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XONE:4D and FX unit w/ Dry-Wet fader on a Cross Fader

Apr 10th, 2013
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  5.             XONE:4D and FX unit w/ Dry-Wet fader on a Cross Fader
  6.  
  7.  
  8.                   2010 Silas Mariusz, Shifted Object Deposit
  9.                      silas [-_-] shiftedobjectdeposit.pl
  10.  
  11.                  web site http://blog.shiftedobjectdeposit.pl
  12.  
  13.  
  14.  
  15.  
  16.  
  17.  
  18.   INTRODUCTION
  19. ---------------------------------------------------------------------------//
  20. I was experiencing with external FX unit and I found a simple to way to use
  21. it on 4th channel on XONE:4D mixer and set Cross-Fader to be Dry/Wet control
  22. of the applied FX.
  23.  
  24. Here is how I done this, but first please read important things about FX.
  25. If you know how FX loops works then skip next part and go to the SETUP part.
  26.  
  27.  
  28.  
  29.  
  30.  
  31.   HOW FX LOOPS WORKS
  32. ---------------------------------------------------------------------------//
  33. Every external FX unit like Korg Kaoss Pad 3 and Pioneer or any other,
  34. works in two modes Parallel(SEND/RETURN) or Serial(DIRECT).
  35.  
  36. To understand the difference between these two, you need to know how
  37. FX LOOPS works.
  38.  
  39.  
  40.  
  41.   --------  I.   SERIAL FX - mode
  42.   --------------------------------------------------------------------
  43.   The serial loop is a simple main signal SEND/RETURN to the output unit.
  44.   It is sometimes with level controls, to let you adapt the signal level,
  45.   because in a DJ setups, the signal mainly returns from the FX unit
  46.   to to the preamp stage directly.
  47.  
  48.   There are two ways of connection FX unit in direct mode to XONE:4D:
  49.  
  50.   1)                                 [mode:DIRECT]
  51.   >-----------------------------------------|-----------------------------/ /-
  52.           mixer: Main Output  >>>  -(in)FX unit(out)-  >>>  Preamp        //
  53.  //-----------------------------------------------------------------------/__
  54.    +---// whole main signal is processed
  55.  
  56.    cons: - needs to monitor volume levels to prevent clipping
  57.          - sound quality in common cases is worst
  58.          - you are unable to record sound from internal bus
  59.  
  60.  
  61.   2)                                [mode:DIRECT]
  62.   >---------------------------------------|-------------------------------/ /-
  63.      mixer: CH[POST] FX-send >>> -(in)FX unit(out)- >>> mixer: FX-return   /
  64.  //-----------------------------------------------------------------------/__
  65.    +---// all channels signals are processed seperatly and returns
  66.           to the mixer
  67.  
  68.    cons: - needs to monitor volume levels to prevent clipping
  69.          - sound quality in common cases is worst
  70.  
  71.    diagram: http://shiftedobjectdeposit.pl/technical/xone4d.fx/alt.gif
  72.  
  73.    NOTE: This type simply breaks the signal out from the preamp stage,
  74.    runs it through any effects you connect (CH [POST] SEND >>> (in)FX unit)
  75.    and then returns it to the amp (FX unit(out) >>> mixer: FX-return)
  76.    to pass it on to the power amp stage.
  77.  
  78.  
  79.  
  80.   --------  II.  PARALLEL FX - mode
  81.   --------------------------------------------------------------------
  82.   The parallel loop taps off a little signal to the "send" jack, and whatever
  83.   comes back through the "return" jack is then added to the original signal
  84.   (sometimes using a "mix" control).
  85.  
  86.   diagram: http://shiftedobjectdeposit.pl/technical/xone4d.fx/std.gif
  87.  
  88.  
  89.  
  90.   --------  III. Difference between SERIAL and PARALLEL setup
  91.   --------------------------------------------------------------------
  92.  *Serial/series loops* are useful for effects that you want to
  93.   apply to the _whole signal_ (equalizer, boost, gater, slicer, pitch, etc),
  94.  
  95.   ... whereas   *Parallel loops*   work great for effects you want to _ADD_
  96.   to the signal (delay, reverb, chorus etc).
  97.  
  98.  
  99.  
  100.  
  101.  
  102.   SETUP - Use Direct FX Mode (full processing) FX on Send/Return bus
  103. ---------------------------------------------------------------------------//
  104.  
  105.  
  106.   --------  I.   CONNECTION
  107.   --------------------------------------------------------------------
  108.   (2xRCA) XONE:4D FX1 Send   >>>   FX unit Line In
  109.   (2xRCA) FX unit Line Out   >>>   XONE:4D CH4 Line Input
  110.  
  111.  
  112.   --------  II.  SETTINGS
  113.   --------------------------------------------------------------------
  114.   Set FX unit connection type to "DIRECT" (SERIAL) mode.
  115.  
  116.   On XONE:4D apply following settings:
  117.   Channel 1, FX1 knob level ==  +6
  118.   Channel 2, FX1 knob level ==  +6
  119.   Channel 3, FX1 knob level ==  +6
  120.   Channel 4, FX1 knob level ==  infinity
  121.  
  122.   Channel 1, Filter/XFADE   == 1X
  123.   Channel 2, Filter/XFADE   == 1X
  124.   Channel 3, Filter/XFADE   == 1X
  125.   Channel 4, Filter/XFADE   == Y2
  126.  
  127.   XFADE set ON              == ENABLED
  128.  
  129.  
  130.   --------  III. USAGE
  131.   --------------------------------------------------------------------
  132.   Set crossfader on left side (1X) and play any sound source on CH1..3.
  133.   When it's playing, enable any effect on FX unit.
  134.  Slightly move CrossFader to the right (Y2) and you should heard
  135.  selected effect applied on a source sound.
  136.  
  137.  diagram: http://shiftedobjectdeposit.pl/technical/xone4d.fx/hybrid.gif
  138.  
  139.  
  140.  --------  IV.  LIMITATION
  141.  --------------------------------------------------------------------
  142.  Filter and LFO effect on a one side for three channels.
  143.  Instead of using XONE effect, try to map Traktor Pro Filters
  144.  or use one a FX unit!!!
  145.  
  146.  
  147.  
  148.  
  149.  
  150.  THE END
  151. ---------------------------------------------------------------------------//
  152. Shifted Object Deposit, SOD
  153. “The shift that has been recognised recently in the field of art from
  154. establishing relations between objects towards establishing relations between
  155. subjects is not the result of an overnight turn, as it may seem at first sight”
  156. Blog: http://blog.shiftedobjectdeposit.pl
  157.  
  158. ...................... mixsets ................................................
  159. - Enigmatic as SOD, Shifted Object Deposit, EXPy: http://i.mixcloud.com/CBvcFV
  160.  
  161. - The SOD founder Enigmatic Beginning Intro, mix: http://snd.sc/XshR2c
  162.                                                  http://i.mixcloud.com/CBrKNl
  163.  
  164. - Enigmatic=Untitled Guy SOD#003 1min video clip: http://vimeo.com/49511555
  165.                                                  http://youtu.be/5X_PeoQYIXI
  166.  
  167. - David Late, Untitled SOD#003 rave n8... mixset: http://i.mixcloud.com/CBqDOG
  168.  
  169.                Conrad SOD#003 rave n8... mixset: http://i.mixcloud.com/CBqALM
  170.  
  171.          Untitled Guy SOD#003 rave n8... mixset: http://snd.sc/QUl34T
  172.                                                  http://i.mixcloud.com/CBjwbJ
  173.  
  174.          Untitled Guy SOD#001 rave n8... mixset: http://snd.sc/Omdy0i
  175.                                                  http://i.mixcloud.com/CBjwGb
  176.  
  177. Facebook: http://fb.me/SftObjDep | http://fb.me/ShiftedObjectDeposit
  178. Beatport: http://btprt.dj/NWRXS6
  179. RA: http://bit.ly/SOD-ra-DJ
  180. -------------------------------------------------------------------------------
  181. Web: http://blog.shiftedobjectdeposit.pl
  182. -------------------------------------------------------------------------------
  183.  
  184. Unknown Id or Enigmatic and unnamed SOD founder, also known as Untitled Guy,
  185. silas [-_-] shiftedobjectdeposit.pl
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