Gun Fury Full Movie Online Free



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Gun Fury Full Movie Online Free
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In Arizona, Frank Slayton&#39;s gang robs a stagecoach and kidnaps Ben Warren&#39;s fiancée, prompting Warren to pursue Slayton.
After a stagecoach holdup, Frank Slayton&#39;s notorious gang leave Ben Warren for dead and head off with his fiancée. Warren follows, and although none of the townspeople he comes across are prepared to help, he recruits two others who have sworn revenge on the ruthless Slayton.
&quot;I&#39;m sick of violence and force,&quot; says Ben Warren, the rich young rancher who is taking his fiancee Jennifer to California for their wedding. Like most Americans of his generation, he served in the Civil War and was disgusted by the slaughter.  Now he is devoted to working his big spread and marrying his beautiful girl (played by Donna Reed).<br/><br/>Unfortunately, the barren South West is not remote enough from recent history.  Men have crossed the Rockies to escape from the bitterness back East, but they have carried their violence westwards with them.<br/><br/>The film is the story of a stagecoach holdup which turns into an abduction, then a manhunt.  Ben Warren (Rock Hudson) sets off after the bad guys who kidnapped his bride-to-be, and pursues them across the Arizona desert.<br/><br/>A standard horse opera, &quot;Gun Fury&quot; contains no more than the average complement of guns and precious little fury.  There are absurdities in the storyline, like the holdup with fake cavalry escort, and the  ease with which the &#39;good guys&#39; recover from seemingly mortal harm  (Ben is shot dead, apparently, but then gets up and carries on as if nothing happened, and Jess is almost dead from sunstroke but quickly rallies and rides after Slayton). The trade of Jennifer for Jess is silly, not least because Jess would never want to rejoin Slayton&#39;s gang.<br/><br/>One directorial quirk exhibited by Raoul Walsh is the way in which any character who throws something (knife, rock, pottery) has a victim&#39;s-point-of-view cutaway inserted.  The viewer is, for an instant, seemingly the target of the missile. The purpose of this oddity is to exploit the 3-D format in which the film was originally shot.<br/><br/>The only other talking point is the presence of Lee Marvin and Neville Brand as bad guys in Slayton&#39;s gang.<br/><br/>Verdict - workmanlike western, but nothing special
This originally-filmed 3-D pot boiler features a darkly gorgeous Donna Reed partnering an equally handsome Rock Hudson- the latter displaying the macho charisma he hid behind for most of his career. But the thing is, he&#39;s good -and so&#39;s Donna. They play an engaged couple about to settle in California at the end of the Civil War. Rock has the odd good line &#39;Bullets are democratic- they don&#39;t only kill badmen&#39; -no doubt an orphan from scriptwriter Kathleen George&#39;s novel TEN AGAINST CEASAR on which movie was based and a concept which would have found an echo in post-Korean and WWII veteran audiences.<br/><br/>Ex-Confederate Army cronies&#39; embitterment and discontent is the excuse for stagecoach robbery, murder and kidnapping. Ben Warren [Hudson] is left for dead and his fiancé Jennifer Ballard [Reed] snatched under the unlikely pretext that gang leader Frank Slayton [Phil Carey] fancies her. The later elemental suggestion of suppressed carnality is best left as it was -suppressed. Donna Reed, despite torn blouse -is Rock&#39;s girl, and she remains so. Doesn&#39;t the Phil Carey know how things in Westerns work out? The plot of George&#39;s novel, TEN AGAINST CAESAR has been uncomplicated to a degree where an orangutan, given five seconds and a paintbrush, could have written the subsequence and denouement.<br/><br/>But credibility is not what this movie is all about.<br/><br/>It&#39;s about how parted Rock and Donna are re-united and triumph over -albeit manufactured -adversity ; it&#39;s about searing Arizona desert; the magnificence of 1950 Technicolor Western-making, and perhaps most of all about the making of desolation  beautiful. I remember its flat screen release as a kid, was dying to see it but couldn&#39;t afford the admission. Had I seen it then I know how I would have reacted - I would have considered it good value and left the cinema, six-gun at the ready, seeking a showdown.

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