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# Probability Anon

TheDefiant Dec 30th, 2016 (edited) 996 Never
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1. >Your name is Anonymous X
2. >Yes, X is your last name
3. >Right now, you are in history class, sitting far back in the classroom
4. >You are going to Canterlot Highschool
5. >Over the past two years you have been an average student
6. >Average grades from exams, no trouble with teachers or students
7. >Until some girl opened portals to another dimension
8. >You almost fell into one of those head first if not for that girl with purple sunglasses
9. >She caught you from by ankle and pulled you up to safety
10. >Well, as safe as one can be with a magic battle going on
11. >After that moment, you developed a sixth sense of sorts
12. >It felt like you were blind all this time and you just started to see
13. >Then you remember waking up in a hospital bed
14. >They said that you passed out after getting pulled out of the dimensional gateway
15. >Your sixth sense was gone
16. >Even though you couldn't process it, it felt like you were deprived from so many things that you could sense
17. >You were released mere minutes after you woke up
18. >Your mother took you home and cooked you dinner
19. >Your father was a really busy man, a researcher at STARK Company
20. >He was rarely at home and you doubt he heard about the incident at your school at all
21. >After having dinner with your mother, you decided to do some homework
22. >You'd probably be excused if you didn't, being hospitalized and such
23. >But this was a good opportunity to show that you try to be a good student
24. >In reality, you barely paid any attention in class, so you needed to study first
25. >Just enough to complete your homework
26. >You checked your homework to see what you need to study
27. **R-{0}
28. **f(x)=(x-2)(x+2), so the graph will pass through the points (-2,0) and (2,0)
29. **The area of the field between the parabola...
30. "What the fuck?!" Was the question you asked yourself
31. >You didn't know this subject, you barely skimmed through the question to see what you had to study
32. >But you knew the answer?
33. >How could you solve the question when you didn't even know what a parabola was?
34. >Maybe you were paying some attention, but you thought you didn't?
35. >Nah, that's stupid
36. >You discarded the idea of doing your homework that night and decided to head for the bed
37. >You were kinda freaked out and sleep has always been an easy escape for you
38. >The next morning however, things didn't get any better
39. >You woke up to the sound of your alarm
40. >Taking your phone, you started going downstairs, wondering if your mother was awake
41. **She's not
42. >That's not surprising, poor woman had a lot to do around the house and she worked as a lawyer
43. >Very busy one at that too
44. >Maybe you could have some cereal and head for the school
45. >If there is any left of course, you always forgot if there was or not
46. **There is not
47. >...
48. >You didn't know that
49. >Now that you think about it, you weren't downstairs yet
50. >Your mom could be awake in the kitchen, making some breakfast
51. >But you knew she's not
52. >A knock on the door gets your attention
53. >Who could that be?
55. >NO!
56. >You didn't know that!
57. >You were panicking, you took a deep breath to calm yourself
58. "Be calm, be observant, panicking only makes things worse." You whispered to yourself
59. >You decided to go see who it was at the door
60. >You must've been too slow, because as you get close, you heard a key being pushed in
62. >The lock turned and door opened to a familiar face
63. >"Hey, son. I was hoping I'd catch you before you left for school." He smiled. "Got some bagels for breakfast."
64. >You just looked at him with wide eyes
65. >"What's wrong son?" He walked towards you. "Are you alright?"
66. >You were unable to answer for a few seconds
67. >Then you noticed the increasing worry on his face
68. >You had to act quick before he gets more suspicious
69. >You suddenly hugged him
70. "I just missed you dad." You said with a faked cheerful voice. "Welcome home."
71. >"Missed you too, son."
72. >After that day this... thing kept happening
73. >You knew things that you shouldn't be able to
74. >Just like you hear and see, you sensed things
75. >You know that the girl sitting three seats in front of you is spaced out
76. >If you pretend to cough in thirty seconds, she will jump a little in her seat
77. >She will drop her pencil and lost it
78. >After the school, janitor will find that pencil while sweeping the floor
79. >He will put it in his pocket and continue doing his job
80. >The pencil will fall out of a hole in his pocket in the teacher's lounge
81. >The next day your history teacher will walk in with newly printed copies of your next exam
82. >She will step on the pencil, slip and fall
83. >One of the copies will slip under a drawer
84. >You will get it from there during the launch break
85. >After all that Flash guy paid for those questions
86. *cough**cough*
87.
88. >Next day, lunch break
89. >You are talking to Flash in the hallway
90. "Here's the exam questions." You pass the paper to him.
91. >"Awesome man, you really did it!" He cheers.
92. "You paid for it, I did it. Easy." Something comes to your mind. "Listen, don't get A+, okay?"
93. >"Why not man? I got all the questions."
94. "You almost failed history last time, Flash." You make your point. "If you get an A+ now it'll be suspicious."
95. >He frowns. "I guess you're right. Fine, I'll try and get a B or something."
96. "Alright," you shake his hand. "Nice doing bussiness with you. See you 'round."
97. >"See ya, bro." He says as you walk towards cafeteria.
98. >You got fifty bucks for that exam paper and you barely did anything
99. >There is so much potential in this... power
100. >Grabbing a tray, you get your food from the lunch lady
101. >Looking around for a place to sit you see Vinyl waving at you, Octavia sitting next to her.
102. >You go to their table and take a seat
103. "Hey, Vinyl. Hey Octavia."
104. >"Good afternoon Anonymous." Octavia speaks as Vinyl waves and smiles.
105. "How're you guys doing?"
106. >"I am doing well, thank you." Octavia says. "I've finally managed to play the piece I have been practicing flawlessly."
107. >Vinyl does some hand signs that Octavia translates for you
108. >"She says she will be working as a DJ at a party at Club Vendigo this Saturday." Vinyl performs some more hand signs. "She says she got two VIP tickets for the party and that we are invited."
109. "Sure," You say with a shrug. "I'm not doing anything else."
110. >Vinyl looks at Octavia for an answer.
111. >"Vinyl, you know I do not enjoy parties." She starts.
112. >Vinyl makes a begging sign with her hand.
113. >"...Vinyl, I..."
114. >Puppy eyes (sunglasses) intensifies
115. >Octavia sighs. "Alright, fine. I suppose I could come and stay for some of your... beats."
116. >Vinyl claps her hands and hugs Octavia with a huge grin on her face
117. "Heh" You laugh, earning a stare from Octavia
118. >You don't notice though as you wonder how it would sound if Vinyl could talk or if she would ever be able to
119. **She could
120. >Seriously?!
121. >This power may be more valuable than you thought
122. >You focus on how to make Vinyl talk again
123. **Non lethal stab wound must be inflicted on Sunset Shimmer's left leg before Friday arrives
124. >What?! No!
125. >There must be another way
126. **Detonate a bomb across Club Vendigo during the party
127. >That's even worse!
128. >Octavia breakes your thought process
129. >"Anonymous are you alright? You look troubled."
130. >No kidding! If you want your best friend to be able to talk you need to stab someone in school
131. "No, it's... It's nothing I'm alright." You say half-heartedly.
132. >Vinyl makes some hand signs
133. >"She wants you to know that you can talk to us about anything, anytime." She translate. "And I agree."
134. >That brings a smile to your face
135. >Still, you can't tell them that there is a way for Vinyl to talk and that it is to put a knife through Sunset
136. **Any sharp object will suffice as long as they go deeper than 2.8 centimeters
137. >You ignore the extra input of your sixth sense and keep your smile
138. "Thanks guys. I'll be sure to take you up on that in the future."
140. >Stabbing and bombing...
141. >You need to look up other options
142.
143. >After school
144. >You are walking home, still focused on how to be less destructive about making Vinyl talk
145. >While some other solutions you came up with was similar to the others, some included far worse things
146. >You could shoot Sunset instead of stabbing or kill one of her friends as an alternative
147. >As if that's a real alternative
148. >Inflicting Sunset with a head trauma was among the choices
149. >Crashing a vehicle bigger than a Mini Cooper into Club Vendigo during the party
150. >List went on but not in the way you wanted
151. >You realized a while ago that all these choices were revolving around Sunset and, more importantly, Club Vendigo's party
152. >Whatever bullshit that will make Vinyl able to speak was going to happen during the party
153. >If you choose to make it happen that is
154. >The options are clear
155. >There is no way you are killing someone
156. >Which means you will not risk any lives either
157. >You want Vinyl to talk but not if it costs people's lives
158. >You know she wouldn't want that to happen
159. >Would she stab someone to be able to talk?
160. >Probably not
161. >She definitely wouldn't want you to do it
162. >How would you stab Sunset anyway?
163. >You are not sure if you could do such thing and even if you did, how would you do it without getting charged for it?
164. **Go to the alleyway across the pawnshop at 136th and 3rd at 11 PM tonight
165. >Well, now you know how to stab Sunset without being charged with the crime
167. >It was simple really
168. >Stab wound would heal and Vinyl would be able to talk
169. >So you sneak out of the house at 10 PM wearing a hoodie and taking a kitchen knife with you
170. >It was a long walk to 136th and 3rd so better to leave early
171. >You walk past the tall buildings and fancy restaurants, reaching to suburbs
172. >You walk with a quick pace as the anxiety drives your heart to beat faster
174. >You've though of getting a cab, but the place was likely to be a crime scene tomorrow
175. >So you didn't want to give any possible connection to the police
176. >It should be right around the corner
177. >You can see the alleyway
179. >As soon as you turn the corner however you come to a halt
180. >There are four guys in the alleyway
181. >You cannot do it when they are here
182. >You should try again some time later
183. >You turn to leave but one of them calls to you
184. >"Yo! Who the fuck are you?!"
185. >You turn around slowly
186. "No one, I was just uh... just passing through." You speak, as every muscle in your body tenses. "Didn't mean to bother anyone."
187. >The guy tilts his head and eyes you from top to bottom.
188. >He's wearing a black t-shirt and he has a ring on his right middle finger
189. >"Haven't seen you here before." He points at you. "What's with the hoodie?"
190. "Nothing, I'm just cold." He stares at you for a few seconds. "I should go." You start to turn around.
191. >"HEY!" You look at back at the man. "Why don't you lend me some money, huh?"
192. >Shit
193. "I don't have anything on me." You really don't. It's not like you were going shopping.
194. >He pulls out a switch blade and starts walking towards you
195. >"I just wanna be sure ab-" You just pulled out your kitchen knife
196. >Shit x2
197. >"Oh man, it's not everyday you see a punk with a kitchen knife." He laughs as his friends join him. "You piss me off."
198. "Just, stay back!" Your voice trembles. "I don't want any trouble!"
199. >"You know, I'd ram that thing up your ass but I'm in a good mood." He throws the swicthblade to the side and pulls out a gun. "I'm just gonna beat the shit out of you. Lose the knife."
200. >You hesitate
201. >He fires the gun, aiming to the wall right next to you
202. >"NOW!"
203. >The sound of the gunshot was enough to make you drop the knife
204. >He pops right in front of you before you can recover and you don't even see his left fist coming to connect with your face
205. >You feel the impact all the way to the other side of your head. It's like your brain wants to pop out from the back of your head
206. >You fall to the ground and raise your hands in front of your face
207. >He climbs on top of you
208. >This time he comes in with a right hook
209. >The pain you felt before pales in comparison as you feel his ring impact your cheekbone
210. >He lands another left and your vision starts to get blurry
211. >Last thing you see is his ring coming towards you again, reflecting the light from street lamps
212. >Everything goes dark
213.
214. >Be Sunny S.
215. >Yeah, nope. Where did that even come from?
216. >Be Sunset
217. >Right now you are patroling the streets with your Spider Woman costume on
218. >Why?
219. >Because you are Spider Woman
220. >It's been uneventful lately
221. >You were expecting some super powered enemies when they recuited you to S.H.I.E.L.D
222. >It looks like they were watching you since the day you came through the portal, but didn't contact you until you got bitten by some sort of genetically engineered super-spider
223. >Long story
224. >After a brief introduction and some tests to be sure that you will not become a genetically altered hyperdimentional human-pony-spider monster they left you alone to live your life
225. >Oh yeah, and you got a S.H.I.E.L.D ID card
226. >Neat
227. >With the effects of those superheroes you've been seeing on the news you decided; why not me?
228. >So now here you are, wearing a red ski mask, some jeans and a black turtleneck jumper
230. >Sound of a distant gunshot interrupts your thoughts
231. >"Oh boy, here we go." You say, swinging a web to the building across
232. >Hopefully you can make it before someone dies, if it didn't happen already
233. >As you got to the crime scene you see some thugs, standing around someone laying on the floor motionless
234. >Looks like you are too late to save whoever it was
235. >The least you can do now is catch those responsible
236. >"Dipshit was telling the truth." One of the men speaks. "There is no money here."
237. >"At least we got the phone." Another cuts in
238. >"Let's get outta here before police arrives, someone must've heard the gunshot."
239. "Sorry, boys. You aren't going anywhere." You jump on top of them from the 3rd floor of the building and land a kick on his face as one of them looks up to see you
240. >Thanks to all that momentum, he is knocked out cold
241. >The other three will require a little more work
242. >You see the gun that was probably fired before aiming at your face
243. >As you move your head to the right and spring forward towards the gunman, bullet lefts the barrel
244. >You hear the bullet whiz through, almost hitting your ear
246. >Grabbing the gunman from his shoulders you somersault above him and throw him to the wall
247. >As he hits the wall you duck to avoid a punch, but as you do that other guy lands a kick near your kidney
248. >You avoid falling head first with a well-timed flip and jump up, clinging to a wall
249. >The guy that you threw is squirming on the ground, trying to get up but failing miserably
250. >The guy that tried to punch you goes for the gun
251. *Thwip*
252. >You glue the gun to the floor before he can get to it
253. >He steps back. "You know what? I'm outta here!"
254. >He starts running but you won't let him get away that easy
255. "I told you, you're not going anywhere." You catch him with a web and pull him, making him fall on his back
256. *Thwip* *Thwip*
257. >You glue his arms to the ground and turn to the last guy
258. >While you were busy with the runner, he found a kitchen knife from somewhere
259. >Not that it matters too much
260. >You throw a web, catching the knife in his hand and pull it out of his grasp
261. >He is looking at the knife flying away from him as you jump on to him
262. >It only takes one good punch to the dome, he sprawls on the floor
263. >You sigh as the adrenaline dies down, finally done with the thugs
264. **Jump!
265. >You pupils dilate as you sense impending danger
266. >You flung around to see the thug you threw to the wall swinging a switchblade down towards your chest
267. >You jump back to avoid the knife
268. >It barely touches your jumper
269. >Guy that attacks you, not expecting this miss and being injured, loses his balance
270. >He falls forward face first as the knife plunges into your left leg
271. >You cry out in pain and fall on your back
272. >The knife is still in your leg
273. >You are about to grab the knife to pull it out when you notice your attacker starting to get up again
274. >You try to get back on your feet but the jolting pain from your leg sends you back down to the ground
275. >"Got you now, bitch!" He calls out to you before getting on top of you
276. >You scream as you feel the knife being pulled out of your leg
277. >Then you see the knife coming down to your face
278. >You grab him by the wrist and push the knife back easily, being stronger than him
279. >At first he looks surprised at your strength but then he looks at you with a smug grin
280. >He presses his knee to the stab wound on your leg
281. >You arms give way as you scream once again, but you manage to stop him before he plunges the knife into your eye
282. >He keeps pushing the knife down as he continues to put more weight on your leg
283. >Increasing pain keeps you from being able to use your full strength as the knife gets closer and closer to your face
284. >As more and more adrenaline is pumped through your veins with each passing second you can hear your heart thumping in your ears
285. >You know he is still pressing his knee on your leg but adrenaline has suppressed the pain now, finally allowing your brain to focus on dealing with the real danger
286. >You close your eyes and let out a war cry as you focus all the strength you can muster to push the man back
287. >He's sent flying across the street, landing on his back
288. >You get up on your feet, the fact that you were stabbed already gone from your mind
289. >You walk towards the man who's also on his feet
290. >He once again runs at you, swinging his fist
291. >You catch his hand and squeeze a little too hard, feeling his bones crack
292. >He screams and falls on his knees, holding his broken hand with the other
293. >You punch him in the face, hard
294. >Finally he goes down, unconscious
295. >You look around to see if there is anyone else attacking you, but everyone seems downed
296. >This time as the adrenaline dies down, you feel really tired
297. >You just sit on the floor, breathing heavily
298. >The pain in your leg slowly returns as you calm down
299. >You let out a little laugh, but then you remember about the guy who was shot
300. >You get up, grimacing in pain, and walk towards the victim
301. >As you get closer, you get a better look on his face
302. >Though he was pretty beat up, you feel like you recognize this face
303. >You sit down to get a better look, afraid that you may have just witnessed someone you know die
304. >You can't quite make it up who he is but you realize that he's still breathing
305. "Oh, thank Celestia!" You mumble
306. >Sound of police cars start to fill your ears
307. >You should go, to a hospital
308. >You would take the guy with you but you aren't sure if you can do it with your busted leg
309. >In any case, police should handle the rest
310. >Once again you get up and take a few steps, limping, before spinning a web and pulling yourself up
311.
313. >For a second you can't remember who you are
314. >Anonymous, that's it
315. >Where is this?
316. >A familiar scent hits you
317. >Hospital
318. >Why are you in a hospital?
319. >"Oh, thank God! You're awake!" You turn your head to see who's speaking
321. "Hey, mom." You try to smile but your face hurts. "What's going on?"
322. >Her eyes are bloodshot
323. "Were you crying?"
324. >She grabs your hand and pulls it to her lips for a kiss
325. >"They said they've found you laying in an alley." She cups your cheek with her other hand. "All beat up." She sobs. "What were you doing there?"
326. >I was going to stab a friend but some thugs mugged me
328. "I... I don't remember. Some guy wanted money and I didn't have any. I think he jumped me."
329. >She looks at you, worried. "Why were you out at night? You didn't say anything! Are you in trouble?"
330. "No, mom. I'm okay, everything is fine." She doesn't seem to believe you. "I promise mom. I just wanted to see the city at night." You let out a short, fake laugh. "I guess it was a bad idea."
331. >Your mom doesn't see anything funny in this however
332. >"W-when they called I... I thought you..." She shakes her head
333. >Your eyes sting with tears
334. "I'm okay mom, I'm okay." You take her hand and squeeze. "It's all fine." She nods and hugs you
335. >"They said they want to keep you over night, to be sure you don't have a trauma." She combs your hair with her fingers. "I'll be right here, if you need anything just tell me."
336. >You smile, despite the pain
337. "Thanks, mom, but you should go home. I know you have a hearing tomorrow. You should get some rest."
338. >She shakes her head. "Not before I make sure you are okay. You are more important than a hearing."
339. >You sigh
340. "I'm sorry, mom." She looks confused. "I didn't want to cause all this... distress."
341. >"It's not your fault." You ignore the words save for a small smile
342. "You are busy enough as it is." You look her in the eyes. "I don't want to burden you further. So please, go home? Get some rest?"
343. >She looks at you for a while, thinking
344. >"That was a good speech." She says
345. "My mother is a lawyer." She lets out a genuine laugh this time
346. >You feel a little lighter at heart
347. >She bends down and gives you a kiss on the forehead. "I love you."
348. "I love you too."
349. >After she left, you stare at the ceiling, thoughts running through your mind
350. >You failed at stabbing Sunset, got beat up and made your mother cry
351. >You let out a defeated sigh
352. "Could've been worse I guess." You mumble
353. >"Hello son, can we ask you some questions?"
354. >You turn to see two police officers standing beside your hospital bed
355. >Looks like you were right
356. >It is worse
357.
358. >Be Sunsun
359. >Where are these weird names coming from?
360. >Be Sunset
361. >It's almost midnight when you walk inside your apartment building
362. >At least Mr Ditkovich should be asleep so he won't bother you about the rent
363. >You got some stitches from your visit to the hospital
364. >Not surprising as it seems that knife was also moved vertically downwards after being plunged into you
365. >You made up a story about falling while holding a knife
366. >They didn't seem to believe you but didn't bother investigating further either
367. >It's not like you were the only one in the emergency room
368. >They were busy with other stuff
369. >You grimace a little as your stitches stretch while you start walking up the stairs
370. >You are supposed to go visit the hospital every two days so they can clean the wound and replace your bandages
371. >They weren't really gentle while cleaning it the first time
372. >So you are expecting some more pain on your next visit
373. >You see a pyrex tray on your doorstep with a note on it as you reach to the door of your apartment
374. >You carefully bend down, not wanting to strecth your stitches again, and pick up the tray
375. >You force the door open, it was stuck as always, and enter your tiny home
376. >You leave the tray on your nightstand and pick up the note
377. >"I made too many brownies so I tough you might want some." -Ursula
378. >That's your breakfast taken care of, maybe lunch too
379. >You flip the paper
380. >"You're running late on rent again."
381. >There is no name attached, not like it needs to be
382. >You sigh and lie down on your bed
383. >Your mind wonders back to tonight's events
384. >You hope that the guy you saved, kinda, was okay
385. >You're pretty sure you've seen him in school before
386. >Your mind slowly gets clouded as you try to remember who he might be
387. >Sleep takes you to it's soft embrace
388.
389. >Be Anonymous
390. >You are back home
391. >They let you go this afternoon after making sure there wasn't any complications with your health
392. >Your mother picked you up and drove you back home
393. >You are alone right now
394. >She had to go back to work as usual
395. >Your father called you and asked how you were, apologizing for not being with you
396. >You told him it was okay, you're okay
397. >You know he has a lot on his plate
398. >He comes home rarely and even then he is really tired, goes to sleep after a short time
399. >You do wish he was around more, if for nothing else so that he could help your mom with some of the housework
400. >You help her when she needs, but you aren't very good except for following directions
401. >Nevertheless you know your father loves you, both of you
402. >Doorbell breaks your chain of though
403. >You've ordered some pizza
404. >It should be them
405. >You go downstairs and open the door
406. >Yep, pizza arrived
407. >You pay for it out of your allowance
408. >Hard to call it that though
409. >If there is one thing that you haven't been short of in your life up to this point it is money
410. >If you ask your parents for more they always give you more
411. >They trust you to not throw it on meaningless things
412. >You know it is hard earned, in the expense of your time with your parents
413. >So you are careful not to just waste it
414. >You go back upstairs with your pizza and sit back in front of your computer
415. >Rimworld, the game you've been playing lately
416. >Since there is no school for you today, you figured you can waste your time on that
417. >You eat your pizza as you watch ant-sized people run around in your colony, occasionally interrupting their routine for things you deemed more important
418. >Some time later you get bored of that and start watching videos on youtube
419. >Before you know it, you waste the whole day on your computer
420. >Doorbell, again
421. >This time you don't know who it might be
422. >You go downstairs and open the door
423. >A blue haired girl with sunglasses meets you
424. >She waves her hand and smiles, that is until she sees your face
425. >She gasps
426. >"Whau aa uua!" Even tries to say something
427. "I'm okay Vinyl don't worry." You try to calm her down.
428. >She shakes her head, pulls out her phone and types something, then shows it to you
429. >"You are not okay! What happened?"
430. >You sigh and step aside, inviting her in
431. >She walks in as you start to explain
432. "I got mugged, nothing too bad happened." You guide her to the living room. "Police said they've found the guys who did this knocked out, laying in the same alley they mugged me. Apperantly someone got them before they could leave."
433. >She types something on her phone again
434. >"Who?" She takes a seat on the couch and you sit next to her.
435. "Dunno, some gang business maybe. In the end, they didn't manage to steal anything." You smirk. "Except for my handsome face."
436. >She snorts, then types again
438. "Yeah, but doctors said the pain should subside in a couple of days."
439. >She seems sad. "I'm sorry this happened to you, must've been awful."
440. "It was scary, but I'm fine now, just a little bruised." You decide to change the subject. "What brings you here?"
441. >"You didn't show up, so I came to see if you were alright. Octavia wanted to come too but she had violin practice." You smile.
442. "Thanks Vinyl." You look at her for a moment. "We can hang out if you aren't busy?"
443. >She nods and starts typing. "Yeah lets do it. Hope you got someting to eat."
444. "We can order some pizza?"
445. >She raises her hands above her head with a celebratory pose
446. >You chuckle
447. "I'm pretty sure that means yes."
448.
449. >Be Sunny Bunny
450. >Goddammit
451. >Be Sunset
453. >Girls did ask why you were grimacing at times
454. >You just told them you've hurt you knee and it hurts
455. >You are lucky that PE was Tuesday, so you were stabbed after that
456. >Still, you will probably not heal by the next week, but you couldn't tell them you were stabbed
457. >Well, you could but you didn't want to worry them
458. >This superhero thing is hard enough without having to listen them lecturing you
459. >You should come up with an excuse for next week though
460. >You could ask the PE Teacher to excuse you from class maybe
461. >You will think about it when the time comes
462. >For now you just want to stop walking
463. >Not that it hurts too much but having that stinging sensetion with every step is starting to annoy you
464. >You are gonna need to take a day or two off of your superhero duties
465. >Wouldn't want the wound to open again while fighting someone
466. >Then it will never heal
467. >You arrive to your apartment building and quietly open the door
468. >You don't want Mr Ditkovich to hear you
469. >You go up the stairs as silently as you can
470. >You've memorized which steps make noise when you step on them
471. >Skipping them with your hurt leg proves difficult however as the stinging hits you again and your leg reflexively comes down on to the step you were trying to avoid
472. >"Miss Shimmer? Do you have my rent yet?" The door across your apartment opens
473. >You hate getting stabbed
474. "I-I'm sorry Mr Ditkovich, sir. I'll have my payment from the cafe this weekend and I'll pay you, I promise." He looks at you with narrow eyes
475. >"You better." Then he goes inside.
476. >You sigh as you continue your way up
477. >Atleast now you don't need to worry about making sound
478. >You make your way to your door and push the key in
479. >You unlock the door but as always you have to ram it with your shoulder a couple of times to open it
480. >You are about to walk inside as you hear the door to your landlord's apartment open again
481. >"Hey Sunset." You hear a timid voice calling your name and turn around to see the landlord's daughter, Ursula
482. >She has a half empty garbage bag in her hand
483. "Hey." You say, slightly raising your hand as if you were waving
484. >"I was just taking the trash out, good thing I ran into you." You smile and nod. There is an awkwarkness hanging in the air. "D-Did you like it?"
485. >You look at her for a second with confusion in your eyes
486. >"Brownies, I mean. Not the garbage... ahem-"
487. >You almost facepalm, how could you forget the brownies?
488. "Yeah, yeah, it was delicious. Thank you."
489. >"You are welcome." She looks at you with a big smile on her face. "Y-You can tell me if you want more."
490. "I will." You smile back.
491. >You to just stand there looking at each other for a few seconds, then she points towards the stair
492. >"I should go and uh... dump this? See you around."
493. "Yeah, see you." Again, you raise your hand a little
494. >"Bye!" She says as she decends the stairs
495. "Bye." You close the door and go inside.
496. >What a weird girl
497.
498. >Be Sombra Morbius
499. >You are a S.H.I.E.L.D scientist
500. >Right now you are working on some blood sample they gave you
501. >Apperantly somehow, someone managed to merge their DNA with the DNA of a spider
502. >They want you to analyze it and figure out how this came to happen
503. >There is a problem though
504. >You have mapped the human and spider genome in the blood already, but there is some unknown material in the combined DNA
505. >It seems to act as a binding agent between two different genomes, but you suspect that it also might be responsible for binding them in a specific way so that random mutations do not occur
506. >Afterall, according to the information they gave you, owner of this DNA had no change in their apperiance
507. >Getting exposed to a mutagen and being mutated in a constractive way is astronomically unlikely
509. >You have to figure out how it works
510. >Right now you are looking at the blood sample under a microscope
511. >Which doesn't tell you much of anything really
512. >You did have this new scanner thing that you never got the chance of using
513. >You pour the blood sample into a petri dish and put it under the scanner
514. >You turn it on
515. >Woah! Shiny. So much so you are worried it might temper with the sample
516. >A screeching noise distracts you
517. >You turn towards the cage where you keep your bats, different research
518. "What's that? Is it too bright for you?" You ask. "I suppose I could take the cage to a darker place."
519. >You turn off the machine for now and grab the cage, earning more bickering and screeching
520. "Yes, yes. I'll let you sleep." You start walking only to be stopped by a table leg connecting with your foot
521. >You stumble and lose your grip on the cage
522. >Suddenly, bats are everywhere
523. "Oh, no." Yeah, you can't catch them
524. >You watch them fly around a little, thinking of what to do
525. >One of them lands near the petri dish with the blood sample in it
526. >It will drink the blood
527. >Damn vampire bats!
528. >You rush towards it but by the time you got there bat already started drinking
529. >You wave your hand to scare the bat away
530. "Shoo! Shoo bat! Bad boy!" Bat takes flight
531. >Towards you face, screeching agressively
533. >You feel a scratch and a stinging pain in your hand
534. "AH! SHIT!" Bat, maybe startled by your shouting, flies away
535. >You check your hand to see some bite marks with a little bit of blood oozing out from the punctures
536. >There is more important matters however, like keeping the blood sample out of bats' reach
537. >You grab the petri dish and put it in a cupboard, then you reach for the intercom
538. "Hello? This is Doctor Sombra. I need some help here, bats have escaped."
539. >After calling for help you lean on one of the tables and wait, looking at the bite wounds
540. >You're gonna be getting a rabies vaccine for this, probably
541. >You hate needles
542. >You went home that night after getting a rabies shot
543. >You really really hate needles
545. >How you become to experiment on animals and such is truly a mistery with all the "needling" involved in the job
546. >Still, you don't feel very good
547. >You feel really tired and a little dizzy
548. >You should sit down maybe
549. >As you walk towards the couch in your living room you feel your legs weaken
550. >Just a few more steps
551. >Everything seems hazy
552. >The ground is tilting
553. >Weird
554. >It's dark...
555. ___
556. >You wake up to your phone ringing in the morning
557. >It seems like you are laying in the middle of your living room, with your work clothes, just a step away from...
558. >You blacked out! You remember
559. >Maybe it was the rabies vaccine?
560. >Your phone rings again and you pick it up
562. >"Mister Morbius? I am calling from the patisserie, your order is ready, would you like us to deliver it to your home?"
563. >That would be S.H.I.E.L.D
564. >You check the clock on your wall
565. >It seems you are late without notice
566. >They are asking you if you need rescue
567. "Yes, please, that would be lovely."
568. >If you were being held hostage in your house, your captors wouldn't want anyone to come home
569. >So if you say no, they dispatch a team to retrieve you
570. >Yes is the answer for "everything is fine"
571. >"Very well, nice doing bussiness with you."
572. >The phone hangs up
573. >You will recieve some cake today
574. >S.H.I.E.L.D is really meticulous about not raising suspicion
575. >You should be heading to the lab now
576. >If you don't they will send a team anyway
577. >You grab an apple from the fridge on your way out
578. >Breakfast will be rushed today
579. >You take a bite as you run downstairs
580. >Walking to the edge of the sidewalk, you signal for a cab
581. >You arrive at the lab quickly, since you slept through the morning rush hour
582. >Still, it was enough time to finish eating your apple
583. >You toss the remains into a bin and go inside the building
584. >"Hey Sombra, late are we?" That would be the security
585. "Yeah, I uh... kinda blacked out last night, must've been really tired chasing all that bats and whatnot." He looks worried
586. >"You should've taken a leave. It can't be good for you to come straight to work after blacking out." You smile and wave your hand dismissively
587. "Don't worry I feel fine now. Happens to th--- Ugh!"
588. >A sudden stomach cramp makes you curl in pain
589. >You slowly get on your knees as you try to catch your breath
590. >There is a hand on your shoulder, it's the security guard
591. >"Are you alright, do you need a medic?" Talking seems hard so you just shake your head and gesture him to calm down
592. >You start to get up but sudden contraction of your gullet stops you half way
593. >You gag as you get support from the guard to not fall back down
594. >Again and again
595. >Until the apple comes pouring back onto the ground
596. >You feel very weak now
597. >Guard guides you to his chair and helps you sit down
598. "Sorry about the mess." You apologize
599. >"Don't worry about that! What happened to you?" You grimace a little as you catch your breath
600. "I guess it really wasn't a good idea to come straight back here." You look at him. "Thanks."
601. >"No problem, not like I was gonna just watch you puke your brains out." He looks at you for a moment. "I think you should go back home or maybe even a hospital. Let me call you a ride, yeah?"
602. "Yeah." You nod. "I should let the department know." He gently pushes you down as you try to get up
603. >"You just rest, I'll let them know what happened
604. >You smile and nod, closing your eyes with a sigh
605. >Such a good guy
606. >After going back home you tried to eat some light meal in the hopes of not throwing it up
607. >It didn't work
608. >Even liquid stuff won't stay down
609. >Only water
610. >You decide to wait it out until the evening
611. >It looks like a really nasty stomach cold
612. >Probably because you slept face first on the ground whole night
613. >Speaking of sleeping, maybe a little bit of sleep might do you some good
614. >In your actual bed this tiime
615.
616. >Be Anonymous
617. >It is Friday morning
618. >It's been lesser part of two days since to got your ass kicked in the alleyway you went to stab Sunset
619. >You have failed your mission
620. >You were supposed to stab her before Friday so Vinyl could speak
621. >Also it is the day you are going back to school
622. >Most of the swelling on your face died down but it still hurts if you move too many muscles
623. >You don't mind it as much as all the stares you are getting right now though
624. >Everyone is whispering to each other
625. >You sigh as you try and ignore them
626. >There will be some interesting rumors going about for a while
627. >"Anonymous! Sweet heavens you look horrible!" Your eyes turn towards to source of the voice, Octavia. "Mpft!"
628. >She gets elbowed by Vinyl, some hand signs follow
629. >"My uh... apologies Anonymous, I meant to ask if you were doing alright." You chuckle
630. "Yeah, I'm okay. Just don't make me laugh too much, my face hurts."
631. >Vinyl makes some signs
632. >"She makes no promises Anonymous." You give Vinyl a fake glare
633. "I'll avenge this."
634. >Which in turn earns you a slightly sticked out tongue and an amused look
635. >You smile. She is still your cheerful friend, speaking or not
636.
637. >Be Sun Tzu
638. >This is getting stupid
639. >Be Sunset
640. >Some kid with a pretty beat up face just walked pass you
641. >You are pretty sure it's the guy in the alleyway
642. >Nice to see him up and about
643. >Takes all the pain of those stitches
644. >They stretch again as you take a reckless step
645. >Nope! It doesn't
646. >Still, it makes you happy knowing you helped someone
647. >You limp towards your locker with a goofy smile
648. >Maybe you should check on him? Make sure he is okay
649. >He seems okay but good friends support each other in hard times right?
650. >Yeah, Twilight would call this a good friendship lesson!
651. >You should definitely check on him
652. >At lunch break maybe, since you are not familiar with his schedule
654. >Lunch break comes rather quickly since biology is a subject you actually enjoy and literature is not so bad
656. >Not as much as Twilight though, that's for sure
657. >You walk into the Cafeteria and look around to see if the guy from this morning is around
658. >Seems like he didn't arrived yet
659. >Some of your friends, Rainbow and Pinkie, is here though
660. >So you take your lunch and head for the table they are sitting
661. >They look rather excited about something
662. "Hey girls." You greet them. "What are you talking about?"
663. >"That Anon guy, obviously!" Rainbow answers
664. "Anon?"
665. >"You know, the guy that got beat up!" So his name is Anon
666. >"I should get him some cake or maybe baloons." Pinkie says with a sad voice. "It looks like he was hurt really bad."
667. >"I heard he participates in street fights!" Rainbow jumps in
668. "Now that, is ridiculous." Is your response to that
669. >"Uh! Uh! Maybe he got in a high stake match so he could get himself a car and impress her girlfriend, but he didn't get the money and his uncle got killed!"
670. >You both look at Pinkie, bewildered
671. >"What?"
672. "What?"
673. >"We should ask him though if we really want to know the story." Pinkie points towards the Cafeteria entrance
674. >It's the guy from this morning, Anon is his name apperantly
675. >He is walking with two girls, one of them is talking with hand signs
676. >You remember her, she helped you with the Dazzlings thing
677. >They walk towards the lunch queue
678. "Good idea Pinkie, I'll go talk to him." You get up and walk towards Anon
679.
680. >Be Anonymous
681. >You are at the end of the lunch queue waiting for Vinyl and Octavia
682. >As you've suspected some rumors have started circulating
683. >Like you are a gang member and shit
684. >You'd rather stay away from the situation
685. >Something you say might make the rumors worse and very little of what you say can make them better
686. >You feel someone touch your shoulder and turn around to see Sunset
687. >"Hey, Anon right?" She asks
688. "Y-yeah, uh hi." Why is she talking to you? "And you are..."
689. >Why did you ask?! You know who she is! Everyone does!
690. >"Oh, I guess we aren't very close." She rubs the back of her head, then reaches for a handshake. "I'm Sunset, Sunset Shimmer."
691. >You balance the lunch tray on your left hand for a moment and shake her hand
692. >Her hand is really soft
693. *Ahem*
694. "Nice to meet you Sunset, how can I help you?" Seems like the situation worked itself out
695. >"Oh, I just saw you this morning all... bruised. So I just wanted to ask how you were doing." That's nice of her
696. "I'm alright, thanks for asking." You give an awkward chuckle. "Just, you know, aesthethically unplesant to look at."
697. >"Oh, I wouldn't say that."
698. >Did she just...
699. >She is blushing now. "I- I mean-" You can feel yourself blushing aswell.
700. >You suddenly find the lunch tray very interesting
701. >"I was just gonna say it's good to hear you are alright! Okay, bye!" She turns around and quickly walks away from you, limping
702. >Wait, why is she limping?
703. >Is it possible that she actually got stabbed in her leg?
704. >You should find out if she did... somehow
705. >You feel a little nudge on your side
706. >It's Vinyl with a shit eating grin
707. >She puts her tray on the lunch counter for a second and make some hand signs
708. >You look at Octavia, who looks at Vinyl with a shocked expression, her face is a little flushed
709. >Vinyl moves her head in your direction, indicating that she wants Octavia to translate
710. >"I will say no such thing!" She hastely walks past you. "Let's just find somewhere to sit."
711. >You look back at Vinyl
712. >She wiggles her eyebrows
714. >Vinyl's not gonna let this go anytime soon.
715.
716. >After school you are walking home with Octavia
717. >Vinyl went to Club Vendigo to check up on the sound equipment for tomorrow's party
718. >Which you and Octavia are invited as VIPs
719. >You've never been a VIP in anywhere before and you would be curious about it if it was not for the fact that it was the day
720. >The day Vinyl will speak, if your powers are to be trusted
721. >So you are pretty nervous about it
722. >It must be showing too, since it caught Octavia's attention
723. >"Is something wrong Anonymous? You look rather... pensive."
724. "I was just thinking about Vinyl." That was a vauge answer, you probably should have been more explainatory because-
725. >"What do you mean?"
726. >-of this, it will take the conversation further than you'd like
727. >You are sailing on shallow waters now
728. >You should try to avoid suspicion, even if she will probably not expect you to have... powers
729. "I just realized I've never asked... uh... why she's... Well, you know."
730. >"Mute?" She frowns
732. >Her steps slow down
733. >Gloom is almost palpable
734. >"She wanted to be a singer, you know? She had a beautiful voice, even at that age."
735. "So she wasn't born like this?"
736. >Her face offers a woeful smile
737. >"We were seven years old I think, it was my birthday and after the celebration her parents came to our house pick her up." She continues
738. >"Our parents were close friends and we spent a lot of time together. I'd play my violin and she'd sing to the tune." A nostalgic scene is painted in your head
739. >"We did that for my birthday too, everyone loved it." She sighs. "I didn't ask her, but I think that was the last time she sang."
740. >"They said a truck driver fell asleep on the wheel and crashed into their car. The front of the car was crushed under the truck."
741. >You are just listening at this point, nothing to say really
742. >"Vinyl was sitting in the back so they got her out quick but it took them four hours to reach her parents."
743. >"They were already dead, crushed by the impact and truck's weight."
744. >"Vinyl hit her head in the crash. Her skull was cracked and apperantly a piece of it was stuck to her brain."
745. >"She went under a long surgery and they managed to get the piece out. They kept her in a medically induced coma for a month."
746. >"You know, to prevent her from moving until her brain tissue and membranes around it heals properly."
747. >"Despite all that, when she woke up, she couldn't control the muscles around her mouth and eyes properly."
748. >There are tears in her eyes now. Seeing her like this makes your eyes sting as well
749. >...
750. >You realize she went silent a while ago
751. >You are standing in front of her house
752. >Her and Vinyl's
753. >Words come to you after a minute or so
754. "Thank you, for telling me." She nods
755. >"She didn't have any close relatives so my parents took her in." She explains. "She used to have nightmares, about the crash, about her parents, you know? We used to sleep together."
756. >"It didn't help much with the nightmares but it helped with the crying. She fell asleep quicker after the nightmares." She looks at you with a serious expression
757. >"So I trust you won't bring this up around her."
758. "Of course."
759. >She pulls out her keys and unlocks the door to her house. "See you at the party tomorrow."
760. "Yeah, see you." She goes inside and closes the door
761. >You stand there for a moment before start walking to your home
762.
763. >Be Octavia
764. >It's been a little late and you are laying in your bed now
765. >You've been thinking about Anonymous
768. >Hopefully he will keep being the Anonymous he always have been and will not behave in any awkward manner
769. >You trust him, but...
770. *sigh*
771. >You roll around to your other side
772. >Your thoughts turn to Vinyl
773. >She didn't come to dinner
774. >It shouldn't take that long to take care of some sound system, right?
775. >Maybe there was something wrong with it
776. >Your mother left some food on the table for Vinyl
777. >They never stopped Vinyl from doing what she wanted, as long as she doesn't do anything wrong and doesn't go around without telling where she is
778. >So it isn't a problem for her to come home late as long as she lets them know what she's doing
779. >Same goes for you too, but you haven't really been the type of person to... do things Vinyl do
780. >You hear the a key turn
781. >It must be Vinyl
782. >You check the time on your phone
783. >It's almost midnight
784. >She'll probably eat before going to sleep, if she goes to sleep
785. >She has a bad habit to stay awake late at night, especially if she doesn't have to go to school the next day
786. >You hear the TV turn on for a second, then she turns the volume down
787. >You decide to go down stairs
788. >She hears you walking down the stair and turns to look
789. >She's sitting on the couch with a plate full of mashed potatoes
790. >"Did I wake you?" Her hands sign
791. "No, I was awake. Heard you come in and decided to come down." You plop down beside her. "What're you watching?"
792. >"Some shit about cowboys? I don't know. Wanna watch together?"
793. "I did come down, might aswell." She crawls towards you, you raise your arm to allow her to lean on your side and put your arm around her shoulders
794. >She takes a spoon of mashed potatoes and turns to look at you, holding the spoon close to your mouth
795. >You open your mouth and allow her to feed you
796. >She then turns back towards the screen and eats some herself
797. >She tries to give you some more but you refuse
798. "I already ate you just go ahead." She doesn't try to give you anymore after that
799. >You two keep watching the movie until she finishes her meal
800. >She then gets up and puts her plate in the kitchen sink
801. >You get up from the couch and turn off the TV, then walk upstairs with Vinyl following you
802. >You turn towards your room
803. "Good night, Vinyl." She signs you good night.
804. >Laying down in your bed once again, you close your eyes
805. >You're almost asleep when you hear the door to your room open
806. >You look towards the sound, it's Vinyl
807. >Shuffling to the side of the bed, you make room for her to climb in
808. >She lays down next to you, looking at you, her eyes twitching occasionally
809. >You smile and give her a kiss on the forehead, then tuck her hair behind her ear
810. >She goes under the covers and contently nestles into your bosom as you wrap your arms around her
811. >You feel her hands move, making some signs
812. >You don't need to see them, you know what she's saying
813. >You caress her hair as you speak
814. "I love you too."
815.
816. >Be Morbius
817. >You've just tried eating something and threw up yet again
818. >It's been a day and a half since you've been able to eat anything
819. >Finally, you have reached a new point
820. >The thought of eating or drinking anything other than water makes you nauseus
821. >Something is very wrong with you and you are definitely sure it's more than just a stomach cold
822. >In any case you should clean yourself after throwing up on the floor
823. >You open the lights to your bathroom and immediately cover your eyes
824. >It is so bright, like the Sun
825. >Something must be wrong with the lights
826. >Then again, maybe it is you
827. >You slowly open your eyes, giving them a chance to adjust
828. >In the end it still stings but you are able to look around
829. >You go for the sink and splash some water on your face
830. >You pick up a towel and dry off, then take a look at yourself on the mirror
831. >You look unnaturally pale
832. >Not sickly pale but... dead pale?
833. >You definitely need professional treatment
834. >Cupping your hand to hold some water you wash your mouth to get rid of the foul taste
835. >You take some more water and gargle to ease the burning of your throat
836. >It is then something peculiar catches your eye on the mirror
837. >Fangs
838. >You have actual, proper fangs
839. >You spit out the water and open your mouth to take a better look
840. >They are almost half an inch long and they look really sharp
841. >You push against the tip of a fang with your thumb
842. >It immediately stings like a needle
843. >Retracting your hand, you see a little drop of blood forming around the punctured skin
844. >You bring it to your mouth without much thinking
845. >The taste explodes into your mouth, almost leaving you breathless
846. >It is the best thing you've ever tasted
847. >You immediately take your thumb out as a realization hits you
848. >You have been bitten by a vampire bat that was feeding on a blood sample that contained some kind of DNA adhesive
849. "NO! NO! NO! NO! NO! NO! NOO!" You run to the kitchen and grab an apple
850. >You take a bite but before you could chew on it you start to gag
852. >Another bite, more gagging
853. >Again, again, again
854. >Finally to the point that just looking at it makes you gag
855. >At that point you put the apple on the table with shaking hands
856. >Your digestive track must've gone under some changes aswell
857. >Stomach of a vampire bat is highly under developed, therefore it feeds on blood, an easy to digest substance, with ready for use energy in it
858. >They do not consume any other food because they can't
859. >You pace around the house, trying to think of something to do, but if there is any solution, it eludes you
860. "FUCK! FUUUCK!" You kick a chair into the wall
861. >You need to keep calm as best as you can
862. >You also need to eat, or rather drink something
863. >You are starving
864. >Doorbell rings
865. >You are not sure if you should open the door
866. >It rings again
867. >"Mr. Connor? I've heard some noises and I just wanted to check if you are alright?" It is your neighbor next door
868. >Connor is the name you use in your daily life
869. >S.H.I.E.L.D thought Morbius was a rather unique name and that it could be easily traced
870. >"Mr Connor?" Voice once again calls to you. "Are you alright?"
871. >You go and answer the door, if she worries too much she could call the police or something
872. >In your current situation, if anyone were to be called that sould be S.H.I.E.L.D.
873. >Still you are worried about them too, so for now you are on your own
874. >Opening the door you speak, trying to reassure her
875. "I am fine just a little accident is all."
876. >You hear the sound of a drum
877. >"It is really dark in there, no surprise you stumbled over something." You turn your head to take a look inside
878. >It doesn't seem dark at all to you
879. >Drums again and a... stream?
880. >You turn towards the sound, towards her
881. >Her heartbeat, her blood flowing
882. >You can hear it
883. >It is so close, just one step away
884. >Just a bite, a small litt--
885. >"Mr Connor?" Woman's voice breakes you out of your stupor
886. >You are really close to her
887. >Too close
888. >You back up inside and mumble an apology before shutting the door
889. >You almost attacked that woman
890. >Would you kill her?
891. >You wouldn't but can you trust yourself in your current situation?
892. >You need to stay away from people
893. >You turn around, lock the door and the door chain
894. >Sitting in your couch you try to come to terms with the situation
895. >Only then, can you focus on finding a solution
896.
897. >Be Sunset Sarsaparilla
898. >Shimmer
899. >Be Sunset Shimmer
900. >It's Saturday, past noon
901. >You are at Cafe Black, working
902. >Today you will get your monthly payment and pay your rent
903. >Weekend job doesn't pay for much but with tips and rationing the remaining money, it should last you couple weeks after rent
904. >By working at a homeless shelter, they let you eat there, and with Ursula's almost daily pasteries you will get through the month, as usual
905. >You really should find a way to properly thank her
906. >She literally saves you from starvation
907. >"Excuse me!" That's a customer. You walk to the table
908. "What would you like sir?" You put on a well practiced fake smile
909. >"I want some Chai Tea Latte and a slice of apple pie please" You take note of his order and inform the barista
910. >It should be out in a few minutes so you turn your attention to the customers, in case they call for you
911. >"Why are you limping?" You turn back to the barista who is also the owner of the cafe, Coffee Dragee
912. >You were about to make up some story but you decide against it
913. >Even Spider-Woman needs to tell her story sometimes
914. "I got stabbed by some muggers" Not all the story of course
915. >He looks surprised
916. >"Woah, didn't expect that. Are you doing alright?"
917. "Yeah just stings a little when walking, I actually need to get it checked out today. They said they need to change the bandages and make sure the wound doesn't get infected"
918. >"Leave early today" He suggests "Get some rest. Full day's pay too" He goes for the register and gives you your payment for the month
919. >You pause for a few seconds, looking at the money
920. >"Go on kiddo, I will feel bad if you keep working with that leg. If you like working so much, you can work extra hard tomorrow"
921. "But, will you be okay on your own?" You lightly object
922. >"I'll be fine. But I need you tomorrow, you know how busy Sundays are." You nod as you take the money
923. "Thanks Mr Dragee, I'll be here." You smile and make your way to the door
924. >When you make your stop at the hospital you are surprised to learn that the wound is mostly healed and you no longer need the stitches
925. >Taking them off is an unplesant experience, but at least now you will not feel the stinging sensation in every step you take
926. >However you are still limping out of habit at this point
927. >Well, in time it should be fine
928. >You pocket your doctor's report
929. >He wrote down an anti-biotic for you just in case
930. >You are not to take it unless the wound starts burning
931. >So you are not going to buy them for now
932. >Some time later you arrive at your apartment building
933. >You are about to knock on his door when Mr. Ditkovich opens the door. "Rent?"
934. >You are pretty sure that 50% of the words he speaks is 'rent'
935. >Pulling out more than half of your monthly pay, you extend him the money
936. >He takes it and counts then looks at you. "Here, take five dollar and go buy an icecream or something for keeping your promise."
937. >Hate it you as may, you are actually happy that he gave you five bucks
938. "Thanks Mr. Ditkovich, have a good day." You say as you take the money
939. >You turn and rush down the stairs in mild frustration
940. >Some criminals to beat down would be great right now
941. >As you go out of the building you don't realize that you dropped the doctor's report while pulling out the rent money from your pocket
942. >Mr. Ditkovich did and called after you but you were already gone
943. >Thinking it might be important he took it inside and put it on a table so he can give it to you later
944. >You spend the day swinging around the city
945. >There wasn't much action going on which you are greatful for
946. >Keeps you from having to put much strain on your leg
947. >So far you've broke up a fight and saved some guy from getting hit by a car
948. >Feels good to be out helping people again
949. >You got yourself a couple hotdogs for dinner and sit on the edge of a high building, closer to the suburbs
950. >Though the hour is closing in on 10 PM so, it's a really late dinner
951. >Watching the city, everything seems so organized
952. >Peaceful almost, if you didn't know the struggles of living in this world
953. >You especially like the traffic at night
954. >Little specs of light moving about...
955. >You have to admit today was a rather nice day
956. >Taking a bite from your hotdog you keep watching the city with a smile
957. >Back at home you wouldn't even imagine eating an animal but this is delicious
958. >Heh
959.
960. >Be Ursula Ditkovich
961. >You've found a piece of paper on the table
962. >A doctor's report, for Sunset with some anti-biotics
963. >Apperantly she was wounded on her leg!
964. >Poor girl, it must've been painful
965. >You should do something to make her happy
966. >She always likes your cookies and thanks you and smiles with that beautiful eyes so happily...
967. *Ahem*
969. >You go to the kitchen and open a cupboard to get some flour
970. >There is no flour
971. >You used the last remaining flour on the brownies
973. >He comes into the kitchen with his pajamas
974. >"It's late, you stay in home. Get your flour later, it is time to sleep now." He always goes to sleep early
975. "But dad, I wanna make cookies for Sunset, she was hurt!" You object
976. >"You can make your cookies tomorrow." He says firmly. "Girls shouldn't be out at this hour."
977. "Fine..." You pout
978. >He comes closer and gives you a kiss on the cheek. "I will go to bed now, don't stay up too late."
979. "Okay dad, good night." You kinda feel bad now about waiting until he falls asleep to go shopping
980. >Well, you did ask nicely...
981.
982. >Be Sombra Morbius
983. >You are right now sitting in a couch in your living room
984. >There is a glass of whiskey in your hand that you cannot drink
985. >You know, with all that restructured digestive system and all
986. >You feel like the restructuring is still continuing too
987. >You have developed an extreme sense of hearing along with your increased sight
988. >There is not a single light in the house that is turned on right now, yet you can see everything clearly
989. >Your hearing on the other hand...
990. >You can hear your own heartbeat and blood flow
991. >You can hear your neighbor watching TV in her house
992. >When you click your tongue, you are able to sense the objects 360 degrees around you
993. >Echolocation
994. >While possible for ordinary people it is near impossible to learn
995. >However with the bat DNA mixed into yours, it is now a genetic trait for you
996. >It feels very strange and foreign
997. >Unlike seeing, you cannot tell exactly what an object is, but you can tell how big and how far it is and whether it's moving or not, if it is moving, how fast and in which direction
998. >You are also unable to sense objects that are behind an obstacle
999. >There is no telling how far these changes will go
1000. >Your hope is that it will leave you as a human at least in apperance
1001. >Seems like it is going well so far in that front
1002. >Except for the fangs which can pass as being a little weird... maybe?
1003. >Speaking of fangs, it has been three days since you last ate
1004. >The bat DNA must've made you more... feral
1005. >You feel like you might attack people if you were to encounter them
1006. >But starving yourself is definitely not an option
1007. >You could call S.H.I.E.L.D. and ask for help, but honestly, you are scared how they might react
1008. >So you've thought of another option
1009. >Feeding on animals
1010. >There are plenty of stray cats and dogs out there and as cruel as it might seem humans eat animals all the time
1011. >You also may be able to leave them alive after... feeding
1013. >This is so fucked up
1014. >But this is survival
1015. >And until you can come up with a better idea, this is the way it has to be
1016. >You get up and grab your jacket before unlocking the door and walking out
1017. >You hope to God you won't have to talk to anyone
1018. >Because you don't think you can, not without biting their face off
1019.
1020. >Be Anonymous
1021. >You are at Vendigo Club along with Vinyl and Octavia
1022. >VIP tickets allows you to sit in a table right behind the DJ
1023. >Vinyl said she requested a table to be set up here so she stills gets to hang out with you while doing her job
1024. >It seemed strange to you that her employer wasn't worried about her slacking, but apperantly she always does this with Octavia without compromising her music
1025. >Can't argue with that, girl has some sick beats
1026. >She seems like she's really enjoying it too, almost as if she forgot you two were here
1027. >Not that you are able to keep focus on that
1028. >You are really nervous about tonight
1029. >You have no idea about what will happen, only that somehow Vinyl will be able to talk again
1030. >Anything can happen at any second
1031. >Anything
1032. >"Are you alright Anonymous?" Octavia asks you, yelling over the music. "You look worried."
1033. "Yeah, yeah." You respond. "I'm fine, it's nothing."
1034. >You take another sip from your drink
1035. >Non-alcoholic
1037. >Owner of the club doesn't want any trouble
1038. >Still the drinks are on the house so you have no complains
1039. >Being VIP is actually kinda neat
1040. >Only if you could just relax and enjoy it
1041. >Vinyl turns around and walks up to the table, giving a hand signal to seemingly no one
1042. >"Ladies and gentlemen, DJ~ Pon-3," You hear an announcer. "She will be back with you shortly"
1043. >Vinyl sits down, she looks a little tired and she's sweaty
1044. >You can see she loves it though, she looks more excited and happier than ever
1045. >She makes some hand signs
1046. >"Oh yes, I am enjoying myself very much. What about you Anonymous?" Octavia asks.
1047. "I've seen better." You say with a shit eating grin
1048. >You didn't, but it's fun teasing Vinyl
1049. >She grins back at you
1050. >Hand signs
1051. >Octavia sighs. "She says it's on."
1052. >Waiter brings some Buck-Up along with a long glass filled with ice
1053. >It's an energy drink
1054. >Vinyl quickly pours it into the glass and chugs it all down
1055. >Taking an ice cube in her mouth she gets up and gives another signal
1056. >"We are back with DJ Pon-3~" Crowd goes wild as Vinyl steps up to the stand and raises her hands to greet the audiance
1057.
1058. >You are Ursula Ditkovich
1059. >Currently walking around, looking for an open shop
1060. >It is past 11 PM
1061. >Maybe your father was right, you should've bought the flour in the morning
1062. >But you came a long way from home, so you don't want to just give up and go back home
1063. >You are walking on the opposite side of the road to a night club, you can hear the music from there
1064. >Club Vendigo
1065. >You like the music, you should maybe sneak out some time to come here instead of buying flour
1066. >A grumbling noise coming from an alleyway catches your attention
1067. >Walking towards the alleyway, you hear a dog, crying
1068. >Poor thing must be hurt, maybe you can help him
1069. >As you turn around the corner and follow the voice, coming from behind a garbage container, you see something that makes you question the reality of the situation
1070. >There is a man, holding the dog in the air while biting into its neck
1071. >Dog is desperately trying to wiggle itself out the man's grasp, but his hands, holding the dog's back and front legs together, doesn't move an inch as he grunts and breaths heavily
1072. >You must've fallen asleep in home and now you are having a nightmare
1073. >This cannot be real
1074. >Can it?
1075. >Either way, you need to get away from here before that man sees you
1076. >You quietly turn around as you listen to the dog's cries
1077. >There is nothing you can do
1078. >There is nothing you can do
1079. >You repeat in you mind as you start walking away
1080. *Splash*
1081. >You freeze in place
1082. >You stepped into a puddle
1083. >Scared to even look back you pray that he didn't hear you
1084. >Dog runs past you without stopping, just like you did
1085. >There is nothing it can do
1086. >Shaking in fear, you slowly turn around
1087. >He's walking towards you
1088. >You see his mouth move, but you can't hear him over your heartbeat
1089. >Blood is dripping from his chin to his jacket
1090. >As he steps closer, you take a step back
1091. >Only to trip on your own leg and fall
1092. >He walks closer, you can't even move away
1093. >Your mouth opens as he reaches for you
1094. "HELP ME! HEEEELP!" Your scream rips through the night
1095.
1096. >You are Thousand Sunny
1097. >This is not a good time for jokes
1098. >Because you've just heard a really really desperate scream
1099. >You are Sunset Shimmer
1100. >And you are swinging towards the scream as fast as you can
1101. >As you start hearing some music, a night club comes into the view
1102. >Club Vendigo
1103. >"HEE-"
1104. >Another scream puts you in right direction
1105. >To an alleyway across the night club
1106. >There you see a man dragging a woman into the alleyway while trying to cover her mouth
1107. >Wait, you know her
1108. >That's Ursula!
1109. >You fling yourself towards them with you web
1110. >Your first action should be getting Ursula somewhere safe
1111. *Thwip*
1112. >You catch her with your web on the right hand and pull her out of the man's grasp
1113. >Throwing another web from your left wrist, you attach it onto a building and pull up
1114. >It must be a really unplesant experience for Ursula
1115. >She's been screaming her lungs out the whole time
1116. >But now you got her on the roof and away from that man
1117. >"No, please. Please, leave me alone!" She is trying to get up on her feet but probably too afraid
1118. "Hey hey hey, look at me. It's okay, I'm not here to hurt you." You try to calm her down. "You are safe now, but I have to catch the guy that attacked you. Just wait here, alright?"
1119. >She's still frightened but she gives you a hesitant nod
1120. >"Good, don't go anywhere." You jump down the building into the alleyway, but the attacker isn't there
1121. >You sprint to the street and saw him running away
1122. *Thwip*
1123. >You spin a web to catch him but he does something you didn't expect
1124. >He swings around and catches your web before it can latch onto him
1125. >You two stay like this for a moment, looking at each other with surprise
1126. >Then you recover and pull on the web you just spun
1127. >He gets of the ground, flying towards you
1128. >A second later his face meets your punch and he flies away from you
1129. >He slowly starts to get up but you will not let him
1130. >His back is turned
1131. >You pounce onto him, intending to land a kick in the back of his head
1132. >He ducks
1133. >"I do not-" He starts but you cut him off, throwing a punch to his face which he dodges with ease
1134. >"-want-" He dodges another punch
1135. >"-to fight." But you were expecting that
1136. >You keep the momentum from your missed punch and carry it into a roundhouse kick to his side
1137. >He falls down towards the road and you spin a web to glue him to the ground, catching him on the right hand
1138. >He tries to rip get free but he can't
1139. "Don't worry." You say. "There won't be much fighting."
1140. >He keeps pulling the web
1141. "Don't waste your energy. That web is- Oh..."
1142. >He actually broke free by ripping apart your web
1143. "I guess we're going to play a little."
1144. >You throw another web but he ducks under it and jumps onto you
1145. >You jump up, press on his shoulders and send him thumbling down on the road
1146. "Leap frog!"
1147. >He jumps right back up
1148. >This time he just runs toward you
1149. >You somersault above him and throw a web to catch him on the back
1151. >Was he expecting it?
1152. >Not leaving you much time to think, he pulls you towards him and punches you in the face
1153. >You spin around and fall on your face
1154. "Nice move." You say sarcastically while getting up
1155. >"Learned it from you."
1156. >Cheeky
1157. >He doesn't follow up with another attack so you decide to go this time
1158. >You spin another web which he catches as you expected
1159. >He pulls onto it, but you already let go
1160. >Expecting more mass to pull, he loses his balance and you kick him in the guts, sending him crashing into a car
1161. >It actually caves in and the man falls to the ground
1162. >You definitely broke some bones there
1163. >Hopefully he's not injured too bad
1164. >He starts moving again
1165. >This is one sturdy guy, huh?
1166. >Something is wrong
1167. >He looks up from the ground and screeches, making you cover your ears
1168. *Run*
1169. >Adrenaline is pumped into your veins as you feel the impending danger
1170. >You jump up as he leaps to your previous position to grab you with his right hand, but he catches your ankle with his other hand
1171. >You suddenly impact the ground
1172. >The air is knocked out of you lungs
1173. >You feel a hand grabbing your throat
1174. >Now you are flying through the air
1175. >A wall abruptly stops your journey and you once again find yourself laying on the floor
1176. >Everything is blurry, but you know one thing
1177. >You have to put some distance between you and this... thing
1178. >You raise you arm and attach a web to the building
1179. >You barely muster the strength to pull yourself up and lay down on the top of the building
1180. >Breathing hurts but at least the blurry vision is decreasing
1181. >You should make sure that thing doesn't follow you up here so you get up on your feet and look down to the street
1182. >Good news, he isn't coming for you
1183. >Bad news, he just went into the night club
1184. >You are pretty sure he isn't going there to party
1185. >You jump down once again and hurry into the club after him
1186.
1187. >You are Anonymous
1188. >You are getting increasingly nervous as nothing seems to happen at all
1189. >You are not sure if this is a good thing or not but you made your bed and now you have to lie in it
1190. >It is at that moment you hear some screams muffled by the loud music
1191. >You rush up close to Vinyl to look down and see what's going on
1192. >Some weird dude is throwing people around like ragdolls as they scream and try to run away
1193. >He catches some guy and takes a bite-
1194. >HOLY SHIT HE TOOK A BITE!
1195. >You hear the music stop as Vinyl halts her playing
1196. >Octavia, also rushed to the DJ booth, speaks with a scared voice
1197. >"What is this? What's going on?" It's weird to see that calm and collected girl so agitated
1198. "I think we are in big trouble." You barely get to finish your sentence as a familiar figure jumps on the crazy dude and throws him across the club
1199. >Towards the DJ booth
1200. >Towards you!
1201. >As he reaches his destination he collides directly with you knocking you to the floor unconcious
1202.
1203. >Be Sunset Shimmer because writefag ran out of puns
1204. >You've just saved that guy from being eaten
1205. >However you threw the monster towards some civilians and possibly injured one
1206. >At the very least it seem that it doesn't geting back up
1207. >Oh no it does, right there
1208. >It's attacking the blue haired girl
1209. >You aim your web towards them and spin it but the creature just ducks down
1210. >Some other girl tries to save her friend but gets a backhand slap that sends her falling down to the dance floor
1211. >You spin your web and throw it twice without interruption
1212. >Once to the falling girl and once to the DJ booth leaving her suspended in the air
1213. >She looks up at you, her face bloodied and swollen and screams
1215. >At that moment you feel for the first time the weight of what you were doing running around in the streets, catching criminals
1216. >You feel for the first time, the weight of responsibility on your shoulders
1217. >You have to get up there, you have to save that girl
1218. >You cannot fail
1219. >You throw your web to the ceiling and pull yourself up ahead towards the booth
1220. >You attempt a dropkick as you close in on the creature, but once again he just dodges your attack without even letting go of the girl
1221. >You need to stop him from moving around but you can't do it if he just avoids your webbing
1222. >But you can try to trick him
1223. >You throw your web towards his face and just as you expected he moves to dodge it
1224. >Using this moment as a distraction you spin more web, this time sticking his feet to the ground
1225. >This however incites an unexpected reaction from him
1226. >The creature roars, blood dripping from his chin and throws the girl toward you
1227. >You brace yourself to catch her but at that moment your injured leg gives in, sending a wave of pain that is enough to make you lose your strength for a moment
1228. >Girl's flinging body hits you like a sack of bricks, sending both of you into a giant loud speaker
1229. >Electric current shakes your body, causing your muscles to contract violently
1230. >The girl you were supposed to save is faring no better but luckily this causes a fuse to blow and cut out the power of the entire building
1231. >You don't notice however as it went all dark for you some seconds ago
1232.
1233. >Be Lemon Zest
1234. >Anon seems like he really screwed things up
1235. >You should fix it before he kills you again
1236. >That is, if you aren't too late already
1237.
1238. >You come to realize that you are Sombra Morbius as the sound and light around you suddenly dies
1239. >Not needing the light, your vision is still clear
1240. >However, you aren't sure about where you are
1241. >You were fighting this strange woman and then it's all fuzzy
1242. >You notice that the clawing hunger is gone now
1243. >The implications of this frightens you and as you look around you find valid reasons for your fear
1244. >The woman you were fighting lies motionless on the ground, along with two others
1245. >You walk towards your unmoving opponent as you hear someone crying
1246. >It came from below which makes you realize that you are standing on a high platform
1247. >Further investigation of your surroundings tells you that you are in a nightclub
1248. >Perhaps the one that was across the street?
1249. >There was definitely a party in process there so if you are in that nightclub...
1250. >"Vinyl?... Anyone?" Calls out tearful voice of a young woman, making you put your speculations aside
1251. >Maybe they can tell you what happened
1252. >You go to the edge of the platform and look down
1253. >It is high but... Something tells you that you can jump down just fine, so you do it
1254. >Reaching the floor you hear a surprised gasp, which tells you where the person you're looking for is
1255. >You turn and see a young woman suspended in the air by some rope
1256. >She looks around, unable to see anything in the dark, unlike you
1257. >"V-Vinyl?" Her voice is so hopeful that you almost don't want to speak and take it away
1258. >But alas
1259. "I am not Vinyl." You speak. "My name is Sombra. Can you tell me what happened here?"
1260. >She frowns but obliges, "Some guy just ran into the club attacking people and this girl came in and threw him up there."
1261. >She points to the platform you were on
1262. >"I don't think she did it on purpose but the guy hit one of my friends and then attacked me, but Vinyl tried to cut him off and h-he-"
1263. >She stops for a second. "Is she okay? Can you go up there and look?"
1264. >You open your mouth but can't bring yourself to speak about it
1265. >Instead you decide on something else
1266. >There is nothing you can do here but maybe S.H.I.E.L.D. can
1267. "Do you have a phone?" You ask the girl. "I'll call for help."
1268. >She nods. "Yeah it's in my pocket." She pulls it out and starts dialing 911
1269. >You take the phone from her before she can finish
1270. "Not 911, you don't want them involved in this trust me."
1272. >You just turn your back to her and dial
1274. "Sombra M. Alpha, foxtrot, one, three, one, one, x-ray, sierra. Requesting immediate medical support to my location. Please suspend any Non-Shield interventions to the area."
1275. >>"Understood, support inbound, ETA three minutes."
1276. >You hang up the phone
1277. >"Did you just call S.H.I.E.L.D.?" The girl asks
1278. >You grab her hand and put her phone in her palm
1279. "I'm sorry." You say before running out of and away from the nightclub, ignoring the girl calling after you
1280.
1281. >Cold
1282. >Dark
1283. >You are laying down
1284. >Who were you again?
1285. >It's fuzzy, but you remember something... someone
1286. >She called you Vinyl
1287. >Yes, you remember
1288. >You were at the nightclub with Octavia and Anon
1289. >Some guy attacked you
1290. >Your hand goes for the two puncture wounds on your neck as you remember the event with more details
1292. >You are naked, but why?
1293. >You try to sit up but before you can move ten inches, your head collides with some metal plate
1294. >Using your hands, you try to find out where you are
1295. >It feels like a metal box
1296. >You shiver, this place is like a refrigerator
1297. >Could it be that...
1298. >No way, this is not a movie, they would know if...
1299. >There is a way to be sure
1301. >Your other foot confirms that this is indeed a name tag as you thought
1302. >There is very little doubt now, you are in a morgue
1303. >You feel panic rising inside you
1304. >What if it's night and everyone left? Would you freeze to death?
1305. >No one would even know that you were alive!
1306. >What would Octavia feel if you were dead?
1307. >Does she think you are dead? Did they tell her so?
1308. >Is she even safe? What if she's in another drawer right next to you?
1309. >You need to get out, now!
1310. >You start hitting the confines of your enclosure
1311. "HELP! LET ME OUT! I'M NOT DEAD!"
1312. >You trash around some more
1313. "IS ANYONE THERE?! I'M NOT... not... dead?"
1315. >You talked
1316. >You just talked!
1317. >It wasn't some meaningless moaning, you spoke actual words!
1318. >How is this possible?
1319. >Not even the clanking sound of your cage's door opening diverts your attention from this highlight
1320. >Only when the drawer is pulled out and light hits your eyes with painful intensity, you realize that you are rescued
1321. >"Oh my God!" You hear a woman's voice. "I can't believe we made a mistake like this! I'm so sorry!"
1322. >You take a few moments for your eyes to adjust to the light
1323. >Slowly opening your eyes, you see a woman with pink hair in a nurse uniform
1324. >"Are you alright?" Nurse asks with a surprised expression on her face
1325. "I think so?" You say. It feels weird to talk again after all those years. "Are my friends okay? Where is Octavia?"
1326. >"Are you sure?" She asks again. "I mean you look okay now but you had severe burns from electrocution when they brought you in."
1327. >You look at your naked body for any injuries, which also urges you to cover yourself with your arms
1328. >"How is this possible? Are you a mutant?" You look back at her bewildered
1329. "No! I'm just a normal girl, this doesn't make any sense! What is going on? Where are my friends?"
1330. >She gives you a suspicious look before speaking
1331. >"I don't know what's happening but we'll figure it out. Your friends are okay, physically atleast. Just a couple of bruises." She takes off her lab coat and wraps it around you. "Here, take this for now. I think they took your clothes as evidence."
1332. >You wear the lab coat on your naked skin and button it up in few places
1333. >"We though you were dead and uh... We let your friends know." She gives you an apologetic look. "The girl you were talking about, Octavia, she passed out and-
1334. >She's cut of by you suddenly jumping on your feet
1335. "Take me to her." You see a little spark of hesitation in her eyes. "NOW!"
1336. >"Okay, okay!" She raises her hands before turning towards the door. "Follow me."
1337.
1338. >You are Anonymous
1339. >You fucked it all up real nice
1340. >Octavia is laying down on a hospital bed, passed out from shock
1341. >You know Spider-Woman is here too, probably in a different room since she needs intensive care
1342. >Maybe you should say Sunset, since they took off her mask when they treated her wounds
1343. >You almost didn't recognize her
1344. >Her skin had red patches, burnt and flayed areas along with swollen pockets all over
1345. >If it wasn't for the fuse, the electrocution might've cost her some limbs
1346. >That's what the doctors said anyway
1347. >You woke up on the way to the hospital, or whatever this place is
1349. >Octavia has a broken cheekbone, Sunset is heavily sedated under intensive care and Vinyl...
1351. >All thanks to you
1352. >You were going to make her speak again
1353. >Instead you silenced her for good
1354. >Oh, and you got out scot-free!
1355. >Now your powers won't say anything to you
1356. >Guess you really can't bring back the dead
1357. >Look what you powers got you anyway, it's better off if you stop using them
1358. >Sound of the door opening draws your attention
1359. >In walks a very familiar figure dressed in a lab coat along with a woman with pink hair
1360. >You feel you heart lighten and tears welling in your eyes
1361. >She rushes towards you and Octavia, stopping right next to the bed and leaning over the black haired girl
1362. >"Octavia." She whispers as she puts her hand on the girl's cheek
1363. >You are left absolutely breathless
1364. >It worked
1366. >And she's is talking
1367.
1368. >You are Aryanne Degurechaff
1369. >A high level Hydra field operative and assassin
1370. >You've been summoned for a new mission
1371. >Following beside you is Tracey Cage
1372. >While she is under your command, she doesn't always go with you on the field
1373. >She's a voluntary test subject of Hydra experiments
1374. >She takes pride in being a lab rat, something you don't understand
1375. >You both support a black leather Waffen-SS uniform with a Hydra armband
1376. >Tracey is also wearing a large metal collar with a short chain attached to it
1377. >Which is weird because you haven't seen her with that before
1378. "What's with the collar?" Your question is met with one of her signature predatory grins
1379. >"It's a surprise, you might get to see it if our mission goes bad."
1380. >You stop before a large mahogany door with a symbol of the organization carved onto it
1381. >You knock on the door and a quick "Come in!" is heard before you walk in
1382. "Hail Hydra!"
1383. >"Hail Hydra!"
1384. >You both salute the man who's sitting behind his desk
1385. >"Hail Hydra," He responds nonchalantly. "I will not take much of your time, the mission is very straight forward."
1386. >He hands you a dossier, which you open upon recieving
1387. >It's about a man named Sombra Morbius
1388. >"The man you see there is a SHIELD scientist." He gets up from his chair and starts walking
1389. >"He went AWOL about seventy-two hours ago and according to our sources his location is currently unknown." He walks around the table and comes closer
1390. >"We know he was working on an important project for SHIELD and unfortunately for us didn't finish his work before leaving."
1391. >"We want him found and brought here, alive." He says, looking at Tracey "So he can complete the project."
1392. >"Yes Baron." She responds, knowing her failings in the past
1393. >"We think the doctor may have been enhanced." He looks back at you, "That's why we are giving you your blood bag. Keep her under control."
1394. "Yes Baron." You respond
1395. >He walks around the table and returns to his chair
1396. >"Be on your way then, and good luck. Hail Hydra."
1397. >"Hail Hydra!"
1398. "Hail Hydra!"
1399. >You exit the room along with Tracey
1400. "Make your preperations and meet me at the courtyard, you've got fifteen minutes." You talk stern
1401. >"Yes ma'am." She hastily takes off, but you stop her
1402. "Tracey," She turns to you. "If you kill him, I will personally cut your limbs off."
1403. >She barely supresses another grin. "Yes ma'am."
1404. >You nudge her to continue
1405. >Wrong choice of words, Aryanne
1406. >How do you punish someone who enjoys punishment?
1407. >You should figure something out before you find your target or Tracey might just kill him in hopes of getting tortured
1408. >Fifteen minutes later you and Tracey are both walking towards a helicopter LZ
1409. >You are both wearing jeans, a white shirt and a leather jacket
1411. >You assume Tracey has a gun and a giant knife hidden there
1412. >Only thing that is a bit off is that metal collar she's wearing but she insists it might be necessary
1413. >As you take your seats in the helicopter the co-pilot hands you a pair of headphones
1414. >Putting them on, you speak to the pilot
1415. "Drop us off at Hammer Industries building located in Canterlot. The security is informed about two VIPs coming, we expect no problems."
1416. >"Understood." He says before taking off
1417. >The headquarters isn't very far from Canterlot city, so this should be a short ride
1419. >She returns your look with a wave of her hand and a cute smile
1420. >Someone who doesn't know her would think she's a nice person
1421. >"What's wrong Anne?"
1422. >You've been staring
1423. "Nothing." You say as you turn away from her
1424. >There is an idea you have in mind to stop her from killing your target
1425. >You don't like it and she might not even be planning to kill him
1426. >But Baron seems to believe this mission is really important, so you will not take any chances
1427.
1428. >Be Anonymous
1429. >You are having trouble deciding about where you want to look at
1430. >Octavia just woke up and decided to welcome Vinyl with a very enthusiastic french kiss
1431. >A very long and sloppy one too
1432. >You are pretty sure Vinyl has no clothes under that lab coat because you can see her nipples poking out
1433. >Anon Jr is at full attention
1434. >You had no idea Vinyl and Octavia were... uh, dating?
1435. >Goddamn they just won't stop huh?
1436. >You panic a little when Octavia's hand starts to lift up the lab coat
1437. >Thankfully the nurse intervenes
1438. >"Woah! Woah!" She pushes them away from each other. "Enough kissing, okay?"
1439. >Her face is a little red from the commotion
1440. >Then there is Octavia's face when she realizes there are other people in the room
1441. >You think she might be going for a purple-ish color there
1442. >This Octavia is VERY different from the calm and collected one you came to know at school
1443. >"A-Anon! Hi!" She stutters. "I was uh... We were just-"
1444. "I didn't see anything." You deny your spectatorship
1445. >"Yeah you did!" Vinyl jumps in, pointing at your raging erection
1447. >Meanwhile Octavia looks at her girlfriend, startled
1448. >"How did you- You talked?!"
1449. >Vinyl gives her a smug look accompanied by a nod
1450. >"Oh, Vinyl!" She basically tackles her to the ground which exposes some of Vinyl's lower parts
1451. >It's only a side view but you can't help but stare
1452. >"You like watching huh Anon?" Vinyl's voice brings you back to reality
1453. "N-No!" You blurt out
1454. >Now you understand why Octavia didn't translate everything to you
1455.
1456. >You are Aryanne
1457. >You and Tracey just arrived at Hammer industries building and are exiting the chopper
1458. >You see someone waiting for you at the landing zone
1459. >A man wearing a white suit, carrying a suitcase
1460. >As you and Tracey walk away from the LZ and toward the entrance he runs ahead and holds the door
1461. >Once you are inside he greets you appropriately
1462. >"Welcome. It is great to have visitors from our partners." He reaches for a handshake which you accept
1463. "I'm afraid we will not be staying too long," You remark. "as you are probably aware."
1464. >"Of course, duty first." He gestures to an elevator door. "This way, please."
1465. >Following the man, you two board the elevator and allow him to lead you to the ground floor of the building
1466. >He keeps walking as you two follow him through some scientific personnel, workers and security
1467. >Once you are outside the building he finally shows you to a car
1468. >"We had this prepared for you, completely disposable so don't worry about keeping it safe."
1469. >While it is not too luxurious, the car is not very cheap looking either
1470. >It is also somewhat dusted so it doesn't draw attention at all
1471. >"Of course, if you prefer something more mobile," the man adds, "we can get you a couple of motorcycles instead."
1473. "No this is just fine, thank you." He gives you the keys and hold the suitcase for you to take
1474. >Your questioning look is returned with an explanation
1475. >"This is a prototype, portable railgun. No bigger than a pistol but much more silent." He clarifies. "It had performed perfectly on every lab environment and we'd like you to give it a field test, if that's possible."
1476. >You don't really want to risk anything by testing a prototype, but something silent might be good to bring along
1477. "I will see, if an opportunity presents itself." You take the suitcase
1478. >"That's all we ask." He says, taking a few steps back
1479. >You unlock the car and nudge Tracey to get in which she obeys immediately
1480.
1481. >Sitting behind the wheel you start up the engine and start your way towards the provided address
1482. >Time to make sure Tracey doesn't kill the guy you're after
1484. >"Hm? What?" She asks nonchalantly
1485. "Remember how I said I would punish you if you killed our target?"
1486. >"Yes~?" She sounds perky
1487. "I changed my mind." You can just feel her mood drop even though you aren't looking
1488. >"That's okay." She speaks with disappointment. "I mean, I wasn't going to deliberitaly kill him or anything, Baron was really serious this time, but I was hoping for an accident."
1489. >Huh, maybe you misjudged her self-control
1490. >She might not need an incentive afterall
1491. >"You should trust me more, you know?" She bemoans. "You break my heart sometimes."
1492. "You don't have a heart. Literally." You object
1493. >"Not funny." She sits back in her seat looking through the side window
1494. >Now you feel kinda bad, she does always obey your orders
1495. >Albeit with some childish complaining sometimes, but that's kinda her thing
1496. "Tell you what, if you do a good job on this mission, I'll get you a new knife."
1497. >"I don't want a new knife, I like my knife." You sigh
1498. "What do you want then?" She turns around and looks at you
1499. >"I want you to stab me." You can hear her grin. "In the chest, repeatedly."
1500. "Goddammit Tracey!" She just giggles like the fucking lunatic she is
1501. >"You'll do it though, right?" Sudden seriousness in her voice would startle you in your early days with her
1502. "Yeah, I'll do it." You say while you step on the gas pedal a little harder in frustration
1503.
1504. >Be Vinyl Scratch
1505. >You, Tavi and Anon decided to see how Spider Woman, or Sunset, is faring
1506. >Now that you are in her room, you almost feel bad for walking away fine from this
1507. >She has bandages all over her body and she's hooked up to so many machines that she's covered in cables and tubes
1508. >It seems like she lost some of her hair too, or maybe the doctors shaved it to clean the wounds properly
1509. >You are standing at the side of her bed, Octavia hugging your arm and Anon is at the bottom of the bed along with the nurse
1510. >During your small conversation on the way here you learned that her name is Clare Redheart
1511. "Will she be alright?" You ask the her
1512. >"She survived the first crucial hours, so we expect a full recovery." Redheart starts. "However, she still needs to be kept under close watch for the time being."
1513. "How long?"
1514. >She thinks for a while
1515. >"Aside from what you can see, she has internal injuries and some bone fractures aswell, but from what we observed so far she's healing really fast."
1516. >She looks at you with inquisitive eyes
1517. >"Not as fast as you, but we expect her to be fully healed in about two weeks. She will be up on her feet in a couple days."
1518. >That's good to hear atleast, but still, you know better than anyone that doesn't mean she'll walk away without a reminder of this event
1520. >"Well, with her healing ability, she might not have any permenant scars, but there is no way to be sure." She curls the corners of her mouth in a weird expression. "At least electrocution scars look pretty."
1521. >You nod and notice that Anon has been just staring intensely at Sunset this whole time
1522. "Anon?" His snaps back from his thoughts and looks at you. "Are you alright?"
1523.
1524. >You are Anonymous
1525. "Uh... Yeah. Yeah I'm fine."
1526. >You're not fine
1527. >You did this
1528. >Your wish to help Vinyl led to someone else getting hurt
1529. >You cannot even say that you didn't know this would happen
1530. >You were okay with stabbing someone for it
1531. >Why not electrocute someone? Is it okay as long as they don't die?
1532. >How did you even know that no one would die?
1533. >Vinyl almost died
1534. >What you did was right, but how you did it...
1535. >Does the goal justify the means?
1536. >You want to say it does but could you say that to Sunset?
1537. >Some more indistinct conversation finds its way to your ears as you get lost in these thoughts once again
1538. >You realize she was calling your name for a while when you finally perceive Octavia's words
1539. >"Anonymous? Are you sure you are alright?" She looks worried. "You seem really out of it."
1540. "Don't worry about it." You say plainly. "I'm just a little shaken is all."
1541. >She looks back at Sunset. "I know what you mean." Then looks back at you again. "Ms. Redheart was saying that we could have some breakfast in the cafeteria. Are you coming?"
1542. >Breakfast huh? Has it been that long?
1543. "You go ahead. I'll catch up."
1544. >"But you don't know where the cafeteria is." Nurse objects
1545. "I'll ask around." That sounded a bit too harsh even though you didn't mean to say it like that
1546. >Some weird looks are exchanged between the trio before Octavia talks
1547. >"Alright, see you there then..." She says before they all quitely leave the room
1548. >You wait a few seconds before talking
1549. "I'm sorry, Sunset. I didn't mean for this to happen."
1550. >You are not sure if she can hear you
1551. >You are not sure whether you'd want her to
1552. "I was just trying to help Vinyl get her voice back and everything just went out of control."
1553. >You feel some tears welling up and stop for a moment
1554. >No need to raise anymore questions, so you'd rather not go to the cafeteria with red eyes
1555. "I don't know what I can do but I'll make this right. Who knows? Maybe I can save your life without you even knowing about it."
1556. >Thinking about you and her like a team brings a little smile to your face
1557. >You start walking out of the room, but stop as you open the door to say a few more words
1558. "Rest well and get better soon. And don't worry, I'll try to keep the streets safe for you. Somehow..."
1559.
1560. >You are Lemon Zest
1561. >Though S.H.I.E.L.D. is a publicly known organization, they keep the location of their buildings to themselves
1562. >So it is not every day you get to be in one of them
1563. >Unfortunately, you are not here for sight seeing
1564. >You thought that Vinyl's death was why Anon asked, or more accurately forcefully enlisted, your help
1565. >Now it seems that Vinyl didn't die
1566. >All her wounds have somehow healed aswell
1567. >So it must be someone else
1568. >Well, technically Vinyl might still die but for now Sunset seems to be the better candidate
1569. >You wish Anon gave you more to work than "Save my friend," before shooting you
1570. >Still, you don't need to wait around to see if Sunset dies from her wounds
1571. >There is nothing you can do to prevent it if that's the case anyway
1572. >Which means that since you don't know who it is that dies, it'll be hard for you to stop that from happening
1573. >So you will probably have to die again
1574. "Goddammit." You mumble.
1575. >The worst part is that there is no way to avoid it because anything Anon want's somehow ends up happening
1576. >With unexpected consequences, sure
1577. >But if he wants you dead, you are pretty sure you'll die
1578. >It's unfortunate that you have a moral compass that stops you from killing people
1579. >You could just kill him here and be done with it
1580. >Well, since there is nothing you can do here, you might as well follow Anon to the cafeteria and get some breakfast yourself
1581. >You wait next to the door and quickly exit as he opens it
1582. "Why thank you, Anonymous. Such a gentleman."
1583. >No answer, of course. He can't hear you
1584. >Food in the cafeteria looks good
1586. >You'd love to get a food tray and sit somewhere, but making things that don't touch your skin imperceptible requires actual work from your part
1587. >Needless to say, you are pretty tired
1588. >You've been following Anon around for a few days now and you got no sleep last night
1589. >You need some place to sleep that won't get you caught, you can't use your powers while you're asleep
1590. >You just go ahead and grab a fork
1591. >Taking a tray and making the food disappear may be hard, but you can just eat here
1592. >It does look like self service, there is no "lunch lady", so floating food won't gather much attention
1593. >You hope
1594. >It is good that there is not many people getting breakfast too
1595. >You wait a little for Anon to finish up and start up with some cheese
1596. >It's pretty gouda
1597. >Heh
1598. >Looking around to make sure no one's watching, you continue your meal
1599. >After a while, it starts to get crowded
1600. >Apperantly you were just early, so you decide not risking getting caught and head for the table that Anon and others are sitting
1601. >People in your way subconciously move away from you
1602. >Once you are at the table, you listen in on the conversation
1603. >"They should let you go after getting a report on the events at the club." Nurse speaks. "I think it would be smart to run some tests on you though." She says to Vinyl. "I think you might have acquired some new abilities."
1604. >"Like superpowers?" Vinyl seems excited. "Oh man, this is great!"
1605. >You are kinda impressed how comfortable Vinyl is with just a lab coat as her attire
1606. >Pretty hot to be honest, Anon would agree you imagine
1607. >He doesn't seem like he's paying attention to anything around him right now though
1608. >Probably thinking about Sunset if you were to guess
1609. >"OW! OW! OW! MMMHH!" Vinyl's cry makes you and everyone else look at her
1610. >She's holding her tummy with a pained expression
1611. >"What is it, Vinyl? What's happening?!" Octavia asks.
1612. >"I-" She gags. "I think I'm gonna throw up!"
1613. >"Let's get you to a bathroom." Nurse quickly gets up and helps her to her feet, but before they can go much further she bends forward in pain
1614. >Once again, she's grasping her stomach. "Ah, it hurts!"
1615. >Falling on her knees, she gags again and eliminates the need to get to a bathroom
1616. >All others can do is watch
1617. >She keeps gagging even after there is nothing left to let out
1618. >Octavia rubs her back while Vinyl tries to catch her breath
1619. >"I think I need to lay down." She says with a tired voice
1620. >Octavia helps her up and grabs her around the waist, lifting some of her weight
1621. >"I'm sorry about all this." Vinyl says to the nurse
1622. >"It's fine." She cuts short and turns to Octavia. "Take her to the room you were staying, I'll be there once I find someone to clean this up."
1623. >Octavia simply nods and motions Anon for help
1624. >As the two help their friend to a bed you follow suit, reviewing your theories
1625. >Maybe Vinyl's not so well after all
1626.
1627. >You are Aryanne
1628. >Tracey and you are sitting in the car, across the road from Morbius' apartment
1629. >"I hope you're right, Anne." Tracey says. "I really want some action."
1630. "I don't think S.H.I.E.L.D. would just leave the scene unchecked." You reply. "There must be someone watching the place."
1631. >"Well, do we go in or not?" She's ecstatic as ever
1632. "Yeah, let's go. Just try not to get too much blood on yourself." You switch one of your guns with the railgun before heading out
1633. >It is a weird weapon
1634. >It seems to have not one, but two magazines
1635. >One for small metal balls that it launches, one for a power cell that contains the electrical energy to accelarate the projectiles
1636. >Strikes you as inefficient, they could make them into one magazine if they measured the power needed to launch each projectile
1637. >Then again, there may be other factors you aren't aware of
1638. >This is why they wanted you to test the weapon
1639. >You walk into the building and start climbing the stairs
1640. >There are other people living here, you shouldn't carry your weapons openly
1641. >You may need them fast though, so you are holding one with your right hand behind your back, concealed under your leather coat
1642. >A couple floors up and you reach the door you seek
1643. >Tracey takes the lead as you take position for cover fire if needed
1644. >She kick the door in and you both rush inside with weapons in your hands ready to fire
1645. >Checking the rooms one by one, you clear the entire place, not encountering any hostiles
1646. >You stand there confused for a moment
1647. >S.H.I.E.L.D. can't be this sloppy
1648. >It is in that moment one of the windows shatter into a thousand pieces and you hear a metallic ping
1649. "SNIPER! GET DOWN!" You yell, running for cover
1650. >You put a wall between you and the shooter
1651. >Tracey is laying motionless on the floor, her eyes looking out of the window that the bullet came in from
1652. >You are worried for a second until she speaks
1653. >"He thinks he go' e." She says, without moving her lips. "I can't see 'ere he is though, I need another shot."
1654. >Thinking for a second, you reach and grab a desk lamp
1655. >You and slowly raise it in front of the window, into the sniper's field of view
1656. >Sure enough, he takes the bait and shoots the lamp off your hand
1657. >It is at that moment Tracey gets up and fires her gun out the window
1658. >Another shot from the sniper hits to a random spot inside the room
1659. >Silence falls as Tracey stops firing
1660. >There is no more shooting
1661. >Tracey either hit the guy or he decided to relocate after beind found out
1662. >You shouldn't risk it though
1663. "Let's get out of here and be sure he's dead." You say
1664. >Rushing out of the apartment and through the stairs, you exit the building with Tracey in the lead
1665. >Once you reach the sniper's nest, you see him fallen face first next to his rifle with the back of his head blasted open
1666. "Nice shot." You say, holstering your gun
1667. >Tracey also lowers her gun and turns to you. "Look." She lifts up some of her hair and you see some metal showing under her skin. "How much of my hair is gone?"
1668. "Not much." You answer. "I wouldn't notice if you didn't show me."
1669. >"Good." She says before kicking the sniper's dead body. "You. Son. Of a. Bitch."
1670. >You put your hand on her shoulder
1671. "Let's get back to the apartment. He might have alerted them. We don't have much time."
1672. >You hear some cars stopping and go take a look out the window
1673. >Some troops in tactical gear exit the cars, armed with M4s, along with a man wearing a suit
1674. >Presumebly the man in charge
1675. >Some of them go up your target building while some head for the building you are in
1676. >Two of them is left behind to protect the man in suit
1677. >You have an idea
1678. "How would you like to go on a killing spree?" You ask your companion
1679. >"Oh yes! Finally!" She exclaims. "What about not getting bloody?"
1680. "We are way past that point." She grins wider than she ever did today. "Just one rule, don't kill the man in the suit. We need him. You can take out the ones in this building. I'll provide you cover fire once you go outside."
1681. >"Yes. Ma'am." She says, exiting the room
1682.
1683. >Be Tracey
1684. >Boy oh boy!
1685. >It's time to shine and have some fun
1686. >You draw your giant knife in your right hand and switch the gun to your left
1687. >Sounds of the soldiers climbing the stairs reaches you
1688. >You go to an apartment just next to the stairway and ring the doorbell
1689. >Sure enough some woman opens the door shortly after
1690. >Which you immediately shush by hitting in the head with the stock of your gun
1691. >You walk in and shut the door, looking through the peephole for enemy movement
1692. >One guys passes by the door
1693. >Two... Three... Four... Five... Six...
1694. >They are all headed for the sniper's nest
1695. >You won't let them reach there
1696. >Moments later when no one else passes by the door, you go out and get the jump on the sixth guy
1697. >You run your knife all the way through his right lung and out the other side, causing him to let out a pained cry
1698. >You lift him up in the air by using the knife as a handle
1699. >The others turn around to see their friend dangling from your blade, frantically trying to get free while he slowly drowns in his own blood
1700. >You fire your gun and take out the guy closest to you
1701. >"I CAN'T GET A CLEAR SHOT!" One of the soldiers yell as you use his impaled friend as a shield
1702. >"RUSH HER DOWN!"
1703. >With the order, they start running towards you
1705. >Your opponents hesitate for a second, thinking that you are turning this into a hostage situation
1706. >You just pull the trigger and blow the man's brains out before hurling the body at an attacker
1707. >As he fails to avoid the incoming projectile, you aim your gun to another and shoot him in the face
1708. >It is at this moment they start shooting at you
1709. >You quickly run back to the apartment you were just in, only getting shot a couple of times
1710. >You take position just beside the entrance as you feel the gelatinous compound under your skin harden and stop the bleeding quickly as it comes in contact with the air
1711. >Bullets might be still inside, but that hardly matters since you lack many organs that would be considered vital for a human
1712. >No heart or lungs
1713. >Only potential danger from the bullets is heavy metal poisoning, but that's a long shot
1714. >Heh, puns
1715. >Blood loss is still a thing though and you have only so much of that clotting agent in your system
1716. >"What the fuck man?!" You hear one of the soldiers
1717. >"Seer, this is Yankee Leader, we have been ambushed, three officers KIA, pursuing the assailant, over." This must be the team leader
1718. ~Copy that, be careful Yankee, over~
1719. >"She's inside that apartment. I think we shot her."
1720. >"Let's end this."
1721. >The moment you see a barrel of a rifle poking in, you switch your knife to a reverse grip, turn around the corner and run it through the man's throat
1722. >He's coughing up blood while his hands try to grab the knife
1723. >Other two start shooting but you once again move behind the ,now dead, man and walk towards them while using him as a shield
1724. >Oh the irony!
1725. >You are done with this bullshit
1726. >Raising your gun, you aim for their legs and fire your weapon
1727. >They both fall to the ground
1728. >Letting your lifeless victim go with the knife still inside him, you also drop your gun and squat between the injured man
1729. >Acting quickly, you yank their weapons from ther hands and throw them away before talking
1730. "One of you gets to leave this building alive." You say with a big grin on your face. "Can you help me make a choice?"
1731. >They say nothing for a few seconds and then one of them spits in your face
1732. >"Fuck you! You bitch! I'm gon-" You grab his mouth and silence him
1733. "Thank you." You say before start bashing his head against the concrete
1734. *Smack*
1735. *Smack*
1736. *Smack*
1737. *Crunch*
1738. ...
1739. >Other guy tries to get up, but you push him down by the throat
1740. >Every hit sends a shiver down your spine and you laugh with ecstasy
1741. >After a while the sounds turned into a wet slapping, but the pleasure you take only gets more and more intense
1742. >Unfortunately, you have a job to do so you have to let this go
1743. >You stand up and force the last soldier to his feet
1744. >You are still slowly choking him so he can't make any noise
1745. >Walking towards an apartment that oversees the entrance of the building, you kick the door in and walk inside
1746. >You see some guy with a knife in his hand getting ready to attack, but he just backs up to a corner after laying eyes on you
1747. >You just ignore him and walk towards a window
1748. >Without bothering to open it, you just throw the man you're holding out the building
1749. >Breaking glass and the body that hits the floor grabs the attention of men that are waiting down the street
1750. >When they look up, you smile and wave your hand before going back in
1751. >That should make them call back the team in the other building
1752. >Walking out of the apartment, you grab your weapons and start decending the staircase
1753.
1754. >You are Aryanne
1755. >There is some shooting and screaming going on
1756. >You are not concerned with that however
1757. >Tracey has her own job and so do you
1758. >You are going to wait for the team in the other building to come out
1759. >You could engage them from here, you see them, but that would give them too much cover
1760. >Once they come out into the open, you will have the height advantage
1761. >They won't be able to hide very well
1762. >If they find a way, then so be it
1763. >That will give Tracey more opening
1764. >You see some poor soul plummeting to his death
1765. >So does the man in the suit
1766. >It doesn't take him too long to speak to his radio
1767. "Good work, Tracey." You say as you push the sniper's corpse aside and get ready to fire at anyone that's on the street
1768. >Sure enough, not even half a minute later, second team comes out of the building, positioning themselves to open fire at Tracey if she walks out of the front door
1769. >You count five of them
1770. >It's time
1771. >You take aim and fire while slowly breathing out
1772. >As the somewhat reduced sound of the suppressed rifle echoes through the street, your target hits the floor, lifeless
1773. >"SNIPER!"
1775. >As the soldiers scramble to find better cover, Tracey runs out and starts shooting at them
1776. >You see one aiming at her and take your shot
1777. >Not being aimed as carefully, your shot doesn't kill the man, but takes his arm off from the elbow
1778. >You reload the chamber and finish him off with a second bullet
1779. >Mean while Tracey took out two of them before running for cover
1780. >She's changing the magazine
1781. >Someone's moving in on her
1782. >You realign your sights, but before you can shoot, some bullets lodge themselves around the window you are firing from
1783. >Ducking to avoid getting hit, you scream to warn Tracey
1785. >You run out the apartment to find a new nest, hoping she heard you
1786. >Not that she's in serious danger, but she gets really mad when she's injured in fights
1787. >And she's not immortal, so getting shot less is a better idea
1788. >Seing an open door, you run inside
1789. >Some guy with a knife is sitting on the floor in fetal position, shaking
1790. >You ignore the man and take position
1791. >The guy who shot at you is still aiming for your previous spot while the other three are exchanging bullets with Tracey
1792. >One he came after her is laying on the ground with his guts spilled all over
1793. >You should finish this quick, if the man in the suit is any capable, he must've asked for more reinforcements
1794. >You take aim and shoot the guy who's aiming for you
1795. >"FUUUCK!"
1796. >One of them screams and starts running back to the building
1797. >You move your sights but Tracey gets him first so you change your aim for the last guy with the uniform
1798. >One more pull of the trigger and he's down as well
1799. >You watch as Tracey gets out of her cover and starts walking towards the man in charge
1800. >It's all up to her now
1801. >You leave the apartment and start walking down the stairs
1802. >The guy sitting on the floor didn't move an inch this whole time
1803.
1804. >Be Tracey
1805. >This idiot actually said the line!
1806. >"Drop your weapons!" You just stand still
1807. >He's carrying a pistol unlike the men he commands
1808. >Well, commanded
1809. >You'd laugh at him, but you are kind of pissed right now
1810. >You heard Anne's warning, but the bastard still got you in the shoulder
1811. >Rolling your eyes, you let your gun and knife fall to the floor
1812. "Now what, big man?" You ask. "You gonna cuff me?"
1813. >"Turn around and get on the floor!" He takes a few steps around the car he's been using as cover
1814. >That one actually get a giggle out of you
1815. "I'm going to come over there and we'll go on a ride together, if y-" He fires a shot to the ground next to you
1816. >"I said on the ground!"
1817. >Oh, how you wish if you weren't ordered to keep him alive...
1818. >Ignoring him you continue speaking
1819. "If you shoot me, I'll rip off one of your fingers for every bullet that hits me." You start walking again and he fires the gun
1820. >Three bangs, three hits
1821. >Doesn't even slow you down
1822. >Clearly surprised, he slowly lowers his gun
1823. >You grab him by his shirt and pull
1824. "I warned you."
1825. >You hold his left wrist and he starts trashing to escape
1826. >"No, no, no! No please!"
1827. >All futile
1828. >Wrapping your hand around his index finger, you twist it with a satisfying crunch
1829. >Slowly pulling at it, you make sure he feels every snapping ligament and tendon
1830. >His screams are music to your ears
1831. >And boy, does he scream!
1832. >People that are living around here will probably be traumatized after this
1833. >You move on to his middle finger without giving him a chance to recover
1834. >When you grab his pinky finger you realize screams and trashing has stopped
1835. >Pathetic weakling passed out from the pain
1836. >You get ready to pull off his finger but decide to postpone that
1837. >No point in torture if he cannot feel it
1838. >"Well, if you're done, grab him and let's go." You turn to see Anne handing you your gun and knife
1839. >She seems unfazed by all this, as usual
1840. >You take your weapons and holster them before lifting the guy on your shoulder
1841. "Yeah, let's go." She points at the man's hand
1842. >"You are sitting in the back with him, make sure he doesn't bleed to death." You sigh
1843. "Yes, ma'am."
1844.
1845. >You are sitting at the head of a mahogany table
1846. >While everyone around the table are important people, you are the Prince of Canterlot
1847. >Others that sit in the room are supervisors of different districts around the city
1848. >Only one standing in this room is a young looking boy near the exit, leaning to the wall
1849. "I'm sure you are all eager to know why I've gathered you all here." You say calmly
1850. >"Yeah, the sun is already up." Woman with red hair answers. "What was so important that you couldn't wait until the sundown?"
1851. "You see," you start, "there are rumors of an attack whispered among humans since last night."
1852. >You narrow your eyes with concern
1853. "A vampire has attacked a night club."
1854. >Everyone around the table frown, one gets up from his chair but sits back down, sighing before he speaks
1855. >"How do you know it was one of ours?" He asks while combing his orange tinned blonde hair with his fingers
1856. "I don't." You say plainly. "I suspect the possibility of a vagabond fledgeling."
1857. >"Nonsense." Voice of an old man chimes in. "The punishment for unauthorized conversion is death of both the sire and the childe."
1858. "Regardless," you respond, "the attack happened and I need you to investigate this, all of you."
1859. >You point to the young man standing next to the door
1860. "I will send my own at sundown. Meanwhile, you will use your ghouls and otherwise human servants." You speak firmly. "For all our sakes, we must find the attacker and make sure humans don't get their hands on it."
1861. >"Still, you could've just called." Red haired woman intervenes. "I hate riding the car in that coffin."
1862. "I doubt any of you would personally come to the phone." You say. "It doesn't have the same urgency."
1863. >It's not about their loyalty to you, you know they have none of that
1864. >It's just that they are very uppity with their behavior and they would rather sleep than to answer a phone call
1865. "If there isn't anything you want to add, we can dismiss." No one seems like they have anything to say
1866. >You get up and so does the others
1867. >After a moment, you walk towards the exit while the young man opens the door for you
1868. >You turn back one more time before leaving the room with your varlet
1869. "Remember my friends, we MUST uphold the masquerade."
1870. >Once you are out, you revert back to your true self
1871. >Sickly, broken body of a leper...
1872. >It is unfortunute that your long matured scars remained after your rebirth
1873. >What is more is that when your body heals, it reverts back to its scarred apperance
1874. >So you need to use blood magic to change your visage
1875. >Not that it would make you look weak or it is a secret, a vampire's strength comes from their age
1876. >You'd just rather not look like a rotten corpse
1877. "I want you to look into this, Pip." You speak to your companion. "Go as soon as you can, we cannot have lowly ones of the kin thinking they can do whatever they want."
1878. >"Aye, Miss Chrysalis." He replies. "I be leaving as soon as the sun don't shine."
1879. "Good." You nod
1880. >You should retire to sleep now, it is hard to keep awake when the sun is out
1881. >You are a creature of the night afterall
1882.
1883. >Be Anonymous
1884. >You are once again in a hospital room
1885. >This time Vinyl is laying in the bed and you along with Octavia keep her company
1886. >Redheart collected some blood sample from her and sent it for analysis
1887. >That was the point where the nurse's expression turned into a wary one
1888. >The blood just wouldn't come out
1889. >Now she's checking her blood pressure
1890. >"I'm fine, guys." Vinyl insists. "I was in a freezer for hours, it must be some sort of cold. Though I am hungry again."
1891. >"Just a few tests to be sure." Redheart murmurs for the tenth time
1892. >"It is fine Vinyl. They were going to run some tests anyway." Octavia speaks. "We are going to eat all we want once we are out of here. It'll be a celebration." She entangles her fingers with hers
1893. >It still feels weird to see them like this, they never revealed this side of their relationship before
1894. >You are staring
1895. >You should stop staring before you get teased by Vinyl again
1896. >"This is..." Redheart sounds confused. "You have a blood pressure of 60 over 20. How are you still... awake?" She says
1897. >It is at this moment some guy in a lab coat comes in
1898. >"Here's the resuts you asked for Clare." He says. "Gotta say, this is not what I expected at all."
1899. >Nurse Redheart starts reading the paper as the guy leaves the room
1900. "What does it say?" You ask, hoping that Vinyl is safe
1901. >For all you know, she could die now
1902. >She talked, right? That was what you wanted
1903. >The rest is arbitrary it seems
1904. >"What is you blood type?" Nurse asks Vinyl
1905. >"Zero positive. Why?" She asks expectantly
1906. >"Not anymore." She says with an addled voice. "You have no blood type now."
1907. >"What?"
1908. >"What?"
1909. "What?"
1910. >You all ask at the same time
1911. "Is that even possible?" You challenge
1912. >"Apperantly it is." She says
1913. >"But... What does that mean?" Vinyl asks
1914. >"I don't know." She replies. "What I do know is that your body should be in shock from extreme blood loss right now. I'll get you a serum and we need blood transfusion aswell."
1915. "I can do it." You pitch in. "Any type is fine right?
1916. >You feel like maybe doing this could put your conscience at ease a little
1917. >"That's sweet of you, Anonymous, but I would like to be the one who shares blood with Vinyl." Octavia says with a light blush on her face
1918. >"Wow, don't fight over me you guys." Vinyl says with a smug, sultry grin on her face. "There is enough of me for both of you."
1919. >Unf...
1920. >This new Vinyl might be too much for your heart
1921. >"Ahem~" Redheart gets your attention. "Well, actually, I need both of you so... good news?"
1922. >"Oooh! It's a threso-" Octavia shuts Vinyl up by pressing a hand to her mouth
1923. >"Vinyl, please!" She says with a red face while removing her hand
1924. >"Okay, okay." Vinyl rolls her eyes. "Let's get this over with then."
1925. >"I'm glad to see that you've reached a decision." Redheart says. "I'll go get the apparatus.
1926. >You faintly hear her whispering something about teenagers to herself as she exits the room
1927. >You look back at Vinyl and see that mischievous look in her eyes
1928. >You'll be tending to Anon Jr.'s needs once you get home if she continues with these "jokes"
1929.
1930. >Be Redheart
1931. >You decided to drop by the lab before doing the transfusion
1932. >You'd rather not risk a patients life based on what may be a mistake
1933. >You walk in and find the same guy that gave you the results
1934. >He's busy with a centrifuge
1935. "Hey, uh sorry." You get his attention. "Are you certain about this test results? They seem... strange."
1936. >"Heh. I know what you mean." He answers. "But we triple checked it, by machine and manually. This blood doesn't react to any antigen or antibody, including various animal's."
1937. >What could've caused such a change? Who attacked them? How did she healed so fast?
1938. >All these questions...
1939. >"You need anything else?" His voice breaks you out of your thoughts
1940. "N-no. No, thanks." You turn around and leave the room
1941. >You should call this in, there is definitely something going on with this girl
1942. >Better to keep watching her for now
1943.
1944. >You are Fury
1945. >It is a code name, but it suits well with your fiery hair
1946. >Real name: Nicole Spitfire
1947. >You are watching a video footage of the street where you lost thirteen agents
1948. >You are not sure about what went on in the buildings, but you have some theories
1949. >The sniper reported contact with two possible hostiles
1950. >According to his report, he had taken out one of them
1951. >He didn't answer any calls after that and was probably killed
1952. >Despite his report, two hostiles left the building, headed for his location
1953. >Agency decided to send reinforcements after not hearing from the sniper
1954. >Two teams went up to two buildings
1955. >According to radio records, the team that was sent to recover the sniper got ambushed and was swiftly eliminated
1956. >One of the team members fell on to the road, presumably thrown out of a window
1957. >Team in the other building encountered no hostiles and was called back to defend the perimeter
1958. >This is where things got interesting
1959. >Angles on some shots suggests that sniper's nest was taken over by one of the hostiles
1960. >The other one however, moves in with some cover fire from the sniper
1961. >At the end of the footage, she gets shot three times from close range
1962. >Despite that she's able to hold the struggling agent in place while torturing him
1963. >Then she carries him on her back to the car
1964. >Definitely an enhanced person
1965. >Agency is looking for them all over, but all you know is that they were after Agent Sombra, an important scientist
1966. >He's been missing for more than three days now and he last contacted the agency last night from a nightclub that was attacked by some enhanced individual
1967. >A report was delivered to you about the incident, saying that you had some eye witnesses under observation
1968. >Maybe it is time you meet these witnesses
1969.
1970. >You are Anonymous
1971. >You and Octavia are now laying on hospial beds, hooked up to some tubes, giving blood to Vinyl
1972. >She's unusually quiet, just looking at the blood flowing through the tubes
1973. >"You alright, love?" Octavia asks Vinyl
1974. >Vinyl seemed like she just snapped out of a daze
1975. >"Yeah, yeah I'm fine. It's just... I didn't realize how weak I was." She looks confused. "But now, my body feels so light. It's... hard to describe."
1976. "That's good, right?" You inquire. "You are feeling better."
1977. >"No, it's more than that." She looks thoughtful for a second, but before she can continue, the door opens
1978. >A woman, wearing black clothes with a long leather coat walks in
1979. >She has short, blond hair with some red mixed in, giving her a fiery look
1980. >She takes a long look at all three of you
1981. >Her eyes feels like they are looking past your skin
1982. >"My name is Fury." She introduces herself. "I am the director of SHIELD." Her voice carries her authority
1983. >"You are eye witnesses of the incident in Club Vendigo." She states. "If you feel alright, I have some questions to ask."
1984. >"They've already took our statements." Octavia speaks. "I don't know what else we can tell you."
1985. >Fury walks toward you and gestures to your bed. "May I?"
1986. >"Y-yeah." You move to the side slightly and she sits down at your feet
1987. >"You know that it was a SHIELD agent that called us for help." Octavia nods. "That agent was, and still is, AWOL. That was the last communication we recieved from him."
1988. >You look at each other, wondering where she's going with this
1989. >"Today, two HYDRA agents broke into his apartment." She furrows her brows. "They killed twelve agents and kidnapped another before escaping the scene."
1990. "You don't think we are HYDRA, do you?" You blurt out
1991. >"Believe me kid, if I did, you wouldn't be laying there comfortably." She answers. "I want to know what our agent said. Maybe it can give us a hint about where he is."
1992. >"You think he's hiding from you?" Vinyl asks
1993. >"Maybe. It is more likely that he's trying to hide from HYDRA."
1994. >What reason can there be to not come to SHIELD if you are trying to hide from HYDRA?
1995. **There is a mole
1996. >If that's the case none of you are safe here
1997. "Why didn't he come here to hide?" You ask. "What if you have a mole and he knew that?"
1998. >She gives you an amused look. "Smart thinking kid, but we are already investigating the possibility."
1999. >"Anon's a smart boy." Vinyl says with a smug voice
2000. >"He did not say much, the agent." Fortunately Octavia diverts the subject. "But I remember that he said he was sorry. He sounded... upset."
2001. >"Nothing else?" Fury persists, but Octavia just shakes her head
2002. >Sighing, Fury stands up and walks toward the door. "Well then, I'll leave you to rest."
2003. >She seemed really troubled when she spoke of the agents that died
2004. >Should you do something? Could you find this missing agent if you used your powers?
2005. **You could
2006. >You did promise to keep the streets safe for Sunset. What better way there is than to help SHIELD?
2007. >You hear the door close behind the director and grab the tube that's connected to you
2008. >Better hurry if you want to catch up to her
2009. >You pull out the tube from the IV in your arm and get up
2010. >The blood inside drips onto the floor
2011. >"Anon, what are you doing?" Octavia asks
2012. >You squeeze the tube and hand it to Vinyl
2013. "Hold this for a second. I'll be right back." You hurry out of the room, after Director Fury
2014. >Fortunately, she's still in sight
2015. "Director!" You call out, making her turn around. "I think I can help you find your agent."
2016. >She walks closer before asking. "How?"
2017. "If I had an ability that could help, would you keep it off the books?"
2018. >She gives you a suspicious look. "Are you asking me to violate an international agreement, Mr. X?"
2019. "Maybe?" You cringe
2020. >She nods. "I can do that."
2021.
2022. >Be Octavia
2023. >Anon just ripped off the tube from his arm and went after the Director
2024. >You are left looking at the door, wondering what might be so important
2025. >Looking back at Vinyl after a few seconds, you see her sucking the blood from Anon's tube
2026. "Vinyl! What the hell?!" For a moment she looks at you with feral eyes before talking
2027. >"S-sorry... It just smelled so tasty." She looks at the tube hungrily. "It was tasty."
2028. >She turns to you with fearful eyes. "What's happening to me?"
2030. "I don't know, but whatever this is, we will get through it together, okay?"
2031. >"Okay." She looks back at the tube she's holding and back at you again
2032. >It's a silent ask for permission and you give it to her with a nod of your head
2033. >How could you not when she looked so... covetous and desperate?
2034. >You lay on your side and watch her drink what little blood there is in the tube
2035. >This whole thing reminds you of those vampire novels you secretly read
2036. >Vinyl would never let it go if she knew
2037. >That thing in the night club did bite her in the neck
2038. >In the ambulance she had so many wounds and burn scars
2039. >They told you that she... died, yet she came back, talking and everything!
2040. >Not that you aren't happy about it, but surgeons said it was brain damage that may never heal
2041. >Now she's just fine, drinking blood
2042. >What more is that she threw up all the food she ate in the cafeteria
2043. >If she's a vampire, does that mean she'll burn under the sun?
2044. >How much blood will she need to survive? Can you supply her well enough?
2045. >What if you can't? Will SHIELD help you? Will they let her live normally if you tell them?
2046. >"Stop Tavi." You look at Vinyl. "I know what you're thinking. We'll deal with things as they come."
2047. "Aren't you worried?" You ask. "I think you might be a...be a..."
2048. >"Vampire?" She completes. "I'm terrified, but you said you'll be with me, right?"
2049. "Yeah." She gets up from her bed and walks over. You scoot over for her to lay down
2050. >She's unsuccessfully trying to get the tube out of the way
2051. >You motion her to come closer and pull the tube out of her IV and put it over yourself
2052. >After a moment of surprise, she lays down next to you and presses her forehead against yours
2053. >"You are not afraid?" She asks
2054. "Of you? Never. I trust you." You pass her the tube, spilling some blood on the bed. "I bet it tastes better than Anon's."
2055. >She hesitates for a second before putting it in her mouth
2056. >Her hand finds yours and your fingers intertwine. "Actually, it does taste better." She signs with an impish smile
2057. >That gets a little laugh out of you
2058. >You won't let anything happen to her, you will protect that smile
2059.
2060. "Water." That's the third one you ordered
2061. >The waitress is getting annoyed that you don't actually want anything that has a pricetag
2062. >You are pretty sure you are not kicked out only because there are no other customers
2063. >If you could be considered a customer that is, you were pretty much a free loader
2064. >Waitress turns on the TV
2065. ~...13 SHIELD agents were killed during the incident...~
2066. >She skips the channel
2067. "Wait, wait!" You call out. "Can you go back please?"
2068. >Waitress gives you an annoyed look, but does as you asked
2069. ~...officials are yet to make a statement about the event and fate of the missing operator is unclear. We will show you some footage of the incident, recorded by a brave citizen. We must warn you, the images are very disturbing.~
2070. >You are Sombra
2071. >You are watching SHIELD agents getting torn apart by gunfire in front of your apartment building
2072. >That woman they were facing got shot atleast twice now, but she doesn't even seem fazed by it
2073. >This must be HYDRA, they are after you
2074. >How did they know where you live? Were you being watched?
2075. >If HYDRA is after you, you doubt you can evade them much longer
2076. >The question is, do you go back to SHIELD?
2077. >It is definitely a better alternative than getting caught by Nazis
2078. >Suddenly you hear multiple vehicles parking outside
2079. >Looking out the window, you see SUVs with SHIELD logos on them
2080. >Guess that saves you the trouble of making the decision for yourself
2081. >Agents scramble out to secure the perimeter while one of them opens the door for none other than Fury herself
2082. >You must be in some trouble if Nick Fury came in person
2083. >A boy is following her as she walks into the diner
2084. >You feel like you've seen him before, but you are not sure where
2085. >Fury opens the door and walks straight to you
2086. >Waitress that was serving you moves out of Fury's way quickly and runs into the kitchen
2087. >"Doctor Sombra, you're a hard man to find." She has a displeased look on her face
2088. >Not surprising
2089. "I uh... Had some health issues." You say half-heartedly
2090. >"So I've heard." She answers with a stern look on her face. "I am hoping to hear more about it at the HQ." With that she turns around and starts walking
2091. "Yes ma'am." You say as you rise to your feet and follow her outside
2092. >You can only hope that your new condition will not be an issue for SHIELD
2093.
2094. "Stop trashing around!" You are Tracey and you are currently interrogating the SHIELD agent you've captured this morning
2095. "Do you know how hard it is to flay the skin while keeping the bleeding to a minimum!" You are met with unintelligible moaning
2096. >Suddenly the screams stop
2097. >You promptly go and check his pulse to see that he is indeed, still alive
2098. "He passed out again~" You call out to Aryanne who's in the next room, looking out the window
2099. >You walk and stand beside her. "This is a waste of time." She says. "No one gets their spine punctured and refuses to give intel."
2100. >It's not that he didn't tell you anything, but any further questions to confirm the information he gave were met with contradictions
2101. >In other words he was lying to stop you from torturing him
2102. "What will we do then?" You ask. "We don't have any other leads."
2103. >"No, we don't." She says. "So we will make one for ourselves." She turns and looks at you. "I need you to implant a tracker behind his eye and two other random places of your choosing. Can you do that?"
2104. "Oh, I see." You grin. "I'm on it, even made an accidental pun!" She gives you a small smile as you go and pick up a scalpel
2105.
2106. >Be Lemon Zest
2107. >You are in the SUV with Fury and Anon, Dracula is riding in another one
2108. >This one has facing back seats, you are sitting on one side while Anon and Fury are sitting on the other
2109. >You reevaluate your decision to go with Anon as your eyes sting from tiredness
2110. >It's been almost 24 hours since you last slept
2111. >Normally you could handle it, but this seats are too damn comfortable and you are extra tired from using your powers almost all the time
2112. >It's hard to open your eyes, you need something to keep you awake or you will get caught
2113. >Looking at Anon sitting next to Fury a devious idea comes to your mind
2114. >You'll need to extend the use of your powers for a moment, but it'll be so worth it!
2115. >You get up and turn Fury's hand palm up on the seat
2116. >Then you take Anon's hand and put it on top of hers
2117. >Now to intertwine their fingers aaannnd... show time
2118. >It takes them a few moments to realize they are holding hands
2119. >"Anonymous!?" Fury quickly moves away with a questioning look on her face
2120. >"M-Miss Fury!?" Anon recoils
2121. >"Why are you holding my hand?"
2122. >"Why are you holding my hand?"
2123. >Awww... They even said it at the same time!
2124. >"I have no idea how that happened!" Anon tries to explain
2125. >"I did NOT hold your hand!" Fury exclaims
2126. >You are just dying of laughter in front of them
2127. >They look each other with suspicious eyes for a few seconds
2129. >"Agreed." Anon says as he slowly goes back to his proper sitting position
2130. >Fury does the same while carefully watching Anon
2131. >They are so cute with those red cheeks!
2132.
2133. >You are Ursula
2134. >Last night after you got attacked by that strange man Spider-Woman rescued you
2135. >She left you on a rooftop while she was fighting him so you'd be safe
2136. >You are not sure what happened after she followed him into the nightclub, but thankfully roof door of the building was open so you could come back home without your father noticing
2137. >"You go to buy flour today?" You father draws your attention
2138. "Oh, um... Yeah, I almost forgot. Thanks Daddy." You say honestly
2139. >It was a stressful night and flour was the last thing you were thinking about right now
2140. >"Are you sick? You are not eating breakfast." Your father asks with a hint of worry in his voice
2141. "Ah yes, I'm fine daddy." You put some white cheese in your mouth. "I was thinking if I should make brownies again or maybe try something else."
2142. >He smiles. "You are good girl. It is good to help people." He gets up from the table. "You pick up dishes, yes?"
2143. >You go to see Sunset after washing the dishes
2144. >She has work today and she has a bad habit of oversleeping
2145. >You knock on her door. "Sunny! Are you awake?" No answer. "You'll be late for work again!"
2146. >Well, it won't be the first time you had to pull her out of bed
2147. >You try to open the door, but it's stuck again
2148. >Giving it a few pushes, you get it open and walk inside
2149. >She's not in her bed. Maybe she woke up early today?
2150. >Looking around, you see her clothes scattered everywhere
2151. >Poor girl will be tired when she comes back. She wouldn't mind you tidying up the place, right?
2152. >You just started to pick up her clothes when you inhale her scent
2153. >It brings back the memory of the moment Spider-Women carried you to the rooftop
2154. >It's the same scent. You bring the shirt to your face and smell it again to be sure
2155. >You just put the clothes on her bed and exit the apartment
2156. >There is no way. She can't be Spider-Woman... right?
2157. >You go to the living room and take a seat beside your father, who's watching morning news
2158. ~...many SHIELD agents lost their lives in...~
2159. >That would explain her strange injuries and her coming home late every day
2160. ~... in other news...~
2161. >But if it was her last night, then where is she now?
2162. >Did that man do something to her? Is she hurt?
2163. >"I am happy you didn't go out tonight." You look at you father curiously. "News speak of fight between Spider-Woman and some freak. They say she got hurt bad."
2164. >Oh no...
2165.
2166. >"Ouch! Be gentle!" Tracey complains as you pull another bullet out
2167. "You are such a baby sometimes." You say as you continue to the next bullet hole
2168. >"You pulled out a bullet from my boob!" She objects. "I bet you'd cry if you got shot in the boob."
2169. >She whimpers as you re-open her wound with a clamp
2170. "I think you are enjoying this." If you couldn't tell by now, you are Aryanne
2171. >Tracey made quick work of those trackers and you dropped that barely alive man to a sidewalk
2172. >Now you are back at the safehouse, getting bullets out of Tracey's chest so she doesn't get heavy metal poisoning
2173. >"You got me." She smiles and gives you a seductive hum as you pull another bullet from her chest
2174. "Not now Tracey. We have a mission." You say as you patch her up, but she's not having it
2175. >"C'mon, just a kiss." She grabs your cheek. "You know how it makes me when you hurt me."
2176. >And she knows you can't resist when she talks like that
2177. >You lean in and give her a kiss
2178. "You can have more when we're done with this mission, successfully." You add
2179. >"Oh, we will succeed!" She says enthusiastically
2180. >A beep from your tracking device warns you that your bait is on the move
2181. "Time to move." You get up and start getting your weapons while Tracey puts her clothes on
2182. >"Where is he going?" She asks
2183. "Looking at the current trajectory, Canterlot General Hospital," You say checking the tracker, "but I think they will take him to a SHIELD facility when they find out who he is."
2184. >"What if they take him to a different facility then our target's in?"
2185. "There will be someone that knows where he is in that facility." You respond
2186. >"I'm gonna get shot again, aren't I?" She asks.
2187. "Possibly." You rephrase. "Extremely likely, but I'll get them out for you." She giggles
2188. >"I'm gonna get shot if you keep saying things like that." You laugh as you take the lead
2189. >It's not long before you are sitting in the car parked in front of the Canterlot General Hospital
2190. >The corner you parked has perfect view of both the main entry and the emergency entry of the hospital
2191. >"So what's the plan?" Tracey asks
2192. "We wait for SHIELD to come and pickup our bait, then we follow them to a base and find someone that knows where this Doctor is."
2193. >She looks bored already. "I hate waiting."
2194. "And because you tortured him so much they will probably need to put him under surgery." You tease
2195. >"Hey! You ordered me to!" She's gives you a semi-frustrated response. "It's not my fault that I'm good at my job."
2196. "Yeah, it is." You smirk. "You did do a good job though."
2197. >"Hell yeah, I did! That guy would sell his own mother out if I asked for it!" She grins widely. "He screamed so much too."
2198. >You smile at her getting perked up so easily as you look back at the hospital doors
2199.
2200. >Be Octavia
2201. >Vinyl fell asleep after her... feeding
2202. >You have a vampire girlfriend
2203. >You bite you lip
2204. >Not everyday a girl's fantasies come true
2205. >Now there is one important question that needs answering
2206. >Can you feed her directly without turning into a vampire yourself?
2207. >Hopefully the answer is yes so you can-
2208. >Sound of the door opening interrupts your thought process
2209. >"How is the transfusion going?" It's the nurse
2210. >She gives you and Vinyl's sleeping form a surprised look
2211. "I'd say it went well." You say with a hushed voice
2212. >"Where is Anon?" She whispers
2213. "I'm not sure. I think he went with Fury." She raises an eyebrow
2214. >"Huh... Well, since everything seems fine, I'll give you some privacy, but" She adds. "I still need to do some tests when she wakes up."
2215. "Sure." You nod and she leaves
2216. >You barely turned your gaze back to Vinyl when Fury walks in with Anon and some other man in tow
2217. >You unwillingly shake Vinyl awake
2218. >"Hmm, what? I'm already full." She mumbles before she sees your visitors. "Oh, you're back."
2219. >"That we are." Fury speaks. "I brought the agent that called SHIELD in for help."
2220. >"Hey." He simply raises his hand to greet you
2221. >"I thought it would be better to take his first statement when you are all together." Fury states and gestures you three. "I already read your statements, but feel free to intervene if you want to add anything."
2222. >She turns to the man in the long black jacket. "Let's hear your version of the events."
2223. >Man lets out a long sigh
2224. >"First, you should know that, I am the villain in this story." He starts. "I was experimenting with some kind of DNA adhesive when a vampire bat drank the blood I was experimenting on before biting me."
2225. >"The adhesive fused my DNA with the bat's, altering my body significantly."
2226. >You think you know where this is going
2227. >"They were upgrades, for the most part." He continues. "But it devolved my digestive system to the likes of a vampire bat. I can no longer eat anything humans normally eat."
2228. >"I need pre-digested and absorbed nutrients. Namely blood."
2229. >"So you attacked people to feed?" Fury asks
2230. >"No, I was feeding on a dog when I heard this girl watching me." He shakes his head. "I didn't want more attention, but when I turned around to explain she started screaming. So I tried to cover her mouth and that's when Spider-Woman came to rescue her."
2231. >"I tried to tell her that I didn't want to fight, but she wasn't having it. We fought and I lost it after a pretty bad hit. When I came to, I was in the nightclub standing over you guys."
2232. >He looks at you for a moment. "You know the rest. I left the club after calling for help and spent the night wandering around the city until SHIELD found me."
2233. >You should be angry
2234. >This man hurt you and your friends
2235. >But... Vinyl can talk thanks to him
2236. >"So you are my ma-" You tightly squeeze Vinyl's hand. "Ouch!"
2237. >She gives you a questioning look
2239. >She looks at you for a moment before talking again
2240. >"You should check on Spider-Woman." Vinyl says. "She got hurt the worst."
2241. >He looks with a pained expression in his face
2242. >"May I?" He asks facing Fury
2243. >She nods, "Yeah, lets go."
2244. >You look at Anon, he seems troubled
2245. >Before you can ask however, he leaves the room following Fury
2246. >You wonder what's going on with him
2247.
2248. >You are Anonymous
2249. >Standing next to Fury in Sunset's room
2250. >"I did this?" Sombra speaks with an incredulous voice. "I am a monster."
2251. "No." You state coldly. "I did this."
2252. >"What?" Sombra looks at you with surprise while Fury seems to be expecting more from you
2253. "I have a power." You start when Fury cuts in
2255. "I can." You reply and continue. "It is triggered by questions and gives me the answers to those questions."
2256. >"So you did this how?" Sombra asks
2257. "My friend, Vinyl, the blue haired girl in the next room, she was mute until today." You sigh. "So I asked myself, how can I make her talk?"
2258. >"What was the answer?" Fury looks more intrigued now
2259. "Spider-Woman needed to be stabbed in her leg. So I arrenged a few things and she got stabbed in her leg."
2260. >"What do you mean you arranged a few things?" Fury sounds upset
2261. >You don't blame her, you are upset with yourself as well
2262. "That's not important right now." You answer. "The thing is Vinyl can talk. She recovered from brain injury over night and it had to do something with you attacking us in the club."
2263. >"How do you know?" You give Sombra a dissappointed look. "Oh, right... So can you answer all questions?"
2264. **No
2265. "Apperantly, I can't." You say plainly
2267. **You cannot predict the exact time of a future event that you did not directly cause by the means of this power
2268. **You cannot answer anything that involves a different timeline from which you are in
2269. **You cannot know what others think
2270. **You cannot-
2271. "The list is longer than I think." You answer. "Do you want me to write it down?"
2272. >She seems to be thinking about it for a second. "No. Just be more careful when you use your powers from now on. I'll be watching."
2273. >You nod
2274. >"Good, I will take Doctor Sombra for further questioning. Until next time." She walks out with Sombra in tow, leaving you alone with your comatosed friend
2275.
2276. >You are... Sunset?
2277. >You are not sure about where you are
2278. >It's dark and cold
2279. >It's hurting all over
2280. >Wait no, it's not dark
2282. >You... can't open them
2283. *Beep* *Beep*
2284. >This sound is familiar somehow
2285. >You listen harder
2286. >Is that a heart monitor?
2287. >Someone is talking
2288. >"...next room, she was mute until today."
2289. >Is that Anon?
2290. >The voice is fading away, you need to concentrate
2291. >"...Spider-Woman needed to be stabbed in her leg. So I arranged a few things."
2292. >He planned this? How is that possible? Why?
2293. >You try to talk, but your lips don't obey
2294. >You are paralyzed, all you can do is listen
2295. >For now...
2296. >"...The list is longer than I think."
2297. >What list? Nothing good you presume
2298. >"...I will be watching."
2299. >That woman's voice is the last thing you hear as your conciousness fades once more
2300. >What did you get yourself into?
2301.
2302. >You are Lemon Zest
2303. >Now you know how Anon gets everything he wants
2304. >His powers must have told him to kill you to save his friend
2305. >Still, you didn't expect vampires when you signed up to help him
2306. >What a nice girl you are, helping your murderer
2307. >But you need sleep and you need it soon
2308. >You need to find somewhere to hide and hopefully everyone will be safe in the SHIELD base for the moment
2309. >You leave the room and look for a bathroom
2310. >You could stay there for a while hopefully
2311. >Can't wait to get some sleep
2312. >One should consider their life choices when sleeping in a toilet is the highlight of their day, huh?
2313. >Pff...
2314. >You are too tired for that
2315. >Finding a bathroom, you open the door and head for a cabin before locking it's door
2316. >Thankfully, the place is really clean
2317. >You close the lid and take a seat
2318. >Uncomfortable as your position is, sleep comes easily with the help of exhaustion
2319.
2320. >You are Anonymous
2321. >Fury and Sombra left you in Sunset's room
2322. >You look at her stricken form one last time and make up your mind before leaving the room and head for your friends'
2323. >You find Vinyl closing the blinds on the windows and Octavia sitting on the hospital bed
2324. "What's up?" You greet
2325. >"It's so bright in here." Vinyl complains
2326. >It's really not
2327. >Sunrise was a couple hours ago and it seems like it could rain today
2328. >Her strange behavior confirms your suspicions
2329. "So you are a vampire now too?"
2330. >"What?!"
2331. >"What?!"
2332. >That seems to shock them
2333. "It doesn't take a genius to figure it out." You laugh. "Fury probably knows too."
2334. >Octavia seems worried. "Are you certain?"
2335. "Don't worry, she knows how to keep a secret." She gives you a questioning look
2336. >You sigh
2337. "I have something to tell you guys." You are not sure how to start this, so you just let it out
2338. "All this happened because of me. The attack in the night club, Vinyl becoming a vampire, Sunset being in a coma... All of it."
2339. >You can see the disbelief and confusion in their eyes
2340. >Well, you better start explaining
2341. ...
2342. >"So you have superpowers too?" Octavia states more than she asks
2343. "Yeah, basically. And I used them to get Vinyl to speak again." You say. "I didn't expect it to cause so many issues. I'm sorry."
2344. >"Sorry?!" Vinyl exclaims with an incredulous voice. "Dude, you didn't just give me my voice back. You gave me freaking superpowers!"
2345. "But you are also a vampire now." You remind her
2346. >She shrugs. "You win some, you lose some. Also..." She walks up and sits beside Octavia before wrapping an arm around her. "I have a steady supply of blood right here." She says with a predatory grin as Octavia whimpers with a blush
2347. >"W-well, it did end pretty horribly for Sunset." She says
2348. >You sigh
2349. "Yeah... That reminds me, I should go pick up some disguise." Vinyl gives you a suspicious look
2350. >"Anon, are you going superheroing?"
2351. "I kinda promised Sunset that I'd keep the streets safe while she's gone." You reply
2352. >"She's awake?" Octavia asks with surprise. "She seemed really hurt."
2353. "No, I just... you know... Spoke to her while she was just laying unconscious." She nods
2354. >"A promise is still a promise I suppose."
2355. >"Indeed!" Vinyl jumps in. "Count me in!"
2356. >"Vinyl?!" Octavia objects
2357. >"What? He's gonna need some muscle if he's gonna fight crime." Vinyl states. "Don't worry. I literally regenerated back from the dead. Anon is much more vulnerable than I am."
2358. >Octavia opens her mouth to object further but decides against it
2359. "I appreciate it Vinyl, but I can't ask you to put your life on the line for me." She smirks
2360. >"You are not asking, I want to do it and I'm not doing it just for you." She continues. "I feel bad for what happened to Sunset too and this is pretty much all I can do for her at the moment."
2361. >"What about S.H.I.E.L.D.?" Octavia asks. "I though we didn't want them to know."
2362. >"All this mess happened because that guy didn't come to S.H.I.E.L.D." Vinyl says. "They are supposed to be the good guys here. I think we should trust them. Plus, Anon said Fury probably knows anyway."
2363. >Octavia bites her lower lip with worry
2364. >"Just... be safe, okay?"
2365. >Vinyl kisses her lips lightly
2366. >"I'll come back to you." You decide to wait outside when Octavia pulls her in for a deeper kiss
2367. >Vinyl joins you about a minute later, looking all flushed
2368. >"W-well, let's go find someone to get me some actual clothes." She says, out of breath
2369. "We also need permission to leave here I think." You say as you start walking. "We need to find someone with clearence as well."
2370. >This should be exciting
2371.
2372. >You are Aryanne
2373. >It's been a couple hours since you started to watch the hospital for your guy to be picked up
2374. >Tracey has gone to sleep long ago and you've been keeping busy making guesses about the ailments of people coming to the hospital
2375. >You've heard of an experiment about boredom before
2376. >Apperantly when someone is left in an empty room with nothing but a button that electrocutes them, they will press that button just for the stimulation it gives
2377. >Something like that
2378. >Which means people choose pain over boredom
2379. >Makes sense to you
2380. >You sigh
2381. >Tracey's right, this sucks
2383. >"Are they here? Are we going?" She asks expectantly
2384. "Unfortunately, no." She sinks back into the seat
2385. >"I am so BORED!" She exclaims her frusration
2386. >You're bored? You've been sleeping this whole time! If anyone's bored that's me
2387. >Those are things you want to say, but one of you needs to maintain their professional integrity
2388. >"Worst mission ever." You would agree, but this is hardly your first survelliance experience
2389. >You know this can go on for a while
2390. >Still, you'd expect SHIELD to make their move by now
2391. >Maybe the agent is still in surgery or something
2393. >You nod to Tracey and grab your gun before opening the window
2394. >Some guy in a streaky shirt leans in with a file in his hand
2395. >"Your guy turned up in a SHIELD base." He says before dropping the file on your lap and walking away
2396. >Normally you'd question how they found you, but you know they are tracking Tracey through some implant they placed in her
2397. >You relax your grip on the gun and pick up the file
2398. >"What does it say?" A curious voice asks as you open it
2399. >There are some pictures of a building that looks like a business center along with an address and security details of the said building
2400. >They also put in a photo of the target
2401. "We got a location." You say as you turn the ignition key and putting the car in gear
2402. >"Hell yeah! Lets kill some SHIELD scum!" Tracey makes her enthusiasm known
2403. >It's about half an hour drive to the location they gave you
2404. >Could have been quicker, but there was some traffic on the way
2405. >You park your car about a hundred meters away from the building and start perusing the security details on the file
2406. >They have two guards on each side of the building, a total of eight
2407. >They report back every ten minutes
2408. >Two snipers on the roof at opposite corners for maximum field of vision
2409. >Four rotating infrared security cameras overseeing the building from four poles surrounding it
2410. >All glasses are blast resistant
2411. >There are over five hundred personel in the base during daytime, but only thirty at night so you'd rather wait for the night to make your move
2412. >With this much security, your best bet is to walk in from the front door
2413. >You turn to Tracey who's patiently waiting for you to come up with a plan
2414. "We'll wait until midnight and pull a nightout." She looks excited
2415. >"We are going in through the front door then?" You nod and reach into your pocket before pulling out a twenty
2416. "Get us two bottles of cheap vodka." She gives you a crooked smile before opening the car door
2417. >"Yes ma'am!"
2418.
2419. >You are Vinyl Scratch
2420. >After talking with some people in the SHIELD hospital/base they pointed you to the armory
2421. >Hell yeah
2422. >They gave you standart issue SHIELD agent field uniform because apperantly your clothes were now off-base
2423. >This shit is slick
2424. >Navy blue shirt with a black leather gilet on top, complete with tight fit black corduroy pants
2425. >The guy in the armory initially refused to give you the gilet, but he was too uncomfortable with a highschooler haggling him in just a plain lab coat
2426. >You are still going commando under all this though, which is kinda unfortunate because these tight fit pants are rubbing against your nethers
2427. >Gotta make do for now you guess
2428. >They want the outfit back when you get your clothes back from them of course
2429. >You do plan on keeping the gilet though, if you can
2430. >They also let go of Octavia since Doctor Sombra is now back and they don't need you to find him
2431. >You cringe to the brightness of the sun when you walk out of the building
2432. >"Your sunglasses..." Octavia passes a pair of purple tinted glasses
2433. "You kept them?" You ask with a smile on our face as you take them from her hands and put them on
2434. >"Of course. They wanted them for evidence as well, but I wrangled with them quite adamantly." She puffs up her chest slightly
2435. >"She was super scary." Anon pitches in. "I'm pretty sure that's why they gave up on the glasses."
2436. "That's my girl!" You throw an arm over her shoulders and pull her in. She hugs your waist and gives you a little kiss on the cheek before letting go
2437. >"I'm so glad you are okay." She mumbles
2438. "Me too." You ruffle her hair and she gives you a pout as she tries to fix her hair again which gets a chuckle from Anon
2439. >"So where are you going to go for costumes anyway?" Octavia changes the subject
2440. >"We don't need costumes per se." Anon answers. "Just some disguises for now. I'm not planing to turn this thing into a career."
2442. >Anon looks surprised for a second then gives you a playful smile. "I see what you did there. Well, the best one is pretty far, but we got the second best now so far away. Follow me!"
2443. >He quickens his pace and you follow suit with Octavia beside you
2444. >Anon said he didn't want to make this into a carreer, but the excitement in his steps and his determined posture gives you a different impression
2445. >Would you help him if he decided to become a full fledged superhero?
2447. >You smile back and turn your gaze to Anon who is leading the way
2448. >The things he did for you are nothing short of outstanding, in both meanings of the word
2449. >What you don't understand is why he was willing to go so far for you
2450. >Sure he's your friend, but is that all he thinks of you or is there something else behind his actions?
2451. >Suddenly his figure seems to grow more imposing and reliable in our eyes
2452. >He is someone you can trust with your life, but what about Octavia's?
2453. >Would you entrust her life with him?
2454. >The answer is yes and it frightens you just as much as it relieves you
2455.
2456. >You are Anonymous
2457. >Through the use of your powers you learned that Caurosel Boutique was the best place to buy disguises in near vicinity
2458. >However it failed to mention that the boutique was owned by parents of a school mate of yours, Rarity Belle
2459. >What's worse is that it seems they live upstairs of the botique, so when Rarity's mother, Betty Bouffant Belle, recognized Vinyl, she decided to call to her daughter
2460. >Apperantly Rarity told her how Vinyl helped them win the music contest about a year back
2461. >You didn't get the chance to stop her from calling to her daughter as she said. "Oh, you are Vinyl, right? You must be here for Rarity, just a second. RARITY YOUR FRIENDS ARE HERE TO SEE YOU!"
2462. >The three of didn't even have time to decide on a joint course of action as Betty told you about how she heard so much about Vinyl
2463. >Lucky for you Vinyl was smart enough to go for a mute act
2464. >"Is it the girls mom?" A sleepy looking Rarity in pajamas comes down the stairs with her hair disheveled
2465. >Her eyes open wide when she realizes it was indeed not 'the girls' that came to see her
2466. >"Oh sweet heavens!" She runs back up as she shouts back. "GIVE ME JUST A MINUTE!"
2467. >This family sure screams a lot
2468. >"Let me get you something to drink while you wait." Betty leaves for presumably the kitchen
2469. >You turn to Vinyl and Octavia
2470. "What are we gonna do?" They look panicked too
2471. >"Obviously we can't shop for disguises here!" Octavia exclaims with a loud whisper. "She would recognize you if you two get on the news or something."
2472. "Then what do we tell her we came here for?" They both look at you with nervous expressions
2473. >"I have an idea." Vinyl says and you both look at her to continue. "Would she keep it a secret if we were to tell her the truth?"
2474. ~She would unless someone she loves were to be threatened~
2475. >You sigh, that is a fair enough condition
2476. "Vinyl, you can't just use my powers like that." She shrugs
2477. >"Why not?" You have no real reason other than that it feels wrong to do so, but you can't tell her just that
2478. >"Sorry I made you wait. What did you need?" Rarity's voice saves you from your predicament
2479. >Octavia looks at you two. "So do we tell her?" Vinyl looks at you for your answer
2480. >You take a look at confused looking Rarity and sigh once again
2481. "Alright, fine. Let's do it." Vinyl grins while Octavia bites her lower lip nervously
2482. >You tell Rarity that you need to talk to her in private, she takes you to the kitchen where her mother pours you some orange juice
2483. >Rarity has her leave with some hushed words you don't hear and sits at the table in front of you with Octavia and Vinyl on the sides
2484. >"So what is it you wanted to talk to me about dears?" She takes a sip of her orage juice
2485. "Well, I'm not sure how to say this, but..." Really, how do you say this? "Uh..."
2486. >Vinyl, ever the impatient, jumps in. "We are here to get disguises."
2487. >Rarity is taken aback, but not for the reason you though. "I though you were... You couldn't talk."
2488. >"I can now." Vinyl shrugs at Rarity's suspicious gaze
2490. >"I have enhanced powers of regeneration." She leans forward with a grin
2491. >Rarity looks at you all with incredulous eyes
2492. >Her pristine white dress with blue edges and her luscious purple hair that gives her the look of a lady contrasts greatly with her expression
2493. >"Are you... Is this a prank?" She looks down in though and mumbles to herself. "It can't be a prank, I'm sure Vinyl couldn't talk."
2494. "It's not a prank, that's why we came here to get disguises." Her confused look focuses on you for a second before her eyes light up
2495. >"Y-you want to become a superhero and you came to me for costumes?!" She jumps to her feet in excitement. "Oh, I always wanted to design superhero costumes!"
2496. >"Rarity! Keep it down!" Octavia says with a loud whisper that snaps Rarity out of her soliloquy
2497. >"Yes, yes apologies darling." She sits back down and takes a deep breath. "So how did this even happen? I promise, I won't speak about this to anyone."
2498. >"Long story short, Anon tried to make me speak and ended up making me into a vampire."
2499. >"WHUOAT?!" Vinyl cackles at Rarity's reaction while she blushes with emberassment and clears her throat. "Vampires are a thing?! Are you a vampire Anon? Did you bite her?"
2500. >"Hah! He wishes." Vinyl says before you can answer with a crooked smile on her face. "It's more complicated than that."
2501. "I have a power that allows me to know answers to questions, so I asked how can I make Vinyl speak again and acted on it." You explain. "Which caused her to become a vampire in the end and Spider Woman got badly hurt in the process. I promised her I'd keep the streets clean while she recovers."
2502. >"You know Spider Woman?" She looks excited again
2503. >"You don't? Ouch!" Vinyl's question is met with a kick from Octavia
2504. >"Should I? Is she someone I know? Is she from our school too?! Is it-" You interrupt Rarity
2505. "It's not our secret to tell you." She stops and nods
2506. >"Fair enough, but... Just wait here for a second." She runs outside
2507. >You look at the girls for answers, but they look as clueless as you are
2508. >Rarity returns a few seconds later with a blue and red spandex bodysuit with a black spider on its chest area
2509. >Thin black webbing spreads from under the spider and stretches along the red sections of the suit
2510. >"I made this suit for her, but I didn't expect to get a chance to actually give it to her." Rarity explains. "Would you do it for me? It'd make me really happy."
2511. >Octavia takes it from her hands. "I'll make sure she gets this."
2512. >"Thank you." She claps her hands with an excited smile. "Lets get your measurements then, shall we?"
2513.
2514. >You are Lemon Zest
2515. *Knock* *Knock* *Knock* *Knock* *Knock*
2516. >"Hey! You okay in there sister?" Knocking on the door and a woman's shouting wakes you up
2517. >"Are you sleeping in there?!" A few more knocks
2518. >You struggle to remember where you are for a second before it all comes back to you
2519. >You get up and open the door
2520. >"D-Director Fury?!" The woman gives you a nervous salute as she pulls her act together. "Ma'am!"
2521. "At ease." You say before clearing your throat. "Let's keep this between us, alright?"
2522. >"Yes ma'am!" She says and you walk out of the women's restroom and become invisible immediately after stepping out into the corridor
2523. >You walk to the room Anon and his friends stay
2524. >They are not here
2525. >Oh boy, you fucked up
2526. >You need to find them before one of them ends up dead
2527. >Maybe they are with Sunset
2528. >You go to her room, but there is no one there but Sunset who's sleeping on her bed
2529. >Yep, you fucked up
2530. >You leave the room and find an agent
2531. "Where are the witnesses agent?" He gets up and salutes you before answering
2532. >"They left the building, ma'am." He says this as if you should know about it
2533. "Why did you let them go?" You ask
2534. >"You said we didn't need them anymore since we found the Doctor?" He says with suspicion in his voice
2535. "Of course I did." You try to look like you just remembered that. "Sorry, I am very tired these days."
2536. >You turn around and start walking to continue searching for Anon and his friends, but the sound of a gun cocking stops you
2537. >"I'm sorry if I'm wrong, ma'am." He speaks. "But I don't think you are who you appear to be."
2539. "I was that obvious, huh?"
2540. >"Yeah, you were." He states."How did you get into the building? Even if you are a shapeshifter, you still need a card to get in. Did you kill one of us?"
2541. "I won't tell you how I got in, but I didn't kill anyone, don't worry." You say. "You really don't know where the kids are?"
2542. >"What do you want from them?" He answers with a question
2543. "I need to protect them." You answer truthfully. "Which means I need to find them quick, so I'll be taking my leave."
2544. >"I wouldn't move if I were you." You just disappear and reappear to his right from his point of view
2545. >"Do that again and I'll shoot you!" As he shouts at the mirage, you walk out of the room, invisible
2546. >When you leave his line of sight, you dismiss the illusion and hear him asking for a lockdown of the building
2547. >"Intruder in the facility! Initiate lockdown!"
2549. >You need to stop the building from going into lockdown, so you disrupt the electrical signals that run through the walls
2550. >As you walk through the hallway, the commotion has already started
2551. >A group of agents are running toward you with their guns drawn
2552. >Not that they can see you, but rather because they are converging on your last known location
2553. >You use your powers to make them move out of your way and they just keep running without even realizing what you did
2554. >Walking past the security room, you hear the man talk to his radio
2555. >"I can't put the building in lockdown! Systems are non-responsive!" Answer comes quickly
2556. >"Keep trying." You are pretty sure that was Fury
2557. >You board an elevator alongside several SHIELD agents to go to the ground floor and get off on your destination
2558. >Walking to the exit you try to push open the door, but it is locked
2559. >"You might have disrupted our electrical systems, but mechanical locks still work." You turn around to see Fury just standing there
2560. >You start walking to the side, but her eyes don't follow you
2561. >It is safe to assume that she didn't see you, but rather saw the door being pushed
2562. >A mistake on your part
2563. >"There is no way out of here now. Come out and let's talk."
2564. "Where are the keys?" You ask
2565. >The voice she hears should be a digital one coming from all around her
2566. >"They are not on me." She shrugs. "I sent them away with the security guard. Just you and me now. Come on."
2567. >Instead of answering her, you look for the bio-electrical signals in the building and start moving them to the entry hall of the building
2568. >As the first agent comes into view Fury turns to look at him
2569. >"What are you doing? I told you not to interfere." Agent looks surprised and scared
2570. >"I-I can't stop!" He's walking like he is being pulled around by strings, like a puppet
2571. "Do you have the key?" You ask using that cold digital voice
2572. >"No, I don't. Please let me go!" He suddenly takes out his gun and shoots himself in the head
2573. >At least that's what Fury sees
2574. >"NO!" She shouts. "Why did you kill him?"
2575. "Because he didn't have the key." You answer plainly
2576. >Meanwhile the agent tries to tell her that he's alright, but that information doesn't reach her brain
2577. >A group of agents come in to the entry hall and state that they do not have the key before killing themselves
2578. >Well, not really...
2579. >Fury's face contorts with anger
2580. >When two more agents come in and draw their weapons Fury shouts
2581. >"STOP!" She looks defeated. "I'll open the door."
2582. >She moves behind security gate and opens a drawer before taking out a keychain with about a dozen keys on it
2583. >Moving to the locked door, she tries a few keys before one of them unlocks the door
2584. >Opening the door she speaks. "Just go."
2585. >Once you exit the building, you revoke the power you used on her and the sound of agents that are still alive, telling her that they are alright is finally processed by her brain
2586. >You hear her exhale in relief. "You son of a bitch." She mumbles as you walk away
2587. >Now it's time to find Anon
2588.
2589. >You are Anonymous
2590. >After giving your mesurements to a very excited Rarity, you and the girls decided to go to your respective homes
2591. >Your parent's must be worried sick, even though SHIELD said they notified them
2592. >Especially Octavia's parents since Vinyl was severely injured when she was brought to the SHIELD's medical care
2593. >You just hope they didn't notify them when Vinyl 'died'
2594. >Nevertheless, you are glad that this whole thing with SHIELD is done and you can go home
2595. >You still have some hard times ahead of you though since you promised to keep the streets clean' in Sunset's absence
2596. >To be honest you have no idea how to do that, but you are confident that your powers can handle it
2597. >Sure they have some unexpected consequences to them, but you used them with zero problems until you decided to do something outlandish
2598. >You just need to not do things that would be too improbable to happen
2599. >With these thoughts in your mind, you reach your house and ring the doorbell
2600. >Your mother opens the door and immediately hugs you with all her might
2601. >"Oh my boy!" You feel her tensed up muscles relax as she holds you in her arms. "Thank God you are alright. I was so worried!"
2602. "It's okay mom." You hug her back. "I'm okay, sorry for making you worry."
2603. >"Don't be sorry son." Your father comes into view. "It wasn't your fault. Who would've guessed that a superpowered maniac were going to attack the party."
2604. >Yeah, not your fault at all
2605. >"What would I do if anything happened to you?!" Your mother just refuses to let you go, so your father puts his hand on her shoulder to get her attention
2606. >"Come on, honey. He must be hungry and tired after all that commotion." He talks softly. "You could at least let him come inside."
2607. >You mother sighs and lets you go. "You are right. Are you hungry Anon?"
2608. "Actually, yes. We did have breakfast, but that wasn't really all that much."
2609. >She smiles and starts walking with you following suit
2610. >Home sweet home
2611.
2612. >You are Octavia
2613. >Your parents were incredibly worried
2614. >Because geniuses at SHIELD told them Vinyl didn't make it
2615. >However they were equally ecstatic to see her alive and well
2616. >A lot of tears were shed and there was a lot of hugging
2617. >Vinyl pretented to be mute still and even twitched her eyes a little
2618. >You were honestly surprised how masterful those fake twitches were
2619. >After having a bite to eat, you decide to take a shower and then sleep for a long time
2620. >Yesterday night was tiring, both physically and emotionally
2621. >Now you just want to relax
2622. >Stepping into the bathroom, you take off your clothes and stand in front of the mirror
2623. >They patched you up nicely, but there is still a little bruising on your face where you were slapped
2624. >You are honestly surprised how normal it looks considering your cheekbone is broken, but they said sometimes it doesn't look broken at all
2625. >You apply a little pressure on it
2626. "Ow!" Removing our hand, you turn around and turn on the faucet in the shower
2627. >After waiting a little for water to warm up you step in and stand under the stream
2628. >You sigh at the feeling of relaxation as warm water makes its way down on your skin
2629. >Reaching for a bottle of shampoo, you pour some in your hand and start applying it to you hair
2630. >As you wash our hair, you hear the shower curtain open
2631. >You can't look at who it is and you panic for a second as the images of last night rush into our head before hearing Vinyl speak
2632. >"We are finally alone." She says with a sultry voice and piches your right nipple
2633. "V-Vinyl!?" You object despite the fire her touch lit in your stomach. "Our parents are home!"
2634. >Your heartbeat increases as she runs her hand down your wet body
2635. >"Then you we should be silent." Water finally washes away the shampoo and you can open your eyes
2636. >You see her coming in for a kiss and reciprocate for a while before gently pushing her away
2638. >"But you were all over me before at the SHIELD base, so I though..." She trails away and sighs. "Nevermind then."
2639. >You cup her cheek and lift her head to look her in the eyes
2640. "We can still take a shower together. You were in the morgue for some time." She returns the smile on your face
2642. >You do as she says and trust yourself in your girlfriend's capable hands
2643. >After the shower, she helps you dry your hair and you two put on your pajamas before laying down in your bed
2644. >While you two were looking in each other's eyes, she closes in and gives you a light kiss on the lips then surprises you with a slap on your ass
2645. >"Maybe next time Tavi." Hearing that nickname after so long brings back all sorts of memories from before the accident
2646. >"H-hey!" She sounds worried. "Why are you crying? Did I hurt you?" You shake your head
2647. "No, nothing like that." You smile with tears rolling down your face and into the pillow. "I'm just so happy!"
2648. >She sighs. "You silly girl, come here. You are wetting the pillow."
2650. >As you both lay under the blanket, holding each other in your arms, you feel safe and loved
2651. >I love you, Tavi." For the first time, you actually hear those words from your girlfriend
2652. >Squeezing her harder, you reply
2653. "I love you too."
2654.
2655. >You are Lemon Zest
2656. >Right now you are waiting in front of Octavia and Vinyl's house
2657. >Sun has almost gone down and nothing's going on
2658. >You are bored, tired and hungry
2659. >Right now you feel really frustrated with Anon for not telling you more about your objective
2660. >Sure he was panicked because he was committing a murder, but stillâ€¦
2661. >You groan as your stomach grumbles
2662. >You really don't want to steal from people, but you are getting there
2663. >It is then an SUV with a SHIELD logo on the side closes in and parks in front of the house
2664. >Now you are getting somewhere
2665. >An agent wearing a suit with a red tie gets off the vehicle and rings the bell
2666. >A woman with black hair opens the door, you assume she is Octavia's mother
2667. >"Good evening, ma'am." SHIELD agent greets her and pulls out a SHIELD ID card. "I am Agent Koenig. Are you one of Miss Vinyl Scratch's guardians."
2668. >"I'm her mother, yes." She replies coldly. "My name is Anastasia Melody. How can I help you?"
2669. >"I would like Miss Scratch to accompany us back to the SHIELD medical base." She looks uncomfortable with that proposition
2670. >"Why is that and who is 'us'?" Skepticism in her voice is clear
2671. >Agent looks back at the car and motions to someone you can't see
2672. >Another agent exits the car that looks just like the first one
2673. >As he comes closer the first agent introduces his friend
2674. >"This is Agent Koenig, my partner."
2675. >"Pleased to meet you." Koenig 2 says with a warm smile
2676. >"Likewiseâ€¦" Anastasia's narrowed eyes betray her words
2677. >"As for the reason we need her to accompany us," Koenig 1 continues. "I'm afraid that's classified, but very important for public safety."
2678. >Anastasia opens her mouth to object, but Koenig 2 interrupts her rather rudely
2680. >"Wait here." She says before closing the door
2681. >Agents look at each other and shrug before seemingly deciding to wait quietly
2682. >After about five minutes Vinyl comes out with Octavia and behind them is Anastasia
2684. >"Yes mom." Vinyl says with a dejected voice
2685. >You are not sure about what happened, but they must've been arguing
2686. >"This way please." Koenig 1 gestures Vinyl. "Will your girlfriend be coming with us as well?"
2687. >The air freezes over after those words
2688. >You can see the shock in the faces of all three women
2689. >"T-they are sisters!" Anastasia retorts with clear hesitation and emberassment in her voice
2690. >It seems that she knew something was going on with them, but she didn't want to acknowledge it
2691. >Koenig 2 smacks Koenig 1's head from behind
2692. >"I apologize for my partner's idiotic words." He says with an apologetic voice. "He just runs his mouth without thinking sometimes."
2693. >"Ah yes!" Koenig 1 slightly bows. "I'm really sorry for misunderstanding the situation."
2694. >"It's fine." Anastasia gives a nervous smile. "Now you take good care of my girls." She warns
2695. >"Have no worry, ma'am." Says Koenig 2
2696. >"Absolutely." Says Koenig 1
2697. >With that they move towards the SUV with girls following close behind
2698. >You rush ahead and take your seat at the back of the car
2699. >Octavia and Vinyl take their places in the back seat, on either side of you, while Koenigs take the front seats
2700. >Ride to the facility is silent and eventless apart from girls wanting to hold hands so now, unbeknownst to them, you have their hands on your lap
2701. >Sun has set by the time you reach your destination
2702. >Once you go inside, Koenigs escort you to a laboratory where many scientists work on different things
2703. >You immediately recognize one as Sombra Morbius and he comes to greet the girls as you walk in
2704. >"Oh I'm so glad you could make it." He sounds genuine enough. "I am sorry for having you brought here at this hour, but this is important."
2705. >He presents a bright blue serum in a small test tube
2707. >"You see I became a vampire because my DNA was fused with the DNA of a vampire bat." He explains. "When I attacked you, I passed on the bat DNA to you and you were infected with vampirism because of that."
2708. >He looks very excited about all this for someone who has to drink blood for the rest of his life
2709. >"But the thing is, the substance that fuses DNAs can be deactivated." He raises the serum higher. "With this."
2710. >"That's a cure?!" Octavia asks excitedly, but Morbius looks at her sadly and shakes her head
2711. >"I'm afraid this just prevents the vampirism from spreading through injuries." He adds. "And it is only temporary, she needs to have this injection once every four weeks."
2712. >Vinyl whacks the guy on the shoulder, almost causing him to drop the tube. "Don't be so sad Doc. I know you didn't mean for this to happen and this vampirism stuff healed my brain damage. Plus, if you can whip up a vaccine so fast, I'm sure you can find a cure in no time."
2713. >"I'll do my best." Sombra smiles. "Now lets get you vaccinated."
2714. >As he picks up a syringe and fills it with the bright blue liquid, you consider the possibility of this vaccine turning Vinyl into a pile of goo
2715. >"Don't worry, I've already tested this on myself." He says as if he's reassuring you while he folds up Vinyl's sleeve
2716. >He sticks the needle in her arm and injects the liquid. "All done, you can go home now."
2717. >At that moment gunshots begin to be heard from inside the building and alarms go off
2718. >Everybody looks at each other with nervous and questioning eyes as the Koenigs pull out their guns
2719. >You might've finally found the problem you were supposed to fix
2720.
2721. >You are Aryanne
2722. >You've been watching the SHIELD base alongside Tracey when some weird guy came by the entrance of te building
2723. >He was wearing a worn out leather gilet, a loose white shirt and some loose pants
2724. >He had a red bandanna and he's brandishing what looked like a cutlass
2725. >Those things don't really matter now, because he just cut down two SHIELD agents waiting outside the door while dodging incoming bullets with ease
2726. >Your plans have changed drastically
2727. >You were supposed to go in at midnight, when most of the personnel in the building was absent
2728. >This guy just barged in the front door
2729. >You don't know what he's doing here or who he is, but you cannot risk the possibility of him endangering your target
2730. "Tracey, change of plans!" You say as you exit the car and she follows up on your motion immediately
2731. >You two run towards the building as it goes into lockdown and barely make it inside before the shutters roll down
2732. >Once you are inside, you see agents sprawled on the floor and gunshots continue some distance away from you
2733. >Running ahead, you turn around a corner just as an agent falls to the floor, lifeless
2734. >The intruder is nowhere to be seen however
2735. >"ANNE!" Tracey suddenly pushed you to the side
2736. >Looking at her while you fall down, you see her left arm spinning in the air before flopping to the ground
2737. >"You saw me strike." You hear someone talk as you pick yourself up and see the intruder standing just meters away from you, blood dripping from his cutlass. "How?"
2738. >Tracey looks at her seperated arm on the floor before answering. "My eyes are artificial."
2739. >She pulls out her knife, but she is not smiling or even looking angry
2740. >She looks dead serious and extremely focused
2741. "Who are you?" Intruder looks at you with calculating eyes
2742. >"Me name's Amaro RodrÃ­guez Felipe." He says. "Me pals call me Pip."
2743. >You are about to ask his purpose for coming here, but Tracey cuts you off
2744. >"Anne, you go ahead and extract the target, I'll keep him at bay." You nod and start running
2745. >Pip laughs
2746. >"'Tis true you can see me, but you can't catch up to me speed, lad."
2747. >You look back at him just to see him vanish from where he was standing
2748. >Suddenly, the whole room flips upside down and you hear Tracey scream
2749. >"NOOOO!"
2750. "What's happening?" You lips move but no sound come out
2751. >You fall to the ground and see a headless body dropping next to you
2752. >"You're next."
2753. >You wonder for a second why you can't breath before everything goes dark
2754.
2755. >You are Lemon Zest
2756. >After hearing the gunshots, you thought about going ahead and taking a look
2757. >But this is an armed conflict and just because they can't see you doesn't mean they won't shoot you
2758. >So you decided to stay behind Koenigs and help them if they need
2759. >It hasn't even been five minutes since the gunshots started, but there is already silence
2760. >Then you see someone come up the stairs
2761. >He has a tanned skin and dirty beard
2762. >What's more important though is that he's dyed in crimson with blood
2763. >He swings his cutlass to get rid of some of he blood on it before he starts walking toward where you are
2764. >There is a problem
2765. >A huge problem
2766. >This guy has no electrical signals moving inside him
2767. >It's like he doesn't have a nervous system
2768. >Koenigs start shooting, but he just deflects the bullets with his blade
2769. >"C'mon lads, ye can do better than that!" He taunt as the Koenigs keep shooting. "Or maybe ye can't..."
2770. >He vanished from your sight only to appear just before you as the Koenigs fall to the floor, headless
2771. >"What are ye doin' here, lass?" He looks straight at you
2772. >You are frozen in fear as his bloodthirsty eyes capture every inch of you
2773. >"Who are you talking to you creep?!" You both turn to Vinyl as she shouts and snarls, showing off her long canines
2774. >"I be here lookin' fer a vampire." He grins, showing his similar teeth. "'n it looks like I found her."
2775. >As he ignores you and starts walking toward her, you grab his arm to stop him
2776. >Big mistake
2777. >"Fuck off!" He just nonchalantly swings his cutlass and chops you in half
2778. >As you watch him continue walking like a wolf circling its prey, everything goes dark
2779. >You wake up in your bed
2780. >You need to find a way to stop that psycopath
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