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S&R":"ComfyMathExpression","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["a * 1"]},{"id":1738,"type":"ComfyMathExpression","pos":[1560,-500],"size":[289.921875,149.921875],"flags":{},"order":71,"mode":0,"inputs":[{"localized_name":"values.a","name":"values.a","type":"FLOAT,INT,BOOLEAN","link":601},{"label":"b","localized_name":"values.b","name":"values.b","shape":7,"type":"FLOAT,INT,BOOLEAN","link":null},{"localized_name":"expression","name":"expression","type":"STRING","widget":{"name":"expression"},"link":null}],"outputs":[{"localized_name":"FLOAT","name":"FLOAT","type":"FLOAT","links":[1244]},{"localized_name":"INT","name":"INT","type":"INT","links":null},{"localized_name":"BOOL","name":"BOOL","type":"BOOLEAN","links":null}],"title":"SONG START — Clip 1","properties":{"cnr_id":"comfy-core","ver":"0.31.0","Node name for S&R":"ComfyMathExpression","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["a * 0"]},{"id":210,"type":"RandomNoise","pos":[2200,120],"size":[269.921875,89.921875],"flags":{},"order":11,"mode":0,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[36]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[903826866713850,"fixed"]},{"id":610,"type":"RandomNoise","pos":[2200,3800],"size":[269.921875,89.921875],"flags":{},"order":12,"mode":0,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[160]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[661271193620413,"fixed"]},{"id":940,"type":"LoadAudio","pos":[-1302.4214348068851,495.69290681083476],"size":[456.6875,149.921875],"flags":{},"order":13,"mode":0,"inputs":[{"localized_name":"audio","name":"audio","type":"COMBO","widget":{"name":"audio"},"link":null},{"localized_name":"audioUI","name":"audioUI","type":"AUDIO_UI","widget":{"name":"audioUI"},"link":null}],"outputs":[{"localized_name":"AUDIO","name":"AUDIO","type":"AUDIO","links":[1243,1247,1253,1259,1265,1271,1277,1283,1289,1295,1301,1307,1313,1319,1325,1331,1337,1343,1349,1355,1400]}],"title":"MASTER SONG — Talk Me Out of You (4).mp3","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"LoadAudio","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}},"h3_music_role":"master_song"},"widgets_values":["Talk Me Out of You (4).mp3"],"color":"#232","bgcolor":"#353"},{"id":200,"type":"MiniMaxH3ReferenceToVideo","pos":[626.5333333333332,73.60000000000007],"size":[574.019140625,433.9375],"flags":{},"order":48,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":24},{"localized_name":"vae","name":"vae","type":"VAE","link":25},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":184},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":185},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":186},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1429},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1430},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":26},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":27},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":28},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[655]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1245]}],"title":"CLIP 2 - INFINITE MIRROR ATELIER - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring INFINITE MIRROR ATELIER theme she wears an opaque pearl-white satin halter-neck top with elegant open shoulders and a softly draped neckline, a fitted silver lower garment, small crystal earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring INFINITE MIRROR ATELIER theme. Use exactly three clean hard cuts at approximately 00:4.2, 00:7.1, and 00:11.6. Steady early groove. Use reflection parallax and one small reposition rather than continuous walking. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and INFINITE MIRROR ATELIER wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers. Every reflected image must be an optically coherent reflection of the single real performer, remain secondary to her real face, and never become another woman or clone.\n\ndetailed_description:\nA surreal black atelier of irregular silver-edged mirror planes, a glossy dark floor, controlled white haze, restrained cobalt light bands, and deep negative space. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:4.2. Close-up between two angled mirror planes. She remains still while the camera glides sideways and one coherent reflection shifts behind her. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:4.2-00:7.1. Hard cut. Waist-up beside a narrow silver-edged mirror. She takes one small lateral step to a new mark, turns her shoulders toward camera, and stops. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:7.1-00:11.6. Hard cut. Chest-up against black negative space. She stays planted while a shallow camera arc changes the mirror geometry. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:11.6-00:15.1. Hard cut. Intimate close-up with one partial reflection. Only facial performance and a restrained head turn provide subject movement. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nA barely audible spacious studio hush and faint glass resonance remain far beneath the protected master song; no dialogue, footsteps, or additional voices.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":300,"type":"MiniMaxH3ReferenceToVideo","pos":[650,1020],"size":[565.6451171875,433.9375],"flags":{},"order":49,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":55},{"localized_name":"vae","name":"vae","type":"VAE","link":56},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":187},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":188},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":189},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1431},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1432},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":57},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":58},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":59},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[664]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1251]}],"title":"CLIP 3 - ART-DECO NIGHT TRAIN - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring ART-DECO NIGHT TRAIN theme she wears an opaque deep-burgundy silk wrap top with a refined V-neckline and fitted waist beneath an open tailored black jacket, delicate gold earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring ART-DECO NIGHT TRAIN theme. Use exactly three clean hard cuts at approximately 00:3.4, 00:8.0, and 00:10.8. Steady continuation. Build one clear action around rising from the seat; do not turn it into an aisle walk. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and ART-DECO NIGHT TRAIN wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA luxurious moving art-deco night train with burgundy velvet seating, dark polished wood, warm brass lamps, softly moving window reflections, and metropolitan lights streaking outside. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:3.4. Chest-up seated beside a dark train window. She sings steadily while exterior lights move and the carriage sways subtly. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:3.4-00:8.0. Hard cut. Close-up from across the burgundy banquette. She remains seated and turns her gaze from the window back to camera. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:8.0-00:10.8. Hard cut. Waist-up as she rises calmly from the banquette in one controlled action, straightens naturally, and remains beside the seat. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:10.8-00:15.1. Hard cut. Close-up standing near the compartment doorway. She stays on her mark while the camera settles. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nQuiet carriage ambience, a soft rail rhythm, and subdued interior resonance remain far beneath the protected master song; no announcements, dialogue, passengers, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":600,"type":"MiniMaxH3ReferenceToVideo","pos":[650,3780],"size":[565.679296875,433.9375],"flags":{},"order":52,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":148},{"localized_name":"vae","name":"vae","type":"VAE","link":149},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":196},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":197},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":198},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1437},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1438},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":150},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":151},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":152},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[691]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1269]}],"title":"CLIP 6 - ART-DECO NIGHT TRAIN - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring ART-DECO NIGHT TRAIN theme she wears an opaque deep-burgundy silk wrap top with a refined V-neckline and fitted waist beneath an open tailored black jacket, delicate gold earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring ART-DECO NIGHT TRAIN theme. Use exactly three clean hard cuts at approximately 00:4.6, 00:7.8, and 00:12.0. Brief dip and rebuild. Use a compartment-door action and only two or three steps, not a continuing walk. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and ART-DECO NIGHT TRAIN wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA luxurious moving art-deco night train with burgundy velvet seating, dark polished wood, warm brass lamps, softly moving window reflections, and metropolitan lights streaking outside. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:4.6. Chest-up standing inside a private compartment. She sings beside the window while the train motion animates the background. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:4.6-00:7.8. Hard cut. Waist-up as she opens the compartment door in one smooth action and turns toward the corridor. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:7.8-00:12.0. Hard cut. Chest-up as she takes only two or three measured steps through the doorway. The camera retreats briefly, then both performer and camera stop. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:12.0-00:15.1. Hard cut. Close-up settled beside a brass corridor lamp. She remains still through the end of the clip. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nQuiet carriage ambience, a soft rail rhythm, and subdued interior resonance remain far beneath the protected master song; no announcements, dialogue, passengers, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":700,"type":"MiniMaxH3ReferenceToVideo","pos":[650,4700],"size":[555.6373046875,433.9375],"flags":{},"order":53,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":199},{"localized_name":"vae","name":"vae","type":"VAE","link":200},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":230},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":231},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":232},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1439},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1440},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":201},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":202},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":255},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[700]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1275]}],"title":"CLIP 7 - MIDNIGHT GLASS CITY - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring MIDNIGHT GLASS CITY theme she wears a fitted, fully opaque midnight-blue one-shoulder satin top with an asymmetric sculpted neckline, high-waisted black leather trousers, a sharply tailored cropped charcoal jacket worn open, small silver hoop earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring MIDNIGHT GLASS CITY theme. Use exactly three clean hard cuts at approximately 00:3.0, 00:7.5, and 00:10.2. Steady central passage. Keep her planted and create rhythm through lateral tracking and changing backgrounds. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and MIDNIGHT GLASS CITY wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA rain-polished metropolitan night of glass towers, rooftop terraces, reflective facades, cyan signage, warm amber architectural lights, controlled wind, and distant traffic bokeh. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:3.0. Waist-up beneath a rooftop canopy. She stays in place while the camera tracks laterally past structural columns. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:3.0-00:7.5. Hard cut. Close-up beside rain-darkened glass. Reflections travel behind her while her body movement remains restrained. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:7.5-00:10.2. Hard cut. Chest-up near a parapet. She shifts her weight once and turns slightly toward a new camera angle without walking. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:10.2-00:15.1. Hard cut. Intimate frontal close-up with distant city bokeh. The camera makes a gentle push and she remains steady. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nRestrained city ambience, light wind, distant traffic, and occasional soft rain remain far beneath the protected master song; no dialogue, crowd voices, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1000,"type":"MiniMaxH3ReferenceToVideo","pos":[650,5620],"size":[574.1421875,433.9375],"flags":{},"order":54,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":267},{"localized_name":"vae","name":"vae","type":"VAE","link":268},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":269},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":270},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":271},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1441},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1442},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":273},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":274},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":275},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[709]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1281]}],"title":"CLIP 8 - INFINITE MIRROR ATELIER - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring INFINITE MIRROR ATELIER theme she wears an opaque pearl-white satin halter-neck top with elegant open shoulders and a softly draped neckline, a fitted silver lower garment, small crystal earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring INFINITE MIRROR ATELIER theme. Use exactly three clean hard cuts at approximately 00:2.7, 00:6.1, and 00:11.4. Sharp musical rise. Use one short purposeful crossing; all remaining motion comes from camera and reflections. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and INFINITE MIRROR ATELIER wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers. Every reflected image must be an optically coherent reflection of the single real performer, remain secondary to her real face, and never become another woman or clone.\n\ndetailed_description:\nA surreal black atelier of irregular silver-edged mirror planes, a glossy dark floor, controlled white haze, restrained cobalt light bands, and deep negative space. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:2.7. Close-up framed by two mirror edges. She holds position while cobalt light intensifies behind her. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:2.7-00:6.1. Hard cut. Waist-up as she crosses only the short gap between two freestanding mirror planes. The camera tracks beside her; she reaches the new mark and stops. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:6.1-00:11.4. Hard cut. Chest-up on the new mark while a shallow camera arc produces strong reflection parallax without further walking. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:11.4-00:15.1. Hard cut. Intimate close-up with one coherent reflection receding behind her. She remains still and focused. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nA barely audible spacious studio hush and faint glass resonance remain far beneath the protected master song; no dialogue, footsteps, or additional voices.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1100,"type":"MiniMaxH3ReferenceToVideo","pos":[650,6540],"size":[565.679296875,433.9375],"flags":{},"order":55,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":303},{"localized_name":"vae","name":"vae","type":"VAE","link":304},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":305},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":306},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":307},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1443},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1444},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":309},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":310},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":311},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[718]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1287]}],"title":"CLIP 9 - ART-DECO NIGHT TRAIN - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring ART-DECO NIGHT TRAIN theme she wears an opaque deep-burgundy silk wrap top with a refined V-neckline and fitted waist beneath an open tailored black jacket, delicate gold earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring ART-DECO NIGHT TRAIN theme. Use exactly three clean hard cuts at approximately 00:4.0, 00:8.7, and 00:11.5. High-energy passage followed by a pronounced drop. Put the brief aisle walk early, then progressively remove motion. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and ART-DECO NIGHT TRAIN wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA luxurious moving art-deco night train with burgundy velvet seating, dark polished wood, warm brass lamps, softly moving window reflections, and metropolitan lights streaking outside. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:4.0. Waist-up as she walks down a short section of the centre aisle while the camera retreats. The movement is confident but unhurried and ends before the first cut. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:4.0-00:8.7. Hard cut. Chest-up after she has stopped beside a burgundy booth. The camera slides past brass lamps while she remains planted. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:8.7-00:11.5. Hard cut. Close-up seated at the booth as the music relaxes. She turns her gaze toward camera and makes no larger movement. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:11.5-00:15.1. Hard cut. Intimate close-up against the dark window. Only breathing, blinking, and vocal expression remain. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nQuiet carriage ambience, a soft rail rhythm, and subdued interior resonance remain far beneath the protected master song; no announcements, dialogue, passengers, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1200,"type":"MiniMaxH3ReferenceToVideo","pos":[650,7460],"size":[562.2408203125,433.9375],"flags":{},"order":56,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":339},{"localized_name":"vae","name":"vae","type":"VAE","link":340},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":341},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":342},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":343},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1445},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1446},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":345},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":346},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":347},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[727]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1293]}],"title":"CLIP 10 - MIDNIGHT GLASS CITY - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring MIDNIGHT GLASS CITY theme she wears a fitted, fully opaque midnight-blue one-shoulder satin top with an asymmetric sculpted neckline, high-waisted black leather trousers, a sharply tailored cropped charcoal jacket worn open, small silver hoop earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring MIDNIGHT GLASS CITY theme. Use exactly three clean hard cuts at approximately 00:3.2, 00:6.8, and 00:9.6. Emotional reset beginning to rebuild. Use a turn away from the skyline, not a walking sequence. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and MIDNIGHT GLASS CITY wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA rain-polished metropolitan night of glass towers, rooftop terraces, reflective facades, cyan signage, warm amber architectural lights, controlled wind, and distant traffic bokeh. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:3.2. Close-up in profile beside a glass wall, quickly resolving to a readable three-quarter face as she sings; she does not move from her mark. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:3.2-00:6.8. Hard cut. Waist-up at the rooftop railing. She makes one slow turn from the skyline to face camera and then becomes still. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:6.8-00:9.6. Hard cut. Chest-up under a sheltered arcade. The camera glides backward a short distance even though she remains planted. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:9.6-00:15.1. Hard cut. Intimate close-up with warm city bokeh. Her expression grows more assured while physical movement stays minimal. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nRestrained city ambience, light wind, distant traffic, and occasional soft rain remain far beneath the protected master song; no dialogue, crowd voices, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1300,"type":"MiniMaxH3ReferenceToVideo","pos":[650,8380],"size":[576.8697265625,433.9375],"flags":{},"order":57,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":375},{"localized_name":"vae","name":"vae","type":"VAE","link":376},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":377},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":378},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":379},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1447},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1448},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":381},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":382},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":383},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[736]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1299]}],"title":"CLIP 11 - INFINITE MIRROR ATELIER - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring INFINITE MIRROR ATELIER theme she wears an opaque pearl-white satin halter-neck top with elegant open shoulders and a softly draped neckline, a fitted silver lower garment, small crystal earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring INFINITE MIRROR ATELIER theme. Use exactly three clean hard cuts at approximately 00:4.5, 00:7.3, and 00:10.6. Quiet reset. Prioritise intimate facial performance, small shoulder turns, and precise coherent reflections; no walking. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and INFINITE MIRROR ATELIER wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers. Every reflected image must be an optically coherent reflection of the single real performer, remain secondary to her real face, and never become another woman or clone.\n\ndetailed_description:\nA surreal black atelier of irregular silver-edged mirror planes, a glossy dark floor, controlled white haze, restrained cobalt light bands, and deep negative space. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:4.5. Intimate close-up between two narrow mirrors. She stays centred while one reflection aligns softly behind her. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:4.5-00:7.3. Hard cut. Chest-up in white haze. She makes a restrained shoulder turn into the light without taking a step. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:7.3-00:10.6. Hard cut. Close-up beside a silver mirror edge. The camera moves only a few degrees while her facial performance remains the focus. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:10.6-00:15.1. Hard cut. Tight frontal close-up against black negative space. She holds direct eye contact and remains still. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nA barely audible spacious studio hush and faint glass resonance remain far beneath the protected master song; no dialogue, footsteps, or additional voices.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1400,"type":"MiniMaxH3ReferenceToVideo","pos":[650,9300],"size":[571.230078125,433.9375],"flags":{},"order":58,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":411},{"localized_name":"vae","name":"vae","type":"VAE","link":412},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":413},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":414},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":415},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1449},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1450},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":417},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":418},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":419},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[745]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1305]}],"title":"CLIP 12 - ART-DECO NIGHT TRAIN - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring ART-DECO NIGHT TRAIN theme she wears an opaque deep-burgundy silk wrap top with a refined V-neckline and fitted waist beneath an open tailored black jacket, delicate gold earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring ART-DECO NIGHT TRAIN theme. Use exactly three clean hard cuts at approximately 00:2.9, 00:7.9, and 00:11.8. Final major peak. This is the strongest physical sequence: rise, pass through the compartment door, and complete one concise aisle movement before stopping. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and ART-DECO NIGHT TRAIN wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA luxurious moving art-deco night train with burgundy velvet seating, dark polished wood, warm brass lamps, softly moving window reflections, and metropolitan lights streaking outside. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:2.9. Waist-up as she rises from a burgundy banquette and reaches the compartment doorway in one energetic but controlled action. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:2.9-00:7.9. Hard cut. Chest-up as she passes through the open door and walks along a short stretch of corridor while the camera retreats smoothly. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:7.9-00:11.8. Hard cut. Waist-up entering the lounge carriage and curving once around the end of a booth. She reaches a brass archway and stops. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:11.8-00:15.1. Hard cut. Powerful close-up beneath the brass archway. Both performer and camera settle while she completes the section. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nQuiet carriage ambience, a soft rail rhythm, and subdued interior resonance remain far beneath the protected master song; no announcements, dialogue, passengers, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1500,"type":"MiniMaxH3ReferenceToVideo","pos":[650,10220],"size":[562.05625,433.9375],"flags":{},"order":59,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":447},{"localized_name":"vae","name":"vae","type":"VAE","link":448},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":449},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":450},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":451},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1451},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1452},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":453},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":454},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":455},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[754]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1311]}],"title":"CLIP 13 - MIDNIGHT GLASS CITY - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring MIDNIGHT GLASS CITY theme she wears a fitted, fully opaque midnight-blue one-shoulder satin top with an asymmetric sculpted neckline, high-waisted black leather trousers, a sharply tailored cropped charcoal jacket worn open, small silver hoop earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring MIDNIGHT GLASS CITY theme. Use exactly three clean hard cuts at approximately 00:3.7, 00:6.4, and 00:10.1. High final passage beginning to descend. Avoid another walk after the active train sequence; use camera motion around a planted performer. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and MIDNIGHT GLASS CITY wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA rain-polished metropolitan night of glass towers, rooftop terraces, reflective facades, cyan signage, warm amber architectural lights, controlled wind, and distant traffic bokeh. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:3.7. Waist-up on a rooftop landing. She remains planted while the camera makes a confident shallow arc and city lights sweep behind her. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:3.7-00:6.4. Hard cut. Close-up beside cyan-lit glass. She turns her head naturally between two camera positions without moving her feet. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:6.4-00:10.1. Hard cut. Chest-up beneath a charcoal canopy. A lateral camera move provides momentum while her singing posture stays steady. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:10.1-00:15.1. Hard cut. Intimate close-up as the city lights soften. She holds direct eye contact and lets the energy resolve. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nRestrained city ambience, light wind, distant traffic, and occasional soft rain remain far beneath the protected master song; no dialogue, crowd voices, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1600,"type":"MiniMaxH3ReferenceToVideo","pos":[650,11140],"size":[602.71640625,433.9375],"flags":{},"order":46,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":483},{"localized_name":"vae","name":"vae","type":"VAE","link":484},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":485},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":486},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":487},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1453},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1454},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":489},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":490},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":null},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[763]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1317]}],"title":"CLIP 14 - FINAL SONG TAIL - INFINITE MIRROR ATELIER - CONTROLLED CLOSE-UP","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, and natural polished makeup. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring INFINITE MIRROR ATELIER theme she wears an opaque pearl-white satin halter-neck top with elegant open shoulders and a softly draped neckline, a fitted silver lower garment, small crystal earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work.\n\nsummary:\n[reference generation] Create one controlled closing shot for the final 3.75-second song tail in the recurring INFINITE MIRROR ATELIER theme. Use no internal cut, no walking, no repositioning, and no large gesture. Do not fade, dissolve, morph, time-ramp, or add a transition.\n\nretention_analysis:\n<Subject 1> appears alone and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and theme wardrobe. Every visible reflection must be one physically coherent secondary reflection, never another woman or clone.\n\ndetailed_description:\nA surreal black atelier of irregular silver-edged mirror planes, a glossy dark floor, controlled white haze, restrained cobalt light bands, and deep negative space. 00:00.0-00:03.75. Tight frontal close-up between two tall mirror planes using an 85 mm perspective. She is already settled on her mark and remains still. The camera is nearly locked, with only an extremely subtle final push that does not change facial scale noticeably. One exact secondary reflection aligns softly behind her and remains subordinate to the real face. She completes the final sung phrase with precise readable lips, natural breathing, subtle blinking, and restrained emotion, then holds calm direct eye contact through the final frame. Do not walk, turn away, fade, or dissolve.\n\noverall_soundscape:\nA barely audible spacious studio hush and faint glass resonance remain far beneath the protected master song; no dialogue, footsteps, or additional voices.\n\nnon_diegetic_music:\nThe exact final section of the untouched original master song remains authoritative. Her lip movement, breathing, and facial emotion remain synchronized to this precise audio tail; never cut, restart, crossfade, or regenerate the music.",960,544,90,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1700,"type":"MiniMaxH3ReferenceToVideo","pos":[650,12060],"size":[539.0259765625,433.9375],"flags":{},"order":60,"mode":4,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":519},{"localized_name":"vae","name":"vae","type":"VAE","link":520},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":521},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":522},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":523},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1455},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1456},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":525},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":526},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":527},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[772]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1323]}],"title":"CLIP 15 - ART-DECO NIGHT TRAIN - 4 MOVING SHOTS / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring ART-DECO NIGHT TRAIN theme she wears an opaque deep-burgundy silk wrap top with a refined V-neckline and fitted waist beneath an open tailored black jacket, delicate gold earrings, and her thin round metal glasses. The clothing is opaque, securely fitted, and elegant: no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring ART-DECO NIGHT TRAIN theme. Use exactly three clean hard cuts with deliberately irregular timing at approximately 00:3.1, 00:5.8, and 00:10.8. Give her restrained but visible performance movement in every shot: short purposeful walking, a natural turn, or a simple interaction with the set. This is not choreography. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and ART-DECO NIGHT TRAIN wardrobe across all cuts. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA luxurious moving art-deco night train with burgundy velvet seating, dark polished wood, warm brass lamps, softly moving window reflections, and metropolitan lights streaking outside. The styling is sophisticated, sensual, fashion-editorial, and work-appropriate. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter, including while she walks: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Her real face must remain large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Movement should feel poised and musical rather than static, but her head and mouth must never move too quickly for clear singing. Vocal phrasing and syllables continue naturally across every cut without restarting.\n[Shot 1] 00:00.0-00:3.1. Waist-up rising from a velvet banquette and taking two measured steps into the aisle; the camera lifts and retreats with her. She visibly sings the exact current protected master-song section. Keep her lips, jaw, cheeks, glasses, and both eyes readable throughout the movement.\n[Shot 2] 00:3.1-00:5.8. Hard cut. Close-up walking through the narrow corridor beside dark windows; subtle train sway gives her body natural motion without dancing. She continues visibly singing the same current protected master-song section without interruption. Preserve the same performer, wardrobe, and realistic facial detail immediately after the cut.\n[Shot 3] 00:5.8-00:10.8. Hard cut. Chest-up passing a sequence of brass wall lamps; she lightly trails one hand along a seatback below frame while the camera tracks beside her. She continues visibly singing the same current protected master-song section without interruption. Keep her hands below her mouth and her face clear during the action.\n[Shot 4] 00:10.8-00:15.1. Hard cut. Waist-up crossing the short connection between carriages at a calm pace; the camera stays stable and the movement remains elegant. She continues visibly singing the same current protected master-song section and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nQuiet carriage ambience, a soft rail rhythm, and subdued interior resonance remain far beneath the protected master song; no announcements, dialogue, passengers, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, walking rhythm, and restrained performance motion remain synchronized to that precise audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":120,"type":"RandomNoise","pos":[2200,-800],"size":[269.921875,89.921875],"flags":{},"order":14,"mode":0,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[10]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[514005817509111,"fixed"]},{"id":310,"type":"RandomNoise","pos":[2200,1040],"size":[269.921875,89.921875],"flags":{},"order":15,"mode":0,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[67]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[208140829245950,"fixed"]},{"id":410,"type":"RandomNoise","pos":[2200,1960],"size":[269.921875,89.921875],"flags":{},"order":16,"mode":0,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[98]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[378941378675234,"fixed"]},{"id":400,"type":"MiniMaxH3ReferenceToVideo","pos":[650,1940],"size":[556.7583984375,433.9375],"flags":{},"order":50,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":86},{"localized_name":"vae","name":"vae","type":"VAE","link":87},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":190},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":191},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":192},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1433},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1434},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":88},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":89},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":90},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[673]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1257]}],"title":"CLIP 4 - MIDNIGHT GLASS CITY - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring MIDNIGHT GLASS CITY theme she wears a fitted, fully opaque midnight-blue one-shoulder satin top with an asymmetric sculpted neckline, high-waisted black leather trousers, a sharply tailored cropped charcoal jacket worn open, small silver hoop earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring MIDNIGHT GLASS CITY theme. Use exactly three clean hard cuts at approximately 00:2.6, 00:5.9, and 00:10.9. First major musical lift. Include the first genuine walking shot of the video, surrounded by steadier images. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and MIDNIGHT GLASS CITY wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA rain-polished metropolitan night of glass towers, rooftop terraces, reflective facades, cyan signage, warm amber architectural lights, controlled wind, and distant traffic bokeh. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:2.6. Close-up beside a glass elevator as the doors open behind her. She holds position and sings into a short push-in. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:2.6-00:5.9. Hard cut. Waist-up as she walks confidently from the elevator across a short stretch of rooftop terrace. The camera retreats smoothly; this is the single sustained walking passage in the clip. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:5.9-00:10.9. Hard cut. Chest-up after she reaches rain-streaked glass and stops. The camera tracks laterally while she continues singing in place. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:10.9-00:15.1. Hard cut. Intimate close-up beneath cyan and amber reflections. She remains still and lets expression carry the final phrase. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nRestrained city ambience, light wind, distant traffic, and occasional soft rain remain far beneath the protected master song; no dialogue, crowd voices, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":500,"type":"MiniMaxH3ReferenceToVideo","pos":[650,2860],"size":[573.78671875,433.9375],"flags":{},"order":51,"mode":0,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":117},{"localized_name":"vae","name":"vae","type":"VAE","link":118},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":193},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":194},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":195},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1435},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1436},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":119},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":120},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":121},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[682]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1263]}],"title":"CLIP 5 - INFINITE MIRROR ATELIER - SONG-PACED MOTION / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring INFINITE MIRROR ATELIER theme she wears an opaque pearl-white satin halter-neck top with elegant open shoulders and a softly draped neckline, a fitted silver lower garment, small crystal earrings, and her thin round metal glasses. Her styling is sophisticated, sensual, fashion-editorial, fully opaque, securely fitted, and safe for work; no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring INFINITE MIRROR ATELIER theme. Use exactly three clean hard cuts at approximately 00:3.8, 00:6.5, and 00:9.7. Elevated energy beginning to ease. Let camera movement create momentum; the performer does not cross the set. Follow the individual shot actions exactly. Do not add walking or large body movement to shots described as planted, still, seated, or settled. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and INFINITE MIRROR ATELIER wardrobe across every cut. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers. Every reflected image must be an optically coherent reflection of the single real performer, remain secondary to her real face, and never become another woman or clone.\n\ndetailed_description:\nA surreal black atelier of irregular silver-edged mirror planes, a glossy dark floor, controlled white haze, restrained cobalt light bands, and deep negative space. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Keep her real face large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Camera motion may provide visual energy when she is stationary. Her lips and jaw must never move too quickly or become obscured. Vocal phrasing and syllables continue naturally across every hard cut without restarting.\n[Shot 1] 00:00.0-00:3.8. Waist-up centred between tall mirrors. She remains planted while the camera makes a measured half-arc and reflections stay coherent. She visibly sings the exact current protected master-song section with readable lips, jaw, cheeks, glasses, and both eyes.\n[Shot 2] 00:3.8-00:6.5. Hard cut. Close-up in a soft white pool of light. She makes one restrained shoulder turn but does not step away from her mark. She continues visibly singing the same current protected master-song section without interruption.\n[Shot 3] 00:6.5-00:9.7. Hard cut. Chest-up beside a cobalt-edged mirror. The camera slides past the mirror edge, revealing her without subject travel. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:9.7-00:15.1. Hard cut. Intimate close-up against black negative space. She holds direct eye contact with only natural vocal motion. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nA barely audible spacious studio hush and faint glass resonance remain far beneath the protected master song; no dialogue, footsteps, or additional voices.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":510,"type":"RandomNoise","pos":[2200,2880],"size":[269.921875,89.921875],"flags":{},"order":17,"mode":0,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[129]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[162450393808085,"fixed"]},{"id":1210,"type":"RandomNoise","pos":[2200,7480],"size":[269.921875,89.921875],"flags":{},"order":18,"mode":0,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[354]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[866168170608469,"fixed"]},{"id":1800,"type":"MiniMaxH3ReferenceToVideo","pos":[650,12980],"size":[530.11875,433.9375],"flags":{},"order":62,"mode":4,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":930},{"localized_name":"vae","name":"vae","type":"VAE","link":931},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":932},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":933},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":934},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1457},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1458},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":935},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":936},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":937},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[951]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1329]}],"title":"CLIP 16 - MIDNIGHT GLASS CITY - 4 MOVING SHOTS / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring MIDNIGHT GLASS CITY theme she wears a fitted, fully opaque midnight-blue one-shoulder satin top with an asymmetric sculpted neckline, high-waisted black leather trousers, a sharply tailored cropped charcoal jacket worn open, small silver hoop earrings, and her thin round metal glasses. The clothing is opaque, securely fitted, and elegant: no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring MIDNIGHT GLASS CITY theme. Use exactly three clean hard cuts with deliberately irregular timing at approximately 00:2.5, 00:7.0, and 00:12.2. Give her restrained but visible performance movement in every shot: short purposeful walking, a natural turn, or a simple interaction with the set. This is not choreography. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and MIDNIGHT GLASS CITY wardrobe across all cuts. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA rain-polished metropolitan night of glass towers, rooftop terraces, reflective facades, cyan signage, warm amber architectural lights, controlled wind, and distant traffic bokeh. The styling is sophisticated, sensual, fashion-editorial, and work-appropriate. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter, including while she walks: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Her real face must remain large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Movement should feel poised and musical rather than static, but her head and mouth must never move too quickly for clear singing. Vocal phrasing and syllables continue naturally across every cut without restarting.\n[Shot 1] 00:00.0-00:2.5. Close-up moving past alternating glass columns; the camera tracks in parallel while cyan and amber reflections slide across the background. She visibly sings the exact current protected master-song section. Keep her lips, jaw, cheeks, glasses, and both eyes readable throughout the movement.\n[Shot 2] 00:2.5-00:7.0. Hard cut. Chest-up ascending the final few broad steps to a rooftop landing; the camera rises with her and maintains a frontal view. She continues visibly singing the same current protected master-song section without interruption. Preserve the same performer, wardrobe, and realistic facial detail immediately after the cut.\n[Shot 3] 00:7.0-00:12.2. Hard cut. Waist-up along a quiet rain-polished arcade as she walks through pools of warm light and makes one natural shoulder turn toward camera. She continues visibly singing the same current protected master-song section without interruption. Keep her hands below her mouth and her face clear during the action.\n[Shot 4] 00:12.2-00:15.1. Hard cut. Intimate close-up after she steps into a sheltered neon alcove; the camera completes a small lateral move and then holds steady. She continues visibly singing the same current protected master-song section and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nRestrained city ambience, light wind, distant traffic, and occasional soft rain remain far beneath the protected master song; no dialogue, crowd voices, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, walking rhythm, and restrained performance motion remain synchronized to that precise audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1801,"type":"MiniMaxH3SongMaskedAVContext","pos":[1560,12940],"size":[609.921875,269.9375],"flags":{},"order":107,"mode":4,"inputs":[{"localized_name":"latent","name":"latent","type":"LATENT","link":1329},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":1330},{"localized_name":"master_audio","name":"master_audio","type":"AUDIO","link":1331},{"localized_name":"vae","name":"vae","shape":7,"type":"VAE","link":null},{"localized_name":"source_frames","name":"source_frames","shape":7,"type":"IMAGE","link":null},{"localized_name":"source_latent","name":"source_latent","shape":7,"type":"LATENT","link":null},{"localized_name":"clip_start_seconds","name":"clip_start_seconds","type":"FLOAT","widget":{"name":"clip_start_seconds"},"link":1333},{"localized_name":"context_length","name":"context_length","type":"INT","widget":{"name":"context_length"},"link":1334},{"localized_name":"source_fps","name":"source_fps","type":"FLOAT","widget":{"name":"source_fps"},"link":null},{"localized_name":"crop","name":"crop","type":"COMBO","widget":{"name":"crop"},"link":null}],"outputs":[{"localized_name":"latent","name":"latent","type":"LATENT","links":[958]},{"localized_name":"trim_frames","name":"trim_frames","type":"INT","links":null},{"localized_name":"clip_audio","name":"clip_audio","type":"AUDIO","links":[1394]}],"title":"CLIP 16 - INDEPENDENT VIDEO + MASTER SONG / MASK 0","properties":{"aux_id":"seitanism/ComfyUI-H3-Motion-Context-MultiRef","Node name for S&R":"MiniMaxH3SongMaskedAVContext","ver":"4b484a3e1c7ddc045771042dcdb8b60529f127ff","ue_properties":{"widget_ue_connectable":{"clip_start_seconds":true,"context_length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[0,39,24,"disabled"],"color":"#1f1f48","bgcolor":"rgba(24,24,27,.9)"},{"id":1810,"type":"RandomNoise","pos":[2200,13000],"size":[269.921875,89.921875],"flags":{},"order":19,"mode":4,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[954]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[160016001600160,"fixed"]},{"id":1811,"type":"BasicGuider","pos":[2200,13130],"size":[269.921875,69.921875],"flags":{},"order":129,"mode":4,"inputs":[{"localized_name":"model","name":"model","type":"MODEL","link":950},{"localized_name":"conditioning","name":"conditioning","type":"CONDITIONING","link":951}],"outputs":[{"localized_name":"GUIDER","name":"GUIDER","type":"GUIDER","links":[955]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"BasicGuider","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[]},{"id":1814,"type":"SamplerCustomAdvanced","pos":[2520,13080],"size":[299.921875,189.921875],"flags":{},"order":149,"mode":4,"inputs":[{"localized_name":"noise","name":"noise","type":"NOISE","link":954},{"localized_name":"guider","name":"guider","type":"GUIDER","link":955},{"localized_name":"sampler","name":"sampler","type":"SAMPLER","link":956},{"localized_name":"sigmas","name":"sigmas","type":"SIGMAS","link":957},{"localized_name":"latent_image","name":"latent_image","type":"LATENT","link":958}],"outputs":[{"localized_name":"output","name":"output","type":"LATENT","links":[1374,1419]},{"localized_name":"denoised_output","name":"denoised_output","type":"LATENT","links":null}],"title":"Clip 16 Sampler","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"SamplerCustomAdvanced","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[]},{"id":2250,"type":"ComfyMathExpression","pos":[1560,13190],"size":[289.921875,149.921875],"flags":{},"order":86,"mode":4,"inputs":[{"localized_name":"values.a","name":"values.a","type":"FLOAT,INT,BOOLEAN","link":938},{"label":"b","localized_name":"values.b","name":"values.b","shape":7,"type":"FLOAT,INT,BOOLEAN","link":null},{"localized_name":"expression","name":"expression","type":"STRING","widget":{"name":"expression"},"link":null}],"outputs":[{"localized_name":"FLOAT","name":"FLOAT","type":"FLOAT","links":[1333]},{"localized_name":"INT","name":"INT","type":"INT","links":null},{"localized_name":"BOOL","name":"BOOL","type":"BOOLEAN","links":null}],"title":"SONG START — Clip 16","properties":{"cnr_id":"comfy-core","ver":"0.31.0","Node name for S&R":"ComfyMathExpression","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["a * 15"]},{"id":1900,"type":"MiniMaxH3ReferenceToVideo","pos":[650,13900],"size":[547.1265625,433.9375],"flags":{},"order":63,"mode":4,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":960},{"localized_name":"vae","name":"vae","type":"VAE","link":961},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":962},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":963},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":964},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1459},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1460},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":965},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":966},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":967},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[981]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1335]}],"title":"CLIP 17 - INFINITE MIRROR ATELIER - 4 MOVING SHOTS / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring INFINITE MIRROR ATELIER theme she wears an opaque pearl-white satin halter-neck top with elegant open shoulders and a softly draped neckline, a fitted silver lower garment, small crystal earrings, and her thin round metal glasses. The clothing is opaque, securely fitted, and elegant: no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring INFINITE MIRROR ATELIER theme. Use exactly three clean hard cuts with deliberately irregular timing at approximately 00:4.1, 00:6.3, and 00:10.5. Give her restrained but visible performance movement in every shot: short purposeful walking, a natural turn, or a simple interaction with the set. This is not choreography. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and INFINITE MIRROR ATELIER wardrobe across all cuts. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers. Every reflected image must be an optically coherent reflection of the single real performer, remain secondary to her real face, and never become another woman or clone.\n\ndetailed_description:\nA surreal black atelier of irregular silver-edged mirror planes, a glossy dark floor, controlled white haze, restrained cobalt light bands, and deep negative space. The styling is sophisticated, sensual, fashion-editorial, and work-appropriate. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter, including while she walks: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Her real face must remain large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Movement should feel poised and musical rather than static, but her head and mouth must never move too quickly for clear singing. Vocal phrasing and syllables continue naturally across every cut without restarting.\n[Shot 1] 00:00.0-00:4.1. Close-up as she moves around the edge of one tall mirror; the real performer enters clean white light while one partial reflection recedes. She visibly sings the exact current protected master-song section. Keep her lips, jaw, cheeks, glasses, and both eyes readable throughout the movement.\n[Shot 2] 00:4.1-00:6.3. Hard cut. Chest-up walking along a diagonal corridor of silver frames; a gentle lateral track adds parallax without making her face small. She continues visibly singing the same current protected master-song section without interruption. Preserve the same performer, wardrobe, and realistic facial detail immediately after the cut.\n[Shot 3] 00:6.3-00:10.5. Hard cut. Waist-up leaving a dark mirrored bay and approaching camera through light haze; her jacket-free silhouette remains elegant and secure. She continues visibly singing the same current protected master-song section without interruption. Keep her hands below her mouth and her face clear during the action.\n[Shot 4] 00:10.5-00:15.1. Hard cut. Intimate close-up after two slow steps into black negative space; a single mirror fragment catches only a coherent secondary profile. She continues visibly singing the same current protected master-song section and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nA barely audible spacious studio hush and faint glass resonance remain far beneath the protected master song; no dialogue, footsteps, or additional voices.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, walking rhythm, and restrained performance motion remain synchronized to that precise audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":1901,"type":"MiniMaxH3SongMaskedAVContext","pos":[1560,13860],"size":[609.921875,269.9375],"flags":{},"order":108,"mode":4,"inputs":[{"localized_name":"latent","name":"latent","type":"LATENT","link":1335},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":1336},{"localized_name":"master_audio","name":"master_audio","type":"AUDIO","link":1337},{"localized_name":"vae","name":"vae","shape":7,"type":"VAE","link":null},{"localized_name":"source_frames","name":"source_frames","shape":7,"type":"IMAGE","link":null},{"localized_name":"source_latent","name":"source_latent","shape":7,"type":"LATENT","link":null},{"localized_name":"clip_start_seconds","name":"clip_start_seconds","type":"FLOAT","widget":{"name":"clip_start_seconds"},"link":1339},{"localized_name":"context_length","name":"context_length","type":"INT","widget":{"name":"context_length"},"link":1340},{"localized_name":"source_fps","name":"source_fps","type":"FLOAT","widget":{"name":"source_fps"},"link":null},{"localized_name":"crop","name":"crop","type":"COMBO","widget":{"name":"crop"},"link":null}],"outputs":[{"localized_name":"latent","name":"latent","type":"LATENT","links":[988]},{"localized_name":"trim_frames","name":"trim_frames","type":"INT","links":null},{"localized_name":"clip_audio","name":"clip_audio","type":"AUDIO","links":[1395]}],"title":"CLIP 17 - INDEPENDENT VIDEO + MASTER SONG / MASK 0","properties":{"aux_id":"seitanism/ComfyUI-H3-Motion-Context-MultiRef","Node name for S&R":"MiniMaxH3SongMaskedAVContext","ver":"4b484a3e1c7ddc045771042dcdb8b60529f127ff","ue_properties":{"widget_ue_connectable":{"clip_start_seconds":true,"context_length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[0,39,24,"disabled"],"color":"#1f1f48","bgcolor":"rgba(24,24,27,.9)"},{"id":1910,"type":"RandomNoise","pos":[2200,13920],"size":[269.921875,89.921875],"flags":{},"order":20,"mode":4,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[984]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[161016101610161,"fixed"]},{"id":1911,"type":"BasicGuider","pos":[2200,14050],"size":[269.921875,69.921875],"flags":{},"order":130,"mode":4,"inputs":[{"localized_name":"model","name":"model","type":"MODEL","link":980},{"localized_name":"conditioning","name":"conditioning","type":"CONDITIONING","link":981}],"outputs":[{"localized_name":"GUIDER","name":"GUIDER","type":"GUIDER","links":[985]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"BasicGuider","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[]},{"id":1914,"type":"SamplerCustomAdvanced","pos":[2520,14000],"size":[299.921875,189.921875],"flags":{},"order":150,"mode":4,"inputs":[{"localized_name":"noise","name":"noise","type":"NOISE","link":984},{"localized_name":"guider","name":"guider","type":"GUIDER","link":985},{"localized_name":"sampler","name":"sampler","type":"SAMPLER","link":986},{"localized_name":"sigmas","name":"sigmas","type":"SIGMAS","link":987},{"localized_name":"latent_image","name":"latent_image","type":"LATENT","link":988}],"outputs":[{"localized_name":"output","name":"output","type":"LATENT","links":[1375,1420]},{"localized_name":"denoised_output","name":"denoised_output","type":"LATENT","links":null}],"title":"Clip 17 Sampler","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"SamplerCustomAdvanced","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[]},{"id":2251,"type":"ComfyMathExpression","pos":[1560,14110],"size":[289.921875,149.921875],"flags":{},"order":87,"mode":4,"inputs":[{"localized_name":"values.a","name":"values.a","type":"FLOAT,INT,BOOLEAN","link":968},{"label":"b","localized_name":"values.b","name":"values.b","shape":7,"type":"FLOAT,INT,BOOLEAN","link":null},{"localized_name":"expression","name":"expression","type":"STRING","widget":{"name":"expression"},"link":null}],"outputs":[{"localized_name":"FLOAT","name":"FLOAT","type":"FLOAT","links":[1339]},{"localized_name":"INT","name":"INT","type":"INT","links":null},{"localized_name":"BOOL","name":"BOOL","type":"BOOLEAN","links":null}],"title":"SONG START — Clip 17","properties":{"cnr_id":"comfy-core","ver":"0.31.0","Node name for S&R":"ComfyMathExpression","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["a * 16"]},{"id":2000,"type":"MiniMaxH3ReferenceToVideo","pos":[650,14820],"size":[539.3814453125,433.9375],"flags":{},"order":64,"mode":4,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":990},{"localized_name":"vae","name":"vae","type":"VAE","link":991},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":992},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":993},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":994},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1461},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1462},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":995},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":996},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":997},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[1011]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1341]}],"title":"CLIP 18 - ART-DECO NIGHT TRAIN - 4 MOVING SHOTS / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring ART-DECO NIGHT TRAIN theme she wears an opaque deep-burgundy silk wrap top with a refined V-neckline and fitted waist beneath an open tailored black jacket, delicate gold earrings, and her thin round metal glasses. The clothing is opaque, securely fitted, and elegant: no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring ART-DECO NIGHT TRAIN theme. Use exactly three clean hard cuts with deliberately irregular timing at approximately 00:3.6, 00:8.4, and 00:11.1. Give her restrained but visible performance movement in every shot: short purposeful walking, a natural turn, or a simple interaction with the set. This is not choreography. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and ART-DECO NIGHT TRAIN wardrobe across all cuts. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA luxurious moving art-deco night train with burgundy velvet seating, dark polished wood, warm brass lamps, softly moving window reflections, and metropolitan lights streaking outside. The styling is sophisticated, sensual, fashion-editorial, and work-appropriate. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter, including while she walks: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Her real face must remain large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Movement should feel poised and musical rather than static, but her head and mouth must never move too quickly for clear singing. Vocal phrasing and syllables continue naturally across every cut without restarting.\n[Shot 1] 00:00.0-00:3.6. Close-up turning from the observation window and walking toward camera as amber reflections travel across the wood behind her. She visibly sings the exact current protected master-song section. Keep her lips, jaw, cheeks, glasses, and both eyes readable throughout the movement.\n[Shot 2] 00:3.6-00:8.4. Hard cut. Chest-up stepping into the dining carriage and curving around the end of a booth; the camera makes a restrained counter-arc. She continues visibly singing the same current protected master-song section without interruption. Preserve the same performer, wardrobe, and realistic facial detail immediately after the cut.\n[Shot 3] 00:8.4-00:11.1. Hard cut. Waist-up moving along the lounge carriage as the train gently sways; she adjusts her path naturally and never breaks the vocal performance. She continues visibly singing the same current protected master-song section without interruption. Keep her hands below her mouth and her face clear during the action.\n[Shot 4] 00:11.1-00:15.1. Hard cut. Intimate close-up after she takes two slow steps beneath a brass archway; the exterior city streaks soften and the camera comes to rest. She continues visibly singing the same current protected master-song section and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nQuiet carriage ambience, a soft rail rhythm, and subdued interior resonance remain far beneath the protected master song; no announcements, dialogue, passengers, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, walking rhythm, and restrained performance motion remain synchronized to that precise audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":2001,"type":"MiniMaxH3SongMaskedAVContext","pos":[1560,14780],"size":[609.921875,269.9375],"flags":{},"order":109,"mode":4,"inputs":[{"localized_name":"latent","name":"latent","type":"LATENT","link":1341},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":1342},{"localized_name":"master_audio","name":"master_audio","type":"AUDIO","link":1343},{"localized_name":"vae","name":"vae","shape":7,"type":"VAE","link":null},{"localized_name":"source_frames","name":"source_frames","shape":7,"type":"IMAGE","link":null},{"localized_name":"source_latent","name":"source_latent","shape":7,"type":"LATENT","link":null},{"localized_name":"clip_start_seconds","name":"clip_start_seconds","type":"FLOAT","widget":{"name":"clip_start_seconds"},"link":1345},{"localized_name":"context_length","name":"context_length","type":"INT","widget":{"name":"context_length"},"link":1346},{"localized_name":"source_fps","name":"source_fps","type":"FLOAT","widget":{"name":"source_fps"},"link":null},{"localized_name":"crop","name":"crop","type":"COMBO","widget":{"name":"crop"},"link":null}],"outputs":[{"localized_name":"latent","name":"latent","type":"LATENT","links":[1018]},{"localized_name":"trim_frames","name":"trim_frames","type":"INT","links":null},{"localized_name":"clip_audio","name":"clip_audio","type":"AUDIO","links":[1396]}],"title":"CLIP 18 - INDEPENDENT VIDEO + MASTER SONG / MASK 0","properties":{"aux_id":"seitanism/ComfyUI-H3-Motion-Context-MultiRef","Node name for S&R":"MiniMaxH3SongMaskedAVContext","ver":"4b484a3e1c7ddc045771042dcdb8b60529f127ff","ue_properties":{"widget_ue_connectable":{"clip_start_seconds":true,"context_length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[0,39,24,"disabled"],"color":"#1f1f48","bgcolor":"rgba(24,24,27,.9)"},{"id":2010,"type":"RandomNoise","pos":[2200,14840],"size":[269.921875,89.921875],"flags":{},"order":21,"mode":4,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[1014]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[162016201620162,"fixed"]},{"id":2011,"type":"BasicGuider","pos":[2200,14970],"size":[269.921875,69.921875],"flags":{},"order":131,"mode":4,"inputs":[{"localized_name":"model","name":"model","type":"MODEL","link":1010},{"localized_name":"conditioning","name":"conditioning","type":"CONDITIONING","link":1011}],"outputs":[{"localized_name":"GUIDER","name":"GUIDER","type":"GUIDER","links":[1015]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"BasicGuider","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[]},{"id":2014,"type":"SamplerCustomAdvanced","pos":[2520,14920],"size":[299.921875,189.921875],"flags":{},"order":151,"mode":4,"inputs":[{"localized_name":"noise","name":"noise","type":"NOISE","link":1014},{"localized_name":"guider","name":"guider","type":"GUIDER","link":1015},{"localized_name":"sampler","name":"sampler","type":"SAMPLER","link":1016},{"localized_name":"sigmas","name":"sigmas","type":"SIGMAS","link":1017},{"localized_name":"latent_image","name":"latent_image","type":"LATENT","link":1018}],"outputs":[{"localized_name":"output","name":"output","type":"LATENT","links":[1376,1421]},{"localized_name":"denoised_output","name":"denoised_output","type":"LATENT","links":null}],"title":"Clip 18 Sampler","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for 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S&R":"ComfyMathExpression","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["a * 17"]},{"id":2100,"type":"MiniMaxH3ReferenceToVideo","pos":[650,15740],"size":[530.11875,433.9375],"flags":{},"order":65,"mode":4,"inputs":[{"localized_name":"clip","name":"clip","type":"CLIP","link":1020},{"localized_name":"vae","name":"vae","type":"VAE","link":1021},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":1022},{"label":"ref_image_0","localized_name":"ref_images.ref_image_0","name":"ref_images.ref_image_0","shape":7,"type":"IMAGE","link":1023},{"label":"ref_image_1","localized_name":"ref_images.ref_image_1","name":"ref_images.ref_image_1","shape":7,"type":"IMAGE","link":1024},{"label":"ref_image_2","localized_name":"ref_images.ref_image_2","name":"ref_images.ref_image_2","shape":7,"type":"IMAGE","link":1463},{"label":"ref_image_3","localized_name":"ref_images.ref_image_3","name":"ref_images.ref_image_3","shape":7,"type":"IMAGE","link":1464},{"label":"ref_image_4","localized_name":"ref_images.ref_image_4","name":"ref_images.ref_image_4","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_0","localized_name":"ref_videos.ref_video_0","name":"ref_videos.ref_video_0","shape":7,"type":"IMAGE","link":null},{"label":"ref_video_audio_0","localized_name":"ref_video_audios.ref_video_audio_0","name":"ref_video_audios.ref_video_audio_0","shape":7,"type":"AUDIO","link":null},{"label":"ref_audio_0","localized_name":"ref_audios.ref_audio_0","name":"ref_audios.ref_audio_0","shape":7,"type":"AUDIO","link":null},{"localized_name":"prompt","name":"prompt","type":"STRING","widget":{"name":"prompt"},"link":null},{"localized_name":"width","name":"width","type":"INT","widget":{"name":"width"},"link":1025},{"localized_name":"height","name":"height","type":"INT","widget":{"name":"height"},"link":1026},{"localized_name":"length","name":"length","type":"INT","widget":{"name":"length"},"link":1027},{"localized_name":"ref_image_size","name":"ref_image_size","type":"COMBO","widget":{"name":"ref_image_size"},"link":null},{"label":"ref_audio_1","name":"ref_audios.ref_audio_1","shape":7,"type":"AUDIO","link":null}],"outputs":[{"localized_name":"positive","name":"positive","type":"CONDITIONING","links":[1041]},{"localized_name":"LATENT","name":"LATENT","type":"LATENT","links":[1347]}],"title":"CLIP 19 - MIDNIGHT GLASS CITY - 4 MOVING SHOTS / IRREGULAR CUTS","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"MiniMaxH3ReferenceToVideo","ue_properties":{"widget_ue_connectable":{"width":true,"height":true,"length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":["subject_definitions:\n<Subject 1> is the same adult woman shown in <Picture 1>, with her exact warm light-olive complexion, fine subtle naturally distributed freckles matching <Picture 1> at realistic scale and contrast, hazel-brown eyes, dark brown hair in a loose updo with natural wisps, thin round metal glasses, natural polished makeup, and consistent facial and body proportions. Do not enlarge, darken, multiply, or exaggerate her freckles. In the recurring MIDNIGHT GLASS CITY theme she wears a fitted, fully opaque midnight-blue one-shoulder satin top with an asymmetric sculpted neckline, high-waisted black leather trousers, a sharply tailored cropped charcoal jacket worn open, small silver hoop earrings, and her thin round metal glasses. The clothing is opaque, securely fitted, and elegant: no lingerie, transparent fabric, excessive exposure, or wardrobe malfunction. Preserve this identity and theme wardrobe across all four shots.\n\nsummary:\n[reference generation] Create an independent four-shot K-pop-inspired music-video clip in the recurring MIDNIGHT GLASS CITY theme. Use exactly three clean hard cuts with deliberately irregular timing at approximately 00:2.9, 00:5.6, and 00:10.0. Give her restrained but visible performance movement in every shot: short purposeful walking, a natural turn, or a simple interaction with the set. This is not choreography. Do not make her dance, run, jump, spin repeatedly, or use exaggerated gestures. Do not use dissolves, fades, morphing transitions, time ramps, split screens, or additional cuts.\n\nretention_analysis:\n<Subject 1> appears alone in all four shots and is fully preserved from <Picture 1>. Maintain the same facial identity, realistic skin texture, glasses, hairstyle, body identity, and MIDNIGHT GLASS CITY wardrobe across all cuts. Do not generate backup dancers, crowds, clones, duplicate people, or additional performers.\n\ndetailed_description:\nA rain-polished metropolitan night of glass towers, rooftop terraces, reflective facades, cyan signage, warm amber architectural lights, controlled wind, and distant traffic bokeh. The styling is sophisticated, sensual, fashion-editorial, and work-appropriate. Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter, including while she walks: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Her real face must remain large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Movement should feel poised and musical rather than static, but her head and mouth must never move too quickly for clear singing. Vocal phrasing and syllables continue naturally across every cut without restarting.\n[Shot 1] 00:00.0-00:2.9. Close-up beneath a glass tower canopy as she takes several unhurried steps toward the camera; the camera retreats smoothly and cyan reflections move behind her. She visibly sings the exact current protected master-song section. Keep her lips, jaw, cheeks, glasses, and both eyes readable throughout the movement.\n[Shot 2] 00:2.9-00:5.6. Hard cut. Waist-up on a rooftop terrace as she walks past a line of warm architectural lights, turns one corner, and keeps singing toward a shallow tracking camera. She continues visibly singing the same current protected master-song section without interruption. Preserve the same performer, wardrobe, and realistic facial detail immediately after the cut.\n[Shot 3] 00:5.6-00:10.0. Hard cut. Chest-up beside rain-darkened glass as she moves laterally along the facade; the camera tracks beside her and distant traffic becomes soft bokeh. She continues visibly singing the same current protected master-song section without interruption. Keep her hands below her mouth and her face clear during the action.\n[Shot 4] 00:10.0-00:15.1. Hard cut. Intimate close-up near a rooftop stairwell as she comes through the doorway, slows naturally, and settles into direct eye contact. She continues visibly singing the same current protected master-song section and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nRestrained city ambience, light wind, distant traffic, and occasional soft rain remain far beneath the protected master song; no dialogue, crowd voices, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, walking rhythm, and restrained performance motion remain synchronized to that precise audio section; never cut, restart, crossfade, or regenerate the music.",960,544,362,"match"],"color":"#346434","bgcolor":"rgba(24,24,27,.9)"},{"id":2101,"type":"MiniMaxH3SongMaskedAVContext","pos":[1560,15700],"size":[609.921875,269.9375],"flags":{},"order":110,"mode":4,"inputs":[{"localized_name":"latent","name":"latent","type":"LATENT","link":1347},{"localized_name":"audio_vae","name":"audio_vae","type":"VAE","link":1348},{"localized_name":"master_audio","name":"master_audio","type":"AUDIO","link":1349},{"localized_name":"vae","name":"vae","shape":7,"type":"VAE","link":null},{"localized_name":"source_frames","name":"source_frames","shape":7,"type":"IMAGE","link":null},{"localized_name":"source_latent","name":"source_latent","shape":7,"type":"LATENT","link":null},{"localized_name":"clip_start_seconds","name":"clip_start_seconds","type":"FLOAT","widget":{"name":"clip_start_seconds"},"link":1351},{"localized_name":"context_length","name":"context_length","type":"INT","widget":{"name":"context_length"},"link":1352},{"localized_name":"source_fps","name":"source_fps","type":"FLOAT","widget":{"name":"source_fps"},"link":null},{"localized_name":"crop","name":"crop","type":"COMBO","widget":{"name":"crop"},"link":null}],"outputs":[{"localized_name":"latent","name":"latent","type":"LATENT","links":[1048]},{"localized_name":"trim_frames","name":"trim_frames","type":"INT","links":null},{"localized_name":"clip_audio","name":"clip_audio","type":"AUDIO","links":[1397]}],"title":"CLIP 19 - INDEPENDENT VIDEO + MASTER SONG / MASK 0","properties":{"aux_id":"seitanism/ComfyUI-H3-Motion-Context-MultiRef","Node name for S&R":"MiniMaxH3SongMaskedAVContext","ver":"4b484a3e1c7ddc045771042dcdb8b60529f127ff","ue_properties":{"widget_ue_connectable":{"clip_start_seconds":true,"context_length":true},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[0,39,24,"disabled"],"color":"#1f1f48","bgcolor":"rgba(24,24,27,.9)"},{"id":2110,"type":"RandomNoise","pos":[2200,15760],"size":[269.921875,89.921875],"flags":{},"order":22,"mode":4,"inputs":[{"localized_name":"noise_seed","name":"noise_seed","type":"INT","widget":{"name":"noise_seed"},"link":null}],"outputs":[{"localized_name":"NOISE","name":"NOISE","type":"NOISE","links":[1044]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"RandomNoise","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[163016301630163,"fixed"]},{"id":2111,"type":"BasicGuider","pos":[2200,15890],"size":[269.921875,69.921875],"flags":{},"order":132,"mode":4,"inputs":[{"localized_name":"model","name":"model","type":"MODEL","link":1040},{"localized_name":"conditioning","name":"conditioning","type":"CONDITIONING","link":1041}],"outputs":[{"localized_name":"GUIDER","name":"GUIDER","type":"GUIDER","links":[1045]}],"properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for S&R":"BasicGuider","ue_properties":{"widget_ue_connectable":{},"version":"7.7","input_ue_unconnectable":{}}},"widgets_values":[]},{"id":2114,"type":"SamplerCustomAdvanced","pos":[2520,15840],"size":[299.921875,189.921875],"flags":{},"order":152,"mode":4,"inputs":[{"localized_name":"noise","name":"noise","type":"NOISE","link":1044},{"localized_name":"guider","name":"guider","type":"GUIDER","link":1045},{"localized_name":"sampler","name":"sampler","type":"SAMPLER","link":1046},{"localized_name":"sigmas","name":"sigmas","type":"SIGMAS","link":1047},{"localized_name":"latent_image","name":"latent_image","type":"LATENT","link":1048}],"outputs":[{"localized_name":"output","name":"output","type":"LATENT","links":[1377,1422]},{"localized_name":"denoised_output","name":"denoised_output","type":"LATENT","links":null}],"title":"Clip 19 Sampler","properties":{"cnr_id":"comfy-core","ver":"0.30.0","Node name for 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Use flattering 50 mm and 85 mm perspectives only. Frame every shot from the waist upward or tighter, including while she walks: waist-up, chest-up, or close-up only. Never use a wide shot, long shot, or full-body framing. Her real face must remain large, sharply detailed, unobstructed, sufficiently frontal, and visually dominant for reliable lip sync. Movement should feel poised and musical rather than static, but her head and mouth must never move too quickly for clear singing. Vocal phrasing and syllables continue naturally across every cut without restarting.\n[Shot 1] 00:00.0-00:4.4. Close-up as she walks slowly between two angled mirror planes; the camera retreats and one soft secondary reflection moves in exact agreement. She visibly sings the exact current protected master-song section. Keep her lips, jaw, cheeks, glasses, and both eyes readable throughout the movement.\n[Shot 2] 00:4.4-00:7.6. Hard cut. Waist-up passing through a narrow opening between silver-edged mirrors; she turns her shoulders naturally while the camera tracks sideways. She continues visibly singing the same current protected master-song section without interruption. Preserve the same performer, wardrobe, and realistic facial detail immediately after the cut.\n[Shot 3] 00:7.6-00:12.1. Hard cut. Chest-up following a curved path across the glossy floor; cobalt bands and one coherent reflection slide behind her. She continues visibly singing the same current protected master-song section without interruption. Keep her hands below her mouth and her face clear during the action.\n[Shot 4] 00:12.1-00:15.1. Hard cut. Intimate close-up as she approaches a central mirror, turns back toward the real camera before reaching it, and settles into direct eye contact. She continues visibly singing the same current protected master-song section and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nA barely audible spacious studio hush and faint glass resonance remain far beneath the protected master song; no dialogue, footsteps, or additional voices.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, walking rhythm, and restrained performance motion remain synchronized to that precise audio section; never cut, restart, crossfade, or regenerate the 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Chest-up beside rain-darkened glass. She stays in place while the camera slides laterally and traffic bokeh moves behind her. She continues visibly singing the same current protected master-song section. Keep her hands below her mouth.\n[Shot 4] 00:10.7-00:15.1. Hard cut. Close-up under warm architectural light. She sings with subtle breathing, blinking, and a small change of expression; no walking. She continues visibly singing and ends in a stable, cut-ready composition.\nAfter the third cut there is no further internal edit. The next picture edit occurs only at the clip boundary.\n\noverall_soundscape:\nRestrained city ambience, light wind, distant traffic, and occasional soft rain remain far beneath the protected master song; no dialogue, crowd voices, or additional singers.\n\nnon_diegetic_music:\nThe exact current section of the untouched original master song remains authoritative and continuous across all picture cuts. Her lip movement, breathing, facial emotion, and precisely specified restrained actions remain synchronized to that audio section; never cut, restart, crossfade, or regenerate the 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