This document does not constitute proof of any crimes. This document is an attempt to answer questions about the individuals referenced and why they are coming up in proximity to high-ranking figures in our government and society. What is their background? What are their methods? What individuals and organizations are they connected to?

I. MARINA ABRAMOVIC

Connections between Gaga, Abramovich, Tony Podesta and others have been demonstrated in the Wikileaks Podesta emails and general Spirit Cooking and Pizzagate information frequently at this point. Abramovic affirms that she has never met John Podesta. Lady Gaga is definitely a disciple. 001 017 070 026

Abramovich has stated that Spirit Cooking was just a dinner party thing. It may very well have been, for the evening referenced in the email message, but the allusion is disturbing in light of previous works. 001 005 006 007 066

Abramovic is releasing a book currently. Do not drive any traffic towards it, leave the new book alone. There is plenty of information to be reviewed, and I have a feeling that little of this below will be in her new book. I do not think that the Wikileaks revelations are welcome to her. Even negative reviews on it would be a mistake; leave it alone. 062 021

Abramovic gave a recent online interview related to her book. Note that she is 70 years old. She is the same age as Donald Trump. The opposition is interesting. She speaks about her art and handles some blunt questions. She mentions that her performances are not theatre, they are transformations. She talks about where she feels safe, love and about dreams. Old friends show up, there is basic mystical patter. 021 009 014 010 015 008 013 016 019

Abramovic is very high in the art world, she goes way back, she is very professional. Her association with Ulay was famous back in the day. She herself mentions that she has hundreds of thousands who attend her shows in recent years. I am sure she has extensive university references, her academic history was not my focus here. Like many artists, as she states, she apparently doesn't have much money. 012 018 011 020 058

Born in Belgrade, Serbia, her parents were Communist war heroes under Tito in Yugoslavia, apparently. She was included in an article on Yugoslav art that talks about some relics from the Tito regime. 060 061 062

Her time seems to be spent giving performances, or transformations, working on promoting the Maria Abramovic Institute, and establishing her legacy. Please note the graphic art of the HYPNOTIZE text on the question from the user on the chat. 002 004

She is very concerned with preparation and performance, connecting with her audience, establishing a higher level, so to speak. Very similar to rituals and practices that we all are familiar with. Preoccupation with process and details are hallmarks. Her performance art consistently and repeatedly displays occult themes and concepts that go all the way through Crowleyaic ritual back to Tibetan death rites. Her explanations are obscure at best.
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It is performance art that is so far removed from traditional art that we have a hard time calling it art. We have seen M.A. in trace states carving pentagrams on her stomach, appearing to be possessed. Welcoming acoyltes to her compound. Studying over the Abramovic method is like looking at contemporary hypnotism and mind control techniques, and some of her followers display nearly cultic behavior as we have seen on the videos.

II. FLUXUS

Fluxus is an art movement. Fluxus is not an art movement.

For basic Fluxus concepts I reference a slideshow overview.  For historical and organizational points, a book by Ken Freidman, a prominent Fluxist. Maria Abramovic, George Maciunas, and Joseph Beuys are prominent, the movement continues today with Lady Gaga and many others. 022 027 063 036 030 086

The public persona that is generally promoted to provide superficial answers to questions about Fluxus, is that it is an absurdist and often humorous sort of mythos, and they are artists playing with conceptions and assumptions. Clowns pretending to be anarchists pretending to be clowns, etc. Performers with bizarre and avant garde shows, etc. 028

Then clownishness starts to give way to something more threatening as you dig deeper. George Maciunas' manifesto reads like something out of a surreal Marxist dream, he is shown to be dictatorial, and purges were commonplace. Purges are one kind of Flux, in fact. 083 063 084

Globalism is a central pillar of Fluxus, and George Maciunas attempted to structure the organization to cover different operational areas of the United States under Per Kirkeby, Ben Vautier, Milan Knizak and Ken Friedman. This initial structure did not last, but it is telling of the level of planning that was happening FIFTY years ago. 029 085

At this point the references begin to broaden and others start to get involved, like Yoko Ono. More interpretations on what a Flux is start to come up. John Lennon on at least one poster by George Maciunas. 033 035 034 097

At this point, more fucking occult references. Yoko's Satan's Bed movie. Illuminati references. Odd references involving murders, probably noise. 037 031 032 038 040 039 041

Please compare 041 to 004, and note that Kenneth Anger has come up. At this point, the melieu just keeps broadening that we can start catching just about anybody up in it, and do, with Manson and Bobby Beausoeil. But there is another leap to make.

It is important to stop here and consider all the information that there is that I am not including here. All the occult, political, social, radical, businesses... all the groups that participated in the upheaval of the 1960's.

It is important to understand that the artistic communities bound all of these groups and people together in that day. Connections and friendships were made at parties on both coasts, on colleges all over the country, many people travelled around, performing, attending, seeding ideas, recruiting, discussing all those new and revolutionary ideas.

Art is international and progressive, it constantly seeks new modes of expression. It provides reasons for shipping packages around the world. Reasons for visiting other countries. Reasons for having a lot of weath and money concentrated in highly respectable establishments, with many highly respectable people. And having people around who maybe are not so respectable. With artists, there is always a degree of fuzziness. Extremes are tolerated. 057

Fluxus is considered to be one of the most effective, radical and progressive art movements of the 20th and now the 21th century. Anyone associated to it in the world of art appears to command a certain level of respect.

Fluxus is always a direct involvement of the observers. It is a radical challenge rather than something to be appreciated. A Flux is not meant to be beautiful, it is meant to challenge, to shock, to change the psyche of the observers by making them the art, so to speak.

It is to Art, what Monarch or MKULTRA is to Psychology, so to speak. It shocks and disassociates on basic levels when it is SUCCESSFUL and GOOD.

Concepts such as love, honor, loyalty, mean nothing to its adherents and practitioners except when it is a visceral experience for them, or allows them to gain something from someone. At least, that is my impression.

A FLUX is a happening. It could be within the group, as with a purge. It is always ephemeral. It could be a performance. It could be a flash mob. It could be an event. It could be funny, it could be horrific, and it could potentially be destructive. It could be ANYTHING.

III. HAWAII

I stared this waste of time documentation project a couple of days ago after seeing the Hawaii pizzagate information break. Because I was interested in Fluxus and wanted to get it out of the way, it became more involved than I intended.

I was quite surprised after correlating detail for a couple of days, at this point to find myself back at Hawaii, so to speak, and began to question my sanity again.

Because Kenneth Anger gives us a direct connection to Mark David Chapman. And in HAWAII. They knew each other, personally. Mark David Chapman wanted to be a famous painter. Chapman was reading Catcher in the Rye, search on that one in conjunction with CIA and mind control. He even took a pay cut to work nearer to an art gallery. And more, shit. 042 053 054 025 024

Nam June Paik is a Fluxist from Hawaii who came up in an earlier reference. There is a movie at the Honolulu Museum of Art that has like the whole cast of characters in it. University of Hawaii is in on it, too. 047 087 088 089

At the next couple of references, I started to decide I had gone too far for now, too much time I have wasted. I had a feeling it would go this direction at some point. I'm done. 101 102 103 094 095 096