Queen 18.5

A small group of younger capes hung back.  Miss Militia had left us a contingent of out-of-town Wards.  I couldn’t get much of a sense of them just with what my bugs could give me on their costumes.  They probably weren’t a full team from a city as big as Chicago; they’d be limited to the ones who’d agreed to fight an unknown, A-class threat.  Three boys and a girl.  They were watching us, and I couldn’t even guess at their expressions without the ability to see or feel things out with my bugs.

I was getting tired of this, and my fatigue was wearing on my already thin patience.

“Bitch,” I said.  “Do me a favor and clear that window?”

She didn’t respond, but she didn’t hesitate either.  She was on her feet as soon as she’d lifted Bastard off of her lap, and kicked the plywood free of the frame before anyone could protest.

I brought every bug I’d had outside the building into the room.  They swirled around me, the Undersiders, and the handful of capes on the far end of the room.  I could sense three of the four Wards getting into fighting stances, noted how two of the boys and the girl shielded the one other boy, forming a loose triangle formation between him and us.

The movements of the bugs gave me the ability to feel them out, drawing a complete map of what they were wearing and carrying.

The boy in the very front, the tallest and largest of them, would be a tinker.  The rods that supported his heavy gauntlets were oiled, suggesting they were pistons, and I noted the presence of blunt-tipped spikes inside his gauntlets.  The setup wasn’t unlike the blades in Mannequin’s arms, but these weren’t extending into his body, and I somehow got the impression they were intended for something very different.  His armor was heavy, supported more by engineering than by his own strength, and his helmet covered his face, but not the back of his head, with a single lens on a telescoping nozzle, dead center.

The other boy in front was narrower, with flowing clothes.  He sported a surprising lack of equipment and weaponry.  It gave me the sense of someone who thought of their body as a weapon.

The girl was similar, but I did note that her gloves were reinforced for striking, a framework of some sort of metal, with rivet-like bumps over each knuckle, each etched with a fine design I couldn’t make out and metal filigree feathers at the edges.  She had padding with a similar design and near-identical feathers.

The one in the back wasn’t in a fighting stance.  He stood with his legs together, heels touching, back straight, one palm extended toward us.  He wore a mask that covered one eye and put an oversized lens in front of the other, with spikes radiating from it like the rays of a sun.  His costume was a very lightweight covering of layered and interlocking metal plates, more stylized than functional, but there was a coat-tail length of cloth extending behind the back, hanging to his knees.

I was careful in how I condensed the bugs around me.  I kept my team obscured as I pulled the bugs away from the four wards, leaving enough bugs on them that I could covertly follow their movements.  They hadn’t been stung or bitten, and they didn’t have a clear shot as the bugs moved away from them.  It meant, at least, that they’d get a chance to realize they weren’t under attack.

The bugs filled the necessary pockets of my costume, then carpeted the exterior, including my mask.  They connected to the ends of my hair, and moved beneath it, giving it more volume and helping it come little alive, the ‘ends’ moving in the absence of wind.  Where I had excess, they trailed several feet behind me like the hem of a royal gown.

“That’s better,” I said, augmenting my voice a touch.  It was.  I felt more centered, more secure and confident with the bugs close.  I’d just alarmed the people we’d be working with, but a small show of power would help ensure we got respect and cooperation.

—Queen 18.5