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  1. pakistan punjab university past papers ma english masters part 2 sample questions
  2. 03477988815
  3.  
  4. Drama
  5. How do the tramps represent humanity?
  6. Waiting godot comedy into despair
  7. Inaction into dramatic action
  8. Dialogue use for expression of ideas rather than communication
  9. Identify with beckets characters in godot
  10. Significance of act 2 and act 2 song
  11. Symbols in hedda
  12. Hedda restlessness and dramatic devices to depict it
  13. Hedda wants to influence others but then despises them
  14.  
  15. Loevbor despair, wants to control world can’t control himself
  16. Away from traditional maternal role
  17. Passing of old order in Chekhovs orchard
  18. Tragi??comedy
  19. Lopakhin not the typical merchant tender hearted
  20. Is it a political play?
  21. Conflict in Galileo galilee between state and free enquiry
  22. Need to doubt be sceptical
  23. Rational vs. epic theatre
  24. Is bonds the sea a comedy bond calls it so
  25. Use of bonds drama exposes hypocrite attitude WO giving solution
  26. Brecht’s theories about drama applied in galilee
  27. Main features of modern drama Ibsen to bond
  28. Drama from Ibsen to bond reflects the authors search for suitable language to convey their experience of life to the audience
  29. Drama after ww2
  30. Is bond indebted to Brecht?
  31. Tragedy from Sophocles to bond
  32. Language as theme in 20th century drama
  33. Novel
  34. Post-colonial novel things fall apart
  35. Too simple to be tragic
  36.  
  37. Twilight in Delhi significance of title
  38. Decay of society and whole way of life
  39. Feudal middle class of UP
  40. MY PURPOSE IN WRITING THE NOVEL WAS TO DEPICT A PHASE OF OUR NATIONAL LIFE AND THE
  41. DECAY OF A WHOLE CULTURE A PARTICULAR MODE OF THOUGHT AND LIVING
  42. Symbolic pattern of characters they are all caught in a restless changing world
  43. that has lost its values
  44. Female characters in things fall apart
  45. Marlow heart of darkness climate
  46. Racist anti African??
  47. A modern blend of comic absurdity tragedy and satire
  48. Enlightenment darkness
  49. A man’s confrontation with the dark self is both dangerous and enlightening
  50. Material interests corrupt human relations
  51. Critical analysis of3 parts of to the lighthouse structure
  52. Who is the protagonist?
  53.  
  54. New type of novel why
  55. How does she portray life?
  56. Symbolism in novels heart of darkness
  57. Symbolic representation of evil
  58. Imagery in heart of darkness
  59. Comparison with things fall apart
  60. Human savagery
  61. Essay on modern novel
  62. SYMBOLISM IN MODERN NOVEL
  63. Modern novels reflect complexity of modern life
  64. Symbolism in modern novel
  65. Literary criticism
  66. Aristotle constituents of tragedy
  67. Preoccupation with audience response
  68. Human nature and social relations
  69. Plot character relation plot is paramount
  70. RELATION OF DRAMA TO tragedy
  71. Imitation crucial to tragic pleasure
  72. Imitation
  73. Belsy criticism and common sense
  74. Deconstruction method
  75.  
  76. Catharsis
  77. Raymond William rejection of tragedy
  78. Raymond Williams’s tragedy and tradition
  79. Tragic hero from classical to modern times
  80. Eliot tradition
  81. Artist must be set for comparison among the dead
  82. Difference between art and event is absolute
  83.  
  84. Eliot tragedy vs. Raymond’s
  85. Metaphysical poets Eliot??
  86.  
  87. Philips poets makers morality
  88. Who is the assumed audience of Sidney?
  89. How he sees Plato’s stance on poets and poetry
  90. View of poetry in his time
  91. Does writing and appreciation of poetry require
  92. Non rational mode of study
  93. Is brechtian drama a rejection of tragedy?
  94. 3features of classic realist text
  95. Williams on brechtian tragedy
  96. Dialectical text and reader power criticism
  97. POETRY
  98. Blake contrariness of ideas
  99. Symbolism
  100. Man and other life forms
  101. Revival of romantic
  102. Contrast songs of innocence and experience
  103. Wide audience
  104. Sublimation of suffering in Hyperion
  105. Kubla Khan creativity and perfection
  106. Odes of Keats
  107.  
  108. Recurring motifs in odes
  109. Themes of Larkin metaphysical absolutes
  110. Tentatively explores possibility of Positive meaning in life
  111. Death in ambulances
  112. Theme of change
  113. Epiphany in ambulance and bleaney
  114.  
  115.  
  116.  
  117. Ted Hughes symbolism animal imagery
  118. Ted Hughes occult symbolism violent imagery etc.
  119. Thought fox about metaphor
  120. That morning thought fox energy and single-minded concentration
  121. Bardic quality of Heaney
  122. Heaney man’s relation with history
  123. Church going bleaney doubt and contemplation
  124. Digs into past with squat pen
  125. Sensuously alive metaphors in tollund man and personal helicon
  126. Keats pain and beauty
  127. Ode to Grecian urn and nightingale about art
  128. Compare odes
  129. Ancient mariner personal allegory of fear
  130. Torment in Coleridge
  131. Imaginative realism
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