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  1. Justin W. Smith
  2. Krusade Motion Pictures/
  3. Jaylin Films
  4. infojaylinfilms@gmail.com
  5. King Street
  6. By
  7. Justin W. Smith
  8. &
  9. Nicole Prunhomme
  10. Characters and Story idea
  11. created by
  12. Justin W. Smith
  13.  
  14. 1 *SCENE 1 - INT. EVENING JESSICA/RAMONE’S HOME - NIGHT 1 SHOT OF A DARK ROOM.
  15. SOMEONE IS SEARCHING FOR A STASH.
  16. (SHOW HANDS RUMMAGING QUIETLY IN THE DARK)
  17. SOME MONEY AND COKE IS FOUND, THEN MOVED AND STASHED IN
  18. ANOTHER PART OF THE HOUSE.
  19. CUT TO
  20. 2 SCENE 2 - INT./EXT. DAY JESSICA/RAMONE’S HOME - DAY 2
  21. DAYTIME SCENE SHOWING THE OUTSIDE OF JESSICA’S HOUSE. ALL IS QUIET. THEN YOU HEAR GLASS BREAKING INSIDE AND RAMONE KING (38) IS SHOUTING AT JESSICA HUGHES (32).
  22. (SHOT OF THE FRONT DOOR UNTIL RAMONE WALKS OUT)
  23. RAMONE
  24. Where the hell is it?
  25. (BREAKING GLASS)
  26. 3 SCENE 3 -
  27. JESSICA
  28. I don’t know. (Crying)
  29. RAMONE
  30. You lying bitch... (Then a smack
  31. sound and more crying). ...My shit
  32. better come up today.
  33. EXT. JESSICA/RAMONE’S HOME - DAWN 3
  34. SHOT OF RAMONE STORMING OUT OF THE HOUSE. LOOKING TORE UP
  35. (LIKE ON A MISSION) HE SLAMS THE DOOR AND GETS IN HIS CAR
  36. AND DRIVES OFF FAST.
  37. SHOT OF THE TIRES AS HE BURNS RUBBER.
  38. 4 SCENE 4 - EXT. PRISON YARD - MORNING 4
  39. SHOT OF THE PRISON YARD FENCE, RAMONE SMOKING A CIGARETTE
  40. AND SEEMS TO BE REMINISCING.
  41. (QUIET STILL MORNING)
  42. RAMONE SEEMS TO BE ON THE YARD ALONE.
  43.  
  44. 5 SCENE 5 - INT. RAMONE’S HOUSE ALONE - DAY 5 (MONTAGE SCENES 5-11 SHOW NO FACES)
  45. SPEED UP THE REMINISCE. SCENES FOR SPECIAL EFFECTS.
  46. SHOT OF RAMONE SNORTING A LONG LINE OF COKE, BUT YOU CAN’T
  47. SEE HIS FACE- JUST THE BACK OF HIS HEAD. BE SURE TO SHOW
  48. THE COKE.
  49. (MUSIC DURING MONTAGE. NO WORDS OR TALKING)
  50. CUT TO
  51. 6 SCENE 6 - EXT. PRISON YARD - DAY 6
  52. Ramone back at the fence. He takes another draw off the cig,
  53. then squats down in front of the fence and blows the smoke
  54. out above him.
  55. (SHOW THE SMOKE IN THE AIR)
  56. 7 SCENE 7 - EXT. CEMENT FLOOR IN OR OUT - DAY 7 (ANOTHER FLASHBACK)
  57. SHOT OF SOMEONE GETTING BEAT UP.
  58. THE PERSON ON THE FLOOR IS DOGG’S BROTHER. THE TWO PEOPLE
  59. KICKING HIM ARE JIMMY AND VIC.
  60. (AGAIN, SHOW NO FACES)
  61. 8 SCENE 8 - EXT PRISON YARD - DAY 8
  62. BACK TO RAMONE. HE TAKES ANOTHER PULL OFF HIS CIG AND
  63. FLICKS IT ACROSS THE YARD.
  64. (STILL REMINISCING)
  65. 9 SCENE 9 - INT. JESSICA/RAMONE’S HOME - DAY 9 SHOT OF RAMONE GRABBING, THEN SLAPPING JESSICA.
  66. SHE FALLS TO THE FLOOR.
  67. (AGAIN, NO FACES. ACTORS IMPROVISE)
  68. 2.
  69.  
  70. 10 SCENE 10 - EXT. DESERT FIELD - DAY 10 (DESERT SCENE)
  71. PAN THE DESERT FAST, THEN STOP ON AN ARM HOLDING A GUN. A
  72. SHOT IS FIRED AND YOU HEAR THE THUD OF A BODY HIT THE FLOOR.
  73. 11 SCENE 11 - EXT. EARLY MORNING DRIVING IN CAR 11
  74. SHOT OF RAMONE DRIVING DOWN THE ROAD AFTER GETTING IN HIS
  75. CAR.
  76. --IN SCENE 3
  77. HE IS CUSSING ABOUT THE MONEY AND DRUGS THAT ARE MISSING.
  78. (ACTORS IMPROVISE SHORT SCENE)
  79. IT IS EARLY IN THE MORNING. ALL OF A SUDDEN HE HITS THE
  80. BREAKS AND SKIDS. YOU HEAR A CRASH OR ACCIDENT BUT THE
  81. SCREEN JUST GOES BLACK.
  82. GOES BLACK
  83. 12 SCENE 12 - EXT. PRISON YARD - DAY 12
  84. SHOT OF RAMONE ON THE PRISON YARD WALKING BACK TO HIS
  85. BUILDING TO LOCK IN.
  86. (END OF MONTAGE)
  87. 13 SCENE 13 - JIMMY & RENEE’S HOUSE - MORNING/DAY 13 CUT TO SEX SCENE.
  88. JIMMY (45) AND RENEE HUGHES (36), ARE HAVING SEX.
  89. PAN THE ROOM, THEN PAN OVER THE BED. THE COVERS ARE PULLED
  90. UP OVER THE COUPLE. SOMEONE IS ON TOP. THEN TH PERSON ON
  91. TOP SITS UP. IT’S RENEE.
  92. THE SHEETS FALL DOWN AND YOU SEE HER ASS AND BACK AS SHE
  93. HUMPS. YOU STILL DON’T SEE ANY FACES BUT YOU HEAR SEX
  94. SOUNDS. THEN THE ORGASM AND RENEE ROLLS OVER.
  95. SHOW THE TWO LOOKING UP AT THE CEILING.
  96. 3.
  97.  
  98. 14 SCENE 14 - INT. JIMMY/RENEE’S HOUSE - MORNING 14
  99. JIMMY JUMPS UP AND STARTS TO GET DRESSED. THEN HIS CELL PHONE RINGS ON THE NIGHT STAND NEXT TO HIS POLICE BADGE. HE ANSWERS IT WHILE HE BUCKLES HIS PANTS. RENEE GETS UP AND WALKS TO THE RESTROOM. (SHOW NAKED BACKSIDE).
  100. JIMMY LOOKS OVER JUST AS SHE CLOSES THE DOOR.
  101. 15 SCENE 15 - INT. JIMMY/RENEE’S HOUSE 15 (THE PHONE CALL)
  102. JIMMY
  103. Yea, who’s this?
  104. RAMONE
  105. Come on, you know who this
  106. is. What, did you forget? It’s
  107. me, Ramone.
  108. (RAMONE TALKS FAST AND SLICK)
  109. JIMMY
  110. Don’t tell me you’re out!
  111. RAMONE
  112. Stop sweating bullets. I don’t get
  113. out of this bitch ’til tomorrow.
  114. JIMMY
  115. Did you call Jess yet?
  116. RAMONE
  117. Man, you know she ain’t feeling
  118. me. I’m still getting my mail
  119. back.
  120. JIMMY
  121. So, that’s why you’re calling?
  122. RAMONE
  123. What? Don’t even try it
  124. Jimmy. You’ve gotta let me stay
  125. with you ’til I get my shit
  126. together. (Said with friendship)
  127. Or ’til Jessica comes
  128. around. You’ll see, it’ll be
  129. different this time.
  130. (CONTINUED)
  131. 4.
  132.  
  133. CONTINUED:
  134. 5.
  135. JIMMY
  136. You know Renee isn’t gonna like
  137. this.
  138. RAMONE
  139. Well that’s your girl, so you worry
  140. about that.
  141. JIMMY
  142. (He laughs) Alright, I’ll be
  143. there in the morning.
  144. 16 SCENE 16 - INT. JIMMY’S HOUSE
  145. RENEE COMES OUT OF THE RESTROOM. JIMMY SHOOTS HER A QUICK
  146. GLANCE, THEN WRAPS UP THE CALL. JIMMY THROWS THE PHONE ON
  147. THE BED AND WALKS OVER AND STARTS KISSING RENEE. (RENEE
  148. ACTS SURPRISED AND HAPPY AT THE SAME TIME, BUT KISSES HIM
  149. BACK)
  150. 16
  151. 17 SCENE 17 - EXT. TOWN SHOT 17 SHOT OF THE TOWN
  152. (A PHONE RINGS)
  153. 6:00 AM
  154. 18 SCENE 18 - INT. JESSICA ON PHONE, HOUSE 18 SHOT OF A PHONE RINGING
  155. A WOMAN’S HAND PICKS UP
  156. JESSICA’S VOICE ONLY
  157. HELLO, HELLO
  158. (NO ANSWER, THEN A CLICK OR A HANG UP)
  159. 19 SCENE 19 - EXT. PRISON FRONT GATES 19
  160. OUTSIDE OF A PRISON FRONT GATES. A BUS OR CAR PASSES AND
  161. RAMONE IS SUDDENLY STANDING OUTSIDE THE PRISON WITH A SMALL
  162. BAG OF PAPERS AND IN PRISON CLOTHES (BLUE JEANS AND A WHITE
  163. T-SHIRT). HE IS LOOKING FOR HIS RIDE. WHILE HE IS WAITING
  164. HE MAKES A PHONE CALL CLOSE BY. THE PHONE RINGS BUT JUST AS
  165. THEY PICK UP HE SEES HIS RIDE AND HANGS UP.
  166.  
  167. 20 SCENE 20 - EXT. PRISON FRONT GATES - DAY /MORNING 20 JIMMY PULLS UP AND RAMONE JUMPS IN.
  168. THEY TALK AS THEY DRIVE.
  169. 21 SCENE 21 - INT./EXT. JIMMY’S CAR - DAY /MORNING 21 Jimmy steps out of his car to greet Ramone.
  170. RAMONE
  171. Bro! Its so good to see you.
  172. They give a manly shake and hug before they both get into
  173. the car.
  174. JIMMY
  175. There’s a bag with some fresh
  176. clothes in the back.
  177. RAMONE
  178. Thanks man. (PAUSE) Did you talk to
  179. Renee? (As he pulls his shirt off
  180. and changes).
  181. JIMMY
  182. No, I didn’t want to hear it. We
  183. were having such a good time when
  184. you called.
  185. Ramone gives Jimmy a look.
  186. RAMONE
  187. Drop me off at the bar.
  188. JIMMY
  189. Oh come on Ramone. Give it a
  190. break. You just got out.
  191. RAMONE
  192. Look, I got some money out there
  193. and I’m not gonna just give it
  194. away.
  195. JIMMY
  196. Man, that’s how you got yourself
  197. into trouble in the first
  198. place. Can’t you just go home with
  199. Jess and get a job or something?
  200. (CONTINUED)
  201. 6.
  202.  
  203. CONTINUED:
  204. 7.
  205. RAMONE
  206. Just because you have your comfy
  207. job down at the precinct, Mr. Under
  208. Cover Police Man, don’t mean you
  209. can tell me what to
  210. do. (Upset) We been friends since
  211. we were little, so don’t come at me
  212. like no Christian because we all
  213. have our little skeletons in the
  214. closet.
  215. They look at each other. Ramone sees Jimmy means business.
  216. The car pulls up to the bar. Then Ramone jumps out.
  217. RAMONE
  218. I’ll call you later. And quit
  219. tripping. We’re dogs, right?
  220. JIMMY
  221. Yea, we’re cool. But I’m just
  222. saying, if you ever touch my sister
  223. again I’ll put your ass right back
  224. in like you were any other parolee.
  225. Got it?
  226. Ramone knods then walks towards the bar. Jimmy takes a quick
  227. glance back, then drives off.
  228. 22 SCENE 22 - EXT./THE STREETS & THE TIME OUT BAR 22 RAMONE WALKS TOWARD THE BAR.
  229. AS HE APPROACHES HE SEES LEON BOWMEN(30) THE NEIGHBORHOOD GANG BANGER HANGING ON THE CORNER.
  230. RAMONE
  231. Hey, Leon!
  232. LEON LOOKS OVER LIKE HE DOESN’T RECOGNIZE WHO’S CALLING
  233. HIM. THEN HE WALKS OVER, ACTING HARD.
  234. LEON
  235. What up, King!
  236. 23 SCENE 23 - EXT./THE STREETS & THE TIME OUT BAR
  237. RAMONE
  238. What’s going on? Where’s Vic at
  239. these days?
  240. 23
  241. (CONTINUED)
  242.  
  243. CONTINUED:
  244. 8.
  245. LEON
  246. What do you want with Vic? Didn’t
  247. you just get out?
  248. RAMONE
  249. Don’t worry about it. Quit
  250. playing. Where’s she at?
  251. LEON
  252. She still has the same number bro.
  253. LEON IS LOOKING DOWN THE STREET LIKE HE SEES SOMEONE.
  254. RAMONE
  255. So, whatcha been up to? Where’s
  256. the money at around here these
  257. days?
  258. LEON
  259. Don’t you worry about it.
  260. (SARCASTICALLY BACK AT HIM, THEN LOOKING DOWN THE STREET
  261. AGAIN.)
  262. RAMONE
  263. Tell me something man...
  264. LEON
  265. I’ll tell you this, if you want to
  266. stay out of trouble. You need to
  267. find a new hustle. The streets
  268. ain’t the same anymore.
  269. RAMONE
  270. I know it’s hot out here. Tell me
  271. something I don’t know.
  272. LEON
  273. That’s not what I’m talking
  274. about. There are some new cats out
  275. here. They been holding it down
  276. out here since you left and they’re
  277. playing hardball.
  278. (LOOKING BACK AT RAMONE, THEN BACK DOWN THE STREET)
  279. RAMONE
  280. Well when my regulars see I’m back.
  281. I’ll be back on top!
  282. LEON
  283. I see you haven’t changed. I gotta
  284. go.
  285.  
  286. LEON JOGS TOWARD THE DIRECTION HE WAS LOOKING.
  287. 24 SCENE 24 - INT. THE TIME OUT BAR
  288. 24
  289. RAMONE WALKS IN THE BAR AND APPROACHES THE BAR TENDER NAMED CASH MICHAELS (30’S) CASH IS TALKING TO TWO OTHER GUYS FROM BEHIND THE BAR. THE TWO GUYS ARE DOGG’S SIDE KICKS. THEY BOTH LOOK AT RAMONE LIKE HE LOOKS FAMILIAR.
  290. RAMONE
  291. Cash, let me use the phone.
  292. CASH
  293. Well look what the wind blew
  294. in. You could at least say ’hello’
  295. first. Where’s Jessica?
  296. RAMONE
  297. Uhh, probably at the house. Can I
  298. use the phone or what?
  299. (TALKING FAST TO AVOID THE CONVERSATION).
  300. CASH
  301. Yea, sure.
  302. CASH PULLS A PHONE OUT FROM UNDER THE COUNTER AND PUTS IT IN
  303. FRONT OF RAMONE.
  304. 25 SCENE 25 - INT. THE TIME OUT BAR 25
  305. SHOT OF A ONE SIDED PHONE CALL FROM RAMONE’S SIDE. HE IS
  306. CALLING VIC’S OLD NUMBER. A MALE VOICE PICKS UP. YOU HEAR
  307. THE VOICE BUT DON’T SEE THE FACE.
  308. (PAUSE)
  309. (PHONE VOICE)
  310. Yea, Vic’s. What do you want?
  311. RAMONE
  312. This is King. Let me speak to Vic?
  313. (PHONE VOICE)
  314. Vic’s busy. What do you want?
  315. RAMONE
  316. This is King. Ask Vic if I can
  317. come through.
  318. 9.
  319.  
  320. 26 SCENE 26 - INT. THE TIME OUT BAR 26
  321. (PAUSE)
  322. (PHONE VOICE)
  323. Oh, King? Shit man I’m sorry, I
  324. didn’t know it was you. Vic says
  325. come out to the house on the hill.
  326. RAMONE
  327. I don’t have a car. Can you send a
  328. car?
  329. (PHONE VOICE)
  330. No. No car. she says just get
  331. here.
  332. RAMONE
  333. Okay. I’m on the way.
  334. 27 SCENE 27 - INT. THE TIME OUT BAR 27
  335. JUST THEN A MAN SITTING AT THE BAR ADAM (25) COMES UP TO RAMONE AND ASKS HIM IF HE NEEDS A RIDE. ADAM IS NOSY AND HE WAS LISTENING WHEN RAMONE MADE THE CALL TO VIC. ADAM MOVES AND TALKS FAST AND KINDA WEIRD, AND TRIES TOO HARD TO BE COOL.
  336. ADAM
  337. I overheard your call. You going
  338. out to Vic’s place?
  339. RAMONE
  340. Yea. You know Vic?
  341. ADAM
  342. Yea, everybody knows Vic. I’ll
  343. take you.
  344. RAMONE HESITATES FOR A SECOND.
  345. RAMONE
  346. Cool, let’s go. Hey, catch you
  347. later, Cash.
  348. CASH IS AT THE BAR WIPING BEER GLASSES AND PAYING NO MIND TO
  349. ADAM WHAT SO EVER.
  350. 10.
  351.  
  352. 28 SCENE 28 - INT. THE TIME OUT BAR 28
  353. CASH AND THE TWO GUYS HE WAS TALKING TO ALL LOOK TOWARDS
  354. RAMONE, AND CASH WAVES.
  355. RAMONE AND ADAM WALK OUT OF THE BAR.
  356. 29 SCENE 29 - INT. 29 A SHOT OF A TABLE FULL OF COCAINE.
  357. (RAP MUSIC PLAYING).
  358. A SHOT OF HANDS ON THE TABLE. SOMEONE IS BAGGING
  359. DIMES. THE CAMERA MOVES SLOWLY UP TO THE MAN’S FACE. IT’S DOGG (3O’S).
  360. A PHONE RINGS AND HE PICKS IT UP.
  361. (ONE SIDED CALL).
  362. DOGG
  363. Who Dis?!
  364. (PHONE VOICE)
  365. (ONE OF DOGG’S SIDE KICKS)It’s
  366. your boy.
  367. DOGG
  368. What’s up?
  369. (PHONE VOICE)
  370. I just saw a guy that looks like
  371. the guy who killed your brother.
  372. DOGG
  373. Are you shittin’ me??
  374. (CONTINUES TO BAG DIMES).
  375. (PHONE VOICE)
  376. I’m not sure, but you never know.
  377. DOGG
  378. Okay. Don’t worry about it for
  379. now. Just finish what you have and
  380. come on back. I just got another
  381. package I’m baggin’ right now. It
  382. could be ready when you get here.
  383. 11.
  384. (CONTINUED)
  385.  
  386. CONTINUED:
  387. 12.
  388. (PHONE VOICE)
  389. ’Bet. See you in a minute.
  390. DOGG HANGS UP THE PHONE, TURNS UP THE MUSIC, AND CONTINUES
  391. BAGGING DIMES.
  392. 30 SCENE 30 - INT. VIC’S MANSION 30
  393. SHOT OF THE OUTSIDE OF VIC’S MANSION. SHOT OF RAMONE AND
  394. ADAM SITTING IN A PLUSH ROOM IN THE MANSION. ADAM IS
  395. TALKING IN HIS WEIRD VOICE.
  396. ADAM
  397. I’ve been getting to know everyone
  398. in this town. This is a cool
  399. town. Everybody knows
  400. everybody. Everybody has a hustle,
  401. and there’s money out here,
  402. too. Vic has money and everybody
  403. knows Vic.
  404. RAMONE IS SITTING QUIETLY LOOKING AROUND WHILE ADAM
  405. TALKS. THEN HE TURNS HIS ATTENTION TOWARDS ADAM.
  406. RAMONE
  407. So you know Vic, huh?
  408. ADAM
  409. Vic, Yea, I know Vic. Everybody’s
  410. done business with Vic.
  411. RAMONE
  412. Is that right? Yea, well me and
  413. Vic go way back before there was
  414. any business.
  415. ADAM
  416. That’s cool. I just moved out here
  417. last year, but I get around.
  418. JUST THEN A MAN (EXTRA) WALKS IN AND TELLS THEM TO FOLLOW HIM. BOTH RAMONE AND ADAM WALK INTO A LARGE ROOM WHERE VIC IS SITTING BEHIND A DESK. VIC(VICTORIA)RAMIREZ (40) SEES THE MEN APPROACHING AND GREETS RAMONE.
  419. VIC
  420. Ramone, it’s good to see you. It’s
  421. been a while.
  422. RAMONE
  423. Good to see you, too.
  424. JUST THEN, ADAM SPEAKS OUT.
  425. (CONTINUED)
  426.  
  427. CONTINUED:
  428. 13.
  429. ADAM
  430. This is Vic?
  431. (SPOKEN LOW BUT LOUD ENOUGH FOR VIC TO HEAR)
  432. ADAM HAS A SHOCKED LOOK ON HIS FACE BECAUSE VIC IS A
  433. WOMAN. IT’S OBVIOUS HE DOESN’T REALLY KNOW VIC. VIC STANDS
  434. AND COMES AROUND THE TABLE, WALKS OVER AND SMACKS ADAM.
  435. ADAM FALLS TO THE FLOOR LIKE A PUNK.
  436. VIC
  437. Who is this, Mark?
  438. NOBODY SAYS ANYTHING SO SHE STARTS KICKING ADAM. ADAM IS
  439. CURLING UP IN A BALL. VIC’S GUARDS (TWO MEN) ARE STANDING
  440. BY WITH THEIR HANDS ON THEIR GUNS, JUST IN CASE ANYBODY
  441. JUMPS.
  442. RAMONE IS STILL SITTING IN HIS CHAIR WATCHING QUIETLY. VIC
  443. PULLS OUT A PISTOL AND CONTINUES TO BEAT ADAM DOWN UNTIL HE
  444. LAYS STILL. (BLOODY)
  445. THEN VIC STANDS BACK, PUTS HER PISTOL ON THE TABLE, AND
  446. SAYS...
  447. VIC
  448. Never underestimate the power of a
  449. woman. Get this asshole out of
  450. here.
  451. THE TWO MEN CARRY ADAM OUT. VIC SPEAKS TO RAMONE ON HER WAY
  452. BACK BEHIND THE TABLE.
  453. VIC
  454. Who is that guy?
  455. RAMONE
  456. To tell you the truth, I really
  457. don’t know. I needed a ride and he
  458. said he knew you, so I rode with
  459. him.
  460. RAMONE AND VIC EXCHANGE LONG, SILENT, SHARP GLANCES. RAMONE
  461. SPEAKS FIRST.
  462. RAMONE
  463. I see you haven’t changed in the
  464. last 3 years.
  465. VIC
  466. Oh you’re wrong. A lot has changed
  467. around here. But that fool had it
  468. (MORE)
  469. (CONTINUED)
  470.  
  471. CONTINUED:
  472. 14.
  473. VIC (cont’d)
  474. coming. He should have just kept
  475. his mouth shut. Anyway, what can I
  476. do for you?
  477. RAMONE IS LOOKING AT VIC AMUSED.
  478. RAMONE
  479. I want to talk about the other half
  480. of the money from that last job we
  481. did.
  482. THE TWO EXCHANGE GLANCES AGAIN, AND VIC WALKS OVER AND
  483. CLOSES THE DOOR. AS SOON AS THE DOOR CLOSES THEY START TO
  484. TALK.
  485. VIC
  486. Ramone, you know how the game
  487. goes. You do a stretch and
  488. basically you chalk up all you
  489. assets. But we have been friends
  490. for a long time and you were
  491. straight with me on that last job,
  492. so, I’ll help you out. Do you
  493. still have any of the advance money
  494. I gave you?
  495. RAMONE
  496. No. I still don’t know what
  497. happened to my stash. Somebody got
  498. to it.
  499. VIC
  500. Okay. I have some good news and
  501. some bad news. The good news is I
  502. have your money. The bad news I
  503. don’t have your dope.
  504. RAMONE
  505. Okay. But what’s up with that?
  506. VIC
  507. I quit dealing. I don’t have any
  508. Junk. So the best I can do is
  509. giving you your money.
  510. RAMONE (PAUSE)
  511. .......Can I smoke?
  512. (VIC NODS YES)
  513. (CONTINUED)
  514.  
  515. CONTINUED:
  516. 15.
  517. VIC
  518. So how you paying the bills?
  519. RAMONE
  520. I need some coke. You know anyone?
  521. VIC GRABS A PEN AND WRITES DOWN A NUMBER. THEN SHE GOES IN
  522. A DRAWER AND PULLS OUT A STACK OF MONEY. VIC PUTS THE
  523. NUMBER ON TOP OF THE MONEY AND PUSHES IT TOWARDS RAMONE.
  524. VIC
  525. This is the best I can do for
  526. you. It’s all there- 20
  527. Grand. Call that number and ask
  528. for Caesar. Tell him I sent
  529. you. He might have what you want.
  530. RAMONE
  531. Okay, I appreciate the help Vic but
  532. a I need a ride.
  533. VIC
  534. Take your friends’ ride. He won’t
  535. need it anymore.
  536. RAMONE PUTS HIS CIG OUT. GIVES VIC A KNOD AND LEAVES.
  537. 31 SCENE 31 - EXT. VIC’S MANSION 31
  538. RAMONE WALKS OUTSIDE AND THE VALET PULLS UP WITH ADAM’S CAR,
  539. GETS OUT, AND GIVES RAMONE THE KEY.
  540. RAMONE GETS IN AND PULLS OFF.
  541. CUT TO
  542. 32 SCENE 32 - INT. JIMMY AND RENEE’S HOUSE BEDROOM - NIGHT 32 JIMMY’S BEDROOM.
  543. JIMMY IS LYING ON THE BED WITH HIS EYES CLOSED. HE IS FULLY
  544. DRESSED AND LAYING ON HIS BACK WITH HIS ELBOWS UP.
  545. A VOICE COMES FROM THE BATHROOM DOOR. IT’S RENEE, JIMMY’S
  546. WIFE.
  547. RENEE
  548. Are you ready?
  549. (CONTINUED)
  550.  
  551. CONTINUED:
  552. 16.
  553. JIMMY
  554. Yes, I’m ready.
  555. RENEE
  556. Are your eyes still closed?
  557. JIMMY
  558. Yes. Now come on out. (IMPATIENT).
  559. Renee comes out the bathroom wearing nothing but a big red bow. She is singing ’Happy B-Day to you’ up to the ’Dear Jimmy’, as she walks slowly towards him dancing. When she gets to the bed Jimmy grabs her and takes the bow off and smiles and they start rolling in the bed kissing. Jimmy after a few seconds lies beside her and starts conversation.
  560. JIMMY
  561. Look baby, (Renee kissing him)
  562. wait. I have something to tell you.
  563. RENEE
  564. What is it this time?
  565. JIMMY
  566. ...Ramone is out.
  567. Renee pushes Jimmy up and sits on the edge of the bed with
  568. the covers around her.
  569. RENEE
  570. Have you called Jess?
  571. JIMMY
  572. No, but I will. What I wanted to
  573. tell you is that he is going to be
  574. staying with us for a few days.
  575. RENEE
  576. What?! Come on Jimmy.
  577. JIMMY
  578. Don’t worry. (CONCERNED TONE OF
  579. VOICE). He’s gonna get his act
  580. together, and as soon as Jess finds
  581. out he’s out. They’ll be back
  582. together before you know it.
  583. Renee looks at Jimmy as if thinking what he just said to
  584. her.
  585. RENEE
  586. Well if you say so. You better be
  587. glad it’s your birthday!
  588. (CONTINUED)
  589.  
  590. CONTINUED:
  591. 17.
  592. JIMMY
  593. You know I am baby.. now come
  594. here..
  595. Jimmy grabs her flips her around and goes down on her for a
  596. few minutes then goes up to her breasts and kisses them.
  597. Then kisses her.
  598. Then Renee flips Jimmy around and climbs on top of him. (She
  599. acts like she is putting him inside her) She rides him.
  600. FADE OUT
  601. 33 SCENE 33 - EXT. JESSICA’S HOUSE 33 SHOT OF THE OUTSIDE OF JESSICA’S HOUSE.
  602. 34 SCENE 34 - INT. JESSICA’S HOUSE 34
  603. SHOT OF THE INSIDE OF JESSICA’S HOUSE. JESSICA IS COOKING
  604. SOMETHING OVER THE STOVE. SHE IS WEARING SOME CUTE LITTLE
  605. SHORTS AND A TOP.
  606. JESSICA HEARS SOMETHING IN THE OTHER ROOM AND GOES TO SEE
  607. WHAT IT IS.
  608. 35 SCENE 35 - EXT./INT. JESSICA’S HOUSE 35 RAMONE IS CLOSING THE FRONT DOOR BEHIND HIMSELF.
  609. WHEN HE TURNS AROUND YOU SEE THAT HE HAS SOME FLOWERS AND
  610. CANDY IN HIS HANDS.
  611. JESSICA
  612. You got some nerve. You could have
  613. called first. When did you get
  614. out?
  615. She is totally surprised and a bit excited inside that he is
  616. back. But she’s still back off-ish because of how Ramone was
  617. last time she saw him.
  618. RAMONE
  619. I did call this morning. (PAUSE)
  620. You know I do have a key to this
  621. house still. So I just came in.
  622. JESSICA
  623. Well what do you want?
  624. (CONTINUED)
  625.  
  626. CONTINUED:
  627. 18.
  628. RAMONE
  629. Girl, quit playing. I want
  630. you. Look, I bought some peace
  631. offerings.
  632. RAMONE PUTS DOWN THE FLOWERS AND CANDY, AND MOVES TOWARDS
  633. JESSICA. AS HE WALKS TOWARDS HER SHE PULLS BACK LIKE SHE
  634. DOESN’T WANT HIM TO TOUCH HER. RAMONE NOTICES THIS AND
  635. STARTS LOOKING AROUND THE HOUSE TO SEE HOW MUCH HAS CHANGED.
  636. JESSICA
  637. I don’t know Ramone... It’s been a
  638. long time and you really hurt me
  639. before you left. You know that?
  640. 36 SCENE 36 - INT. JESSICA’S HOUSE 36
  641. FLASH BACK OF THE SLAP FROM SCENE 2 (NOT SHOWN IN SCENE
  642. 2). RAMONE GRABS JESSICA AND SLAPS HER. SHE FALLS TO THE
  643. FLOOR.
  644. 37 SCENE 37 - INT. JESSICA & RAMONE’S HOUSE 37
  645. BACK TO THE CONVERSATION BETWEEN JESS AND RAMONE (SOFT ROCK
  646. MUSIC IS PLAYING)
  647. RAMONE
  648. I’m sorry and I really want to make
  649. it up to you, baby.
  650. JESSICA
  651. How you gonna do that?
  652. RAMONE
  653. (Looking for an answer). I
  654. promise not to hit you
  655. again. I’ll get a job,
  656. too. Just give me a few days.
  657. JESSICA IS LOOKING AT HIM TO SEE IF HE IS REAL OF NOT. SHE
  658. IS STARTING TO GIVE IN.
  659. JESSICA
  660. Does Jimmy know you’re out?
  661. RAMONE
  662. Yea, he picked me up.
  663. JESSICA
  664. That asshole! Why didn’t he call
  665. me? (PAUSE) What are you gonna do
  666. ’til you get a job?
  667. (CONTINUED)
  668.  
  669. CONTINUED:
  670. 19.
  671. RAMONE
  672. Look, ’til then I have this.
  673. RAMONE PULLS OUT THE MONEY HE GOT FROM VIC. JESSICA LOOKS
  674. DISAPPOINTED AND HAPPY AT THE SAME TIME.
  675. JESSICA
  676. So you found your stash, huh?
  677. RAMONE
  678. No! Vic owed me on some other
  679. stuff. Forget about that
  680. stash. That was a long time
  681. ago. I’m sure whoever got that is
  682. long gone.
  683. JESSICA MOVES TOWARDS HIM AND TOUCHES THE MONEY.
  684. JESSICA
  685. How much is this?
  686. RAMONE
  687. Almost 20 Grand.
  688. JESSICA
  689. (Smiling and hugging him now)
  690. You want me to put this up for
  691. you?
  692. RAMONE LOOKS SURPRISED AND THEN GRABS HER, SMILING, AND
  693. SAYS, "YEA." HE COUNTS OUT ABOUT 5 GRAND AND GIVES HER THE
  694. REST.
  695. RAMONE
  696. Yea, put this up.
  697. THEN HE SLOWLY GRABS HER. LOOKS INTO HER EYES. HE SLOWLY
  698. TRIES TO KISS HER. SHE GIVES IN AND HE SLOWLY STARTS TO TAKE
  699. HER TOP OFF....
  700. FADE OUT
  701. 38 SCENE 38 - INT. JESSICA’S HOUSE - MORNING 38 FADE IN
  702. THE NEXT MORNING RAMONE JUMPS UP AND LEAVES JESSICA IN THE
  703. BED ASLEEP. HE GOES TO MAKE A PHONE CALL TO CAESAR ABOUT
  704. SOME DOPE. AS HE PUTS THE PHONE TO HIS EAR,
  705. CUT TO SCENE
  706.  
  707. 39 SCENE 39 - INT. JESSICA’S HOUSE 39
  708. JESSICA WAKES UP AND GETS OUT OF BED, LOOKING FOR
  709. RAMONE. SHE WALKS INTO THE ROOM JUST AS RAMONE IS HANGING
  710. UP THE PHONE.
  711. JESSICA
  712. Was that Jimmy?
  713. RAMONE
  714. Huh? No, it was a wrong
  715. number. Look, I’ll be back later
  716. babe.
  717. JESSICA IS LOOKING AT RAMONE SUSPICIOUSLY.
  718. JESSICA
  719. Well bring me some ice cream. You
  720. know how I love my ice cream.
  721. RAMONE
  722. (Smiling) Girl, you’re a trip.
  723. RAMONE KISSES JESSICA ON THE CHEEK AND THEN GOES OUT THE
  724. DOOR.
  725. 40 SCENE 40 - EXT.THE TIME OUT BAR 40
  726. A NICE BRAND NEW CAR PULLS UP IN FRONT OF THE NEIGHBORHOOD BAR AND CAESAR (30-40’s) GETS OUT (SLOW MOTION) WITH THE HELP OF MURDA MAN AND CHUY, HIS BOYS. HE ALSO HAS A LADY FRIEND WITH HIM, TRACI GOODING (35) SHE IS DRESSED REALLY SEXY AND HAS A BIG LEATHER BAG.
  727. AS THEY WALK IN THE BAR, THE CAMERA FOLLOWS FROM BEHIND.
  728. CAESAR AND HIS FRIENDS TAKE A SEAT AT A TABLE IN THE BACK OF
  729. THE CLUB. RAMONE WALKS IN THE BAR LOOKING AROUND. THE BAR
  730. IS PRETTY EMPTY. HE SEES CAESAR IN THE BACK WITH HIS GIRL
  731. HAVING A DRINK AND SMOKING A CIGAR. AS RAMONE WALKS TOWARDS
  732. HIM, CAESAR LOOKS UP AND NOTICES RAMONE COMING.
  733. RAMONE
  734. You Caesar?
  735. CAESAR
  736. It depends. Are you Ramone?
  737. RAMONE
  738. Look, let’s do this quick. I’m on
  739. parole.
  740. 20.
  741. (CONTINUED)
  742.  
  743. CONTINUED:
  744. 21.
  745. CAESAR
  746. That’s your business. You got the
  747. money?
  748. RAMONE GOES IN HIS POCKET AND PULLS OUT THE MONEY. JUST
  749. THEN DOGG WALKS UP TO THE TABLE TO SEE CAESAR.
  750. DOGG
  751. You got my shit?
  752. RAMONE
  753. Hold on, can we fucking finish
  754. first?
  755. RAMONE IS TALKING SMART AND EYING DOGG AT THE SAME TIME.
  756. CAESAR
  757. Be cool. Both of you.
  758. HE MOTIONS TO HIS GIRL AND SHE PUTS THE BAG ON THE
  759. TABLE. TRACI, CAESAR’S GIRL, PULLS OUT TWO PACKAGES OF
  760. COKE-ONE SMALL ONE FOR RAMONE, AND A LARGER ONE FOR
  761. DOGG. CASH, THE BARTENDER, IS BEHIND THE BAR WATCHING WHILE
  762. WASHING GLASSES. RAMONE HAS HIS MONEY ON THE TABLE SO HE
  763. GRABS HIS PACK.
  764. RAMONE
  765. Is this shit straight?
  766. CAESAR NODS AND RAMONE TURNS AND WALKS AWAY. DOGG GOES IN
  767. HIS POCKET AND PULLS OUT HIS MONEY AND PUTS IT ON THE TABLE.
  768. DOGG
  769. Who was that?
  770. CAESAR
  771. OG, just got out.
  772. DOGG
  773. Where’s he hustling?
  774. CAESAR
  775. I don’t know, and what’s with all
  776. the questions? You want your shit
  777. or not?
  778. DOGG
  779. Yea, Yea, I want it.
  780. HE GRABS THE DOPE, PUTS IT IN HIS JACKET POCKET, AND THEN
  781. WALKS OUT.
  782. CUT TO
  783.  
  784. 41 SCENE 41 - EXT. THE TIME OUT BAR 41
  785. RAMONE IS COMING OUT OF THE BAR. HE IS GETTING IN HIS CAR
  786. WHEN JIMMY PULLS UP. HE TALKS TO RAMONE FROM HIS CAR.
  787. JIMMY
  788. Nice wheels. You must have some
  789. good friends.
  790. RAMONE
  791. Jimmy, what’s up? (ACTING COOL)
  792. JIMMY
  793. Why didn’t you call me last night?
  794. RAMONE
  795. I went to see Jess and she let me
  796. in believe it or not.
  797. JIMMY
  798. That was fast.
  799. JIMMY GETS A CALL ON HIS CELL PHONE AND HAS TO GO TAKE A
  800. POLICE CALL.
  801. JIMMY
  802. Hey Ramone, stay out of trouble.
  803. Okay?
  804. RAMONE GETS IN HIS CAR. GIVES HIM A WAVE.
  805. 42 SCENE 42 - EXT. RAMONE IN CAR/RENTING ROOM 42 MONTAGE HIGH PACED MUSIC.
  806. RAMONE RENTS A ROOM, GOES IN AND STARTS BAGGING DIMES. THEN
  807. HE IS ON THE CORNER SLANGING. HE MAKES A SALE AND DOGG’S
  808. TWO GUYS FROM THE EARLIER BAR SCENE ARE ACROSS THE STREET
  809. WATCHING HIM. THEN RAMONE IS IN HIS ROOM COUNTING
  810. MONEY. HE MAKES A PHONE CALL, GRABS THE MONEY, AND RUNS OUT
  811. OF THE ROOM.
  812. 43 SCENE 43 - INT. THE TIME OUT BAR 43
  813. RAMONE WALKS IN THE BAR AND ASKS CASH FOR A DRINK. CASH
  814. PUTS THE DRINK ON THE BAR AND STARTS TALKING.
  815. CASH
  816. So you’re back to the big bucks,
  817. huh?
  818. 22.
  819. (CONTINUED)
  820.  
  821. CONTINUED:
  822. 23.
  823. RAMONE
  824. You know how it is. You can’t come
  825. out and just be broke.
  826. CASH
  827. I’ll tell you though, the real
  828. money these days is in that Ecstasy
  829. shit.
  830. RAMONE
  831. Is that right? I heard about that
  832. shit when I was down.
  833. HE GRABS ON A NEARBY HOOKER CHICK LIKE HE WANTS HER TO BE ON
  834. E. SHE SMILES AND MOVES CLOSER.
  835. CASH
  836. My boy E can hook you up.
  837. RAMONE
  838. Ok, so you gonna hook us up?
  839. CASH
  840. Come back tonight. Around 8 PM.
  841. RAMONE
  842. Bet.
  843. 44 SCENE 44 - INT. THE TIME OUT BAR 44
  844. JUST THEN, MURDA MAN WALKS IN THE BAR WITH THE GIRL,
  845. TRACI. SHE HAS THE BAG WITH THE JUNK AGAIN. THEY MOVE
  846. TOWARDS A TABLE. RAMONE WALKS OVER TO THE TABLE TO MAKE A
  847. DEAL.
  848. MURDA MAN AND RAMONE ARE STANDING. THE GIRL IS BEHIND THE
  849. TABLE WITH THE BAG.
  850. RAMONE
  851. Where’s Caesar?
  852. MURDA MAN
  853. Don’t you worry about it. He sent
  854. us. You want your shit or what?
  855. RAMONE
  856. Yea, let me see it.
  857. MURDA MAN
  858. Let’s see the cash.
  859. MURDA MAN GETS A BAD TEMPERAMENT.
  860. (CONTINUED)
  861.  
  862. CONTINUED:
  863. 24.
  864. RAMONE
  865. Show us? What are you two?
  866. Fucking?
  867. MURDA MAN
  868. Funny (CALMLY). Let’s go.
  869. THEY MAKE THE DEAL. THEN MURDA MAN MOTIONS FOR THE GIRL TO
  870. GET UP AND LEAVE WITH HIM.
  871. 45 SCENE 45 - INT. JESSICA’S HOUSE 45
  872. JESSICA IS ON HER BED IN PANTIES AND A WIFE BEATER AND KNEE
  873. HIGH SOCKS. RAMONE COMES IN AND JUMPS ON THE BED. SHE
  874. ROLLS OVER GIGGLING.
  875. JESSICA
  876. Where have you been all day?
  877. RAMONE
  878. Out looking for a job like I said I
  879. would.
  880. JESSICA
  881. Oh really?
  882. RAMONE
  883. Yea. Cash, at the bar, said he
  884. might let me be a bouncer. He said
  885. come back at 8 tonight.
  886. JESSICA IS SMILING AND HAPPY.
  887. JESSICA
  888. Well who’s gonna protect Lil ol’ me
  889. while you’re gone?
  890. SHE IS GETTING FRESH LIKE SHE WANTS SOME SEX. RAMONE STARTS
  891. KISSING ON HER, THEN HE FALLS ASLEEP. SHE GETS MAD AND
  892. LEAVES HIM IN THE BED. THEN SHE WALKS OUT OF THE ROOM.
  893. 46 SCENE 46 - INT. CAESAR’S WEIGHT ROOM 46
  894. CAESAR IS IN A WEIGHT ROOM WORKING OUT WHEN MURDA MAN COMES
  895. IN. CAESAR PUTS THE WEIGHTS DOWN TO TALK.
  896. CAESAR
  897. Did he show?
  898. (CONTINUED)
  899.  
  900. CONTINUED:
  901. 25.
  902. MURDA MAN
  903. Yea, he showed. I don’t like him
  904. though. He seems to think he’s the
  905. shit.
  906. CAESAR
  907. Don’t worry about what he
  908. thinks. Just get my money.
  909. (TALKING LIKE A BOSS).
  910. MURDA MAN
  911. I just thought I’d give you a
  912. heads-up in case I have to pop that
  913. fool.
  914. CAESAR
  915. Hey (LOUD) you don’t make a move
  916. unless I say so.
  917. MURDA MAN GIVES HIM A FOUL LOOK AND SAYS...
  918. MURDA MAN
  919. CAESAR STARTS LIFTING AGAIN.
  920. 47 SCENE 47 - INT. VIC’S MANSION
  921. Yea, okay.
  922. JIMMY IS AT VIC’S MANSION. HE WALKS INTO A ROOM WITH VIC
  923. SITTING BEHIND HER DESK AGAIN. VIC MOTIONS FOR HIM TO TAKE
  924. A SEAT AND THEY START TALKING.
  925. JIMMY
  926. You wanted to see me?
  927. VIC
  928. I thought you might want to know
  929. about your home boy.
  930. JIMMY
  931. Who? King?
  932. VIC
  933. Yea. I gave him his money and I
  934. didn’t give him any dope, like you
  935. asked.
  936. JIMMY
  937. Good. I grew up in this
  938. neighborhood like everyone
  939. else. But that’s why I became a
  940. (MORE)
  941. (CONTINUED)
  942. 47
  943.  
  944. CONTINUED:
  945. 26.
  946. JIMMY (cont’d)
  947. cop to make a difference. I let
  948. some shit go, but when it comes to
  949. my baby sister, that’s when I draw
  950. the line. Ramone either stays
  951. clean or goes back on a violation.
  952. VIC
  953. Well that’s why I called you. I
  954. fucked up.
  955. JIMMY
  956. What do you mean ’you fucked up’?
  957. VIC
  958. I hooked him up with some new guys
  959. in town.
  960. JIMMY
  961. You did what? (UPSET) Who is
  962. it? Dogg?
  963. VIC SHAKES HER HEAD ’NO’.
  964. JIMMY
  965. Caesar?
  966. VIC SHAKES HER HEAD ’YES’.
  967. JIMMY
  968. Why would you do that? You know
  969. that guy and his goons ain’t
  970. playing with a full deck. I
  971. checked their records. Murda Man
  972. has been up state for attempted
  973. murder. And Caesar was practically
  974. the state pen kingpin. I don’t
  975. even know how he got out.
  976. VIC
  977. Look, I can’t do anything about
  978. that now. The ball’s already in
  979. place. Looks like you’re gonna
  980. have to save your boy again.
  981. Shit.
  982. JIMMY
  983.  
  984. 48 SCENE 48 - INT. MURDA MAN’S HOUSE 48
  985. MURDA MAN AND TRACI ARE TALKING ABOUT HIS PLAN TO X-OUT
  986. CAESAR, AND TAKE OVER THE BUSINESS.
  987. MURDA MAN
  988. This is some bullshit. Caesar
  989. doesn’t pay me enough to watch him
  990. make all the money. I need to be
  991. the one in charge.
  992. TRACI IS STANDING BEHIND MURDA MAN KISSING HIM WITH HER ARMS
  993. AROUND HIS NECK. TRACI IS CAESAR’S GIRL, BUT SHE IS DIRTY
  994. AND MESSES WITH MURDA MAN BEHIND CAESAR’S BACK.
  995. TRACI
  996. I don’t know. Caesar is pretty
  997. tight. I don’t know how you’re
  998. gonna get up on him without him
  999. knowing.
  1000. MURDA MAN LOOKS AT HER LIKE SHE IS STUPID. THEN (ANGRILY)
  1001. SAYS "SHUT UP". HE PULLS HER AROUND AND BENDS HER OVER A
  1002. TABLE AND STARTS PUSHING HER SHORT SKIRT UP.
  1003. 49 SCENE 49 - MONTAGE 49
  1004. (USE THE SAME MUSIC FROM THE EARLIER SCENE OF RAMONE
  1005. HUSTLING).
  1006. RAMONE IS ON THE STREET HUSTLING AGAIN. HE MAKES A FEW
  1007. SALES.
  1008. (USE EXTRAS FOR DOPE FRIENDS).
  1009. RAMONE IS BACK IN HIS ROOM BAGGING DIMES. HE HAS A
  1010. FLASHBACK. (USE MONTAGE FROM SCENE #5)
  1011. 50 SCENE 50 - FLASHBACK 50
  1012. RAMONE SNORTING COKE FLASHBACK FROM SCENE #5. RAMONE IS
  1013. BACK ON THE BLOCK LOOKING FOR CUSTOMERS. SHOW HIM LOITERING
  1014. AROUND ON THE BLOCK. THE BLACK AND WHITES PASS BY. RAMONE
  1015. LOOKS AT HIS WATCH. IT’S 7:45 PM.
  1016. THEN HE HEADS TO THE BAR TO MEET CASH.
  1017. RAMONE WALKS IN THE BAR AND SEES CASH AND "E" ERIC (25) OVER BY THE BAR. HE WALKS OVER.
  1018. 27.
  1019.  
  1020. 51 SCENE 51 - INT. THE TIME OUT BAR
  1021. RAMONE
  1022. What’s the deal?
  1023. CASH
  1024. Eric, meet Ramone. Ramone, meet
  1025. Eric.
  1026. ERIC
  1027. What are you trying to do?
  1028. RAMONE
  1029. I don’t know. What’s the shit good
  1030. for?
  1031. ERIC
  1032. $20 a pop. If you want to give up
  1033. a players price, $15. For you, a
  1034. wholesale price of $10 a
  1035. piece. That way you make a profit.
  1036. RAMONE
  1037. Okay. I got $300.
  1038. 51
  1039. ERIC GOES IN HIS INSIDE POCKET AND PULLS OUT A BAG OF SMALL
  1040. PILLS. HE COUNTS SOME INTO HIS HAND AND PASSES IT TO
  1041. RAMONE. RAMONE TAKES IT AND HANDS ERIC THE MONEY. RAMONE
  1042. PUTS THE PILLS IN A NAPKIN OFF THE BAR.
  1043. ERIC
  1044. Have you ever tried the shit?
  1045. RAMONE
  1046. No, but I hear it’s insane.
  1047. ERIC
  1048. Yea. You might want to bring 2 or
  1049. 3 freaks for that trip. Be careful
  1050. though. Sometimes people have a
  1051. bad reaction to the shit. You
  1052. don’t want any babes croaking on
  1053. you.
  1054. RAMONE
  1055. Yea. Right.
  1056. ERIC
  1057. If you need me again, just ask
  1058. Cash. He knows where to find me.
  1059. 28.
  1060. (CONTINUED)
  1061.  
  1062. CONTINUED: 29.
  1063. Bet.
  1064. RAMONE
  1065. 52 SCENE 52 - EXT. THE TIME OUT BAR 52
  1066. AS RAMONE WALKS OUT OF THE BAR, HE LITERALLY CRASHES INTO
  1067. DOGG AND HIS BOYS. HE JUST MOVES THROUGH THEM AND KEEPS
  1068. GOING. THE THREE MEN MEAN MUG HIM. (SLOW MOTION)
  1069. 53 SCENE 53 - INT./EXT. JIMMY’S CAR 53
  1070. JIMMY IS DRIVING IN HIS WORK CAR. HE GETS A CALL ON HIS
  1071. CELL PHONE. (HE LISTENS AND SAYS HE’LL BE RIGHT OVER.)
  1072. CUT TO
  1073. 54 SCENE 54 - INT. EXTRA HOUSE OR BUSINESS 54
  1074. JIMMY’S WALKING INTO A ROOM. THERE IS 2 OR 3 OTHER
  1075. PLAIN-CLOTHED POLICE OFFICERS IN THE ROOM COLLECTING
  1076. EVIDENCE. HE LOOKS DOWN TO SEE A DEAD BODY LYING IN
  1077. BLOOD. JIMMY WALKS OVER TO THE DETECTIVE BY THE BODY.
  1078. (DETECTIVE NOAH ANDREWS)
  1079. JIMMY
  1080. What’s the story?
  1081. NOAH
  1082. Body is about two hours cold. Gun
  1083. shot, close range. Execution
  1084. style. No witnesses and no ID on
  1085. the body.
  1086. JIMMY
  1087. I know him. (Looking closely at the
  1088. body).
  1089. You do?
  1090. NOAH
  1091. JIMMY
  1092. Yea, I don’t know him well, but we
  1093. grew up not far from each
  1094. other. His name is Jon Lucas. Just
  1095. slang’s pot and has been picked up
  1096. a few times.
  1097. (CONTINUED)
  1098.  
  1099. CONTINUED:
  1100. 30.
  1101. NOAH
  1102. Looks like he pissed someone off.
  1103. JIMMY
  1104. Yea. Looks like it.
  1105. NOAH
  1106. You want this case?
  1107. JIMMY
  1108. This is my neighborhood. I’ll take
  1109. the case.
  1110. THE DETECTIVE WALKS AWAY, TAKING OFF GLOVES.
  1111. THEN A SHOT OF JIMMY LOOKING DOWN AT THE BODY.
  1112. (SHOW THE BLOOD AGAIN IN FLASHES).
  1113. 55 SCENE 55 - INT. MURDA MAN’S HOUSE
  1114. CUT TO 55
  1115. A WOMAN IS BEING SMACKED AROUND. MURDA MAN IS SLAPPING
  1116. TRACI AGAIN. TRACI FALLS TO THE FLOOR.
  1117. MURDA MAN
  1118. Bitch, you’re going to do what I
  1119. say. Now get your ass up.
  1120. HE PULLS HER UP BY HER HAIR AND THROWS HER ONTO THE COUCH OR
  1121. INTO A CHAIR, AND THEY TALK.
  1122. MURDA MAN
  1123. Now, this is how it’s gonna
  1124. go. I’m going to get rid of
  1125. Caesar’s ass, and you’re my bitch
  1126. now. I got a little plan. Now
  1127. listen.
  1128. TRACI
  1129. Oh, okay baby.
  1130. 56 SCENE 56 - INT. MURDA MAN’S HOUSE 56
  1131. DOORS OPEN. CHUY (20’S) WALKS IN. CHUY IS ON THE OTHER SIDE OF THE DOOR LISTENING.
  1132.  
  1133. 31.
  1134. 57 SCENE 57 - INT. CHARLIE’S HOUSE/KITCHEN 57
  1135. CAESAR IS IN (CHARLIE’S)HOUSE ON THE PHONE. HE IS TALKING TO CHUY.
  1136. (SHOT OF HEAD AND HAND HOLDING THE PHONE).
  1137. THEN THE CAMERA PANS DOWN AND SHOWS THAT CAESAR IS HOLDING
  1138. SOMEONE UNDER WATER IN THE KITCHEN SINK.
  1139. CAESAR
  1140. Calm down! Nobody’s going to move
  1141. in on me.
  1142. PULLING THE GUY OUT OF THE WATER WHEN HE STOPS SPEAKING.
  1143. THEN PUTTING HIM BACK UNDER AS HE SPEAKS.
  1144. CHUY
  1145. Just watch your back.
  1146. CAESAR
  1147. I have too much heat. I started
  1148. this hustle from the bottom and no
  1149. one is going to stop this.
  1150. CAESAR PULLS THE GUY UP AGAIN AND SEES THAT HE DROWNED AND
  1151. LETS HIM GO IN THE SINK, AND THEN HE HANGS UP.
  1152. 58 SCENE 58 - INT. DOGG’S PLACE OF BUSINESS 58
  1153. DOGG AND HIS TWO SIDEKICKS FROM THE BAR ARE IN THE SAME
  1154. ROOM. THE THREE OF THEM ARE IN A ROOM SMOKING SOME
  1155. WEED. SMOKING AND TALKING
  1156. MAIN SIDEKICK
  1157. I’m telling you- that’s the fool
  1158. who shanked your brother in the
  1159. pen.
  1160. DOGG
  1161. Don’t play with me, man, because
  1162. you know what I have to do if
  1163. that’s true.
  1164. SIDEKICK WALKS OVER TO DOGG AND SAYS...
  1165. MAIN SIDEKICK
  1166. I was there. It happened fast, but
  1167. I remember that face. And another
  1168. thing- I saw that guy selling to
  1169. some of your customers today.
  1170. (CONTINUED)
  1171.  
  1172. CONTINUED:
  1173. 32.
  1174. DOGG
  1175. Ok then. Let’s handle this.
  1176. (JUMPING UP KIND OF HYPHY)
  1177. 59 SCENE 59 - INT. RAMONE’S HOTEL ROOM
  1178. CUT TO RAMONE GOING INTO HIS HOTEL ROOM. AS HE GOES IN, A GIRL APPROACHES HIM MALIKA (LATE 20’S), A SLICK HUSTLER CHICK.
  1179. MALIKA
  1180. Hey, you need some company?
  1181. RAMONE
  1182. No, I have a woman.
  1183. MALIKA
  1184. Well where is she now?
  1185. (CHEWING GUM)
  1186. RAMONE
  1187. She’s at home where she should be,
  1188. and where you should be.
  1189. MALIKA
  1190. Well, you’re out, and I’m out, so
  1191. let’s be out together.
  1192. RAMONE LOOKS AROUND, THEN SAYS...
  1193. RAMONE
  1194. Come on in. But I don’t want to
  1195. fuck or anything. Just hang out
  1196. for a few minutes.
  1197. MALIKA
  1198. Now that’s what I’m talking
  1199. about. You won’t have to worry
  1200. about me.
  1201. 59
  1202. THEY WALK IN THE ROOM. ONCE INSIDE THE ROOM, MALIKA ASKS TO
  1203. USE THE RESTROOM.
  1204. RAMONE POINTS TO THE DOOR AND SHE GOES INSIDE. RAMONE PUTS
  1205. THE ECSTASY PILLS ON THE TABLE, AND THEN THE GIRL CAME OUT
  1206. OF THE RESTROOM AND SITS DOWN AT THE TABLE.
  1207. MALIKA SEES THE PILLS ON THE TABLE AND HER EYES SPARKLE.
  1208. (CONTINUED)
  1209.  
  1210. CONTINUED: 33.
  1211. JUST THEN, RAMONE COMES OVER AND SITS DOWN WITH
  1212. HER. THERE’S SOME SODA AND VODKA ON THE TABLE AND RAMONE
  1213. POURS A DRINK FOR BOTH OF THEM.
  1214. THEN RAMONE WALKS OVER TO THE BED, AND GOES IN THE
  1215. PILLOWCASE, AND COMES OUT WITH SOME MONEY.
  1216. WHILE RAMONE IS AT THE BED, MALIKA SLIPS AND ECSTASY PILLS
  1217. INTO HIS DRINK. RAMONE COMES BACK TO THE TABLE AND TAKES A
  1218. SIP.
  1219. 60 SCENE 60 - EXT. JESSICA’S HOUSE 60
  1220. JESSICA’S HOUSE. JIMMY PULLS UP AND GOES TO KNOCK ON THE
  1221. DOOR. JESSICA OPENS THE DOOR.
  1222. JIMMY
  1223. Hey sis, Where’s Ramone?
  1224. (TALKING FAST)
  1225. JESSICA
  1226. I don’t know. What’s going on?
  1227. JIMMY
  1228. What’s Ramone been doing?
  1229. JESSICA
  1230. I don’t know. He says he’s been
  1231. looking for a job.
  1232. JIMMY
  1233. Has he been dealing and using
  1234. again?
  1235. JESSICA
  1236. I don’t think so. He gave me some
  1237. money to hold. He came home last
  1238. night and left this morning.
  1239. JIMMY
  1240. Well when you see him, tell him to
  1241. give me a call.
  1242. JESSICA
  1243. Is everything ok?
  1244. JIMMY
  1245. Don’t worry. Everything is cool.
  1246. (PLAYING IT COOL FOR HIS LITTLE SISTER).
  1247. CUT TO
  1248.  
  1249. 61 SCENE 61 - INT. RAMONE’S HOTEL ROOM 61
  1250. RAMONE IS AT THE TABLE COUNTING MONEY WHEN HIS EYES START
  1251. GETTING BLURRY. SHOT OF RAMONE WITH MONEY IN HIS HAND.
  1252. (SHOW BLURRY VISION).
  1253. RAMONE RUBS HIS EYES FOR FOCUS.
  1254. MALIKA SEES THE ECSTASY IS WORKING, SO SHE COMES OVER ON HER
  1255. KNEES AND STARTS TO UNBUCKLE RAMONE’S PANTS TO GO DOWN ON
  1256. HIM. RAMONE IS FEELING TOO HIGH SO HE HELPS HER WITH HIS
  1257. PANTS AND PUSHES HER HEAD DOWN.
  1258. (SHOT OF TOP OF MALIKA’S HEAD GOING UP AND DOWN ON
  1259. RAMONE. RAMONE IS MOANING).
  1260. RAMONE PUSHES MALIKA BACK AND STANDS UP. HIS VISION IS
  1261. STILL BLURRY AND HE SEEMS TO BE HAVING A BAD TRIP.
  1262. RAMONE GOES TO A DRAWER AND OPENS IT. THERE IS COKE
  1263. INSIDE. HE OPENS A BAG AND PUTS A LINE ON THE TABLE.
  1264. MALIKA COMES OVER SMILING AND GIGGLING; SHE DOESN’T KNOW
  1265. RAMONE IS HAVING A REALLY BAD TRIP.
  1266. RAMONE SNORTS A LINE AND SO DOES THE GIRL. THEY BOTH ACT
  1267. HIGH. RAMONE PULLS HIS SHIRT OFF AND JUMPS IN THE BED, THE
  1268. GIRL FOLLOWS SUIT.
  1269. CUT TO
  1270. 62 SCENE 62 - INT. CAESAR’S HOUSE 62
  1271. CAESAR IN THE WEIGHT ROOM WORKING OUT. TRACI COMES IN
  1272. WEARING A BATHING SUIT OR SEXY OUTFIT AND TRIES TO GET
  1273. CAESAR’S ATTENTION.
  1274. CAESAR
  1275. Bitch, what’s up with you? Can’t
  1276. you see I’m busy?
  1277. TRACI
  1278. I just wanted to have a little fun
  1279. with you.
  1280. (ACTING SEXY AND STUPID)
  1281. CAESAR
  1282. Yea! Come here girl.
  1283. PUTTING THE WEIGHTS DOWN AND GRABBING ON HIS GROIN.
  1284. (CONTINUED)
  1285. 34.
  1286.  
  1287. CONTINUED: 35.
  1288. TRACI COMES OVER AND CAESAR STARTS FEELING ON HER BOOTY. HE
  1289. USES HIS FINGER TO MOTION HER CLOSE TO HIM. WHEN SHE GETS
  1290. CLOSE HE HAULS OFF AND SLAPS HER AND SAYS...
  1291. CAESAR
  1292. Spot for me, Now!
  1293. TRACI IS MAD AND SHE HAS A SCARED LOOK ON HER FACE AS SHE
  1294. STANDS BEHIND CAESAR TO SPOT FOR HIM. CAESAR STARTS LIFTING
  1295. THE WEIGHTS AND TRACI ACTS LIKE SHE CAN’T HELP HIM. SHE
  1296. WANTS TO DROP THE WEIGHT ON HIM. JUST THEN CHUY COMES INTO
  1297. THE ROOM AND RUNS OVER TO CATCH THE WEIGHT JUST IN
  1298. TIME. CAESAR YELLS AT TRACI TO LEAVE THE ROOM.
  1299. CAESAR
  1300. Get out of here bitch!
  1301. 63 SCENE 63 - INT. CAESAR’S HOUSE 63 CHUY PUTS THE WEIGHT DOWN, THEN STARTS TALKING TO CAESAR.
  1302. CHUY
  1303. Where’s Murda Man?
  1304. CAESAR
  1305. I don’t know. I thought he was
  1306. with you.
  1307. CHUY
  1308. What’s up with that girl? You know
  1309. I don’t like her.
  1310. CAESAR
  1311. Fuck her. What’s up with my money?
  1312. CHUY
  1313. I spoke to Dogg. He wants to see
  1314. you tonight. He wants another key.
  1315. CAESAR
  1316. Ok. Call him back. Tell him to
  1317. meet us at the bar at 9 PM tonight.
  1318. CHUY SAYS "OK". THEN CAESAR WALKS TO ANOTHER BAR TO START
  1319. LIFTING AGAIN.
  1320. CUT TO
  1321.  
  1322. 64 SCENE 64 - EXT. RAMONE’S HOTEL - EVE. 64
  1323. THE OUTSIDE OF RAMONE’S HOTEL ROOM. IT’S NIGHT TIME. ALL
  1324. IS QUIET.
  1325. SUDDENLY DOGG AND HIS TWO SIDEKICKS ARE OUTSIDE THE
  1326. ROOM. TWO GUYS ON ONE SIDE AND DOGG ON THE OTHER
  1327. SIDE. THEY MOTION TO EACH OTHER TO KICK THE DOOR IN ON THE COUNT OF THREE.
  1328. 65 SCENE 65 - INT. RAMONE’S HOTEL ROOM 65
  1329. RAMONE AND MALIKA ARE ASLEEP IN THE BED. THE MONEY AND DOPE
  1330. ARE STILL ON THE TABLE.
  1331. ALL OF A SUDDEN, THE DOOR IS KICKED IN. RAMONE ROLLS OFF
  1332. THE BED AND GOES UNDER AND PULLS OUT A STICK. HE COMES UP
  1333. AND KNOCKS THE GUN OUT OF DOGG’S HANDS AND HITS HIM ON THE
  1334. HEAD.
  1335. THE GIRL JUMPS UP IN THE COMMOTION AND GRABS THE MONEY AND
  1336. THE COKE OFF THE TABLE AND RUNS OUT OF THE ROOM.
  1337. RAMONE IS GETTING JUMPED BY THE OTHER TWO GUYS WHILE DOGG
  1338. SHAKES OFF HIS HIT. RAMONE FALLS TO THE FLOOR AND SEES THE
  1339. GUN DOGG HAD.
  1340. HE GRABS IT AND STARTS SHOOTING. HE HITS DOGG AND THE OTHER
  1341. TOW GUYS RUN OUT OF THE ROOM.
  1342. RAMONE IS ALONE NOW WITH DOGG DEAD ON THE FLOOR. HE SEES
  1343. THAT HIS MONEY AND DRUGS ARE GONE. HE RUNS OUT THE ROOM
  1344. STILL HIGH AND DAZED FROM THE E AND COKE HE HAD EARLIER.
  1345. CUT TO
  1346. 66 SCENE 66 - EXT. ALLEY WAY 66
  1347. CUT TO ALLEY WAY. MURDA MAN IS MAKING A DRUG DEAL WITH
  1348. LEON. LEON IS TAKING TOO LONG COUNTING THE MONEY AND MURDA
  1349. MAN GETS IMPATIENT.
  1350. MURDA MAN
  1351. Come on. Hurry the fuck up.
  1352. (LOOKING DOWN THE ALLEY).
  1353. LEON
  1354. Hold on. Is this shit good?
  1355. WHEN HE ASKS THAT QUESTION MURDA MAN GETS UPSET AND SHOOTS LEON DEAD. HE GRABS THE MONEY, FIXES HIS COLLAR AND SAYS;
  1356. 36.
  1357. (CONTINUED)
  1358.  
  1359. CONTINUED:
  1360. 37.
  1361. MURDA MAN
  1362. Don’t play with me, you nothing
  1363. mother fucker.
  1364. THEN WALKS OUT OF THE ALLEY.
  1365. 67 SCENE 67 - EXT. JIMMY’S CAR
  1366. 67
  1367. JIMMY IS IN HIS CAR LOOKING FOR RAMONE ON THE BLOCK (DRIVING
  1368. SLOWLY), WHEN HE GETS A CALL.
  1369. JIMMY
  1370. Yea, Jimmy.
  1371. (PHONE VOICE)
  1372. There’s been a shooting at the
  1373. hotel on 98th. I think you should
  1374. check it out.
  1375. JIMMY
  1376. I’m on my way... Shit!.
  1377. HE DRIVES OFF.
  1378. HE HITS HIS STEERING WHEEL LIKE HE IS FRUSTRATED.
  1379. 68 SCENE 68 - INT. THE TIME OUT BAR 68
  1380. CAESAR AT THE BAR AND HE CAME TO MEET DOGG. TRACI IS THERE
  1381. AS USUAL WITH THE BAG OF DRUGS. HE LOOKS AT HIS WATCH LIKE
  1382. DOGG IS LATE. CHUY SUDDENLY COMES IN FAST WITH SOME NEWS.
  1383. CHUY
  1384. Bad news Boss, Dogg won’t make
  1385. it. He won’t make it. He’s GONE!
  1386. CAESAR
  1387. He’s in jail?
  1388. CHUY
  1389. Naw, he’s dead. And it was that
  1390. guy, Ramone who just got out, did
  1391. it!
  1392. CAESAR
  1393. What? That fool stopping my money?
  1394. CHUY PULLS HIS PHONE OUT AND CALLS MURDA MAN.
  1395. CUT TO
  1396. (CONTINUED)
  1397.  
  1398. CONTINUED:
  1399. 38.
  1400. CHUY
  1401. Murda Man, it’s Chuy. Listen, we
  1402. have a problem. That fool Ramone
  1403. smoked Dogg.
  1404. MURDA MAN
  1405. What? They had beef or something?
  1406. CHUY
  1407. I don’t know. But I need you to
  1408. handle this. You know Caesar has
  1409. to go to court this week and he
  1410. doesn’t need any heat on his back.
  1411. MURDA MAN
  1412. Consider it done.
  1413. THEY HANG UP.
  1414. 69 SCENE 69 - EXT. ON THE STREET/LIQUOR STORE
  1415. 69
  1416. RAMONE IS WALKING DOWN THE STREET ALL MESSED UP. HE WALKS
  1417. IN A LIQUOR STORE. HE COMES RIGHT OUT WITH A BOTTLE OF JACK
  1418. IN A PAPER BROWN BAG.
  1419. HE TAKES A LONG, SLOPPY SIP. THEN NOTICES A GUY IN A CAR
  1420. ACROSS THE STREET.
  1421. RAMONE WALKS ACROSS THE STREET. YOU CAN SEE HE HAS THE GUN
  1422. FROM EARLIER DOWN ON HIS SIDE.
  1423. HE WALKS UP FAST, WITHOUT THE PERSON NOTICING.
  1424. RAMONE
  1425. You got a light?
  1426. JUST AS THE GUY LOOKS UP, RAMONE SHOOTS HIM IN THE
  1427. FACE. HE’S TWEEKIN’ SO IT WAS AN ACCIDENT.
  1428. BLOOD SPLATTERS ON THE WINDOW. RAMONE THEN GOES IN THE GUYS
  1429. POCKETS AND GETS HIS WALLET. THERE’S ONLY $7.00 INSIDE.
  1430. (HE’S SHOCKED).
  1431. RAMONE
  1432. Shit! (THEN HE RUNS BACK TO HIS
  1433. CAR, GETS IN, AND DRIVES OFF)
  1434.  
  1435. 70 SCENE 70 - EXT. OUT BACK ALLEY WAY
  1436. 70
  1437. JIMMY PULLS UP ON THE ALLEY WHERE LEON GOT SHOT. THE YELLOW
  1438. TAPE IS UP. NOAH WALKS UP TO JIMMY.
  1439. JIMMY
  1440. What’s the story this time?
  1441. NOAH
  1442. Same thing as the last one. Shot
  1443. to the head, execution
  1444. style. Robbed him, too.
  1445. JIMMY
  1446. Any leads?
  1447. NOAH
  1448. No, but we’re collecting all the evidence we can. I’ll get
  1449. any information we come up with to you ASAP.
  1450. JIMMY
  1451. Damn! Okay. Call me later. I’m
  1452. gonna check my own leads.
  1453. NOAH
  1454. Ok Jimmy. But wrap this up
  1455. quick. I don’t want the papers to
  1456. get another bad story.
  1457. JIMMY WALKS BACK TO HIS CAR AND SPEEDS OFF.
  1458. 71 SCENE 71 - INT. CAESAR’S HOME 71 CAESAR AND CHUY ARE IN CAESAR’S HOME
  1459. CAESAR
  1460. You sure Murda Man can handle that
  1461. fool alone?
  1462. CHUY
  1463. Yea, sure Boss. He’s a real pro.
  1464. 72 SCENE 72 - INT. EXTRA ROOM FOR TORTURE SCENE 72
  1465. (FLASHBACK SCENE). MURDA MAN IS IN A ROOM WITH TWO WOMEN
  1466. AND ONE MAN TIED UP ON A COUCH. ONE OF THE WOMEN IS
  1467. SQUIRMING AND MAKING NOISE.
  1468. 39.
  1469. (CONTINUED)
  1470.  
  1471. CONTINUED:
  1472. 40.
  1473. MURDA MAN
  1474. Shut up, bitch.
  1475. (LIKE HE’S LOSING IT OR SOMETHING)
  1476. THEN HE SNAPS AND PROCEEDS TO SHOOT EVERYONE ON THE COUCH.
  1477. (SHOT OF EVERYONE ON THE COUCH DEAD).
  1478. (SHOT OF CHUY REMINISCING ABOUT THE SCENE)
  1479. 73 SCENE 73 - INT. CAESAR’S HOUSE 73 CUT BACK TO CAESAR AND CHUY TALKING.
  1480. CAESAR
  1481. Well I hope so. I don’t need any
  1482. heat while I’m fighting this
  1483. case. I’m probably being watched.
  1484. CHUY
  1485. I’m sure he’ll handle it right.
  1486. 74 SCENE 74 - INT. THE TIME OUT BAR 74 CASH IS BEHIND THE BAR. IT’S DAYTIME. MURDA MAN WALKS IN.
  1487. MURDA MAN
  1488. Cash, let me talk to you.
  1489. CASH COMES FROM BEHIND THE BAR AND THE TWO GUYS GO IN THE
  1490. BACK.
  1491. CASH
  1492. What’s going on?
  1493. (HOLDING A DISH TOWEL).
  1494. MURDA MAN
  1495. I need to know where to find that
  1496. Ramone guy.
  1497. CASH
  1498. King? What do you want with him?
  1499. MURDA MAN
  1500. Don’t worry about it. Just tell me
  1501. what I want to know.
  1502. (TALKING LOUD)
  1503.  
  1504. 75 SCENE 75 - INT. THE TIME OUT BAR 75 CASH IS AN OLD FRIEND OF RAMONE’S, SO HE HOLD OUT ON INFO.
  1505. CASH
  1506. I don’t know. I just see him when
  1507. he comes in.
  1508. MURDA MAN GETS UPSET BECAUSE CASH IS HOLDING OUT.
  1509. MURDA MAN
  1510. Ok, you want to play stupid?
  1511. MURDA MAN PULLS HIS GUN OUT AND SHOOTS CASH IN THE
  1512. STOMACH. CASH GRABS THE WOUND AND LOOKS DOWN AT THE BLOOD
  1513. ON HIS HANDS. THEN FALLS OVER. MURDA MAN RUNS OUT OF THE
  1514. CLUB.
  1515. 76 SCENE 76 - INT. THE TIME OUT BAR 76 JIMMY WALKS IN THE BAR LOOKING FOR CASH.
  1516. HE’S CALLING OUT HIS NAME AS HE WALKS THROUGH THE EMPTY BAR.
  1517. JIMMY
  1518. Cash, Cash, Cash. Where are you
  1519. at?
  1520. JIMMY WALKS TO THE BACK AND SEES CASH ON THE FLOOR. HE RUNS
  1521. OVER AND CHECKS HIM. CASH IS STILL ALIVE. JIMMY PULLS OUT
  1522. HIS PHONE AND CALLS FOR BACK UP.
  1523. JIMMY
  1524. Cash, who did this to you?
  1525. CASH
  1526. (GURGLING) Mur..Murda...Man
  1527. JIMMY
  1528. Who? Caesar’s guy?
  1529. CASH
  1530. He...He was looking for Ramone.
  1531. JIMMY
  1532. What? Do you know why?
  1533. CASH
  1534. (GURGLING) Don’t
  1535. know...drugs...can’t.
  1536. CASH FALLS DEAD.
  1537. 41.
  1538. (CONTINUED)
  1539.  
  1540. CONTINUED: 42.
  1541. -TIME LAPSE-
  1542. NOAH WALKS IN WITH OTHER DETECTIVES.
  1543. NOAH WALKS OVER TO THE BAR, BEHIND THE COUNTER AND PULLS OUT
  1544. A NOTE PAD.
  1545. NOAH
  1546. Three bodies in one week. Somebody
  1547. is busy. I just got the ballistics
  1548. report on the guy in the
  1549. alley. They match the bullets from
  1550. the pot dealer. Same gun. Got
  1551. some news for you though.
  1552. JIMMY
  1553. About this case?
  1554. NOAH
  1555. No! About your boy, Ramone.
  1556. JIMMY
  1557. Ramone? What about him?
  1558. NOAH
  1559. The shooting at the hotel last
  1560. night. Turns out the room was
  1561. registered to Ramone. Do you know
  1562. where he is?
  1563. JIMMY
  1564. No. I hate to hear that. I’m
  1565. actually looking for him too. Any
  1566. other news that can help?
  1567. NOAH
  1568. No, not at this time. There was
  1569. such a mess out there that I left
  1570. it to the coroner.
  1571. JIMMY
  1572. Well I’m sure Ramone isn’t
  1573. far. I’ll catch up to him and
  1574. bring him in for questioning.
  1575. CUT TO
  1576.  
  1577. 77 SCENE 77 - EXT. RAMONE’S CAR/JESSICA’S
  1578. RAMONE GOING TO JESSICA’S HOUSE.
  1579. HE NEEDS THE MONEY HE HAVE HER.
  1580. RAMONE IS STILL HIGH AND ACTING CRAZY.
  1581. HE KNOCKS ON THE DOOR. JESSICA ANSWERS AND RAMONE RUNS IN.
  1582. JESSICA
  1583. What’s wrong baby? (ACTING
  1584. CONCERNED).
  1585. THEN SHE SEES HE IS HIGH.
  1586. RAMONE
  1587. Where’s that money I gave you?
  1588. JESSICA
  1589. What? Didn’t you have five
  1590. thousand just the other day?
  1591. RAMONE
  1592. Bitch don’t question me. Just get
  1593. my shit.
  1594. JESSICA
  1595. Ok Ramone, calm down.
  1596. (JESSICA LOOKS SCARED).
  1597. JESSICA GOES IN THE BACK AND THEN COMES BACK OUT WITH THE
  1598. MONEY. RAMONE SNATCHES IT AND LEAVES. JESSICA GOES TO THE
  1599. DOOR AND STARTS CRYING AS RAMONE PULLS OFF.
  1600. THEN SHE GOES BACK IN AND CALLS JIMMY.
  1601. (PHONE RINGS, THEN ANSWERS).
  1602. JIMMY
  1603. CRYING ON THE OTHER END.
  1604. 78 SCENE 78 - INT./EXT. RAMONE’S CAR 78
  1605. RAMONE IS SITTING IN HIS CAR AND HE FALLS ASLEEP. THEN HE
  1606. STARTS DREAMING.
  1607. Hello.
  1608. 43.
  1609. 77
  1610.  
  1611. 79 SCENE 79 - MONTAGE 79 SHOW MONTAGE SCENE 5-11.
  1612. 80 SCENE 80 - INT./EXT. RAMONE’S CAR 80
  1613. RAMONE WAKES UP SHAKEN FROM THE DREAM. THEN GOES IN HIS
  1614. POCKET AND PULLS OUT SOME COKE AND SNORTS A LINE. THEN
  1615. PULLS OFF.
  1616. 81 SCENE 81 - INT. VIC’S OFFICE 81 VIC GETS A CALL. IT’S JIMMY.
  1617. VIC
  1618. Hello Jimmy. How can I help you
  1619. today?
  1620. JIMMY
  1621. You know how. We need to clean
  1622. this mess up before it gets out of
  1623. hand.
  1624. VIC
  1625. We? Why should I get involved?
  1626. JIMMY
  1627. You know I saved your ass in the
  1628. desert when we did that job. You
  1629. owe me. Ramone is in some shit and
  1630. I think he killed someone.
  1631. VIC (SARCASTICALLY)
  1632. Killed someone? You mean like the
  1633. car accident when he hit that old
  1634. lady? ’Cause Ramone isn’t a
  1635. killer.
  1636. EXT. ON THE STREET ACCIDENT 82
  1637. 82 SCENE 82 -
  1638. SHOW MONTAGE SCENE 10. RAMONE HITS THE LADY IN AN ACCIDENT
  1639. WHILE DRIVING ANGRY UNDER THE INFLUENCE.
  1640. 83 SCENE 83 - INT. VIC’S OFFICE 83 CONTINUED CALL FROM SCENE 81.
  1641. 44.
  1642. (CONTINUED)
  1643.  
  1644. CONTINUED:
  1645. 45.
  1646. JIMMY
  1647. No, this was a gun shot
  1648. murder. He’ll do more than three
  1649. years on manslaughter for this one.
  1650. VIC
  1651. What do you want me to do?
  1652. JIMMY
  1653. Caesar’s man, Murda Man, is looking
  1654. for him and I need to know why.
  1655. VIC
  1656. I’ll check it out and get back to
  1657. you later.
  1658. 84 SCENE 84 -
  1659. JIMMY GETS A CALL. IT’S JESSICA CRYING.
  1660. JESSICA
  1661. (Phone Voice) Jimmy, Ramone is
  1662. high and he just ran out of
  1663. her acting crazy.
  1664. JIMMY
  1665. Did he touch you?
  1666. JESSICA
  1667. No, but I’m scared. He has a lot
  1668. of money on him and I know he’s
  1669. high.
  1670. JIMMY
  1671. Keep the door locked. I’ll be
  1672. right over.
  1673. (THEY HANG UP).
  1674. 85 SCENE 85 - INT. MURDA MAN’S HOUSE 85 CUT THIS ------------SCENE OUT----------------------------
  1675. 86 SCENE 86 - EXT. ON THE STREETS 86
  1676. RAMONE IS WALKING DOWN THE STREET WHEN HE SEES ERIC, THE E
  1677. MAN. HE WALKS UP ON HIM FAST. HE’S LOOKING FOR SOME MORE
  1678. WORK TO SLANG.
  1679. INT. JESSICA’S HOUSE/CAR 84
  1680. (CONTINUED)
  1681.  
  1682. CONTINUED:
  1683. 46.
  1684. RAMONE
  1685. Eric. I mean E!
  1686. ERIC
  1687. What up?
  1688. RAMONE
  1689. You got some more of that shit?
  1690. ERIC
  1691. Yea, but did you hear about Cash?
  1692. RAMONE
  1693. What about him?
  1694. ERIC
  1695. Somebody shot him last night at the
  1696. bar. The bar is closed.
  1697. RAMONE
  1698. Shit. Is he dead?
  1699. ERIC
  1700. Yea. That’s what I heard.
  1701. SILENCE, RAMONE SEEMS SAD.
  1702. RAMONE
  1703. Damn, that’s fucked up. Shit. But
  1704. hey, can I still get some of that E
  1705. from you?
  1706. ERIC
  1707. Yea, how much you want?
  1708. RAMONE
  1709. The same as before.
  1710. ERIC
  1711. Come on.
  1712. (THEY WALK DOWN THE STREET)
  1713. THEY MOVE INTO A DOORWAY AND MAKE THE TRANSACTION.
  1714. JUST THEN, JIMMY DRIVES BY AND SEES THEM.
  1715. HE DOUBLE PARKS AND RUNS OVER CALLING OUT RAMONE’S NAME.
  1716. RAMONE SEES JIMMY AND RUNS, SO DOES ERIC.
  1717. THEY GO IN OPPOSITE DIRECTIONS.
  1718. (CONTINUED)
  1719.  
  1720. CONTINUED: 47.
  1721. JIMMY CHASES RAMONE. RAMONE GOES DOWN AN ALLEY AND KICKS A
  1722. DOOR IN.
  1723. TURNS OUT HE’S IN THE BACK OF THE BAR.
  1724. HE CLOSES THE DOOR QUICK AND JIMMY RUNS BY AND MISSES
  1725. HIM. RAMONE IS LEANING ON THE DOOR, TRYING TO CATCH HIS
  1726. BREATH.
  1727. 87 SCENE 87 - INT. THE TIME OUT BAR 87
  1728. RAMONE WALKS DOWN THE HALL TO THE OFFICE WHERE CASH HAS HIS
  1729. SAFE. HE SEES A PICTURE OF CASH, RAMONE, AND JIMMY ON THE
  1730. WALL AND SAYS...
  1731. RAMONE
  1732. Damn old fool. You were always all
  1733. right with me.
  1734. RAMONE LOOKS AROUND THE ROOM AND SEES THE SAFE/OR DRAWER
  1735. FULL OF CASH. HE LOOKS AROUND THE ROOM, THEN STARTS
  1736. GRABBING MONEY. THEN HE CREEPS OUT OF THE BUILDING.
  1737. 88 SCENE 88 - INT. CAESAR’S PAD 88 CHUY ANSWERS HIS PHONE. IT’S CAESAR.
  1738. CHUY
  1739. Yea, Boss.
  1740. CAESAR
  1741. Have you heard from Murda Man?
  1742. CHUY
  1743. No word yet.
  1744. CAESAR
  1745. Well if he doesn’t call soon I’m
  1746. gonna go out and take care of him
  1747. and that mark he’s after.
  1748. 89 SCENE 89 - EXT. PHONE BOOTH ON CORNER 89
  1749. RAMONE IS AT A PAYPHONE ACTING PARANOID. HE IS CALLING
  1750. CAESAR TO GET SOME MORE COKE.
  1751. (PHONE RINGS).
  1752. (CONTINUED)
  1753.  
  1754. CONTINUED:
  1755. 48.
  1756. CAESAR
  1757. Speak.
  1758. RAMONE
  1759. It’s me, King. Can I see you about
  1760. the same 5 Grand as last time?
  1761. RAMONE DOESN’T KNOW CAESAR IS AFTER HIM. RAMONE IS SO HYPHY
  1762. OFF THE DRUGS HE HAS BEEN ON.
  1763. CAESAR
  1764. Yeah. Where are you?
  1765. SHOT OF CAESAR WRITING DOWN THE ADDRESS.
  1766. CAESAR
  1767. I’ll be right over. You got the
  1768. money.
  1769. RAMONE
  1770. Yea, Yea I got the cash (ACTING
  1771. JUMPY).
  1772. CAESAR HANGS UP AND SAYS TO HIMSELF...
  1773. CAESAR
  1774. Stay right there.
  1775. 90 SCENE 90 - INT. VIC ON PHONE IN HER OFFICE 90 VIC ON THE PHONE WITH JIMMY.
  1776. VIC
  1777. Hello, Jimmy.
  1778. JIMMY
  1779. What did you find out?
  1780. VIC
  1781. Looks like Dogg and his boys tried
  1782. to rob Ramone at his hotel or
  1783. something like that. Not only
  1784. that, Caesar is hot because Ramone
  1785. supposedly killed one of his main
  1786. money scores. Now Caesar has a hit
  1787. out on Ramone.
  1788. JIMMY
  1789. Shit! Shit! Shit! Okay, I have
  1790. to call Jess. I’ll be in touch.
  1791. CUT TO
  1792. (CONTINUED)
  1793.  
  1794. CONTINUED:
  1795. 49.
  1796. VIC Anytime.
  1797. 91 SCENE 91 - EXT. PHONE BOOTH ON CORNER
  1798. RAMONE IS STILL AT THE PHONE BOOTH WAITING FOR CAESAR TO
  1799. BRING HIM SOME WORK.
  1800. CAESAR
  1801. When we get to him, I want you to
  1802. play it cool ’til he get up on us.
  1803. TALKING TO TRACI.
  1804. 91
  1805. 92 SCENE 92 - EXT. PHONE BOOTH ON CORNER 92
  1806. RAMONE IN THE PHONE BOOTH WHEN CAESAR’S CAR PULLS UP. AS
  1807. RAMONE APPROACHES THE CAR, CAESAR IS READY TO SHOOT HIM OUT
  1808. THE WINDOW. BUT HE IS PARANOID AND LOOKING FOR THE
  1809. POLICE. JUST AS CAESAR GOES TO SHOOT, A BLACK AND WHITE
  1810. POLICE CAR ROLLS BY AND HE HESITATES. RAMONE SEES THE
  1811. POLICE AND GETS PARANOID ALSO. HE MOVES AWAY FROM THE CARE
  1812. AND CAESAR PULLS OFF.
  1813. 93 SCENE 93 - INT. JIMMY’S OFFICE 93
  1814. JIMMY IS AT A DESK, LOOKING AT SOME FILES. HE LOOKS AT THE
  1815. CORONER PICTURES FROM THE GUY IN THE ALLEY (LEON), AND
  1816. CASH’S AT THE BAR. THEN HE GETS A CALL ON HIS CELL PHONE.
  1817. (IT’S RAMONE)
  1818. RAMONE
  1819. Jimmy, listen. I need your help.
  1820. JIMMY
  1821. (STANDING UP) Where are
  1822. you? Tell me right now and
  1823. stay right there ’til I get
  1824. over. (ANGRILY).
  1825. RAMONE
  1826. No! I’ll see you later. Just tell
  1827. Jess I’m okay.
  1828. JIMMY
  1829. Ramone, what are you doing? You’re
  1830. about to end up back in jail. I
  1831. know about the hotel.
  1832. CUT TO
  1833. (CONTINUED)
  1834.  
  1835. CONTINUED:
  1836. 50.
  1837. (SILENCE)
  1838. RAMONE
  1839. It’s not how it looks. That’s why
  1840. I called. We need to talk.
  1841. JIMMY
  1842. Ramone, murder carries more time
  1843. than manslaughter. I don’t think
  1844. there’s much I can do to help you
  1845. on this one.
  1846. 94 SCENE 94 - EXT. PHONE BOOTH ON CORNER
  1847. SHOT OF RAMONE ON THE PHONE TALKING TO JIMMY.
  1848. RAMONE
  1849. Jimmy, I don’t know why those guys
  1850. tried to jack me. I defended
  1851. myself. They came in blazing, so I
  1852. did what I had to do.
  1853. 95 SCENE 95 - INT. JIMMY’S OFFICE ON PHONE BACK TO JIMMY ON THE PHONE IN HIS OFFICE.
  1854. JIMMY
  1855. So you’re on the shit again?
  1856. RAMONE
  1857. No! Who told you that?
  1858. JIMMY
  1859. I spoke to Jessica. She said you
  1860. were fucked up.
  1861. RAMONE
  1862. Okay, so maybe I did have a little
  1863. hit. But I didn’t kill anyone.
  1864. JIMMY
  1865. Tell me anything. I’m on this case
  1866. and you’re a prime suspect. You
  1867. need to come in.
  1868. RAMONE
  1869. I can’t do that and you know it.
  1870. JIMMY
  1871. Well you better do something
  1872. because Caesar has a hit out on
  1873. (MORE)
  1874. 94
  1875. (CONTINUED)
  1876. 95
  1877.  
  1878. CONTINUED:
  1879. 51.
  1880. JIMMY (cont’d)
  1881. you. Watch your back and don’t get
  1882. at me until you’re ready to turn
  1883. yourself in.
  1884. RAMONE
  1885. It’s like that, huh?
  1886. JIMMY
  1887. I told you when you came home to
  1888. stay out the mix, especially if you
  1889. got back with Jess. I can’t help
  1890. you now.
  1891. RAMONE
  1892. Damn! Ain’t then later.
  1893. JIMMY
  1894. Ramone! Ramone! Shit.
  1895. JIMMY HANGS UP, SLAMMING THE PHONE DOWN.
  1896. 96 SCENE 96 - EXT. THE QUARTER NOTE BAR
  1897. CUT TO 96
  1898. ANGEL (13) IS ON HIS BIKE, ON THE BLOCK WHERE THE BAR IS. A CAR PULLS UP AND PARKS. IT’S VIC’S CAR. VIC GETS OUT AND LOOKS AROUND THE CAR. SHE SIGNALS THEM TO WALK WITH
  1899. HER. VIC WALKS OVER TO ANGEL AND ASKS HIM TO WATCH HER CAR. SHE ALSO GIVE HIM A BILL OR TWO.
  1900. VIC
  1901. Hey there. You got time to watch my
  1902. car for a few minutes kid?
  1903. ANGEL
  1904. Yea, sure!
  1905. VIC HANDS HIM THE MONEY AND HE SMILES.
  1906. 97 SCENE 97 - EXT. THE QUARTER NOTE BAR 97
  1907. VIC
  1908. If anyone messes with my ride, just
  1909. come and get me in that restaurant
  1910. over there.
  1911. (VIC POINTS TO THE RESTAURANT)
  1912. VIC AND HER BOYS WALK ACROSS THE STREET AND ANGEL POSTS UP
  1913. TO WATCH THE CAR.
  1914.  
  1915. 98 SCENE 98 - INT. THE QUARTER NOTE BAR
  1916. 98
  1917. VIC AND HER BOYS WALK IN THE RESTAURANT. RAMONE IS SITTING
  1918. IN THE BACK WITH HIS HEAD DOWN ON THE TABLE. VIC WALKS OVER
  1919. TO RAMONE’S TABLE; SHE MOTIONS FOR HER BOYS TO STAY BACK.
  1920. VIC
  1921. Ramone, Ramone, Ramone. Now you
  1922. know why I switched
  1923. businesses? Too many hassles.
  1924. RAMONE
  1925. Very funny. I don’t need a lecture
  1926. now. Did you bring it?
  1927. VIC
  1928. Yea, I got it. A burner and some
  1929. junk. You have enough to cover all
  1930. this?
  1931. VIC PASSES HIM A PISTOL AND A PACKAGE OF DRUGS.
  1932. RAMONE
  1933. Yea, here.
  1934. RAMONE PASSES VIC THE MONEY.
  1935. 99 SCENE 99 - INT. THE QUARTER NOTE BAR 99
  1936. VIC
  1937. Don’t call me again. I’m out of
  1938. this one. We’re even now. I won’t
  1939. tell Jimmy.
  1940. RAMONE
  1941. You and him still doin’ business
  1942. with each other?
  1943. VIC
  1944. No. Everything went bad after you
  1945. left.
  1946. RAMONE
  1947. I thought everything was going as
  1948. planned.
  1949. VIC
  1950. No, I’m talking about on that last
  1951. job. We split ties and that was
  1952. that. Never did another job again.
  1953. 52.
  1954. CUT TO
  1955.  
  1956. 100 SCENE 100 - FLASHBACK 100
  1957. MONTAGE SCENE #7 (THE BEATING). SHOW MORE DETAIL OF THE
  1958. BEATING.
  1959. VIC AND JIMMY ARE BEATING THE GUY DOWN.
  1960. THEN THE GUY LAYS STILL.
  1961. JIMMY AND VIC STAND BACK BREATHING HARD.
  1962. THEY ARE BOTH HOLDING GUNS.
  1963. VIC
  1964. Is he dead?
  1965. JIMMY
  1966. I don’t know. Hold up.
  1967. JIMMY REACHES FOR HIS PULSE.
  1968. JIMMY
  1969. No, he still has a pulse.
  1970. VIC
  1971. Good, because I didn’t plan on
  1972. killing anyone tonight. I thought
  1973. this was going to be a clean
  1974. robbery.
  1975. JIMMY TURNS THE GUY ON HIS BACK AND YOU SEE HIS BLOODY FACE.
  1976. JIMMY
  1977. Did you get all the money and dope?
  1978. VIC
  1979. Yea, King got his cut and
  1980. left. Ours is in the car. Ramone
  1981. says he’s going straight home to
  1982. get some rest.
  1983. JIMMY KICKS THE BODY.
  1984. JIMMY
  1985. Out of town dealers. Don’t they
  1986. know if there is any money on a
  1987. set, somebody already has it sowed
  1988. up. King had this set held down
  1989. for years. Now this guy comes
  1990. along thinking he’s the shit.
  1991. 53.
  1992. (CONTINUED)
  1993.  
  1994. CONTINUED:
  1995. 54.
  1996. VIC
  1997. Well let’s put him on a greyhound
  1998. with a note and get out of here.
  1999. THERE ARE TWO CARS IN THE DESERT. CASH IS IN ONE CAR AND HE
  2000. COMES OUT OF THE CAR AND WALKS OVER THE BODY.
  2001. CUT TO
  2002. 101 SCENE 101 - MONTAGE 101 MONTAGE SCENE #9 HAND WITH GUN.
  2003. THE SHOT FIRES AND THEN YOU SEE CASH HOLDING THE GUN.
  2004. CASH SHOT THE PURP.
  2005. VIC
  2006. Cash, why the fuck did you do
  2007. that? He cooperated. We were
  2008. gonna put him on a bus and send him
  2009. home.
  2010. CASH
  2011. Yea right. So he can come back and
  2012. bring his people with him.
  2013. JIMMY
  2014. Shit, this is fucked up.
  2015. CASH
  2016. Don’t worry about it. I’ll take
  2017. care of this. You two go back to
  2018. town and act like everything is
  2019. normal. Oh yea, and we better put
  2020. the dope and money up ’til shit
  2021. cools off.
  2022. JIMMY
  2023. Yea, that sounds good. I’ll go and
  2024. get King’s cut and bring it back to
  2025. the stash, I know where he keeps
  2026. it.
  2027. VIC
  2028. Fuck this shit. I’m finding me a
  2029. new hustle. This is too much
  2030. hassle for me.
  2031.  
  2032. 102 SCENE 102 - INT. THE QUARTER NOTE BAR 102
  2033. CUT BACK TO VIC AND RAMONE SITTING IN THE RESTAURANT
  2034. TALKING.
  2035. 103 SCENE 103
  2036. RAMONE
  2037. So, Jimmy is the one who had my
  2038. stash this whole time? That son of
  2039. a bitch!
  2040. CUT TO - EXT. THE QUARTER NOTE BAR 103
  2041. OUTSIDE OF THE RESTAURANT. A CAR PULLS UP. IT’S CHUY AND CAESAR. (PAN TO) THEY SEE VIC’S CAR AND THE BOY POSTED UP. THEY ACT AS IF KNOW VIC’S STYLE SO THEY KNOW SHE’S INSIDE TAKING CARE OF BUSINESS.
  2042. CAESAR
  2043. Pull over. I need to talk to Vic.
  2044. CUT TO
  2045. 104 SCENE 104 - EXT. DAY CAR PULLING UP TO BAR 104
  2046. ANOTHER CAR PULLING UP. IT’S MURDA MAN. HE IS WATCHING
  2047. CAESAR ENTER THE RESTAURANT. HE PARKS TO GO IN HIMSELF.
  2048. 105 SCENE 105 - INT. THE QUARTER NOTE BAR 105 CAESAR WALKS IN THE RESTAURANT WITH CHUY.
  2049. WHEN THEY SEE RAMONE, CAESAR WHISPERS SOMETHING IN CHUY’S
  2050. EAR BEFORE THEY WALK OVER TO THE TABLE WHERE VIC AND RAMONE
  2051. ARE.
  2052. VIC AND RAMONE ARE SITING, CAESAR AND CHUY ARE STANDING.
  2053. CAESAR
  2054. Vic, baby, what’s crackin’?
  2055. VIC
  2056. Caesar, it’s been a minute (REAL
  2057. COOL). What’s up with you?
  2058. CAESAR
  2059. I need to talk to your boy here.
  2060. AT THE SAME TIME HE SAYS THAT, CHUY PUTS HIS HAND ON HIS
  2061. GUN. VIC SEES THIS AND REACHES UNDER THE TABLE.
  2062. 55.
  2063. (CONTINUED)
  2064.  
  2065. CONTINUED: 56.
  2066. JUST THEN, MURDA MAN COMES IN LOOKING MEAN AND
  2067. SUSPICIOUS. HE STANDS ANT THE FRONT OF THE RESTAURANT
  2068. WATCHING, TRYING TO SEE WHAT’S GOING ON.
  2069. CUT TO
  2070. 106 SCENE 106 - EXT. OUTSIDE BAR (FRONT) 106
  2071. THE OUTSIDE OF OF THE RESTAURANT. JIMMY IS DRIVING BY AND
  2072. SEES VIC’S CAR, AND THE BOY KEEPING AN EYE ON IT. HE PULLS
  2073. OVER AND GETS OUT TO TALK TO THE BOY. HE KNOWS HIM.
  2074. JIMMY
  2075. Angel, come here.
  2076. ANGEL LOOKS UP.
  2077. JIMMY
  2078. Is Vic inside?
  2079. ANGEL NODS "YES".
  2080. JIMMY
  2081. How’s your mother?
  2082. ANGEL
  2083. She’s okay. She’s off the crack
  2084. now. So yeah.
  2085. JIMMY
  2086. Good, Good. Angel tell me, who
  2087. else is in the restaurant?
  2088. ANGEL
  2089. About 4 or 5 guys.
  2090. JIMMY
  2091. Four or five
  2092. guys? Yea. Okay. Here, take this
  2093. money and go home now.
  2094. ANGEL
  2095. I got paid already to stay here.
  2096. JIMMY
  2097. Okay, you want to be funny? Here,
  2098. take this.
  2099. HE GIVES ANGEL A LITTLE MORE MONEY.
  2100. (CONTINUED)
  2101.  
  2102. CONTINUED:
  2103. 57.
  2104. Now get!
  2105. ANGEL RIDES OFF.
  2106. 107 SCENE 107 - INT. THE QUARTER NOTE BAR
  2107. CUT TO 107
  2108. JIMMY
  2109. BACK INSIDE THE RESTAURANT. THERE IS A STAND OFF BETWEEN
  2110. VIC AND CAESAR, CHUY, MURDA MAN AND RAMONE AND VIC’S TWO
  2111. GUYS.
  2112. CHUY HAS HIS HAND ON HIS PIECE. VIC IS DRAWN DOWN UNDER THE
  2113. TABLE; RAMONE IS ALSO READY UNDER THE TABLE.
  2114. MURDA MAN IS CONTEMPLATING WHO HE SHOULD POP FIRST-RAMONE OR
  2115. CAESAR. VIC’S TWO GUYS ARE IN THE BACK WATCHING ALSO READY
  2116. TO SHOOT.
  2117. JUST THEN, JIMMY WALKS IN THE RESTAURANT.
  2118. (SHOT OF EVERYONE SEEING JIMMY WALK IN)
  2119. WHEN RAMONE SEES JIMMY HE GRABS THE DOPE OFF THE TABLE FAST
  2120. AND MAKES A MOVE TO LEAVE.
  2121. WHEN HE RISES UP CHUY POINTS HIS GUN AT HIM.
  2122. THEN VIC STANDS UP AND POINTS HER GUN AT CHUY. CAESAR PULLS
  2123. HIS GUN OUT HIS COAT AND POINTS IT AT VIC.
  2124. THEN RAMONE PULLS THE GUN VIC JUST GAVE HIM ON CAESAR.
  2125. AT THE FRONT OF THE RESTAURANT, JIMMY SEES ALL THAT IS
  2126. HAPPENING AND NOTICES MURDA MAN IS IN FRONT WITH HIM.
  2127. THE TWO OF THEM QUICKLY PULL THEIR GUNS ON EACH OTHER.
  2128. MURDA MAN THEN PUTS HIS FINGER TO HIS MOUTH IN A HUSH MOTION
  2129. AND CREEPS OUT THE RESTAURANT BACKWARDS. JIMMY DOESN’T FIRE
  2130. OR SAY ANYTHING. HE JUST LET’S HIM GO.
  2131. 108 SCENE 108 - INT. THE QUARTER NOTE BAR 108
  2132. EVERYONE’S GUN IS DRAWN WHEN RAMONE MAKES A MOVE TO GET
  2133. OUT. JUST AS HE RUNS BEHIND A BAR IN THE RESTAURANT.
  2134. CHUY FIRES TOWARDS RAMONE BUT MISSES. BUT AS HE FIRES VIC
  2135. ALSO FIRES AND SHOOTS CHUY AND HE FALLS DEAD.
  2136. CAESAR DICKCS BEHIND A TABLE AND FIRES AT VIC BUT MISSES.
  2137. (CONTINUED)
  2138.  
  2139. CONTINUED: 58.
  2140. VIC’S TWO GUYS START FIRING AT CAESAR AS HE DUCKS. CAESAR
  2141. FIRES BACK AT THEM. HE SHOOTS THEM BOTH.
  2142. WHEN JIMMY SEES VIC IN DANGER, HE COMES IN FIRING ON
  2143. CAESAR. HE TURNS AROUND AND STARTS FIRING AT JIMMY.
  2144. JUST THEN, VIC MOVES TOWARDS THE DOOR. WHEN CAESAR SEES HER
  2145. AND FIRES AND SHOOTS HER. (SHE’S NOT DEAD).
  2146. JIMMY SCREAMS OUT "NOOOooo" THEN RUNS IN AND SHOOTS CAESAR IN THE SHOULDER. HE IS DOWN BUT STILL HAS HIS GUN.
  2147. THEN RAMONE MAKES A BREAK FOR THE DOOR.
  2148. JIMMY
  2149. Ramone, don’t do it. You’re coming
  2150. with me.
  2151. BUT RAMONE DOESN’T LISTEN AND RUNS OUT OF THE
  2152. RESTAURANT. YOU HEAR SIRENS IN THE BACKGROUND.
  2153. JIMMY WALKS OVER TO CAESAR HOLDING HIS GUN ON HIM.
  2154. JIMMY
  2155. Drop your gun. It’s over.
  2156. CAESAR
  2157. Fuck you!
  2158. 109 SCENE 109 - EXT. THE QUARTER NOTE BAR 109
  2159. RAMONE COMES OUT THE RESTAURANT WALKING FAST. MURDA MAN IS
  2160. IN HIS CAR. WHEN HE SEES RAMONE, HE STARTS HIS
  2161. ENGINE. RAMONE DOESN’T SEE HIM AND STILL DOESN’T KNOW HE’S
  2162. TRYING TO KILL HIM. RAMONE GETS IN A CAB AND MURDA MAN
  2163. FOLLOWS THEM.
  2164. 110 SCENE 110 - INT. THE QUARTER NOTE BAR 110 (BACK TO THE RESTAURANT) JIMMY TALKING TO CAESAR.
  2165. JIMMY
  2166. No, fuck YOU!!!
  2167. HE LOOKS TOWARDS VIC.
  2168. JIMMY
  2169. This is not your day.
  2170. (CONTINUED)
  2171.  
  2172. CONTINUED:
  2173. 59.
  2174. CAESAR
  2175. Shoot me. Go ahead and shoot me,
  2176. you fuckin’ dick.
  2177. YOU HEAR THE SIRENS GETTING CLOSER.
  2178. JIMMY COCKS HIS GUN AS IF HE’S GONNA SHOOT.
  2179. HE LOOKS AT VIC AGAIN ACTING CRAZY.
  2180. CAESAR
  2181. You ain’t gonna shoot, you fucking
  2182. coward.
  2183. CAESAR DROPS HIS GUN AND DARES HIM AGAIN.
  2184. CAESAR
  2185. Here, you want me? Here I am.
  2186. (HOLDING HIS HANDS OUT)
  2187. 111 SCENE 111 - INT. THE QUARTER NOTE BAR
  2188. JIMMY IS STANDING OVER HIM ABOUT TO FIRE WHEN THE POLICE
  2189. COME IN. IT’S NOAH AND TWO OTHER OFFICERS.
  2190. NOAH
  2191. Jimmy, we got it. Lower your gun.
  2192. 111
  2193. JIMMY LOOKS OVER AT NOAH AND PAUSES FOR A SECOND, BUT THEN
  2194. LOWERS HIS GUN AND WALKS OVER TO VIC. HE TAKES HER PULSE.
  2195. SHE’S ALIVE.
  2196. HE BRUSHES THE HAIR OUT OF HER FACE.
  2197. NOAH WALKS OVER TO JIMMY.
  2198. NOAH
  2199. What happened here?
  2200. JIMMY
  2201. (STANDNG BACK UP NOW). When I
  2202. came in that guy had a gun,
  2203. and everybody else was already
  2204. down. (LYING TO SAVE RAMONE)
  2205. NOAH
  2206. (TALKING TO CAESAR) Oh it’s
  2207. you. I’ve been waiting for
  2208. this one. Your ass is going
  2209. down.
  2210.  
  2211. 112 SCENE 112 - EXT. THE QUARTER NOTE BAR 112 SHOT OF JIMMY’S FACE IN AGREEMENT.
  2212. CAESAR
  2213. Mother Fucker.
  2214. (AS HE GETS CUFFED).
  2215. 113 SCENE 113 - EXT./INT. RAMONE IN CAB 113
  2216. RAMONE IS IN THE CAB. HE LOOKS IN THE FRONT AND SEES THE
  2217. DRIVER IS JUST DRIVING, MINDING HIS BUSINESS. HE THEN PULLS
  2218. OUT THE COKE VIC GAVE HIM AND STARTS TO SNORT A LINE. THEN
  2219. YOU SEE HIM CHANGE HE CAN’T HANDLE HIS DRUGS.
  2220. HE STARTS SWEATING AND GETS FIDGETY.
  2221. THE CAB PULLS UP IN FRONT OF JESSICA’S HOUSE AND RAMONE GETS
  2222. OUT.
  2223. 114 SCENE 114 - EXT. JESSICA’S HOUSE 114
  2224. RAMONE KNOCKS ON THE DOOR AND JESSICA ANSWERS. SHE HAS HER
  2225. BODY WEIGHT UP AGAINST THE DOOR AND HER HEAD STICKING
  2226. OUT. SHE SEES RAMONE IS TRIPPING AND DOESN’T WANT TO LET
  2227. HIM IN.
  2228. RAMONE
  2229. Open the door Jess!
  2230. JESSICA
  2231. No, Ramone you’re high again.
  2232. RAMONE
  2233. Open the fucking door Jessica. I’m
  2234. not playing.
  2235. JESSICA
  2236. No, Ramone. Come back later.
  2237. JUST THEN, MURDA MAN PULLS UP ACROSS THE STREET.
  2238. JESSICA SEES THE CAR BUT DOESN’T TRIP.
  2239. RAMONE
  2240. What bitch? You’re tripping!
  2241. RAMONE BUST THROUGH THE DOOR MAKING JESSICA FALL TO THE
  2242. FLOOR. RAMONE GOES IN THE BATHROOM AND CLOSES THE DOOR.
  2243. 60.
  2244. (CONTINUED)
  2245.  
  2246. CONTINUED: 61.
  2247. JESSICA GETS UP AND GOES TO THE BATHROOM DOOR. SHE BANGS ON
  2248. THE DOOR AND TRIES TO GET HIM OUT.
  2249. JESSICA
  2250. Ramone, Ramone, bring your ass out.
  2251. JESSICA IS BANGING AND KICKING THE DOOR.
  2252. (NO ANSWER)
  2253. 115 SCENE 115 - INT. JESSICA’S HOUSE 115
  2254. INSIDE THE BATHROOM RAMONE PUTS THE GUN, MONEY, AND DOPE ON
  2255. THE COUNTER. HE LOOKS IN THE MIRROR AND SEES HOW FUCKED UP
  2256. HE LOOKS.
  2257. HE PUTS SOME WATER ON HIS FACE AND LOOKS IN THE MIRROR
  2258. AGAIN. HE DRIES HIS FACE, THEN GOES TO THE TABLE WITH THE
  2259. DRUGS. HE TAKES A SNORT OF COKE, THEN STARTS GETTING
  2260. PARANOID.
  2261. CUT TO
  2262. 116 SCENE 116 - INT. JESSICA’S HOUSE 116
  2263. JESSICA OUTSIDE THE DOOR. SHE HAS THE PHONE IN HER
  2264. HAND. SHE CALLS JIMMY.
  2265. JIMMY
  2266. (PHONE VOICE) Hello?
  2267. JESSICA
  2268. Jimmy, please come over right
  2269. now. Ramone is here. He’s high,
  2270. and he’s in the bathroom and won’t
  2271. come out.
  2272. JIMMY
  2273. (PHONE VOICE) I’ll be right
  2274. there.
  2275. 117 SCENE 117
  2276. JIMMY IS IN HIS OFFICE AT HIS DESK WHEN NOAH WALKS IN. JIMMY HANGS UP THE PHONE.
  2277. NOAH
  2278. So Jimmy, any new leads on the
  2279. recent murders? And do they have
  2280. (MORE)
  2281. - INT. JIMMY’S OFFICE 117
  2282. (CONTINUED)
  2283.  
  2284. CONTINUED:
  2285. 62.
  2286. NOAH (cont’d)
  2287. anything to do with today’s
  2288. showdown?
  2289. JIMMY
  2290. AS a matter-of-fact, they
  2291. do. (JIMMY HAS A SLY
  2292. EXPRESSION). Your boy Caesar had
  2293. the block sowed up and tried to
  2294. eliminate any competition. What we
  2295. saw today is the result of greed
  2296. gone bad. I’m still working out
  2297. the details, but I’ll have a full
  2298. report on your desk in the morning.
  2299. NOAH IS LISTENING, BUT HE HAS A LOOK ON HIS FACE LIKE HE’S
  2300. NOT BUYING IT.
  2301. NOAH
  2302. Now, what about Ramone?
  2303. JIMMY GETS UP AND COMES AROUND THE TABLE, AND HE PUTS HIS
  2304. HAD ON NOAH’S SHOULDER.
  2305. JIMMY
  2306. I’m still looking for him to bring
  2307. him in.
  2308. NOAH
  2309. I know Ramone has something to do
  2310. with all this.
  2311. JIMMY
  2312. Come on, Noah. Don’t bust my
  2313. balls. I know as much as you do.
  2314. NOAH
  2315. Okay. Jut have your report ready,
  2316. and make it right. Got it? Oh and
  2317. one more thing- any news back on
  2318. the ballistics? Does Caesar’s gun
  2319. match any of the other crime
  2320. scenes?
  2321. JIMMY
  2322. No word yet. I’ll call you when
  2323. they call me.
  2324. NOAH WALKS OUT THE ROOM AND JIMMY LOOKS AT HIS WATCH. HE IS
  2325. ON HIS WAY TO JESSICA’S HOUSE TO SEE ABOUT RAMONE.
  2326.  
  2327. 118 SCENE 118 - EXT. JESSICA’S HOUSE/STREET 118
  2328. MURDA MAN IS SITTING OUTSIDE OF JESSICA’S HOUSE, WATCHING
  2329. FOR RAMONE. HE SEES A FIGURE GO BY THE WINDOW AND HE COCKS
  2330. HIS GUN AND GETS OUT OF THE CAR.
  2331. 119 SCENE 119 - INT. JESSICA’S HOUSE 119
  2332. INSIDE JESSICA’S HOUSE, RAMONE COMES OUT OF THE
  2333. BATHROOM. HE IS HIGH AND GOES TOWARDS JESSICA AND TRIES TO
  2334. MAKE OUT.
  2335. RAMONE
  2336. Come here, baby.
  2337. JESSICA
  2338. No, Ramone. What the hell are you
  2339. doing? You’re high. Stop!! You said
  2340. you weren’t going to use
  2341. anymore. Get off me!
  2342. RAMONE
  2343. Come here, now! (PAUSE) Stop
  2344. talking shit and come and get some
  2345. of this loving.
  2346. RAMONE RUNS OVER AND GRABS JESS BY THE ARM. HE THROWS HER
  2347. ON THE COUCH AND TRIES TO HAVE IS WAY WITH HER. SHE IS
  2348. KICKING AND SCREAMING, TRYING TO GET HIM OFF OF HER.
  2349. JESSICA
  2350. Stop it, Ramone. Please stop!
  2351. JUST THEN, THE DOOR GETS KICKED IN. IT’S MURDA MAN. RAMONE
  2352. GRABS JESSICA AND ROLLS DOWN ON THE FLOOR. HE PULLS OUT HIS
  2353. GUN AND MOTIONS FOR JESSICA TO STAY DOWN.
  2354. MURDA MAN HAS HIS GUN COCKED AND READY. HE SEES MOVEMENT
  2355. AND HE FIRES. (JESSICA SCREAMS).
  2356. RAMONE FIRES BACK AND MISSES. HE MOTIONS FOR JESSICA TO
  2357. STAY PUT WHILE HE MOVES AROUND FOR A CLOSER SHOT. HE FIRES
  2358. A SHOT TOWARDS MURDA MAN AND IT COMES CLOSE, BUT MISSES.
  2359. JESSICA IS ON THE FLOOR. SHE STARTS CRAWLING AROUND, TRYING
  2360. TO GET SOMEWHERE. SHE DOESN’T HEAR ANYTHING SO SHE STICKS
  2361. HER HEAD UP TO LOOK AROUND. JUST AS SHE STICKS HER HEAD UP,
  2362. MURDA MAN FIRES A SHOT AND HITS HER RIGHT BETWEEN THE EYES.
  2363. (SHOT OF JESSICA SHOT IN THE HEAD).
  2364. NOTE: MAY NOT HAVE HER GET SHOT IN THE HEAD OR EVEN DIE
  2365. 63.
  2366. (CONTINUED)
  2367.  
  2368. CONTINUED: 64.
  2369. RAMONE SEES JESSICA GET SHOT AND GOES CRAZY FIRING TOWARDS
  2370. MURDA MAN. SCREAMING.
  2371. (SLOW MOTION)
  2372. RAMONE
  2373. Nooooooooo!
  2374. MURDA MAN RUNS OUT OF THE HOUSE TO DODGE THE GUN
  2375. FIRE. RAMONE FOLLOWS AFTER HIM.
  2376. 120 SCENE 120 - INT. POLICE STATION EVIDENCE ROOM 120
  2377. JIMMY IS AT THE EVIDENCE DESK AT THE PRECINCT. HE ASKS THE
  2378. CLERK FOR AN EVIDENCE NUMBER.
  2379. JIMMY
  2380. Evidence number 63325, please.
  2381. SHE COMES OUT WITH A BAG WITH A GUN IN IT. JIMMY SIGNS THE
  2382. BAG OUT, THEN GOES TO THE SIDE WITH IT. HE SWITCHES A GUN,
  2383. THEN GIVES THE BAG BACK TO THE LADY CLERK.
  2384. JIMMY
  2385. Hey Mary, take this back. I’ll
  2386. work this case later.
  2387. THE CLERK TAKES THE PACKAGE, BUT NOT WITHOUT LOOKING AT
  2388. JIMMY FUNNY. THEN JIMMY LEAVES.
  2389. 121 SCENE 121 - EXT. OUTSIDE ALLEY - NIGHT 121
  2390. MURDA MAN IS BEHIND A CAR IN AN ALLEY. HE IS BEING CHASED
  2391. BY RAMONE. THEY ARE EXCHANGING GUNFIRE FROM BEHIND
  2392. CARS. RAMONE SPEAKS UP.
  2393. RAMONE
  2394. Who the fuck are you? And what do
  2395. you want?
  2396. MURDA MAN
  2397. This is Murda Man, and I want your
  2398. ass, bitch.
  2399. RAMONE SITS BACK ON THE CAR AND SQUATS DOWN. HE IS
  2400. THINKING. THE NAME ’MURDA MAN’ SOUNDS FAMILIAR.
  2401. RAMONE
  2402. Murda Man, Murda Man, Murda Man
  2403. (THINKING OUT LOUD).
  2404. (CONTINUED)
  2405.  
  2406. CONTINUED: 65.
  2407. RAMONE FINALLY REMEMBERS WHERE HE KNOWS THAT NAME FROM. HE
  2408. JUMPS UP AND YELLS "MURDA MAN". A SHOT RINGS BY HIS HEAD
  2409. AND HE DUCKS AGAIN.
  2410. MURDA MAN
  2411. Bring your ass out and we can
  2412. handle this like men.
  2413. THE TWO OF THEM SLOWLY RISE WITH THEIR GUNS RAISED.
  2414. RAMONE
  2415. You don’t remember me, huh? From
  2416. the pen, they called me Rone.
  2417. MURDA MAN TAKES ANOTHER LOOK AT HIM.
  2418. MURDA MAN
  2419. Rone, Paco’s boy from inside.
  2420. RAMONE
  2421. Yea, you remember? I shanked that
  2422. boy for your boss over that drug
  2423. deal gone bad.
  2424. THE TWO OF THEM COME AROUND THE CARS AND HOLD THEIR GUNS OUT
  2425. AT EACH OTHER.
  2426. MURDA MAN
  2427. That was you who did that hit?
  2428. RAMONE
  2429. Yea, and your boss said he owed me
  2430. a favor, even though I was just at
  2431. the right place at the wrong time.
  2432. MURDA MAN
  2433. So what? I’m supposed to let you
  2434. use that favor now on the streets?
  2435. RAMONE
  2436. Well, you know how the game goes
  2437. with Murphy’s Law and all. You do
  2438. me, the next thing you know,
  2439. someone’s out to do you.
  2440. MURDA MAN
  2441. Is that right?
  2442. MURDA MAN IS LOOKING AT RAMONE, THINKING. THEN HE PUTS HIS
  2443. GUN BACK IN HIS PANTS. RAMONE LOWERS HIS GUN, BUT KEEPS IT
  2444. OUT.
  2445. (CONTINUED)
  2446.  
  2447. CONTINUED:
  2448. 66.
  2449. MURDA MAN
  2450. Ok, I’ll tell you what. I’ll give
  2451. you a pass, but you have to give me
  2452. a cut of your hustle. With Caesar
  2453. gone I’ll be taking over.
  2454. RAMONE IS STANDING THERE, HOLDING HIS GUN, LISTENING.
  2455. MURDA MAN
  2456. So we make a deal now, or I leave
  2457. your ass here with a hole in your
  2458. head. It’s a new game out here
  2459. now, and I’m the main player and
  2460. you’re...
  2461. RAMONE CUTS IN.
  2462. RAMONE
  2463. I’m the one who put this town on
  2464. the map.
  2465. MURDA MAN
  2466. I don’t know man. Looks like
  2467. you’re one of your best customers.
  2468. RAMONE IS STILL LOOKING HIGH. HE HAS A CRAZED LOOK AS HE
  2469. STANDS THERE.
  2470. RAMONE
  2471. Fuck you! You can have all of this
  2472. shit. You killed my girl. I
  2473. should dump you right now.
  2474. RAMONE PULLS HIS GUN BACK UP. MURDA MAN DOESN’T FLINCH, HE
  2475. JUST TURNS AROUND AND WALKS TO HIS CAR.
  2476. RAMONE
  2477. Mother Fucker, come back here.
  2478. RAMONE DOESN’T MOVE AND MURDA MAN KEEPS GOING.
  2479. CLOSE UP OF MURDA MAN.
  2480. RAMONE
  2481. You asshole.
  2482. RAMONE SHOOTS BY HIS FEET. MURDA MAN TURNS AROUND AND
  2483. LIGHTS A CIG, THEN SAYS...
  2484. MURDA MAN
  2485. I’ll be seeing you.
  2486. AND HE WALKS ACROSS THE STREET.
  2487.  
  2488. 122 SCENE 122 - EXT. EVENING ALLEY WAY - EVENING 122
  2489. MURDA MAN WALKS OUT OF THE ALLEY INTO THE STREET. HE TAKES
  2490. A PULL ON HIS CIG AND BLOWS OUT THE SMOKE.
  2491. SHOT OF THE SMOKE GOING INTO THE AIR.
  2492. ALL IS QUIET. IT’S NIGHT TIME.
  2493. CARS HEADLIGHTS SUDDENLY COME ON AND THE CAR SPEEDS TOWARDS
  2494. MURDA MAN.
  2495. THE CAR HITS AND KILLS HIM.
  2496. SHOT OF MURDA MAN LAID OUT ON THE STREET.
  2497. 123 SCENE 123 - (BLOODY SCENE) EXT. EVE. STREET 123
  2498. THE MYSTERY CAR COMES TO A HALT. THE WINDOW COMES DOWN AND
  2499. TRACI STICKS HER HEAD OUT OF THE WINDOW AND SAYS...
  2500. TRACI
  2501. Yea, asshole. You won’t be hitting
  2502. me no more.
  2503. THEN SHE SPITS OUT THE WINDOW.
  2504. THE WINDOW GOES UP AND THE CAR DRIVES OFF.
  2505. 124 SCENE 124 - INT. JESSICA’S HOUSE 124
  2506. SHOT OF JESSICA WITH THE BULLET HOLE IN HER HEAD. A SHEET
  2507. GETS PULLED OVER HER HEAD.
  2508. THE CORONER IS COVERING HER.
  2509. 125 SCENE 125 - EX. EVE. JESSICA’S HOUSE 125
  2510. JIMMY PULLS UP IN FRONT OF JESSICA’S HOUSE. A POLICE CAR IS
  2511. OUT FRONT.
  2512. HE GOES TO RUN IN, BUT NOAH STOPS HIM OUTSIDE. JIMMY IS
  2513. TRYING TO PUSH PAST HIM- HE KNOWS THERE IS BAD NEWS INSIDE.
  2514. JIMMY
  2515. Let me go, Noah. Dammit. Let me
  2516. go. I want to see Jess!
  2517. 67.
  2518. (CONTINUED)
  2519.  
  2520. CONTINUED:
  2521. 68.
  2522. NOAH
  2523. She’s gone, Jimmy. There’s nothing
  2524. to see. She’s gone.
  2525. JIMMY IS STILL PUSHING TO GET BY. NOAH FINALLY PUSHES HIM
  2526. WAY BACK AND JIMMY STOPS AND LOOKS AT HIM AND STARTS
  2527. CRYING. (MALE CRY, WITHHELD). THEN HE MAKES A FACE LIKE
  2528. HE’S THINKING, AND HE RUNS TO HIS CAR AND DRIVES OFF.
  2529. NOAH IS CALLING TO HIM.
  2530. NOAH
  2531. Jimmy, where are you going?
  2532. JIMMY
  2533. Don’t worry about it. Just take
  2534. care of Jess.
  2535. Note: Again possibly Jess is not dead. Maybe just shot.
  2536. 126 SCENE 126 - EXT. JIMMY DRIVING CAR 126
  2537. JIMMY IS DRIVING AROUND, LOOKING FOR RAMONE. HE IS DRIVING
  2538. BY THE USUAL HANG OUT SPOTS. (HARD RAP MUSIC IS PLAYING).
  2539. JIMMY SPOTS RAMONE WALKING DOWN THE STREET MOVING FAST. HE
  2540. STOPS THE CAR AND GETS OUT.
  2541. HE STARTS RUNNING, GETTING CLOSE TO RAMONE, BEFORE HE
  2542. SCREAMS OUT...
  2543. JIMMY
  2544. Ramone. Ramone.
  2545. RAMONE SEES JIMMY AND STARTS RUNNING. THEY RUN FOR 2 OR 3
  2546. BLOCKS BEFORE RAMONE RUNS INTO AN OLD BUILDING.
  2547. 127 SCENE 127 - INT. WAREHOUSE STAIRS 127
  2548. RAMONE IS WALKING UP SOME STAIRS IN AN OLD BUILDING. HE IS
  2549. TRYING NOT TO MAKE NOISE.
  2550. 128 SCENE 128 - INT. WAREHOUSE STAIRS 128
  2551. JIMMY IS WALKING UP THE SAME STAIRS RIGHT BEHIND
  2552. RAMONE. JIMMY HAS HIS GUN OUT IN FRONT OF HIM.
  2553.  
  2554. 129 SCENE 129 - INT. WAREHOUSE 129
  2555. RAMONE GOES THROUGH A DOOR AND CLOSES IT, FEELING SAFE. HE
  2556. PULLS OUT HIS GUN AND SOME COKE. HE PUTS IT ON THE TABLE IN
  2557. THE ROOM AND TAKES A SNORT OF COKE. HE HAS A LOOK LIKE HE’S
  2558. TWEAKING, THEN HE HEARS JIMMY CALLING HIM.
  2559. JIMMY
  2560. Ramone, I know you’re in here. Now
  2561. bring your ass out so we can talk.
  2562. RAMONE QUICKLY PUTS THE COKE UP AND PICKS UP HIS GUN, AND
  2563. RUNS OUT OF THE ROOM. AS HE MOVES DOWN THE HALL, HE TURNS
  2564. THE CORNER AND BUMPS INTO JIMMY. THEY BOTH TURN AROUND AND
  2565. PULL THEIR GUNS OUT ON EACH OTHER. THEY BOTH SEEM TO BE
  2566. CRYING (MANLY). RAMONE AND JIMMY TALK.
  2567. RAMONE
  2568. I didn’t do it, Jimmy. It wasn’t
  2569. me. It was an accident.
  2570. JIMMY
  2571. I don’t give a fuck. I told you
  2572. not to let anything happen to my
  2573. sister again.
  2574. RAMONE
  2575. I loved Jess and you know it. I
  2576. would never hurt her.
  2577. JIMMY
  2578. Shut the fuck up! (CRYING TEARS)
  2579. RAMONE
  2580. Take me in, Jimmy. (LAYING DOWN
  2581. HIS GUN). It wasn’t me, but I know
  2582. who it was.
  2583. JIMMY
  2584. Shut the fuck up. You think
  2585. everybody’s supposed to go down
  2586. because of your downfalls? You’re
  2587. a fuck up and you have to go.
  2588. RAMONE IS BENT OVER, PUTTING HIS GUN ON THE FLOOR.
  2589. THERE IS A PAUSE. EXCHANGE IN GLANCES.
  2590. JIMMY LOWERS HIS GUN.
  2591. (SLOW MOTION).
  2592. JIMMY SHOOTS HIM IN THE SIDE OF THE HEAD.
  2593. 69.
  2594. (CONTINUED)
  2595.  
  2596. CONTINUED: 70.
  2597. BLOOD ON THE WALLS. SPLATTERED. BRAIN MATTER.
  2598. ALL IS SILENT. YOU SEE THE BODY LAYING ON THE FLOOR AND
  2599. JIMMY STANDING THERE, HOLDING HIS GUN OUT. THEN JIMMY
  2600. SCREAMS OUT...
  2601. JIMMY
  2602. Ahhhhhhhh!
  2603. 130 SCENE 130 - MONTAGE EXT. JIMMY DRIVING 130 MONTAGE NIGHT SCENE DRIVING, CITY, EXT. JIMMY DRINKING.
  2604. 131 SCENE 131 - INT. JIMMY’S OFFICE, NEXT MORNING 131
  2605. SHOT OF A HAND OPENING A DOOR. IT’S JIMMY ENTERING HIS
  2606. OFFICE. WHEN HE WALKS IN, NOAH IS SITTING AT HIS DESK WITH
  2607. JIMMY HUNG OVER.
  2608. NOAH
  2609. Come on in and have a seat.
  2610. JIMMY
  2611. What’s up? (AS HE TAKES A SEAT).
  2612. NOAH
  2613. I’ve been watching you for a
  2614. while. I know you grew up here. I
  2615. thought you were gonna make a
  2616. difference around here.
  2617. JIMMY
  2618. Look Noah, what’s this about?
  2619. NOAH
  2620. Well, it’s like this. I know you
  2621. had something to do with that hit 3
  2622. years ago on that out-of-town
  2623. deal. I also know that you’re
  2624. close friends with Vic Ramirez. I
  2625. know your sister’s boyfriend is on
  2626. dope and in violation of parole,
  2627. and I know you know where he
  2628. is. And unless you’re willing to
  2629. give him over and give me some
  2630. other information, I need you to
  2631. wrap this town up. You’re going
  2632. down Jimmy.
  2633. (CONTINUED)
  2634.  
  2635. CONTINUED:
  2636. 71.
  2637. JIMMY
  2638. Wow. That’s pretty heavy. I never
  2639. tried to get in the middle of any
  2640. of this shit, and now Jess is
  2641. dead...What are my choices?
  2642. NOAH
  2643. I don’t know how any of this shit
  2644. connects, and frankly I don’t give
  2645. a damn. But I do know that you’re
  2646. one of the last players in the game
  2647. except for Ramone.
  2648. JIMMY
  2649. You don’t have to worry about him
  2650. anymore. He’s dead.
  2651. NOAH
  2652. Yea? Okay. Well I’m not even gonna
  2653. ask and question. But you are
  2654. fired, and are going to have to
  2655. resign and leave town or face this
  2656. shit as it comes in.
  2657. JIMMY LOOKS UP AT NOAH.
  2658. THEY LOOK BACK AT EACH OTHER.
  2659. NOAH
  2660. I’ll need your gun and your badge
  2661. Jim.
  2662. JIMMY PUTS HIS FACE IN HIS HANDS AND TAKES A DEEP
  2663. BREATH. THEN HE STANDS UP AND PUTS HIS GUN AND BADGE ON THE
  2664. TABLE.
  2665. SHOT OF THE GUN AND BADGE ON THE TABLE.
  2666. FADE TO BLACK.
  2667. THEN THE SCREEN GOES BLANK, AND THE WORDS KING STREET APPEARS ON THE SCREEN.
  2668. FINAL CUT.
  2669. FADE IN.
  2670.  
  2671. 132 SCENE 132 - INT./EXT. INSIDE CAR OUTSIDE STREETS 132
  2672. JIMMY IS DRIVING HIS CAR DOWN THE BLVD. YOU HEAR SIRENS,
  2673. THEN SEE LIGHTS FLASH IN THROUGH THE RAINY BACK WINDOW.
  2674. ROLL CREDITS
  2675. THEME SONG
  2676. THE END
  2677. FADE TO BLACK
  2678. 72.
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