RattlersRevival

S/k/eleton

Mar 10th, 2020
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  1. >be me 
  2. >skeleton 
  3. >inna house, chilling on a sofa 
  4. >fat bastard of a master is chilling on the other end of the couch 
  5. >fucker looks like he's one large pizza away from fusing with the furniture 
  6. >his eyes, struggling to not be consumed by the pancake of lard that is the rest of his face, is focused intently on his filthy laptop 
  7. >the sounds of periodic wheezing squeals of delight followed by tapping of a mechanical keyboard are all that fill the disgusting living room 
  8. >what he looks at during this time I do not want to know 
  9. >a loud knock resounds off the mildewing front door 
  10. >the lard lord, pulled from his entertainment, sets his computer between us 
  11. >with tremendous effort, the fat bastard tries with all his might to free his great girth from his ass sweat stained throne 
  12. >after three tries, he sets himself down again, rolling back into his coushins, defeat on his face 
  13. >a loud, wet fart signals his final defeat and oily tears begin to slick his lumpy face upon the realization of his self defecation
  14. >If I had lips, I'd grimace at such a display. It was not the first time I'd seen this miserable mass of flesh do this 
  15. >another, now louder knock rings out as I contemplate wether or not to leave this fucker to stew in his filth or help him 
  16. >another bang on the door, much more forceful, and the hinges come flying off 
  17. >a small cylinder rolls in just as quickly as the door is gone 
  18. >BANG
  19. >EEEEEEEEEEEEEEEEEEEEEEE 
  20. >that's what I would've heard if skeletons could get tinnitus 
  21. >but, instead the wails of the blob and the stamping of combat boots fills the room 
  22. >I don't know who they are 
  23. >I don't know why they're here 
  24. >Hell, I don't know who I am 
  25. >But, the mental command of my fat fuck of a master leaves me no choice 
  26. >I must kill
  27. >jumping off the couch, I grab the first one in by the plate carrier 
  28. >from that moment to the moment I lift him up, the rest of the stack has filled the room 
  29. >weapons up, they all start shouting 
  30. >demands to the effect of "Put him down, you boney motherfucker" are probably made as the squad of five spec eds circle me
  31. >I don't really know 
  32. >when a task is ordered, it gets that channelized attention going 
  33. >and I've been ordered to do ultra violence 
  34. >flip the tacticool retard upside down and hold him by his feet like a kid who owes me money 
  35. >swing him by his legs like a baseball bat 
  36. >domes collide and over-glorified bike helmets outfitted with the shiniest night lights crack against each other with satisfying loudness as I hit the one to my right
  37. >fucker crumples to the floor and the one in my hands stops squirming 
  38. >broke both their necks 
  39. >there's a moment of "oh shit" before the entire room erupts in gunfire 
  40. >can't hear shit 
  41. >can't see shit 
  42. >feel varying calibers bounce off my rib cage 
  43. >mfw they do nothing
  44. >reach out a skeletal hand through the hail of lead 
  45. >snag the business end of something with two barrels 
  46. >that's not standard issue
  47. >a pump followed by a double serving of buckshot sends pellets careening through the gaps of my exposed metacarpals 
  48. >okay retard 
  49. >snatch the DP-12 out of this larping faggot's hands 
  50. >wonder who these fuckers are as I malicously work the pump 
  51. >two shells flick out onto the floor 
  52. >doesn't matter 
  53. >bring the business end back up to its previous owner 
  54. >howdy.jpeg 
  55. >BOOM 
  56. >head explodes like a melon at a Gallagher show 
  57. >whip it around to the next retard 
  58. >and now they'll know why they call me the two pump chump 
  59. >Pump 
  60. >poor bastard gets to see how far he can look down two barrels before he dies 
  61. >BOOM 
  62. >more Kurt Cobain style wall painting 
  63. >turn to the next two 
  64. >they're retreating to the inner recesses of my ham beast's grotto 
  65. >the commands in my undead mind echo one thing 
  66. >NO SURVIVORS
  67. >the two remaining survivors rush down a dim hall, unearthly smells undoubtedly assaulting them from every angle 
  68. >I march behind them, goading them on with a merciless pump of the DP-12 
  69. >yes 
  70. >the reach the door at the end, paint peeling from it's rotting frame 
  71. >hellish vapors burn their nostrils 
  72. >Yes 
  73. >another pump and unspent shells scatter on the floor 
  74. >the sound spooks them from their hesitation and they hurry into the bowels of that God-forsaken room 
  75. >YES 
  76. >NOW THEY WILL KNOW 
  77. >gagging and racking coughs sound off from behind the door as they choke on the fetid fumes within, but they dare not exit 
  78. >if only they knew that death would be preferable to what awaited them in there 
  79. >the noise of dripping, as of sludge, begins to slither out from the room 
  80. >It pools up from the center of the Earth 
  81. >their labored breathing hitches as slimey sounds creep along the floor, presumably towards them 
  82. >silence 
  83. >silence 
  84. >silence 
  85. >a cacaphony of gun fire and damnable screams resounds in the room before being quickly silenced 
  86. >all that remains is the unearthly squelches of eldritch ooze as it consumes its victims whole 
  87. >a giggle comes floating in from the living room, the tub of lard having survived 
  88. >it developes into a titter any mere mortal would find maddening upon his realization of my work 
  89. >mfw
  90. >word to the wise for those who wish to survive a necromancer 
  91. >never enter the Spunk Sepulcher 
  92.  
  93. >be me 
  94. >skeleton 
  95. >chilling inna shop stall at the local flee market 
  96. >fat bastard working the counter 
  97. >sells knives, swords, and other mall ninja accesories of questionable quality 
  98. >I just grab whatever the customer needs from the wall 
  99. >nobody freaks out because skeleton bits covered head to toe in vaquero gear 
  100. >grab some shitty 15 blade dragon knife off the wall and hand it to some oily haired faggot who's interested in buying 
  101. >he holds it up to his pimply face as if he knows what the fuck he's actually looking for 
  102. >fatty watches impatiently, as being .2 seconds into his designated 2nd lunch break has made him hangry 
  103. >crater face continues to eye fuck the serrated abomination before finally nodding in satisfaction 
  104. >"So, like.... this is pretty cool, man." 
  105. >fatty stirs slightly at the compliment, but his look of impatience doesn't change 
  106. >"Master Strombom will be like.... totally stoked, dude." 
  107. >if this faggot says like one more time I'm going to take the master sword replica off the wall and bash his skull in 
  108. >fat ass hasn't groaned out an answer yet
  109. >look over to master blubber to see if he's ready to sell the faggot the knife 
  110. >he's gone completely pale, mouth opening and closing like a fish out of water 
  111. >the fuck 
  112. >the next moment is a blur 
  113. >dumb fuck pot head leaps across counter with newly aqcuired 15 bladed dragon dongs of triple serration and stabs fat ass in the sternum with it 
  114. >mfw
  115. >snatch slick rick off fatty's grotesque form by his pencil kneck 
  116. >he's kicking and screaming in that retarded stoner voice 
  117. >reach under pancho and rip open button up shirt to reveal larp faggots DP-12 from yesterday strapped to the inside of my ribcage 
  118. >yank it out and level double barreled fury to stoner faggot's stomache at a distance of no inches 
  119. >fire trigger safe his midsection 
  120. >his innards are turned into hamburger meat as a death groan manages to escape his tightly gripped throat 
  121. >toss faggot's body back over counter and whirl around to check on fat ass 
  122. >he's blubbering some shit about mama as ichor runs heavy down the front of his mountain dew shirt 
  123. >his shaky, sweat slicked hands reach up to touch the retarded dagger sticking out from between his moobs 
  124. >force his hands back down so he doesn't make it worse
  125. >fuck 
  126. >this isn't good 
  127. >the sound of a gun shot pierces the air and something goes whizzing by my cranium 
  128. >THIS ISN'T GOOD
  129. >look back to see who the fuck just shot at me 
  130. >outside, I see a cowboy jacking the lever of a .44 Mare's Leg 
  131. >on second look, it's a lot of cowboys 
  132. >a lot of bare chested cowboys 
  133. >a lot of bare chested cowboys with assless chaps 
  134. >all armed with .44 Mare's Legs 
  135. >flee market goers go stampeding from the area, trampling eachother to get away from death 
  136. >no 
  137. >it can't be 
  138. >mfw it's the boys from the Ol' Prolapsed O
  139. >"He killed the twink!", the leader of the homoerotic posse hollers in a southern twang, salt and pepper eyebrows bristling under a black stetson
  140. >hoots and whoops come out of the crowd 
  141. >"Get 'em, boys!", he orders, slapping some of the queer vaqueros on the ass as they pass in their charge 
  142. >.44 begins pouring into the tiny shop as I duck behind the front desk, pulling fat ass down with me 
  143. >gunfire and the sound of jacking levers fills the area 
  144. >RAM RANCH IS UNDER SIEGE
  145. >grab fat ass by the back of his neck folds and start low crawling my boney ass toward the rear exit with him in tow 
  146. >the hail of sexually pent frustration sends glass scattering on the floor from the display shelves 
  147. >fatty groans in pain as I drag him along, shards of glass embedding themselves into his blubber 
  148. >fuck it he'll thank me later 
  149. >we make it to the back door by the time gun fire pauses 
  150. >my guess is we have 25 seconds at most to get the fuck out of here before they come inside the place and murder fatty 
  151. >get blubber up and on his feet with tremendous effort 
  152. >fucker weighs a ton 
  153. >I can hear the crunching of well polished ass skin boots on glass by the time we exit the back door 
  154. >a few feet away, the skeleton drawn cart awaits 
  155. >drag the glutton's great girth over to the transport and load him into the seat 
  156. >the entire thing groans and the wagon leaf springs compress nearly to the axle 
  157. >get up front, lift the two sticks, and start hauling ass with fatty secured in the cart 
  158. >"They're getting away!", some faggot cowboy yells before another shot rings out from behind 
  159. >.44 takes a chunk out of some mystery meat hanging outside of a grimey taquieria to my left 
  160. >start hearing the sounds of horse hooves against the cement walkways of the market place 
  161. >chance a look behind 
  162. >40 wild cowboys are bare back riding horses after our asses, guns held in the air as they sound off a rebel yell 
  163. >mfw
  164. >ripping ass out into the parking lot with the gang of ass bandits hot on our tail 
  165. >more bullets fly by us 
  166. >some snap into parked cars 
  167. >one blows a hole through the tip of my sombrero 
  168. >dios mios 
  169. >I keep running, calcium strength allowing a speedy 40 mph on the road 
  170. >however, the rider's keep chase easily 
  171. >fuck 
  172. >can't pull cart with one hand to return fire 
  173. >fatty doesn't have a gun 
  174. >not like it would matter, pretty sure he couldn't hit the broad side of a barn 
  175. >fuck
  176. >fire is becoming more accurate now 
  177. >a chunk of cart handle on the right side explodes into splinters 
  178. >make it out onto the the road now 
  179. >and in about 500 feet, 600lbs of lard combined with probably another 600lbs of human cattle cart has to make a turn to the bridge at 40 mph 
  180. >this'll end well 
  181. >400 ft 
  182. >a round domes the back of my skull, forcing me to keel over forward, barely keeping my balance 
  183. >300 ft 
  184. >another shatters against my right fore arm, forcing my grip to get uneven 
  185. >200 ft 
  186. >the whoops and hollers of the rowdy bunch of faggots are getting closer now 
  187. >I pray to whoever the fuck is listening that I can make this damn turn 
  188. >100 ft 
  189. >a ghastly yell rips its way out of fatty's blubber lined esophagus 
  190. >I look back to see, much to my horror, a chunk of master's left shoulder gone 
  191. >the cowboys cheer and jeer from behind 
  192. >0 ft 
  193. >muster all my strength to make the turn, sticking one foot down and letting the other rise in hopes that the cart swings out in the rear 
  194. >that doesn't happen 
  195. >instead, the bitch rolls, and I roll with it 
  196. >1 
  197. >2 
  198. >3 times over before we come to a rest 
  199. >I recuperate quickly 
  200. >looking back, the cart's overturned, master spilled out to the side like some potted meat thrown against the asphalt 
  201. >the DP-12 is laying across the road way, the boys from the Ol' Prolapsed O already between me and it 
  202. >I look back to fatty 
  203. >there's no fear on that pale face of his 
  204. >his entire body's gone so white he looks like a mound of marshmallow spread
  205. >I think he knows what shituation he's in 
  206. >I also think he knows he won't be around when those faggots desecrate his body 
  207. >if I still had tearducts, I'd shed one for the son of a bitch 
  208. >even if he was a disgusting fucker, he brought me back from the dead 
  209. >with one last glassy eyed look at me, a final command enter's my mind 
  210. >escape 
  211. >I obey, picking myself up and sprinting to the bridges edge 
  212. >more hollering followed by more gunfire and lever working 
  213. >some thunk the pavement, some thunk me 
  214. >but that shit doesn't matter to a skeleton
  215. >I jump off the bridge head first and swan dive into those cold waters of the Guadelupe 
  216. >before things go black, I make a promise on my late master's soul 
  217. >I'm gonna kill these faggots dead 
  218.  
  219. >be me 
  220. >skeleton 
  221. >pissed as fuck and onna rock river side beach 
  222. >clothes are soaked 
  223. >clothes are ripped to shit
  224. >don't know where I am 
  225. >unarmed 
  226. >shit is fucked yo 
  227. >grinding teeth together as I pour murky water out of my boots 
  228. >the fuck do I do now? 
  229. >well, find my way back to those faggots and kill them 
  230. >but how? 
  231. >well, it stands to reason that I've drifted down in the south easterly direction 
  232. >but I could either be near Austin, San Antonio, or bumfuck nowhere 
  233. >that's helpful 
  234. >ringing out bandana when voices startle the shit out of me 
  235. >a bunch of fucking pansy ass giggling
  236. >put my ragged clothes back on quickly, covering up my boney bits
  237. >start scanning up and down the river bank 
  238. >the river bends out of sight on either side 
  239. >the owner's of the voices can't be seen 
  240. >suddenly, a sweet voice starts ringing out through the air 
  241. >more join it, creating a heavenly choir 
  242. >damn 
  243. >that's nice as hell 
  244. >get to my feet and start following that alluring song down and around the river's bend 
  245. >don't even bother hiding myself when I approach the source 
  246. >what I see is damn near paradise 
  247. >a group of college girls playing in the water 
  248. >they don't seem to notice me, just continuing to sing and play some water volley ball 
  249. >the sun glistens off their hair and the beads of water on their fair skin 
  250. >all of them got white shirts with a burnt orange bull's head on each one 
  251. >guess I'm near Austin 
  252. >that yuppie faggot city 
  253. >one of the girl's turns toward me and let's loose a light laugh, motioning me to come over 
  254. >she bats her long eyelashes at me, trying to draw me in with them bright blue eyes 
  255. >lord have mercy
  256. >the other girls just continue playing and singing 
  257. >by this point they're at the midsection of the river
  258. >I know where this is going 
  259. >ah fuck it 
  260. >start walking into the water, making that purdy gal smile 
  261. >it'll be fun to blow off some steam before I gotta go kill some ass ranchers
  262. >the river water gets about to my knees before I stop 
  263. >bend down and strart running a gloved hand along the river bottom 
  264. >keeping an eye on that girl as I do so 
  265. >her smile changes from one of those nice ones to one of those ones that says "the Hell are you doing?" 
  266. >you'll find out soon 
  267. >don't worry your pretty head about it 
  268. >quickly find what I'm looking for and stand straight back up 
  269. >open my hand to reveal a decently sized, smooth river stone 
  270. >it's a glistening piece of granite shaped like a triangle 
  271. >flat with rounded edges 
  272. >now that's a good skipping rock 
  273. >toss it up and catch it a few times 
  274. >it's got some good weight to it too 
  275. >girl in the river looks even more confused 
  276. >her friends stopped playing water volley ball and singing 
  277. >they look just as confused 
  278. >look to stone and then back at the girl 
  279. >she gives a reassuring smile and beckons me to got further in the water with a finger 
  280. >yeah nah 
  281. >hook the stone in the crook of my pointer finger 
  282. >side arm throw that fucker full force 
  283. >1 skip 
  284. >dumb bitch watches as the stone slams into her god damn forehead 
  285. >THUNK 
  286. >mfw
  287. >her head violently snaps to the rear 
  288. >blood is quickly running down her face 
  289. >she starts convulsing, body going sideways as her bottom half floats up to the surface 
  290. >glistening scales reveal themselves, murky brown and dark stripes with a white under belly like some kinda giant bass 
  291. >all the other girl's start shrieking and diving under the water, dorsal and tail fins cresting the surface before dissapearing into that murky river 
  292. >guess they didn't know that some mother fuckers actually know a Texas Fresh Water Striped Bass Siren when they see one 
  293. >chuck a couple larger stones out into that deep water to scare away the rest of the school 
  294. >start wading out to the floater once I think the rest are gone 
  295. >yeah, she's a pretty decent size 
  296. >about 6 ft head to tail 
  297. >damn 
  298. >makes me miss the times I used to do this with fatty 
  299. >may God rest his soul
  300. >those were good times 
  301. >snap out of my memories and get back to task 
  302. >if I were to be a betting man, I'd guess this shirt doesn't belong to this fish 
  303. >on closer inspection, it's not a worn in shirt, so whoever they got it must've recently been killed 
  304. >rest in peace you college girl 
  305. >turn my attention to the creature's mid-section
  306. >let's see what you had for lunch 
  307. >pull a soaked glove off my left hand and put the points of my fingers to the siren's stomache
  308. >push in and the skin yields with little resistance 
  309. >blood starts chumming the water as I dig around in her guts 
  310. >find a particular fleshy sack and pull it out, the rest of the digestive tract following with it 
  311. >tear it open to see what prize is inside this flesh piñata 
  312. >oh, what's this? 
  313. >among the undigested bones of some unfortunate soul, I find a particularly shiney object 
  314. >I pull it out and let the entrails splash into the water as I examine the item 
  315. >it's a gore covered key 
  316. >the rubbery bit has that pentagon star logo from those early 2000s Chrysler's 
  317. >hell yeah 
  318. >dunk the key into the water a few times to wash the guts off 
  319. >turn away from the dead fish and wade back onto shore 
  320. >spend a good chunk of the afternoon watching the floating corpse from the shore as it gets cannabalized by it's former sisters 
  321. >they tear the damn thing apart in chunks, greedily gulping down whatever they can 
  322. >fucking savages 
  323. >chunk some more rocks at them before I leave to go further down the river 
  324. >hoping I find this fucking car 
  325. >that'd just really make my day
  326. >walk a mile or so at a leisurely pace 
  327. >sun is getting lower in the sky, about to get to setting 
  328. >reach a much larger, sandy shore 
  329. >lo' and behold, there it is 
  330. >shining in a patriot blue, a god damn jeep LJ on 35s 
  331. >bitch had some nice taste before she got ate by acquatic life 
  332. >stroll over and around to the driver side door 
  333. >slide that key into the door lock, twist, and pull the door latch 
  334. >the light door swings wide open 
  335. >climb in, setting my sopping ass down in the seat and soaking the fabric 
  336. >sorry about that, dead girl 
  337. >look to the glove box, reach over, and tear the bitch open 
  338. >sorry again 
  339. >feel around with my metacarpals, fingers grace something I didn't expect 
  340. >pull out a loaded Walther PPK 
  341. >the entire thing is pink 
  342. >... 
  343. >fuck it, it's better than nothing 
  344. >put it up on the dash and go digging back in the glove box 
  345. >a little more searching and a few extra mags of 32 ACP later I finally pull out a road map 
  346. >place it on the dash, too 
  347. >slam the glove box closed 
  348. >take the key and slide it into the ignition 
  349. >moment of truth 
  350. >turn it 
  351. >the sweet sound of a straight piped 4.0 rumbles throughout the vehicle 
  352. >pop the bitch into neutral, 4 wheel low, and back into drive 
  353. >U-turn off the beach and onto a dirt road 
  354. >after a while, the road becomes paved and street signs start showing up 
  355. >parked on the shoulder, marking my way from outside of Austin all the way back to Canyon Lake 
  356. >satisfied with my set course, I pull back onto the street 
  357. >turn the radio up to be greeted by Robert Earl Keen 
  358. >he's singing about shooting people on a train 
  359. >reach cruising speed and look out to the horizon 
  360. >sun's setting to the left, turning the sky a bright orange intermingled with purples and blues 
  361. >God damn 
  362. >it's enough to make a man cry 
  363. >look back to the road, merging onto the interstate 
  364. >eye the hand gun on the dash 
  365. >today was a good day 
  366. >tomorrow's gonna be better 
  367. >I'm taking a trip to the Ol' Prolapsed O
  368.  
  369. >be me 
  370. >skeleton 
  371. >some where just outside of Canyon Lake 
  372. >pulling up to the long dirt drive of a ranch 
  373. >more specifically the Ranch of the Ol' Prolapsed O 
  374. >grab PPK off the dash 
  375. >check to make sure it's loaded 
  376. >put selector to fire 
  377. >stuff it into the waist of my pants like a mexican gangbanger 
  378. >put two extra seven round 32 ACP mags into right pants pocket 
  379. >it'll last me till I rob one of these fuckers' corpses for a gun
  380. >put LJ into park, shut her down, and step out the jeep 
  381. >weathered boots crunch harshly on the gravel as I approach the gate 
  382. >the thing's a pretty simple, waist high cattle stopper with one of them key pads and a hydraulic arm to stop vehicles getting through
  383. >the only distinguishing feature is the iron work prolapsed anus welded to a piece of diamond plate welded to the gate itself 
  384. >fucking hell 
  385. >hop the gate and start trudging a long the dirt road 
  386. >the land of the ass banditos is an expansive claim of rolling hills 
  387. >lush, green, and well manicured grass stretches as far as the eye can see 
  388. >a few miles away I spot the grand homestead 
  389. >fucking thing looks like something the Bushes would live in 
  390. >it's a massive three story lodge of dark wood accented with mixed stone work 
  391. >complete with a drive way capable of fitting more than 30 bro trucks 
  392. >odd due to the lack of cars 
  393. >about 100 yards to the left of the is what appears to be a hangar 
  394. >considering there's a horse for each of the 40 members of this ranch, I wouldn't be surprised if this was the stables 
  395. >all their past contracts with Jerry Jones must've been lucrative as fuck 
  396. >broken out of my observations by the sound of galloping 
  397. >look to my left and and see the shape of a rider approaching 
  398. >like every other faggot here, he's a bare chested, assless-chap-wearing, bare-back-horse-riding queer 
  399. >he's got a .44 Mare's Leg in one hand and the reigns in the other 
  400. >see him cross his reign arm over his chest, balancing the barrel of his lever gat on his forearm
  401. >bring it, faggot 
  402. >BOOM 
  403. >CRACK 
  404. >let the .44 mag drop me to the ground as it crashes into my sternum 
  405. >looking up at nothing but sky
  406. >the a loud whoop as the fucking moron celebrates his "kill" 
  407. >can hear his horse approaching, the beating of hooves slowing as he checks his speed 
  408. >they stop just a couple of feet away from me 
  409. >boots hit the ground and the sounds of crunching earth and clapping cheeks permeate the air 
  410. >circles around to standing above my head and stops
  411. >the faggot's leaning over me now 
  412. >balls out and everything 
  413. >not what I wanted to see today 
  414. >there's a shit eating grin plasetered on his face as he examines his handy work 
  415. >"I thought we killed your sweet ass yesterday, big boy.", he remarks 
  416. >"Whatever, just means I get to mark you as mine today." 
  417. >the fucker puts his feet to either side of my head and starts going crouching down 
  418. >FUCK THIS 
  419. >reach up with a gloved hand and crush the family jewels 
  420. >faggot screams bloody murder, suddenly trying to stand up against to escape the introduction of vice-like grip to his gonads 
  421. >mfw
  422. >this only makes his pain worse 
  423. >screaming his lungs out, he drops his Mare's Leg and starts trying to loosen my grip 
  424. >looks down only to see the business end of an adorable pink PPK looking back 
  425. >muzzle flash signals the quick delivery of an angry metal bee through his eye socket 
  426. >it's followed by six more 
  427. >let go of the homos testicles and he falls backwards into the dirt 
  428. >that'll teach you to respect the dead, fuck head 
  429. >roll over, grab his dropped Mare's Leg, and stand up 
  430. >his horse looks at me anxiously, slightly startled by its master's demise 
  431. >reach out slowly and put a concillatory hand on his nose 
  432. >I know how you feel horse bro 
  433. >but your faggot master deserved it 
  434. >and so do his friends 
  435. >slowly walk to the horse's side 
  436. >give it one more pet on the snout and then mount up 
  437. >jack the lever, ejecting the spent cartridge 
  438. >grip the reigns with one hand 
  439. >it's time to ride
  440. >Dig the heels of my boots into the horse's side 
  441. >goes off like a bat out of hell 
  442. >whoah mama 
  443. >having trouble just staying on the fucker 
  444. >eventually get myself situated enough that I'm not gonna eat shit 
  445. >by this time, movement catches my attention back near the stables 
  446. >a dozen steston wearing figures are riding out to the pasture to meet me in a v formation
  447. >they're all armed and beginning to take aim 
  448. >wrap the reigns around my hand and steer my steed to the center of their little squadron 
  449. >sit up straight, use my reign hand as my support hand, and squeeze a shot off at the lead rider 
  450. >the shot goes wide of the cowboy 
  451. >but his horse isn't so lucky 
  452. >blow a hole in the animal's neck 
  453. >sends rider and mount rolling down into the grass 
  454. >faggot cowboy scream upon impact, now stuck under a dead horse 
  455. >probably pulverized his leg 
  456. >the other vaqueeros waste no time in answering with some .44 of their own 
  457. >get thumped in the noggin by the first shot, nearly un-horsing my ass 
  458. >have to pull myself back up by the reigns 
  459. >this causes my horse to slow down considerably allowing another easy shot 
  460. >this one pops me right in the arm 
  461. >alright fuck faces 
  462. >re-establish firing stance and start tracking the first one to the left 
  463. >work the lever and send a round down range 
  464. >hits him in the chest, sending his corpse down into the dirt and the horse running aimlessly 
  465. >rinse and repeat for the next rider to the right as we pass within 20 ft of each other 
  466. >trade shots 
  467. >blow his skull apart and he goes tumbling down 
  468. >get nothing in return except for a new hole in my attire 
  469. >gonna have to buy some new threads after this 
  470. >both wings of the formation pass me by at this point and start rounding back to give chase 
  471. >get dinged in the shoulder blade 
  472. >does nothing because skeleton lol
  473. >another shot rings out and suddenly horse drops out from under me 
  474. >get sent flying forward 
  475. >fuck
  476. >hand that's still wrapped up in the reigns reaches the end of the slack, yanking my arm backwards 
  477. >stops all forward momentum and slams me face first into the ground 
  478. >WHAM 
  479. >.... 
  480. >I'm slow to pick myself up 
  481. >can only do it with one arm 
  482. >look down and see why 
  483. >left arm is gone 
  484. >well that's inconvenient 
  485. >look back to see it right next to my rolled over horse's corpse, still wrapped in leather 
  486. >behind that are the 10 remaining riders
  487. >they're are gaining hard on my posistion 
  488. >the Mare's Leg is nowhere to be seen 
  489. >PPK isn't in my waist band any more 
  490. >don't even have the extra mags 
  491. >all of them probably got thrown really fucking far 
  492. >reach down and start trying to un-do the tangled up reigns around my removed arm 
  493. >detached hand starts helping, slipping itself out of knots 
  494. >by this point the riders are about 50 yards away 
  495. >one takes a shot at my hunched over form 
  496. >hits the horse's shoulder and takes a chunk out of it, sending blood spraying all over my bandana covered face 
  497. >I'll forgive the red stains 
  498. >I won't forgive shooting a dead horse 
  499. >finally get my arm untangled and re-attach it 
  500. >give a few experimental flexes of my fingers before standing straight up 
  501. >a cowboy is now about barreling towards me, holding his lever gat by the barrel and swings the butt of the stock at my head like a club 
  502. >"Die you son of a..." 
  503. >grab the stock and yank on the fucker hard, ripping the rider off of his horse as he holds tight to the gun 
  504. >sends the faggot into the dirt and he loses his grip on the Mare's Leg 
  505. >standing above him I raise the stubby rifle above my head and swing down with the barrel hard 
  506. >the fag raises up a forearm to protect himself only to have that get snapped in half like a twig 
  507. >bring the stock back and butt stroke the faggot on the jaw 
  508. >CRACK 
  509. >sends his head jerking violently to the right, dropping his ass back to the ground, dead as a door knob 
  510. >9 remain 
  511. >and they're fucking pissed
  512. >two more riders approach 
  513. >jack the lever and take a shot at the one on my right 
  514. >fire, blowing his lungs out through his back 
  515. >the other one passes behind me 
  516. >aware of suddenly constricting feeling around my neck before I'm suddenly yanked off my feet and being dragged behind a horse 
  517. >look up to see the back of a burly faggot holding the end of a rope in his right hand starting to fumble with a six shooter on his left hip 
  518. >pull my Mare's Leg up to take aim 
  519. >trying to steady out while the ground beats the shit out of me 
  520. >finally shoot the faggot in the back once I'm stable enough 
  521. >he let's out a parting cry before letting the lasso fall out of his hands and a few feet later falling off his horse 
  522. >get back to my boots and loosen the rope and slip it over the top of my head, tossing it to the side 
  523. >7 retards to go 
  524. >the working of the lever and the blast of a gun shot signals the fall of another rider via .44 mag full frontal lobotomy 
  525. >6
  526. >they're firing at me wildly now out of fear and confusion 
  527. >jack the lever and start tracking another ranch hand 
  528. >squeeze 
  529. >click 
  530. >fuck 
  531. >more bullets rain down on me as I turn and run for the corpse of the fucker who was dragging me 
  532. >reach his carcass and grab for his six shooter 
  533. >it's a Ruger Black Hawk 
  534. >that's pretty nice 
  535. >for a faggot 
  536. >turn around and take a shot at the cowboy who I had a bead on earlier as he passes close by 
  537. >.357 magnum enters under his arm and pops his heart like a balloon 
  538. >5 
  539. >the other cunts stop the charge and start turning around trying to flee from death 
  540. >get back here, slaves 
  541. >shoot the closest one right in the back of his head 
  542. >4
  543. >start picking off the cowards 
  544. >click
  545. >BOOM 
  546. >3 
  547. >click 
  548. >BOOM 
  549. >2 
  550. >click 
  551. >BOOM 
  552. >and then there was 1 
  553. >place thumb on the hammer once more as I take aim at the last survivor's shrinking back 
  554. >damn, he's gone pretty far 
  555. >last bullet too 
  556. >aw fuck it, make it now and I can brag later 
  557. >don't make it now, I'll kill him later
  558. >cock the hammer back slowly 
  559. >click 
  560. >squeeze at the same pace 
  561. >BOOM 
  562. >faggot keeps riding off into the sun 
  563. >damn, guess I missed 
  564. >keep watching him for a few moments 
  565. >his form slowly slumps forward and slides off his horse 
  566. >just like one of my spaghetti westerns 
  567. >hot damn I'm good 
  568. >start twirling the ruger lazily as I walk to lasso fags corpse to pillage some more .357 magnum 
  569. >his belt's got little loops holding individual bullets 
  570. >count 24 of them in total around his waist 
  571. >undo the giant golden rodeo buckle depicting a cowboy on a bucking bull and rip the belt off his carcass 
  572. >wrap it around my left shoulder and under my right arm and loosely buckle it to make a make shift bandolier 
  573. >take 6 bullets off the belt and load them into the revolving chamber 
  574. >we're ready to roll
  575. >turn away from the carnage and start marching towards the mansion 
  576. >get about 500 feet away before hell starts pouring from the windows 
  577. >bullets are flying out of every opening in the god damn place 
  578. >the front doors open up and a fucking 12 pound cannon rolls out manned by two cowboys in gimp suits that hug their pudgy bodies in a way that many would consider too tightly 
  579. >one's holding a stick with a bit of smoldering rope at the end and is about to fire the cannon
  580. >under fire, I slot the fucker with the ignition stick 
  581. >drop the other soon after 
  582. >run my boney ass to the front doors, bullets thumping and whomping me and everything around me along the way 
  583. >once inside the threshold of the main foyer I come face to face with a firing squad 
  584. >the remainders of the boys from the Ol' Prolapsed O make their final stand on the grand stair case 
  585. >they take up the enitire fucking thing 
  586. >have 2 seconds to wonder how all their asses managed to get in posistion that fast before a wall of bullets slams into me 
  587. >forced to my hands and knees by the force of over 40 .44 mag Mare's Legs 
  588. >can barely hear the men screaming over the gun shots and lever working
  589. >try to bring up the revolver on to have it get shot out of my hands by the bullet storm 
  590. >it goes clattering somewhere behind me 
  591. >fuck 
  592. >try turning around and my hand knocks something 
  593. >it's the ignition stick 
  594. >an idea pops into my skull 
  595. >it's incredibly devilish 
  596. >grab the fucker and crawl over to the cannon 
  597. >start crawling over the cannon, supporting my weight against the flurry of .44 
  598. >the hail of ammo stops suddenly, the clicking of empty guns pervading the space 
  599. >I take the oppurtunity to stand up, put a hand under the cannon, and rip it off the fucking wagon wheels 
  600. >support the un-weildy cunt under my arm and whip the barrel around to the stair case 
  601. >the faggots are dazed from the sounds and flash of their firing squad
  602. >some of the cowboys are still trying to shoot their empty guns 
  603. >some are fumbling with their reloads, hands shaking uncontrolably 
  604. >some even realize what's going on 
  605. >it's far too fucking late for that though 
  606. >reach back with the burning end of the ingnition stick and light the fuse 
  607. >BOOOM 
  608. >the entire stair case gets peppered with grape shot 
  609. >the front most cunts get turned to swiss cheese 
  610. >they die quick deaths 
  611. >the back most get stray shots, some fatal, most shredding their legs 
  612. >they'll slowly bleed out
  613. >while this happens, my ass flies out through the front doors 
  614. >the solid log of iron that is the cannon lands on top of me 
  615. >ow 
  616. >have to take a breather (would I call it that if I don't breathe?) before I attempt to get up 
  617. >roll the artillery peice off of my chest and slowly sit up 
  618. >can already see the carnage I made 
  619. >the once nice stairs of some antique and exotic dark wood is now shredded 
  620. >blood is pooling at the bottom creating a lake of crimson in the foyer 
  621. >the bodies of gay cowboys cover the entire thing 
  622. >most of them have chunks taken out of them 
  623. >quite a few in the front have missing limbs 
  624. >some in the rear and center squirm feebly as they suffer in their death throes, covered in mangled bodies
  625. >be me 
  626. >skeleton 
  627. >have just effectively murdered every single member of the Ol' Prolapsed O via grape shot 
  628. >mfw 
  629. >get to my boots and stroll back inside the main foyer 
  630. >grab the ruger I nabbed earlier off the wooden floor as I pass by it 
  631. >take a closer look at the carnage I created 
  632. >at the bottom of the grand stair case a lake of blood has formed, fed by the streams and rivers of red flowing slowly down the steps 
  633. >there's little splinters of wood floating on the surface like scattered ships 
  634. >certain areas are already starting to coagulate, creating maroon splotches in the mix 
  635. >tread slowly through the pond, boots sending slight ripples through the ichor 
  636. >on the stairs, around 50 dead ranch hands are all tangled together in some kind of fucked up game of corpse twister
  637. >stetsons and assless chaps look like they've been put through shredders
  638. >some are missing body parts 
  639. >some just have parts that looks more like hamburger meat slapped on some bones 
  640. >all have faces froze in agony or confusion 
  641. >at least those that still have faces, that is 
  642. >all set on a once elegant stage that's now shot to shit
  643. >pretty fucking metal desu 
  644. >just start walking over their corpses without a care 
  645. >step on most of them, making sickening squelching noises under my boots 
  646. >at the top of the stairs there's this really pretty double door set up 
  647. >got a fancy gold leaf embroidery around the edges depicting the riding and debauchery of the boys from the Ol' Broken O 
  648. >the doors themselves are made out of an almost black wood 
  649. >carved into them is a scene of some bare chested cowboys on horse back chasing some humanoid fantasy folks 
  650. >they've got gags in their mouths and hand tied behind their backs 
  651. >pretty fucked up scene overall 
  652. >each door has a ring handle of ivory 
  653. >walk up to the doors and notice something new 
  654. >a small entry hole breaks up the entire scene 
  655. >and small, ragged gasps break up the dead silence now
  656. >somebody survived? 
  657. >that's some bull shit 
  658. >bring up the ruger and cock the hammer back 
  659. >that problem is about to be fixed 
  660. >grab the door habdle ring and pull the bitch wide open 
  661. >enter without a care in the world 
  662. >what's he gonna do, shoot me? 
  663. >like that's fucking worked so far 
  664. >look around to examine the lounge I'm in now 
  665. >it's flowery as fuck 
  666. >marble floors, roses in vases, pink paisely couches and sofas 
  667. >fruity as they could make it 
  668. >and on the largest couch facing me, the fruitiest faggot of them all leans against it, pink and frothy blood bubbling from a sucking chest wound 
  669. >he's all decked out in cowhide shit 
  670. >looks like he cut up Beevo to make his outfit 
  671. >hat, boots, chaps, and even his fucking vest are made out of it 
  672. >in his left hand, he's got a white knuckle grip on an old black powder six gun 
  673. >it's all decked out in silver and gold plating creating a paisely patteren on the weapons surface 
  674. >pretty gun faggot 
  675. >boots click loudly against the floor as I mosey on over, leaving a trail of bloody foot prints on the once pristine floor as another fuck you 
  676. >about car's length away when I stop 
  677. >he's scared as shit, sweat rolling down his old and gnarled face as he tries to aim his gun more effectively 
  678. >I'm already aimed at his face, ready to turn it into a close casket funeral with .357 
  679. >let him take aim at me becuz big bone energy
  680. >can't even get the gun to cross his chest to shoot me center mass 
  681. >has to settle for my right arm 
  682. >fucking christ old man 
  683. >there's a couple more labored breaths before he finally pulls the trigger 
  684. >I do too 
  685. >in a flash his brains now join the rooms decor 
  686. >twirl the ruger in my left hand absent-mindedly as I take another step forward 
  687. >right foot hits something light and send it skidding forward 
  688. >look down 
  689. >mfw it's my right arm 
  690. >mfw it's more specifically everything from half my fore arm and down 
  691. >WTF IS THIS
  692. >look down to my right arm 
  693. >the whatever the fuck the fore arm bone is cut in half, the end burnt and blackened
  694. >looks like it was cut by a laser or some shit it's that precise 
  695. >how in the FUCK 
  696. >drop the ruger, reach down and pick up my arm 
  697. >try to reattach it 
  698. >it doesn't reattach 
  699. >FUCK FUCK FUCK FUCK FUCK 
  700. >really freaking out now 
  701. >this shit's never happened before 
  702. >stare at my limp arm in my left hand for what seems like forever 
  703. >Fuck 
  704. >fuck it 
  705. >I'll figure it out 
  706. >can't do shit about it right now 
  707. >fucking fuming 
  708. >take anger out by stomping dead cowboy faggot's head against the edge of the gaudy sofa 
  709. >stomp so hard I break the fucking thing in half 
  710. >fucker's head is now just a pile of pink and crimson mush mixed in with sun spotted bits of skin and white hair 
  711. >FUCK 
  712. >I'm so pissed 
  713. >at least I can rob this ass hole of his shiney gun and any other valuables in this place 
  714. >secure now un-undead arm in chest bullet bandolier 
  715. >reach down to snatch that fancy six shooter 
  716. >right as hand is about to pry the pearl grip from the cowboy's cold dead hands I withdraw my hand fast as shit 
  717. >the gun is hot 
  718. >really fucking hot 
  719. >can't get my hand near it without feeling like I'm holding it in a fire 
  720. >I'm guessing that shit's enchanted 
  721. >I'm guessing that that's why I'm now without a right arm for the time being 
  722. >and I'm guessing that makes this fucker expensive as shit 
  723. >all the more reason to take it as compensation for my troubles 
  724. >unwrap what's left of bandana from my face 
  725. >wad it up and use it to carefully grab the black powder pistol from its owner's death grip 
  726. >can feel a slight, agitated warmth through the bandana as if the gun's pissed that I gamed the system 
  727. >really don't want to touch it now 
  728. >set it on the floor 
  729. >peel off dead cowboy's cow hide boots and then take one of his thick, blood stained stocks 
  730. >put bane of the undead into the sock
  731. >this all takes a shit ton of time and frustration just to do it without burning my fingers off 
  732. >would be really fucking easy if I had MY FUCKING ARM 
  733. >FUCK 
  734. >where the hell am I gonna put this thing? 
  735. >look over to dead cowboy and spot a cowhide holster on his hip 
  736. >it's the same fucking color and pattern as the rest of his ensemble 
  737. >fuck it 
  738. >it's better than nothing 
  739. >take a fucking hour getting it off him and putting it on me 
  740. >finally holster the sock encased gun 
  741. >holy shit this sucks 
  742. >pillage the cowboy's pockets and find a wallet in his vest 
  743. >inside is some weird shit 
  744. >first off, a Texas driver's license that expired some time after the convergence 
  745. >Victor Stromboli 
  746. >is this that "Master Strombom" that twink was talking about? 
  747. >the name's are close enough 
  748. >might've just been whatever some alter ego this retard used to hide his real name 
  749. >guess that shit didn't save him in the end 
  750. >the other item of interest is a small gold coin 
  751. >it's chipped on the edge with writing that's too worn down to read 
  752. >there's a vaguely femenine head on both sides that's also worn down to shit 
  753. >it's the only piece of currency in the entire wallet 
  754. >pocket the fucker 
  755. >probably worth a good amount too 
  756. >stand up, give the corpse another good kick and wonder what the next place I should pillage 
  757. >maybe check all the dead faggots on the stairs 
  758. >maybe rob the rooms 
  759. >broken out of my train of thought by the sound of clicking heels on marble 
  760. >whip around and aim at the source with my six gun 
  761. >have to stop myself from putting a bullet between an elf maid's eyes 
  762. >fucking scared the shit out of me 
  763. >can tell she's a maid from the french maid outfit she's wearing 
  764. >has this little dingy feather duster in her hands 
  765. >doesn't seem to mind the skeleton pointing a gun at her as she looks somberly at the blood stained marble with her vacant eyes and a small frown 
  766. >lower my weapon slowly and walk on by out the double doors 
  767. >she doesn't acknowledge any of this
  768. >be me 
  769. >skeleton 
  770. >wondering around house 
  771. >found myself a library 
  772. >it's pretty neat but kinda spooky 
  773. >low light due to drawn curtains 
  774. >many animal heads on walls 
  775. >just about every single creature on God's green earth has been decapitated and had their head placed here 
  776. >even creature's not of this world 
  777. >stare at a troll's mishapened head for a few moments before moving on 
  778. >book shelves line the walls 
  779. >they're filled with heavy tomes and novels 
  780. >some in English, some in foreign languages, and some in text either too alien and/or too ancient to know 
  781. >at the end of the long room an unlit fire place of dark stone waits sullenly 
  782. >the inside of its mouth is too dark to be seen into 
  783. >in front of it is a single, crimson cushioned chair and a small table 
  784. >Stromboli was an avid reader 
  785. >or a psued 
  786. >probably the second one 
  787. >pass by another set of book shelves 
  788. >stop 
  789. >walk back to between the book cases 
  790. >wat 
  791. >a tall glass case sits snugly between the two book shelves 
  792. >the front is hinged and has a small golden handle on the outside 
  793. >open the case slowly, mesmerized by what's inside 
  794. >typically, one might suspect that in a library full of animal heads, if there's a gun on display, it'd probably be something like an elephant gun 
  795. >maybe a .600 or .700 nitro rifle 
  796. >maybe a 2 or 4 gauge 
  797. >maybe even a .577 revolver if they're eccentric 
  798. >this is beyond eccentrism 
  799. >mfw it's a .950 JDJ 
  800. >mfw there's a foot drawer under the case filled with fucking .950 catridges 
  801. >which really only means 10 of the fuckers 
  802. >holy fuck
  803. >the behemoth of the gun has a big ass strap which might've been used at one point as a cargo tie down 
  804. >grab it by that, pull it out, and sling it over my left shoulder 
  805. >look down to the drawer with 10 .950 catridges in it 
  806. >bend down and pull the drawer out 
  807. >yeah, think I'll be keeping this for later use 
  808. >if I can even use it later 
  809. >fuck I really want my arm back 
  810. >walk over to the chair, put down the drawer on the seat, and start looking for valuables 
  811. >on the small wooden table sits a silver tray with a shot glass and a bottle of some old and probably expensive alcohol 
  812. >pick up the tray 
  813. >flip it over and let the shot glass and bottle of alcohol shatter on the floor 
  814. >can't sell that shit to a pawn shop 
  815. >can't get drunk off the alcohol either 
  816. >there's not enough of it in that bottle 
  817. >throw the small tray into the bullet drawer 
  818. >snoop around the fire place 
  819. >find it weird that there's no fire wood holder inside the fire place 
  820. >just dark stone with not a single hint of ashes in it 
  821. >.... 
  822. >what a bunch of fucking weirdos 
  823. >a couple minutes more of inspection and I finally give up 
  824. >not much else is valuable here 
  825. >gather my shit off the reading recliner and get ready to go 
  826. >the sound of shifting stone stops me dead in my track 
  827. >turn around 
  828. >at first glance, nothing has changed 
  829. >however, the mouth of the fire place looks darker 
  830. >like it's stretching down to the center of the earth 
  831. >a small ligh apears to be shining in that darkness 
  832. >it's growing larger 
  833. >raise the ruger at this bull shit 
  834. >then, I can see the truth 
  835. >the light isn't growing bigger 
  836. >it's getting closer 
  837. >so is the clicking of heels 
  838. >a lot of heels 
  839. >oh god 
  840. >the lantern is now close enough to reveal the tight stone walls of a staircase 
  841. >it's owner, that same elf I encountered earlier 
  842. >how the fuck did she get here? 
  843. >can see a long procession of shadows following her 
  844. >forms of unholy amaglamations in the dark
  845. >they shift and shamble up the staircase 
  846. >shapes poke unevenly out of their shadows and then change posistion 
  847. >the clicking of what I once thought were heels is so loud and numerous now that it strikes me as the chitinous crackling of centipede legs against unhallowed stone 
  848. >aim my weapon down into the pit the monster, led by it's somber master, is crawling out of 
  849. >she pays me no mind 
  850. >the blood curdling sloshing of fluids can be heard 
  851. >what could it be? 
  852. >acid producing glands? 
  853. >terrible plague biles? 
  854. >I do not wish to know 
  855. >but I'm gonna fucking find out pretty soon here 
  856. >back away from the mouth of the fire place 
  857. >soon after, the elven maid pops up, the haunting glow of her lantern signaling the arrival of whatever antediluvian horror she brought from the depths 
  858. >cock the hammer back 
  859. >she steps out of the entrance of that grand hell mouth 
  860. >the first shadowy form pops up from the top of the stairs 
  861. >clench the blackhawk tighter, ready to dance with the monstrosity 
  862. >it steps out of the shadows to reveal itself 
  863. >it carries a water bucket and a mop 
  864. >it wears a black dress accented with white lacing and a funny looking head dress 
  865. >it's a maid 
  866. >more of them start pouring out of the fire place 
  867. >it's just maids 
  868. >just a fuck ton of maids 
  869. >holy shit that's a lot of maids 
  870. >it takes at least twenty minutes before the they stop filing out of the stair case 
  871. >the head maid looks at me and points at me with her lantern 
  872. >bitch what the fuck are you doing? 
  873. >one steps forward, this dimunitive human girl with a couple bruises on her face, same vacant eyes and small frown as the rest of the maids 
  874. >she's holding a small sweep and dust pan in her tiny hands 
  875. >another comes forward, this one a dark elf with a mop and water bucket 
  876. >stop pointing the ruger at the maids, mainly out of confusion 
  877. >they start walking forward and I aim once more, this time to the small human girl 
  878. >don't know if they might try to kill me 
  879. >they're really close now
  880. >literally just out of the reach of the gun's barrel 
  881. >you better stop you bitch 
  882. >she doesn't 
  883. >she just bonks her head into the barrel 
  884. >stops in her tracks and finally acknowledges my presence with those vacant eyes 
  885. >"Sir, could you please move?" 
  886. >her voice is extremely monotone 
  887. >the dark elf has stopped too 
  888. >at this point, she could've attacked me if she had wanted to 
  889. >but, she hasn't 
  890. >let the ruger down and step out of her way 
  891. >she goes next to the seat, gets down on her knees and start sweeping the shards of glass from the mess I made before 
  892. >the dark elf maid stands by with mop in hand to clean up the spilt alcohol once she's done sweeping 
  893. >oh... 
  894. >sorry about that 
  895. >now remember the mess I made in the main foyer 
  896. >at that moment, the rest of the maids march in a slow procession past me and out the library 
  897. >oh.... 
  898. >I'm really sorry about that 
  899. >watch the two maids left finish cleaning, and then follow where their sisters went 
  900. >turn back around to the what I now guess to be the entrance to the maids' chambers 
  901. >should I really go down there? 
  902. >not like they'd keep anything valuable down there 
  903. >but... 
  904. >there's a nagging feeling in the back of my skull like I should 
  905. >decide fuck it and start my way down the stairs 
  906. >it's dark 
  907. >real dark 
  908. >and it's a long way down 
  909. >a really fucking long way down 
  910. >start wondering how they managed to get all their cleaning shit up this thing when I start seeing the glow of unatural lights 
  911. >the stairs stop and now I'm met with a short dark hall with light at the end of it 
  912. >walk forward and step into the new area 
  913. >well damn
  914. >the stair case empties out onto a street 
  915. >it's narrow, walled off on both sides by brick houses dotted with lanterns windows and doors 
  916. >the lanterns shine eerily, their source of light unable to be seen 
  917. >they're only bright enough to light the street, the chasm above an infinite abyss 
  918. >it seems like this little street stretches on forever in either direction 
  919. >these are some pretty spooky maids' quarters desu 
  920. >look down into the seemingly infinite lane of one side 
  921. >look down into the other 
  922. >that nagging feeling gets much stronger 
  923. >oh boy 
  924. >guess I better go that way 
  925. >can feel warmth on my side 
  926. >it's radiating from the holster 
  927. >I'm sure that's a good sign 
  928. >fuck, what am I getting myself into? 
  929. >start walking down the street towards whatever's down this path 
  930. >ruger blackhawk in hand 
  931. >.950 JDJ slung over shoulder 
  932. >un-undead arm secured across chest 
  933. >remember that I don't actually have any .950 on me 
  934. >left it up stairs 
  935. >turn around only to find a brick wall staring back at me where the stairs were 
  936. >aw fuck 
  937. >really? 
  938. >.950 JDJ is now effectively a club 
  939. >that's just great 
  940. >whatever, I'll get those sweet .950 cartridges when I get out of here 
  941. >start heading toward whatever the fuck beckoned my ass down here 
  942. >better be some good fucking loot
  943. >the street continues to drag on, slowly descending further and further into the bowels of the earth 
  944. >the walls get older, more cracked and molded as I go 
  945. >lanterns still dimly light the street as I make my slow and gradual descent 
  946. >the closer I get, the warmer that blessed black powder six gun becomes 
  947. >closer to what, I don't know 
  948. >but, that feeling keeps drawing me further down and further down 
  949. >eventually the end of the street is near 
  950. >don't really know how long I've walked to get here 
  951. >the lanterns have become sparse now 
  952. >the end of this street is marke by one sheer wall of rock 
  953. >and a tiny, wooden door with one solitary lantern above it 
  954. >take a step forward 
  955. >the blessed colt gets hot 
  956. >really fucking hot really fucking fast 
  957. >BANG BANG BANG BANG BANG 
  958. >lead balls ricochet off the ground as the heat causes the powder to ignite 
  959. >have to unstrap the holster quick as fuck, the heat becoming unbearable on my side 
  960. >hold it away from me as the sock wrapped weapon begins to burn through the sock 
  961. >the fur of the cowhide holster begins to burn with it 
  962. >What the fuck is happening? 
  963. >throw it away from myself, towards the solitary door at the end of the street 
  964. >the thing is now completely on fire, the blaze hot as hell 
  965. >liquid silver and gold is leaking out of the holster and bubbling into a metallic soup on the cobble stone street 
  966. >it doesn't at any point stop bubbling 
  967. >continues to boil on the ground as the holy metals violently writhe and squirm at whatever is beyond the door 
  968. >now I'm fucking spooked 
  969. >take the time to load the ruger an extra shot off the bandolier before entering into that door 
  970. >satisfied, I lock the cylinder back into place 
  971. >lord help me 
  972. >what the fuck lurks behind that door? 
  973. >step around the puddle of molten angry blessed steel and slowly open the door 
  974. >am greeted by the sight of an altar in the middle of a dimly lit room of roughly carved stone walls 
  975. >the nagging feeling in my head goes away instantantly 
  976. >this is fucking spooky 
  977. >creep around inside, checking corners
  978. >something shuffles in an unlit corner of the alter room 
  979. >track towards the sound, approaching the shadows with weapon raised 
  980. >about 5 feet away when a creature comes out of the shadows 
  981. >if I had lungs, I'd breathe a sigh of relief 
  982. >it's just another maid 
  983. >human by the looks of it 
  984. >she has these long golden locks of hair done up in a low bun 
  985. >soft features grace her face and a light dusting of freckles mark the ridge of her petite nose and spread to flush cheeks 
  986. >her skin is pale, almost deathly so 
  987. >and among that, large eyes of an incredibly bright blue, filled with that spark of life much unlike the other maids 
  988. >a small smile sits content on her lips
  989. >really fucking pretty by anyone's standards 
  990. >but why the fuck am I here? 
  991. >the girl continues staring at me 
  992. >stare back 
  993. >I hope she stops soon because I might just blow here face off if she doesn't 
  994. >as if on que she diverts her eyes down to the floor
  995. >thanks 
  996. >step away from her and look some more around the room 
  997. >there's a small hall leading off into some deeper chamber 
  998. >something taps me lightly on the shoulder and I whirl around, once more aiming my gun at the maid 
  999. >quickly lower the muzzle out of her face 
  1000. >getting annoyed with these fucking maids 
  1001. >next time some bitch is catching a bullet with her face 
  1002. >she gesticulates to the hall, pointing a finger down that way 
  1003. >she wants me to go down there? 
  1004. >well, that's what I already planned to do, but hey, whatever 
  1005. >turn back around and start heading down the narrow passage 
  1006. >the clicking of heels echoes behind me 
  1007. >stop and the clicking stops too 
  1008. >look behind me to see the girl following closely 
  1009. >she gives a reassuring waive with a dainty hand 
  1010. >yeah, that's kinda weird 
  1011. >try to signal for her to go away with one hand 
  1012. >she doesn't seem to understand the gesture, tilting her head to the side at the action 
  1013. >fuck, you're denser than a nuetron star 
  1014. >whatever 
  1015. >continue down the hall and the clicking continues after me
  1016. >after a while, there's this odd labored breathing seeping into the air 
  1017. >sometimes it's intermingled with gurgles 
  1018. >sometimes with wet and sickly coughs 
  1019. >eventually come to the source of the noise 
  1020. >the great foulness that is the last surviving member of the boys from the Ol' Prolapsed O, locked in a cage of iron bars, sealed far below ground 
  1021. >or, that is what I assume it to be 
  1022. >it's humanoid, wearing the combonation of stetson on its "head", assless chaps and boot 
  1023. >indeed, a singular boot as it's left leg is too swollen, too mishapened to be ever fit for any human foot wear 
  1024. >the skin of this... thing is human, but it hangs loosely on a frame of bone, lumpy and swollen in some places either by muscle or leaky sacs of yellowish puss 
  1025. >it turns, sensing our presence in its territory, and throws its malformed flesh violently against the bars, snarling and hissing 
  1026. >yeah nah 
  1027. >I'm not in the mood 
  1028. >start to walk past the creature when I'm tapped on the shoulder again 
  1029. >turn around to shoot the best annoyed glance I can at the maid 
  1030. >she's unperturbed by my efforts and instead points excitedly at the "man" 
  1031. >what? 
  1032. >she keeps pointing and then makes a finger gun, aiming it at the creatures head and mock firing it 
  1033. >you want me to kill it? 
  1034. >fucking why? 
  1035. >turn back around and start walking away when she suddenly snatches my hand 
  1036. >and I don't mean the one that's attached 
  1037. >whirl around on her and get ready to punch her fucking face in 
  1038. >she's already thrown my detached arm into the beast's cage 
  1039. >it grabs it and starts knawing on it, thick drool staining MY bones 
  1040. >look from it to the maid trying to deicde who gets cylinder dumped first
  1041. >she gives me a small smile 
  1042. >fuck it 
  1043. >I'll kill the bitch after I get my arm back 
  1044. >walk over to the cage, aim at the back of the creatures head as it's now looking away, and pull the trigger 
  1045. >BOOM 
  1046. >sends blood and pus spraying through the bars on the other side 
  1047. >click 
  1048. >BOOM 
  1049. >bone fragment skitters on the floor
  1050. >click 
  1051. >BOOM 
  1052. >a rather large boil is popped, sending puss splattering all over 
  1053. >this includes a good smattering of viscous fluids on me 
  1054. >oh you're so fucking dead 
  1055. >click 
  1056. >BOOM 
  1057. >click 
  1058. >BOOM 
  1059. >by this point, it's a quivering mess on the floor of the cage, laying in a pool of and covered in its own horrid bodily fluids
  1060. >but it's still quivering 
  1061. >click 
  1062. >BOOM 
  1063. >that put a stop to its jittering 
  1064. >the head is barely intact if it can be at all considered to be intact 
  1065. >sickly threads of vile flesh hold it together 
  1066. >a deformed skull is visible, chunks of it missing 
  1067. >most importantly, my arm is too far to reach through the bars and get 
  1068. >it's somehow stilk in the monster's mouth 
  1069. >oh you've got to be fucking with me 
  1070. >grab one bar of the cage with my left hand and put my right foot on the bar next to it 
  1071. >spread those extremeties away from each other 
  1072. >the columns of rusted iron groan loudly, metal screaming as it's bent 
  1073. >step through the new gap and over to the corpse of what might've once been human 
  1074. >bend down and reach over to grab my arm out of its maw 
  1075. >as I do so, I note something odd about the inside of the creature's skull 
  1076. >it's empty 
  1077. >not in the sense of "I blew its brains out" empty 
  1078. >more like "there was never anything in there to begin with" empty 
  1079. >at the moment of my revelation, the creature snaps its jaws around my attached arm 
  1080. >OH FUCK 
  1081. >it launches itself off the floor and onto me with speed unbecoming of its malformed body 
  1082. >I'm pinned to the ground by an unnatural strength, looking up into madness hazed eyes 
  1083. >can't pry my arm out of its mouth 
  1084. >jab it in the face a few times with my free fore arm, using it as a kind of dagger 
  1085. >it pokes holes in the monster's mishapened face, even managing to poke out an eye 
  1086. >the things pops like a gore filled ballon, pus and blood exploding onto my face 
  1087. >oh God why 
  1088. >this only seemed to enrage the fucker 
  1089. >it starts shaking its head side to side violently like a dog mauling a homeless person
  1090. >fuck this 
  1091. >bring my fore arm lower and jab upwards into the creatures stomache 
  1092. >it easily rips through the soft and mushy flesh 
  1093. >bring my fore arm upward, cutting the bastard open like gutting a fish 
  1094. >hot, steaming innards flow out of its abdomen, fluids of disgusting yellows and pitch blacks oozing out of organs that are close aproximations of their human counter parts 
  1095. >all of this nastiness plops right down on to my chest 
  1096. >OH GOD WHY 
  1097. >the creature squeals in what I assume is pain, it's thrashing intensifying for a moment before it goes completely limp 
  1098. >free both of my arms from its mouth and toss the fucker off me 
  1099. >sit up and the organs slide down my chest and into my lap as a pile of innards that ooze and gush biles and blood 
  1100. >I wish I could throw up right now 
  1101. >take a moment to zone out and really appreciate just how fucking disgusting that was 
  1102. >gives me conniptions 
  1103. >holy shit I'm going to kill that fucking maid 
  1104. >speaking of which, where did she go? 
  1105. >she's no longer outside the cage 
  1106. >look to my right and get spooked as she's standing next to the body of the monstrous cowboy 
  1107. >bent down, really focused on one of its arms she's holding up, not caring about the fluids leaking on to her hands 
  1108. >that's fucking gross lady 
  1109. >in a surprising show of strength, she snaps the arm in half like a twig, creating a compound fracture 
  1110. >the exposed bone leaks an oddly bright white marrow 
  1111. >she looks up and smiles at me, raising her find up closer towards me 
  1112. >okay yeah, that's great and all, but what the fuck 
  1113. >she points down at the part of my right arm that's still attached to my body and then to the part that isn't 
  1114. >not sure what she's getting at 
  1115. >before I can react, she snatches it again and starts slathering white marrow on the end of it 
  1116. >raise my right arm up and send it at her face, ready to impale it 
  1117. >at this moment, she raises the other piece of my arm up, and with inhuman precision, clicks the end of it with the end of my right fore arm
  1118. >and then pain 
  1119. >lots of that shit 
  1120. >vision goes white as it feels like thermite is burning inside my bones 
  1121. >mfw 
  1122. >shake uncontrolably and collapse to the floor, writhing in pain 
  1123. >it feels like forever before my I go down to just twitching, face still against the floor 
  1124. >the black shoes of the maid fill my vision and then my vision is turned to the cieling 
  1125. >something is set under my head 
  1126. >judging from my new view of the maid looking down to me with a small smile, I'd wager to say it's her lap 
  1127. >I lay there like this for a while, unable to really move beyond twitching my right pinky toe
  1128. >this really fucking sucks 
  1129. >mainly because I really just want to gouge this bitch's eyes out 
  1130. >movement starts slowly coming back 
  1131. >shoot an arm up towards her smug face 
  1132. >she catches my right arm in an iron grip 
  1133. >wait 
  1134. >my right arm? 
  1135. >look closely at my appendage, studying it to make sure 
  1136. >surer than a bear shits in the woods, it's my fucking right arm 
  1137. >re-attached 
  1138. >no cracks 
  1139. >no scrapes 
  1140. >no chips 
  1141. >not even a hair-line fracture 
  1142. >my right arm is fucking back 
  1143. >sit up quickly, suddenly reinvigorated by the regaining of my close friend 
  1144. >maid has to pull her head back to avoid both my skull and the muzzle of the JDJ
  1145. >God fuck how I've missed you, Pancho 
  1146. >Lefty was getting lonely 
  1147. >the maid releases her grip, and I turn to look at her 
  1148. >she's fucking beaming at me 
  1149. >... 
  1150. >shake my head and get up to my feet 
  1151. >alright, bitch 
  1152. >you get to live 
  1153. >for now 
  1154. >give her a little nod as thanks 
  1155. >she stand up and does this smug ass curtsy 
  1156. >yeah yeah, don't get too ahead of yourself 
  1157. >I'll still kill your ass dead 
  1158. >squeeze my way through the bars and look to my right 
  1159. >there's a set of stone stairs there that lead upwards 
  1160. >bingo mother fucker 
  1161. >start walking off and up them 
  1162. >there's the clicking of small shoes behind me for a bit and then they pause when I reach the first step 
  1163. >look back to see why my little follower stopped
  1164. >she's looking down to the ground, eyes entirely focused on some invisible threshold on the floor
  1165. >tap on the wall with a boney knuckle, getting her attention 
  1166. >she looks to me now, eyes watery 
  1167. >the hell are you crying for? 
  1168. >did the old fart not let you up stairs? 
  1169. >beckon her forward with a waive of the hand 
  1170. >she looks like she wants too, but she doesn't budge 
  1171. >what the fuck 
  1172. >drop my hand to my side in annoyance 
  1173. >I'm not dragging your ass up these fucking stairs 
  1174. >we stare at each other for an uncomfortable amount of time 
  1175. >alright, guess I am dragging your ass up the stairs 
  1176. >take a step down and grab hold of her hand 
  1177. >tag a long for a fight with a fucking shambling horror but you're too scared to go up some steps 
  1178. >that's fucking funny 
  1179. >give her hand a gentle tug and she doesn't budge 
  1180. >give a little more forceful tug 
  1181. >she still doesn't budge 
  1182. >shoot her a bewildered look 
  1183. >so, you just want to waste away down here? 
  1184. >Jesus fuck 
  1185. >well, she helped me, so now I'm gonna help her 
  1186. >grab her by the waste and throw her over my shoulder in a fire man carry 
  1187. >she doesn't protest to this 
  1188. >well that's a good sign 
  1189. >turn carefully back to the steps and walk over that invisible threshold 
  1190. >this turned out to be a bad idea 
  1191. >she absolutely flips her shit 
  1192. >is bucking wildly, her entire body thrashing and writhing on my shoulder so violently that I have to either crush her in my grip or set her down 
  1193. >choose to set her down on the first step 
  1194. >she's freaking the fuck out, trying to get past me and back behind that invisible barrier 
  1195. >keep body blocking her 
  1196. >nah, we're going up 
  1197. >she gets more anxious, more frustrated the longer she's away from where she was allowed to be 
  1198. >she locks eyes with my sockets, frantic fury burning in those orbs 
  1199. >give her a shrug 
  1200. >she responds by visciously lunging, hands out stretched to my skull 
  1201. >don't really react 
  1202. >not like she can do much against me 
  1203. >right? 
  1204. >hands touch my temples 
  1205. >I was wrong 
  1206. >very wrong
  1207. >all at once my body goes stiff 
  1208. >can't move 
  1209. >she's still got her hands on the sides of my head, gazing with an intensity like she's trying to burn holes through my eye sockets 
  1210. >there's this feeling of... leaking in my head 
  1211. >yeah, that's the best way I can describe it 
  1212. >leaking 
  1213. >leaking a fluid maybe? 
  1214. >no, it's not tangible enough for that 
  1215. >it's somewhere between a very real sensation and one of those ghost feelings you get sometimes 
  1216. >like when you feel like somebody's watching you 
  1217. >that feeling you get in the back of your head 
  1218. >it's almost like that 
  1219. >remember the killing of those tacticool faggots 
  1220. >remember fatty's death 
  1221. >God rest his soul 
  1222. >remember skipping stones at fresh water sirens 
  1223. >remember killing the boys of the Ol' Prolapsed O with a 12 pound cannon 
  1224. >remember blowing Stromboli's brains out 
  1225. >and then I wonder about something 
  1226. >why the fuck am I recalling these things? 
  1227. >the answer is standing right in front of me, and it hits me like a fucking truck 
  1228. >I'm not 
  1229. >she 
  1230. >no, it is recalling these things 
  1231. >whatever fucking monstosity that hides itself within human flesh 
  1232. >this is why the sacred metal melted and bubbled violently 
  1233. >this fucking thing 
  1234. >try to will my body to move, to protest this mental pillaging 
  1235. >no use 
  1236. >I'm not sure if such a creature can kill an undead, but I don't want to find out through this 
  1237. >let go of me you bitch! 
  1238. >and she does, allowing my boney ass to drop to the floor 
  1239. >I lay there, trying to comprehend the fuck just happened 
  1240. >I just got mind fucked by some eldritch abomination in the form of a cute girl 
  1241. >there's a calm clarity to that realization 
  1242. >like my mind got cleared of a lot of tangled thoughts and now I feel as though there's only one line of thinking 
  1243. >and that thinking is "I've been mentally raped and there's no SAPR office for this." 
  1244. >the fucks a SAPR office? 
  1245. >attention drawn back to the "maid" 
  1246. >it's standing on the stairs, a look of concern on its facade 
  1247. >but, it's no longer hostile
  1248. >it takes a cautious step towards me 
  1249. >I scoot back on the floor, drawing the .375 magnum on the bitch 
  1250. >you better stop right there cunt 
  1251. >it stops in its tracks 
  1252. >shakily and hastily pull myself off the floor 
  1253. >keep the muzzle trained on the ancient horror 
  1254. >not really sure if .357 does much against lovecraftian nightmares 
  1255. >makes me feel safer to have a gun pointed at it, though 
  1256. >and it did stop when I pointed a gun at it, so there's gotta be at least the threat of pain involved to it 
  1257. >yeah, I'm in a good spot 
  1258. >totally wouldn't be shitting my pants if I had a digestive track right now 
  1259. >but now she's 
  1260. >I mean, it's between me and the only stair case out of this fucking basement 
  1261. >wish it'd move the fuck out of the way 
  1262. >as soon as I think that it does, taking a little side step out of the way 
  1263. >yeah, that's pretty fucking weird 
  1264. >the fuck is going on here? 
  1265. >an accent straight from the backest of woods sounds off from the creature's mouth
  1266. >"I'm jus' fallowin' yer orders, sir." 
  1267. >oh God it spoke 
  1268. >what fucking incantation did it just speak? 
  1269. >did this bitch just try to call down some powers from beyond? 
  1270. >the fuck does "I'm jus' fallowin' yer orders, sir" even mean? 
  1271. >wait 
  1272. >what? 
  1273. >"Sir, I don' mean to cause no alarm. I jus-" 
  1274. >shut the fuck up 
  1275. >it closes it's mouth just as quickly as it opened it 
  1276. >let me think 
  1277. >well, it sure as Hell wasn't proper english 
  1278. >but, it was english 
  1279. >fallowin' orders 
  1280. >the fuck does that mean? 
  1281. >"Yer thoughts, sir." 
  1282. >what? 
  1283. >"Yer thoughts. Y'know? The werds insider yer noggin?" 
  1284. >I know what a fucking thought is 
  1285. >I'm just a little confused 
  1286. >"About hwat, sir?" 
  1287. >Oh, I don't know 
  1288. >About the fact you're READING MY FUCKING MIND 
  1289. >"Oh, thas jus' hwat you'd call one a them a-dap-tations." 
  1290. >oh, sure 
  1291. >that makes sense 
  1292. >thank you 
  1293. >"Well yer welcome, sir." 
  1294. >I was being facetious 
  1295. >"Fa-see-hwat?" 
  1296. >You don't know wha- 
  1297. >the leaking feeling comes back 
  1298. >AAAAAAA 
  1299. >"Oh, so it's like sarcasm. I get it now."
  1300. >COULD YOU FUCKING NOT DO THAT? 
  1301. >"Oh, sorry, sir. That's jus' how my kinder people get information." 
  1302. >the leaking feeling stops 
  1303. >never do that shit again 
  1304. >"Yes sir." 
  1305. >thank you 
  1306. >"Yer welcome, sir." 
  1307. >now stay the fuck down here and let me leave 
  1308. >it opens its mouth as if to protest, and then quickly closes it, stepping out of the way and looking back to the ground 
  1309. >"Yes, sir..."
  1310. >I scramble to my boots and keep the ruger blackhawk trained on her head as I pass by 
  1311. >keep my back to the stairs, facing the monster before the back of my heel hits the first step 
  1312. >turn around and take off up the stairs, clearing at least five steps with each bound 
  1313. >fuck whatever that was 
  1314. >takes me probably ten minutes to reach the top 
  1315. >it opens up into a small dark room with a heavily slanted roof 
  1316. >fumble around in the dark for a bit before deciding I don't need a door handle 
  1317. >tap the wall to my right and it sounds like nothing is on the other side 
  1318. >back up from it to get a running start 
  1319. >burst through the bitch like it's a wet paper towel 
  1320. >OH YEAH 
  1321. >I'm back out in the main foyer, next to the stairs 
  1322. >three maids (a harpy, an elf, and a rare female dwarf) all look at me 
  1323. >they look at the new chunks of wood and splinters scattered over the freshly cleaned floor 
  1324. >through their dead eyed stares I can see some flickers of resentment 
  1325. >some maids from the front of the foyer peak around the corner and give me the same look 
  1326. >.... 
  1327. >sorry about that 
  1328. >sorry for what, sir? 
  1329. >OH GOD WHY? 
  1330. >WHY ARE YOU IN MY FUCKING HEAD? 
  1331. >mental link, sir 
  1332. >the fuck do you mean? 
  1333. >like what you and fatty had 
  1334. >keep his name out of your mouth, you fucking abomination 
  1335. >I ain't said his name, jus' thought it, sir 
  1336. >that's not the point 
  1337. >then what is? 
  1338. >.... 
  1339. >alright, bitch 
  1340. >what the fuck do you want? 
  1341. >to serve you, sir 
  1342. >pause at the answer 
  1343. >what? 
  1344. >it's what my species does, sir 
  1345. >serve? 
  1346. >yes sir, we serve 
  1347. >why? 
  1348. >it's jus' our purpose 
  1349. >I don' really know why
  1350. >well that's cool 
  1351. >you want to know how you can serve me? 
  1352. >how, sir? 
  1353. >get the fuck out of my head 
  1354. >there's no response 
  1355. >finally 
  1356. >holy shit that was annoying 
  1357. >finally pay attention to my surroundings again 
  1358. >there's more maids gathered around me 
  1359. >like a fucking shit ton of maids 
  1360. >they're all glaring daggers at me 
  1361. >stare into the crowd before giving a shrug 
  1362. >what? 
  1363. >this was apparently upsetting 
  1364. >"Die, unclean one!" 
  1365. >a female hafling with a Kabar the size of her fore arm charges me 
  1366. >am too stunned by the charge of the cleaning brigade to really react 
  1367. >the blade slips between my ribs and she looks confused when the metal finds no flesh to dig into 
  1368. >mfw 
  1369. >bring my leg back and punt the bitch in her jaw 
  1370. >CRACK 
  1371. >her head snaps back and she falls to the floor, dead 
  1372. >the foyer is dead silent 
  1373. >fuck 
  1374. >maybe I should've held back 
  1375. >look at the maids 
  1376. >they're all brandishing various implements of ancient armed warfare 
  1377. >swords, maces, axes, bows, crossbows, etc 
  1378. >even see one pull a halberd out from beneath her dress 
  1379. >they all look pissed 
  1380. >shrug at them again 
  1381. >maybe the bitch shouldn't have stabbed me 
  1382. >without any hesitation they all leap upon me 
  1383. >pull the kabar that's loosely hanging out of my ruined pancho out 
  1384. >the first maid comes into reach, big as hell and full of muscle, two handing a messer above her head 
  1385. >didn't even know they made maid uniforms for amazons 
  1386. >note that it must be a custom dress when I stab the blade into her forehead 
  1387. >her body falls with a heavy thud to the ground, kabar implanted into her skull
  1388. >snatched the messer from her hands before it follows its owner to the floor 
  1389. >two hand it and whip around just in time to see a heavily engraved metal gauntlet flying into my face 
  1390. >CRACK 
  1391. >sends my head to the side and I watch my bottom jaw go skittering across the floor 
  1392. >alright bitch 
  1393. >face a smiling oni girl with one horn 
  1394. >only one horn as the other was cleaved off 
  1395. >plan on giving her a matching pair
  1396. >rush at the bitch, messer raised above my head 
  1397. >she brings up her armored gauntlets, confident in their protection 
  1398. >spartan kick her in the stomache 
  1399. >she doubles overs screaming
  1400. >pretty sure I felt a kidney pop from that 
  1401. >take a hand away from the grip of my sword and grab her one remaining horn 
  1402. >she doesn't even try to stop it, hands preoccupied with clutching her abdomen as she gasps for air 
  1403. >that's until I start trying to break the horn off with a single hand 
  1404. >she's flailing around now, screaming bloody murder as I slowly twist it off her head 
  1405. >SNAP 
  1406. >it violently breaks off her forehead 
  1407. >she passes out from the pain 
  1408. >what a pussy 
  1409. >raise my boot up and bring it down hard 
  1410. >her head makes a terrible cracking followed by a mushy noise as I stomp it into paste 
  1411. >look at the little horn in my hand and note just how much the inside of it looks like a bull's horn 
  1412. >that's neat 
  1413. >a fucking dumb orc girl tries to hitch a piggy back ride and the slaughter begins 
  1414. >I just kinda start killing things 
  1415. >noting shit as I go 
  1416. >like how brittle harpy bones really are in the hand
  1417. >or the fact that elf ears are hyper-sensitive, especially to being torn off 
  1418. >did you know that lamia have detachable jaws? 
  1419. >just like real snakes 
  1420. >no shit, just figured that out 
  1421. >take a quick glance at the lamia who's jaws I have stretched out in my hands 
  1422. >she's dead 
  1423. >oh, they're not supposed to go THAT far 
  1424. >never mind on that detachable jaws thing 
  1425. >keep on just observing the little quirks my multi-specied opponents have 
  1426. >keeps my mind off the fact I'm brutalizing a group of maids 
  1427. >eventually just kinda standing in a mess 
  1428. >not really sure where one maid's body begins and ends 
  1429. >they're all just mixed into each other like one big maid salsa: extra chunky
  1430. >have a gore drenched mace in my hands now 
  1431. >lost the messer somewhere in the brawl 
  1432. >my clothes are effectively non-existant by this point 
  1433. >just strips of cloth hanging off me 
  1434. >there's not a scratch on my bones 
  1435. >mfw
  1436. >be me 
  1437. >skeleton 
  1438. >digging inna corpse pile 
  1439. >can't find my god damn bottom jaw 
  1440. >everything is just covered in blood and guts 
  1441. >my lower jaw is probably inter mixed with the bones and flesh of the maids' somewhere in this gore filled side of the foyer 
  1442. >fucking christ 
  1443. >it'd be nice if I had a helping hand 
  1444. >maybe... 
  1445. >no, fuck that 
  1446. >keep searching, scrounging through corpses for my jaw 
  1447. >this continues for another two hours 
  1448. >CAN'T FIND MY FUCKING JAW 
  1449. >I'm a little upset at this point 
  1450. >throwing mangled maid corpses across the foyer at this point 
  1451. >still can't find it
  1452. >don't lose my arm permanently to a fucking blessed weapon, but I'll lose my jaw to what amounts to a dwarven bar room brawl gone awry 
  1453. >FUCK THIS 
  1454. >AND FUCK IT
  1455. >maid, get your ass up here and find my jaw 
  1456. >there's no mental reply 
  1457. >just stand there looking at the hole I made expectantly 
  1458. >five minutes pass 
  1459. >any time now 
  1460. >another four minutes pass 
  1461. >there's a clatter of heel from under the grand stair case and the eldritch maid leaps through the hole in the wall 
  1462. >"Yes sir!" 
  1463. >doesn't even stop its sprint and just dives into a particularly large pile of guts 
  1464. >literally dives, head first, into this shit
  1465. >at this point I'm beyond being phased 
  1466. >it seems to be trying to reach for something 
  1467. >comes up a few moment later, a bloody lower jaw in its crimson splattered hand 
  1468. >it scrambles its way over, absolutely drenched in blood 
  1469. >presents my jaw to me, beaming and practically bouncing on her feet like an excited puppy
  1470. >well.. "its" feet 
  1471. >grab it carefully from her hands and re-attach it 
  1472. >give my bottom jaw a few experimental flexes, stretching it in multiple direction before being satisfied with the fit 
  1473. >it's definitely my jaw 
  1474. >thanks 
  1475. >"Yer welcome, sir!", she chirps. 
  1476. >you seem excited 
  1477. >"Yes sir, I am! First time I've been up 'ere!" 
  1478. >"Ain't seen the Sun in so long I forgot what it look like."
  1479. >yeah, that's neat 
  1480. >it's staring out of a window and directly at the Sun 
  1481. >no blinking, nothing 
  1482. >yeah, that's neat 
  1483. >you know what'd be even neater, maid? 
  1484. >it snaps out of its staring contest with a star (which I get the feeling this fucking thing might've won) to look at me 
  1485. >"Hwat, sir?" 
  1486. >it's still smiling a toothy, dumb grin at me 
  1487. >big, bright eyes practically sparkling with delight 
  1488. >If you'd go back into the basement 
  1489. >there's a look of confusion before the smile slowly fades, that spark of happiness dying in its eyes 
  1490. >"I... bu-" 
  1491. >yeah, no 
  1492. >I don't give a fuck 
  1493. >go back down in the basement 
  1494. >the maid just stands there, not responding 
  1495. >well, you can go now 
  1496. >"Y-yes sir..." 
  1497. >it somberly turns away and starts going back to the hole in the side of the stairs 
  1498. >watch it trudge a long until it disappears into the hole 
  1499. >wait ten minutes, about the time it takes to reach the basement 
  1500. >wait another ten just incase it was slow to get down there 
  1501. >satisfied with that, I step away and into the main part of the foyer 
  1502. >on this side the maid's were practically done cleaning 
  1503. >large, black trash bags that are filled to bursting sit heavily in wheel barrows 
  1504. >mop buckets that contain more blood than water sit at regular intervals on the floor 
  1505. >if it weren't for bullet holes proliferating the front of the foyer, one would've never known what happened here 
  1506. >go back up the stairs and down to one of the wings of the mansion 
  1507. >looking for a bathroom I can wash myself off in 
  1508. >open a door and am greeted by the gaudiest mast bed room I've ever had the displeasure of seeing 
  1509. >pink and tiger stripe and gold 
  1510. >everywhere and randomly placed 
  1511. >looks like a miami vice fever dream 
  1512. >something catches my attention that at first surprised my but in hindsight shouldn't have 
  1513. >a large glass door fridge, almost like those ones for gas stations 
  1514. >walk over and open it up 
  1515. >there's shit ton of grain alcohol in here 
  1516. >everything from Tito's to Everclear
  1517. >all of them in the largest containers they come in
  1518. >turn to my right and see a set of double doors 
  1519. >walk over, open them, and step into a master bathroom covered floor to cieling in marble 
  1520. >place the ruger, mace, and the JDJ that somehow managed to stay strapped onto me during the brawl on the stone counter that houses two deep basin sinks 
  1521. >while I'm doing this, my eye sockets are locked on one thing 
  1522. >a bath tub big enough to fit eight people 
  1523. >really, it's just a jacuzzi with marble sides, a faucet, and a drain 
  1524. >but I have a pretty good idea on how to use it 
  1525. >flick the little strips of clothing that still cling to me off 
  1526. >grab a stack of white towels out of a small closet behind me and place them on the marble counter 
  1527. >wet one in a sink and get to work cleaning blood off me 
  1528. >don't want to taint the vodka bath 
  1529. >by the time I'm done, twenty white towels are now twenty red towels 
  1530. >all lying on the marble floor, sopping wet and starting to stain it 
  1531. >walk over to the tub, climb in, and press down on the drain cover, sealing it 
  1532. >climb out and walk back to the bar in a fridge 
  1533. >start grabbing what I need 
  1534. >which means grabbing everything out of the fridge and slowly ferrying all of its contents over to the bathroom 
  1535. >once every surface is covered in full bottle of grain alcohol, I just start emptying them into the jacuzzi 
  1536. >it's time to get victory drunk 
  1537. >fun fact for the un-necromantically inclined 
  1538. >skeletons, as you may already know, can't drink 
  1539. >but, bones are porous 
  1540. >dip a bone in enough liquid for long enough and eventually it'll absorb into the marrow 
  1541. >but, for skeletons, any liquid with any kind of effect, say a strength potion (or in this case alcohol), needs to be in a large enough concentration and quantity so as to throughly soak the entire skeleton and have any effect 
  1542. >good thing I have an entire bar and jacuzzi to work with 
  1543. >by this point, emtpy bottles are floating in a crystal clear pool of liquid courage 
  1544. >aw fuck yeah
  1545. >step in, sit down, stretch out, and relax 
  1546. >.... 
  1547. >now, I don't know exactly how long I was in the alcohol bath 
  1548. >but I know when I woke up I wasn't in it 
  1549. >I was in a cloth seat 
  1550. >can't see shit, think I went blind and panic for a second before I lift the brim of a stetson off over my eye sockets
  1551. >I'm in a car seat 
  1552. >specifically, the seat of the LJ
  1553. >it's night time 
  1554. >I can tell that by the fact I can't see shit besides what the high beams are showing on a some winding back roads 
  1555. >REK is singing softly on the radio again 
  1556. >lean back in my seat 
  1557. >good thing I'm not driving 
  1558. >not completely sure if I'm sober enough to do that 
  1559. >wait, who the fuck's driving? 
  1560. >look to my left 
  1561. >it's that fucking maid 
  1562. >feel around only to realize there's no weapon available 
  1563. >not even in my pockets 
  1564. >pockets? 
  1565. >yeah, I've got pockets 
  1566. >got an entirely new set of threads on now 
  1567. >wtf happened? 
  1568. >"Oh, hey sir!" 
  1569. >look back to the maid and it shoots me a little waive with a hand that's grasping a road map
  1570. >"We're almost to that motel you were talkin' about. That one with the six." 
  1571. >I don't remember talking about a Motel Six 
  1572. >why the fuck would I even insist on going to one of those? 
  1573. >why am I in the LJ with new clothes? 
  1574. >where are my weapons? 
  1575. >why the fuck are you here? 
  1576. >"Well, you were in-toxi-cated, sir. You were bellyachin' about wantin' to go get in a bed that didn't belong to "some faggot ass cowboys". 
  1577. >she pauses for a moment to scan the road and check the map 
  1578. >"Well, I thank you gone about halfway to the door before you fell down and started requestin' some assistance. So, I came up and got you here." 
  1579. >and my weapons? 
  1580. >"All in the back, sir. Everythang's accounted fer. Includin' that .950 you were wantin'." 
  1581. >the clothes? 
  1582. >"Somethin' to cover up yer bones." 
  1583. >well... okay 
  1584. >I really don't remember any of this 
  1585. >fuck, I apparently time traveled via alcohol 
  1586. >look to the back and can't see my weapons in the back seat 
  1587. >fuck 
  1588. >gotta be in the trunk
  1589. >for a while I just sit there, staring at the maid in mental silence 
  1590. >nothing but the faint radio and the droning of road noise and a straight six permeates the air for an uncomfortable amount of time 
  1591. >finally nut up enough to ask the question 
  1592. >are you going to kill me? 
  1593. >the maid looks taken back 
  1594. >it edges the steering wheel over to the shoulder of the road and gently deccelerates 
  1595. >while this is happening, I'm sitting in the passenger seat thinking this is it 
  1596. >it wanted me to ask just so it could answer by taking me to the side of the road and sucking out my consciousness or some shit 
  1597. >like some lovecraftian highway serial killer 
  1598. >fuck fuck fuck fuck 
  1599. >the vehicle stops and it turns to me with a livid face 
  1600. >FUCK FUCK FUCK FUCK 
  1601. >it sighs and shakes its head 
  1602. >"Now why on... No! I'd never do that, sir!" 
  1603. >just continue staring 
  1604. >no? 
  1605. >"No! I ain't had a single inclination to hurt you, sir. I'm here to serve. You remember that, don't you?" 
  1606. >yeah, kinda 
  1607. >but, you also sucked shit out of my mind right after I met you 
  1608. >"I already explained I was jus' learnin' some thangs. Thought you were tryna get me to break Master Stromboli's rules. Didn't know he was dead till I checked yer thoughts." 
  1609. >she sighs before reaching over and putting a hand on my shoulder 
  1610. >shrink back from the touch, still piss scared this is all just a ruse 
  1611. >"Look, you gotta trust me, sir. Yer stuck with me." 
  1612. >and why's that? 
  1613. >"Because yer my master, and I remember you tellin' me to not leave yer side no matter hwat." 
  1614. >I don't remember thinking th- 
  1615. >drunk me 
  1616. >drunk me ordered that 
  1617. >"Drunk or no, you still ordered it, sir. No matter hwat means no matter hwat." 
  1618. >no 
  1619. >I didn't just get drunk enough to actively allow an eldritch abomination to stick to my side no matter what 
  1620. >"Yes sir, you did." 
  1621. >she reaches out and taps me on the forehead 
  1622. >suddenly back in a memory 
  1623. >on the stairs 
  1624. >using maid as a crutch 
  1625. >shakily point a skeletal finger at her
  1626. >remember thinking a highly stunted thought of "yuo stay righ ere by me, no matter what." 
  1627. >pulled out of the vivid vision of the past and look at the maid 
  1628. >its eyebrows are raised in that "I told you so" way 
  1629. >Well, shit 
  1630. >I was drunk enough 
  1631. >from this day forward, I'm going cold turkey on that shit 
  1632. >Well, since it's not going to kill me... 
  1633. >I guess I'm good then? 
  1634. >"Yes sir, you are.", it pipes up. 
  1635. >"And, I am a "she" by the way. There are females in my species." 
  1636. >oh 
  1637. >okay 
  1638. >why the clarification? 
  1639. >"Well, I think I know why ya ain't taken a liking to me. Probably the same as ol' Victor. Yer scared because of hwat ya don't know." 
  1640. >well, yes, most people are 
  1641. >how observant of you 
  1642. >but, just because you explained you're a girl doesn't mean I'm anywhere closer to understanding what the fuck you are 
  1643. >she goes silent and looks down at her hands on the steering wheel for a second before speaking again 
  1644. >"I know that. I know there's... some thangs I can't explain to you. Yer language ain't got enough werds to really describe everythang about me." 
  1645. >she looks at me now, right in the eyes 
  1646. >"But, I'm tryin', sir. I wanna be a comfort to ya. I don't want you to be afraid a' me." 
  1647. >she's starting to tear up now 
  1648. >aw fuck 
  1649. >that look 
  1650. >that frown 
  1651. >mfw 
  1652. >don't cry, please don't cry 
  1653. >you're going to make me grow tearducts 
  1654. >she wipes her eyes with her sleeves and looks back to the road 
  1655. >"Well, I guess we better get back on down the road. We'll hit I-35 and stop at a motel in Austin." 
  1656. >yeah, that sounds good 
  1657. >kinda just sit back in my seat, taking it all in 
  1658. >Jesus Christ 
  1659. >my afterlife is a mess 
  1660. >we roll on down the road for a while and the street become lighted, businesses and communities becoming more frequent a long with other cars on the road the closer we get to the capitol of Texas 
  1661. >watch the world roll by through the passenger window 
  1662. >eventually we stop just outside of down town, pulling into the parking lot of a Motel Six
  1663. >it's mostly empty, a few shitboxes and schizo vans pulled into a couple of spots outside a few of the rooms 
  1664. >the Motel Six sign buzzes overhead the yellow lit front office 
  1665. >the maid parks in front of a room away from the other vehicles and opens the center console 
  1666. >digs around a little bit and then pulls out a roll of cash 
  1667. >where'd you get that? 
  1668. >"Oh, ya had me pawn off some of them silver items the ranch had so we could have money for tonight. A couple of guns, too." 
  1669. >damn 
  1670. >hope I didn't want those 
  1671. >she shuts the jeep off and hands the keys to me 
  1672. >"You can start unpacking if ya want. If ya don't, don't. I'm gonna go get us a room key. I'll be back real quick." 
  1673. >she opens up the driver side door and jumps out with the cash in her hand, closing the door behind her 
  1674. >sit for a couple of moments in the passenger seat, watching her go to the front office before slowly stepping out of the vehicle 
  1675. >walk to the back, unlock the trunk, and am greeted by the ruger, the JDJ, and the drawer of 10 .950 and a box of .357
  1676. >well, she did get what I wanted 
  1677. >sling the big bastard of a rifle over my shoulder and put the revolver in my belt loop 
  1678. >grab the ammo drawer with one hand and close the LJ back up 
  1679. >lock all the doors and wait oustide room 110 
  1680. >maid comes back practically skipping, a room key in her hand 
  1681. >I gesture to the door and she opens it 
  1682. >step inside and flick on the lights 
  1683. >it's a small, dingy room 
  1684. >paint isn't peeling off the walls, but it is yellowing 
  1685. >the beds look surprisingly alright 
  1686. >the bedding is beige and a brownish yellow, but there's no mystery stains 
  1687. >there's a small night stand between the two with a lamp 
  1688. >the opposite wall has a small flat screen with a cable box underneath it on a miniscule dresser 
  1689. >the wall furthest from us has a door leading to the small one toilet one shower bathroom 
  1690. >the wall closest to us has a desk next to the window with a room service phone on it
  1691. >close the door behind us and draw the curtains closed on the window 
  1692. >lay my guns out on the table and put the ammo drawer on it too 
  1693. >hey maid 
  1694. >"Yes sir?" 
  1695. >can you load the ruger and bring it to the night table when you're done? 
  1696. >I'm going to turn the television on and see if something good's on 
  1697. >"Yes sir." 
  1698. >move away from the desk when she comes over and let her get to work 
  1699. >not really concerned about her being near the guns 
  1700. >not like that shit can kill me 
  1701. >not really sure how she knows what to do as I watch her swing the cylinder out 
  1702. >get the sneaking suspicion she probably got that from my head 
  1703. >turn around, grab the remote from the small dresser that the television is on, and go lay out on the bed 
  1704. >turn it on and flip through the channels 
  1705. >news, elvish news, dwarvish new, Ork Entertainment Channel playing another re-run of Grunk Mog's House of Pain 
  1706. >don't know how people can watch that shit 
  1707. >flip one more channel and it's a showing of Die Hard 
  1708. >oh hell yeah 
  1709. >turn the volume up and leave it on 
  1710. >maid comes over, places the revolver on the night stand, and lays out on the other bed 
  1711. >thank you, uh... you got a name? 
  1712. >"Yer welcome, sir. As fer a name... well..." 
  1713. >she laughs to herself a little before continuing 
  1714. >"Don't worry about it. You wouldn't be able to pronounce it." 
  1715. >we just sit there for a moment, watching John shoot germans like a true American 
  1716. >at a certain point I kinda get to that point where I'm ready to go dormant 
  1717. >hey, can you go turn the lights off, please? 
  1718. >don't take my eyes off the screen, just hear her shift off the bed and a few seconds later the only light in the room is the television screen 
  1719. >the sound of covers shifting signals her return 
  1720. >thank you 
  1721. >"Yer welcome, sir." 
  1722. >you don't have to call me sir 
  1723. >"Then what do I call ya? Do you have a name, because I didn't see one in yer memories." 
  1724. >you got me there 
  1725. >call me whatever you want, blondie 
  1726. >"Alright... bonehead." 
  1727. >yeah, that's better
  1728. >we just sit there in silence, watching Die Hard 
  1729. >looking back on it, today was a good day 
  1730. >avenged fatty, God rest his soul 
  1731. >got some new guns 
  1732. >got some new clothes 
  1733. >got a new... friend? 
  1734. >look at the maid in the soft glow of the television light 
  1735. >she has this small, content smile on her face 
  1736. >yeah 
  1737. >I'd say I got a new friend 
  1738. >even if she's some kind of shoggoth or some shit 
  1739. >finally register something off about her 
  1740. >her dress isn't covered in blood 
  1741. >hey, did you get a clean maid outfit? 
  1742. >"Huh? Oh, no sir, I didn't." 
  1743. >then how are you... 
  1744. >"Clean? I jus' took a shower before we left. Figured you didn't want stains on yer seats." 
  1745. >in your dress? 
  1746. >"Yes sir. Kinda hard not to shower in my own skin." 
  1747. >takes me a moment to get what she means 
  1748. >that's.... not even that surprising 
  1749. >remember, you don't have to call me sir 
  1750. >"Oh, shoot. It's a habit. Sorry about that." 
  1751. >yeah, whatever 
  1752. >don't sweat it too much 
  1753. >eventually we both just go quiet, enjoying the cheap comforts of a motel 
  1754. >doze off during a Jim Adler commercial, something about 18 wheelers hitting an elf 
  1755. >actually have a dream that night 
  1756. >it's me and fatty 
  1757. >maid is there too 
  1758. >we're dynamite fishing out on Possum Kingdom 
  1759. >damn 
  1760. >it feels good feeling good again 
  1761. >be me 
  1762. >skeleton 
  1763. >be roused out of dormancy 
  1764. >light is shining through a slight crack in the curtains, creating a beam that runs straight over both my eyes 
  1765. >thanks, sun 
  1766. >roll over in bed 
  1767. >maid's face about an inch from mine 
  1768. >nearly jump out off my clothes 
  1769. >FUCK 
  1770. >"Oh, sorry sir." 
  1771. >maid looks mostly apologetic but also slightly amused 
  1772. >can you not do that? 
  1773. >"Sorry. It's jus' that I've never seen yet kind do that." 
  1774. >sleep? 
  1775. >"Yep." 
  1776. >well now you have 
  1777. >don't do that shit again 
  1778. >"Yes, sir." 
  1779. >Jesus 
  1780. >settle back down in the covers 
  1781. >look over at the cheap little digital alarm clock on the desk 
  1782. >it reads 2:00 PM 
  1783. >fuck 
  1784. >long time dormancy 
  1785. >sit up in bed and swing my legs out over the edge, boots hitting the floor 
  1786. >stand up and take stock of what I've got 
  1787. >a set of clothes 
  1788. >a Ruger Blackhawk 
  1789. >a box of .357 with 44 rounds left 
  1790. >a JDJ big fuck off rifle 
  1791. >10 rounds of .950 to go with it 
  1792. >a steel mace 
  1793. >a set of car keys
  1794. >and... 
  1795. >hey, maid 
  1796. >how much money do we have? 
  1797. >"About one thousand dollars, sir." 
  1798. >are you fucking kidding me? 
  1799. >is that all you got from pawning that shit off? 
  1800. >"Yes sir."
  1801. >mentally note not to allow the maid to handle money without supervision again 
  1802. >well, damn 
  1803. >I can survive on one thousand 
  1804. >but why the Hell would I only want to survive? 
  1805. >well, that's a good question 
  1806. >what the Hell do I even want to do? 
  1807. >never really had to make a decision on my own 
  1808. >I better figure this shit out 
  1809. >I'm the master now 
  1810. >but what's fun 
  1811. >that I can make a living off of 
  1812. >and won't get me killed by some cleric or some government cleric 
  1813. >mfw
  1814. >that rules out robbery 
  1815. >probably most mercenary work too 
  1816. >but... 
  1817. >that could work 
  1818. >hey, maid 
  1819. >"Yes sir?" 
  1820. >you don't have to... whatever 
  1821. >anyways, go start the jeep 
  1822. >"Yes sir." 
  1823. >toss the keys over and she catches them 
  1824. >she heads out the door and I start organizing the shitty little arsenal I have 
  1825. >get everything gathered, grab the room key, and head outside
  1826. >the LJ is idling away in the parking spot 
  1827. >walk over to the driver side where the maid's sitting and tap on the door 
  1828. >she cranks down the window and gives me a smile 
  1829. >"Got it started, sir." 
  1830. >thank you 
  1831. >now get out and turn the room key into the front office 
  1832. >I'm driving today 
  1833. >she opens the door and hops out 
  1834. >hand her the key and she runs over to the office 
  1835. >I place the ammo drawer down, and then pull the driver seat forward 
  1836. >grab my ammo and climb into the back with it 
  1837. >place everything in a kinda orderly way in the back bench seat 
  1838. >climb out, scoot the driver seat all the way back, and climb back in 
  1839. >close the door after me and crank the window back up
  1840. >at this time, the maid is back and she runs around to the other side 
  1841. >gets in and has to put the seat nearly all the way forward to see over the hood 
  1842. >"We're all checked outta this place, sir." 
  1843. >cool 
  1844. >"So.... hwater we doing now?" 
  1845. >going to have fun and get paid for it 
  1846. >pull out of the Motel 6's parking lot and back onto the main road 
  1847. >grab the road map off the dash and locate our posistion and Marble Falls 
  1848. >so, some background on the little town about 35 miles or so outside of Austin 
  1849. >used to be known for jack shit before the /k/onvergence 
  1850. >now it's known for a certain type of activity 
  1851. >after a bunch of fantasy niggers poured outta portals and took over the country side, the former owners of those vast tracts of once private lands want those acres back 
  1852. >but, the government was more concerned with cities than a bunch of rich fags' summer homes 
  1853. >so, they bartered with some races to get their land back 
  1854. >most fantasy races could be reasoned with with the use of money 
  1855. >but some are more... feral 
  1856. >werewolves 
  1857. >skinwalkers 
  1858. >wendigos 
  1859. >slimes 
  1860. >etc
  1861. >it's where most of the Texan mercs get their start 
  1862. >where the Ol' Prolapsed O boys got their start 
  1863. >it's where I'm gonna find some money 
  1864. >the Hunting Blind 
  1865. >for all your private monster clearing needs 
  1866. >goblins and orcs included
  1867. >Be me 
  1868. >skeleton 
  1869. >sitting inna jeep 
  1870. >maid looks out the window of the parked vehicle, eyes intently locked on the front gate of the Hunting Blind 
  1871. >think of it as kinda like the entrance to the Fort Worth Stock Yards 
  1872. >but with gobbo skulls hanging from the top of the arched wrought iron gate 
  1873. >people are coming in and out, some in suits, some in casual attire, and quite a few armed 
  1874. >some are carrying sacks with questionable stains on the bottom of them
  1875. >figure it must be the guys looking for their land to get cleaned up walking through a crowd of exterminators who are either going in to pick up contracts, cash in on bounties, or those going off on a hunt 
  1876. >adjust my geddup in the rear view mirror to cover the fact I'm not alive 
  1877. >once satisfied, tap maid on the shoulder and hand her the keys 
  1878. >she nods and then practically leaps out of the LJ 
  1879. >can hear her unlocking the trunk for me as I take one last glance in the mirror 
  1880. >If anyone fogures me out, there's gonna be a lot of fucking dead red necks today 
  1881. >pull the ruger out of its holster and swing out the cylinder, making sure it's loaded
  1882. >step out of the jeep and go to the back where the maid is waiting, JDJ and the ammo drawer occupying both her hands 
  1883. >she shoots me a smile 
  1884. >I guess that makes me feel better about my chances here 
  1885. >take the gun and ammo from the maid and she locks the jeep up 
  1886. >she hops over to my side and we turn to face the gate 
  1887. >.... 
  1888. >well, here we go 
  1889. >one step closer to money 
  1890. >money for more bullet 
  1891. >have the JDJ slung over my shoulder, six gun on my hip, and ammo under one arm 
  1892. >other hand is free 
  1893. >until it isn't 
  1894. >feel a squeeze on it and look down to see the maid's small fingers gripping my gloved skelly phalanges 
  1895. >she's beaming at me with a toothy grin 
  1896. >"Yer gonna do great, sir." 
  1897. >the touch is somehow soothing 
  1898. >like all my worries got washed away 
  1899. >fucking eldritch mental fuckery man 
  1900. >fuck it, it works
  1901. >thanks, maid 
  1902. >"Yer welcome, sir." 
  1903. >we enter, hand in hand
  1904. >notice how strange the maid's hand feels in mine
  1905. >a firm squeeze reveals that it is indeed flesh-like, but that's seemingly all it is
  1906. >no bones
  1907. >as we enter through the gate, we're welcomed by the site of the largest hunting showcase in Texas
  1908. >shops everywhere, either selling weaponry, traps, general mythical hunting supplies, hunting services, or churros
  1909. >they line both sides of a long street that end in a cul-de-sac
  1910. >at the end of this, a rather large Texas Roadhouse
  1911. >maid doesn't seem too interested in any of it, however
  1912. >she just looks around confused
  1913. >"So... hwat'er we here fer, sir?"
  1914. >point at the Texas Roadhouse and she excitedly leads the way
  1915. >we enter the Texas Road House
  1916. >and it is a Texas Road House
  1917. >well, half of it is
  1918. >there's this wall that seperates two halves of the building
  1919. >has large windows
  1920. >on the otherside of the wall are what appear to be multiple receptionist's desks integrated in the far wall with lines of.. eccentric characters in front of them
  1921. >from casual wear to fetish wear
  1922. >Can see the younger counter worker scrunch up her face every time she has to interact with some faggot in a gimp suit
  1923. >the older one working the desk to the left isn't phased
  1924. >between both walls is this giant ass white board with a step ladder next to it and writing all over it
  1925. >people are gathered around it, staring intently at the tiny contracts on the board
  1926. >open the door to the otherside, walk through with maid trailing behind me, and we take our spot
  1927. >hey maid, I got a couple of things for you to say
  1928. >she shoots me a glance and then nods
  1929. >while waiting for a bunch of fuckers to get out of our way, we have a mental discussion on shit I need/want to know
  1930. >eventually reach the desk of the dead eyed granny
  1931. >"New or returnin'?" she asks with with a voice only matched by office workers who are one piece of paperwork away from reinacting Fight Club
  1932. >"We're new here, mam."
  1933. >the old lady looks from me, a giant cowboy, to the maid and back to me
  1934. >a shrug and she switches her attention back to the maid
  1935. >must not be the weirdest thing she's seen
  1936. >hag digs around in an unseen drawer before pulling out some paper work and a stamp
  1937. >"Are you here fer huntin' or mercenary work?"
  1938. >"Huntin', mam."
  1939. >she doesn't even look at the paperwork before slamming the stamp down on some part of the paperwork
  1940. >"Small game or large game?"
  1941. >"Large game, mam."
  1942. >old lady flips a page and slams the stamp again
  1943. >"Up fer any government work?"
  1944. >"No mam."
  1945. >the old lady chuckles roughly and shakes her head
  1946. >"They never are."
  1947. >another page flip, another stamp slam
  1948. >"Interstate work?"
  1949. >"Yes mam."
  1950. >stamp
  1951. >she scribbles some things on the page and flips it around, pushing toward me with a pen
  1952. >"That's about it fer the paperwork. Any questions?"
  1953. >"A couple. Any entrance fee?"
  1954. >the old lady scoffs at this
  1955. >"Like some kinda club membership? The last faggot to do that got strung up by his entrails outside the gate."
  1956. >well that's good news
  1957. >"How often we gotta come back here?"
  1958. >"As often as you turn in heads. Or just to confirm yer still alive. Last guy that lost his hunting name got uppity and that ended well fer him"
  1959. >she points behind us and I turn to see a piece of decor I hadn't noticed before
  1960. >It's a person's head mounted on the wall
  1961. >but it's not a usual mount
  1962. >mainly because there's a stuffed prairie dog fucking his eye socket
  1963. >turn back to the granny and she's smiling, seemingly reminiscing on nicer times before snapping back to reality
  1964. >"Anyways, anything else?"
  1965. >"No mam."
  1966. >"Well good."
  1967. >she taps a pen on a square on the paper
  1968. >"Hunter isignia here."
  1969. >pick up the pen
  1970. >God damn
  1971. >I'm finally doing it
  1972. >about to place pen to paper when I realize I don't know what the fuck to write
  1973. >mind just completely blank
  1974. >FUCK
  1975. >Sit there with the pen hovering so long that the old cunt starts tapping loudly on the desk
  1976. >aw fuck it
  1977. >hand the pen to maid
  1978. >she looks at me expectantly
  1979. >just make it something I'd like
  1980. >she nods her head and gets to writing on the paper
  1981. >takes her like 5 minutes to write one symbol
  1982. >literally just looks like squiggles
  1983. >glare daggers into the maid
  1984. >she shrugs back
  1985. >look back to the paper and something's off
  1986. >squiggles aren't quite the same
  1987. >not any language I can understand
  1988. >but everytime I glance away that writing isn't the same
  1989. >okay
  1990. >that's kinda neat
  1991. >old lady is currently doing thirty double takes before finally deciding trying to understand that shit is a lost cause
  1992. >she shuffles the papers back together and stuffs them into another unseen drawer
  1993. >she extends a gnarled hand over the counter
  1994. >"Welcome aboard uh...."
  1995. >the maid takes her hand and shakes it
  1996. >"Leysa Anam, mam."
  1997. >"Sure."
  1998. >the ancient hand retreats behind the desk and the old crone straightens herself out
  1999. >"Go to the board and get yerself a contract."
  2000.  
  2001. >be me
  2002. >Skeleton
  2003. >lookin' atta board
  2004. >specifically the contract board
  2005. >all the writing is fucking tiny
  2006. >some general rules for contracts
  2007. >anything in blue dry erase marker is small game
  2008. >anything in red is large
  2009. >general rule for sizes is that if it can carry a person off, it's large game
  2010. >if it can't, that's just some pests
  2011. >anything with a star by it is in Texas
  2012. >anything without isn't
  2013. >the general information is listed as follows
  2014. >contractor's name
  2015. >points of contact
  2016. >address
  2017. >and finally target
  2018. >any finer details are figured out between you and the contractor
  2019. >and picking up a contract and turning in the kill for a reward is on a... first come first serve basis in a sense
  2020. >the person who takes the contract doesn't necessarily have to be the same person who turns it in
  2021. >it's not uncommon for people to just highway man themselves a kill to make easy money
  2022. >I feel bad for the faggot that'd try pulling that on me
  2023. >one thing is somewhat distressing today
  2024. >ain't shit for large game contracts
  2025. >there's literally one
  2026. >some faggot just outside of Amarillo
  2027. >the target is unknown, shown by the question marks on the board
  2028. >I could wait till tomorrow, but.. I want my fucking money as soon as possible
  2029. >take a moment to memorize the address before I step away from the white board
  2030. >it takes me and the maid 2 minutes to get back to the jeep
  2031. >takes us 30 seconds to pull out of the parking lot and start making our way.
  2032. >long fucking drive
  2033. >but I know for certain I'm taking that contract
  2034. >maid looks over the road map for me, reading out directions till we get to cruising on the interstate
  2035. >hey, maid
  2036. >"Yes sir?"
  2037. >what the hell did you write for my hunting name back there?
  2038. >"Leysa Anam?"
  2039. >well, I meant the writing
  2040. >but sure, also the spoken version
  2041. >not saying I don't like it, but it's kinda long, and I cant write whatever you fucking wrote
  2042. >"Well, fer one, they ain't the same language."
  2043. >alright, I can buy that
  2044. >"I wanted something that applied to you, but since the werd fer death don't exist in my first masters' speech, I figured "Un-sleeping" would work."
  2045. >oh
  2046. >that's comforting
  2047. >well it's still kinda long
  2048. >"Well how does Anam sound then?"
  2049. >eh, it works
  2050. >better than just calling me sir all the time
  2051. >and I know that fucking signature will be unmistakable as me
  2052. >we go quiet again, maid looking out the window at the passing Texas scenery as hill country slowly gives away to the plains of the panhandle
  2053. >so, do you have a name, maid?
  2054. >her eyes snap to me at a speed that'd probably snap a human neck
  2055. >"Oh, well yes I do, Anam. It's------."
  2056. >it's...?
  2057. >"I just said it, sir."
  2058. >I sure as hell didn't hear a single fucking thing come out of your mouth
  2059. >shoot the maid a glance and a sudden look of "Oh right" crosses her face
  2060. >"Oh, I'm so sorry, Anam. Spoke my first language again."
  2061. >what do you mean by that?
  2062. >"Well, that kind of speaking ain't meant to be heard. Not by human ears anyways."
  2063. >well, okay...
  2064. >just give it in English then
  2065. >or at least in some human sound
  2066. >she puts on a contemplative look before speaking again
  2067. >"I think about the closest I can get is Tylenol."
  2068. >I give her a look before focusing once more on the road
  2069. >you're fucking with me, right?
  2070. >"Nope."
  2071. >why?
  2072. >why the fuck are you named Tylenol?
  2073. >"It's just the closest thing to my name, sir. I'm working with the vocab of Larry who weren't the smartest kid."
  2074. >that doesn't answer my question
  2075. >and who the fuck is Larry?
  2076. >"Oh, he's the kid that I learnt English from. Remember him from the cage?"
  2077. >that mutated fuckhead was Larry?
  2078. >and you're telling me it spoke English?
  2079. >"At a point in time, yes. After I learnt English from him, he didn't speak no more. Put my hands to the sides of his head, got me my knowledge, and Larry became that thing in the cage."
  2080. >God damn
  2081. >that's cold hearted
  2082. >or whatever organ you have to substitute that
  2083. >"Well, I didn't know it'd do that, sir. Back in the day that's how we all spoke."
  2084. >on one hand I wanna say that isn't a fate any man deserves
  2085. >on the other, any faggot who was part of the Ol' Prolapsed O wasn't a fucking man, so it evens out in the end
  2086. >but that means...
  2087. >hey, you tried doing that shit to me, cunt
  2088. >Tylenol goes silent and looks down at her hands clasped together in her lap
  2089. >I just stare out the windshield, gripping the steering wheel so hard the plastic on it cracks and I have to stop myself from shattering it
  2090. >we sit there in tense silence for what feels like forever
  2091. >it's so quiet I can hear her nervously rubbing her thumbs together
  2092. >Eh, fuck it
  2093. >I forgive you, Tylenol
  2094. >the thumb twiddling stops and she looks at me with relieved bright blue eyes
  2095. >I'm still here, ain't I?
  2096. >so as far as I'm concerned, it's water under the bridge
  2097. >helps that you also decided to tag a long with me and be helpful
  2098. >her face breaks into that goofy toothy grin
  2099. >anyways, I can't calling you fucking Tylenol
  2100. >how's Tyler sound?
  2101. >she doesn't even contemplate the name before she answers
  2102. >"Sounds pretty darn good, Anam."
  2103. >good shit, Tyler
  2104. >good shit
  2105. >by this point the ground is flat and we're surrounded by nothing but fields of grass and windmills for miles
  2106. >those giant fans tower over everything, blades casting large shadows from the light of a setting sun
  2107. >me and Tyler stare down a long empty road
  2108. >money just a few miles ahead
  2109. >one by one, little homesteads in the big empty that is the panhandle pass us by
  2110. >little lights burning in the now near pitchblack prairie
  2111. >the headlights sweep across fences and little dingy mailboxes, their numbers getting closer to our target
  2112. >start slowing down right around mailbox number 103
  2113. >104 passes by and I can't help but wonder what the Hell I'll be hunting
  2114. >105 passes by
  2115. >might be a drake
  2116. >106 passes by
  2117. >how would a drake live out in the prairie?
  2118. >107 passes by
  2119. >ain't shit to roost in out here except for windmills
  2120. >108 passes by
  2121. >and I'm not quite sure if a windmill is large enough for a drake nest
  2122. >wait...
  2123. >fuck
  2124. >slam down on the brakes and the jeep comes to an abrupt stop
  2125. >I manage to keep my face off the horn
  2126. >Tyler's head goes full force into the dash
  2127. >oh damn
  2128. >look over to her and she quickly recovers, unphased
  2129. >gives me a little thumbs up
  2130. >shake my head as I go to put the LJ in reverse
  2131. >you dumbass
  2132. >reverse to mailbox 108 and pull into the mouth of the gravel drive
  2133. >off in the distance, house lights beckon with a soft yellow glow
  2134. >roll slowly along the gravel drive until we reach the front gate
  2135. >it's just a cattle gate with some chain and a lock on it
  2136. >another vehicle, some faggot's bright yellow hummer, sits outside the gate too
  2137. >fuck, am I late?
  2138. >screw it, we're going hunting
  2139. >I'll fucking deck this faggot who thinks he can show up before me
  2140. >park the jeep on the other side of the gate, shut it down, and unload the weapons
  2141. >the sling of the JDJ is pulled tight by one hand, the barrel sticking straight into the air
  2142. >ruger .357 blackhawk on my hip
  2143. >Tyler carries the drawer of ammunition in both arms
  2144. >with the vehicle locked up, I hop the gate and my hunting buddy ducks under it
  2145. >we walk in darkness, making a pilgrimage to the light in the distance
  2146. >after 10 minutes of bumbling around in the darkness and hitting every single mole hill on the way there, we arrive to the warm light of a front porch
  2147. >there's a cunt sitting out front, rocking back and forth in an old and gnarled rocking chair
  2148. >some limpwristed homo with a gucci'd ar sitting across his lap, sucking down a cigarette and nervously tapping the arm of his seat
  2149. >me and Tyler step out into the light and the faggot nearly jumps out of his skin before standing up
  2150. >he has his rifle in a white knuckled grip, cig dropping from his mouth as he tries to find the words to say
  2151. >I continue at a brisk pace, walking right past him
  2152. >there's a sound of commotion inside
  2153. >place a hand on the grip of my revolver before opening the front door and walking in, Tyler close behind
  2154. >"Hey, you can't go in there m-"
  2155. >slam the door behind me before limpwrist can say anymore
  2156. >too late faggot
  2157. >the sound of commotion stops
  2158. >there's a large living room and around a corner to the right shadows are cast out into the living room
  2159. >an old man's head capped in white bristly hair pops out around the corner
  2160. >a giant scowl across his face
  2161. >"Well shit, finally somebody else bothered to fucking show up."
  2162. >beckons me over and Tyler and I oblige
  2163. >enter into a dining room with a circular table in it and a lamp hangs overhead
  2164. >every seat around it is taken by what looks to be college yuppies
  2165. >all dressed in their best jeans and polos
  2166. >table is covered in slavshit and gucci ARs alike
  2167. >smoke lazily hangs thick in the air from multiple burning cigs
  2168. >"All right you bunch of useless shit heads, stop smoking my fucking house up. Get!", the old man commands
  2169. >they all throw their hands up and sigh like the bunch of faggots they are
  2170. >but they refuse to move
  2171. >can see the old man turning visibly red
  2172. >decide to take action before my client dies from a popped blood vessel
  2173. >kick the chair out from under the closest faggot to me
  2174. >he lets out a yelp and one of his buddies tries standing up
  2175. >double him over with a gut destroying blow to the stomache
  2176. >he lays on the floor clawing at his belly and gasping for air
  2177. >slam another's head into the table because he looked at me funny
  2178. >one faggot gets a bright idea to actually lay a finger on his gun
  2179. >ohshitniggerwhatareyoudoing.jpg
  2180. >kick the table into him and pin him to the wall with it
  2181. >grab the ruger, click the hammer back, and aim it at the dumb cunt
  2182. >go ahead retard, I fucking want you to
  2183. >slammed head faggot slowly starts getting back up
  2184. >Tyler comes up behind him and slams his head back into the table with a hefty thwack
  2185. >looks like the table got a bit of wood splintered on the edge
  2186. >Tyler lets go of the cunt's now bleeding head and he slowly slumps down and under the table
  2187. >well damn
  2188. >she looks to me and I give her a thumbs up
  2189. >nice work
  2190. >old man nods his head in approval as he listens to them leave
  2191. >"Well, I already like you two more than them."
  2192. >he turns and looks to us, shooting glances between me and Tyler
  2193. >"I don't think I caught your names."
  2194. >he says this with a warm smile, which Tyler returns
  2195. >"Well, I'm Tyler, and the big guy is Anam."
  2196. >she reaches out a hand and old man answers with a handshake
  2197. >I give a little wave and nod of the head
  2198. >"Don't mind him, sir. He don't talk too much."
  2199. >old man shrugs
  2200. >"Well, that ain't a problem. Those boys from earlier ran their damn mouthes too much."
  2201. >he grumbles some curses under his breath before continuing
  2202. >"Anyway, my name's Gerald."
  2203. >Tyler and Gerald break their handshake and he fetches a cig out of the front pocket of his button up rodeo shirt
  2204. >"Ya mind if I smoke while I show you two the problem?"
  2205. >"Not at all, sir."
  2206. >hearing this, Gerald pops the unfiltered cigarette into his mouth, fishes a lighter out of his pocket, and lights it up
  2207. >"Thank ya, Tyler. Nice to meet ya both, but we got business to do now. Come follow me."
  2208. >he gives one last nod of his head and turns on his heels
  2209. >we follow after him, out a back door from the living room
  2210. >out back, the silhouette of a side-by-side is parked close to the back door
  2211. >Gerald takes a pair of keys out of his pocket and beckons us to follow
  2212. >he sits down in the driver side while Tyler sits in the passenger side with the newly acquired AK
  2213. >I sit in the bed, JDJ resting on one shoulder and ammo drawer in my lap
  2214. >we ride on a rough dirt road to a destination only known by our driver
  2215. >the headlights casts beams far and wide, but even then the night is almost all encompassing
  2216. >everything outside of the scope of the light is unknown and shrouded
  2217. >check the JDJ to make sure a round of .959 is loaded
  2218. >might be needing it soon
  2219. >"The barn is just a little bit up from here."
  2220. >Gerald's voice strains above the grinding of earth against tire and the rattling of the engine
  2221. >a building, one of those pre-built metal ones, sits on the crest of a gentle rise in the land
  2222. >outdoor lamps greet us with buzzing white light in which various insects lazily float about
  2223. >a little door, flanked on both sides by small dark windows, is the only visible entrance to the barn
  2224. >that's... odd
  2225. >I'm pretty sure a barn implies live stock of some kind
  2226. >Gerald pulls up to the side of the barn and shuts the vehicle off
  2227. >Tyler jumps out of the passenger seat with the AK and I climb out of the bed with gear in hand
  2228. >Gerald gets out, his cigarette already nearly burnt down to his lips
  2229. >he spits it into the ground and snuffs it out with the toe of his boot
  2230. >begins smoking another
  2231. >a new set of keys sit from a ring gripped by his index finger
  2232. >Gerald walks ahead of us as we round the corner
  2233. >he fiddles with the keys when we arrive at the door and shortly finds what he's looking for
  2234. >the door swings open to an abyss as it's unlocked
  2235. >old man steps inside, and for a second, nothing happens
  2236. >then light floods the enterior, a warm amber glow welcoming us inside
  2237. >we oblige
  2238. >and it's upon enterring that my suspicions are confirmed that this isn't a typical barn
  2239. >mainly because a barn doesn't have rooms with doors
  2240. >or a leather couch with a television
  2241. >Hell, I think there's a kitchen in the back corner
  2242. >the fuck is this?
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