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- U.S. Marshals Full Movie Download In Hindi
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- U.S. Marshal Sam Gerard is accompanying a planeload of convicts from Chicago to New York. The plane crashes spectacularly, and Mark Sheridan escapes. But when Diplomatic Security Agent John Royce is assigned to help Gerard recapture Sheridan, it becomes clear that Sheridan is more than just another murderer.
- When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and saves lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown.
- The worst thing about this, even worse than Jones, even worse than the cobbled together story, is the score. That music, the short little phrases, are indicative of how this is put together: lots and lots of small components, each one thought to have value, all paraded according to strict regularity.<br/><br/>The story is about two super special forces guys who graduated into spyland. One good, the other bad, naturally. Also naturally, they are introduced in reverse roles. This game of hiding and disguising is fairly trite.<br/><br/>What makes it marginally interesting is the appearance of two of our very best actors: Downey and Irene Jacob. Downey of course is best known for his ability to "fold" acting, play a role and a guy playing a role. This is something Jones will never even understand.<br/><br/>The surprise for me was seeing Jacob. Quality work must be really hard to find. She starred in Kieslowski's last and best film: "Red." There, she also managed the task of folding but on an much grander scale than Downey usually gets.<br/><br/>She has a tiny role, though notable in a perverse way because she is the pretty girlfriend of an ugly black guy, a milestone in American films. Yay. Now if we can do something about the portrayal of dumb women.<br/><br/>The disguise bit comes in also at what this movie is: a disguised "Fugitive."<br/><br/>Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
- Despite being in only a couple of the many movies I've commented on in the last year, Tommy Lee Jones is one of my favourite actors. Whether it is being a thoroughly unlikeable baddie or a determined good guy or somewhere in between, few can hold an audience's attention better than Mr Jones. Arguably his greatest moment came in the big-screen adaptation of "The Fugitive" where he rips the star from Harrison Ford so successfully that this belated sequel turned a few years later. And it is belated - not much you can really do with the character, besides what we've already seen.<br/><br/>Jones is back as the stubbornly persistent U.S. Marshal (one L) Samuel Gerard, this time on the trail of a suspected murderer and professional threat to National Security Mark Warren (Wesley Snipes). Due to the political ramifications attached to the case, the FBI send along Special Agent John Royce (Robert Downey Jr) to assist Gerard and his team. But as they dig deeper and get closer to their man, it turns out that they are not being given the full picture - a decision which puts all their lives at risk.<br/><br/>Given the strength of the three leads (plus the under-rated Joe Pantoliano in the background), this movie is better than it has any right to be. The story is predictably convoluted but you still quickly figure out what's happening, if not the why. Jones is excellent as Gerard but this is down to the writing as Gerard is a good character. Sadly, he isn't as good as he was in "The Fugitive" because he seems to have evolved into an ageing version of Fox Mulder, dealing with murky political cover-ups and corruption. How imaginative. Snipes is OK as the runaway, despite some appalling disguises that even Val Kilmer's "The Saint" couldn't pull off. Downey Jr has that rehab look, the same one he has in "Gothika", that gives him an impression of turning up and saying the lines - anything more is too much like hard work. The tone of the movie is a little vacant as well - what little light-hearted relief there is falls flat on its face while the action is rarely better than competent.<br/><br/>The film is a parody of itself. When Gerard is not about, nobody knows what the Hell they're doing and when he comes back, all is right with the world again! He may as well be omnipotent! And all the time, it suffers because you can't help but compare it to the much superior "The Fugitive". You're not interested in Snipes' character or his possible innocence whereas the first film had a much more emotional hook with the story. This is an action-thriller by numbers, a wasted opportunity when there wasn't really much of one in the first place. Gerard was good but not enough to sustain a whole picture by himself. Throw-in a couple of ridiculous set-pieces (the initial escape from the plane is clearly evoking memories of Ford's spectacular leap from the train crash) and you're left with a distinctly average film that most pop-corn munchers will have forgotten by the time they left the cinema. Now that I think about it, that's three average action films that Tommy's been in (the first film I reviewed being Steven Seagal's "Under Siege" and the woeful disaster film "Volcano"). Must improve soon, Tommy.
- A movie that knows how to pace its audience. Watching it is like going for a long and satisfying jog.
- There were never two Taurus guns in play; there was only ever one, Royce's. In an attempt to ensure no one would realize that the gun used to shoot Newman was his gun, Royce filed off the serial number and presented it as evidence, however it is this very precaution which ultimately causes his failure, as it is when Gerard sees the filed off number that he realizes there was only ever one Taurus.<br/><br/>Some fans have speculated that perhaps Gerard didn't realize Royce got his gun back in the swamp, thinking that he only retook possession of it in the nursing home. However, this cannot be so, as if it were, Royce would not need to file off the serial number, as everyone would know that it was his gun that was used to shoot Newman, as Sheridan had apparently taken it from him.<br/><br/>The IMFDb has plenty of information on this subject, and some excellent stills from the film; go here for more information. The conspiracy which Sheridan is attempting to unravel concerns the selling of state secrets to the Chinese (represented by Xian Chen). The two men behind the conspiracy are Frank Burrows (<a href="/name/nm0811541/">Rick Snyder</a>) and John Royce. When delivering the documents to Chen, Royce and Burrows use Sheridan as their bag man, although he is unaware what he is delivering and where his orders are coming from. Barrows' superior however, Bertram Lamb (<a href="/name/nm0538869/">Patrick Malahide</a>), is aware of the fact that someone on the inside is involved, so he sends two agents to intercept the sale. These two agents are killed by Sheridan, who flees the city, changing his name and getting a job as a tow truck driver. After the death of the agents, Royce and Barrows decide to frame Sheridan for the whole thing. They plant his fingerprints at the murder scene (despite the fact that he was wearing gloves for the entire time), and once he is in police custody, they (or perhaps their Chinese co-conspirators) pay off an airport worker to give the gun to an assassin on the plane. When Sheridan escapes however, Royce is assigned by Barrows to Gerard's team, presumably to ensure that Sheridan never gets the opportunity to talk, which is why he tries to kill him several times throughout the film. The R1 US Special Edition DVD released by Warner Bros Home Entertainment in 1998, contains the following special features:<br/><br/>• Scene-specific audio commentary with director Stuart Baird (it is worth noting in relation to Baird's commentary that the sound mix is extremely poor, with the sounds of the movie being almost at the same volume as Baird's commentary, making it extremely difficult to hear what he is saying in places. Additionally, the back of the box inaccurately advertises the commentary as feature length).<br/><br/>• Trailers for <a href="/title/tt0106977/">The Fugitive (1993)</a>, <a href="/title/tt0120873/">U.S. Marshals (1998)</a>, <a href="/title/tt0069834/">Cahill U.S. Marshal (1973)</a> and <a href="/title/tt0111756/">Wyatt Earp (1994)</a><br/><br/>• 3 U.S. Marshals TV Spots<br/><br/>• Cast & Crew Biographies and Filmographies<br/><br/>• Production Notes (10 pages)<br/><br/>• <a href="/title/tt0965449/">U.S. Marshals: Justice Under the Star (1998)</a>; an 11-minute featurette looking at the history and activities of the real U.S. Marshals<br/><br/>• "Anatomy of a Plane Crash" (9 featurettes looking at various aspects of the plane crash scene; "The Crash: A Five-Act Play", "Model Airplanes", "Exterior Sets", "Interior Sets", "Landing Location", "Escape Under Water", "Crash Research", "Miniature Road" and "Crash for Crash: U.S. Marshals vs. The Fugitive")<br/><br/>• The R2 UK DVD, released by Warner Bros. Home Entertainment (UK) in 1999, contains the "Anatomy of a Plane Crash" featurette and the Production Notes, but it loses everything else. Yes. The US edition released by Warner Bros. Home Entertainment in 2012, is region free, and contains the exact same special features as its DVD counterpart. a5c7b9f00b
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