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- Her power gave her fine control with lightweight materials. That wasn’t a problem. Threads unwound, seams coming undone.
- But her control of larger things was an entirely different beast. Her telekinesis fell apart when she tried to move anything heavier than a half-pound or so, her dexterity and speed in moving those objects that much slower. Worse, her telekinesis exploded, and not even in a constructive manner. It got more and more unstable as she tried to move larger things, until it simply… expanded, dissipated over an area in an attempt to extend control to a multitude of tiny, lightweight objects.
- She began reconstructing the unicorn into a quadruped.
- She’d experimented, after getting her power. Found that she could contain the telekinesis and keep it from dissipating. It hadn’t been constructive until she started working with more flexible materials. Porous materials worked best, because her telekinesis could soak into them, through them, and allow her to move the fabric rather than just the material within. The gaps in the fabric allowed her to feed power into the ‘shell’ without it building to critical mass and collapsing. Cloth worked best. Torn or ripped seams could be mended, any other damage proved easily fixable, compared to the issues sturdier material posed. It was plentiful, cheap, and effective. Cloth was her ideal material.
- And once the construction was formed, a shell that trapped the telekinetic energy within until it was heavy, she could move it as a collective whole.
- Interlude 21
- Parian’s powers allow her fine manipulation of smaller and lighter objects, and can ‘fill’ larger vessels to render them effectively heavy, dense and heavy-hitting. She has used this to fashion cloth dolls she animates.
- Cast, In depth https://parahumans.wordpress.com/cast-spoiler-free/cast/
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