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Analog January/February 2010

pmichelreichold Apr 18th, 2019 (edited) 70 Never
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  1. <h1>On Analog  January/February 2010</h1>
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  3. <a href="http://mike_reichold.tripod.com/">Home</a>
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  6. <img src="http://mike_reichold.tripod.com/images/analog_20110_janfeb.jpg" alt="Coverart analog 2010 jan-frb"  style="float:right; width:100px; height:150px;"><a href="http://www.analogsf.com/1001_02/issue_0102.shtml">
  7. Analog Science Fiction Science Fact</a>
  8. is the oldest surviving Science Fiction magazine. As Analog's
  9.  
  10. (then Astounding's) editor,
  11.  
  12. <a href="http://en.wikipedia.org/wiki/John_W._Campbell">
  13. John W. Campbell </a> ushered and nourished the
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  15. <a href="http://en.wikipedia.org/wiki/Golden_Age_of_Science_Fiction">Golden Age of Science
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  17. Fiction</a>. Campbell insisted on <b>science</b> in Science Fiction.  Today, Analog still
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  19. contains hard science stories and has a regular <b>Science Fact</b> feature. I had not read Analog in years, and am absolutely thrilled with my first issue in far too long. In a world where I feel I would be better off without a television, It's refreshing to find drama and suspense that does not reek of violence, and comedy and humor that is not redolent with obscenity/profanity. At a time when the Discovery Channel has reached new lows in pseudo science, it is encouraging to read science popularizations that are actually based in science.
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  22. The underlying motif to this issue is doing the right thing. In Buddhist terms-- Right Action. Of course, reasonable beings may disagree as to what Right Action might be in a given situation. And sometimes one learns after the fact that one's action was not the best choice after all.
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  24. <br /><br />
  25. <h3>
  26. Rejiggering the Thingamajig
  27. </h3>
  28. by <a href="http://www.ericjamesstone.com/blog/home/">Eric James Stone</a> is a <a href="http://bx.businessweek.com/voice-of-the-customer/view?url=http%3A%2F%2Fwww.ericjamesstone.com%2Fblog%2F2009%2F11%2F18%2Frejiggering-the-thingamajig%2F">wonderful story</a> about doing what's right. Never thought I'd read a story where a Buddhist T. rex was the protagonist. Bokeerk is a wonderful character, and her companion for her mission, a sentient gun, is a delight. The gun reminded me of the talking bullets in<a href="http://en.wikipedia.org/wiki/Who_Framed_Roger_Rabbit"> Who framed Roger Rabbit</a> or Yosemite Sam. To get home to her children's imminent hatching, she must follow the Eightfold path.
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  32. <h3>Neptune’s Treasure</h3>
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  34. By Richard A. Lovett is an AI story.   Floyd has an AI living in his head name of Brittney. Reminiscent of the movie <a href="http://en.wikipedia.org/wiki/All_of_Me_%281984_film%29"> All of Me</a>, only set in <a href="http://en.wikipedia.org/wiki/Neptune">Neptune</a> space and without Steve Martin and Lilly Tomlin. Floyd and Brittney have serious personal/autonomy issues. The science of the story is wonderful-- mass drivers and recovery vessels. And space bicycles as well.
  35.  
  36. <h3>Also spracht Strattman
  37. </h3>
  38. <b>Thus Spake the Aliens</b> by H. G. Stratmann is a story about saving the world, complete with large red Doomsday-cutoff-switch-button. These aliens are in the same business as Clarke's <a href="http://en.wikipedia.org/wiki/2001:_A_Space_Odyssey_%28novel%29">Others</a> with a more up close and personal approach. And they are quite implacable about weeding if the need arises. To say the story is rich in allusions to other works would be a vast understatement. The connection between the title of the story and of Richard Strauss's song, widely acclaimed for its use in <b>2001</b>, could not be an accident.
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  40. The key to the story is a problem that is not often addressed, or more to the point-- it's largely ignored. There is a dead line for establishment of a real presence in space-- the point at which we exhaust cheap, abundant sources of energy. Somewhere before we reach that point is the point where a struggle ensues for control of those energy sources that remain. Whether or not civilization survives that struggle will have little impact on  what happens next. No alternative, renewable source will be able to fill the gap that will be left with the depletion of fossil fuels. Nuclear power will remain expensive, dangerous, and will only postpone the collapse. Fusion will remain as elusive as a will-o'-the-wisp for some time. We have gigatons of Hydrogen, but fusion's most<a href="http://en.wikipedia.org/wiki/Fusion_power#D-T_fuel_cycle"> promising process</a> relies  not on Hydrogen but Lithium. Even if a Lithium-to-Tritium  plant started working tomorrow, we have no way of foreseeing the consequences of eliminating any particular element from the biosphere and would need to work with highly radioactive Tritium.
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  44. Unless Stratman's aliens show up soon to terraform Mars and Venus, and  hand us the keys to the secrets of the Universe, tough times are ahead of us. We will have to use less energy per person or reduce the number of people using energy. We would eventually return to subsistence farming with limited manufacturing powered by wind and solar power-- essentially back to the 17th century. Perhaps the answer to the <a href="http://en.wikipedia.org/wiki/Fermi_paradox">Fermi-Hart paradox</a>  is that no civilization has been able to solve the energy crisis and overcome the energy gap. (It takes a huge amount of energy to go from planet to planet. Witness the huge fuel tanks of the Saturn V's needed to send <a href+"http://en.wikipedia.org/wiki/Project_Apollo">Apollo</a> to the moon.) Even if one used  <a href="http://en.wikipedia.org/wiki/Project_Orion_%28nuclear_propulsion%29">the Orion nuclear pulse drive</a> to establish a local system space program, the unavailability of cheap, abundant energy would make it difficult to maintain the necessary level of technology. Once nuclear fuel became the mainstay of the economy, space exploration could be sacrificed as having a lower priority than meeting needs back home. Perhaps we are not the first civilization to see the stars not quite in our grasp and then to watch them slip away forever.
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  46. <h3> The Possession of Paavo Deshin
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  49. <a href="http://www.kristinekathrynrusch.com/">Kristine Kathryn Rusch</a> has a profile in this issue of Analog. I'm impressed by the thoroughness of her stories. Rusch builds her characters in a believable and sympathetic manner that leaves me yearning for more. <b>Possession</b> is one of her <b>Retrieval Artist</b>” stories. Retrieval artists are bounty hunters in a convoluted universe, and  Miles Flint is among the very best. Paavo was adopted after his birth parents fled to evade some outstanding alein warrants. But his birth parents have made sure they can keep in touch, naturally.
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  51. Paavo's birth parents are Disappeareds-- essentially outlaws in the old sense of the word. Flint is hired by not one but two clients to locate the birth parents. His adoptive parents are well to do, powerful, and tainted by underworld connections. And they adore Paavo as if he were born to them. Maybe more so.  Rusch make quite plain her view on the subject of birth parents that re-enter a child's life wreaking havoc as they assert their rights. She equates them with terrorists, while Paavo's adoptive father is in his eyes, regardless of how others see him, the ideal and epitome of fatherhood. <a href="http://www.hatrack.com/osc/reviews/everything/2010-10-28.shtml">(Uncle Orson review of the Retrieval Artist stories.)</a>
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  53.  
  54. <h3>Shame
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  56.  
  57. by
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  59. <a href="http://en.wikipedia.org/wiki/Mike_Resnick">
  60. Mike Resnick</a> &
  61. <a href="http://www.baens-universe.com/authors/Lezli_Robyn">Lezli Robyn</a>
  62. is a fairly straight forward example of what not to do. Given the colonists's mindset and attitude toward Satan, their actions should not have been unexpected. Perhaps that's the real shame of the story-- that as atrocious as the colonists's appear to the author and to his moral authority figure, given human nature they were unsurprising.
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  64. <br /><br />
  65.  
  66. <h3>Simple Gifts</h3>
  67. by <a href="http://en.wikipedia.org/wiki/Maya_Kaathryn_Bohnhoff">
  68. Maya Kaathryn Bohnhoff</a> is a story about the stereotypically greedy corporation out to profit on the simplicity's and naivety of the primitive, non tech natives. What could be more innocuous than a race that closely resembles (in appearance) the <a href="http://en.wikipedia.org/wiki/Whoville">Who's of Whoville</a>. The ethnologist and linguist sent to learn about the alien's language and culture implore the company to slow down on making a deal with the aliens and are disregarded as obstructionists. The outcome is inevitable, but the suspense building makes it all worthwhile.
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  70. <h3>
  71. On Rickety Thistlewaite
  72. </h4>
  73. by
  74. <a href="http://en.wikipedia.org/wiki/Michael_F._Flynn">Michael F. Flynn</a>
  75. is about the prison that is public service. Making oneself indispensable can be very rewarding and satisfying. Then it becomes an obligation not taken lightly by those who depend on you. As Harry Mudd exclaims to the <b>Enterprise</b> command team in <b>I, Mudd</b>. . . .
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  78.  
  79. <h3>A War of Stars</h3>
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  81. David L. Clements writes a crisp and interesting story about questioning values and making choices. The concept of intelligence housed in celestial bodies-- the cores of planets and stars-- is reminiscent of <b>Rogue Star</b> in the <b><a href="http://en.wikipedia.org/wiki/Starchild_Trilogy"> Star Child Trilogy</a> </b> by Frederik Pohl and Jack Williamson. I would have hoped though that anyone advanced enough to use stars as weapons would also be advanced enough to not do so. Perhaps I'm just excessively naive.
  82.  
  83.  
  84. <h3>Copyleft of my material</h3>
  85.  
  86. <a href="https://creativecommons.org/licenses/by/4.0/">Essentially, my work is Creative Commons Attribution-Required, Share Alike.</a> Adapted from their  Attribution 4.0 International (CC BY 4.0) license summary--<blockquote cite="https://creativecommons.org/licenses/by/4.0/">You may Share-- copy and redistribute the material in any medium or format  Adapt--  remix, transform, and build upon the material for any purpose, even commercially. I cannot revoke these freedoms as long as you follow the license terms. Attribution--  You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests that I endorse  you or your use. No additional restrictions-- You may not apply legal terms or technological measures that restrict others from doing anything the license permits. </blockquote>
  87. Providing a link to my source document should suffice in attributing me. Where any condition(s) I place conflicts with the <a href="https://creativecommons.org/licenses/by/4.0/"> Attribution 4.0 International (CC BY 4.0) license, my condition(s) shall prevail.</a>
  88.  
  89. <hr>
  90. <h3>Copyright  of material that is not mine</h3>
  91. Images used in reviews are from <a href="isfdb.org">ISFDB unless otherwise indicated and are copyrighted unless otherwise indicated.</a> Copyrighted images are presented here under fair use. You would need to contact the copyright holder to use them. They are not covered by my creative commons licensing.
  92.  
  93. <a href="http://www.isfdb.org/wiki/index.php/Image:NLGSCNCFCT2010.jpg ">Coverart from ISFDB for Analog 2010 Jan-Feb</a>
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