John Taylor's Powers (Nightingale's Lament)

That old bullet-stealing trick of his still comes in handy.

I stepped past the officer and headed for the main door, only to stop abruptly as one of the rent-a-cops moved suddenly forward to block my way. He was a big lad, with muscles on his muscles, and his huge hands made the semi-automatic in his grasp look like a toy. He scowled at me in what he obviously imagined was an intimidating way.

"Everyone gets frisked for guns," he snapped. "That's the rules. No exceptions. Even for jumped-up ambulance chasers like you, Taylor."

The officer started to say something, but I stopped him with a quick gesture. The day I couldn't deal with a constipated rent-a-cop, I'd retire. I gave him my best nasty smile.

"I don't use guns. Never have. They have too many limitations."

I slowly raised my hands, opened them, and the rent-a-cop's eyes widened as a steady stream of bullets fell from my hands to bounce and rattle on the ground at his feet.

"Your gun is empty," I said. "Now get out of my way before I decide to do something unpleasantly similar to your insides."

He pulled the trigger anyway, and made a small unhappy sound in the back of his throat when nothing happened. He swallowed hard and stepped back. I walked past him as though he didn't exist. I could hear the officer chewing him out as I passed through the heavy main door into the lobby beyond. -Nightingale's Lament

And yes, this is the third time in the series that he's threatened to teleport someone's organs out of their body.

He can use his third eye to focus on a ghost, focusing her clearly despite her being nigh-impossible to see prior to him opening his eye.

 I glared about me, my back pressed hard against the steel door. There were no other exits, no way to escape. So I did the only thing I could. I used my talent.

I don't like to use it too often, or for too long. It helps my enemies find me.

I reached inside, concentrating, and my third eye, my private eye, slowly opened. And just like that, I could see her clearly. As though my psychic gaze had focused her, made her plain at last, she walked out of the shadows and into the light, standing openly before us. She nodded to me, then glared at Vincent with her deep dark eyes. I knew her immediately, though she looked very different from her wedding photo. Melinda Dusk, dead these six years, still wearing her wonderful white wedding dress, though it hung in tatters about her corpse-pale body. Her raven black hair fell in thick ringlets to her bare shoulders. Her lips were a pale purple. Her eyes . . . were black on black, like two deep holes in her face. She looked angry, haunted, vicious. The Hanged Man's Daughter, mistress of the dark forces, still beautiful in a cold, unnatural way. She raised one hand to point accusingly at Vincent, her fingernails grown long in the grave. I glanced at Vincent. He was breathing fast, his whole body trembling, but he didn't look particularly surprised.

I shut down my talent, but she was still there. I took a step forward, and the ghost turned her awful unblinking gaze upon me. I held up my hands to show they were empty.

"Melinda," I said. "It's me, John." -Nightingale's Lament

It's elaborated upon much later on that the powers of his eye hold her in a single shape and prevent her from leaving.

"You killed them," I said. "You murdered Melinda and Quinn. But you were their friend . . ."

"Best friends," said Vincent. He'd stopped shaking, and his voice was steady. "I would have done anything for you two, Melinda, but when the time came, you let me down. So I poisoned the bridal cup. It was necessary. And surprisingly easy. Who'd ever suspect the best man? No-one ever did, not even Walker himself." He looked at me suddenly, and he was smiling. "I was pretty sure my little problem had to be Melinda, but I needed you here to make certain. That's why I asked Walker to contact you, on my behalf. Because your talent to find things holds her in one place, one shape. All you have to do is hold her here, and my laser light will disrupt her, take her apart so thoroughly she'll never be able to put herself back together again. Do this for me, John, and I'll make you a partner in Prometheus Inc. You'll be wealthy and powerful beyond your wildest dreams."

"They were my friends, too," I said. "And there isn't enough money in the Nightside to turn me against a friend." -Nightingale's Lament

He uses his gift to not only find something/someone, but find the security codes that open the doors said something/someone is contained behind.

"Be my friend, John," said Melinda. She'd drifted very close now, and I could feel the cold of the grave radiating from her. "Be my friend and Quinn's, one last time. Find the source of Vincent's power. His secret source."

Vincent fired his laser at her. The light beam punched right through her shimmering form, but if it hurt her she didn't show it.

I called up my talent again, focusing my inner eye, my private eye from which nothing can be hidden, and immediately I knew where the secret was, and how to get to it. I turned to the steel door and punched in the correct entry codes. The heavy door swung slowly open. Vincent shouted something, but I wasn't listening. I walked through the opening, Melinda drifting after me, and there in the underground chamber Vincent had made specially for him, was the reason Vincent had been able to produce power so easily. It was Quinn, the Sunslinger.

He still looked a lot like he had in his wedding photo, but like Melinda, he had been through some changes. Quinn still wore his black leathers, though the steel and silver were dirty and corroded. His body was contained in a spirit bottle, a great glass chamber designed to contain the souls of the dead. Electricity cables penetrated the sides of the bottle, plugging into Quinn's eye sockets, his wedged-open mouth, and holes cut in his torso. Quinn, the Sunslinger, whose power had been to channel and direct energies from the sun, had been made into a battery. The spirit bottle trapped his soul with his dead body and made him controllable. The cables leached his power, and Vincent's machines turned it into electricity to feed the Nightside. -Nightingale's Lament

Opening a spirit bottle with his gift.

"Don't even think it, John. If you break the bottle, that breaks the connection between Quinn and my machines, and that would shut down the whole plant. No more of my electricity for the Nightside. Power cuts everywhere. Thousands of people could die."

"Ah well," I said. "What did they ever do for me?"

It was the easiest thing in the world for my talent to find the entry point into the spirit bottle and nudge it open just a crack. That was all Quinn needed. His dead body convulsed and suddenly blazed with light. Brilliant sunlight, too bright for mortal eyes to look upon. Vincent and I both had to turn away, shielding our eyes with our arms. The spirit bottle exploded, unable to contain the released energies of the Sunslinger. Glass fragments showered down. I made myself turn back and look through dazzled eyes as Quinn strode out of the wreckage, pulling the cables out of his face and his body. They fell to twitch restlessly on the floor, like severed limbs. -Nightingale's Lament

He uses his powers to remotely activate a self-destruct mechanism for an entire power plant.

I walked out of the secret vault, leaving the dead past behind, and used my talent one last time to find the self-destruct mechanism for the power plant. I knew there had to be one. Vincent was always very jealous about guarding his secrets. I allowed myself enough time to get clear, then set the clock ticking. I told the security men outside to start running, and something in my voice and my gaze convinced them. I was three blocks away when the whole of Prometheus Inc. went up in one great controlled explosion. I kept walking and didn't look back.

Not exactly my most successful case. My client was dead, so I wasn't going to get paid. Walker was probably going to be pretty mad that the power plant was gone, and God alone knew how much damage its loss was going to cause the Nightside. But none of that mattered. Melinda Dusk and Quinn had been my friends. And no-one kills a friend of mine and gets away with it. -Nightingale's Lament

A glimpse at some other "hidden" things that John is capable of seeing with his third eye.

Even in the Nightside there are secret depths, hidden layers, above and below. I could See ghosts all around me, running through their routines like shimmering video loops, moments trapped in Time. Ley lines blazed so brightly even I couldn't look at them directly, crisscrossing in brilliant designs, plunging through people and buildings as though they weren't really there. In the passing crowds, dark and twisted things rode on people's backs - obsessions, hungers, and addictions. Some of them recognised me and bared needle teeth in defiant snarls to warn me off. Giants walked in giant steps, towering high above the tallest buildings. And flitting here and there, the Light People, forever bound on their unknowable missions, occasionally drawn to this person or that for no obvious reason, but never interfering. -Nightingale's Lament

With his third eye, he can see wards, hexes, curses and other magical defenses that have been put in place.

But what really caught my third eye were the layers of magical defences surrounding Caliban's Cavern. Intersecting strands of hexes, curses, and anti-personnel runes covered every possible way in and out of the club, all of them positively radiating maleficent energies. This was heavy-duty, hard-core protection, way out of the range of even the most talented amateurs. Which meant someone had paid a pro a small fortune, just to protect an up-and-coming singing sensation. However, none of those defences were targeted specifically at me, which argued against this being a trap. I shut down my Sight and looked thoughtfully at the closed door before me. As long as I didn't use magic, the defences couldn't see me, so ... I'd just have to think my way past them. -Nightingale's Lament

John easily teleports all of the possessions in his coat to another one.

"You'll need another coat, too," said Pew. "Your trench coat's a mess." He held up a battered black leather jacket with God Give Me Strength spelled out on the back with steel studs. "You can have this instead."

I tried on the jacket. It was a bit on the large side, but where I was going they wouldn't care. I made my good-byes to Pew, and the parlour door opened before me, revealing a familiar blackness. I walked into the dark, and immediately I was back in Uptown again, only a few minutes' walk from Caliban's Cavern. I heard the door close firmly behind me and knew it would be gone before I could turn to look. I smiled. Pew probably thought he'd put one over on me, by keeping my trench coat. A personal possession like that, liberally stained with my own blood, would make a marvelous targeting device for all kinds of magic. Certainly Pew could use it to send all kinds of nastiness my way. Which was why I'd taken out a little insurance long ago, in the form of a built-in destructive spell for the trench coat. Once I was more than an agreed distance away, the coat would automatically go up in flames. As Pew should be finding out, right about now.

Of course, I'd been careful to transfer all my useful items from the coat to my nice new jacket before I left.

Pew was good, but I was better. -Nightingale's Lament

Resistance to Rossignol's song, which drives people into a suicidal depression.

She had a cigarette in one corner of her dark mouth when she came on, and she chain-smoked in between and sometimes during her songs.

The songs she sang were all her own material; "Blessed Losers," "All the Pretty People," and "Black Roses." They had good strong tunes, played well and sung with professional class, but none of that mattered. It was her voice, her glorious suffering voice that cut at the audience like a knife. She sang of lost loves and last chances, of small lives in small rooms, of dreams betrayed and corrupted, and she sang it all with utter conviction, singing like she'd been there, like she'd known all the pain there ever was, all the darknesses of the human heart, of hope valued all the more because she knew it wasn't real, that it wouldn't help; and all the loss and heartbreak there ever was filled her voice and gave it dominion over all who heard it.

There were tears on many faces, including my own. Rossignol had got to me, too. I'd never heard, never felt, anything like her songs, her voice. In the Nightside it's always three o'clock in the morning, the long dark hour of the soul - but only Rossignol could put it into words.

And yet, despite all I was feeling, or was being made to feel, I never entirely lost control. Perhaps because I'm more used than most to the dark, or simply because I had a job to do. I tore my eyes away from Rossignol, reached inside my jacket pocket, and pulled out a miller medallion. It was designed to glow brightly in the presence of magical influence, but when I held it up to face Rossignol, there wasn't even a glimmer of a glow. So Rossignol hadn't been enchanted or possessed or even magically enhanced.

Whatever she was doing, it came straight from her, and from her voice. -Nightingale's Lament

He can remove illusions. (In this case, one that was placed upon his own body)

She was sitting there alone, again, with her back to the mirror this time. Her eyes were wild, unfocussed, as she struggled to cope with what had just happened. She was trying to scrub the blood and gore off her bare feet with a hand towel. And yet, for all her obvious distress, it seemed to me that this was the most alive I'd ever seen her. She looked up sharply as I came in and shut the door behind me.

"Get out! Get out of here!"

"It's all right, Ross," I said quickly. "I'm not a fan." I concentrated and shrugged off the seeming Pew had placed on me. It was only a small magic, after all. Rossignol recognised me as the tattoos disappeared from my face, and she slumped tiredly. -Nightingale's Lament

Using his gift, he finds the piece of hair a tulpa is using as its link.

"Look like Rossignol! Do it now!"

Argus shapeshifted and became an exact copy of Rossignol. The tulpa looked at the new fake Rossignol and paused, bewildered. Julien caught my attention and gestured at an overturned table. I quickly saw what he had in mind, and we picked it up between us. The tulpa Rossignol had just started to come out of her trance when we hit her from behind like a charging train. Caught off-balance, she fell forward, and we threw our combined weight onto the table, pinning the tulpa to the ground. She struggled underneath us, trying to find the leverage to free herself. And I used my gift and found just what it was that the tulpa was using as its link. On the shoulder of my jacket was a single black hair from Rossignol's head, almost invisible against the black leather. It must have happened when I held her in my arms to comfort her. No good deed goes unpunished, especially in the Nightside. I held up the hair to show it to Julien, while the table bucked beneath us. He produced a monogrammed gold lighter and set fire to the hair. It burned up in a moment, then the table beneath us slammed flat against the floor. There was no longer anything underneath it. -Nightingale's Lament

Apparently, there's something "special" about John that allows him to resist possession from beings as powerful as The Primal.

I looked at The Primal. They were watching me, rather than Dead Boy, and I remembered my original insight, that they'd seemed almost afraid of me. Why me? What could I do to hurt them? I didn't even have the few battle magics Dead Boy had. There was my gift of finding, but I didn't see it being much use just then. Think, think! I looked hard at the five distorted bodies possessed by The Primal. They looked horrible, yes, but also . . . strained, stretched thin, unstable. Human bodies weren't meant to hold Primal essences. Maybe all the pressure within needed was a little extra nudge...

I was off and running even while the thought was still forming in my mind, my feet slapping and sliding on the slippery rotting organs beneath me. I headed straight for the nearest shape, the speaking Primal, shouting, "YOU THINK YOU'RE SO HARD, POSSESS ME, YOU BASTARDS!" while at the same time thinking, I really hope I'm right about this. I hit the first Primal even as it tried to draw back, and I slammed right into the heart of it. The body sucked me in like a mud pool, and I clapped a hand over my mouth and nose to keep it out. I felt cold, impossibly cold, like the dark void between the stars, but even worse than that, I could feel a vast and unknowable mind in there with me, in the cold and the dark, pressing upon me from all sides. And then suddenly there was screaming, an awful sound of outrage and betrayal, as the possessed body exploded.

I'd been too much for The Primal to manage. My body was still tenanted, soul intact, and The Primal couldn't cope. Something had to give, and it turned out to be the possessed body. It blew apart in a wet, sticky explosion, like a grenade inside a small furry creature, and the violence of the explosion ruptured the integrity of the four other bodies, setting them off like a row of firecrackers. It was all over in a moment, and Dead Boy and I stood looking around us, drenched in blood and gore, surrounded by a sea of unmoving body parts, already rotting and falling apart. Dead Boy looked at me.

"And people say I'm impulsive and hard to get along with. What did you just do to them?"

"I think I gave them indigestion. And, possibly, I am a bit special, after all." -Nightingale's Lament

John resists the lure of a woman who was made into literally every sexual desire ever conceived, just through the force of his own will.

The woman lying at her ease on the oversized bed, naked and smiling and unashamed, was entirely horrible and horribly attractive, like a taste for rotting meat or Russian roulette. She squirmed slowly on the crimson covers like a single maggot in a pool of blood. The details of her face and shape were always moving, changing, shifting subtly from one moment to the next, and even her height and weight were never constant. She could have been one woman or a hundred, or a hundred women in one. Her movements were slow and languorous, and her skin was as white as the white of an eye. Her face was a hundred kinds of beautiful, even when it was unbearably ugly. Her bone structures rose and fell like the turning of the tide, her mouth pursed and widened and changed colour, and her dark, dark eyes promised the kind of pleasures that would make a man cry out in self-disgust as much as passion. I wanted her like I'd never wanted anyone. Her presence filled the room, overpoweringly sexual, awfully female.

And I wanted her the way you always want things you know are bad for you.

"John Taylor," said the woman on the bed. Her voice was soft and caressing, every woman's voice in one. "They thought you might come here. The Cavendishes. I've been so looking forward to having you. They're the ones who made me what I am, even if the result wasn't exactly what they intended. I was just a singer in those days, and a good singer, too, but that wasn't enough for the Cavendishes. They wanted a star who would appeal to absolutely everyone. And this is what they got, this is what their money bought. A woman transformed, a chimera of sex, everything anyone ever desired, and a joy forever."

She laughed, but there was little humour and less humanity in the sound. Her flesh pulsed and shifted in slow rolling movements, never the same twice. My skin crawled, and I couldn't look away to save my life. I had an erection so hard it hurt. Only sheer willpower held me where I was, just inside the doorway. I couldn't go any closer. I didn't dare. I wanted to do things to her, and I wanted her to do things to me. -Nightingale's Lament

...

She saw the expression on my face and laughed again. "A girl has to live. There's a price that comes with being what I am, but luckily I'm not the one who has to pay it. They come to me, all the men and the women, drawn to me by desires they didn't even know they had, and I let them sink themselves in my flesh. And while they're busying themselves, I take my toll. I drain them of their desires, their enthusiasms, their faiths and their certainties, and eventually their lives. Though by that stage they usually don't care. And afterwards, I eat them all up. Their vitalities keep me alive, and their flesh helps me maintain my shape. A balance must be struck, between stability and chaos. You wouldn't like what I look like, when I can't get what I need. Oh don't look so shocked, John! The Cavendishes' magic made me all the women you could ever desire, and I love it. Those who come to me know the risks, and they love it. This is sex the way it should be, free from all restraints and conscience. Total indulgence, in this best of all possible worlds." She glanced down at the dead body on the floor. "Don't mourn him. He was all used up. No good to himself, or anyone else, except me. And he did die with a smile on his face. See?" -Nightingale's Lament

Remember how John used his gift to force a ghost into a single shape? Well, he can do that with other beings too.

She stretched slowly, voluptuous beyond reason. "Don't you want me, John? I can be anyone you ever wanted, and you can do things with me you wouldn't dare do with them. I live for pleasure, and my flesh is very accommodating."

"No." I made myself say it, even though the effort brought beads of sweat out on my face. I learned self-discipline early, just to stay alive. And I was used to not getting what I wanted. But it still took everything I had to stay where I was. "I need ... to talk to you, Sylvia. About the Cavendishes."

"Oh, I don't think about them any more. I don't care about the outside world. I have made my own little world here, and it is perfect. I never leave it. I glory in it. Have you come here to tell me of the Nightside? Is it still full of sin? How long has it been, since I came here?"

"Just over a year," I said, taking a step forward.

"Is that all? It feels like centuries to me. But then time passes so slowly, in Heaven and Hell."

I took another step forward. Her body called to my body, in a voice as old as the world. I knew it would cost me my life and my soul, and I didn't care. Except some small part of me, screaming deep within me, still did care. So I did the only thing I could do, to save myself. I called up my gift, my power, and looked at Sylvia Sin with my third eye, my private eye. I used my gift to find the woman she used to be, before the Cavendishes changed her, and brought her back.

Sylvia screamed, convulsing on the bed, her white flesh boiling and seething, then one shape snapped into focus, one body rising suddenly out of all the others, and the changes stopped. Sylvia lay on the bed, curled up into a ball, breathing hard. One woman, with flesh-coloured flesh and a pretty, ordinary face. I was breathing hard, too, like a man who'd just stepped back from the very brink of a cliff. The overpowering sexual pressure was gone from the room, though faint vestiges of its presence still lingered on the air. Sylvia sat up slowly on the bed, naked and normal, and looked at me with merely human eyes.

"What did you do? What have you done to me?"

"I've given you back yourself," I said. "You're free now. Entirely normal." -Nightingale's Lament

As a quick note, the statement of time passing slowly in Heaven and Hell may be literal.

John locates the single person serving as the "focus" for the Cavendishes' fan-club to possess a bunch of <s>transvestites</s> divas. Also, Dead Boy knocks out (and possibly kills) said person with a single crushing motion.

The divas, all of them eerily silent, swarmed around us, trying to reach us with their weapons and clawed hands. We were safe for the moment, but we were trapped in our corner. There was nowhere left for us to go, and soon enough the divas would work together to pull the table away; and then ... I swore regretfully, and reluctantly did what I do best. I concentrated and opened up my inner eye, my third eye, and used my gift to find the channel the fans were using to drive the divas. It was like suddenly seeing a shimmering latticework of silver strings, rising up from the divas' heads and sailing off into infinity. And having seen it, it was the easiest thing in the world to locate the single thread they all connected to, the focus for the overlaying signal. It turned out to be a single diva, a Whitney, standing watching from the stage. All I had to do was point the Whitney out to Dead Boy, and he made a swift crushing motion with his fist. The Whitney crumpled unconscious to the stage, and all of the silver lines snapped off.

The spell was broken in a moment, and the attacking divas were suddenly nothing more than disoriented men in frocks and make-up. They stopped where they were, shocked and confused, some clinging to each other for mutual support and comfort. Possession is a kind of violation, of the mind and the soul. -Nightingale's Lament

Just in case you were wondering whether or not John would bother using that bullet-stealing trick during a moment crucial to the plot...

The Cavendishes turned to face me, and I gave them my best sneer.

"Your guns don't have bullets in them any more, you bastards."

The Cavendishes pulled the triggers anyway a few times, but nothing happened. They shrugged pretty much in unison and went back to stand behind their Jonah. -Nightingale's Lament

And for those of you wondering how Harry Dresden's Soulgaze might work on John, well...

I smiled suddenly, and the Jonah's grin faltered.

"Billy, Billy," I said, calm and easy and utterly condescending, "you never did understand the true nature of magic. It's not based in the power we wield or the gifts we inherit. In the end, it all comes down to will and intent. And the mind and soul behind them."

I locked eyes with the Jonah, and he stood very still. The whole world narrowed down to just the two of us, eye to eye, will to will. All we were, brought out onto the brightly lit mental stage, peeling back the layers to show who and what we were at the core. And for all his power, and despite everything he'd done, Billy Lathem looked away first. He actually staggered back a few steps, breathing hard, his face pale and sweaty.

"Who the hell are you?" he whispered. "What are you? You're not human . . ." -Nightingale's Lament