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Daylily 3 Tulip crusader

Jun 6th, 2016
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  1. >You are Daylily the bat pony, and you have to ask yourself, is this real life, or Tartarus you’ve been thrown into?
  2. >Long story short, you took the job Midnight Delight offered you, and now you’re helping at the orphanage
  3. >It’s your fist night and it’s halfway through the night and you’re feeling like you are never, ever going to get kids of your own
  4. >One of them is doodling on your wing with a marker
  5. >Another one is pulling on your tail like he was a terrier puppy
  6. >Tulip is balancing on your head and making sure every other orphan knows that you’re hers
  7. >This, this is tiring
  8. >Suddenly you let out a yelp as one of the young colts slaps your behind
  9. >”Daybutt Daybutt Daybutt!”
  10. >You glare at him as she quickly turns around and takes flight, kekeke-ing as he flies away
  11. >but he also knocked over another young colt to the ground and he rubs his hoof like he hurt it
  12. >At least now you can do something that won’t make you feel like you’re being useless, you know exactly how to handle this
  13. >You shake off the other little batties and make your way to the hurt colt
  14. “Did you get hurt?”
  15. >He gives you big sad eyes and nods as his lip wobbles like he was about to shed a tear or two
  16. “Let big sis-“
  17. >You can hear Tulip protest about you calling yourself a common big sister rather than just her big sister
  18. “-kiss the pain away”
  19. >You give his hurt hoof a peck and then ruffle his mane, just like how your mom used to do to you when you were young
  20. “There, did it stop hurting?”
  21. >The blushing, wide eyed young colt slowly nods his head and you return to the rest of the demon seeds
  22. >While said colt shyly gets up while covering his crotch and scoots away silently
  23. >”Daylily stop calling yourself everypony’s big sis, you’re my big sis...”
  24. >You give the sulking Tulip a ruffle too
  25. “How could I forget, you practically live in my house already as it is...”
  26. >Things between you and Tulip are as they used to be, except these days she stays at your place more than at the orphanage, only coming in to play with her friends and to take lessons from Midnight Delight
  27. >Seems like she’s not only a matron of the orphanage but also serves as a school teacher of sorts so that if these little ponies get adopted they are not behind the other kids when joining them into a proper school
  28. >Tulip lets out a squee and then turns to brag about that fact to some other orphans
  29. >Suddenly you spin around and snatch up the young colt who slapped your behind earlier as he was sneaking up for a second strike
  30. “And what do you think you are doing?”
  31. >The colt gives you a goofy, toothy smile
  32. >”Touching butts!”
  33. “You know that’s a crime, I could arrest you for sexual harassment if I was a guard”
  34. >The young colt tilts his head
  35. >”What’s a sexual harassment?”
  36. “You are”
  37. >The colt suddenly seems really happy
  38. >”Yay I am a sexual harassment!”
  39. >You sigh and let go of the little pony, and he once again slaps your butt before flying away and excitedly yelling out that he’s a sexual harassment
  40. >Just then Midnight Delight walks in into the room
  41. >”How are you-“
  42. >The young colt suddenly changes course towards Midnight
  43. >”I AM A SEXUAL HARRASMENT, GIVE ME YOUR BUTT!”
  44. >Midnight Delight rolls his eyes and in a swift move grabs the little pony and places him firmly on the ground
  45. >”What have I said about touching the behinds of other ponies hmm?”
  46. >Suddenly the young colt gulps
  47. >”I mean delightful to see you Matron, pleasant night we are having.”
  48. >Midnight Delight’s brows furrow
  49. >”You haven’t been giving Daylily some of your inappropriate behavior have you?”
  50. >The young colt starts to sweat furiously
  51. >”N-no...”
  52. >Midnight looks at you next
  53. “He slapped my rump”
  54. >The young colt looks devastated as Midnight Delight starts to ask if he would want the same treatment to happen to him
  55. >Suddenly a small hoof pulls on your coat
  56. >It’s one of the orphan fillies, a very timid little filly with no cutie mark
  57. >”Umm...Tulip is being mean...”
  58. >Tulips suddenly zooms to hover around you
  59. >”No I’m not she’s lying!”
  60. >You turn your head and stare Tulip right in the eyes
  61. “Is she?”
  62. >Tulip’s ears flop down and she lands
  63. >”I’m sorry...”
  64. “Go and apologize properly”
  65. >”Yeah...”
  66. >Tulip seems a bit upset but offers an apology to the shy little filly and the two start to apologize back and forth as you sit down and rest against a wall
  67. >Midnight Delight comes and sits next to you
  68. >”That hard?”
  69. >You blush
  70. “I’m not good with kids”
  71. >Midnight Delight giggles
  72. >”I’ll let you in on a little secret, I felt the same way the day I started. Come, let’s round them up for dinner, they’re more docile after it and easier to manage”
  73. “I hope you’re right...”
  74. >Fast forward to after dinner, she was right, half of them are taking a nap and the rest are just lying around and reading or stuff as they digest their fruits
  75. >Which gives you and Midnight to take a breather in her office
  76. >”So, how are you holding up?”
  77. >You let out a weak laugh
  78. “Does it show on my face?”
  79. >Midnight Delight gives you an amused nod and you sigh
  80. “I don’t know if I’m any good at this”
  81. >Midnight Delight pats your shoulder
  82. >”Nonsense, the orphans like you and you’re holding up pretty well, you haven’t shouted your head off at one of them or been reduced to tears yet...wow you feel tense”
  83. “I feel tense too, I should do some stretching, or even get a massage”
  84. >”How about I scratch your back and you’ll scratch mine?”
  85. >You blush a little
  86. “Well...I mean if it’s not too much trouble and all...”
  87. >Midnight chuckles a little
  88. >”Come on, it’s not like we’re complete strangers to each other’s bodies”
  89. >She pulls you against herself, but ends up pulling herself against you instead of you against her because you’re stronger than she is
  90. >Stronger, not heavier, muscle weight a lot and it’s not because you have been eating a bit more sweets than when out on the road
  91. >...you kind of miss that life if you’re honest
  92. >The two of you get to doing some light stretching, helping each other to reach those hard to get positions, and you end up learning a few more poses than you did from Midnight Delight
  93. >She mentioned something about doing a hobby called yoga?
  94. >just as you have Midnight Delight lying on top of you, trying to get you to bend properly, the young blushy colt that you gave a kiss on the hoof to opens up the door
  95. >”Ms. Midnight Tulip...”
  96. >He pauses and stares at the two of you
  97. >”Do I...need to come back later or something?”
  98. >Midnight Delight climbs off of you and fixes up her bun
  99. >”Nonsense, now what is this about Tulip?”
  100. >You get up too, cracking this and that in the process
  101. >Whatever this yoga is you’re not sure if you’re a fan
  102. >”She uhh...kind of ran away”
  103. “What?”
  104. >The young colt hands apiece of paper to Midnight while you make your way to the two of them
  105. >She reads it over and groans
  106. >”Daylily, can you go and fetch her please? She got jealous of the other orphans and is throwing a hissy fit of sorts again”
  107. >You shake your head
  108. “Doesn’t that filly already get that I lov-care, about her”
  109. >Midnight Delight raises an eyebrow
  110. >”Ohhh? I happen to have a form for adoption here at hoof and-“
  111. “No I mean...I’ll just go and fetch her now bye!”
  112. >And you fly out of the little orphanage and scout your surroundings
  113. >Actually she might just be at your house once again so you fly there
  114. >But after checking it you didn’t find Tulip there so you started flying around in Hollow Shades, hoping you’d spot her
  115. >And as you did you caught a few ponies talking about seeing an upset looking filly matching Tulip’s description rushing towards the train station
  116. >She...wouldn’t be so stupid she’s actually board a train off to somewhere would she?
  117. >You change course towards the Hollow Shades train station and hope that it is so
  118.  
  119. >Hollow Shades train station, how to describe it? It’s your usual everyday small town train station
  120. >A few ponies here and there, a train getting ready to leave, vendors selling fresh mangoes and an assortment of other fruits and the few newspaper selling ponies yelling about the local headlines
  121. >”Extra, extra, local mare screes so hard she spooks herself, Banana stocks are plummeting down and...”
  122. >You look around and try to spot Tulip while remembering how she was supposed to be extremely good at hiding
  123. >But then you spot a tail you recognize from anywhere entering one of the trains
  124. “Tulip!”
  125. >Her head peeks out from the doorway to the cart and scrunches instantly as she notices you and pulls back in
  126. >You quickly rush in and look around but can’t find her anywhere
  127. >Great, she must have gone into another cart
  128. >You try to push onwards but there’s ponies all over the place, blocking you from moving on
  129. “Excuse me, coming through, sorry...”
  130. >You try to get past them but there’s elderly ponies taking their sweet time to get seated, foals, fillies and colts playing around all over the place and-
  131. >With your patience running short you simply lift up protesting ponies and place them randomly onto the seats while moving forward through the blockage
  132. >But just as you’re about to move onto the next cart you see Tulip walking into the opposite direction where you are going, outside of the train
  133. >And then the train whistles and starts to gain momentum as it departs
  134. “Wait!”
  135. >You quickly run to the door and just barely make it out, tripping in the process and falling flat on your face on the platform
  136. >With a few ponies pointing at you and laughing you make a mental note to slap Tulip’s tushy really hard when you catch her
  137. >Just by chance you glance at the train as it departs and find Tulip aboard it again and blowing a raspberry at you as the train leaves the station
  138. “Grrrr!”
  139. >You quickly hop back up and almost fly out after the train, but you’d never catch it
  140. >instead you look at the two train yard worker ponies with their little handcar
  141. >Maybe with that you could catch up enough to board the train, you quickly rush to the two stallions
  142. “Quick, my little sister boarded that train on accident, could you help me get on?”
  143. >You point at the train and the two stallions seem less than interested
  144. >”Yeah...I don’t think we should abandon our post for any reason”
  145. >”Yeah, sorry mam no can do”
  146. >You glance at the train again, it’s even farther away now and makes you panic a little
  147. “Please lend me the handcar, I’ll catch up to it by myself!”
  148. >They shake their heads
  149. >”No can do this here is our employer’s property, we can’t just loan it to any random pony”
  150. >Oh no if this keeps up any more longer it might be to late, is there anything you could barter with...no, you left your money at home and you have nothing on you to offer
  151. >But...these two are stallions and you’re a mare...
  152. >You blush and clear your throat nervously, you can’t believe you’re about to pull a card like this here
  153. “W-well if you two help me I might be able to make it worth your while and l-let you two...”
  154. >You trail off as you fiddle around uncomfortably and the two stallions lean closer, curious
  155. >Another blow of the whistle from the train lets you know just how little time you have left, no time to feel bashful!
  156. “I’ll let you two spit-roast me!”
  157. >As the two of them stare at you with wide eyes and suddenly the older one springs up and instantly gets ready
  158. >”Quick son let’s catch that train now!”
  159. >The younger stallion looks at the older one with shock
  160. >”D-dad!?”
  161. >”Come on my son when ever is an attractive mare going to offer her orifices for tag teaming like this! Things like these don’t happen often!”
  162. >You try to avoid a few looks of various kind cast in your way by random ponies within ear-shot as you hop on the handcar
  163. >”B-but what about mom?”
  164. >”Son your mother, how lovely she is, has not let me near her hoohaa after you popped your ugly face out of it, I have been walking around with years worth of sexual frustration pent up in my ballsacks for as long as you have lived!”
  165. >”Wow that...that’s a lot of years...”
  166. >”And now a hot piece of ass like this”
  167. >The older stallion points at you and interrupts himself
  168. >”With all respect of course mam, offers herself up like this who am I to say no?”
  169. >The younger stallion who also appears to be the older one’s son gives his dad a weak smile
  170. >”You could be a good husband and-“
  171. >”Get cranking you little homo we’re going to catch up to that train and we’re going to sink our dicks deep in this mare and douse her insides with our genes from both generations!”
  172. >The younger stallion does as he’s told and the two start to furiously crank the handle up and down
  173. >And you yourself start to feel a bit bad on lying, you’re not going to offer these two any sexual favors but you needed a surefire way to get them to help
  174. >Luckily they were not gay or this plan would have been a bust, but still you feel awful how you just crossed the line into becoming a mare who has cheated something for herself from a member of the opposite sex with the promise of sexual favors
  175. >But neither do you want to become that mare who slept with two stallions to get them to do what you want...Oh why did you have to go and blurt that out?
  176. >Even threatening them with violence would have been better than this...you should have just done that...
  177. >But back to the matter at hoof, the handcar is catching up to the train pretty fast
  178. >”CRANK IT BOY THERE’S PUSSY ON THE STAKE!”
  179. >”I AM CRANKING DAD I AM CRANKING!”
  180. >The two stallions are sweating buckets as they work in a flurry
  181. “Ok that’s enough!”
  182. >But your words fall to deaf ears as they keep moving and chanting
  183. >”HARDER HARDER HARDER!”
  184. >”FASTER FASTER FASTER!”
  185. “WAIT STO-“
  186. >”STRONGER!”
  187. >”STRONGER!”
  188. >The handcar crashes against the train and all three of you fly aboard the caboose as the handcart breaks to pieces
  189. >As you collect yourself a very buff conductor pony opens the door and looks at all of you lying on the floor
  190. >”You three do have tickets right?”
  191. >You and the stallions all shake your heads and the conductor pony grins and flips his shades down
  192. >”This here is my train and we don’t take kindly to stowaways here. That is unless you have the coin for the tickets that is...”
  193. >You sigh and hang your head
  194. “I don’t have any on me...”
  195. >The older stallion grunts
  196. >”Me neither”
  197. >And his son shakes his head
  198. >”Nope I’m flat out broke”
  199. >The conductor grins
  200. >”Then follow me without resisting”
  201. >And soon enough you and the two stallions find yourself in a makeshift jail cell inside an otherwise empty cart
  202. >...this is a weird train, but since Tulip was not here she must either be hiding, or then she has money for a ticket
  203. >And you have no idea where this train is even headed for during these late hours into the night
  204.  
  205. “Hello? Anypony?”
  206. >There’s no reply so you let go of the bars to the jail cell and return to the two stallions with a sigh while drooping your head low in defeat
  207. >”So I guess it’s time for our payment now?”
  208. >You lift your head back up and look at the older stallion wiggling his eyebrows at you
  209. “Well...”
  210. >He takes a step forward and you take a step back, your butt squishing against the bars
  211. “I said that but I didn’t really mean it sorry!”
  212. >The stallion stops and the younger one looks absolutely devastated
  213. >”You’re telling me you never intended to let us spit roast you?”
  214. >”W-wha, that’s not nice!”
  215. >You begin to sweat
  216. “I was just in such a hurry to catch this train and I just offered the thing that I thought would get you to comply without thinking...”
  217. >The older stallion snorts angrily while the younger one begins to cry
  218. >”Miss, it’s not nice to do that. You have the ultimate thing to manipulate us stallions with, and that is the promise or hint towards sexual favors. But you shouldn’t do that, it hurts our feelings, deeply. I’m very disappointed in you”
  219. >The older stallion grumbles while his ears droop down in a depressed manner
  220. >He is absolutely right, that was horrible of you, instead of being a fair mare you succumbed to doing such a vile act
  221. >But no, you’re not just some random floozy or half-brained mare, you are an upstanding protector of justice and order, and a pony who might even be in the guard at some point and a mare like that stands up to what she says
  222. >S-so you’re going to let them spit roast you...but just quickly, and you’re not doing it because you want to feel two cocks pumping in and out of you like a cock hungry whore in heat, but because you made a promise and you are not going to be a pony who breaks her promises
  223. “I understand...”
  224. >Both of the ponies look back at you again as you continue
  225. “I’ll stand by my word, here let’s...let’s just get it over with”
  226. >You blush as you turn around and present your behind to the while lifting your tail out of the way
  227. >With your eyes focused forward your pulse quickens as you hear the older stallion approach you, and then he grabs onto your hips with both hooves as his son moves to stand on his hind legs before you
  228. >You gulp as his member starts to unsheathe and you can’t help but to stare
  229. >But suddenly it shrivels back in
  230. >”D-dad?”
  231. >You suddenly feel something wet fall on your butt and you quickly look back in the fears of just having had cum shot on you
  232. >But instead you find the older stallion openly sobbing as he dismounts from the position
  233. >”I can’t do it son! I can’t cheat on my wife no matter how little sex she’s giving me!”
  234. >Waterfalls of tears flow down his face as he cries and sits down as his son goes over to console him
  235. >”There there dad, it’s ok, this just makes you a good husband after all...”
  236. >You put your tail down and turn around to look at this scene
  237. >The father dries his eyes soon after
  238. >”It’s ok now lady, no need for the spit roasting anymore”
  239. “But that doesn’t leave me satisfied...”
  240. >The son gasps and points his hoof at you
  241. >”You slut!”
  242. >And you blush very red
  243. “No I didn’t mean it like that! Screeeee!”
  244. >”Oh.”
  245. “I meant I feel bad for not giving anything in return to the two of you for helping me...”
  246. >Suddenly the son pipes up with an excited expression on his face
  247. >”Hey how about doing a dirty dance?”
  248. >You look at him with a raised eyebrow
  249. “A dirty dance? What do you mean?”
  250. >”That way you can give us something nice in return, but he won’t have to cheat on his wife”
  251. >The dad pipes up as well
  252. >”Yeah I can do that, just looking at a mare dancing is not cheating”
  253. >The son speaks up again
  254. >”Yeah and because I’m single you could also then have sex with me and-“
  255. >He gets slapped on his head by his dad
  256. >”Son don’t be a needy faggot”
  257. >”Fine dad...”
  258. >Both of them seem to have reached an agreement and they turn to look at you again with expectation all over their faces
  259. “But I don’t know any dirty dancing...how do you even do something like that?”
  260. >The younger stallion starts to give you directions
  261. >”It’s real simple, first turn around”
  262. >You turn around
  263. >”Then get on your hind hooves and grab onto those bars with your front ones, and then arch your back and push your butt out”
  264. >You do just that while your face heats up
  265. >”Now bend down a little bit more with your front and spread your hind hooves, good just like that, and now start to spin your butt around kind of like you were painting a circle into the air with the tip of your tail”
  266. >You start to gyrate your hips to get your tail moving, slowly at first but soon enough you notice that the faster you do it the easier it is to get your tail to move in that circular pattern
  267. >The two are now staring at your ass with a burning focus in their eyes and it is making you feel more than a little self conscious
  268. >But you must be doing it right since they seem to be enjoying themselves...
  269. >You can feel your butt wobbling just a little as you spin it around, your cheeks gently slapping against one another and even at times your...lips...
  270. >You’re breathing more heavy now and your whole body is starting to feel hot as the two cheer you on, it feels so degrading yet you can’t help but to feel a tingle of arou-
  271. >”Sis what are you doing?”
  272. >You quickly whip your head around and find Tulip standing outside the jail cell
  273. >The stallions quickly cover their crotches and you close your hooves and get down from hanging onto the bars
  274. “Tulip I was just-never mind that Tulip why did you do something stupid like this?”
  275. >Tulip scrunches her mouth
  276. >”It’s your fault...”
  277. >You put on a stern look on your face
  278. “No Tulip, you are the one who is wrong here.”
  279. >Her scrunch turns into a pout and she turns around and starts to fly away
  280. “Tulip wait!”
  281. >But she leaves, leaving you behind as you just stare at the door she disappeared through with your mouth hanging open
  282. >The older stallion joins you at the door to the cell
  283. >”Feisty one huh?”
  284. >You snort
  285. “You have no idea...”
  286. >The younger stallion come to hang around at the door too
  287. >”You think she could have let us out?”
  288. >You let out a sigh as you turn around and deliver a buck to the door
  289. >It rattles, making the two stallions get away from it as you deliver a few more strong bucks to it before it comes off and falls down while making a loud sound
  290. >”...that works too. So dad, are we going to head home now?”
  291. >The older stallion shrugs
  292. >”Yeah, your mother is bound to be worried and you know how naggy she can be
  293. >The son chuckles
  294. >”Yeah, she can chew your ear off just like that”
  295. >”Careful son that’s your mother and my wife you’re talking about”
  296. >The younger stallion lets out a weak chuckle and the two simply open a window and simply jump out of the moving train and start flying towards Hollow Shades
  297. >...You hope you’ll never meet them again, or that they are not pegasus ponies who actually live in Hollow Shades, you don’t want any rumors to fly around about your...silliness in the jail cell
  298. >Suddenly the door opposite of the one where Tulip came and went is kicked open by a familiar pony, the conductor and there’s a few ponies with him
  299. >Your eyes go wide, guard ponies from Hollow Shades! You quickly hide, breaking out of a jail cell would not look good on your resume, especially if you ever hope to become an outstanding protector of peace and justice!
  300. >Oh no, they’re coming towards the barrel you’re hiding behind and soon they’ll find you, what can you do!?
  301.  
  302. >”Hey they’ve broken out!”
  303. >”Wait I saw that barrel move!”
  304. >You quickly look around for anything that might help you as the guard ponies stomp towards the barrel you’re hiding behind
  305. >And your goddesses of luck must be smiling upon you tonight, for you see a scarf and a cowboy hat, you quickly put them on to cover your identity before jumping out from behind the barrel, spooking the guards
  306. >”That’s the mare, grab her!”
  307. >The guards glance quickly at the conductor before snorting aggressively and stomping their hooves like they were about to charge you
  308. “Easy there boys...”
  309. >You make sure to make your voice sound different, just in case
  310. >Suddenly the other guard drops the aggressive act
  311. >”Wait hat cutie mark...haven’t I seen you in Hollow Shades somewhe-“
  312. >He’s silenced by a random horseshoe you grabbed in panic and threw at his head, knocking him unconscious
  313. >The other guard pony stares at his fallen bat brethren in horror
  314. >”Javier! My token Spanish amigo for forced cultural diversity what has this succubus done to you!”
  315. >you crank up your act in the hopes of not having to knock any other ponies unconscious
  316. “I’d settle down if I were you, unless you want me to knock you unconscious too”
  317. >The guard pony mans up suddenly, taking you by a bit of a surprise
  318. >”No, turn yourself in you desperado or I’ll have to restrain you!”
  319. >You smirk under your scarf, you’ve never actually tested your strength against a member of the guard
  320. “Come at me if you have the pearls to cowboy”
  321. >Wait what are you doing, you shouldn’t be riling the guard up any more than he is-oh no he’s already flying towards you
  322. >Uh uh do you dodge or restrain or-oh no he’s here!
  323. >You end up punching the pony in the face
  324. >Hard enough to dent his helmet...you cringe as he just collapses to the floor
  325. >That...that looks very painful, you clearly panicked and overdid it...
  326. >The conductor lets out a womanly shriek before quickly rushing to the huge safe in the same cart
  327. >He opens it up and grabs a pile of gold bars, shoves them into your hooves while you stand there confused and then quickly rushes into the jail cell and covers under the bed
  328. >”Take it, just take it! Please let me go, I won’t tell a soul, promise!”
  329. >you just stare at the pile of gold in your hooves
  330. “Wha?”
  331. >The conductor looks at you with horror before running out of the cart and into the direction Tulip went to
  332. >”Oh no she’s a lunatic out for blood, run while you can! Hide yourselves there’s a monster on board!”
  333. >You can’t hear the rest he is screaming but pout a little under your scarf
  334. “...rude...”
  335. >You drop the gold and you’re about to leave when you stop and turn around to look at the gold
  336. >that’s...wait what are you even thinking, taking this gold would be a criminal act
  337. >You turn around sharply and hold your head up with pride as you trot away from the pile of gold bars and towards the passenger cabins
  338. >After passing through a few of them, with various ponies being afraid of you and some shoving valuables into your hooves and you giving them back and trying to tell them to not do it awkwardly you find what you’re looking for
  339. >Tulip, sitting on one of the benches
  340. >You undo the scarf covering your mouth and then walk to her and sit next to her
  341. “Hi.”
  342. >Tulip lets out a sigh and hangs her head in defeat
  343. >”Hi...”
  344. >You pat her back with your hoof
  345. “I was worried...”
  346. >Tulip replies with a scrunch and a gentle blush
  347. >”I didn’t ask you to be...”
  348. >Suddenly you tighten your grip on her and pull her closer with the aid of your wing
  349. “Just so we’re clear once we are home I will be giving you a spanking so severe there’s no possible way for you to enjoy it on any level physical or mental”
  350. >Tulip freezes and gulps loudly
  351. >”By the way sis...what was with that dance?”
  352. >Now you loose your grip on the filly
  353. “I was just...rewarding them for helping me”
  354. >Tulip looks a it appalled
  355. >”That’s dirty sis...don’t tell me you reward all the stallions that help you with things like that”
  356. >You let go of her and at the same time you hear some kind of a commotion behind you
  357. “I do not do that!”
  358. >Suddenly there’s a sad sounding whimper coming from multiple sources behind you and after turning your head around you find a small group of stallions that is already breaking up behind you
  359. >One of them notices you looking and speaks up
  360. >”We were thinking of becoming your hench-stallions until you said that...”
  361. >You draw in a sharp breath and blush even redder
  362. >T-these stallions would have wanted you to do things to them? This many? But you’re not even gorgeous or pretty like most mares...
  363. >”Sis why do you look a bit smug all the sudden?”
  364. >You quickly wipe the grin off of your face, you can’t be happy about things like that!
  365. >The train cart is now completely empty beside you and Tulip
  366. >Then the conductor suddenly rushes in with two more guard ponies with him and points at you
  367. >”There she is! She defeated two of your guards and robbed all the gold that was on its way to Canterlot! And now she’s going to molest that filly!”
  368. >You stare at the conductor, making him flinch and hide behind the backs of the guard ponies, while making a disgusted face
  369. “I’m going to what!?”
  370. >Tulip lets out a snort and rolls her eyes
  371. >”I wish...”
  372. >Suddenly the room goes silent and all eyes are on her
  373. >She notices it and looks around
  374. >”...what?”
  375. >Tulip groans and looks directly at you
  376. >”You know what we did once, and haven’t done it again, and I...”
  377. >Fresh tears start to form on her eyes
  378. >”Do you hate me so much you can’t do things like that again to me? Or even give me a proper hug?”
  379. >...yes, it’s the one thing you have a hard time accepting, and who can blame you
  380. >the filly you are supposed to be a sister to, who wanted you to be her mother at the beginning, ended up doing the dirty with you
  381. >Long story short, the two of you had a night of passion, and after it had happened the two of you got awkward, really awkward, too awkward to even hang around each other
  382. >So you started to pretend it never happened, and she followed your example, but you only avoided physical contact with her because it felt...
  383. >no, not right, but neither was fiddling her, or was it?
  384. >You’ve had to struggle with a lot of thoughts
  385. >But now you have grabbed Tulip for a hug and she is sobbing against your chest as you hold her close and the other ponies stare
  386. >But first thing’s first, the guards haven’t really seen Tulip enough, especially with her held against you like this, and you’re wearing a disguise so your identities are safe, but for how long
  387. >So you decide to grab her and dive out of the window, shielding Tulip as you roll along the ground as the train speeds away
  388. >Tulip looks at you with wide eyes as you open up your eyes and check if she’s ok
  389. >She is, which is good, but now the two of you are stuck in a random forest, and you have this matter that has needed to be dealt with for a long time
  390. >The two of you get up and get away from the tracts and locate a good hollowed out tree to sit inside and rest a little
  391. >Tulip has been silent after you jumped out of the train, and you think that it is time to make a decision
  392. ”Tulip, you’re right, I’ve been avoiding you because of what happened that one time”
  393. >Her ears droop as she looks sad now
  394. “But that is because I don’t know what to do, and I can’t do both, so...”
  395. >You hold out both of your hooves
  396. ”This one means family, it means I will think of you as family and I’ll become your legal, proper mother and adopt you once and for all. But it means there will never be any closeness like that one time, nothing sexual at all, ever, from neither you or me. This other hoof means fuck, what it means is that we can keep on doing indecent things and sexual stuff, but I can never be a sis or a mother to you at all, our relationship will be left as an indecent one and you’ll need to accept that and find yourself a proper home someday”
  397. >Tulip seems worried so you give her a smile
  398. ”I would not abandon you or think any less of you whichever you choose, but you must make a choice for me and for yourself.”
  399.  
  400. >Tulip grabs a hold of both of your hooves
  401. >”I don’t suppose I can do this can I?”
  402. >You feel a tinge of...something, yet you shake your head
  403. “No Tulip, I’m sorry”
  404. >Tulip hangs her head with a melancholic smile on her face
  405. >”I figured as much”
  406. >She lets go of both of your hooves and you gulp as she grasps one of them with both of hers
  407. >”I choose family”
  408. >You keep looking at Tulip as she stares at you shyly blushing but a smile on her face
  409. >”I want you as family more than I want you to, you know, touch me”
  410. >You can’t help but to sweep her up into a hug
  411. >”I’m not saying it felt bad or anything, it actually felt really good and-“
  412. >You cut her off
  413. “Yes, I know, you did look like you were enjoying yourself”
  414. >You quickly stop thinking when you feel your face heat up as images return to your head
  415. “But that’s in the past and we’re going to start anew now, as proper family”
  416. >You break of the hug and Tulip lets out a yawn
  417. >”I feel kind of sleepy...”
  418. >Now that she mentions it, the sun is starting to rise
  419. “Maybe we should take a rest here before continuing”
  420. >You lie down and Tulip snuggles against you, and then you use one of your wings as a blanket for her
  421. >”Yeah...goodnight...mom...”
  422. >You enjoy the warm feeling in your chest as you hold this little filly safe, instead of fighting against the strange feeling you let it run free, and it starts to feel less strange as you feel Tulip’s gentle heart beat against your tummy
  423. >But then the warmth starts to travel within your body, spreading around and you blush as you feel just a hint of warmth down...there...
  424. >You shake your head and resist any more warmth, this is shameful, even if you have not felt that much closeness from other ponies feeling something like that is not allowed, especially now
  425. >You just need to get used to this feeling, and stop confusing it for something completely different
  426. >And with that you too fall asleep and have an ok sleep
  427. >But then you wake up into a weird sensation, and find Tulip with some of your mane in her mouth, absentmindedly nibbling on it
  428. >You give her a confused stare and she lets go of your mane
  429. >”I’m hungry...”
  430. >Almost on cue your stomach lets out a loud grumble so you get up
  431. “Let’s look for something to eat then”
  432. >You and Tulip come out from the hollowed out tree and find it to be the very late evening / early night
  433. >”What do you mean look, are we going to find a food vendor in here somewhere?”
  434. >Your mouth twitches upwards in an amused smirk
  435. “Vendor? We’re going to look for our own food”
  436. >Tulips suddenly looks unsure
  437. >”Look? You mean we’re going to be eating stuff we find in the woods?”
  438. >You nod and Tulip extends her tongue out
  439. >”Gross”
  440. >You let out an amused giggle
  441. “We’ll see about that”
  442. >You’ve put some distance between the train tracks and yourself but you are constantly following them towards Hollow Shades while on the lookout for some stuff to eat
  443. >And soon enough you spot some wild greens and herbs you know of
  444. >You grab some and Tulips looks worried
  445. >”We’re going to eat leaves and roots? But I wanted a juicy fruit...”
  446. >You divide the greens into two portions and hand another one to Tulip and stick yours into your mouth
  447. >It’s not the best, but it’s nutrients and sustenance
  448. >Tulip too stuffs them in her mouth and becomes gradually more and more depressed looking as she chews her plants, before swallowing them
  449. >”They’re bitter and not sweet at all!”
  450. >You spot something else now while Tulip wipes her tongue from whatever was left of the plants
  451. “Hold on, we’ve got something in here too”
  452. >You walk over to a fallen tree and roll it over
  453. >Tulip climbs onto your back and peeks to see what you’re picking up
  454. >”Why are you picking up all those grubs?”
  455. >Much to her horror you lift one up and place it on your lips, and then suck it in like it was a string of spaghetti
  456. >Tulip makes gagging noises as you begin to chew the insect, it’s a very down to earth flavor
  457. >You swallow it down and then hand a big fat grub to Tulip who stares at it while looking nauseous
  458. >”No way!”
  459. >You wiggle it around in front of her nose
  460. “It’s good protein and not that bad”
  461. >Tulip pulls her head away
  462. >”No way no that’s too gross, Daylily you’re gross!”
  463. >You shrug and happily eat the big fat maggot, sort of enjoying the squishiness of it
  464. >Sure it’s not the best tasting thing and kind of unorthodox, but they’re really filling and keep the hunger away for some time
  465. >Suddenly you spot something else that even Tulip might enjoy
  466. “I have another idea”
  467. >Tulip slumps down on your back
  468. >”Don’t tell me we’re going to drink each other’s pee next...”
  469. >You blush furiously
  470. “No Tulip that’s stupid! We’re not going to do that, there’s a fig tree over there!”
  471. >Now she perks up and gets off your back before flying to the tree
  472. >”You’re right! They’re actual food and not bugs and random plants!”
  473. >Tulip happily grabs a few figs from the tree and starts to eat them mid-flight
  474. >You join her and grab one fig, you’re pretty full from the insects
  475. >It’s good, better than the bugs but...it could be a bit meatier
  476. >After a while Tulip’s tummy is bloated from all the figs she’s eaten and she lets out a content burp while resting on one of the branches
  477. >You land down next to her and she snuggles up against you
  478. >”Let’s rest a little bit, I’m bloated”
  479. >You pat her tummy
  480. “You did eat a lot, hopefully not too much, be careful not to get a tummy ache”
  481. >”If I do you’ll just carry me right?”
  482. >You let out a sigh but ruffle her mane
  483. “Yeah...let me guess you want me to carry you anyway?”
  484. >Tulip suddenly jumps up and wraps her hooves around your neck as she hugs you
  485. >”You’re the best mom ever even if you eat bugs!”
  486. >You freeze up for a few seconds but then pat her
  487. “Yeah...and you’re an ok daughter...besides I don’t eat them all the time, only if I have to”
  488. >It still feels kind of weird to call Tulip that but she lets out a delighted eeeee~ and almost chokes you with her hugging, and that makes you feel happy how she got so happy herself
  489. >And after getting down and Tulip settling into a comfortable position on your back you trot forwards towards Hollow Shades while Tulip hums something happily
  490. >The vegetation in the forest looks familiar enough so you can’t be that far away from Hollow Shades and if you keep following close to the train tracks you should-
  491. >Suddenly you pause and try to remember the map of Equestria in your head, or more importantly, where the tracks go
  492. >And you realize you can cut a lot of time by taking a shortcut through the woods so you change course
  493. >After a little while of walking through denser areas Tulip pokes you to get your attention
  494. >”Dayli-I mean mommy, I’m thirsty”
  495. >You perk up your ears and stay quiet while listening around, there, the sound of flowing water
  496. “There’s a spring nearby”
  497. >Tulip tries to copy you and listens around too
  498. >”I can’t hear anything, are you sure?”
  499. “Yeah, just follow me. We’re flying”
  500. >Tulip takes flight and you do that too once she’s off of your back, and after a wee bit of flying you two arrive at a natural spring of fresh water, with a little waterfall even
  501. >”Wow, this place looks amazing”
  502. >Tulip flies over to the falling water and takes a drink
  503. >”And it’s really tasty too!”
  504. >She gulps down to her hearts content straight from the waterfall before moving over and letting you have a drink too
  505. >It must have some natural minerals in it because it tastes so fresh
  506. >Suddenly there’s a splash and you find Tulip taking a dip in the spring
  507. >Only to suddenly get a shocked look on her face and swim to shore while wildly splashing water everywhere
  508. >”Screeee i-it’s cold!”
  509. >You chuckle while the wet Tulip shakes herself off of the water like a puppy before standing there looking miserable and shivering with her lips in a pout, tail between her legs and her ears flat
  510. >You land down near her and she instantly grabs onto you and presses herself tightly against you
  511. >”Warm me up...”
  512. >Not much choice here, you sit down and cuddle the still moist filly while she leeches off of your bodily heat
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