NameIsJolly

The Muffin Stuff

Mar 11th, 2012
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  1. >Day 572 in Ponyville
  2. >You, Rainbro and Pinkie are out in the park
  3. >Pinkie is absolutely cocked on LSD and you and Rainbro are laughing your asses off
  4. >She tries to do a cartwheel, but forgets what she's doing mid-jump and just falls, laughing
  5. "Damn, Pinkie, what, did you pass out?"
  6. >"Uh... Pfft! I don't pass out!"
  7. >Rainbro is fucking dying
  8. >"Holy hell Pinkie, you're so damn high!"
  9. >Pinkie looks back and gets giddy again
  10. >"Silly-filly! You should see what I'm like at a REAL party!"
  11. >If this is going where you think it's going, you won't be bored Friday night
  12. "I'd love to see that, for one."
  13. >"Me too, Pinks," says Dash, still chuckling
  14. >"Well this Friday...
  15. >Bingo
  16. >"...I'm heading to this BIGGIE BIGGIE BIG SUPER DUPER RAVE PARTY! And you two could come if you want!"
  17. >You and Rainbow don't even have to look at each other
  18. >"Buck YES!"
  19. "For SURE!"
  20. >premise_established.mp3
  21.  
  22. >Three days pass and BOOM it's Friday
  23. >Waiting for Dash to come back home
  24. >You're still rooming with her until you can find somewhere besides your burned-down-house to live in
  25. >So far it's been RADICAL
  26. >She comes home
  27. >You've already got a couple shots of Applejack Daniels ready to start the night off right
  28. >"Damn, Anon, you know how to welcome a lady home!"
  29. "You getting pumped for tonight?
  30. >She's already downed her shot
  31. >"Shit is gonna be OFF THE HOOK! Did you hear buckin' Vinyl Scratch is playing?"
  32. "All the way from Manehattan? No way!"
  33. >"She made the trip! It's gonna be THAT jammin!"
  34. >You down your shot and almost smash it on the table
  35. "Damn this is gonna ROCK!"
  36. >You and Dash head out for the rave
  37. >It's all the way on the other side of Ponyville, but eventually you get there
  38. >To your suprise:
  39. >It's, apparently, in Applejack's new apple cellar. Her huge-ass, sound-system and neon light-loaded apple cellar.
  40. >Fuck, now you've got to worry about Applerapist's rufies in your E.
  41.  
  42. >You enter the Apple cellar into a sea of ponies that looks like a scene from Batman: Forever
  43. >Holy shit you look like some kind of strange god as you descend in your human form
  44. >thepartydontstarttilliwalkin.jpg
  45. >The first thing you notice is how kick-ass this cellar is
  46. >It's all rigged with neon and flashing lights and it's so big it looks like some underground apocalypse-survival-complex
  47. >"This... is... AWESOME!"
  48. >Dash is enjoying herself
  49. >The second thing you notice is how kick-ass this beat is.
  50. >You and the Dash immediately seek out Pinkie Pie
  51. >After wading through bodies and saying hi to familiar faces every now and then, you spot the pink party pony; stone-cold sober
  52. >"Oh HEY Anon! Welcome to the party!"
  53. "Yo! Pinks! You didn't tell me Applejack threw down parties like this!"
  54. >"Yeah, Pinkie, this is 200% awesome!"
  55. >A voice comes from behind
  56. >"Ah'm glad ya' like it, you two."
  57. >Fuck, Applejerk.
  58. "Oh, hey Jacks."
  59. >"'Sup!" Dash mimics
  60.  
  61. >"Hay, Rainbow! Hey, Anon." She says your name just a bit more seductively. Not a good sign.
  62. >As she gets a little closer you can tell she's either been drinking or she's on something by the way she's putting her hooves down.
  63. >"Yall' havin' a good time?"
  64. "This party is RAD!"
  65. >Rainbow tries to act cool
  66. >"Swag."
  67. >"Good. Yall' enjoy yer'selves, an' Ah'll probably come an' find yall' when the party really kicks up!"
  68. >She goes off into the cround and you can see her dancing past a wall of people
  69. >Damn, for a simple working redneck pony, she can bucking DANCE
  70. >She's drawing crowds now.
  71. >You're bucking famous across EQUESTRIA for your amazing bi-pedal freaky-dance skills
  72. >No way in hell is she stealing your thunder.
  73. >Turn around
  74. "Yo, pinks, you got any hits of anything?"
  75. >"Thought you'd never ask, Anon! I got the Red kind, the Blue kind, the SKY Blue kind, the BLACK kind, the kind with Smily faces..."
  76. "Just gimmie something that'll give me some dance-fuel."
  77. >"Cutting a rug, Anon? Gettin' down? You want Derpy's shit!"
  78. >She pulls a tab with a drawing of a muffin on it out of nowhere
  79. >Dash looks on as you hit it
  80. >Bucking nothing
  81. >Bucking nothing
  82. >"Anon, you feeling it yet?"
  83. "Yeah, Pinkie, I think maybe Derpy might have blown this ba-
  84. >Holy shit
  85. >Limbs trembling
  86. >Ponies becoming monsters
  87. >Lights secreting liquids
  88. >SWAG. LEVELS. OFF. THE. CHARTS.
  89.  
  90. >You bust through the melting wall of ponies to a medieval dance-Colosseum to face off to the death with AJ
  91. >She only has to look at you once before it's all-out war.
  92. >Applejack fuckin' does some kind of spinning shit
  93. >You do that same spinn-y shit, but with, like, a backflip
  94. >You actually have been just standing there, imagining yourself doing these things
  95. >Okay, really dance now.
  96. >You manage to pull off some michael-jackson shit including a moonwalk and you execute it surprisingly well
  97. >AJ responds with some more buck-y pony-dance
  98. >She's gliding her hooves on the cement like a boss
  99. >She does, like, a side-flip
  100. >You should do a side-flip too
  101. >You just do a cartwheel toward her
  102. >Wait
  103. >Now your body is hurdling towards Applajack at what feels like a million miles per hour
  104. >SWERVE TO AVOID, SWERVE TO AVOID
  105. >You manage to land on your feet in a powerstance, right in back of AJ
  106. >She's still going strong
  107. >All of a sudden, she starts grinding up on you
  108. >Fuck it, son, you're high as hell
  109. >You start grinding back
  110. >This goes on a while
  111. >que drug-induced black-out
  112.  
  113. >Now you're sitting at a bar. Maybe?
  114. >The 'keep comes over and plops a shot down in front of you.
  115. >Yep, it's a bar
  116. >You're noticeably more sober now, Derpy's mega-acid must have worn off a little
  117. >You consider leaving that shot there, but you knock it back anyways
  118. >What the fuck happened between grinding Applejack and now?
  119. >And then it hits you
  120. >The last thing you were doing when you blacked out was grinding Applerapist
  121. >Swag levels significantly decreased
  122. >Now you've gotta go on a mission to figure out what the hell happened
  123. >"Yo, Anon, you okay?"
  124. >Turn to the left
  125. >No pony there
  126. >Turn right
  127. >Holy fuck
  128. >DJ PON-3 is sitting right the fuck next to you at the bar
  129. "Oh shit. Fuck."
  130. >"Dude what?"
  131. "DUDE. YOU'RE FAMOUS."
  132. >"Yeah? What is it, wanna go down on me or somethin'"
  133. >You think at that sentence for a second
  134. "...did I?"
  135. >Vinyl is looking at you funny and you're praying you didn't rustle her jimmies, because she's your only lead right now.
  136. "Wait, I can explain that."
  137. >"Mmh hmm?"
  138. "I just woke up. I blanked out for the last... whenever. Uhh... Can you help me?"
  139. >Vinyl stares at you like you're fucking nuts, then she starts to crack up
  140.  
  141. >Once vinyl finished up her studio audience imitation, you remind her that you need her to explain some shit
  142. >"Ahaha.. oh Celestia, you're bucking funny! Dude, I'm sorry, I can't help you. I've just been talking to you for the past few minutes, I don't know much."
  143. >Fuck.
  144. "Well.. what was I talking about? Maybe I said something that can give me a clue or something."
  145. >After another fucking laughing-fit, Vinyl starts to regail your ocnversation
  146. >"Okay... okay... I sat down, and then you were all like, 'DUDE, YOU'RE FAMOUS', and then I was all like, 'Yeah, whatever', then you got kinda sad. I was like, 'What's up', and you started mumbling stuff I couldn't hear over the beats. It was something about a video tape and a back room and... Pinks? That's all I know."
  147. >So you're looking for a tape, and pinkie pie, and a back-room of some sort. Looking around, you appear to be even deeper into this massive batcave of an apple cellar. there has to be a back room somewhere.
  148. "Dude, you have no idea how much that helps me. What time is it, anyways?"
  149. >Vinyl scoffs at you once again and replies, "Dude, it's... it's around 11.
  150. >It was about 8 when you were dancing.
  151. "Fuck, I've been out since 8. That's 3 hours."
  152. >Vinyl laughs her ass off, and it's starting to annoy you.
  153. >"Dude... ahhahaha! Dude, you've GOTTA learn to buckin' handle your acid!"
  154. >You think for a moment.
  155. "Dude, Scratch... if you're here... who's playing tunes?"
  156. >The DJ pony points a hoof to the back of the room, there the DJ's lair is.
  157. >"Dude... the Queen's covering for me. She does it all the buckin' time... she rocks!"
  158. >You turn
  159. >Holy fuck
  160. >The Queen is a pink blur across the turn tables
  161.  
  162. >You say goodbye to Vinyl and start to enter the crowd of ponies that surrounds the DJ's pit
  163. >It's getting thicker and thicker as you move in
  164. >at this point, you can't move your legs without kneeing somepony in the jaw or flank
  165. >You think
  166. >There's only one way to spread out a crowd this thick
  167. >STOP
  168. >HAMMERTIME
  169. >You push some ponies to the side and start motherfucking CUTTING A RUG
  170. >Ponies are widening out to a huge circle, creating yet another dance-Colosseum
  171. >Holy shit, if these ponies knew who MC Hammer was, they'd think you were him
  172. >Your buddy Lickety Split has started getting everyp0ny chanting, "AN-NON, AN-NON, AN-NON!"
  173. >You're digging on their love as you inch closer and closer to the Queen
  174. >suddenly
  175. >You climb up and tackle Pinkie to the ground
  176. >Parts of the beat go on, some stop entirely
  177. >Everyp0ny instantly gets pissed because you harshed the party
  178. >Feel slightly bad, but you reserve your energy for keeping the squirming and laughing pinkie on the ground
  179.  
  180. >Ponies start screaming, "Fix the tunes, loser!"
  181. >A voice comes from the back of the room
  182. >"FUCKIN' MAKE WAY!"
  183. >Vinyl Scratch parts the sea of bodies like Moses
  184. >She walks down the new aisle to the tables and gets back to her post
  185. >The music starts pumping with a new song, and it's the best song of the night as far as you remember
  186. >But back to squealing Pinkie
  187. >"*Giggle*, Ahhaha! Anon, get off! What's up!?"
  188. "Pinkie, I need to ask you what happened tonight!"
  189. >She slips out of your grasp in a moment and now she's standing over you
  190. >"Hahahh! Oh, Celestia, you blacked out? Oh man! That's so.. funny! You know how to..."
  191. >She's clearly taken one of the many drugs she brought with her, probably some E. She falls down next to you like you're in a god damn field of flowers.
  192. "Pinkie."
  193. >You grab her face with your hands and get her attention on you again
  194. >"Yeah, Anon?" She sounds a little TOO seduced.
  195. "Pinkie. What the fuck has happened to me since 8 PM?"
  196. >Pinkie thinks about it for a moment and responds
  197. >"Well, first, we were in the park, and I tried to do this awesome cartwheel..."
  198. >She's not getting it
  199. "No, Pinks, I mean since you gave me that hit of acid!"
  200. >"Oh! Yeah, Jack's stuff! Wait..."
  201. "Wait. No. you gave me stuff from Derpy Hooves."
  202. >Her face starts to go slightly white
  203. >"...yeaaahhhh."
  204. "Pinkie, that stuff WAS from Derpy, right?"
  205. >She looks at you numbly and wiggles her legs a little in her drug-induced euphoria
  206. >"The Muffin stuff, yeah?"
  207. "YEAH."
  208. >"Yeah, that's Applejack's. I mean Derpy's. You're Anon, right?"
  209.  
  210. >Okay. So Pinkie Pie gave you fucked-up spy-drugs from Applejack. Take Pinkie off the bro list.
  211. "Pinks, that's seriously not cool."
  212. >"But the muffin stuff is like, 'POWIE ZOWIE'!!!"
  213. >She reaches into her saddlebag and grabs a hit of the Muffin stuff.
  214. >You respond by smacking her bag and knocking a bunch of hits of various things everywhere
  215. >"AWW, WHAT THE HAY, ANON?!"
  216. >Random passing ponies start picking up the now-free drugs
  217. >You grab her face again
  218. "OKAY. I'VE HEARD STUFF ABOUT SOME KIND OF BACK ROOM. EXPLAIN THAT."
  219. >Pinkie thinks for a second
  220. >"Oh, the back room just over there? Remember, that's where we went and you and y-"
  221. >Suddenly Pinkie decides to be tight-lipped.
  222. "Okay, you're a lost cause now."
  223. >You throw her to the side and start to stomp through the crowd to the door Pinkie pointed to
  224. >You open it
  225. >My god
  226.  
  227. >It's a smaller room made for holding barrels of cider, but it has a bed in it. And candles. And a camera. On a tripod.
  228. >When you see Applerapist, she's gonna have some motherfuckin' 'splainin' to do
  229. >You go to inspect the camera
  230. >still on, not recording
  231. >No tape inside
  232. >You mull over the bed
  233. >The bed has some stains on it
  234. >You're quick to think the worst, but upon further inspection, the sheets smell like booze, not mare-juices
  235. >On an end table next to the bed, there's a small assortment of liquor and used glasses
  236. >You come to the conclusion that shit may or may not have gone down in here, and you need to get that motherfucking tape if you're ever gonna find out the truth
  237. >The only person you think could have the tape is Applejack
  238. >You exit the "back room" to search for your rapist target
  239.  
  240. >You spend the next half hour wandering aimlessly through different rooms of this apple cellar
  241. >Holy shit if the zombie apocalypse ever comes and I haven't killed her by the end of tonight, I'm bunking with Applejack
  242. >Every room has a crowd, and a lot of them have their own little kinks like bobbing for apples and body-painting and shit
  243. >Keep asking people where Applejack is
  244. >The Doctor says, "I don't know where she is now, but tomorrow she'll be crying. You two okay?"
  245. >Bon Bon says, "You don't know? Jeez, Anon, you just juggle 'em, huh?"
  246. >Luna says, "The last time we saw her, she was going to the bar."
  247. >Decide to just check the bar again
  248. >Head back down there
  249. >Don't find Applejack, but run into Bro Macintosh
  250. >immediate brohoof
  251. "Hey, Mac, have you seen your sister around?"
  252. >"Eyyup."
  253. >facepalm
  254. "Do you know where she is? It's kinda important."
  255. >"'Reckon she left the cellar a few seconds ago to get some fresh air. 'Spose she needed some after that fun yall' had in that back room."
  256. >Big Mac starts encroaching on you, like a big brother would
  257. >Take Big Mac off the bro list. Twice.
  258.  
  259. >You just turn around and start to dash for the main room because that's the only way you know to end the awkward moment
  260. >Damn, now your bro list has decreased by two
  261. >Applejack is just fucking EVERYTHING up for you tonight
  262. >You climb what feels like a million stairs to the surface
  263. >Opening the hatch, you look around
  264. >Sure enough, there's Applejack, talking with Rainbro Dash next to the barn
  265. >Stomp the fuck over with more swag than you can even handle right now
  266. "Alright, you're gonna explain everything to me, RIGHT NOW."
  267. >Applejack turns and looks at you, and both hers and RD's faces get red
  268. >"Explain WHAT exactly, Anon?"
  269. >Oh she's playing dumb
  270. "Look, you didn't think I'd figure shit out? You drug up some Acid, give it to Pinkie, tell her to make me think it's from Derpy, then you take me into some closet and try to date-rape me while I'm fucked?"
  271. >She looks at you for a few beats with a blank expression
  272. >Her eyes flash to Dash, but you don't take yours off of her
  273. "Well? WHERE'S THE FUCKING TAPE?"
  274. >Suddenly, dash speaks up
  275. >Her wings are slightly extended and she's blushing, but you chalk that up to her being under the influence of the Muffin shit too.
  276. >"Uh, here, Anon. I wrestled the tape from this cunt myself! I haven't.. watched it?"
  277. >You ignore her wimpy tone and take the tape.
  278. "Swag, Dash. Swag."
  279. >You bro-hoof her real quick
  280.  
  281. >Turn your attention back to Jack
  282. >She looks at you and dash almost defeatedly
  283. >"Ahh... Ah'm sorry, Anon..."
  284. >She starts blushing
  285. >You shake the tape at her a little, then stare at it for a bit
  286. >You take the tape, and break it in half in front of her, then throw the pieces on the ground
  287. >Dash chimes in
  288. >"You're not... gonna watch it?"
  289. "No."
  290. >Attention turns to applejack
  291. "I'm gonna give you the benefit of the doubt on this one, jack, but if you so much as look at my ass again, so help me, I will have you HAULED AWAY."
  292. >It's the middle of the night
  293. >You're tired
  294. >Turn to that Blue pegasus who just got upgraded to #1 on your bro list
  295. "Lets roll, dash."
  296. >"Yeah... lets get outta here. I just need to... get a few shots for the road."
  297. "Alright, I'll see ya back home."
  298. >You shoot AJ another dirty look before you walk off.
  299. >Dash walks back over to AJ and stands next to her
  300. >"So, Ah reckon err'y thing worked out juss' fine fer ya, huh, Dashie?"
  301. >"...Shut up..."
  302. >"What's wrong? Ya got him ta' rut ya and ya' still get ta' be his friend! All the blame's on ol' Applejack. Seems like you've clearly drawn the longest straw, here."
  303. >"...I still feel... like a rapist. Besides, we didn't even do anything. He had whiskey-dick."
  304. >Applejack cracks up at the thought
  305. >Rainbow dash turns to get herself and your oblivious ass some drinks
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