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- 0
- 00:00:05,000 --> 00:00:15,000
- INDOXXI
- Support dengan like & share :)
- 1
- 00:00:46,313 --> 00:00:52,351
- Twenty-five,
- thirty thirty-five, forty
- 2
- 00:00:52,353 --> 00:00:55,287
- forty-one, forty-two.
- 3
- 00:00:55,289 --> 00:00:58,123
- Parkinson, make it 42.
- 4
- 00:00:58,125 --> 00:01:01,193
- The noise in Times Square
- deprives us
- 5
- 00:01:01,195 --> 00:01:03,862
- of 42 percent of our hearing.
- 6
- 00:01:21,649 --> 00:01:23,649
- Stop the phonograph player.
- 7
- 00:02:32,720 --> 00:02:33,752
- Hm?
- 8
- 00:02:34,588 --> 00:02:37,122
- What are you listening to?
- 9
- 00:02:37,124 --> 00:02:39,124
- I'm not listening to anything.
- 10
- 00:02:41,162 --> 00:02:42,694
- Nothing?
- 11
- 00:02:42,696 --> 00:02:46,198
- Right.
- These are for hearing nothing.
- 12
- 00:02:52,039 --> 00:02:55,541
- So, how much longer
- is this gonna take, man?
- 13
- 00:03:06,287 --> 00:03:10,088
- Look, I thought
- I was paying you to soundproof
- 14
- 00:03:10,090 --> 00:03:12,157
- my apartment or something.
- 15
- 00:03:19,934 --> 00:03:22,267
- It's a B-flat.
- 16
- 00:03:22,269 --> 00:03:25,637
- - What is?
- - Your heating unit.
- 17
- 00:03:25,639 --> 00:03:27,673
- That's a shitty radiator.
- 18
- 00:03:27,675 --> 00:03:30,943
- You do hear
- the noise though, right?
- 19
- 00:03:30,945 --> 00:03:32,477
- Your problem
- is your heating unit.
- 20
- 00:03:32,479 --> 00:03:34,012
- When paired
- with the low tones produced
- 21
- 00:03:34,014 --> 00:03:37,282
- by your kitchen appliances,
- the note emitted
- 22
- 00:03:37,284 --> 00:03:39,117
- from your radiator
- is contributing
- 23
- 00:03:39,119 --> 00:03:43,488
- to your... anxiety.
- 24
- 00:03:47,161 --> 00:03:49,661
- - Really?
- - Mm-hm.
- 25
- 00:04:18,125 --> 00:04:19,958
- Call this number
- next Tuesday afternoon
- 26
- 00:04:19,960 --> 00:04:21,960
- if you have any other issues.
- 27
- 00:04:59,700 --> 00:05:01,366
- Hello, you've reached
- the answering machine
- 28
- 00:05:01,368 --> 00:05:03,235
- of Peter Lucian.
- 29
- 00:05:03,237 --> 00:05:06,772
- If I've given you my number,
- you've dialed it correctly
- 30
- 00:05:06,774 --> 00:05:08,607
- but at the wrong time.
- 31
- 00:05:08,609 --> 00:05:11,109
- Please briefly describe
- your situation
- 32
- 00:05:11,111 --> 00:05:12,844
- and leave a telephone number.
- 33
- 00:05:15,149 --> 00:05:19,151
- Hey, Peter. This is
- Brian Mosden, down in Tribeca.
- 34
- 00:05:20,454 --> 00:05:22,087
- Listen..
- 35
- 00:05:22,089 --> 00:05:24,256
- You know, I was
- a little skeptical at first
- 36
- 00:05:24,258 --> 00:05:29,261
- uh, but I honestly haven't
- slept this well in months.
- 37
- 00:05:29,263 --> 00:05:31,697
- Thank you for whatever you did
- to my blender.
- 38
- 00:05:33,400 --> 00:05:36,335
- Hi. I got your number
- from my friend Alex.
- 39
- 00:05:37,771 --> 00:05:40,605
- I'm looking to set up
- an appointment for..
- 40
- 00:05:41,875 --> 00:05:44,743
- Well, whatever you did for Alex.
- 41
- 00:05:44,745 --> 00:05:47,312
- He and his girlfriend
- are getting along
- 42
- 00:05:47,314 --> 00:05:49,481
- great right now.
- 43
- 00:05:49,483 --> 00:05:53,318
- My number is 6-4-6-2-4-0-0-0-8.
- 44
- 00:05:57,758 --> 00:06:00,926
- The radiator is contributing
- to your anxiety.
- 45
- 00:06:02,262 --> 00:06:04,763
- You do hear
- the noise though, right?
- 46
- 00:06:07,701 --> 00:06:10,268
- It's a B-flat.
- 47
- 00:06:10,270 --> 00:06:12,904
- - What is?
- - Your heating unit.
- 48
- 00:06:58,285 --> 00:07:01,119
- Field test. Central Park.
- 49
- 00:07:01,121 --> 00:07:02,187
- G Major.
- 50
- 00:08:08,455 --> 00:08:09,788
- You're punctual.
- 51
- 00:08:11,325 --> 00:08:13,391
- I'm actually early.
- 52
- 00:08:15,028 --> 00:08:17,529
- - I guess you're Peter?
- - I am.
- 53
- 00:08:17,531 --> 00:08:21,032
- I'm Ellen.
- Do you wanna go inside?
- 54
- 00:08:22,336 --> 00:08:24,236
- Actually, I would prefer
- to ask you some questions
- 55
- 00:08:24,238 --> 00:08:27,005
- outside the apartment first
- before we enter.
- 56
- 00:08:27,007 --> 00:08:29,441
- Oh. Okay.
- 57
- 00:08:29,443 --> 00:08:31,109
- You wanna have a seat?
- 58
- 00:08:35,182 --> 00:08:38,483
- Uh, it's helpful for me
- if I record this
- 59
- 00:08:38,485 --> 00:08:40,418
- if you don't mind.
- 60
- 00:08:40,420 --> 00:08:41,853
- Sure, that's fine.
- 61
- 00:08:41,855 --> 00:08:46,024
- This is a lot more formal
- than I expected.
- 62
- 00:08:46,026 --> 00:08:48,026
- I... I've found
- that when clients talk
- 63
- 00:08:48,028 --> 00:08:49,794
- about their homes
- when inside them
- 64
- 00:08:49,796 --> 00:08:52,998
- they, they tend to speak less
- directly about the issue.
- 65
- 00:08:54,768 --> 00:08:58,303
- Right, it can be difficult
- to talk about
- 66
- 00:08:58,305 --> 00:09:01,740
- a relationship problem,
- in this case, your apartment
- 67
- 00:09:01,742 --> 00:09:04,242
- with the, the partner present.
- 68
- 00:09:06,813 --> 00:09:08,813
- Never thought about it that way.
- 69
- 00:09:10,117 --> 00:09:12,684
- So, to begin..
- 70
- 00:09:12,686 --> 00:09:15,420
- You describe to me your person.
- 71
- 00:09:16,757 --> 00:09:18,423
- My person?
- 72
- 00:09:18,425 --> 00:09:19,858
- Yourself.
- 73
- 00:09:19,860 --> 00:09:23,094
- Oh, like, um, say my name
- 74
- 00:09:23,096 --> 00:09:25,997
- introduce myself,
- like that kinda thing?
- 75
- 00:09:25,999 --> 00:09:27,799
- As you wish.
- 76
- 00:09:27,801 --> 00:09:30,302
- Um, well,
- my name is Ellen Chasen.
- 77
- 00:09:30,304 --> 00:09:32,871
- - I am from Ohio.
- - Mm-hm.
- 78
- 00:09:32,873 --> 00:09:34,873
- But now I live in New York.
- 79
- 00:09:36,977 --> 00:09:41,479
- Perhaps, uh, you could describe
- your issue to me now.
- 80
- 00:09:41,481 --> 00:09:44,816
- I, um, I am always tired.
- 81
- 00:09:45,752 --> 00:09:48,353
- Exhausted, actually.
- 82
- 00:09:48,355 --> 00:09:49,921
- By the time I get
- to the office in the morning
- 83
- 00:09:49,923 --> 00:09:52,257
- I'm tired again.
- 84
- 00:09:53,560 --> 00:09:55,060
- And where do you work?
- 85
- 00:09:55,062 --> 00:09:57,529
- Um, I work at a non-profit
- 86
- 00:09:57,531 --> 00:10:00,532
- um, for low-income families.
- 87
- 00:10:00,534 --> 00:10:02,667
- It's in Midtown.
- 88
- 00:10:02,669 --> 00:10:04,803
- - And do you walk to work?
- - Yeah.
- 89
- 00:10:04,805 --> 00:10:06,571
- I get to help people every day
- 90
- 00:10:06,573 --> 00:10:09,407
- so, watching them
- 91
- 00:10:09,409 --> 00:10:11,176
- they, they get
- to start their lives over
- 92
- 00:10:11,178 --> 00:10:13,211
- I get to see that.
- 93
- 00:10:13,213 --> 00:10:14,646
- - It's nice.
- - No, no.
- 94
- 00:10:14,648 --> 00:10:18,683
- I, I asked,
- "Do you walk to work?"
- 95
- 00:10:18,685 --> 00:10:20,585
- Oh, uh, sorry.
- 96
- 00:10:20,587 --> 00:10:23,188
- Um... no.
- 97
- 00:10:23,190 --> 00:10:25,190
- It would be, like, 40 blocks.
- 98
- 00:10:38,505 --> 00:10:42,273
- I'll need an extended period
- of time in each room.
- 99
- 00:10:42,275 --> 00:10:45,610
- Specifically, kitchen,
- bathroom, bedroom.
- 100
- 00:10:45,612 --> 00:10:47,979
- - Yeah, it's no problem.
- - Mm-hm.
- 101
- 00:10:47,981 --> 00:10:50,415
- Can I get you some water
- or anything?
- 102
- 00:10:50,417 --> 00:10:52,050
- Actually,
- I need it just like this.
- 103
- 00:10:52,052 --> 00:10:53,652
- No additional sounds.
- 104
- 00:10:53,654 --> 00:10:56,488
- - No additional appliances.
- - Oh.
- 105
- 00:10:59,826 --> 00:11:00,892
- No, thank you.
- 106
- 00:11:21,448 --> 00:11:22,480
- Kitchen.
- 107
- 00:11:36,063 --> 00:11:37,095
- Faucet.
- 108
- 00:11:44,371 --> 00:11:45,704
- Faucet and blender.
- 109
- 00:11:55,382 --> 00:11:56,715
- Refrigerator.
- 110
- 00:11:57,784 --> 00:11:59,784
- Three hundred and ninety.
- 111
- 00:12:24,077 --> 00:12:25,110
- Hillary.
- 112
- 00:12:25,112 --> 00:12:26,311
- We're right around the corner.
- 113
- 00:12:26,313 --> 00:12:28,146
- Hi, yeah, sorry,
- I... I can't talk
- 114
- 00:12:28,148 --> 00:12:30,081
- 'cause I have, uh,
- company right now.
- 115
- 00:12:30,083 --> 00:12:31,282
- Do you have
- a man over there with you?
- 116
- 00:12:31,284 --> 00:12:33,017
- No, that's not why.
- 117
- 00:12:34,855 --> 00:12:37,355
- Yeah. Okay, I'll see you later.
- 118
- 00:12:37,357 --> 00:12:39,357
- Okay. Bye.
- 119
- 00:12:41,361 --> 00:12:42,393
- Sorry.
- 120
- 00:12:49,402 --> 00:12:52,504
- So, at this point, I'll need
- to go into your bedroom
- 121
- 00:12:52,506 --> 00:12:55,006
- if that's alright
- with you, Ellen. Yeah?
- 122
- 00:12:55,008 --> 00:12:56,775
- I typically save
- this visit for last
- 123
- 00:12:56,777 --> 00:13:00,545
- since it is the most personal,
- but hopefully, you feel
- 124
- 00:13:00,547 --> 00:13:03,448
- a little more comfortable
- with me by now?
- 125
- 00:13:03,450 --> 00:13:05,617
- Of course. By all means.
- 126
- 00:13:07,654 --> 00:13:08,987
- Can I watch?
- 127
- 00:13:11,792 --> 00:13:12,891
- Mm.
- 128
- 00:13:14,327 --> 00:13:15,994
- Mind if I lie down?
- 129
- 00:13:17,197 --> 00:13:19,531
- Is that typical?
- 130
- 00:13:19,533 --> 00:13:21,332
- You mentioned over the phone
- that you're having trouble
- 131
- 00:13:21,334 --> 00:13:22,700
- sleeping at night.
- 132
- 00:13:22,702 --> 00:13:24,369
- - Is that right?
- - Yes.
- 133
- 00:13:38,418 --> 00:13:40,318
- It helps me if I recreate
- your morning routine
- 134
- 00:13:40,320 --> 00:13:42,320
- as closely as possible.
- 135
- 00:13:43,623 --> 00:13:46,457
- Would you say
- you're a side sleeper?
- 136
- 00:13:46,459 --> 00:13:48,126
- - No.
- - No.
- 137
- 00:13:57,437 --> 00:13:59,737
- I'll have to review
- my materials to be certain
- 138
- 00:13:59,739 --> 00:14:02,707
- but I think your problem
- is in the kitchen.
- 139
- 00:14:02,709 --> 00:14:04,876
- Do you eat bagels every morning?
- 140
- 00:14:06,112 --> 00:14:08,880
- Uh... uh, no.
- 141
- 00:14:08,882 --> 00:14:12,417
- S... sometimes,
- but usually toast.
- 142
- 00:14:12,419 --> 00:14:14,319
- - Mm-hm.
- - With some fruit.
- 143
- 00:14:15,422 --> 00:14:17,689
- Okay. I think you need
- a new toaster.
- 144
- 00:14:18,758 --> 00:14:20,425
- That should do it.
- 145
- 00:14:29,135 --> 00:14:32,570
- I noticed your toaster
- produces an E-flat.
- 146
- 00:14:32,572 --> 00:14:36,507
- And your refrigerator
- hums at a clear G.
- 147
- 00:14:36,509 --> 00:14:38,910
- Now, the foundation note
- 148
- 00:14:38,912 --> 00:14:40,411
- is a subtle but convincing C
- 149
- 00:14:40,413 --> 00:14:42,647
- throughout the entire apartment.
- 150
- 00:14:42,649 --> 00:14:43,681
- Here.
- 151
- 00:14:53,994 --> 00:14:56,895
- You hear that? Hm?
- 152
- 00:14:56,897 --> 00:14:59,430
- That mechanical sound?
- 153
- 00:14:59,432 --> 00:15:03,735
- Or, uh, perhaps
- it's... it's wind patterns
- 154
- 00:15:03,737 --> 00:15:05,403
- on the East Side.
- 155
- 00:15:08,141 --> 00:15:10,141
- It's remarkably consistent.
- 156
- 00:15:12,078 --> 00:15:15,780
- Well... anyway
- 157
- 00:15:15,782 --> 00:15:18,383
- a new toaster should
- solve your problems.
- 158
- 00:15:18,385 --> 00:15:20,485
- You really think
- it's that simple?
- 159
- 00:15:20,487 --> 00:15:23,521
- Technically, your refrigerator
- is a perfect fifth.
- 160
- 00:15:23,523 --> 00:15:26,157
- And the minor third created
- by your toaster
- 161
- 00:15:26,159 --> 00:15:30,161
- combined with the tonic
- from your neighborhood
- 162
- 00:15:30,163 --> 00:15:33,164
- and, uh, you've got
- a depression.
- 163
- 00:15:35,235 --> 00:15:39,170
- So, I'll have a new model
- sent over. Soon.
- 164
- 00:15:39,172 --> 00:15:41,506
- But we should talk
- in the next few days.
- 165
- 00:15:41,508 --> 00:15:42,774
- Yes, of course.
- 166
- 00:15:44,778 --> 00:15:45,810
- Alright.
- 167
- 00:17:45,632 --> 00:17:47,665
- He loves this old shit.
- 168
- 00:17:47,667 --> 00:17:49,834
- - I think it's nice.
- - It is nice.
- 169
- 00:17:51,071 --> 00:17:52,637
- Everything in here
- is really nice.
- 170
- 00:17:52,639 --> 00:17:54,238
- Hm.
- 171
- 00:17:54,240 --> 00:17:56,107
- Maybe I should just
- move to Brooklyn.
- 172
- 00:17:56,109 --> 00:17:58,476
- - Wanna swap apartments?
- - Don't yell.
- 173
- 00:17:58,478 --> 00:17:59,877
- - Cleo's still napping.
- - Sorry.
- 174
- 00:17:59,879 --> 00:18:03,414
- I know, it's nice, it's great.
- 175
- 00:18:03,416 --> 00:18:08,152
- But sometimes it's a little
- weird living there.
- 176
- 00:18:08,154 --> 00:18:10,788
- Apartment's a little big.
- 177
- 00:18:10,790 --> 00:18:13,825
- And I still get Patrick's mail.
- 178
- 00:18:13,827 --> 00:18:15,159
- I hate that.
- 179
- 00:18:17,097 --> 00:18:21,199
- Anyway, it's cheap.
- So, why should I leave?
- 180
- 00:18:21,201 --> 00:18:22,967
- Right.
- 181
- 00:18:22,969 --> 00:18:25,303
- Here's to rent-stabilized
- apartments.
- 182
- 00:18:26,406 --> 00:18:27,572
- - Shit!
- - Oh, here, let me get you a...
- 183
- 00:18:27,574 --> 00:18:28,806
- - No, it's okay.
- - Let me get you a...
- 184
- 00:18:28,808 --> 00:18:30,641
- I'll... I'll... I'll grab
- a towel.
- 185
- 00:18:30,643 --> 00:18:33,111
- There's some towels
- on the counter there.
- 186
- 00:18:33,113 --> 00:18:34,912
- Okay.
- 187
- 00:18:42,489 --> 00:18:44,122
- Why is everything unplugged?
- 188
- 00:18:44,124 --> 00:18:45,556
- - Oh.
- - Yeah.
- 189
- 00:18:45,558 --> 00:18:48,292
- - That's Landon's latest phobia.
- - Phobia?
- 190
- 00:18:48,294 --> 00:18:50,128
- He's afraid the apartment
- will catch fire
- 191
- 00:18:50,130 --> 00:18:51,863
- when we're not at home.
- 192
- 00:18:51,865 --> 00:18:53,631
- Or when we're asleep.
- 193
- 00:18:53,633 --> 00:18:55,533
- Or when we're eating dinner.
- 194
- 00:18:55,535 --> 00:18:57,668
- - Or when we're having sex.
- - Okay.
- 195
- 00:18:57,670 --> 00:18:59,303
- It's not a phobia,
- it's a safeguard.
- 196
- 00:18:59,305 --> 00:19:01,339
- So, you just leave it
- all unplugged?
- 197
- 00:19:01,341 --> 00:19:02,773
- Spontaneous electrical fires
- 198
- 00:19:02,775 --> 00:19:04,909
- are way more common
- than you think, okay?
- 199
- 00:19:04,911 --> 00:19:05,910
- Especially in cities.
- 200
- 00:19:05,912 --> 00:19:07,912
- I read about them all the time.
- 201
- 00:19:07,914 --> 00:19:09,547
- It's his OCD.
- 202
- 00:19:09,549 --> 00:19:11,182
- So, where are you
- reading about this?
- 203
- 00:19:11,184 --> 00:19:12,316
- The internet.
- 204
- 00:19:12,318 --> 00:19:14,986
- So, how'd it go
- with that house tuner
- 205
- 00:19:14,988 --> 00:19:16,787
- we set you up with anyway?
- 206
- 00:19:16,789 --> 00:19:18,689
- - And Landon loves that guy.
- - I love that guy.
- 207
- 00:19:18,691 --> 00:19:21,726
- Yeah, it was, um,
- it was a little weird.
- 208
- 00:19:21,728 --> 00:19:23,427
- - Weird how?
- - Why? Is he a creep?
- 209
- 00:19:23,429 --> 00:19:26,030
- No, no, no, no.
- Not creepy at all. At all.
- 210
- 00:19:26,032 --> 00:19:28,132
- Although, he did lay on my bed.
- 211
- 00:19:28,134 --> 00:19:30,768
- - That sounds creepy.
- - But not in a creepy way.
- 212
- 00:19:30,770 --> 00:19:32,436
- Not.. He's not a creep.
- 213
- 00:19:32,438 --> 00:19:36,741
- He was actually very polite,
- and very professional.
- 214
- 00:19:36,743 --> 00:19:41,078
- He told me that, um,
- I need to get a new toaster.
- 215
- 00:19:41,080 --> 00:19:43,047
- - What?
- - Why is that so funny?
- 216
- 00:19:43,049 --> 00:19:44,982
- Maybe that... maybe that's
- helpful.
- 217
- 00:19:44,984 --> 00:19:49,353
- It sounds ridiculous,
- but he was talking to me about
- 218
- 00:19:49,355 --> 00:19:51,122
- the tonic of my neighborhood
- 219
- 00:19:51,124 --> 00:19:54,959
- and how my refrigerator
- is contributing
- 220
- 00:19:54,961 --> 00:19:57,662
- to this oppressive chord.
- 221
- 00:19:57,664 --> 00:19:59,230
- - Yeah.
- - What?
- 222
- 00:19:59,232 --> 00:20:01,732
- Yeah, that's his thing. Right?
- 223
- 00:20:01,734 --> 00:20:03,968
- Here, look. This is
- from "Talk Of The Town."
- 224
- 00:20:03,970 --> 00:20:07,505
- "According to Peter Lucian,
- the silence is full of sound
- 225
- 00:20:07,507 --> 00:20:09,207
- "as his practice offers
- solutions
- 226
- 00:20:09,209 --> 00:20:11,442
- "for depression,
- anxiety, fatigue
- 227
- 00:20:11,444 --> 00:20:14,045
- "all of which are triggered
- by the sonic details
- 228
- 00:20:14,047 --> 00:20:16,414
- "of our homes, he explains.
- 229
- 00:20:16,416 --> 00:20:18,549
- "After an impromptu tour
- of the converted.
- 230
- 00:20:18,551 --> 00:20:21,452
- Cold War-era fallout shelter
- he calls home.."
- 231
- 00:20:21,454 --> 00:20:22,887
- This guy's so fucking cool.
- 232
- 00:20:22,889 --> 00:20:24,755
- "Lucian points out
- the meticulous labels
- 233
- 00:20:24,757 --> 00:20:25,990
- "attached to each appliance
- 234
- 00:20:25,992 --> 00:20:27,725
- bearing notes
- and musical chords."
- 235
- 00:20:27,727 --> 00:20:29,727
- Weird, but kind of sexy.
- 236
- 00:20:29,729 --> 00:20:32,263
- - Is he single?
- - Are you serious?
- 237
- 00:20:32,265 --> 00:20:34,432
- Only you would find that sexy,
- by the way.
- 238
- 00:20:34,434 --> 00:20:37,268
- So, what do you think?
- You gonna give it a whirl?
- 239
- 00:20:37,270 --> 00:20:39,937
- I'm fine. Really.
- 240
- 00:20:39,939 --> 00:20:44,575
- I mean, I think all this therapy
- is just too much.
- 241
- 00:20:44,577 --> 00:20:46,277
- - It's not for me.
- - Really?
- 242
- 00:20:46,279 --> 00:20:49,347
- I just need to find a
- way to get some rest.
- 243
- 00:20:49,349 --> 00:20:52,183
- When Landon was training
- for his marathon last fall
- 244
- 00:20:52,185 --> 00:20:55,519
- he found a great acupuncture
- place in Greenpoint.
- 245
- 00:20:56,422 --> 00:20:58,189
- That was for my IT band.
- 246
- 00:20:58,191 --> 00:20:59,557
- Yeah. That's what I'm saying.
- 247
- 00:20:59,559 --> 00:21:01,459
- So, maybe it's worth taking
- a look at.
- 248
- 00:21:01,461 --> 00:21:03,294
- But that's..
- Those are different things.
- 249
- 00:21:03,296 --> 00:21:04,729
- Yeah, but acupuncture.
- 250
- 00:23:26,606 --> 00:23:28,606
- Do you think it's a problem?
- 251
- 00:23:31,277 --> 00:23:33,277
- I'll see what I can do.
- 252
- 00:23:35,181 --> 00:23:38,449
- Uh, go on. Robert is waiting
- for you in the study.
- 253
- 00:23:44,624 --> 00:23:48,559
- My data is supported. Maybe
- they just can't comprehend it.
- 254
- 00:23:48,561 --> 00:23:50,027
- It's all good feedback, Peter.
- 255
- 00:23:50,029 --> 00:23:52,863
- I encourage my students
- to ask tough questions
- 256
- 00:23:52,865 --> 00:23:55,566
- in the critique sessions.
- 257
- 00:23:55,568 --> 00:23:58,102
- I think they're maybe caught up
- a little bit in your..
- 258
- 00:23:59,205 --> 00:24:01,639
- In your lack of formalities.
- 259
- 00:24:01,641 --> 00:24:03,374
- But I'm close, though.
- 260
- 00:24:03,376 --> 00:24:05,709
- And you understand
- the significance.
- 261
- 00:24:05,711 --> 00:24:07,311
- Listen, I've read it.
- 262
- 00:24:07,313 --> 00:24:11,115
- Don't rush yourself.
- This work takes time. Years.
- 263
- 00:24:11,117 --> 00:24:12,850
- Well, it's been years.
- 264
- 00:24:14,253 --> 00:24:16,320
- This is a universal law
- that I've discovered
- 265
- 00:24:16,322 --> 00:24:18,989
- and the scientific community
- needs to know about it.
- 266
- 00:24:20,259 --> 00:24:21,459
- You know, there's a trap
- in science
- 267
- 00:24:21,461 --> 00:24:23,427
- that I talk
- to my students about.
- 268
- 00:24:23,429 --> 00:24:25,629
- One always sees exactly
- what one's looking for
- 269
- 00:24:25,631 --> 00:24:28,332
- not because it's there
- 270
- 00:24:28,334 --> 00:24:30,768
- but because one desperately
- wants to believe
- 271
- 00:24:30,770 --> 00:24:32,336
- that it's there.
- 272
- 00:24:32,338 --> 00:24:34,872
- Are you saying my research
- is faulty?
- 273
- 00:24:34,874 --> 00:24:37,074
- No!
- 274
- 00:24:37,076 --> 00:24:39,276
- I'm just cautioning you not
- to make it too personal
- 275
- 00:24:39,278 --> 00:24:40,744
- perhaps even obsessive.
- 276
- 00:24:40,746 --> 00:24:44,081
- One must be obsessive
- in this field of ours
- 277
- 00:24:44,083 --> 00:24:48,619
- but we have to be careful
- of too much, um
- 278
- 00:24:48,621 --> 00:24:52,289
- faith... in our own ideas.
- 279
- 00:24:52,291 --> 00:24:55,392
- Excuse me. Sorry to interrupt.
- 280
- 00:24:55,394 --> 00:24:58,929
- Peter, this is Samuel Diaz,
- my TA.
- 281
- 00:24:58,931 --> 00:25:01,131
- I'm advising him on his thesis.
- 282
- 00:25:01,133 --> 00:25:04,568
- So, are you still thinking
- of leaving academia?
- 283
- 00:25:04,570 --> 00:25:05,936
- - Formally, yes.
- - Mm-hm.
- 284
- 00:25:05,938 --> 00:25:08,339
- Uh, I need to get
- my student loans paid off.
- 285
- 00:25:08,341 --> 00:25:09,840
- Mm-hm.
- 286
- 00:25:14,881 --> 00:25:17,548
- I thought your research
- was really fascinating.
- 287
- 00:25:19,018 --> 00:25:21,185
- - Me?
- - Yes.
- 288
- 00:25:23,155 --> 00:25:24,722
- Thank you.
- 289
- 00:25:24,724 --> 00:25:27,925
- They pick everything apart.
- 290
- 00:25:27,927 --> 00:25:31,095
- Anyone without a Ph.D.
- gets run through the gauntlet.
- 291
- 00:25:32,131 --> 00:25:34,265
- I could, if you'd like
- 292
- 00:25:34,267 --> 00:25:36,233
- uh, refer you
- to some standard guidelines
- 293
- 00:25:36,235 --> 00:25:40,304
- for formatting and publishing.
- 294
- 00:25:40,306 --> 00:25:42,106
- Or perhaps Peter could be
- a person to talk to
- 295
- 00:25:42,108 --> 00:25:46,644
- about that lab position
- that, uh, you're after.
- 296
- 00:25:55,187 --> 00:25:57,221
- "Welcome back
- to "The New American Journal
- 297
- 00:25:57,223 --> 00:25:58,756
- of Sound Radio Hour."
- 298
- 00:25:58,758 --> 00:26:01,892
- I'm your host,
- Dr. Elizabeth Brookings.
- 299
- 00:26:01,894 --> 00:26:04,828
- On today's show, we're
- discussing the feature story
- 300
- 00:26:04,830 --> 00:26:09,533
- from our latest issue
- about new findings concerning
- 301
- 00:26:09,535 --> 00:26:11,535
- the "Windsor Hum."
- 302
- 00:26:36,629 --> 00:26:37,962
- And how does this all relate
- 303
- 00:26:37,964 --> 00:26:40,297
- to the apartment tunings
- you conduct?
- 304
- 00:26:42,468 --> 00:26:44,969
- Are you familiar with
- the concept of a macro-scope?
- 305
- 00:26:46,639 --> 00:26:48,639
- You mean a very big microscope?
- 306
- 00:26:49,809 --> 00:26:52,343
- Um, it's a way of seeing things
- that are larger
- 307
- 00:26:52,345 --> 00:26:55,112
- so, in this case,
- it's a way of seeing patterns.
- 308
- 00:26:56,382 --> 00:26:59,383
- Once the predominant harmonies
- are determined..
- 309
- 00:27:00,319 --> 00:27:02,753
- They're translated here.
- 310
- 00:27:02,755 --> 00:27:05,756
- So, all of this, in a sense,
- is a macro-scope.
- 311
- 00:27:07,393 --> 00:27:09,493
- Typically..
- 312
- 00:27:09,495 --> 00:27:12,563
- I know the solution
- to a client's issues
- 313
- 00:27:12,565 --> 00:27:14,298
- before I even arrive.
- 314
- 00:27:15,735 --> 00:27:17,735
- And it always works?
- 315
- 00:27:20,640 --> 00:27:23,807
- D, F, A.
- 316
- 00:27:25,378 --> 00:27:27,478
- D minor.
- 317
- 00:27:27,480 --> 00:27:31,315
- - That's amazing.
- - You read music?
- 318
- 00:27:31,317 --> 00:27:34,218
- I took piano lessons
- when I was a kid.
- 319
- 00:27:34,220 --> 00:27:36,320
- - You did?
- - Uh-huh.
- 320
- 00:27:38,524 --> 00:27:41,191
- How's your pitch? Sam?
- 321
- 00:27:42,461 --> 00:27:44,128
- How's your pitch?
- 322
- 00:27:44,797 --> 00:27:45,829
- Decent.
- 323
- 00:27:45,831 --> 00:27:47,297
- Uh, my graduate work was
- 324
- 00:27:47,299 --> 00:27:50,601
- on, uh, cochlear neurons
- in mice.
- 325
- 00:27:50,603 --> 00:27:52,269
- I love the ear.
- 326
- 00:27:54,540 --> 00:27:56,774
- Mm..
- 327
- 00:28:21,801 --> 00:28:25,002
- You've reached the answering
- machine of Peter Lucian.
- 328
- 00:28:25,004 --> 00:28:28,172
- If I've given you my number,
- you've dialed it correctly
- 329
- 00:28:28,174 --> 00:28:29,940
- but at the wrong time.
- 330
- 00:28:29,942 --> 00:28:32,643
- Please briefly describe
- your situation
- 331
- 00:28:32,645 --> 00:28:34,178
- and leave a telephone number.
- 332
- 00:28:36,215 --> 00:28:37,448
- Hey, Peter.
- 333
- 00:28:37,450 --> 00:28:41,618
- Uh, it's Ellen Chasen.
- 334
- 00:28:42,955 --> 00:28:45,456
- I know, I know we didn't have
- a call scheduled.
- 335
- 00:28:46,992 --> 00:28:48,659
- I'm not sure how this works.
- 336
- 00:28:48,661 --> 00:28:52,763
- I guess, maybe you call me back,
- or, um,
- 337
- 00:28:52,765 --> 00:28:56,266
- thank you for, for coming over.
- 338
- 00:28:56,268 --> 00:29:00,437
- Uh, God, this, this probably
- sounds so strange.
- 339
- 00:29:00,439 --> 00:29:04,241
- I don't want you to think
- that I'm calling you
- 340
- 00:29:04,243 --> 00:29:07,578
- because I'm crazy
- or lonely, or..
- 341
- 00:29:08,748 --> 00:29:10,514
- I got the toaster.
- 342
- 00:29:10,516 --> 00:29:14,518
- Um, and I... I'm just wondering
- 343
- 00:29:14,520 --> 00:29:17,154
- if there's anything else
- 344
- 00:29:17,156 --> 00:29:19,156
- I could be doing, you know?
- 345
- 00:29:20,993 --> 00:29:22,526
- And when I can expect
- 346
- 00:29:22,528 --> 00:29:25,095
- the prescription to work, or..
- 347
- 00:29:26,832 --> 00:29:28,599
- I'll see a change.
- 348
- 00:29:32,171 --> 00:29:33,837
- Okay, thanks. Bye.
- 349
- 00:30:10,209 --> 00:30:13,210
- Anyway, a new toaster
- should solve your problems.
- 350
- 00:30:15,181 --> 00:30:17,748
- You really think
- it's that simple?
- 351
- 00:30:19,652 --> 00:30:23,086
- Your refrigerator hums
- in a clear G.
- 352
- 00:30:23,088 --> 00:30:24,521
- Now, the foundation of..
- 353
- 00:30:27,927 --> 00:30:32,529
- Have you remodeled recently?
- Put in any major changes?
- 354
- 00:30:32,531 --> 00:30:35,499
- Uh, no, just minor stuff.
- 355
- 00:30:35,501 --> 00:30:39,203
- I mean, no, uh,
- new coats of paint
- 356
- 00:30:39,205 --> 00:30:42,339
- or, um, redecorating
- or anything like that
- 357
- 00:30:42,341 --> 00:30:44,474
- if that's what you mean.
- 358
- 00:30:44,476 --> 00:30:45,809
- That's what I mean.
- 359
- 00:30:48,514 --> 00:30:50,514
- How would you describe
- your place?
- 360
- 00:30:51,250 --> 00:30:52,683
- My place?
- 361
- 00:30:52,685 --> 00:30:54,351
- Yeah, your apartment.
- 362
- 00:30:57,389 --> 00:30:59,389
- Perhaps we should go
- upstairs now.
- 363
- 00:31:05,531 --> 00:31:07,664
- Field test recordings.
- 364
- 00:31:07,666 --> 00:31:09,666
- Financial District.
- 365
- 00:31:12,104 --> 00:31:13,837
- D minor.
- 366
- 00:31:14,573 --> 00:31:17,074
- Confident. Reckless.
- 367
- 00:31:19,545 --> 00:31:21,211
- Carnegie Hall.
- 368
- 00:31:27,419 --> 00:31:30,254
- E minor. Calm, precise.
- 369
- 00:31:31,357 --> 00:31:33,590
- Lower East Side.
- 370
- 00:31:36,295 --> 00:31:39,296
- A-flat. Dissonant.
- 371
- 00:31:41,567 --> 00:31:44,601
- Grand Central Station. Off peak.
- 372
- 00:31:47,439 --> 00:31:49,106
- B minor.
- 373
- 00:31:51,076 --> 00:31:53,410
- Gentle, patient.
- 374
- 00:32:31,850 --> 00:32:33,650
- Welcome to Sensory Holdings.
- 375
- 00:32:33,652 --> 00:32:36,286
- Please select an atmosphere
- while you wait.
- 376
- 00:32:37,690 --> 00:32:39,022
- Desert air.
- 377
- 00:32:40,759 --> 00:32:42,426
- Oops. He-he!
- 378
- 00:32:50,235 --> 00:32:52,736
- And you must be the house tuner.
- 379
- 00:32:54,573 --> 00:32:57,207
- - Peter.
- - Har... Harold Carlyle.
- 380
- 00:32:57,209 --> 00:33:01,144
- Uh, we're really glad you
- finally accepted our invitation.
- 381
- 00:33:01,146 --> 00:33:02,813
- Your assistant mentioned
- potential for financing
- 382
- 00:33:02,815 --> 00:33:03,981
- my research.
- 383
- 00:33:03,983 --> 00:33:05,549
- Of course, of course.
- 384
- 00:33:05,551 --> 00:33:07,250
- The... the recent
- "New Yorker" article
- 385
- 00:33:07,252 --> 00:33:09,252
- really piqued my interest.
- 386
- 00:33:13,392 --> 00:33:17,160
- So, uh, my assistant pulled
- materials
- 387
- 00:33:17,162 --> 00:33:18,962
- for our meeting.
- 388
- 00:33:18,964 --> 00:33:20,831
- And it turns out,
- we've actually used
- 389
- 00:33:20,833 --> 00:33:22,733
- some of your designs.
- 390
- 00:33:22,735 --> 00:33:24,301
- How do you mean?
- 391
- 00:33:24,303 --> 00:33:26,636
- Well, the Echo Decay Timer.
- 392
- 00:33:26,638 --> 00:33:29,473
- I understand, at least I heard
- 393
- 00:33:29,475 --> 00:33:31,908
- it was born
- in the basement of the Met.
- 394
- 00:33:33,579 --> 00:33:37,080
- Well, I had a position
- in the Preservation Department.
- 395
- 00:33:37,082 --> 00:33:39,116
- Was maintaining period
- instruments
- 396
- 00:33:39,118 --> 00:33:40,283
- for musical performances
- 397
- 00:33:40,285 --> 00:33:44,788
- to be historically accurate,
- and..
- 398
- 00:33:44,790 --> 00:33:47,624
- I mean, we've significantly
- upgraded the device
- 399
- 00:33:47,626 --> 00:33:52,262
- in the last decade,
- but the EDT-1 was..
- 400
- 00:33:52,264 --> 00:33:54,931
- It was a cornerstone
- for concert recording.
- 401
- 00:33:56,502 --> 00:34:00,037
- It was never intended
- for that purpose, so..
- 402
- 00:34:00,039 --> 00:34:02,372
- Oh. Well, excuse me. I, um..
- 403
- 00:34:03,809 --> 00:34:06,410
- What was it for, then?
- 404
- 00:34:06,412 --> 00:34:09,446
- I was studying
- harmonic resonance.
- 405
- 00:34:09,448 --> 00:34:12,115
- And the manufacturer
- retained my patent
- 406
- 00:34:12,117 --> 00:34:15,118
- in exchange
- for custom fabrication.
- 407
- 00:34:15,120 --> 00:34:18,755
- But I never wanted it
- to be marketed for the public.
- 408
- 00:34:18,757 --> 00:34:23,360
- Well, it was
- a revolutionary product.
- 409
- 00:34:23,362 --> 00:34:24,394
- Tool.
- 410
- 00:34:25,731 --> 00:34:27,564
- "Tool." Of course.
- 411
- 00:34:28,834 --> 00:34:31,902
- I no longer engage
- with outside fabricators.
- 412
- 00:34:31,904 --> 00:34:33,637
- Well, our clients
- 413
- 00:34:33,639 --> 00:34:36,039
- are Fortune 500 creatures.
- 414
- 00:34:36,041 --> 00:34:39,042
- You're more of a provider
- for houses, right?
- 415
- 00:34:40,345 --> 00:34:42,212
- Homes.
- 416
- 00:34:42,214 --> 00:34:44,214
- "Bespoke domesticity."
- 417
- 00:34:45,717 --> 00:34:48,185
- That's what friends
- of mine call it.
- 418
- 00:34:48,187 --> 00:34:50,887
- But really, that's what
- we're interested in.
- 419
- 00:34:50,889 --> 00:34:52,389
- The market is changing,
- and we want
- 420
- 00:34:52,391 --> 00:34:54,491
- to cater our products
- 421
- 00:34:54,493 --> 00:34:57,160
- to our customer's private lives.
- 422
- 00:35:00,966 --> 00:35:03,967
- I... I'm offering you
- an opportunity, Peter.
- 423
- 00:35:20,619 --> 00:35:25,522
- Uh... how is
- Equilibrium delivered?
- 424
- 00:35:25,524 --> 00:35:30,293
- Well, it's wall colors,
- fragrances, soundscapes.
- 425
- 00:35:30,295 --> 00:35:32,095
- And our technologies
- allow our specialists
- 426
- 00:35:32,097 --> 00:35:34,764
- to survey
- entire homes virtually.
- 427
- 00:35:37,369 --> 00:35:38,468
- Virtually?
- 428
- 00:35:38,470 --> 00:35:40,303
- Well, I mean, it's, uh,
- currently just
- 429
- 00:35:40,305 --> 00:35:43,974
- a web chat,
- but, honestly, you know..
- 430
- 00:35:45,444 --> 00:35:47,310
- The virtual component
- isn't bulletproof
- 431
- 00:35:47,312 --> 00:35:49,346
- but the clients love it.
- 432
- 00:35:51,150 --> 00:35:54,317
- Our technologies, and our muscle
- 433
- 00:35:55,320 --> 00:35:57,454
- could give you a chance
- 434
- 00:35:57,456 --> 00:36:02,192
- to create an entire atmosphere.
- 435
- 00:36:02,194 --> 00:36:06,029
- Yes, I... imagine the ability
- to influence like that.
- 436
- 00:36:09,168 --> 00:36:12,469
- I think that I've had
- a very positive influence
- 437
- 00:36:12,471 --> 00:36:14,538
- on the lives of my clients.
- 438
- 00:36:28,120 --> 00:36:30,620
- We bought the matching set
- when we moved in.
- 439
- 00:36:32,090 --> 00:36:34,024
- I thought you lived alone.
- 440
- 00:36:34,026 --> 00:36:35,659
- I do. I... I do, yeah.
- 441
- 00:36:35,661 --> 00:36:39,095
- This is a very long time ago.
- 442
- 00:36:39,097 --> 00:36:40,797
- Mm-hm.
- 443
- 00:36:40,799 --> 00:36:42,699
- Didn't think it mattered.
- 444
- 00:36:42,701 --> 00:36:44,034
- It shouldn't.
- 445
- 00:36:45,237 --> 00:36:47,671
- So, you've been
- using this every morning?
- 446
- 00:36:47,673 --> 00:36:48,738
- Every morning.
- 447
- 00:36:52,811 --> 00:36:54,811
- You've got a problem here.
- 448
- 00:36:56,348 --> 00:36:58,648
- What do you mean?
- 449
- 00:36:58,650 --> 00:37:02,152
- Mm, your feelings continue?
- 450
- 00:37:03,322 --> 00:37:06,423
- Yes, my, um,
- my feelings continue.
- 451
- 00:37:14,032 --> 00:37:17,601
- Perhaps I should visit
- your work.
- 452
- 00:37:17,603 --> 00:37:19,336
- Really?
- 453
- 00:37:19,338 --> 00:37:20,870
- To understand what you're doing
- that might be
- 454
- 00:37:20,872 --> 00:37:22,872
- conflicting with the results.
- 455
- 00:37:24,243 --> 00:37:26,977
- Does anyone have to be there?
- 456
- 00:37:26,979 --> 00:37:29,613
- Well, ideally it would be
- in the morning.
- 457
- 00:37:29,615 --> 00:37:32,482
- But I could visit
- in the afternoon
- 458
- 00:37:32,484 --> 00:37:34,818
- then try to replicate
- a morning scenario.
- 459
- 00:37:36,021 --> 00:37:39,155
- It's just,
- it's a very unusual thing
- 460
- 00:37:39,157 --> 00:37:40,290
- to have to explain.
- 461
- 00:37:40,292 --> 00:37:43,260
- You know, I... I... I like
- to keep things
- 462
- 00:37:43,262 --> 00:37:44,461
- at my job kind of...
- 463
- 00:37:44,463 --> 00:37:46,796
- Discreet. I understand.
- 464
- 00:37:51,270 --> 00:37:55,639
- Um, maybe I could come by
- next week?
- 465
- 00:37:59,011 --> 00:38:00,644
- Okay.
- 466
- 00:38:32,944 --> 00:38:34,778
- What does red mean?
- 467
- 00:38:34,780 --> 00:38:36,913
- It's just an anomaly.
- 468
- 00:38:36,915 --> 00:38:38,948
- Does it affect the research?
- 469
- 00:38:38,950 --> 00:38:40,283
- Of course not.
- 470
- 00:38:41,520 --> 00:38:42,952
- Good.
- 471
- 00:38:42,954 --> 00:38:45,255
- Because I already notified
- "The Journal"
- 472
- 00:38:45,257 --> 00:38:47,257
- to expect your submission.
- 473
- 00:38:48,694 --> 00:38:50,694
- Can I help you with that?
- 474
- 00:38:51,763 --> 00:38:52,796
- No.
- 475
- 00:39:00,205 --> 00:39:02,772
- You know, I was actually
- thinking that I could process
- 476
- 00:39:02,774 --> 00:39:06,543
- the tapes a lot faster
- with the university servers.
- 477
- 00:39:06,545 --> 00:39:10,046
- Uh, our computers there
- are very efficient.
- 478
- 00:39:10,048 --> 00:39:11,981
- Well, everything here
- works just fine.
- 479
- 00:39:11,983 --> 00:39:15,719
- Yes, but it would
- 480
- 00:39:15,721 --> 00:39:18,221
- help speed up the workflow
- 481
- 00:39:18,223 --> 00:39:19,923
- and save me a lot of time
- 482
- 00:39:19,925 --> 00:39:22,425
- because obviously,
- I'm still looking
- 483
- 00:39:22,427 --> 00:39:25,595
- for a full-time position
- elsewhere.
- 484
- 00:39:43,248 --> 00:39:45,048
- Beyond publishing,
- I... I think there'll be
- 485
- 00:39:45,050 --> 00:39:47,350
- a lot of other applications.
- 486
- 00:39:47,352 --> 00:39:51,287
- You know, once people
- understand the patterns
- 487
- 00:39:51,289 --> 00:39:54,557
- and, uh, the influences
- 488
- 00:39:54,559 --> 00:39:56,393
- you can do so much with this.
- 489
- 00:40:02,768 --> 00:40:06,436
- - How do you mean?
- - I don't know.
- 490
- 00:40:06,438 --> 00:40:08,805
- Well, I... I..
- 491
- 00:40:08,807 --> 00:40:12,275
- Well, I guess, urban design,
- architecture
- 492
- 00:40:12,277 --> 00:40:13,943
- home products.
- 493
- 00:40:17,416 --> 00:40:20,216
- This is about
- universal constants
- 494
- 00:40:20,218 --> 00:40:21,885
- not commerce.
- 495
- 00:40:25,357 --> 00:40:27,023
- I... I'm sorry. I just..
- 496
- 00:40:35,233 --> 00:40:37,667
- - Stick out your tongue.
- - My tongue? Really?
- 497
- 00:40:37,669 --> 00:40:40,336
- I can see things on your tongue
- that can help me.
- 498
- 00:40:49,080 --> 00:40:51,080
- Do you exercise regularly?
- 499
- 00:40:53,151 --> 00:40:54,484
- Sometimes.
- 500
- 00:40:55,720 --> 00:40:56,753
- Okay.
- 501
- 00:40:59,057 --> 00:41:01,491
- You can go to the Blue Room now.
- 502
- 00:41:01,493 --> 00:41:05,495
- Uh, yeah, where should... where
- should I change?
- 503
- 00:41:44,402 --> 00:41:47,270
- How long do I have
- to keep these in for?
- 504
- 00:41:47,272 --> 00:41:49,305
- The feeling is deep
- 505
- 00:41:49,307 --> 00:41:50,974
- but the needles are not.
- 506
- 00:41:52,544 --> 00:41:54,310
- Okay, but..
- 507
- 00:41:54,312 --> 00:41:56,479
- Thirty, sometimes sixty minutes.
- 508
- 00:44:36,908 --> 00:44:39,742
- Please select an atmosphere
- for your ride.
- 509
- 00:44:42,480 --> 00:44:44,147
- Ocean Breeze.
- 510
- 00:44:46,017 --> 00:44:48,618
- Budget surplus over 130K.
- 511
- 00:44:48,620 --> 00:44:50,787
- That's really great, you guys..
- 512
- 00:44:50,789 --> 00:44:53,222
- The bad news is,
- we still have to tend
- 513
- 00:44:53,224 --> 00:44:54,857
- with the mayor's office.
- 514
- 00:44:54,859 --> 00:44:56,859
- I know, I know. It is bullshit..
- 515
- 00:44:58,596 --> 00:45:00,763
- Feel free to have a seat.
- 516
- 00:45:00,765 --> 00:45:02,765
- Ellen's just wrapping up.
- 517
- 00:46:05,497 --> 00:46:09,699
- Sorry. I'm a little late.
- My meeting went long.
- 518
- 00:46:16,708 --> 00:46:19,041
- Is everything okay?
- 519
- 00:46:19,043 --> 00:46:22,378
- Honestly, I don't normally
- work in offices.
- 520
- 00:46:23,548 --> 00:46:25,715
- There's just so much..
- 521
- 00:46:34,893 --> 00:46:37,226
- So, I think I got a good sense
- of this space.
- 522
- 00:46:41,800 --> 00:46:44,000
- Um, well, you know, I..
- 523
- 00:46:44,002 --> 00:46:47,036
- I actually cleared my afternoon
- 524
- 00:46:47,038 --> 00:46:49,672
- so, maybe we can, uh,
- go somewhere
- 525
- 00:46:49,674 --> 00:46:52,175
- and... and discuss this further?
- 526
- 00:46:54,012 --> 00:46:56,679
- Yeah, well,
- I know some place close.
- 527
- 00:47:15,400 --> 00:47:16,699
- More hot water, Peter?
- 528
- 00:47:16,701 --> 00:47:19,035
- Ah, yes. Certainly.
- 529
- 00:47:21,339 --> 00:47:22,672
- Thank you, Albert.
- 530
- 00:47:23,875 --> 00:47:25,541
- Yes, thank you.
- 531
- 00:47:30,281 --> 00:47:33,282
- You've really constructed
- a unique little world
- 532
- 00:47:33,284 --> 00:47:35,618
- for yourself
- in the city, haven't you?
- 533
- 00:47:39,390 --> 00:47:42,124
- I've lived here
- for over a decade
- 534
- 00:47:42,126 --> 00:47:43,960
- and I don't know
- 535
- 00:47:43,962 --> 00:47:46,195
- I still feel
- like there's so much
- 536
- 00:47:46,197 --> 00:47:47,964
- that's unfamiliar to me.
- 537
- 00:47:47,966 --> 00:47:51,767
- Like, someone else built it up.
- 538
- 00:47:55,940 --> 00:47:58,608
- He was very organized
- about things.
- 539
- 00:48:00,678 --> 00:48:02,345
- The matching nightstands.
- 540
- 00:48:04,616 --> 00:48:07,083
- He always had an idea
- or an opinion
- 541
- 00:48:07,085 --> 00:48:08,417
- about everything.
- 542
- 00:48:09,654 --> 00:48:11,921
- It was nice, you know?
- 543
- 00:48:11,923 --> 00:48:14,190
- To not have to make choices
- for myself.
- 544
- 00:48:17,662 --> 00:48:19,328
- It sounds silly, but..
- 545
- 00:48:20,698 --> 00:48:23,032
- I remember after he was gone..
- 546
- 00:48:24,569 --> 00:48:27,904
- The remote felt so odd
- in my hand, like..
- 547
- 00:48:29,340 --> 00:48:32,675
- I didn't know what
- any of the buttons were for.
- 548
- 00:48:36,314 --> 00:48:38,547
- Sorry, that's probably
- way too personal.
- 549
- 00:48:40,184 --> 00:48:41,517
- It's fine.
- 550
- 00:48:44,422 --> 00:48:45,755
- What about you?
- 551
- 00:48:51,996 --> 00:48:54,497
- I'm very consumed with my work.
- 552
- 00:48:54,499 --> 00:48:58,234
- Actually, I'm, I'm publishing
- a piece on human behavior..
- 553
- 00:48:59,370 --> 00:49:00,569
- How sound influences
- 554
- 00:49:00,571 --> 00:49:02,571
- the way that people connect
- with each other.
- 555
- 00:49:08,212 --> 00:49:11,814
- Well, I mean, you obviously
- have a, a calling.
- 556
- 00:49:11,816 --> 00:49:14,083
- You know, just to see you study
- 557
- 00:49:14,085 --> 00:49:16,986
- and observe,
- the way that you do.
- 558
- 00:49:19,590 --> 00:49:21,590
- I'm a little envious, honestly.
- 559
- 00:49:23,861 --> 00:49:26,128
- Did you study science?
- 560
- 00:49:26,130 --> 00:49:27,163
- No.
- 561
- 00:49:29,167 --> 00:49:30,499
- Music Theory.
- 562
- 00:49:31,769 --> 00:49:33,869
- So, I learned by dissection
- 563
- 00:49:33,871 --> 00:49:36,172
- how a piece of music works,
- what are its parts.
- 564
- 00:49:36,174 --> 00:49:39,041
- You know Bach,
- the composer Bach?
- 565
- 00:49:39,043 --> 00:49:41,177
- His ability to trick our ears
- 566
- 00:49:41,179 --> 00:49:43,179
- into believing
- that we're hearing
- 567
- 00:49:43,181 --> 00:49:44,747
- multiple instruments
- from a single violin.
- 568
- 00:49:44,749 --> 00:49:49,118
- Or Stravinsky... and his
- dissonance
- 569
- 00:49:49,120 --> 00:49:51,854
- designed to alienate an audience
- 570
- 00:49:51,856 --> 00:49:55,124
- or, or Beethoven,
- this use of suspense
- 571
- 00:49:55,126 --> 00:49:59,095
- and... delayed gratification.
- 572
- 00:49:59,097 --> 00:50:02,598
- But all of these composers were
- using neurological techniques
- 573
- 00:50:02,600 --> 00:50:05,601
- that scientists
- hadn't even defined yet.
- 574
- 00:50:07,138 --> 00:50:11,140
- And once I understood that
- and, um..
- 575
- 00:50:12,343 --> 00:50:14,944
- How their music functioned
- 576
- 00:50:14,946 --> 00:50:17,613
- um, I guess I just went on
- from there.
- 577
- 00:50:20,284 --> 00:50:22,251
- To tuning people's apartments?
- 578
- 00:50:24,255 --> 00:50:26,288
- Yes. Yes, but no.
- 579
- 00:50:26,290 --> 00:50:28,858
- I.. It's, um..
- 580
- 00:50:29,660 --> 00:50:31,560
- It's the influence of sound.
- 581
- 00:50:31,562 --> 00:50:34,263
- The power it has
- over people's lives..
- 582
- 00:50:35,500 --> 00:50:40,503
- Hm... they may not even know it,
- you know.
- 583
- 00:50:40,505 --> 00:50:44,507
- Yeah, it's, um, so complex.
- 584
- 00:50:45,443 --> 00:50:48,511
- - I'm intrigued.
- - Hm.
- 585
- 00:50:51,482 --> 00:50:54,116
- I have a very, very close friend
- 586
- 00:50:54,118 --> 00:50:55,951
- who's a neuroscientist
- at Columbia.
- 587
- 00:50:55,953 --> 00:50:58,888
- And his students are reviewing
- my findings next week
- 588
- 00:50:58,890 --> 00:51:00,923
- in a group session.
- 589
- 00:51:00,925 --> 00:51:02,491
- It's very informal.
- 590
- 00:51:02,493 --> 00:51:05,361
- And if you're interested
- in learning more, um..
- 591
- 00:51:07,365 --> 00:51:08,831
- I don't know.
- 592
- 00:51:55,813 --> 00:51:58,981
- Battery Park City, F major.
- 593
- 00:52:03,521 --> 00:52:05,221
- Complacency.
- 594
- 00:52:32,016 --> 00:52:34,783
- So, how do you feel
- in the morning?
- 595
- 00:52:34,785 --> 00:52:38,821
- Um... unmotivated..
- 596
- 00:52:38,823 --> 00:52:40,189
- Irritated.
- 597
- 00:52:42,059 --> 00:52:44,193
- I thought you lived alone.
- 598
- 00:52:44,195 --> 00:52:45,728
- I do. I... I do, yeah.
- 599
- 00:52:45,730 --> 00:52:49,465
- This was a... very long
- time ago.
- 600
- 00:52:50,601 --> 00:52:52,501
- Didn't think it mattered.
- 601
- 00:52:52,503 --> 00:52:53,636
- It shouldn't.
- 602
- 00:52:58,976 --> 00:53:00,643
- Your feelings continue?
- 603
- 00:53:00,645 --> 00:53:03,512
- Yes, my, um,
- my feelings continue.
- 604
- 00:53:42,720 --> 00:53:44,587
- Hello, you've reached
- the answering machine
- 605
- 00:53:44,589 --> 00:53:47,756
- of Peter Lucian.
- If I've given you my..
- 606
- 00:53:48,659 --> 00:53:49,692
- Hello?
- 607
- 00:53:50,795 --> 00:53:52,294
- Can I help you?
- 608
- 00:53:54,432 --> 00:53:56,098
- No, he's not in right now.
- 609
- 00:53:56,100 --> 00:53:58,033
- But I can take a message.
- 610
- 00:54:01,639 --> 00:54:04,373
- Sensory Holdings, you said?
- 611
- 00:54:05,843 --> 00:54:07,943
- Uh, I... I'm Sam.
- 612
- 00:54:09,513 --> 00:54:11,113
- Yes, I work with him.
- 613
- 00:55:11,175 --> 00:55:12,941
- Are you Peter's colleague?
- 614
- 00:55:12,943 --> 00:55:14,043
- - Ellen.
- - Hi.
- 615
- 00:55:14,045 --> 00:55:16,011
- - Hi.
- - Upper East Side.
- 616
- 00:55:16,013 --> 00:55:18,781
- C scale,
- with an E flat toaster problem.
- 617
- 00:55:18,783 --> 00:55:19,848
- Oh.
- 618
- 00:55:20,951 --> 00:55:23,852
- I'd like to think
- I have better qualities
- 619
- 00:55:23,854 --> 00:55:26,121
- than that to describe me.
- 620
- 00:55:30,861 --> 00:55:35,030
- So, did Peter tune
- your apartment?
- 621
- 00:55:35,032 --> 00:55:36,865
- We're working on it.
- 622
- 00:55:36,867 --> 00:55:38,667
- You mean it didn't work?
- 623
- 00:55:40,304 --> 00:55:43,138
- Well, Ellen's entire soundscape
- 624
- 00:55:43,140 --> 00:55:46,475
- points to a specific trigger
- in her apartment.
- 625
- 00:55:46,477 --> 00:55:51,313
- Um, but... there is,
- there is distraction.
- 626
- 00:55:51,315 --> 00:55:55,551
- So, I've had trouble locating
- the specific trigger.
- 627
- 00:55:55,553 --> 00:55:57,286
- Well, that's interesting.
- 628
- 00:55:57,288 --> 00:55:59,788
- You make it sound
- so complicated.
- 629
- 00:55:59,790 --> 00:56:00,956
- - It is complicated.
- - No, no.
- 630
- 00:56:00,958 --> 00:56:02,324
- I think what your friend
- is saying, Peter
- 631
- 00:56:02,326 --> 00:56:04,827
- is that you make it sound
- too complicated.
- 632
- 00:56:04,829 --> 00:56:08,497
- But, however, knowing Peter, I'm
- sure he could show you a diagram
- 633
- 00:56:08,499 --> 00:56:11,800
- on the whole G major theory.
- 634
- 00:56:11,802 --> 00:56:14,002
- - That's right.
- - It's a pleasure to meet you.
- 635
- 00:56:14,004 --> 00:56:16,238
- - And you're welcome here. Yeah.
- - Thank you so much.
- 636
- 00:56:16,240 --> 00:56:18,173
- He told me
- you two were old friends.
- 637
- 00:56:18,175 --> 00:56:21,944
- She was, um, just interested
- in seeing the group.
- 638
- 00:56:21,946 --> 00:56:24,713
- - Oh.
- - And my discovery.
- 639
- 00:56:24,715 --> 00:56:29,251
- Oh, well, it'll be good to have
- an outside perspective on this.
- 640
- 00:56:29,253 --> 00:56:31,720
- - Mm-hm.
- - Listen.
- 641
- 00:56:31,722 --> 00:56:34,790
- Unfortunately,
- we had to postpone your review
- 642
- 00:56:34,792 --> 00:56:37,059
- until the next session.
- 643
- 00:56:37,061 --> 00:56:39,795
- Um... I'm sorry.
- 644
- 00:56:42,400 --> 00:56:44,933
- In preparation
- of Andrew's thesis defense
- 645
- 00:56:44,935 --> 00:56:46,235
- we're gonna be workshopping..
- 646
- 00:56:46,237 --> 00:56:49,571
- Alright, this is me.
- Wish me luck.
- 647
- 00:56:51,208 --> 00:56:53,108
- - Should we, um..
- - Yeah.
- 648
- 00:56:53,110 --> 00:56:55,244
- Before I forget, there's
- something I wanted to give you.
- 649
- 00:56:55,246 --> 00:56:56,445
- Oh.
- 650
- 00:57:03,721 --> 00:57:05,554
- It will help.
- 651
- 00:57:05,556 --> 00:57:07,055
- It's something
- I've been working on.
- 652
- 00:57:07,057 --> 00:57:09,625
- So you just plug it
- into an available outlet.
- 653
- 00:57:09,627 --> 00:57:11,427
- It emits a wash.
- 654
- 00:57:11,429 --> 00:57:14,062
- Uh, preferably one
- that doesn't share a circuit
- 655
- 00:57:14,064 --> 00:57:16,432
- with a microwave
- or a hair dryer.
- 656
- 00:57:17,435 --> 00:57:18,867
- Okay.
- 657
- 00:57:20,671 --> 00:57:22,271
- - You want me to hold it?
- - No, it's fine.
- 658
- 00:57:22,273 --> 00:57:24,540
- I'll just stick it in my purse.
- 659
- 00:57:24,542 --> 00:57:29,845
- So, I'm excited to hear more
- about this G major theory.
- 660
- 00:57:29,847 --> 00:57:31,013
- Hm.
- 661
- 00:57:33,150 --> 00:57:35,684
- And additional analysis
- suggests that
- 662
- 00:57:35,686 --> 00:57:37,886
- uh, incorrect analysis
- of interactions
- 663
- 00:57:37,888 --> 00:57:39,721
- are even more common.
- 664
- 00:57:39,723 --> 00:57:43,325
- Your honors from Columbia
- are very impressive.
- 665
- 00:57:43,327 --> 00:57:45,160
- Thank you.
- 666
- 00:57:45,162 --> 00:57:47,029
- And your work with Peter Lucian
- 667
- 00:57:47,031 --> 00:57:50,232
- did you accompany him
- on his house calls?
- 668
- 00:57:50,234 --> 00:57:51,366
- No.
- 669
- 00:57:52,636 --> 00:57:54,503
- But we've been working
- especially hard
- 670
- 00:57:54,505 --> 00:57:59,007
- on consolidating his data
- on the city as a whole.
- 671
- 00:57:59,009 --> 00:58:01,543
- Samuel Diaz.
- 672
- 00:58:01,545 --> 00:58:04,446
- It's a pleasure to meet you
- in person.
- 673
- 00:58:04,448 --> 00:58:07,349
- - I'm Harold.
- - Very nice to meet you, Harold.
- 674
- 00:58:07,351 --> 00:58:09,885
- Uh, you know, we're big admirers
- of Peter here.
- 675
- 00:58:09,887 --> 00:58:11,920
- We were actually just discussing
- the new work
- 676
- 00:58:11,922 --> 00:58:13,155
- he and Sam are doing.
- 677
- 00:58:13,157 --> 00:58:14,223
- - Oh?
- - Uh..
- 678
- 00:58:14,225 --> 00:58:16,525
- - Well, it's Peter's discovery.
- - Mm-hm.
- 679
- 00:58:16,527 --> 00:58:21,096
- Uh, I assume he discussed the
- urban sound patterns with you?
- 680
- 00:58:21,098 --> 00:58:24,099
- Um, have there been any updates?
- 681
- 00:58:24,101 --> 00:58:25,601
- Well, uh, yes, actually.
- 682
- 00:58:25,603 --> 00:58:28,303
- It's... it's,
- it's very, very exciting.
- 683
- 00:58:35,012 --> 00:58:37,212
- My biggest client project
- to date.
- 684
- 00:58:45,556 --> 00:58:50,025
- So, these beams... reach
- true ground.
- 685
- 00:58:50,027 --> 00:58:52,694
- What's true ground?
- 686
- 00:58:52,696 --> 00:58:54,816
- Oh, it means they reach
- all the way down to the earth.
- 687
- 00:58:56,300 --> 00:58:57,833
- It's a hard thing to come by
- in New York City
- 688
- 00:58:57,835 --> 00:59:00,269
- but we designed these so they'd
- make contact with bedrock.
- 689
- 00:59:02,072 --> 00:59:03,539
- And what's the point of that?
- 690
- 00:59:05,209 --> 00:59:09,478
- Well... grounding current
- is really the only way
- 691
- 00:59:09,480 --> 00:59:12,180
- to achieve
- true electrical silence.
- 692
- 00:59:14,518 --> 00:59:16,818
- That sounds like a total luxury
- in this city.
- 693
- 00:59:18,188 --> 00:59:21,523
- Oh, well, the future tenant
- is an electrophysiologist.
- 694
- 00:59:21,525 --> 00:59:24,526
- And he takes true ground
- and silence very seriously.
- 695
- 00:59:29,333 --> 00:59:32,267
- - Sounds nice, true silence.
- - Mm-hm.
- 696
- 00:59:32,937 --> 00:59:35,103
- And so expensive.
- 697
- 00:59:35,105 --> 00:59:36,872
- Well, I guess expense
- is relative
- 698
- 00:59:36,874 --> 00:59:39,741
- to perceived value... right?
- 699
- 00:59:39,743 --> 00:59:41,209
- Please don't tell me
- you're gonna make me
- 700
- 00:59:41,211 --> 00:59:42,644
- ground my apartment.
- 701
- 00:59:42,646 --> 00:59:43,745
- No.
- 702
- 00:59:59,229 --> 01:00:01,163
- Look at all that.
- 703
- 01:00:01,165 --> 01:00:03,265
- You see the order?
- 704
- 01:00:03,267 --> 01:00:04,933
- In the city?
- 705
- 01:00:04,935 --> 01:00:08,470
- Well, yeah.
- I mean, the grid, right?
- 706
- 01:00:08,472 --> 01:00:10,305
- And it... it's flawed at points
- 707
- 01:00:10,307 --> 01:00:13,108
- but there are all these
- connections.
- 708
- 01:00:14,378 --> 01:00:17,479
- Light going from red to green.
- Walk, don't walk.
- 709
- 01:00:17,481 --> 01:00:18,914
- Instructions, right?
- 710
- 01:00:18,916 --> 01:00:20,115
- But what I've found..
- 711
- 01:00:21,352 --> 01:00:23,185
- Is that there's something
- deeper at work.
- 712
- 01:00:24,655 --> 01:00:28,624
- Um... an invisible system,
- but powerful, nonetheless
- 713
- 01:00:28,626 --> 01:00:32,327
- sounds, that, in a sense
- 714
- 01:00:32,329 --> 01:00:35,063
- guide people through the city.
- 715
- 01:00:35,065 --> 01:00:36,832
- - Hm.
- - Yeah?
- 716
- 01:00:36,834 --> 01:00:39,668
- I mean, they're not conscious
- of it, but it's there.
- 717
- 01:00:41,639 --> 01:00:43,338
- And it's different
- in all parts of the city.
- 718
- 01:00:43,340 --> 01:00:44,373
- Hm.
- 719
- 01:00:45,909 --> 01:00:50,679
- In the Financial District,
- it's the key of D minor.
- 720
- 01:00:50,681 --> 01:00:53,048
- And it's frenetic,
- it's fast-paced..
- 721
- 01:00:54,718 --> 01:00:56,284
- Reckless.
- 722
- 01:01:00,357 --> 01:01:03,325
- And then, Lower East Side
- is A flat
- 723
- 01:01:03,327 --> 01:01:06,762
- once you get,
- um... below the dissonance.
- 724
- 01:01:11,335 --> 01:01:14,703
- And Central Park
- is predominantly G major.
- 725
- 01:01:14,705 --> 01:01:16,605
- It's where I made
- my first discovery.
- 726
- 01:01:18,842 --> 01:01:21,243
- It's the sound of nostalgia.
- 727
- 01:01:21,845 --> 01:01:23,478
- It's calm..
- 728
- 01:01:24,181 --> 01:01:26,615
- Idyllic, lyrical.
- 729
- 01:01:27,685 --> 01:01:31,953
- Field test 14,
- Central Park, G major.
- 730
- 01:01:46,103 --> 01:01:50,639
- So, each part of the city
- has a different chord?
- 731
- 01:01:52,042 --> 01:01:53,875
- Well, every part of the city
- 732
- 01:01:53,877 --> 01:01:56,945
- has its own instructive
- atmosphere.
- 733
- 01:01:56,947 --> 01:02:00,549
- It's impossible
- to disconnect the sound
- 734
- 01:02:00,551 --> 01:02:02,684
- from the collective state
- of mind. It a..
- 735
- 01:02:04,188 --> 01:02:07,089
- It affects the people.
- You understand?
- 736
- 01:02:09,159 --> 01:02:12,227
- Oh, but I, I don't see
- the world that way.
- 737
- 01:02:12,229 --> 01:02:15,497
- I mean, it.. That's so rigid.
- 738
- 01:02:15,499 --> 01:02:18,467
- I mean, if I'm Downtown
- 739
- 01:02:18,469 --> 01:02:21,670
- I'm not destined
- to feel frenetic.
- 740
- 01:02:21,672 --> 01:02:26,341
- I can choose to react to that
- and feel peaceful.
- 741
- 01:02:26,343 --> 01:02:28,643
- I can choose to protect myself.
- 742
- 01:02:29,813 --> 01:02:33,415
- It's not about seeing anything.
- 743
- 01:02:33,417 --> 01:02:37,018
- It's... it's about acknowledging
- what already exists.
- 744
- 01:02:37,020 --> 01:02:40,989
- Like gravity, or light.
- These are just universal laws.
- 745
- 01:02:40,991 --> 01:02:42,257
- - Right...
- - And listen.
- 746
- 01:02:42,259 --> 01:02:44,893
- These are, these are rules
- that define our world.
- 747
- 01:02:46,230 --> 01:02:48,797
- Why does it have to be
- this permanent thing
- 748
- 01:02:48,799 --> 01:02:51,633
- that controls us?
- 749
- 01:02:51,635 --> 01:02:55,337
- Why... do people act the way
- they do?
- 750
- 01:02:55,339 --> 01:02:57,572
- Why do people feel the way
- they do?
- 751
- 01:02:57,574 --> 01:03:00,742
- - There's a reason.
- - Because they're people.
- 752
- 01:03:00,744 --> 01:03:03,578
- They can. They choose to feel.
- 753
- 01:03:03,580 --> 01:03:06,615
- But... but there are rules
- guiding their behavior
- 754
- 01:03:06,617 --> 01:03:08,750
- that they can't see.
- 755
- 01:03:09,520 --> 01:03:11,553
- There is an order here.
- 756
- 01:03:11,555 --> 01:03:14,322
- Now, it's complex
- because we live in an old city.
- 757
- 01:03:14,324 --> 01:03:17,325
- And the patterns
- are so complicated
- 758
- 01:03:17,327 --> 01:03:21,496
- but it's, it's been written
- and rewritten
- 759
- 01:03:21,498 --> 01:03:23,398
- but it's there.
- It's been there for years.
- 760
- 01:03:23,400 --> 01:03:28,069
- I... I don't feel like my life
- is written by anything.
- 761
- 01:03:28,071 --> 01:03:31,940
- I feel like I make choices
- all the time.
- 762
- 01:03:31,942 --> 01:03:33,375
- Uh-huh. Well, okay.
- 763
- 01:03:33,377 --> 01:03:36,745
- Your apartment, C minor.
- It's a mundane key.
- 764
- 01:03:38,649 --> 01:03:41,750
- It's... it's the sound
- of resignation.
- 765
- 01:03:42,886 --> 01:03:45,353
- Okay, well,
- I don't feel that way.
- 766
- 01:03:45,355 --> 01:03:49,291
- And that resignation
- causes your restlessness.
- 767
- 01:03:49,293 --> 01:03:53,328
- And there are unseen forces
- that are governing your choices.
- 768
- 01:03:54,331 --> 01:03:55,630
- What about you?
- 769
- 01:03:55,632 --> 01:03:58,099
- You're the only person
- who's not affected by any of it?
- 770
- 01:03:58,101 --> 01:04:00,202
- I'm not immune. No one is.
- 771
- 01:04:00,204 --> 01:04:02,904
- Okay, so then,
- how do you trust yourself?
- 772
- 01:04:02,906 --> 01:04:04,906
- Because I can hear it.
- 773
- 01:04:06,977 --> 01:04:08,910
- Because you can hear it?
- 774
- 01:04:15,886 --> 01:04:18,854
- I'm gonna go.
- Just.. It's late, so..
- 775
- 01:04:43,647 --> 01:04:46,648
- The program of the
- Noise Abatement Commission
- 776
- 01:04:46,650 --> 01:04:50,352
- consists of a series
- of noise measurements
- 777
- 01:04:50,354 --> 01:04:53,488
- to be made in different parts
- of the city
- 778
- 01:04:53,490 --> 01:04:55,824
- at typical places..
- 779
- 01:04:55,826 --> 01:04:58,927
- And centers of popular interest.
- 780
- 01:05:00,464 --> 01:05:02,631
- Among these measurements
- 781
- 01:05:02,633 --> 01:05:07,502
- will be made tests of the
- deafening effect of the noise.
- 782
- 01:05:11,541 --> 01:05:14,643
- I hold the receiver
- against the microphone
- 783
- 01:05:14,645 --> 01:05:17,178
- instead of against my ear.
- 784
- 01:05:17,180 --> 01:05:20,515
- Now, I increase the intensity
- of the test tone
- 785
- 01:05:20,517 --> 01:05:21,783
- until you can hear it.
- 786
- 01:05:35,899 --> 01:05:37,632
- How much longer
- is he gonna be here?
- 787
- 01:05:37,634 --> 01:05:39,200
- I have to get up early for work.
- 788
- 01:05:39,202 --> 01:05:40,936
- I think he's almost done.
- 789
- 01:05:50,647 --> 01:05:53,114
- Hey, are you almost done?
- 790
- 01:05:54,818 --> 01:05:56,718
- It's almost midnight.
- 791
- 01:05:56,720 --> 01:05:58,286
- So, um..
- 792
- 01:06:00,958 --> 01:06:02,958
- That ringing..
- 793
- 01:06:05,095 --> 01:06:08,196
- Baby, come on.
- Get him out of here.
- 794
- 01:06:09,533 --> 01:06:11,666
- I'm sorry, I just need to take
- a few more readings
- 795
- 01:06:11,668 --> 01:06:13,234
- and I can handle the rest
- in my office.
- 796
- 01:06:13,236 --> 01:06:15,370
- I just need one more minute.
- 797
- 01:06:15,372 --> 01:06:16,671
- One more minute.
- 798
- 01:06:16,673 --> 01:06:18,640
- You know what?
- 799
- 01:06:18,642 --> 01:06:21,309
- Don't worry about it,
- we can figure it out from here.
- 800
- 01:06:43,200 --> 01:06:45,467
- Mr. Jajinsky.
- 801
- 01:06:45,469 --> 01:06:47,602
- Um, I couldn't access
- your apartment.
- 802
- 01:06:47,604 --> 01:06:50,572
- FOR OUR 4:00 p.m. appointment.
- 803
- 01:06:50,574 --> 01:06:54,576
- Please call me to reschedule
- at your earliest convenience.
- 804
- 01:07:06,590 --> 01:07:08,990
- If Sam showed Sensory my work
- 805
- 01:07:08,992 --> 01:07:10,625
- then they have all of it.
- 806
- 01:07:10,627 --> 01:07:13,128
- - He wouldn't do that, Peter.
- - Oh, fuck!
- 807
- 01:07:13,130 --> 01:07:16,598
- And you can't fault him
- for taking a formal job.
- 808
- 01:07:16,600 --> 01:07:18,199
- It's a good opportunity.
- 809
- 01:07:18,201 --> 01:07:20,935
- They're my competition.
- It's theft.
- 810
- 01:07:20,937 --> 01:07:24,172
- I wouldn't paint it so starkly.
- I mean..
- 811
- 01:07:24,174 --> 01:07:28,309
- They're marketers.
- You're a explorer.
- 812
- 01:07:28,311 --> 01:07:30,478
- Look, they can't take credit
- for my discovery
- 813
- 01:07:30,480 --> 01:07:31,780
- if I publish it first.
- 814
- 01:07:48,565 --> 01:07:51,499
- We put so much emphasis on sound
- 815
- 01:07:51,501 --> 01:07:54,536
- and thus, overlook the value
- of those moments
- 816
- 01:07:54,538 --> 01:07:56,137
- in between the noise.
- 817
- 01:07:58,041 --> 01:08:02,410
- And let this remind us
- that silence is not empty
- 818
- 01:08:02,412 --> 01:08:05,246
- but immeasurably full.
- 819
- 01:08:30,707 --> 01:08:31,707
- Enjoy your evening.
- 820
- 01:08:35,112 --> 01:08:37,712
- - Dr. Brookings.
- - Hello.
- 821
- 01:08:39,683 --> 01:08:41,483
- It's Peter Lucian.
- 822
- 01:08:42,385 --> 01:08:43,785
- Hi, nice to meet you.
- 823
- 01:08:43,787 --> 01:08:45,353
- Thank you so much for your talk.
- 824
- 01:08:45,355 --> 01:08:48,690
- It was fascinating. And for your
- contributions to the field.
- 825
- 01:08:48,692 --> 01:08:50,258
- You know, I've been reading
- "The New American"
- 826
- 01:08:50,260 --> 01:08:53,027
- for just about as long
- as you've had the editorship.
- 827
- 01:08:53,029 --> 01:08:55,830
- That's very kind. Um, thank you
- so much for coming tonight.
- 828
- 01:08:55,832 --> 01:09:00,001
- I'm sorry, but I really must go.
- Uh, please enjoy your evening.
- 829
- 01:09:00,003 --> 01:09:01,769
- Well, actually, um
- 830
- 01:09:01,771 --> 01:09:05,840
- I recently submitted a piece
- for "The Journal."
- 831
- 01:09:08,178 --> 01:09:09,577
- I know these things take time
- 832
- 01:09:09,579 --> 01:09:11,546
- but I just thought I would
- inquire since I'm here.
- 833
- 01:09:11,548 --> 01:09:13,348
- What did you say your name was?
- 834
- 01:09:13,350 --> 01:09:15,183
- Peter Lucian.
- 835
- 01:09:16,119 --> 01:09:19,220
- Um... I made a discovery
- 836
- 01:09:19,222 --> 01:09:21,789
- identifying sound patterns
- in the city.
- 837
- 01:09:21,791 --> 01:09:26,094
- And your work... was
- just a huge inspiration for me.
- 838
- 01:09:28,465 --> 01:09:30,965
- I, uh..
- 839
- 01:09:30,967 --> 01:09:36,070
- I honestly didn't think
- we'd have a chance to talk.
- 840
- 01:09:36,072 --> 01:09:37,605
- Oh. Thank you.
- 841
- 01:09:37,607 --> 01:09:41,109
- No, I didn't think
- you were serious, Mr. Lucian.
- 842
- 01:09:41,111 --> 01:09:46,247
- I must say, your methods
- are, um, most unusual.
- 843
- 01:09:46,249 --> 01:09:48,483
- H... have you seriously
- been researching these...
- 844
- 01:09:48,485 --> 01:09:51,519
- Sound patterns. Yes.
- 845
- 01:09:51,521 --> 01:09:54,556
- They are principles
- that steer our behavior.
- 846
- 01:09:54,558 --> 01:09:57,158
- I mean,
- it's... it's... it's verified.
- 847
- 01:09:57,160 --> 01:09:59,761
- It's based off of
- multiple field recordings.
- 848
- 01:09:59,763 --> 01:10:02,764
- Oh, I'm sure you believe
- in this.
- 849
- 01:10:05,068 --> 01:10:06,100
- Listen..
- 850
- 01:10:07,737 --> 01:10:10,271
- Perhaps you could submit it
- for peer review.
- 851
- 01:10:12,309 --> 01:10:14,943
- Yes, yes.
- Uh, I'll tell you what.
- 852
- 01:10:14,945 --> 01:10:18,079
- Um, we will, uh, give it
- a closer look
- 853
- 01:10:18,081 --> 01:10:21,482
- and we'll send you a proper,
- uh, response letter.
- 854
- 01:10:22,719 --> 01:10:24,786
- - Alright. Alright.
- - Okay? Alright? Alright.
- 855
- 01:10:24,788 --> 01:10:25,987
- Pleasure meeting you.
- 856
- 01:10:25,989 --> 01:10:28,423
- - It's nice to meet you.
- - Take care.
- 857
- 01:11:04,327 --> 01:11:07,328
- Tuning your world
- so you can live
- 858
- 01:11:07,330 --> 01:11:09,897
- and work in harmony.
- 859
- 01:11:13,336 --> 01:11:15,837
- New York is a symphony
- of sounds.
- 860
- 01:11:15,839 --> 01:11:20,875
- And our experts have identified
- the musical keys to the city.
- 861
- 01:11:20,877 --> 01:11:24,245
- Introducing Urban Equilibrium.
- 862
- 01:11:25,849 --> 01:11:29,450
- A bespoke service designed
- to balance your sonic expe..
- 863
- 01:11:29,452 --> 01:11:31,119
- Oh, no.
- 864
- 01:11:32,455 --> 01:11:35,456
- Tuning your world,
- so you can live
- 865
- 01:11:35,458 --> 01:11:37,992
- and work in harmony.
- 866
- 01:11:41,331 --> 01:11:43,665
- New York is a symphony
- of sound..
- 867
- 01:12:09,092 --> 01:12:13,094
- Have you remodeled recently?
- Did any major changes?
- 868
- 01:12:13,763 --> 01:12:14,929
- Uh..
- 869
- 01:12:15,899 --> 01:12:17,131
- No, just minor stuff.
- 870
- 01:12:17,133 --> 01:12:20,768
- I mean, no, um,
- new coats of paint
- 871
- 01:12:20,770 --> 01:12:24,105
- or, um, redecorating
- or anything like that
- 872
- 01:12:24,107 --> 01:12:25,540
- if that's what you mean.
- 873
- 01:12:27,744 --> 01:12:29,677
- Something has happened..
- 874
- 01:12:32,082 --> 01:12:34,549
- That you're avoiding.
- What is it?
- 875
- 01:12:36,386 --> 01:12:37,485
- No, just minor stuff.
- 876
- 01:12:37,487 --> 01:12:41,089
- I mean, no, um,
- new coats of paint
- 877
- 01:12:41,091 --> 01:12:44,325
- or, um, redecorating
- or anything like that
- 878
- 01:12:44,327 --> 01:12:45,960
- if that's what you mean.
- 879
- 01:12:45,962 --> 01:12:47,295
- That's what I mean.
- 880
- 01:12:48,164 --> 01:12:49,530
- How do you feel in the morning?
- 881
- 01:12:50,567 --> 01:12:52,934
- How does this change
- make you feel?
- 882
- 01:12:53,636 --> 01:12:55,503
- Unmotivated.
- 883
- 01:12:55,505 --> 01:12:57,472
- Irritated. Heavy.
- 884
- 01:12:58,508 --> 01:12:59,741
- So cliche.
- 885
- 01:13:03,513 --> 01:13:05,380
- And do you walk to work?
- 886
- 01:13:05,382 --> 01:13:10,451
- Yeah, I get to help people
- every day, so, watching them..
- 887
- 01:13:10,453 --> 01:13:14,155
- They... they get to start their
- lives over, I get to see that.
- 888
- 01:13:14,157 --> 01:13:15,490
- It's nice.
- 889
- 01:13:18,528 --> 01:13:20,361
- Do you know what it is?
- 890
- 01:13:21,297 --> 01:13:23,865
- Yeah, pretty much, I..
- 891
- 01:13:23,867 --> 01:13:26,000
- Once it's there, it's there.
- 892
- 01:13:26,002 --> 01:13:27,635
- You know, I can't shake it.
- 893
- 01:13:29,672 --> 01:13:34,075
- I don't feel like my life
- is written by anything.
- 894
- 01:13:34,077 --> 01:13:36,711
- I feel like I make choices
- all the time.
- 895
- 01:13:38,281 --> 01:13:39,881
- What about you?
- 896
- 01:13:39,883 --> 01:13:42,216
- How do you trust yourself?
- 897
- 01:13:45,155 --> 01:13:48,423
- What about you? How would you
- describe your place?
- 898
- 01:13:48,425 --> 01:13:51,292
- - My place?
- - Yeah, your apartment.
- 899
- 01:15:31,961 --> 01:15:34,529
- Jesus, watch where you're going.
- 900
- 01:16:35,325 --> 01:16:38,359
- Correctly,
- but at the wrong time.
- 901
- 01:16:38,361 --> 01:16:40,962
- Please briefly describe
- your situation
- 902
- 01:16:40,964 --> 01:16:42,997
- and leave a telephone number.
- 903
- 01:16:45,335 --> 01:16:47,969
- Hey... Peter. It's me.
- 904
- 01:16:47,971 --> 01:16:49,570
- Remember me?
- 905
- 01:16:49,572 --> 01:16:53,374
- Um... look,
- I... I just wanted to call you
- 906
- 01:16:53,376 --> 01:16:57,345
- and say sorry
- for the way things ended.
- 907
- 01:17:00,049 --> 01:17:01,582
- I've had some good weeks
- 908
- 01:17:01,584 --> 01:17:06,354
- and I just wanted to tell you
- that... you were right.
- 909
- 01:17:06,356 --> 01:17:08,255
- You were right about this place.
- 910
- 01:17:09,525 --> 01:17:11,292
- I needed to change something.
- 911
- 01:17:13,062 --> 01:17:16,330
- I just needed to get rid
- of some old things..
- 912
- 01:17:17,700 --> 01:17:21,202
- Stop surrounding myself
- with the past.
- 913
- 01:17:21,204 --> 01:17:25,506
- I just decided to... be easy
- about it.
- 914
- 01:17:27,276 --> 01:17:29,343
- You could do that, too, Peter.
- 915
- 01:17:29,345 --> 01:17:30,845
- If you want.
- 916
- 01:17:32,749 --> 01:17:35,349
- I know it's your work to, uh
- 917
- 01:17:35,351 --> 01:17:37,284
- help people solve their problems
- 918
- 01:17:37,286 --> 01:17:42,023
- but the way that you see
- the world around you..
- 919
- 01:17:42,025 --> 01:17:46,994
- I think that you miss out
- on connecting yourself.
- 920
- 01:17:49,365 --> 01:17:55,136
- Actually... I'm so tired
- of people telling me
- 921
- 01:17:55,138 --> 01:17:57,772
- what they think
- I should be doing, so..
- 922
- 01:18:00,243 --> 01:18:01,942
- You do what you want.
- 923
- 01:20:55,985 --> 01:20:57,251
- Here.
- 924
- 01:21:08,264 --> 01:21:09,797
- I called you.
- 925
- 01:21:13,936 --> 01:21:15,636
- I listened.
- 926
- 01:22:16,899 --> 01:22:18,599
- Mm.
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