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OneTripPony

One - UnusualSuspects

May 19th, 2012
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  1. > The train rattled out of the station, the cloying stench of stale smoke and staccato rhythm luring me into sleep.
  2. > It'd be easy as pie to drift off right there.
  3. > The smells, the dull yellow light flashing in the windows, the faint rumbling.
  4. > It's like a mickey finn mixed for your soul.
  5. > "...are you even going to read the files?"
  6. > Sparks, sitting opposite in the cabin and reading by the light of her horn.
  7. > The cabin lights don't work.
  8. > That's why I picked this one.
  9. > My hat is pulled down over my eyes, shielding them mainly from the withering look she's no doubt aiming my way.
  10. > If her looks could kill, I'd have taken a dirtnap a long time back.
  11. "It's a long journey, sweetheart. I've had a longer day. Kick back while you can, there'll be plenty to do soon."
  12. > Hearing her frustrated sigh escape cracks a smile on my face.
  13. > That's what I was aiming for.
  14. > She's so straightlaced, can't help but ruffle her up for kicks.
  15. "Fine, fine..."...
  16. > ...I play the defeated party and pull myself up to a sitting position, lean an elbow on the table and start the self pat down.
  17. > There we go.
  18. > Top right pocket, a crumpled packet of mareboroughs.
  19. > Never leave home without them.
  20. > I play out looking for a light, until Sparks looks annoyed enough to cause it to burst into flames on it's own.
  21.  
  22. > With a little true reluctance making the con all the more real, I sigh and tuck them away.
  23. > "...thankyou." She say's and her eyes return to dance over the contents of the manilla file.
  24. > I pick up one of the files and thumb through it.
  25. > The words flow into one another.
  26. > Can't focus.
  27. > My mind is still back in that alleyway.
  28. > Pushing the pieces around, seeing what shape it makes.
  29. > None of them are pretty.
  30. > All keeps coming back to Scoots.
  31. > Scoots and the man that shouted for help.
  32. "Sparks. I'm gonna need to talk to Smiles again."
  33. > She hates doing this.
  34. > Ready for a plee bargain in three... two...
  35. > "Anon. You already told him everything he needs. We have work to do. Seeing as you have your eyes closed, ONE of us better keep at it."
  36. > She's lowered the file onto the little, burn marked, java stained table that wobbles with each movement of the train.
  37. > Lights from a passed building trace across her face, highlighting those hard purple eyes.
  38. "Get him on the horn."
  39.  
  40. > I hold the handset and stand there waiting.
  41. > Twilight is sitting there, forelegs folded across her chest and pouting.
  42. > The train inspector is doing a damn poor job of not laughing his ass off checks our stubs.
  43. > "This is humiliating."
  44. "Grin and bear it, dollface."
  45. > The handset looks like your common mike stand, but handheld.
  46. > A wire halo surrounds the part you speak into.
  47. > From the bottom a copper wire runs, trails across the table and coils around the horn of a pissed off unicorn.
  48. > The unicorn doesn't have to be sulking.
  49. > I just think it helps lighten the mood.
  50. > Twilight's eyes glow a bright purple and then, with a deeper voice she says...
  51. > ..."...I g-t it, thanks. Hey. Anon. This thing on?" It's Smiles voice she's speaking with.
  52. > Magic's a wonderful thing.
  53. "It's on Smiles. Listen. I need you to try something. I know were trying to place the male voice right now, but I want you to follow up with Scoots."
  54. > "...Why?" Straight to the point, our Smiles.
  55. "A hunch. She was there, Smiles. She tapped down the doe. I want to know what she saw."
  56. > "That's going to be tricky."
  57. "She's the only solid lead. Let the labcoats trace the doe. 'Till then, try to find Scoots."
  58. > "Didn't say I wasn't gonna do it."
  59. "Good p0ny. I'll fetch you back a carrot."
  60. > "Buck you, monkeyman."
  61.  
  62. > Twilight shivers a little as you uncoil the wire, wrap it around the speaking wand and tuck it in your coat pocket.
  63. > "...I hate doing that." She whispers, her voice still deeper than usual.
  64. "Part of the job, Sparks."...
  65. > ...I say as I put a steadying hand on her shoulder and place my hipflask infront of her.
  66. > A purple glow unscrews the top and it shakily hovers up to her mouth.
  67. > She takes a hit, wincing as the liqour works a magic of it's own.
  68. > The shakes leave her and pass on to me.
  69. > I settle back, take a slug myself to chase them off and whisper...
  70. "ew, p0ny spit."
  71. > ...just loud enough for Sparks to hear.
  72. > She smiles and starts to adjust her mane with hoof and horn.
  73. > Sparks keeps her hair up most days, in a severe bun.
  74. > Makes her look like a librarian, I tell her.
  75. > She kinda likes that about it.
  76. > I don't tell her I do too.
  77. > She unfurls her mane, and lets it hang low, allowing you to see fully that distinctive pink stripe you love so much.
  78. "Get some shut eye, doll. You need it."
  79. > Can take a lot out of them, transmitting.
  80. > "uh-humm." She almost purrs as she tucks her hind legs round and underneath her.
  81. > Her head slides slowly down until it rests on her folded forelegs, her eyes sliding closed shortly after.
  82.  
  83. > After ten minutes of holding a file and failing to read, I hear the first little snore.
  84. > I stand and drape my trusty coat over her.
  85. "G'night Twilight."
  86. > I don't get to call her that enough anymore.
  87. > If she was awake, she wouldn't let me.
  88. > The city falls behind us.
  89. > First we leave the towerblocks, proud and tall with lights shining defiance against the night.
  90. > Then the densely huddled suburbs, clustered close to the city as they can get.
  91. > They thin out further and further, like tendrils of light reaching out into the dark.
  92. > It's as if the city is reluctant to let us go, clinging on to the last moment...
  93. > I watch the city as the traintrack curves away.
  94. > The tendrils of light make her look like some great luminous jellyfish in an ocean of Black.
  95. > Beautiful.
  96. > It's only when you're too close to do anything about it, you notice the poison.
  97. > ...and then the last tendril of light is slipped and all we have is the dark.
  98. > Sleep follows soon.
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