StyxxnStones

Zombie CYOA

Apr 15th, 2015
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  1. >you sat on your couch, staring blankly at your tv screen
  2. >it was a friday night, and you were home alone, watching horror movies again
  3. >being a huge horror addict, you'd already seen this movie a few times before
  4. >it wasn't very good
  5. >you looked at the window, noticing it was already dark
  6. >you could hear the sound of heavy rain outside
  7. >there was no light in your room except from the television
  8. >you kind of liked this creepy atmosphere
  9. >just as you began to enjoy it and get comfy, you hear a noise from downstairs
  10. >someone is pounding on your door
  11. >you cautiously head down the stairs, grabbing your pump shotgun as you go
  12. >never can be too safe, it's an odd time of night after all
  13. >the pounding doesn't stop the entire time you descend down the stairs
  14. >you realize all the lights in your house are off
  15. >your eyes aren't used to the darkness after staring at the tv screen for so long
  16. >you bump into a few things
  17. >the pounding is getting louder
  18. >you try to peer out your front window to see who's at the door, but it's too dark
  19. >pounding has not ceased
  20. >you gulp, realizing you may eventually have to open the door
  21.  
  22. >"Who is it?!" you shout from behind the closed door
  23. >the pounding pauses for a moment, only to start up again soon after
  24. >fuck
  25. >you wrench the door open with one hand and quickly shoulder your shotgun, ready to blast whoever's on the other side
  26. >instead of some crazed murderer in your doorway, you make out the silhouette of a figure that is undeniably female
  27. >you can't make out her face in the darkness, but you can see that she's dripping wet from being in the rain
  28. >she's also standing kind of weird
  29. >she might be hurt and looking for help
  30. >you lower your shotgun in a flash of guilt
  31. >"shit! hold on…" your hand fumbles with the porch light switch next to the door
  32. >you flick it on
  33. >you look back to the girl on your doorstep
  34. >you gasp
  35. >she's covered in blood, and her clothing is torn in certain places
  36. >she's wearing a crop top and daisy dukes
  37. >she would probably look pretty hot if she didn't look like a horror movie victim
  38. >who are you kidding, she still looks pretty hot
  39. >but that doesn't matter now, she looks like she's in danger
  40. >"miss…? Are you alright…?"
  41. >the girl stares at you blankly but doesn't say anything or move
  42. >you see that she is indeed still dripping wet from the rain
  43. >you assume she must be freezing
  44. >"Listen…come in here out of the rain…I'll call someone for you if you need help, alright?"
  45. >she doesn't move
  46.  
  47.  
  48. >"Hello? Are you listening?"
  49. >the continues to not move
  50. >as you stare at her, you notice a lot blood smeared around her mouth
  51. >you're starting to get a little creeped out
  52. >"Alright…listen. How about you wait out here then and I'll go call someone…?"
  53. >You make to close the door and make your clean getaway before dialing 911
  54. >as you begin to shut the door, one of the girl's arms snaps up and holds on to the edge of the door
  55. >surprisingly, you aren't able to close the door any further
  56. >she's holding it open
  57. >she shuffles forward slightly, taking a few steps into your house
  58. >you continue to frantically try to force the door closed, to no avail
  59. >she's much stronger than you
  60. >as she steps through the doorway, her foot drags over the door jam and she loses her balance
  61. >she comes crashing into you, knocking you over in the process
  62. >you are keenly aware of her breasts pressing into your chest
  63. >at the same time, you instantly feel your clothes become wet as well
  64. >you reach your hands up to push her off you, and you realize how cold she is
  65. >that same guilt comes washing over you again
  66. >she must be really frightened
  67. >you squirm out from underneath her
  68. >you could almost swear you heard her sigh as you did so
  69. >you close the front door and begin turning on lights
  70. >"You must be cold right? I'll go get you a towel."
  71. >you begin walking towards your bathroom, you can hear her following you slowly
  72. >you bring out a huge clean towel and hand it to
  73. >she looks at the towel blankly for a moment, cocking her head slightly
  74. >you huff and take the towel back and instead motion for her to come forward
  75. >she shuffles slowly closer to her and you begin toweling her off, starting with her damp blonde hair
  76. >she says nothing during all this, but she presses herself closer to you as you do it
  77. >you find it difficult trying to keep your erection in check
  78. >after you are done toweling her off, you whip out your cellphone
  79. >"Alright I'll call 911, then I'll get you something dry to wear, alright?"
  80. >Suddenly, you feel her hand on yours
  81. >she prys open your hand and takes you phone in hers
  82. >"What, you wanna make the call?"
  83. >*crunch*
  84. >just by clenching her fist, she breaks your phone into several plastic pieces
  85.  
  86. >"Wha-What the fuck?!"
  87. >you're a little bit angry
  88. >it wasn't a nice phone, but it wasn't cheap either
  89. >you're also a little bit scared now
  90. >you begin backing out of the bathroom
  91. >you have another phone upstairs
  92. >though you're not sure what you're gonna say when you get there, or who you'll be calling for
  93. >as you back out, the girl takes a hurt look in her eyes
  94. >she shuffles closer to you and grips the front of your t-shirt
  95. >you tense up, remember how much strength she had when you tried to close the door on her
  96. >instead, she just pulls her body close to yours, and buries her head into your shirt
  97. >her body begins quaking with what you believe to be sobs, although no sound comes out, and you can't tell if any tears are staining your shirt
  98. >you aren't completely sure if she's crying or not
  99. >you feel guilty regardless
  100. >she wraps her arms around your back and awkwardly hugs you while she sobs and nuzzles into your chest
  101. >you feel very uncomfortable
  102. >not only is the situation awkward, you have an inappropriate boner because this is the most female contact you've gotten in awhile
  103. >you feel a deep pit of shame rise in your gut
  104. >"h-hey, listen." you say to break the ice after a few minutes
  105. >"Why don't we get you cleaned up, changed, and then talk, okay? No need to be scared or anything…"
  106. >she doesn't say anything, or unbury her face from your chest
  107. >"Um…if you promise not to break anything else, I'll get you something to eat…?"
  108. >At that, she looks up quickly from your chest, a hint of wonder in her eyes
  109. >you guess she must be hungry
  110. >she tightens her arms around you a little
  111. >presses her body even closer to her
  112. >too bad she's a little cold, or you'd be in heaven right now
  113. >Suddenly, you hear more knocking at your door
  114. >the girl tilts her head at the noise, and then suddenly look back at you
  115. >even though her expression barely changes, you can almost tell there's panic in her eyes
  116. >you don't understand why though
  117. >"I'll be right back, lemme just see who that is."
  118. >You walk back to the front door and peek out the window again
  119. >you see two figures dressed in clean suits standing on your now-lit front porch
  120. >you decide to open the door
  121. >two figures greet you, a man and a woman
  122. >both young and attractive looking, with black umbrellas held over them to keep their immaculate black suits dry
  123. >"Good evening, sir" the man says as you open the door
  124. >"I hate to bother you, but would you have happened to see a young blonde woman around here? She's a friend of mine and I think she might have gotten hurt."
  125.  
  126. >for some reason, a small voice in the back of your head tells you to lie
  127. >"No, I haven't seen anyone all night actually," you say
  128. >"Really? Then why is your porch light on at such a time of night?"
  129. >you are taken aback for a moment, who the hell does this guy think he is?
  130. >"Listen buddy, it's none of your business. Now it's very late at night, so please leave."
  131. >The man and the woman exchange glances, silently debating something
  132. >"Very well sir, if you see or hear anything, please notify the proper-"
  133. >just then, a crash from somewhere deeper inside your house can be heard
  134. >"What was that?" The suited man asks
  135. >"Hell if I know, maybe the cat knocked over something."
  136. >The man sports a sly grin
  137. >"Would you might if we took a look inside?"
  138. >you try not to explode at his audacity
  139. >"Actually I would mind very much. I will only ask nicely one more time: please leave."
  140. >the man grins condescendingly
  141. >"Very well. But a word of advice before we go:"
  142. >the man leans in slightly closer and whispers
  143. >"Strange things exist in this world. Strange and evil things. Not worth risking your life over."
  144. >He leans back and smiles
  145. >"Here our card, call us if you need anyth-"
  146. >you slam the door in his face
  147. >luckily, not arms come up to stop you like with the girl last time
  148. >you stand there a few seconds before deciding to lock all the locks on the door and shut of the porch light
  149. >you peer out the window and breathe a sigh of relief as you confirm the two people in suits are gone
  150. >you walk back into your house, looking for the girl once more
  151. >she's no longer in the bathroom where you left her
  152. >startled, you begin searching the house for her
  153. >"Hello? Where did you go?"
  154. >as you arrive in the kitchen, you notice the glass shards of a broken glass on the kitchen floor
  155. >you can see the door to the bottom kitchen cupboard is slightly ajar
  156. >kneeling down, you open it to find the girl crammed into the cupboard, looking frail and stricken
  157. >her eyes lock onto yours in a flash of fear, but calm down once she recognizes you
  158. >"What are you doing in here?"
  159. >She still says nothing but begins crawling out of the cupboard
  160. >she is clumsy and slowgoing, so you decide to help her a bit
  161. >you and pull and yank and end up dislodging her from the tight quarters, though the result is you both end up collapsed on a pile on the kitchen floor
  162. >once she realizes she is yet again on top of you, she begins that chest nuzzling and silent sobbing thing again
  163. >you feel bad yet again
  164. >you gently and awkwardly pat the top of her damp head
  165. >"Hey now…no need to be afraid. I dunno who those guys were, but they're gone now…"
  166. >suddenly, inspiration sparks in you
  167. >"Hey, since we're in the kitchen, how about I get you something to eat?"
  168. >once again, she looks up at you from your chest with eyes of wonder
  169. >she presses her body into yours again, and this time you cannot contain your erection as it springs to life
  170. >she notices it of course
  171. >once of her hands snakes down your waist until it rests above the bulge in your jeans
  172. >She gives it a gentle squeeze
  173. >woah, is all you can think
  174.  
  175. >"Woah there"
  176. >after a brief moment of shock, you come to your senses
  177. >you push the girl off you, gently, so as not to startle her
  178. >she doesn't resist, though you can hear the hint of a disappointed noise coming from her
  179. >whatever she wanted, she's obviously not in the right state of mind
  180. >it wouldn't be right for you to indulge her now
  181. >you get up and decide to look for food in your kitchen with which to make her something to eat
  182. >you find some leftover pizza in the fridge and some milk
  183. >you hope she's not lactose intolerant
  184. >you put the pizza in the microwave, all while the girl watches you intently
  185. >you can't really tell if she's interested or not, because her expression hardly changes
  186. >when the pizza's done warming up, you pour a glass of milk and set the glass and pizza on the table
  187. >you motion for the girl to sit down
  188. >she looks at you, looks back at the table, and does nothing
  189. >sighing, you pull out a chair and urge her forward
  190. >she hesitantly stumbles forward towards the chair
  191. >you guide and help her sit down as best you can
  192. >once seated, she stares blankly at the plate of food you have set i front of her
  193. >her face takes on a glassy look as she just stares at the plate of food in front of her
  194. >after a while she looks up from the food at back at you, giving you a strange look
  195. >you guess that means she isn't hungry after all
  196. >maybe she doesn't like pizza, you should have asked before hand
  197. >you help her out of the chair, and notice she's still covered in blood
  198. >you take her hand and lead her with to to the bathroom
  199. >once there you turn of the light and prompt her to sit on the toilet lid as you begin wiping off the dried blood with a wash cloth
  200. >she should really take a shower but right now you aren't certain you trust her not to slip and hurt herself
  201. >as you wipe off the blood, you reveal a rather cute face
  202. >you blush as you chastise yourself for your unbecoming behavior
  203. >at the same time, you notice her skin has a pale, sickly grey tone to it
  204. >and she's still very cold
  205. >but there's no goosebumps on her skin
  206. >and she's not shivering
  207. >as you are wiping the blood off her arm, you notice a gash in her bicep
  208. >it's not bleeding for some reason, but it looks reasonably deep
  209.  
  210.  
  211. >frowning, a deep suspicion creeps over you
  212. >you decide to check for a pulse
  213. >you put your fingers on her wrists
  214. >nothing
  215. >then again, you didn't pay much attention in health class so maybe you're missing it
  216. >you decide to move to the next spot, her neck
  217. >her expression doesn't change as you place your fingers on one side of her slender neck
  218. >still, you feel nothing
  219. >panicking you decide to do the last thing you can think of
  220. >you press your ear into her right breast, right where her heart is
  221. >you don't care how strange or inappropriate the action is
  222. >nothing
  223. >you can't hear her heart beating
  224. >or rather, you conclude that her heart is not beating
  225. >you feel her arms come up from her sides to wrap around your head and torso, holding you closer to her chest
  226. >your own heart starts beating rapidly
  227. >she doesn't have a pulse
  228. >how the hell is she alive?
  229. >…
  230. >is she alive?
  231. >you wrench yourself out of her grasp and she offers no resistance
  232. >she looks at you with a sad hint in her eyes, but otherwise her expression remains as stone cold as before
  233. >briefly, the thought of your pump shotgun flashes into your mind
  234. >your fear gets the better of you and you decide to run
  235. >you sprint out of the bathroom and run up the stairs
  236. >at the top, you can see the dead creepy girl slowly following you
  237. >you stand still and watch for some reason
  238. >as she approaches the stairs, she hesitantly tries to climb them, but loses her balance and falls down
  239. >you squash the feelings of guilt that rise in your mind and run to your room
  240. >the tv is still going, playing some shitty horror flick
  241. >you close your bedroom door
  242.  
  243. >you decide to barricade your room in
  244. >you pushing your dresser, your couch, and even your bed up against the door
  245. >you briefly consider calling the police, but realize they wouldn't believe you
  246. >in your haste to make it up the stairs, you forgot to recollect your shotgun
  247. >as you are running through possible scenarios and panicking, you hear the creak of the steps and the awkward shuffling of the dead girl as she makes it up your stairs
  248. >your fear rises and you begin shouting
  249. >"Stay away! Don't come any closer!"
  250. >you hear her stop outside your door
  251. >you brace yourself
  252. >you hear pounding and splintering as she begins to rail on the door
  253. >you back away from the door and scan around the room for a weapon
  254. >one final CRACK indicates she has made a hole through the door
  255. >the pile barricading the door still holds
  256. >there's just a hole in the door now
  257. >you faintly see her eyes peeping through the hole
  258. >you brace yourself for her to begin clawing at you ravenously
  259. >instead, you hear a strange, whiny noise
  260. >it's a pathetic sort of grunt, not quite a sob, not quite a growl
  261. >it sounds like the noise a dog might make if you left him outside
  262. >"please…no…no scared…." you hear a gravelly voice through the hole in the door
  263. >you are briefly stunned that she can talk, since she was so silent before
  264. >she continues talking, her voice wavering slightly
  265. >"not leave alone…please…no scared…no hurt…please"
  266. >you can imagine her doing that weird silent sob thing as she speaks
  267. >you think about what to say back to her
  268.  
  269.  
  270. >you feel guilty for like the 5th time tonight
  271. >"Hang on…I'll remove the barricade" you shout so she can hear
  272. >you move all the furniture out of the way of the door
  273. >the entire time you are moving the stuff, she is silent once more
  274. >she waits patiently on the other side of the door for you to be ready
  275. >once all the furniture is move, you gently unlock the door and open it
  276. >she is standing there, a sheepish glint in her eyes
  277. >"Sorry about that, " you apologize, "I guess I got carried away."
  278. >"…no scared…?" she asks
  279. >you sigh lightly and give what you hope is a reassured smile
  280. >"No scared." you answer her.
  281. >she make some sort of happy grunt and then stumbles into you, knocking both of you in the ground
  282. >once on the ground, she begins nuzzling into you chest and making more of those happy grunts
  283. >you let her go for a little while, feeling like you owe her for locking her out
  284. >eventually you pick yourself up
  285. >you direct her to sit down on the couch in your room
  286. >since her skin is still a little cold, you wrap one of your blankets around her and sit down next to her, giving her a hug from the side
  287. >your thought process is that your body heat will eventually warm her up
  288. >she hums contentedly as you snuggle up to her
  289. >'Listen, " you begin to say, "I have questions. For starters, what are you?"
  290. >she is silent for awhile
  291. >eventually she begins speaking, although slowly and with great effort
  292. >"Am dead…dead but not…bad men chase…me no hurt…please believe…"
  293. >her stony expression is marred by the panic in her eyes
  294. >you calm her down and tell her you believe her
  295. >"Alright, I guess that means you're a zombie. …wow" you lean back and sigh as you realize what you just said
  296. >she says nothing, but continues to stare at you
  297. >"What's your name, anyway?"
  298. >She closes her eyes for a bit, thinking
  299. >when she opens them again, her eyes seem to darken a bit
  300. >"…no name…can't remember…"
  301. >at that the strained conversation dies, and you try to watch the movie playing on the television as you think of what to say next
  302. >she begins watching too
  303. >the movie is some cheap zombie flick
  304. >you think it's pretty shitty
  305. >eventually it comes to a point where one of the main characters is tearing through hordes of zombies
  306. >blood and gore is flying everything as he rains hails of bullets upon crowds of the living dead
  307. >your impression of the movie improves as you admire the choreography
  308. >you hear some moans and whines and look over
  309. >the dead girl is shivering and quaking, supposedly from fear
  310. >she pulls the blanket over her head and continues to shake
  311. >"no hurt…please no hurt…"
  312. >shame washes over you and you reach up and turn off the movie
  313. >"Don't be scared, it's just a movie"
  314. you say as you hug the girl wrapped in the blanket
  315. >eventually her shivering stops and she just lies against you
  316. >you can't tell if she's sleeping or not, because her body doesn't rise and fall with her breaths, because she doesn't breathe
  317. >eventually you feel sleep taking you over
  318. >"You should have a name…" you think out loud as your eyes become heavy
  319. >"How about…Cia? I like that name…."
  320. >"…Cia…." you hear the girl repeat from under the blankets
  321. >your eyes finally close and sleep takes you
  322.  
  323. >you wake up to a strange sensation
  324. >you were having such a weird dream too
  325. >you can't quite remember, but you think it was about some sort of zombie that broke into your house and some creepy men in black
  326. >the weird sensation intensifies as the grogginess of sleep fades away
  327. >feels like cold, wet suction on your groin
  328. >panicked, you throw the blanket off yourself
  329. >staring up at you from your crotch is the female zombie from last night, your cock trapped inside her mouth
  330. >"What the fuck?!"
  331. >you tried to push her off you
  332. >with one hand she is able to push your shoulders down and pin you in place
  333. >her cheeks become sunken as she increased the suction on your dick
  334. >feels good, but strange
  335. >her body is only lukewarm, so the wet sensation of her mouth and tongue are startling
  336. >she vacuum sucks your entire length into her throat and pauses at the base
  337. >she doesn't need to breathe, so she pauses there a few seconds
  338. >the sensation is alien but undeniably pleasurable
  339. >it only takes a few minutes before you are cumming into her throat
  340. >she waits patiently with your cock in her throat before slowly pulling your dick out of her mouth
  341. >as your dick leaves her mouth she keeps increasing the suction
  342. >until finally she releases the head of your member with an audible *pop*
  343. >"what..why..?" you manage to huff out
  344. >"sorry…was hungry…" is the sheepish reply you get
  345. >you stand up and recover your shame as best you can
  346. >you notice the dead girl licking her lips
  347. >her complexion seems to be slightly better
  348. >you spy that wound on her shoulder once more
  349. >even if it's not bleeding, it looks deep
  350. >you feel like you should repair it somehow
  351. >you aren't a doctor
  352. >is there even any stitching supplies in your house?
  353.  
  354. >you decide to scour the house for supplies
  355. >you eventually end up the attic, as the rest of the house proves fruitless
  356. >in a dusty corner, you find gramma's dusty old chest
  357. >she always told you to never open it until you were a big guy
  358. >you once tried to sneak in when you a kid
  359. >that didn't fly so well with her at all, she spanked you real good that day
  360. >well she's dead now, you think, might as well see what the old hag was hiding
  361. >you open the chest and immediately gag from the resulting smell of moth balls
  362. >there seems to be a bunch of old papers stacked on top
  363. >you pick up the first page and try to read it
  364. >some shit in latin
  365. >you turn the page over
  366. >there's a sticky note pasted to the back of one of the sheets
  367. >'Dear Grandson, I realize that expecting you to learn latin would be extremely painful…'
  368. >'I went ahead and translated the book in my old notebook, look on the bottom. Hope you never need it. Love, Gramma'
  369. >huh, that's weird.
  370. >you dig through the old yellowed paper and pull out a modern looking notebook and plastic container
  371. >the plastic container has various implements in it that you can't discern the immediate use of
  372. >a rosary, a chalice, some candles, chalk
  373. >there's also a few razor blades, scapels
  374. >oh wait!
  375. >there's a sewing kit
  376. >sweet
  377. >the other shit is weird though
  378. >you decide to open the notebook
  379. >first page reads "NECROMANCY FOR DUMMIES'
  380. >there is a subheading that reads: "IF YOU'RE READING THIS IT PROBABLY MEANS YOU FUCKED UP."
  381. >there is a small note from your Grandmother which basically says she summarized that mess of ancient latin into a condensed bullet point lists
  382. >'step 0: if you see a living dead, shoot it right away. DO NOT let it into your house.'
  383. >'step 1: if you somehow managed to fuck that up, DO NOT give it your semen. Might sound strange, but the undead are fueled by human 'essence''
  384. >'step 2: if you fucked that up, well you're a real idiot. You've basically started the process of creating a Wight. If you're an experienced necromancer, this would be no problem. You are not an experience Necromancer.'
  385. >'No, you stupid boy, you can't run now. The undead has your scent at this point. You're only option is to perform a contract ritual, and bind it yourself so you can control it.'
  386. >'It doesn't have to be now, but do it before it's too late. A feral Wight is a sight you don't want to see, boy.'
  387. >'Good luck.'
  388.  
  389. >you are startled, but you realize this is too much to process at once
  390. >you take the notebook and the sewing kit, and head back to your room
  391. >when you get back, the zombie girl is staring at one of you posters
  392. >it's from one of those campy zombie movies that are so bad they're good
  393. >the poster is of a bikini-clad female zombie, overly sexualized because you thought it was funny (and kinda hot) at the time
  394. >the dead girl looks at the poster with curiosity, then looks down at herself
  395. >"Hey, you, still need that arm fixed?" you ask as you knock gently on the door
  396. >the girl turns to look at you slowly, before pulling a faint frown
  397. >she stomps in mock anger
  398. >"no….Cia….name is Cia…."
  399. >you sigh, but relent
  400. >"Okay, Cia, come here so I can try to sew your arm back up."
  401. >you have her sit down on a stool as you stand above her
  402. >you inspect the cut on her arm
  403. >of course it's a little dirty from being open all this time
  404. >you pour a little hydrogen peroxide in the wound to sterilize it, though you doubt she could even get an infection
  405. >you hear Cia grunt a little as you do
  406. >you forgot to warn her
  407. >"Sorry, did that hurt?"
  408. >she shakes her head slightly
  409. >"..no…no hurt…tingle…"
  410. >once you're convinced the wound is clean you get your needle and thread out
  411. >you aren't too sure how to do this
  412. >you imagine it's kinda like tying your shoes, just with flesh and you have to make your own holes
  413. >why did you have to fall asleep in home ec class
  414. >you eventually thread the wound closed, although it's a pretty sloppy job
  415. >you make a mental note to take some sewing lessons
  416. >Cia looks at her arm after you've finished, and her face lights up with the hint of a smile
  417. >beaming, she hugs you tightly around the waist as she remains seated
  418. >you briefly look over her form and don't spot any other wounds
  419. >she begins her nuzzling thing again, although this time it's definitely concentrated in a certain area
  420. >she begins rubbing her face into your crotch, making happy noises as she does so
  421. >you nearly jump as you feel the cold spike of her tongue licking the outside of your jeans
  422. >you decide that's enough and gently push her away
  423. >you know she could force you if she wanted, but she releases you with a disappointed sigh
  424. >"Hey, I'm gonna go downstairs and get something to eat for myself, okay?"
  425. >you walk down to the kitchen
  426. >you feel a little guilty since she probably couldn't follow you if she wanted
  427. >well she could, but you imagine she'd probably trip down all the stairs and hurt herself
  428. >as you make yourself some tasty hotpockets, you begin reading out of Gramma's notebook once more
  429. >'LESSON 1: WIGHTS VS GHOULS'
  430. >'I forgot to mention this earlier, but there are multiple types of advanced undead that basic zombies can evolve into'
  431. >'The one you have to be most careful of are Wights, they are dangerous and cunning'
  432. >'There is another, more common, type. They are known as Ghouls.'
  433. >'What's the difference between and Wight and a Ghoul? Wights command considerable amounts of spiritual energy, that would be magic if you want to put it in terms of your silly vidya gaems.'
  434. >'Ghouls are physically stronger than Wights, but have limited spiritual powers. They're also not as bright. Generally this makes them more benign.'
  435. >'How do you tell the difference? My boy, you'll know Ghoul when you meet one. Since you're reading this, it means you've already given your semen to this undead creature (i'm very disappointed by the way)'
  436. >'Ghouls, well, let's just say they have an oral fixation. The average Ghoul could probably suck a golf-ball through a garden hose, and enjoy it.'
  437. >'They love oral so much, they hardly ever use their cunt. As such, it becomes their weakpoint.'
  438. >'If your undead friend seems enjoy giving oral, it might be a potential Ghoul instead, in which case, the ritual is slightly different.'
  439. >'DON'T USE THE WRONG RITUAL.'
  440. >you finish eating your hotpockets
  441.  
  442. >you decide you need to test some things with Cia
  443. >you walk back upstairs to you room
  444. >you walk in and notice Cia is standing in the middle of the room, staring blankly
  445. >"What are you doing?"
  446. >She inclines her head and replies "…waiting…"
  447. >you shake your head
  448. >You remember you came up here to see if Cia knew anything about this ghoul or wight business
  449. >"Cia…" You begin, "Do you happen to know anything about Wights or Ghouls?"
  450. >she tilts her head and stares blankly
  451. >you'll take that for a 'no'
  452. >you decide to go another route
  453. >"Cia, want to play a game?"
  454. >she nods happily and steps closer to you
  455. >you hold up both your hands, with some of the fingers closed into your palm
  456. >"How many fingers am I holding up?"
  457. >she stares at your hands intently for a long time
  458. >eventually so much time passes that you're afraid she's gonna start drooling and go comatose
  459. >"Okay forget it, new game…"
  460. >you think for a moment
  461. >"Cia, can you do any magic tricks?"
  462. >she tilts her head for a bit, then smiles slightly
  463. >she inhales deeply, expanding her lungs and chest cavity
  464. >then she exhales all at once
  465. >instinctively you cover your ears, worried she'll scream loudly
  466. >"…pah…"
  467. >you stare dumbstruck
  468. >"What….was that?"
  469. >she looks at you before answering
  470. >"…magic…."
  471. >you mentally mark cia down as "no magic"
  472. >"okay, well, try to lift that couch."
  473. >cia pauses, then slowly walks over to the couch
  474. >she effortlessly lifts it over her head
  475. >"..how long…?"
  476. >you choke back gasps of incredulity and tell her she can put the couch down
  477. >well then, you swallow nervously, the rest of the tests are all sexual
  478. >"Stick our your tongue." you order
  479. >she complies, sticking it straight out as far as it will go
  480. >it's a lot longer than you thought
  481. >for some reason your feel your heart beating faster
  482. >why are you acting so weird
  483. >you take your fingers and pinch her tongue lightly
  484. >it's cold and coated in saliva, but for some reason it doesn't gross you out
  485. >you watch Cia for any sort of reaction
  486. >you hear her grunt softly
  487. >"You okay…? Doesn't hurt does it?"
  488. >"…noawh…"
  489. >you tell her she can put her tongue back in her mouth to talk
  490. >"…no hurt…feel good…more…."
  491. >you feel yourself blush and your heart hammers in your chest
  492. >for some reason you have to try this
  493. >you place your hands on either side of her face, holding her still
  494. >she sticks her tongue out once again
  495. >jesus, it's really long
  496. >unable to fight the compulsion, you move your face closer and put your lips on the tip of her tongue
  497. >you suck her tongue into your mouth
  498. >in an instant you've swallowed her entire tongue into your mouth
  499. >your lips are not touching in what is the lewdest kiss you've ever had
  500. >you can feel her tongue in the back of your throat, squirming and slithering around
  501. >cia's arms come up and wrap around your head, pulling you in deeper
  502. >your cock throbs to full erection immediately
  503. >instead of a kiss, this is more like getting throatfucked by her tongue
  504. >you know it should probably gross you out, but the slightly cold wetness mixing with your mouth is sending chills up your spine and into your brain
  505. >you open your eyes and look at Cia's face
  506. >her eyes are rolling in the back of her head
  507. >whatever you're feeling, you imagine she's probably feeling it tenfold
  508. >you suck her tongue harder and you feel her collapse into your arms as her legs go weak
  509. >your hands begin to travel down her cool body and soft skin
  510. >you place your hands on her smooth exposed navel as she grinds her pelvis into yours
  511. >unable to resist, you plunge your hand further down, into the depths of her shorts
  512. >as you near her loins you feel an odd warmth
  513. >curious, you explore deeper
  514. >the nearer you approach her nether, the more warmth you can feel
  515. >it's as if an inferno rages in her womb
  516. >unable to stop yourself, you plunge your fingers in, wanting to capture that elusive warmth for yourself
  517. >immediately you hear a startled squeak and Cia breaks the kiss with a lewd sounding *slurp*
  518.  
  519. >she pushes you away to arm's length, still bent at the knee because of her weak legs
  520. >"…not there…too much…"
  521. >well, you've pretty much confirmed she'll develop into a ghoul
  522. >your erection hasn't subsided
  523. >after that kiss, your cock throbs when you think how it would feel to have her mouth on you cock
  524. >"Get on your knees."
  525. >Cia seem surprised by the order, but crouches down in front of you, humming happily
  526. >she presses her face in your crotch, feeling your warmth through your pants
  527. >she slowly reaches up her arms to pull down your pants
  528. >"No hands" you tell her
  529. >she hesitantly lowers her arms and clasps them behind her back
  530. >she presses her nose into your crotch and inhales, humming
  531. >the vibrations rattle throughout your cock
  532. >with a bit of a struggle, she manages to latch her teeth on your zipper and pull it down
  533. >you decide to undo the the button for her
  534. >she lathers your boxers with her large slimy tongue, bathing you in her saliva
  535. >you shiver as the sensation travels up your spine
  536. >she hooks her tongue in the band of your boxers and pulls them down
  537. >you cock is whipped out and is draped across her face
  538. >she hums softly as she sucks your testicles in her hungry mouth, manipulating them deftly with her tongue
  539. >she releases your balls and runs the entire impressive length of her tongue on the underside of your shaft
  540. >she does it slowly enough that it feels like torture
  541. >finally, she puts her lips on the tip of your cock
  542. >in one swift motion, she swallows your cock whole
  543. >you groan as her lips meet your pelvis
  544. >on instinct, your hands grasp the back of her hand and pull yourself deeper into her
  545. >she grunts contentedly in response
  546. >since she doesn't breathe, you take liberties in holding her there for a few seconds
  547. >you feel her tongue snake out of her mouth and run along you shaft until it reaches your balls
  548. >amazingly you feel like you could cum already, but you don't want to just yet
  549. >you release your hands from the back of her head
  550. >understanding the cue, cia begins bobbing her head wildly along your length, making sure to go balls deep each time
  551. >your dick never truly leaves the comfortable prison of her mouth, though she holds the very tip in her mouth as she pulls away
  552. >soon you can take it no longer and force your hands on her head once again
  553. >you slam your length into her throat
  554. >you hear a throaty moan come for cia as her nose presses into your pelvis
  555. >you feel your cock spasm wildly in her throat as you cum
  556. >your semen shoots directly into her stomach as her arms unclasp from her back and grab onto your buttocks, pulling herself deeper
  557. >amazingly, you can feel yourself cum even more than is usual for you
  558. >after you are done cumming, you continue to hold cia there, enjoying the feeling of being completely engulfed
  559. >eventually you let go, and cia pulls back slowly, increasing the suction
  560. >at the very end of your cock, she seems reluctant to release it, but eventually breaks the suction with a loud pop
  561. >your knees go weak and you fall on you back
  562. >cia crawls up next to you and snuggles close
  563. >"…good food…feel stronger…."
  564.  
  565. >you compose yourself first
  566. >Cia is completely knocked out
  567. >you look at her calm, sleeping face
  568. >you can swear her lips look a little fuller than you remember
  569. >you stand up, deciding to leave Cia there
  570. >she seems comfortable enough
  571. >you sit down on your couch and pull out Gramma's notebook and begin reading some more
  572. >you need to learn that Ghoul ritual pretty quickly, you'd imagine
  573. >Grammas kind words greet you warmly
  574. >'Alright you big disappointment, here's how you perform a poor man's Ghoul binding ritual'
  575. >'Note that this binds your souls together; if you die, she'll die.'
  576. >'On the other hand, if you don't die, she can't, making her near invincible. Just a little semen will be enough to heal most wounds. Knowing you, she'll have gallons in reserve.'
  577. >Gramma then lists the steps needed to complete the ritual
  578. >you raise your eyebrows and blush as you read the steps you have to take
  579. >it'll certainly take some preparation
  580. >there is also a long list of ingredients you'll need to prepare
  581. >you recognize some of it as the weird shit you found with the notebook, but some of it you don't have.
  582. >where the hell are you going to get a half gallon of blood?
  583. >maybe you could ask the local butcher
  584. > you also need some chemicals you've never heard of, which look more like ancient alchemical ingredients.
  585. >you hope your pharmacy has this shit in stock
  586. >there's a note at the end
  587. >'By they way, you have to say this latin shit while you do this. don't worry, I wrote it out phonetically for you since I know you're a gigantic fuck up and still can't read latin.'
  588. >well, looks like you've got some shopping to do
  589. >you gently shake Cia awake, and tell her you'll be leave the house for a bit
  590. >her eyes become wide and she starts shaking
  591. >"..no leave….please…scared..no"
  592. >you reassure her it'll only be for a bit, and you really don't have any other choice
  593. >you also don't think it would be a good idea to bring her out into public, not yet anyway
  594. >as you turn to leave, Cia grabs you sleeve and pulls you in for a kiss
  595. >once again, her tongue massages your tonsils and your cock throbs to life
  596. >you don't have time for that though, so you break it off and head downstairs and out the door
  597. >as you open the door, you see a familiar face standing on your sidewalk
  598. >it's the creepy man in the suit from the night before
  599. >you resign yourself to just ignoring him
  600. >as you walk past him to go to your car, you hear him inhale loudly as you walk past
  601. >you turn around, ready to say something
  602. >you cuts you off
  603. >"You smell like the dead," he spits out
  604. >you can't think of anything to say in response
  605. >"You've lain with her, haven't you? Did you enjoy it, fucking a corpse?"
  606. >you ball your fists angrily, but unable to say anything back. his words cut into you
  607. >"Don't worry," he says with a chuckle, "We'll be back, more us of. We'll get rid of that monster."
  608. >that pushes you over the edge
  609. >"You don't get to bring friends," you warn him
  610. >"They aren't my 'friends'," he counters, "They're my Brothers and Sisters. You see, I'm part of a very old organization called the Order-"
  611. >"Yeah, whatever," you cut him off "Stay the fuck away from me or I'll call the cops and tell them I saw you taking pictures of little boys in the neighborhood."
  612. >the man clams up and goes red in the face
  613. >you ignore him and continue walking to you car
  614.  
  615.  
  616. >you decide to head to the butcher's place first
  617. >buying the blood is easy enough, though he does give you a strange look
  618. >you figure he must get a lot of weird types that want the blood for faggy emo rituals
  619. >well, you are planning to do some weird shit with it
  620. >you're just glad he didn't ask
  621. >he give you a gallon
  622. >you put it in the small cooler you had prepared for this
  623. >you're glad, he told you it needed to be kept cold
  624. >next is some chemical called ferrous oxide
  625. >you ask about it at the pharmacy
  626. >turns out they don't sell it, but it's basically rust
  627. >you'll just scrap some off the side of your car when you get back
  628. >you head to the local hippie shop and buy some shitty incense
  629. >you also pick up a cheap looking "native american replica"
  630. >you need the feathers from it, and the stoned-looking shop keeper tells you the feathers are real
  631. >good enough for you
  632. >the rest of the ingredients will be gathered during the ritual, so you decide to head home
  633. >after pulling in your driveway, you go into the garage and get a metal spatula, and scraps a few grams of rust off the side of your car
  634. >you hope that's enough
  635. >you gather all your goods and walk into your house
  636. >you are immediately knocked over by a blur of blonde and busty as Cia greets you at the door
  637. >you try to get up and recover your dignity, but she's a big girl
  638. >Cia begins making happy noises and licking and kissing your face, neck and pretty much everywhere she can get her mouth on
  639. >eventually you hug her back and kiss her on the forehead
  640. >after calming down, Cia lets you get up from the ground and you go put the blood in the fridge and set the rest of the materials on the kitchen counter
  641. >"…me was worried….you gone too long…"
  642. >you stare at Cia, briefly amazed by her sudden increase in vocal ability
  643. >you decide to correct her speech and nip her bad habits in the bud
  644. >"Cia, you mean 'I WAS so worried''
  645. >Cia scews her eyes shut and slaps the side of her head
  646. >"…me-I sorry….talk not so good…me getting better…I getting better.."
  647. >you sigh and decide to let it slip for now
  648. >"Hey…listen…" Cia begins excitedly
  649. >"me so scared because….me see bad man outside….man in suit…"
  650. >you instantly snap to attention
  651. >"That man? You know him? What did he do to you?"
  652. >Cia looks blankly for a minute before shaking her head a few times
  653. >"ah…too fast…one at a time…"
  654. >You take a breath and ask once more "Who is that man?"
  655. >Cia pauses and begins speaking slowly and deliberately, "I not know his name…he and his friends…chase me, before I meet you…"
  656. >"Where were you before you met me?"
  657. >Cia thinks very hard
  658. >"no remember….dark is all…then light…I wake in forest…scared…see men in suits…they yell and chase…very bad…"
  659. >judging by what the man has already told you, and what Cia just did, you figure the 'Order' the man mentioned are some sort of undead hunters
  660. >"Don't worry about then, Cia, he can't bother us anymore."
  661. >you decide to change the subject
  662. >"Cia, do you want to do something that will bind us together?"
  663. >Cia's eyes light up and she claps her hands together in front of her
  664. >"yes…yes… me like very much…yes, we do…"
  665. >she begins giggling and bouncing up and down a little
  666. >you are a bit impressed by how much her motor movements have improved
  667. >your eyes are also drawn to the bounce and sway of her unbound breasts as she jumps
  668. >wait a minute, have her breasts always been that large
  669. >"Hey, have you…well, grown?"
  670. >Cia stops, looking down
  671. >"…me guess…? …lower body big too…much bigger.."
  672. >you look at her bare legs
  673. >sure enough, her hips have definitely widened, to the point that the fabric of her jeans shorts looks strained
  674. >you'll need to get new clothes for her soon
  675. >her thighs are similarly enlarged, now looking mouth-wateringly thick
  676. >you briefly wonder what it would be like to bury your face in between them
  677. >"Cia, turn around"
  678. >she doesn't hesitate at all before listening to you
  679. >as you suspect, her bottom has grown with the rest of her
  680. >unable to resist, you reach out and test for yourself
  681. >you her Cia sigh contentedly as you massage her buttocks, squeezing it and bouncing it lightly
  682. >you also run your hands over the smooth skin of her thighs
  683. >finally, you give her behind a hearty slap to the right cheek, causing a satisfying *smack*
  684. >Cia squeaks loudly in surprise, then moans a little
  685. >she presses her ass into you
  686. >"…again…" she breathes
  687. >amazingly, you are able to resist
  688. >"Later," you say, "We should prepare for that ritual I was talking about."
  689. >cia turns around
  690. >"oh…yes!….let's do it…"
  691. >"I should warn you, Cia, this is permanent. Your soul will be bound to mine; if I die, you will too…for good this time."
  692. >Cia makes a frown after a few seconds
  693. >"…I am already yours…nothing will change….let us do this…i want to be owned by you…"
  694.  
  695. >you begin setting up the ritual
  696. >you move all the furniture in your living room, exposing a large area of bare floor
  697. >you have cia stand out of the way so as not to disturb your preparations
  698. >she seems impatient but complies with your orders
  699. >using the chalk from Gramma's chest, you begin drawing a complex web of runes and scribbles on the floor
  700. >'Now listen here, you little shit, this shit is fucking important.'
  701. >'Get this shit wrong, and you could blow yourself up, or your dick will fall of. Or worse yet, you could open a portal to Hell.'
  702. >You heed Gramma's sound advice and make sure to transfer the drawing in the notebook to the floor with great accuracy
  703. >after that, you place candles, again from Gramma's own supply, at the marked locations on the perimeter of the runic drawing
  704. >lastly, you place the feathers, blood, and rust in a bowl near the center
  705. >two sticks of incense are burnt above the bowl, so that the resulting ashes will fall into the strange mixture
  706. >looks like you're ready to begin
  707. >"Cia, it's time. Come here."
  708. >you are already standing in the center of the circle
  709. >cia happily skips over, amazingly doing so without disturbing any of your chalk lines
  710. >she stands in front of you, expectantly
  711. >"On your knees," you command
  712. >cia blushes but quickly kneels in front of you and opens her mouth, tongue outstretched
  713. >you can feel your loins stirring at the sight
  714. >you pull down your pants, revealing your semi-erect penis to the open air
  715. >you can see Cia's eyes light up with anticipation
  716. >you rest the head of your cock on the tip of her tongue
  717. >she moves to swallow you but you place a hand on her forehead, stopping her
  718. >"Move only when I signal," you say, ignoring the intense sensations running up your cock
  719. >you open Gramma's notebook and flip to the page with all the latin written phonetically
  720. >you begin reading out loud f
  721. >as soon as the first word comes out, you take your hand on the back of Cia's head and force your cock all the way into her throat
  722. >you feel her moan around your cock
  723. > "Quid dicam de stupri irrumabo iustus es me, qui laudatus est"
  724. >"Faxo scias summo genere sodales in classe signaculis et iam plures involvunt arcana Al Quaeda populationes et confirmati sunt super CCC licentia."
  725. >at this point, according to the instructions, you begin face fucking her
  726. >you make sure to never allow your cock to completely leave the inside of Cia's mouth
  727. >each time you make sure to go as deep as possible
  728. >Cia moans and grunts in appreciation
  729. >you look down at see her eyes rolling in the back of her head
  730. >"In omnibus institutus sum et gorilla militiae Im pellentesque in summo totius US militum"
  731. >"Sed tu mihi nihil aliud signum. Delebo te irrumabo cum praecisione quibus similia numquam ante in terris, verbis meis adtende stupri."
  732. >you keep increasing the tempo of your face fucking as you continue chanting
  733. >eventually you feel the pressure of an approaching orgasm
  734. >however, as you are about to reach your peak, you find you are unable
  735. >just as the instructions said
  736. >you a a little relieved everything went as planned so far
  737. >the air is heavy and crackling as if with static
  738. >Gramma's notes mentioned this as well, this is apparently now a very dense zone full of spiritual pressure
  739. >you stop chanting, there is only one final step remaning
  740. >"Okay Cia," You say as you slide your cock out of her throat
  741. >"Time for the fin-"
  742. >You hear a loud banging on your front door
  743. >"Open up the door corpse fucker! We know you're in there! We're here to kill that zombie."
  744. >you hear seems to be multiple voices shouting and banging on your door
  745. >this is bad
  746. >if they break in and interrupt the ritual, who knows what might happen
  747. >just them, you see a flash of light fills your living room
  748. >an ethereal vision of your late Gramma materializes by the door
  749. >"Gram Gram!" You shout in surprise
  750. >'Quiet down you big fucking disappointment. Jesus christ, can't even finish a necromancy ritual without help from your dead Grandma.'
  751. >you smile, Gramma is such a sweet old lady
  752. >'Listen up numb nuts, if those kiddy diddlers outside get in here and disrupt the ritual it's gonna be bad news bears.'
  753. >'Lucky for you, I'm going to create a physical barrier and allow you to finish the ritual, so don't worry and go on.'
  754. >you stare dumbfounded.
  755. >You look at an equally dumbstruck Cia, then back to your Grandma
  756. >'What's the matter, get a move on!'
  757. >"Well," You begin, "Do I have to do it…ya know..in front of you?"
  758. >Your Grandma's ghost goes red in the face
  759. >'Boy, if you don't fuck the shit out of that corpse right the fuck now, I'll haunt you forever!'
  760. >Well, that seemed persuasive enough
  761. >time to continue then
  762. >"Cia, bend over"
  763. >Cia looks puzzled but gets down on her hands and knees with that shapely ass turned towards you
  764.  
  765. >you put a hand on either side of her well endowed hips
  766. >she cooes softly as you move her approximately into position over the bowl
  767. >satisfied you're in the right spot, you take your cock and place the head at the entrance of her sopping vagina
  768. >just from her entrance you can feel the heat radiating down your entire length
  769. >Cia jumps and jolts as she feels you near her pussy
  770. >"wait….no…not there….to sensitive.."
  771. >once again you place a hand on each of her hips
  772. >"Sorry…" you mutter under your breath
  773. >With one great thrust, you hilt yourself in her cunt, slapping your pelvis to her jiggly ass
  774. >Cia screams, a loud, throaty, scream of passion
  775. >you can her entire body spasm as she is wracked with several intense orgasms
  776. >she arches her back and curls her toes, pushing her body back into you
  777. >you go even deeper into her warm depths
  778. >you can feel your tip grazing the entrance to her womb
  779. >as soon as contact is made, you feel the magical restriction on your orgasm release
  780. >explosively, you blast her cervix with your cum
  781. >you see spots in your vision as you pump rope after rope of steaming spunk into Cia's wet cunt
  782. >you can hear her mewling and muttering incoherently as her mind reels from the pleasure
  783. >There are a few misplaced ripping sounds as you witness Cia's ass, hips, breasts and thighs expand to an extent that her clothes finally completely come off
  784. >you look down and see blood from Cia's maidenhood dripping down your shaft
  785. >with expert accuracy, you aim one of the droplets into the bowl of previously prepared ingredients
  786. >you immediately feel the spiritual pressure in the room condense into a single discernible spot underneath you, then vanish
  787. >gasping, you pull out from Cia's still-spasming hole
  788. >A bit of pride wells within you when you see the amount of semen that drips out of her
  789. >You let go of Cia, and she collapses into a gasping spasming heap on the floor
  790. >You pick up the bowl
  791. >It still smells funny
  792. >you take a large gulp
  793. >you resist the urge to vomit and hand it to Cia on the floor
  794. >"Drink this, it finalizes it."
  795. >Cia weakly reaches up with one hand and takes the bowl
  796. >She starts sipping slowly, but before long, she downs the entire bowl greedily
  797. >With renewed energy, she stands up
  798. >There is a blood and fluids stained around the outside of her mouth
  799. >looking at you hungrily, she grasps you roughly by the shoulders and pulls you in for a deep kiss
  800. >you try to ignore the bitter taste of blood and try to enjoy the feeling of her tongue in your throat
  801. >for some reason it feels even longer than before
  802. >you become aware of her lips pressed painfully against yours and how thick and voluptuous they are
  803. >you are unable to avoid imagining them wrapped around your cock
  804. >just then, you hear an ominous *Crack* as your door is finally busted down
  805. >Cia abruptly cuts of your kiss and storms towards the door while growling
  806.  
  807. >Only a handful of men in suits await on the other side, and their eyes go wide once they see Cia stalking towards them
  808. >"That's a full-blown ghoul, Mitch! You said she was still a fresh zombie!"
  809. >"I thought she was! How was I supposed to know this guy knew the binding rituals?"
  810. >Cia angrily walks towards the men, snarling as she does so
  811. >at her approach, the men back off your porch and into the round
  812. >For every step Cia takes, they take two backwards
  813. >eventually it gets to the point where the group of men in suits are in the street, and Cia is in your driveway
  814. >it must be a rather startling sight to see a voluptuous living corpse with blood around her mouth and cum dripping from her pussy stalk towards you
  815. >With a burst of inspiration, Cia turns from the men and walks over to your car
  816. >Oh jesus no
  817. >In what can be described as a pure hulk moment, Cia puts one hand on the handle of the driver's side door and wrenches outwards
  818. >The pathetic scream of metal is heard as the door is ripped clean from the hinge
  819. >Cia turns towards the mysterious men and casually tosses the car door in the road in front of them
  820. >There is a pregnant pause
  821. >"Welp, I'm out. If she's able to rip car doors like tissue paper I want no part of this."
  822. >The mysterious Order men quickly disperse
  823. >Cia quickly turns to you, her snarl and ferocity gone
  824. >"I did it!"
  825. >She happily jumps in your arms and gives you happy kisses
  826. >You say a silent prayer for your car
  827. >still, it's better than dealing with the situation violent, you suppose
  828. >replacing a car door is a lot easier than explaining to the authorities that your crazed zombie girlfriend killed six people
  829. >'Very impressive, boy.'
  830. >You turn around and see Gramma's ghost still lingering by your doorway
  831. >'You've got yourself a pretty high level undead as your familiar, now.'
  832. >You feel your pride swell as your grandma genuinely praises you
  833. >'Of course, I was doing this shit when I was still in diapers, but it's a start I suppose.'
  834. >That dampened your spirits a bit
  835. >'Anyway, go check in the attic, I've got a gift for you two.'
  836. >'As for me, It's time for me to go back.'
  837. >Suddenly, you feel misty eyed
  838. >"Is this goodbye forever, Gram Gram?"
  839. >She gives you a hearty cackle
  840. >'Heaven's no, I'll show up the next time you fuck up royal, which means knowing you, I'll be here next week.'
  841. >You can only smile and laugh
  842. >"I love you Gramma."
  843. >Gramma's ghost begins fading away
  844. >'Aw, shut up you silly boy…iloveyoutoo…' you hear her as she dematerializes
  845. >Afterwards, you and Cia head up into the attic
  846. >In Gramma's weird box of tricks, you find a small leather pouch
  847. >Curious, you open the pouch and pour its contents into your palm
  848. >Glittering in the light are two golden rings, each engraved with runic symbols on the bands
  849. >you're sure it has some magic shit on it too
  850. >You look at Cia
  851. >"Um…would you…?"
  852. >Cia giggles
  853. >"I'd love to."
  854. >Each of you puts on a ring
  855. >As you do, the runes glow a bright blue for a bit before returning to normal
  856. >A swell of emotion runs through you both
  857. >"I am yours" You whisper as you draw Cia closer for a kiss
  858. >"And I am yours" she whispers back before embracing you
  859.  
  860. FIN
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