define our fate: each choice, each moment, a moment a ripple in the river of time. Enough ripples, and you change the tide..."
  6449.  
  6450. </div class="description2">
  6451.  
  6452.  
  6453. <div class="sidebarimgbottom2">
  6454. <img src="https://i.imgur.com/Tqo8bOK.png">
  6455. </div class="sidebarimgbottom2">
  6456.  
  6457.  
  6458.  
  6459. </div class="inner2">
  6460.  
  6461. </div class="sidebar2">
  6462.  
  6463.  
  6464.  
  6465. <div id="page">
  6466.  
  6467. <div class="mimage">
  6468. <img src="https://i.imgur.com/FlxFHvH.png">
  6469. </div class="mimage">
  6470.  
  6471.  
  6472. <div class="mnavi">
  6473. <ul id="tabs">
  6474.  
  6475. <div class="dropdown2">
  6476. <button onclick="myFunction()" class="dropbtn2">
  6477. Charles Xavier: Click for Navigational Pages</button>
  6478. <div id="myDropdown2" class="dropdown-content2">
  6479. <li style="text-align:left;" autofocus>General Information</li>
  6480. <li style="text-align:right;">Character Tags</li>
  6481. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  6482. </div id="myDropdown" class="dropdown-content2">
  6483. </div class="dropdown2">
  6484.  
  6485.  
  6486.  
  6487.  
  6488. </ul id="tabs">
  6489. </div class="mnavi">
  6490.  
  6491.  
  6492.  
  6493. <!-- TAB ONE -->
  6494.  
  6495.  
  6496. <ul id="tab"><li class="active">
  6497.  
  6498.  
  6499. <div class="mdescription">
  6500.  
  6501. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  6502. <b>
  6503. It's not their pain you're afraid of. It's yours, Charles. And as frightening as it can be, that pain will make you stronger. If you allow yourself to feel it, embrace it, it will make you more powerful than you ever imagined. It's the greatest gift we have: to bear their pain without breaking. And it comes from the most human part of us: hope.
  6504. </b>
  6505. </blockquote>
  6506.  
  6507.  
  6508.  
  6509. <h4>Introduction / Importances</h4>
  6510.  
  6511. Coming soon.
  6512.  
  6513.  
  6514. </div class="mdescription">
  6515.  
  6516.  
  6517.  
  6518.  
  6519. </li>
  6520.  
  6521.  
  6522.  
  6523. <!-- TAB TWO -->
  6524.  
  6525. <li>
  6526.  
  6527. <div class="mdescription">
  6528.  
  6529.  
  6530. <div class="mlinks" style="margin-top:0px!important;">
  6531.  
  6532. <h4>General Links</h4>
  6533.  
  6534.  
  6535. <a href="/tagged/「-charles-xavier-%2F-study-」-once-upon-a-time-i-had-a-dream-of-a-world-where-all-earth%27s-children-might-live-together-in-peace.">
  6536. study
  6537. </a>
  6538.  
  6539. <a href="/tagged/「-charles-xavier-%2F-visage-」-one-of-the-most-spectacular-things-is-my-mutation-allows-me-to-read-your-mind.">
  6540. visage
  6541. </a>
  6542.  
  6543. <a href="/tagged/「-charles-xavier-%2F-headcanon-」-countless-choices-define-our-fate.-each-choice-each-moment-a-ripple-in-the-river-of-time.">
  6544. headcanon
  6545. </a>
  6546.  
  6547. <a href="/tagged/「-charles-xavier-%2F-answered-ic-」-i-feel-a-great-swell-of-pity-for-the-poor-soul-that-comes-to-my-school-looking-for-trouble.">
  6548. answered / in character
  6549. </a>
  6550.  
  6551.  
  6552.  
  6553. <h4>Universes</h4>
  6554.  
  6555.  
  6556. <a href="/tagged/「-charles-xavier-%2F-vs%3A-first-class-」-you-have-a-chance-to-become-a-part-of-something-much-bigger-than-yourself.">
  6557. First Class
  6558. </a>
  6559.  
  6560. <a href="/tagged/「-charles-xavier-%2F-vs%3A-days-of-future-past-」-just-because-someone-stumbles-and-loses-their-way-doesn%27t-mean-they%27re-lost-forever.">
  6561. Days of Future Past
  6562. </a>
  6563.  
  6564. <a href="/tagged/「-charles-xavier-%2F-vs%3A-apocalypse-」-a-gift-can-also-be-a-curse.-give-someone-wings-and-they-may-fly-to-close-to-the-sun.">
  6565. Apocalypse
  6566. </a>
  6567.  
  6568. <a href="/tagged/「-charles-xavier-%2F-vs%3A-dark-phoenix-」-the-mind-is-a-fragile-thing.-takes-only-the-slightest-tap-to-tip-it-in-the-wrong-direction.">
  6569. Dark Phoenix
  6570. </a>
  6571.  
  6572.  
  6573.  
  6574. <h4>Connections</h4>
  6575.  
  6576.  
  6577. <a href="/tagged/「-charles-xavier-%2F-dyn%3A-erik-」-there-is-so-much-more-to-you-than-you-know.-not-just-pain-and-anger.-there%27s-good-in-you-too.">
  6578. Erik
  6579. </a>
  6580.  
  6581. <a href="/tagged/「-charles-xavier-%2F-dyn%3A-raven-」-i%27ve-promised-you-a-great-many-things-i%27m-afraid.-i%27m-sorry.">
  6582. Raven
  6583. </a>
  6584.  
  6585.  
  6586.  
  6587.  
  6588. </div class="mlinks">
  6589.  
  6590.  
  6591. </div class="mdescription">
  6592.  
  6593.  
  6594. </li></ul>
  6595.  
  6596. </div id="page">
  6597.  
  6598. </div id="box">
  6599.  
  6600. </div id="Charles" class="muse" style="display:none;">
  6601.  
  6602.  
  6603.  
  6604.  
  6605.  
  6606.  
  6607.  
  6608.  
  6609.  
  6610.  
  6611.  
  6612.  
  6613.  
  6614.  
  6615.  
  6616.  
  6617.  
  6618.  
  6619.  
  6620.  
  6621.  
  6622.  
  6623.  
  6624.  
  6625.  
  6626.  
  6627.  
  6628.  
  6629.  
  6630.  
  6631.  
  6632.  
  6633.  
  6634.  
  6635. <!-- MUSE PAGE: Diana -->
  6636.  
  6637.  
  6638. <div id="Diana" class="muse" style="display:none;">
  6639.  
  6640. <div id="box">
  6641.  
  6642. <div class="sidebar2">
  6643.  
  6644. <div class="sidebarbg2">
  6645. <img src="{image:Sidebar Background}">
  6646. </div class="sidebarbg2">
  6647.  
  6648.  
  6649. <div class="inner2">
  6650.  
  6651. <div class="sidebarimgtop2">
  6652. <img src="https://i.imgur.com/YGoQIva.png">
  6653. </div class="sidebarimgtop2">
  6654.  
  6655.  
  6656. <div class="description2">
  6657.  
  6658. <b style="color:{color:links};">Diana Bishop:</b>
  6659. Much of what qualified as magic was simply desire in action. Witchcraft was different- that took spells and rituals. But magic? A wish, a need, a hunger too strong to be denied- these could turn into deeds when they cross a witch’s mind.
  6660.  
  6661. </div class="description2">
  6662.  
  6663.  
  6664. <div class="sidebarimgbottom2">
  6665. <img src="https://i.imgur.com/jZuNgwF.png">
  6666. </div class="sidebarimgbottom2">
  6667.  
  6668.  
  6669.  
  6670. </div class="inner2">
  6671.  
  6672. </div class="sidebar2">
  6673.  
  6674.  
  6675.  
  6676. <div id="page">
  6677.  
  6678. <div class="mimage">
  6679. <img src="https://i.imgur.com/vcEtxQR.png">
  6680. </div class="mimage">
  6681.  
  6682.  
  6683. <div class="mnavi">
  6684. <ul id="tabs">
  6685.  
  6686. <div class="dropdown2">
  6687. <button onclick="myFunction()" class="dropbtn2">
  6688. Diana Bishop: Click for Navigational Pages</button>
  6689. <div id="myDropdown2" class="dropdown-content2">
  6690. <li style="text-align:left;" autofocus>General Information</li>
  6691. <li style="text-align:right;">Character Tags</li>
  6692. <li style="min-width:534px; margin-bottom:-4px!important;"></li>
  6693. </div id="myDropdown" class="dropdown-content2">
  6694. </div class="dropdown2">
  6695.  
  6696.  
  6697.  
  6698.  
  6699. </ul id="tabs">
  6700. </div class="mnavi">
  6701.  
  6702.  
  6703.  
  6704. <!-- TAB ONE -->
  6705.  
  6706.  
  6707. <ul id="tab"><li class="active">
  6708.  
  6709.  
  6710. <div class="mdescription">
  6711.  
  6712. <blockquote style="font-style:italic!important; margin-top:0px!important;">
  6713. <b>
  6714. “Somewhere in the center of my soul, a rusty chain began to unwind. It freed itself, link by link, from where it had rested, unobserved, waiting for him. My hands, which had been balled up and pressed against his chest, unfurled with it. The chain continued to drop, to an unfathomable depth where there was nothing but darkness and Matthew. At last it snapped to its full length, anchoring me to a vampire. Despite the manuscript, despite the fact that my hands contained enough voltage to run a microwave, and despite the photograph, as long as I was connected to him, I was safe.”
  6715. </b>
  6716. </blockquote>
  6717.  
  6718.  
  6719.  
  6720. <h4>Introduction / Importances</h4>
  6721.  
  6722. Coming soon.
  6723.  
  6724.  
  6725. </div class="mdescription">
  6726.  
  6727.  
  6728.  
  6729.  
  6730. </li>
  6731.  
  6732.  
  6733.  
  6734. <!-- TAB TWO -->
  6735.  
  6736. <li>
  6737.  
  6738. <div class="mdescription">
  6739.  
  6740.  
  6741. <div class="mlinks" style="margin-top:0px!important;">
  6742.  
  6743. <h4>General Links</h4>
  6744.  
  6745.  
  6746. <a href="/tagged/「-diana-bishop-%2F-study-」-born-under-the-sign-of-leo%3F-i-will-have-to-call-you-my-lioness-now.-but-even-la-lionne-needs-her-protectors.">
  6747. study
  6748. </a>
  6749.  
  6750. <a href="/tagged/「-diana-bishop-%2F-visage-」-you-are-steadfast.-you-hide-many-secrets-within-you.-bright-on-the-surface.-fiery-within.-impossible-to-break.">
  6751. visage
  6752. </a>
  6753.  
  6754. <a href="/tagged/「-diana-bishop-%2F-headcanon-」-all-dressed-up-in-adrenalin-and-no-place-to-go.">
  6755. headcanon
  6756. </a>
  6757.  
  6758. <a href="/tagged/「-diana-bishop-%2F-answered-ic-」-a-bedtime-story-about-evil-witches-and-enchanted-ribbons.-a-shadowed-prince-and-a-fairy-godmother.">
  6759. answered / in character
  6760. </a>
  6761.  
  6762.  
  6763.  
  6764. <h4>Universes</h4>
  6765.  
  6766. <a href="/tagged/「-diana-bishop-%2F-vs%3A-discovery-of-witches-」-it%27s-who-you-are.-it%27s-in-your-blood.-it%27s-in-your-bones.-you-were-born-a-witch.">
  6767. A Discovery of Witches
  6768. </a>
  6769.  
  6770. <a href="/tagged/">
  6771. Shadow of Night
  6772. </a>
  6773.  
  6774. <a href="/tagged/">
  6775. The Book of Life
  6776. </a>
  6777.  
  6778. <a>&nbsp;</a>
  6779.  
  6780.  
  6781.  
  6782. <h4>Connections</h4>
  6783.  
  6784.  
  6785. <a href="/tagged/「-diana-bishop-%2F-dyn%3A-matthew-」-he-was-not-of-an-age-but-for-all-time-%2F-with-thee-conversing-i-forget-all-time.">
  6786. Matthew
  6787. </a>
  6788.  
  6789. <a href="/tagged/「-diana-bishop-%2F-dyn%3A-ysabeau-」-your-fight-is-my-fight.-your-enemies-are-my-enemies.-we-fight-as-a-family.">
  6790. Ysabeau
  6791. </a>
  6792.  
  6793. <a href="/tagged/「-diana-bishop-%2F-dyn%3A-philippe-」-i’ll-find-a-way-to-be-with-you-in-the-darkness-%2F-how-could-it-be-otherwise-when-you-are-in-my-heart%3F">
  6794. Philippe
  6795. </a>
  6796.  
  6797. <a>&nbsp;</a>
  6798.  
  6799.  
  6800.  
  6801.  
  6802. </div class="mlinks">
  6803.  
  6804.  
  6805. </div class="mdescription">
  6806.  
  6807.  
  6808. </li></ul>
  6809.  
  6810. </div id="page">
  6811.  
  6812. </div id="box">
  6813.  
  6814. </div id="Diana" class="muse" style="display:none;">
  6815.  
  6816.  
  6817.  
  6818.  
  6819.  
  6820.  
  6821.  
  6822. </div id="container">
  6823.  
  6824.  
  6825. </div>
  6826.  
  6827.  
  6828.  
  6829.  
  6830.  
  6831.  
  6832.  
  6833.  
  6834.  
  6835. <!-- CREDIT -->
  6836.  
  6837. <div id="credit"><div style="width:105px;margin-right:10px;">
  6838. <a href="http://iniziare.tumblr.com/post/183826974792/base-theme-viper-preview-download-code" target="blank">
  6839. <span>S.</span>MADE BY SAE.</a>
  6840. </div></div>
  6841.  
  6842. </body>
  6843. </html>
Advertisement
Add Comment
Please, Sign In to add comment