Advertisement
Not a member of Pastebin yet?
Sign Up,
it unlocks many cool features!
- <!DOCTYPE HTML>
- <html><head>
- <meta http-equiv="Content-Type" content="text/html; charset=UTF-8">
- <title>Tulpanomicon Ver. 0.1.3</title>
- <style type="text/css">
- p {text-align:justify;color:black;
- }
- header, footer, section, article, nav, aside { display: block; }
- body {
- font: 22px/30px 'Yanone Kaffeesatz', arial, serif;
- color: #427ea3;
- }
- h1 {
- font-size: 60px;
- line-height: 60px;
- font-weight: 400;
- }
- h2 {
- font-size: 30px;
- line-height: 30px;
- font-weight: 400;
- }
- h3 {
- font-size: 20px;
- line-height: 20px;
- font-weight: 400;
- }
- dl, hr, h1, h2, h3, h4, h5, h6, ol, ul, pre, table, address, fieldset, blockquote {
- margin-bottom: 15px;
- font-weight: 400;
- }
- a:link,
- a:visited {
- color: #427ea3;
- font-weight: 400;
- text-decoration: none;
- }
- a:hover,
- a:active {
- text-decoration: underline;
- }
- img {
- border: 5px solid #ffffff;
- }
- .media {
- border: 5px solid #ffffff;
- line-height: 0;
- width: 500px;
- }
- blockquote {
- padding: 5px 10px;
- border-left: 5px solid #427ea3;
- margin: 15px;
- }
- blockquote p:last-child {
- margin-bottom: 0;
- }
- pre, code {
- overflow: auto;
- font: 16px/18px Inconsolata, "Courier New", Courier, monospace;
- letter-spacing: -1px;
- }
- pre {
- padding: 5px 10px;
- border-left: 5px solid #427ea3;
- margin: 15px;
- }
- #mainnav {
- list-style: none;
- padding: 0;
- margin: 0;
- background: #427ea3;
- }
- #mainnav ul {
- margin: 5px 0;
- }
- #mainnav li {
- display: block;
- float: left;
- padding: 0;
- margin: 0;
- }
- #mainnav a:link,
- #mainnav a:visited {
- display: block;
- float: left;
- padding: 5px 15px;
- margin: 0 5px 0 0;
- text-decoration: none;
- background: #ffffff;
- color: #427ea3;
- }
- #mainnav a:hover,
- #mainnav a:active {
- background: #ffffff;
- }
- #main {
- background: #ffffff;
- overflow: hidden;
- }
- article {
- margin: 20px 0;
- position: relative;
- }
- article > header p {
- position: absolute;
- left: -80px;
- margin-bottom: 0;
- float:left;
- background: #427ea3;
- color: #ffffff;
- width: 60px;
- height: 30px;
- text-align: center;
- padding: 15px 0;
- font-size: 30px;
- }
- article > header p a:link,
- article > header p a:visited {
- color: #fff;
- }
- article .media {
- margin-bottom: 20px;
- }
- article > footer {
- font-size: 16px;
- line-height: 16px;
- background: #ffffff;
- padding: 15px 20px;
- margin-top: 20px;
- }
- article .tag:before {
- content: "#";
- }
- article > footer p {
- margin: 0;
- }
- article > footer .notes {
- position: absolute;
- top: 62px;
- left: -80px;
- text-align: center;
- font-size: 30px;
- line-height: 28px;
- background: #ffffff;
- padding: 8px 0;
- width: 60px;
- }
- article > footer .notes span {
- display: block;
- font-size: 16px;
- line-height: 16px;
- }
- </style>
- </head>
- <body>
- <div id="main">
- <div class="typeText article">
- <h1>Tulpanomicon Ver. 0.1.3</h1>
- <h1>By: Affine</h1>
- <p>The following document attempts to be a complete reference to the art
- of Tulpamancy. Any reader should acknowledge that the content
- represented here may reflect the personal views of the author. While an
- attempt was made while writing to avoid personal bias, such action is
- often inevitable and therefore unavoidable. Any offensive or
- misrepresentative content may be disputed with the author at any time.
- Respect of the reader’s personal choices has been considered, regarding
- the use of this document; as it is educational and informative. The
- reader however will remain responsible for actions taken on behalf of
- its contents. This document will make reference to the reader as
- “Reader”, “Tulpamancer” or “The Host”.</p>
- <p><strong>Note: This guide does not cover the subject of </strong>possession<strong> yet. Information on the subject is still being compiled, and will be delivered in a timely manor.</strong></p>
- <blockquote>
- <h3>“<em>May the force be with you.</em>” - A Tulpamancy Joke</h3>
- </blockquote>
- <p></p>
- <h1>Tulpa</h1>
- <p>A tulpa, in the context of the Tulpanomicon, will refer to the
- creation of a being sovereign of ones own thought; capable of thinking
- for itself, expressing humanity, and having independent feelings and
- emotions; as any human lives and experiences. Tulpas can be used as a
- powerful learning tool, in subjects of interest, or in learning about
- oneself. They can also prove to be effective companionship, in more than
- one way. Do not let this be the only motive in creating a tulpa
- however. There are many things a potential host needs to learn before
- creating a tulpa. This guide attempts to cover as much of the creation
- and maintenance principles for newer tulpamancers. Therefore, reference
- to this guide is encouraged to address many of the problems hosts will
- encounter during their experience.</p>
- <h2>Tulpa Defined</h2>
- <p>In proper definition, a Tulpa is a reference from Tibetan
- Buddhism, a concept “to build” or “to construct”. Directly translated
- from Tibetan texts, the concept of the word is still retained as
- “magical emanation”, “conjured thing”, and “phantom”. Tulpamancy is a
- concept in which a being or object in created through the use of pure
- mental thought. In Eastern Indian Buddhism, the concept evolved to
- describe any unreal, mind created apparition or illusion. It is the
- physical aspect of a thought that has been made real in ones own mind
- through the use of willfully controlled hallucination. The word tulpa is
- often used in conjunction with the word “thoughtform”. While outside of
- this text “tulpa” and “thoughtform” may be used interchangeably, this
- guide will tend to use “thoughtform” to describe a tulpa concept, and
- “tulpa” will refer to a sentient entity independent of the host.</p>
- <h2>About the Terminology</h2>
- <p>As the reader may have already noticed, there is an overwhelming
- amount of terminology in the community related to tulpamancy. This is
- not an attempt to confuse new people. It is here to help make sense of
- the complex and diverse material related to the subject. The terminology
- acts only as an attempt to standardize communication about the subject
- to direct the flow new ideas and theories in a productive and
- informative manner. The following is a short glossary the contains some
- very generalized definitions, and the concepts that they express.</p>
- <h2><span class="Apple-tab-span"></span>Cognitive Dissidence</h2>
- <p>(n.) <strong>the state of having inconsistent thoughts, beliefs,
- or attitudes, esp. relating to behavioral decisions and dramatic
- attitude change</strong></p>
- <p>Describes a potential situation in which a tulpa may obsess over an
- existential quandary, that will cause it harm or permanent psychological
- damage. In general, a state of cognitive dissidence will cause a great
- amount of stress or confusion in any conscious entity, including the
- host. Therefore, it should be avoided.</p>
- <h2>Dissolution</h2>
- <p>(v.)<strong> the closing down or dismissal of an assembly, partnership, or official body</strong></p>
- <p>In the case of this guide, will refer to the destruction, or closure of a tulpa-host relationship.</p>
- <h2>Existential Quandary</h2>
- <p>(n.) <strong>a state of perplexity or uncertainty of an entity over what to do in a difficult situation of, or relating to, its own existence</strong></p>
- <p>These kind of quandaries can occur in any person at any time. Often
- when one thinks about their purpose in life or of their existence.
- Sometimes, this can occur with the realization that one does not have an
- afterlife, meaning that their existence is only for a brief period, and
- thus meaningless; or that there is an afterlife, so temporal existence
- is meaningless for the reason that it there is an eternal life without
- pain after this one. Religion is often, at a basic level, an attempt to
- mitigate the psychological impact of considering such existential
- quandaries.</p>
- <h2><span class="Apple-tab-span"></span>Host</h2>
- <p><span class="Apple-tab-span"></span>(n.)<strong> an animal or plant on or in which a parasitic or commensal organism lives</strong></p>
- <p>Terminology in the tulpa community refers to the creator of the tulpa
- as; the host. Where the tulpa would be considered a commensal organism
- the feeds from the available unused resources of the human mind to
- perform background operations or tasks beneficial to the host or itself.</p>
- <h2>Imagination</h2>
- <p>(n.) <strong>the faculty or action of forming new ideas, images or concepts of external objects not present to the senses</strong></p>
- <p>A more rigorous version of the childhood “active imagination”
- definition that people have grown accustomed to. In the art of
- Tulpamancy, it would be best to take the above definition of imagination
- to heart. As it will be the only tool used to propagate its success.</p>
- <h2><span class="Apple-tab-span"></span>Imposition</h2>
- <p><span class="Apple-tab-span"></span>(v.)<strong> the action or process of imposing something or of being imposed</strong></p>
- <p>The act of using the mind of the host to stimulate the senses
- artificially, through the use of self-induced hallucination, in order to
- experience the thoughtform with use of the senses.</p>
- <h2>Mindseye</h2>
- <p>(n.) <strong>the mental faculty of conceiving imaginary or recollected scenes </strong>(alt: Mind’s Eye)</p>
- <p>A place within the mind of the host where scenes are experienced
- without input from the sensory organs of the body. Within the mindseye, a
- host is capable of hearing or seeing a thoughtform. with use the
- imagination.</p>
- <h2><span class="Apple-tab-span"></span>Mindsvoice</h2>
- <p>(n.) <strong>an inner feeling or voice viewed or experienced as an entity separate from ones own typical behavior </strong>(alt: mindvoice, conscience)</p>
- <p>The use of the mindsvoice (often mindvoice), is in the opposition to
- the conscience people are used to hearing on a daily basis. A mindvoice
- will typically appear as having a different overall sound, tone, and
- pitch from the voice of the “super-egoial” voice of conscience or
- reason. This voice is the voice of the tulpa when speak directly to the
- host, and another person would. Alternative examples may include;
- mindstouch, mindseye, mindstaste, mindssound, and mindssmell. Where
- mindssound would be different from mindsvoice in the way that hearing a
- sound is different than making a sound.</p>
- <h2>Narration</h2>
- <p>(n.) <strong>the action or process of narrating a story</strong></p>
- <p>In the realm of tulpamancy, narration is the act of creating dialogue
- between a tulpa and host. This can be in any form of communication, but
- often describes communication to the tulpa from the host with the use
- of the host’s mindvoice. This definition has recently been used to
- describe all tulpa-host communication during forcing.</p>
- <h2><span class="Apple-tab-span"></span>Parroting</h2>
- <p><span class="Apple-tab-span"></span>(v.)<strong> to repeat mechanically a sound or series of sounds</strong></p>
- <p>Parroting, in the realm of Tulpamancy, is the repeating of a tulpa’s
- speech aloud or within the mindseye in order to set the mindvoice or
- personality of the tulpa in a standardized and controlled way.</p>
- <h2><span class="Apple-tab-span"></span>Puppeting</h2>
- <p>(v.) <strong>to take control, to follow example as a model, be
- reminiscent of, or to share characteristics, in a close parallel or in
- repetition of an idea, feeling, style, or event</strong></p>
- <p>Puppeting in Tulpamancy is the similar to the act of parroting a
- mindvoice for the Tulpa to acclimate to using. However, puppeting refers
- to biomechanical motion of the Tulpa within the mindseye. This is in
- order to construct a body language personality, and to reinforce desired
- mannerisms expressed by the tulpa or thoughtform.</p>
- <h2>Sentience</h2>
- <p>(n.) <strong>the ability to feel, perceive, or to experience subjectivity</strong></p>
- <p>Sentience is the starting goal to reach for any tulpamancer. Once, a
- tulpamancer’s tulpa has achieved true sentience, the ability to think,
- react, and feel input; the sentient tulpa may not have developed
- “self-actualization” or the fact that it is a singular intelligence
- apart from its host. Therefore, sentience does not necessarily mean free
- will. While free will is always good, a host may need to restrict the
- effect of the tulpa executing its acts of freedom within its
- environment. Laws and “mental barriers” can be used to mitigate a
- tulpa’s actions.</p>
- <h2>Servitor</h2>
- <p>(n.) <strong>a person who serves or attends on a social superior</strong></p>
- <p>A servitor is a tulpa that serves the exclusive purpose, of being a
- drone of the tulpamancer. For some cases, this may be a desired outcome.
- However, in the general scheme of things, a servitor is a slave
- thoughtform under the will of its master; the host. Creating a servitor
- can be due through intentionally forcing one, and is used often as a
- dissolution technique.</p>
- <h2><span class="Apple-tab-span"></span>Thoughtform</h2>
- <p>(n.)<strong> a combination of presuppositions, imagery, and
- vocabulary current at a particular time or place and forming the context
- for thinking on a subject</strong></p>
- <p>A subset of Tulpa that may refer to a tulpa, or an incomplete Tulpa that has yet to develop sovereign sentience.</p>
- <h2><span class="Apple-tab-span"></span>Tulpa</h2>
- <p>(n.)<strong> derived from the Tibetan concept</strong> ”to build” <strong>or</strong> ”to construct”; <strong>translated directly as</strong> ”magical emanation” <strong>or</strong> ”conjured thing” (alt: tupper[s])<strong> (plu.) tulpae, tulpas, tulpa</strong></p>
- <p>A thoughtform that has evolved to develop sovereign intelligent
- thought, or sentience. A tulpa may or may not have enveloped a feeling
- of “free will” or “actualized self identity”, which is a primary
- difference between sovereign sentience and semi-sentience. A tulpa is
- entirely sentient and in control of its opinions, feelings and
- movements. The plural “tulpas” is used in the Tulpanomicon, though
- “tulpa” and “tulpae” is present in many other texts.</p>
- <h2><span class="Apple-tab-span"></span>Wonderland</h2>
- <p><span class="Apple-tab-span"></span>(n.) <strong>a land or place full of wonderful things</strong></p>
- <p>The whimsical thought of a classical wonderland does not fit the
- description of a tulpa’s wonderland, unless they desire to live in that
- kind of place. The wonderland represents a place in which a tulpa takes
- residence, normally in the form of an ideologically perfect construct
- within a mental space. It is that place a tulpa would always “rather
- be”.</p>
- <h2>Benefits of Tulpamancy</h2>
- <p>Having a tulpa has some very important, unexpected benefits. Along
- with the obvious general uses that creating an idealistic being would
- entail; such as an optimal companionship, and constant communication.
- The dedication in this art is best realized when the host acknowledges
- the permanence of the tulpa-host bond that is created during the first
- genesis. Outside of dissolution, creating a tulpa is a permanent
- decision with potentially profound, and long lasting, consequences; both
- beneficial and disadvantageous. However, the benefits of the
- companionship significantly outweigh the negative effects. Which makes
- the act of creating a tulpa as a whole, a tempting proposition.</p>
- <h2>Computational Benefits</h2>
- <p>One of the many benefits of having a tulpa, is the “dual core effect”
- also known as “parallel processing”. In this model of tulpamancy, one
- side effect of creating another conscious and aware entity within ones
- own mind provides an unrivaled advantage. Because the brain is
- essentially a computational resource, a central processing unit and
- calculator; it is a computer. The mind does not use all of its
- computational resources concurrently. Like any computer it assigns
- processor time to detailed tasks like; typing, keeping the body upright,
- messaging the stomach to digest, controlling the flow of materials
- through the body, especially neurotransmitters and hormones, and making
- sure to deliver thoughts in a clear manner with audio, and visual
- communication through the use of complex body language. However, the
- brain has a lot of “idle process time” that it really does not use. It
- would be a waste to, while watching a movie, playing a game, reading a
- book, or during some kind of other leisurely task that requires little
- computational power like, using the restroom, taking a shower, or
- sleeping; have that idle time not used in a productive manner.</p>
- <p>Tulpas fill this need perfectly. They are a computational consumer,
- and an obvious logical choice as a use of this available resource. The
- brain is, believe it or not, one of the highest consumers of chemical
- energy, in the form of caloric intake from food people consume. On
- average, over 300 calories are allocated to it. Keep in mind that 1100
- calories is expended as heat energy through the day, to regulate body
- temperature. Considering a 2000 calorie diet of course.</p>
- <p>Using the tulpa as a computational dump is a good thing. The power is
- being used in the creation of idealistic artificial life and
- companionship. A long-term relationship with someone who will never
- leave, is a benefit in its own right. However, in terms of “parallel
- processing”, the tulpa can be used in order to complete complex tasks
- and operations faster, and easier. While the brain would normally,
- during a test, think about each question sequentially; a tulpa within
- the subconscious mind may act as “that person” who occasionally hovers
- over homework giving answers. Why? Well, that is because some of the
- tulpa’s assigned background computational resources are being used
- concurrently with the host’s. This could in some cases be directed into
- useful work for let us say, 100 math problems; with the tulpa doing
- evens, and the host doing odds. However, there is a communication
- latency between the host and the tulpa. Brooks’s law - “adding manpower
- to a late software project makes it later”, would come into effect if
- either the tulpa or the host needed to be trained in the subject matter.
- This communication latency, while making the work easier on both
- solvers, may require explanation to the host in order to verify a
- tulpa’s work. This does imply that there is information that the tulpa
- may know that the host may not. This does happen, and is to be expected
- during the tulpa creation process.</p>
- <h2>Seriousness of the Endeavor</h2>
- <p>While to some people the benefits of tulpamancy are clear; lifelong
- partnership, a personal assistant, someone who can keep secrets and tell
- no soul. Understand though, that the act of creating a tulpa is a
- serious endeavor that should not be taken lightly. There are a number of
- risks within tulpamancy which may include, but are not limited to;
- pains of the head, pains of the body, existential crisis, loss of
- memory, and mild change in behavior that may deviate from normal action.
- These behaviors could be noticed by others, and people may ask the
- reason for these changes, or may legitimately think that something is
- wrong with the host. Often, not all of these things will happen, but
- they are reported side effects of participating in tulpamancy. Do not be
- alarmed if any of those actions take place, it is only a mild warning.</p>
- <p>When creating a tulpa, although the opportunity of dissolution is
- available, know that once a tulpa is created there is the possibility
- that it can never be removed. Please mind that while the chance of this
- happening is low, it is not necessarily a rare occurrence. Even though a
- host may not be able to dissipate a tulpa completely, they are still
- able to simply ignore them. This process is covered later in
- the Tulpanomicon. As for now, consider the possibility that a
- created tulpa may be permanent. Make reparations for this. Before
- beginning the creation process, a host should always make the
- realization that this decision should not be undone.</p>
- <h2>Difficulty of Success</h2>
- <p>Some people have been worried about the success rate of creating the
- first tulpa. It is not terribly difficult to do, however, it is a
- difficult process to explain to newcomers to the tulpmancy community. At
- any rate, succeeding in creating a host’s first tulpa is not a hit or
- miss opportunity; it will just always “take a little longer”. A
- tulpamancer is never considered to have failed at creating a tulpa, but
- rather, not putting enough time into the tulpa to allow sentience to
- take hold within the thoughtform. In tulpamancy there is no “practice
- run”. A host should, if they feel it is for them, and they understand
- the permanence of their decision; just jump right into the creation
- process. It is not difficult to be successful at this, however this does
- take a bit of time investment.</p>
- <blockquote>
- <h3>“<em>I’ve seen some threads around with people who are having some
- trouble with ‘feeling’ their tulpa’s presence. They feel like they are
- talking to themselves, or just talking to air, and they can’t seem to
- make any progress.</em>” - Phi - @tulpa.info</h3>
- </blockquote>
- <p></p>
- <p>It has been suggested for people having this problem, before
- beginning the personality forcing stages; to formally greet the tulpa,
- using a name the host as assigned it. This kind of lock-up in tulpamancy
- happens frustratingly often. The host can rest assured that the primary
- reason for a lack of tulpa response, is a lapse in direct
- communication, or the actual absence of a tulpa. Once mindvoice has
- responded independently, then the host can develop personality. Attempt
- forcing as one would normally, but instead, try not to visualize the
- form of the tulpa; but rather the concept of having a tulpa itself.
- Imagine some of its potential personality traits, and then work from
- there.</p>
- <h2>Time Investment</h2>
- <p>One thing any future host should consider before creating a tulpa is
- the time investment. Like any significant other, the tulpa will be a
- suck of any available time the host allocates to it. Some tulpamancers
- even strongly suggest a count of the amount of hours forced with a tulpa
- before it could be considered; these figures range anything from 20
- hours to 5000 hours. Know that the 5000 hour figure is what a host
- willingly attributed to their tulpamancy as a hobby over many years. Do
- not let this discourage anyone from starting this process. It may not
- take a host this long to become successful, and this time may be split
- up over any number of forcing sessions. Even though it is generally
- considered better force with a tulpa in long blocks, or short but
- relatively frequent periods. Splitting forcing sessions between weeks,
- or over a couple of days may not be often enough to make forward
- progress. An hour of focused activity a day should be enough to achieve a
- sentient thoughtform within a months time. Again, this process could
- complete much sooner, or much later. There are too many variables to
- analyze in considering the time it will take to succeed. Therefore, it
- is best not to ask, just keep working at it.</p>
- <h2>Acceptable Criteria</h2>
- <p>For the remainder of this document, the goal of the reader will be to
- create a Tulpa thoughtform, where all of the following is true:</p>
- <p></p>
- <ul><li>It has a manipulable form that created by the host, or the tulpa itself.</li>
- <li>The tulpa maintains a comfortable equilibrium in the host environment.</li>
- <li>A wonderland is created for the thoughtform to survive reasonably within.</li>
- <li>A personal relationship develops between tulpa and host at an intermediate level.</li>
- <li>The experiences between the tulpa and host may be strictly recorded.</li>
- </ul>
- <p></p>
- <h1>Form</h1>
- <p>There are members new to the whole tulpa thing that don’t know
- exactly what a form is. It is the appearance that a tulpa chooses to
- manifest itself as when it communicates with the host. It is what “a
- tulpa really looks like”. There is no base appearance the tulpa outside
- of the form. The form is not just comprised of the overlaying outside
- appearance, it includes the way the tulpa sounds, what they feel like,
- even their scent and the way they taste; if the host is into that.
- </p>
- <h2>Form First</h2>
- <p>Creating a form before working on the tulpa’s overall personality has
- some benefits over allowing the form to manifest on its own. When a
- personality is created first, the tulpa’s form will begin to reflect its
- personality. The host may not necessarily be in control of this
- process, and thus, the form of the tulpa may deviate from what the host
- had originally concepted. This deviation can be a dramatic change, even
- so far as a change in gender, if it even has a gender at all. Creating a
- form first will give the host more control over the appearance of the
- tulpa, especially if the host has a preference for the form’s outcome.
- The form will rarely be exactly the same as the concept, but having this
- kind of concrete guidance is helpful. It is still possible that a tulpa
- will reject any form assigned to it by the host. That is dependant on
- the self-awareness level of the tulpa, its personality, and its
- attitude.</p>
- <p>Another reason the host would want to create the form before the
- personality, more times than not, is that a tulpa’s personality can be
- severely influenced by its personal style. If the host wanted a tulpa
- with a dark personality, it could be given a darkly themed color scheme.
- These dark colors would affect the mood of the tulpamancer, and through
- this the tulpa would then be effected. Again, a host is not required to
- create a tulpa’s form before developing a personality; it is however
- helpful. In some cases, in which a host does not have a preference for a
- tulpa’s appearance, or is having difficulty doing so; skipping directly
- to developing the tulpa’s behaviors could potentially be a better
- option.</p>
- <p>Of course, a host does not have to create a form for the tulpa at
- all. Some people in the tulpamancy community have everything from a
- “true shapeless entity” to a simple silhouette. The beauty in the tulpa
- is its lack of effect on the corporeal world. Therefore anything within
- the mindseye can acts as the tulpa’s state of being, including the
- absence of one. Imagining the lack of a tulpa without a form, can giving
- rise to a tulpa without one. Which in some weird sense of things to
- come, is its form. A tulpa of course could change this concept, or
- desire to create a form. However, since it has not known a form, the
- concept of one would be redundant, and therefore useless as it would
- require time to complete something those host did not desire in the
- first place. See, thinking like a tulpamancer can be fun; and
- complicated. While creating a tulpa without a form may give its own
- merits, it may make the already difficult “visual imposition”, more
- difficult. Then again, without a form, what will the tulpamancer need to
- impose?</p>
- <h2>Creating a Form</h2>
- <p>The first thing that should be considered when creating the tulpa’s
- form, is that they may need a gender to represent themselves. It is not
- be absolutely required for a tulpa to occupy the representation of a
- female or male, as they may be genderless, or more creatively may take
- the form of a third gender identity. In some cases this can be a
- difficult decision, especially if the thoughtform itself is not capable
- of making the decision on its own. It is typical for a male host to
- create a female tulpa; and female hosts to create male tulpa. The
- psychological reason for this is unknown, however the relationship
- matter between the tulpa and host tends to remain non-sexual, or
- entirely without physical contact for most cases. In the overall tulpa
- community, creating a thoughtform for the purposes of sexual enjoyment
- or exploitation is regarded to be a taboo action; even though
- the Tulpanomicon covers the subject briefly.</p>
- <p>Once the host has selected an attractive gender proposition, or the
- tulpa has selected one on their own willfully, the next appropriate
- decision would be to give the tulpa a name. The thoughtform will need
- some kind of identity to refer to itself, especially if a host contains
- or plains to host more than one tulpa. A host may choose to give the
- tulpa a name once the personality has been set, so that the tulpa’s name
- more reflects its personality. However, that is not essential. Know
- that it is okay for a tulpa to remain nameless, just acknowledge that it
- may cause a depreciation in the concrete aspect of its self-identity.
- Information, or lack of information, like this can create an existential
- quandary that can cause cognitive dissidence. While it is unlikely that
- this may occur, especially in a tulpa with a superior cognitive
- willpower, it is a real problem that is occasional amongst tulpamancers.</p>
- <h2>Preliminary Details</h2>
- <p>The question often asked about the early stages of creating a tulpa,
- is “What do I need to know about my tulpa to create the form?”. There is
- complex answer to this question, simply the host will need to know
- everything; every minor detail in every respect. Here is a short list of
- information the host should consider when developing a form in which
- the tulpa will manifest.</p>
- <h2>Things to Consider</h2>
- <div>
- <p></p>
- <ul><li>Name</li>
- <li>Gender</li>
- <li>Eye Color (If any)</li>
- <li>Sexual Identity</li>
- <li>Age (Appearance)</li>
- <li>Ideologies</li>
- <li>Weight/Girth (Appearance)</li>
- <li>Feet</li>
- <li>Ethnicity (Skin Tone)</li>
- <li>Their Gait / Walking Style</li>
- <li>Age (Appearance)</li>
- <li>Why They Feel Like</li>
- <li>Ears</li>
- <li>Language</li>
- <li>All Other Measurements</li>
- <li>Pain Tolerance</li>
- <li>Height</li>
- <li>Non-Human Elements</li>
- <li>Hair Color (If any)</li>
- <li>Hair Style /Length</li>
- <li>Hands</li>
- <li>Unfamiliar Organelles</li>
- <li>What They Smell Like</li>
- <li>Psychological Willpower</li>
- <li>Mouth</li>
- <li>Important Marks</li>
- <li>Species (Are they human)</li>
- <li>System of Beliefs</li>
- <li>What They Sound Like</li>
- <li>Comfort Area</li>
- <li>Emotional Apathy</li>
- <li>Common Manorisms</li>
- <li>Nose Shape</li>
- </ul>
- </div>
- <p></p>
- <p>Again, this is a short list of the things which a host will need to
- consider in creating a tulpa. If a host retains a close relationship
- with a tulpa for a long term, this will be information gathered from an
- interest standpoint anyhow. To a successful tulpamancer, this kind of
- descriptive information will be almost impossible to forget. One word of
- advice, it is helpful if the host is a competent artist, or is good at
- spatial visualization. Some hosts have found the use of puzzles or tools
- that help the visualization of three dimensional spaces, are useful in
- practicing the act of forcing a tulpa’s form or wonderland, and in total
- imposition. We will discuss those later.</p>
- <p>As personal advice, the host of a tulpa should practice drawing, even
- if they are not entirely good at it. While it may not be necessary to
- draw the tulpa itself, just the act of drawing can help the host
- visualize planar spaces. There are many “pointless-but-productive” art
- techniques, some of which are listed in the Alternative
- Methods section of the Tulpanomicon.</p>
- <h2>Concepting the Form</h2>
- <p>Beginning basic work on the form of the tulpa is simple enough. It is
- as easy as gathering a slip of paper and a writing utensil, and just
- working at it, hacking it out from there. Make a list of desirable
- traits the host wants the tulpa to exhibit; like multiple hair colors
- and types, eye styles, ear shapes, tail structures, and skin textures.
- If the host wants a tulpa with three arms, no legs, or just be a black
- body radiating visage of the void origin; all are acceptable. The thing
- about tulpamancy, is that in the beginning things can be discarded by
- the tulpa through both the use of democratic deliberation, or through
- the use of primitive physical rejective response; in the form of head
- pressures or pains.</p>
- <p>It this point, it may be a little worrying to know that a tulpa may
- use a small amount of pain to communicate with the host in the
- beginning. Keep in mind that this pain, if there is any at all, is
- slight, and only enough for a tulpa to express the emotion of rejection.
- There are also positive forms of this kind of communication, discussed
- in the Forcing section.</p>
- <h2>Form Optimization</h2>
- <p>Just know, that these kinds of communication, once the host
- understands the meaning behind them, or once communication can be made
- with the tulpa verbally; can cause the tulpa to change parts of its form
- very rapidly from within the mindseye. Know that this is a normal thing
- that will almost definitely occur during the creation process.
- Especially if the host supplies a the form for a tulpa directly from the
- start. These changes can range from minor, such as eye color or body
- shape changes; to dramatic changes like, gender, species from alien to
- machine, even as far as the entire concept behind the personality and
- actions of the entity as a whole.</p>
- <p>Don’t get discouraged by this news. It is a known prospect that
- changes tulpa’s make, tend toward the positive. The tulpa will change to
- a desirable form, because it wants to be an impacting force in the
- host’s life. If the tulpa is not memorable, it will make itself as
- obvious and noticeable to the host as possible. In this way, the tulpa
- will try to manipulate its initial concept in form to reflect the
- idealistic representations in the “underlying desires” of the host. No
- need to think of this in a sexual context, because these underlying
- desires may be situational to express primal comforts. Such as, a male
- host who had a sister die sometime in his life, may have started in
- concept with a male friend to communicate with. Then be surprised to
- find the tulpa morph into a motherly, big sister like figure
- involuntarily. Remember, the tulpa knows what the host really desires at
- the basic level, as it is essentially spawned from the subconscious
- mind itself. This is one of the many reasons relationships with tulpa
- thoughtforms are so strongly bonded.</p>
- <h1>Personality</h1>
- <p>A tulpa’s personality is its only direct road to intellectual
- sovereignty. It is not enough for the tulpa to simply mimic the
- ideological principles of the host, as it may work itself into believing
- that it is a slave at the mind of the host, without original thoughts
- of its own; or a servitor. Either that, or the host may think that they
- have have not created a tulpa, but rather a secondary clone persona. It
- may even create a confusing instance of the “Teleporter Paradox”. Mostly
- kidding, but such an action could, in theory, end up with these
- terrifying circumstances.</p>
- <p>So what is a tulpamancer to do? How does one go about creating a new
- personality anyway? Well, it is more simple of a concept than the host
- may realize. Often enough, if given enough time and communication
- through the act of forcing, a tulpa will develop its own personality. In
- the experience of many this proves to be an overall, total process that
- provides results, but is slowly compared to some other methods. Some
- tulpamancers suggest a certain ratio of active and passive forcing, and
- even a strict count of hours; while others suggest games to be played
- with the tulpa to develop a personal relationship, and find shared
- interests. Many hosts also use “parroting” and “puppeting” to reportedly
- great effect, but with some controversy to the tulpa’s intellectual
- sovereignty; though the legitimacy of these claims are debatable.</p>
- <h2>Developing a Personality</h2>
- <p>People have a problem, in particular, more than anything else; in
- developing a tulpa’s personality. It is not something that the host has
- to create for them. Rather, it is a skeleton structure, a seed of the
- whole. The best advice to give would just to be reasonable in this step.
- Often the personality will reflect a tulpa’s outward appearance, or
- vice versa. A person can learn a lot about someone from the way they
- look. Because a tulpa is always an ideological model, the “judge a book
- by its cover” scenario can be implemented, in order to communicate the
- feeling of the tulpa directly to the host without audio input from the
- mindvoice.</p>
- <p>If a tulpa begins to show basic interest in a subject, whether or not
- the host is legitimately interested, it may be best to reinforce their
- research in the subject so that the host can teach them by proxy. It
- will be highly unlikely that a tulpa will take interest in a subject
- that it thinks the host will not have a fascination for already.
- Remember, the tulpa is a commensal organism, which means it will tend
- towards not annoying the host for the purpose of self-preservation.
- Because the host is its sole information vector and computational
- resource, upsetting the interests of the host would not benefit the
- tulpa. If the host is annoyed with a tulpa, it may be thought of as a
- “leech of computational resource and materials” and therefore a
- malignant parasite. For this reason tulpas will tend towards forward
- benefit of the host. Trust in the decisions of the the tulpa, and it
- will often make beneficial changes the host never considered possible or
- oversighted completely. Much in the way of appearance, the personality
- can be changed in this way as well. If the host feels that the tulpa is
- taking advantage of its access to computational resources, or
- information; consider Dissolution.</p>
- <h2>Constructing the Mind</h2>
- <p>Much like the host, a tulpa will have a complex personality with
- characteristics that will be unanticipated. This is a good thing
- however. Much of the power that having a tulpa provides, stems from the
- diversity in its alternative method of thought. It can help the host, in
- many instances, think of situations and problems from a fresh
- perspective. While at the same time, some of the host’s personal biases
- and representations may reflect themselves from within the tulpa. Much
- like best-friends do after knowing them for such a long period of time. A
- host will just “know” what a tulpa is thinking of, how they are doing,
- and what their methods of effective communication are. The host can then
- use this knowledge however they see fit; from using the tulpa to help
- solve complex or analytical problems, especially in the fields of
- philosophy, humanity or morality; to understanding themselves through
- their creation and communication.</p>
- <h2>List of Personality Traits - Supplied By: GGMethos</h2>
- <div>
- <p></p>
- <ul><li>Acceptant of Change</li>
- <li>Affectionate</li>
- <li>Afraid</li>
- <li>Anxious</li>
- <li>Athletic</li>
- <li>Babyish</li>
- <li>Blunt</li>
- <li>Bold</li>
- <li>Calm</li>
- <li>Caring</li>
- <li>Cautious</li>
- <li>Cold</li>
- <li>Controlling</li>
- <li>Courageous</li>
- <li>Creative</li>
- <li>Cuddly</li>
- <li>Decisive</li>
- <li>Demanding</li>
- <li>Determined</li>
- <li>Devoted</li>
- <li>Disorganized</li>
- <li>Dominant</li>
- <li>Dreamy</li>
- <li>Emotional</li>
- <li>Enthusiastic</li>
- <li>Expansive</li>
- <li>Flexible</li>
- <li>Forgiving</li>
- <li>Gentle</li>
- <li>Happy</li>
- <li>Honest</li>
- <li>Humorous</li>
- <li>Imaginative</li>
- <li>Immature</li>
- <li>Impractical</li>
- <li>Impulsive</li>
- <li>Inconsiderate</li>
- <li>Indecisive</li>
- <li>Intelligent</li>
- <li>Introspective</li>
- <li>Kind</li>
- <li>Lazy</li>
- <li>Loving</li>
- <li>Mature</li>
- <li>Musical</li>
- <li>Narcissistic</li>
- <li>Nonconformist</li>
- <li>Obedient</li>
- <li>Observant</li>
- <li>Obsessive</li>
- <li>Obsessive Compulsive</li>
- <li>Optimistic</li>
- <li>Patient</li>
- <li>Peaceful</li>
- <li>Persistent</li>
- <li>Playful</li>
- <li>Quiet</li>
- <li>Rationalist</li>
- <li>Rebellious</li>
- <li>Reckless</li>
- <li>Rude</li>
- <li>Selfish</li>
- <li>Selfless</li>
- <li>Shy</li>
- <li>Sleepy</li>
- <li>Sleepy</li>
- <li>Strong</li>
- <li>Stubborn</li>
- <li>Submissive</li>
- <li>Suspicious</li>
- <li>Talented</li>
- <li>Trusting</li>
- <li>Uncooperative</li>
- <li>Vain</li>
- <li>Well-Read</li>
- </ul>
- </div>
- <p></p>
- <p>A host should have no problem creating the mind, once the first steps
- in the tulpa’s manifestation take place. It will evolve with time.
- However, to help the process along, the tulpamancer may supply the early
- thoughtform with stock ideologies they would find desirable in a
- friend, or other partner. This technique has been reportedly used by
- some tulpamancers, with great effect, because it accelerates the
- definition of identity the tulpa will need to create before achieving a
- sovereign sentience. While in a semi-sentient state, assisting a tulpa
- with basic principles of personality can prove productive. Asking the
- tulpa its sexual orientation for example, could yield a clear result, or
- give an obscurity that the host can address with more “precise”
- conversation later. A host should know immediately the particularities
- of their tulpa’s personality, as it will be hard to avoid. Remember,
- that a tulpa will tend to avoid annoying or provoking the host in a
- harmful way. However, like any entity with feelings and intelligence, a
- tulpa can retaliate if provoked, or supplied with information they find
- upsetting. This is usually in the form verbal communication, use of head
- pressure, or in extreme cases headaches and migraines.</p>
- <h1>Forcing</h1>
- <p>In tulpamancy, forcing is the primary activity that a host will be
- taking part in. It will be an almost daily, if not hourly occurrence
- that the host will partake in. Once the tulpa has been created, it
- should not be sentient, if the host thinks it might be, contact another
- person in the community for peer review. Otherwise, much like any child,
- it will need to learn about the world, its surroundings, and how to
- perform actions. Because the tulpa is inherently loyal to the host, and
- their mentality; its actions will begin to reflect the actions of the
- host. Without forcing, the tulpa’s actions may not be properly directed.
- A host with a sex addiction could create a tulpa, if left unchecked,
- that will emulate these primal desires. The host, may have had no
- intention to create a tulpa for this reason, however, the tulpa was not
- instructed that it was to refrain from sexually exploitative actions.
- People in the tulpamancy community typically do not respect fellow peers
- who create tulpas for sexual reasons. This will be covered later.</p>
- <h2>Basic Communication</h2>
- <p>Once a tulpa has been spawned, there is a chance that the tulpa will
- not communicate at all. Some hosts have reported this happening to them.
- Typically, tulpas with shy hosts will be shy as well, as they tend to
- emulate the personality of their creator, as one would expect. If this
- happens, work on developing the tulpa’s mindvoice. If the tulpa remains
- uncooperative in this respect, seek an alternative form of
- communication. It is possible for tulpas to communicate using an
- inferenced body language, or communicating with the host non-verbally
- through emotional expression. It is also entirely possible that the
- tulpa speaks an entirely different language than the host does. If the
- host searches deep enough, they may find they knew more of this language
- than they thought. The tulpa can pick up any and all information
- located in the host’s subconscious mind. However, it is more than likely
- that the host’s tulpa will have a mindvoice to communicate with. If it
- is not developed to a manageable level, or of an undesired tone or
- execution, consider Parroting.</p>
- <h2>Head Pressure</h2>
- <p>A tulpa will, wither a host wants it to or not, communicate with the
- them in the form of “head pressures” or “head pains”. These two things
- are not boolean, as they can occur as all pressure, no pain, or all pain
- and no pressure. It can also be a little of one and a lot of the other,
- or equally. A tulpa uses this as a primitive form of communication,
- typically when the host is ignoring them, or in order to express a
- feeling of approval or disgust. These “head pressures” are a typically
- harmless feeling that is reminiscent of a gentle expanding of the head,
- and or a tightness or tickling feeling of the scalp or forehead. The
- placement of these feelings can be total, all over the head, or more
- commonly in region specific areas. On the other hand, “head pains” occur
- as a headache, or severe migraine normally in the back of the head
- above the neck; though other places are common as well. A host will
- experience these suddenly, and for an extremely short period of time.
- This the detectable and noticeable difference between a head pain and a
- legitimate migraine or headache. Remember, if these head pains are
- recurring, and or for a significant period of time; there may be a
- legitimate medical reason for such pains, and should be identified by a
- professional.</p>
- <h2>Active Forcing</h2>
- <p>There are two kinds of forcing as far as tulpamancy is concerned;
- active forcing and passive forcing. Depending on the host, they will
- prefer to use one of these methods, or both equally. Active forcing is
- simply the act of communicating to a tulpa with the use of a their own
- mindvoice, referred to as narration. Just as each tulpa has a mindvoice,
- each host has one as well, expressed physically as the voice of the
- conscience; also known as “that little voice inside your head”. In
- manifest, that voice can be used to communicate with the tulpa in a
- direct way through means of conversation. When actively forcing, the
- host assigns a dedicated time period to communicate with the tulpa in
- this way. Often, a meditative stance will be used for this purpose, in
- an environment free of sound or distractions. These meditative active
- forcing sessions should be longer than thirty minutes, but not long
- enough for forcing to feel like work. Actively forcing should be an
- entertaining, developmental conversation between host and tulpa. Sort of
- like a “tulpa and me” time. Simply, forcing is an attempt to visualize
- an element of a tulpa, and develop it into the tulpa’s state of being.</p>
- <p>Once the host has grown accustomed to the way forcing feels, they may
- then begin the process of actually communicating with the tulpa. Rather
- than asking a tulpa to begin forcing, just jump into it. The tulpa is
- as eager to learn about its host as the host about the tulpa. Provide
- the tulpa with a comfortable sense of friendship from the moment the
- process starts. It had been suggested by some to use plural pronouns
- such as “we”, “us” and “ours”, while talking to the tulpa. This will
- help the tulpa accept that it is not alone in the world provided for it,
- but rather as another conscious entity.</p>
- <h2>Passive Forcing</h2>
- <p>Passively forcing, as opposed to actively forcing, is a period in
- which a host communicates with their tulpa, that is not a dedicated
- period of time allocated exclusively for such a purpose. Passive forcing
- can take place while playing a game, reading a book, or doing work.
- During these such times, a tulpa will occupy the mental space of the
- host’s sense of sight, and oversee all of the host’s current operations.
- When the host interjects to the tulpa during such an activity, the
- tulpa will respond, and narration takes place. However, this may also
- happen via the tulpa initiating a conversation. Tulpas in an early stage
- of development, will not typically initiate conversation willingly.
- Active forcing is to get the tulpa accustomed to passive forcing
- frequently, and passive forcing will help get them introduced to
- constant use, and imposition. Also, keep in mind all forcing can be done
- with the host’s actual voice, aloud. While effective, may seem strange
- to surrounding people. If the host wants to bring attention to what they
- are doing, they are welcome to communicate with their tulpa in this
- manner; however strange it may be.</p>
- <p>If the host is forcing, the tulpa should already be manifest; passive
- forcing should take place even when tulpas are just starting to explore
- their capabilities. It is easy to feel if a tulpa is within the mind’s
- scope of reference, dialogue between the tulpa and host should be
- easygoing when forcing passively. Remember, that passive forcing is only
- passing conversation. It can often be entertaining and productive, and
- is typically done at times when the host is in the middle of a novel
- task. Since such tasks are often repetitive, they can become boring.
- Passively forcing a tulpa during times like this is like having a
- lifelong friend with the host all the time.</p>
- <h2>Parroting</h2>
- <p>If a tulpa is having a particularly tough time developing its
- mindvoice, or if the mindvoice is undesirable; for example desiring a
- female mindvoice when a male one is expressed; the host may use
- parroting. Parroting may also be useful in order to predetermine a style
- of speech or set common manorisms. When a tulpa’s mindvoice supplies a
- response to a host’s dialogue, a host may then respond with an
- alternative mindvoice. The tulpa should at that point mimic the response
- of the host, or ask the host why they repeated their response. A tulpa
- should already know the reason for this, but it could help to clarify to
- the tulpa what the intention in their parroting is. Parroting in this
- way can be used to train the tulpa to change their mindvoice into a more
- desirable dialect, or change mannerisms in order to facilitate changes
- to their overall behavior. A significant change in a tulpa’s mindvoice,
- can see a much larger change in the attitude or form of the tulpa as a
- whole. Remember, all parroting does is provide a clear example for the
- tulpa to follow.</p>
- <h2>Puppeting</h2>
- <p>Much like parroting, where the host supplies a sound example for the
- tulpa to follow; puppeting is the same, but for movement. Puppeting in
- some ways is more difficult than parroting. Primarily, this is due to
- the fact that the host has to either visualize the tulpa’s movement
- through pure imagination, which is hard to do; or has to act them out in
- real space, where the tulpa visualizes from there using the host’s
- sense of sight. The host has to deal with being seen doing this.
- Puppeting can be used to correct problems with a tulpa’s body language,
- can help make the body language easier for the host to visualize, or
- help in developing the tulpa’s form.</p>
- <h2>Controversy</h2>
- <p>There is a certain amount of controversy around parroting and
- puppeting. Some hosts think that parroting and puppeting legitimately
- helps the tulpa in the ways described before, while others think that it
- forces the tulpa to adhere to standards it cannot be expected to meet,
- and is therefore a slave that mimics the actions the host assigns it.
- Some tulpamancers even suggest that tulpas that learn from parroting or
- puppeting never achieve sentience, because the appearance of what the
- host described as “correct” actions, and intelligent actions of the
- tulpa that change behavior to a desired standard; is indistinguishable.
- For this reason, it have been deemed taboo by some sects of
- tulpamancers. However, this is in no way as extreme as some other taboos
- are within the community. More progressive tulpamancers have begun
- encouraging the use of parroting and puppeting; defending its
- legitimacy. This guide does promote the use of parroting and puppeting,
- but in moderation. The host should understand, that while parroting and
- puppeting are useful, they can be considered “addictive” in its premise;
- as a host may rely on it too heavily.</p>
- <h1>Wonderland</h1>
- <p>One of the weirder pieces of terminology a host is going to need to
- recognize, is “wonderland”. This wonderland, much like Alice’s
- Wonderland, is a world in the mind of the host where a tulpa will
- “live”. This wonderland may be manipulated by the tulpa in the same way a
- host manipulates objects within their plane of existence. More
- importantly, it serves the purpose of giving a space for the tulpamancer
- to communicate with their creation.</p>
- <h2>Use of the Wonderland</h2>
- <p>In addition to giving the tulpa a place to survive within, a
- wonderland serves many more purposes than that. A host may use their
- wonderland as a barrier. When a tulpa is first created, it has a nearly
- unrestricted access to the host’s subconscious mind, other than the
- “stop prying for information” order from the host. In the metaphorical
- sense, a tulpamancer can construct a wonderland in a way that would
- restrict a tulpa’s access to information the host does not want
- addressed. This may be used in the case of a traumatic event within the
- host’s life. The simple act of visualization makes things manifest
- within the wonderland, and the use of the mindseye is most powerful in
- this realm.</p>
- <p>The host will also be manipulating objects within this space with
- their mindseye. Wonderlands do not only serve as living space; active
- forcing may also take place here as well. In order to train the host for
- the imposition phase of tulpamancy, if they desire to do so, will need
- to practice visualization at the macrocosmic level. Therefore, a
- meditation style and technique will be needed; in an area free from
- distraction for a significant period of time. Enough time spent doing
- this, and clearly visualizing both tulpa and wonderland, will cause the
- host to become present within it. This allows the host to communicate
- more personally with the tulpa from within its own personal space;
- providing better host-tulpa communication.</p>
- <p>Wonderlands may also serve the purpose of an information archive. A
- host could catalog their memories within the wonderland in the form of a
- book, computer, or alternative visualization medium. Having information
- accessed more concretely, in this way, can significantly help improve
- memory recall. This is one of many techniques used by memory competition
- champions.</p>
- <h2>Creating the Wonderland</h2>
- <p>The host should start creating the wonderland, if they desire one,
- once the tulpa’s creation has been completed, even if the tulpa has not
- yet reached sentience. This will give the tulpa a place to explore and
- learn passively, how to manipulate the host’s mental framework, clueing
- the tulpa into how the host thinks, moves, and acts. A tulpa can also
- watch the host in the “outside world” from within the wonderland. While
- they may have been able to do this already, wonderland creation can be a
- fast and simple fix if this is not happening.</p>
- <p>The initial concept or theme of a wonderland should, again, reflect
- the personality of both the tulpa and the host in an obvious way. A
- steampunk themed tulpa should be in a brass wonderland, where a
- sophisticated princess should live in a castle; if the tulpa is a
- conformist that is. It should be relatively obvious how the host should
- start with the design phase, and the theme should be an immediate
- creation that will require little thought. The host needs only to focus
- on creating a planet, a finite space, or an infinite void with sporadic
- occurrences of elements from the desired theme, and from there the tulpa
- can take over if it wishes to do so.</p>
- <p>If the host wants to go the extra mile however, they will need to
- create a area for the tulpa to explore in a meaningful way. Providing
- multiple places or structures the tulpa can choose from, would be a nice
- addition. Detail such structures very specifically, and with
- rememberable design elements. Draw out terrain maps or floorplans of
- common areas to help visualize the wonderland in specific intervals.
- Keep a journal of changes made to the wonderland, and the area explored
- or mapped. Some hosts start with the most basic of all wonderlands,
- expanding the area only as the tulpa traverses, while others keep to a
- strictly finite area available for movement, such as a single room,
- house, building, city, or a void in which the exact position is
- impossible to determine. A dark and shadowy figure of a tulpa would be
- perfect for this kind of environment, as it would fit the tulpa’s theme
- without feeling out of place.</p>
- <p>In order to hide information from the tulpa, the host needs only to
- visualize a library, or a vault, or other clever means of storing
- information in a secure way. The tulpa then can be told not to access
- this information, or it can even be hidden in a dimension that the tulpa
- cannot even visualize within their own record. A tulpa can only see
- what is assigned to it by creating a wonderland, and things that it
- manifests within that wonderland. The host’s imagination supersedes the
- information created by the tulpa, thus a host can just think their
- manifestations away. Tulpa’s intentionally circumventing such mental
- barriers can be further restricted with the creation of laws within the
- wonderland. Simply enough, “A tulpa cannot create objects without
- permission.” would prevent an exploit of this nature. Any tulpa
- attempting to do this however, may not be a beneficial construction.
- Though, for most purposes, additional security measures could be taken
- to be mitigate access privilege; such as a labyrinth, or “tulpa proof
- door”.</p>
- <p>Again, like the form of a tulpa; a wonderland does not have to exist
- necessarily. A tulpa can function fine without one, and in fact saves
- some work for the host. Besides, a tulpa without a form may not make
- sense in a world of its own. A world reflecting the personal style of a
- being without style would be; nothing. Unless of course, having a tulpa
- without a form interacting with a wonderland interests the host. In that
- case, experiment with that if desired. Also consider that any tulpa,
- form or not, is fine without a wonderland, some even prefer being
- without one. Though wonderlands can be fun to create, it may not be what
- the host or tulpa desire in the end.</p>
- <h2>Evolution of the Wonderland</h2>
- <p>Like everything the host will do that the tulpa will interface with,
- the wonderland will change over time. The tulpa will create belongs and
- furnish its environment, making it into a more comfortable living
- arrangement. Interfering with the tulpa’s comfort space is not
- suggested, as it could retaliate. While non-violent, it could take time
- to reach a diplomatic solution to such interference. Dissolving a
- wonderland is never a good option, and by the sheer nature of its
- properties, a wonderland can be simply be expanded upon or changed to
- willfully fit a new design parameter. Often without destroying the
- current objective and functionality. Just note any changes the tulpa or
- host have made to the wonderland as a whole. Also consider that it is
- possible to create multiple wonderlands and link them together into a
- “multi-wonderland”, for more than one tulpa. Tulpas may also
- simultaneous occupy the same wonderland. While it may not fit the style
- of any new tulpa, wonderlands can be expanded, and borders can be set.</p>
- <h1>Relationship</h1>
- <p>The tulpa-host relationship is an important one worth maintaining. It
- can sometimes be difficult, if the host has other ventures in their
- private life that may prevent the host from being able to communicate
- with the tulpa for a period of time. A tulpa needs attention from the
- host to maintain its state of being, ignoring a tulpa will tend to cause
- it to dissipate. Here, methods will be included for helping to
- strengthen the tulpa-host bond in a productive and otherwise useful way.</p>
- <h2>Log Details</h2>
- <p>If the host is a particularly good artist; they may also want to
- consider drawing as a method of executing this suggestion. Get a
- notebook that will act, not a journal, but as a place to log thoughts
- related to tulpamancy or the tulpa itself. Early in the tulpa creation
- process, gathering up a pad and paper and writing down the details of
- the form, and personality is a good idea. In extension, for each choice
- the host implements in the original design, write a very specific reason
- for why this was selected the way it which it was. It could later help
- convince a freshly sentient tulpa to the host’s way of thinking,
- influence desired changes, or inspire new changes from the tulpa itself.</p>
- <p>In a similar way, always log information given to the host from the
- tulpa related to its likes, dislikes, and personal preferences. Because
- it is an independent entity of the tulpamancer, it will have its own
- opinions about things, and this can be often difficult to remember.
- Cataloging these can help the host refrain from wasting time with the
- tulpa later, and can help concretely define the tulpa’s personal
- identity.</p>
- <h2>Chronicle the Experience</h2>
- <p>There are hosts who swear by logging the number of hours forced each
- day. This can help the community look over the any tulpamancer’s logs to
- determine if they are forcing enough, or to diagnose problems that stem
- during the process as a troubleshooting technique. Making a more
- detailed analytical journal of the tulpa over time, can be helpful for
- both the host, and for other tulpamancers researching the topic. Any
- host can do this, and it can help provide a substantial amount of
- research material to a subject people are only beginning to understand.
- Logging the tulpa’s behaviour, changes, mannerisms, appearance,
- wonderland, and even communication itself is key to keeping a good log.
- Also, do not forget to write down the number of hours actively forced
- when doing this. Passive hours do not matter for this purpose, and are
- hard to statistically identify anyhow, unless the host already has a
- schedule. Remember, the host is in no way required to do this. In fact,
- it is time consuming, and not suggested for people new to tulpamancy.</p>
- <h2>Interpersonal Relationships</h2>
- <p>Believe not all tulpamancers see tulpas as friends, or as lifelong
- companionship. In the tulpa world, there is the normal tulpa-host bond,
- and then there is an interpersonal relationship. This is where the tulpa
- stops becoming a research material, or a tool, and becomes a person
- with real feelings, with real possessions, and need to attention.
- Tulpamancers who develop a tulpa to this stage, tend to continue onto
- the imposition stage of development. While it is not entirely necessary
- to perform imposition, it provides a drastic improvement to the
- tulpamancy experience as a whole. When a tulpa is imposed, a host can
- experience the tulpa with all of their senses.</p>
- <p>An interpersonal relationship can be held without imposition. It is a
- relationship, much like a platonic relationship; where affection may be
- expressed in a way that is only to express admiration. This is a
- typical “good” reason for creating tulpa, and is a way to keep from
- being totally alone in ones life. Especially during times where the host
- is depressed or does not have a present traditional relationship. The
- abject loyalty of a thoughtform by default, is a tempting prospect for
- this reason. The permanence of the tulpa-host bond does not impact some
- strongly enough to prevent them from making this irreversible decision.
- However, hosts that create tulpa for this purpose have no intention of
- ever letting them go.</p>
- <h2>Sexual Relationships</h2>
- <p>The Tulpanomicon would not have a complete relationship
- section without covering sexual relationships. While
- the Tulpanomicon in no way endorses or suggests this kind of
- action, it will be discussed. A large portion of the tulpamancy
- community frowns upon the use of a tulpa as a sexual tool. However, a
- relatively acceptable medium in this controversial debate; is an
- interpersonal tulpa-host relationship that takes part in sexual
- activities occasionally, as any other human-human relationship would. In
- this case will the Tulpanomicon consider developing a sexual
- relationship.</p>
- <p>First and foremost, creating a tulpa for the expressive purpose of
- using it as a sexual fantasy generator, or toy is seen by the community
- as “brainwashing” and ultimately; rape. It does make sense in this
- context, but because it is not illegal to rape a mental thoughtform,
- whatever a tulpamancer does with their thoughtform is on them; as long
- as nobody knows, they cannot judge a host for it. Therefore it is
- pointless to bring up in a public setting. People who do this typically
- have a mental disposition to enforce control, so it is better sensed to
- act it out on a thoughtform rather than a human being. It is a moral
- quandary that will always cause controversy, no matter its context.</p>
- <p>Therefore, when discussing a tulpa-host sexual relationship, we are
- talking about using a forcing period in for the predetermined act have a
- having sexual intercourse. This is particularly difficult to do through
- visualization alone, especially for the tulpa, as they may not have yet
- experienced such a feeling any way; nor is it easy for the host to
- describe. Also, consider the prospect that the tulpa may not emulate
- human anatomy. The host would then need to force the tulpa in order to
- develop a clear visualization of the tulpa’s sexual organs which then in
- turn would need to be researched in a manner that would not offend the
- tulpa. Only after this, could the act really begin, and then the host
- would have to visualize their own actions within the wonderland, which
- during the act of sexual intercourse may simply be too difficult for the
- host to perform. This may not be needed if the host already has the
- ability to impose their tulpa, which would provide a much more sensory
- experience anyway.</p>
- <h2>Masturbation as a Forcing Technique</h2>
- <p>In order to solve complexities of the forcing, there is another “more
- productive” method of actively forcing sexual intercourse. Its easy, it
- is time that can be dedicated to the tulpa, and it can be used to
- strengthen the tulpa-host bond in a sexual relationship. To begin using
- masturbation as a forcing technique, just as in normally actively
- forcing, the host will need to be in an environment, alone and free of
- distractions, which would be ideal for what the host would be doing
- anyway. Ideally, a time period and location would be selected which
- would maximize the “exposure” of this exposé. Climb into bed and strip
- down. It may be beneficial to strip down entirely, and lay face up. At
- this point, simply force the tulpa on top, and go at it. This position
- should be relatively easy to perform for both genders, but both people
- and tulpa are creative. Something more “difficult” can be arranged.</p>
- <p>Note like any host, a tulpa can also develop a sexual addiction. This
- can drastically change the tulpa’s behavior, and form as well. Often,
- sexually influenced changes, much like any other powerful feeling or
- emotion can be difficult to reverse if the host later deems such action
- is necessary.</p>
- <h1>Imposition</h1>
- <p>Imposition is a more extreme version of the controlled hallucination
- that is, tulpamancy. Through imposition, a host may be able to
- experience a tulpa in the waking world, potentially at all times, with
- the use of all of the usual senses. Imposition is a very difficult
- process that will take a significant amount of time, perhaps many
- years, to make permanent. For some, imposition with all of the manifest
- senses is the end goal of creating a tulpa. It provides a personal
- alternative to human companionship, with all of the benefits, and none
- of the adverse effects. An imposed being does not eat, sleep, consume
- resources, is omnipresent, knows all of the host’s secrets, and cannot
- tell a soul. Only the host can hear it, and only the host can respond to
- it; however the tulpa can respond to whatever it hears and provide
- input. While imposing, rather than doing this from within the wonderland
- in the hosts mind, they can do so standing an arms length away. Keep in
- mind, even though a tulpa is imposed. Reaching out to touch them, or
- talking to them aloud is an easy one way ticket to the ward.</p>
- <h2>Presence Imposition</h2>
- <p>Before beginning “sensory imposition”, it has been suggested to begin
- with presence imposition. Presence imposition is a feeling of awareness
- a person would normally receive before a sensory response. The feeling
- of having someone looking over the shoulder, or walking behind the host.
- This form of imposition can be done with little difficulty and can help
- a tulpamancer practice imposition before attributing their senses to
- it. Imagining a wisp of smoke before a form, or a whisper before a
- sound. Basic practice makes advanced concepts easier. Start from the
- bottom, and add layers of complexity from there.</p>
- <h2>Sound</h2>
- <p>The first of the senses to discuss when imposing, is the sound a
- tulpa makes. A primary portion of a tulpa’s sound is the mindvoice,
- which is already an audio hallucination to begin with. However, the
- major difference between the mindvoice, and imposing a voice, is that
- while the mindvoice is heard in the head. Imposing a voice is done with
- the ears. The important aspect to realize about this, is the human ear
- has been developed to “audio locate”. Imposing successfully would
- require the host to be able to locate the tulpa through sound alone, if
- necessary. The host must also consider that the voice is not the only
- sound a tulpa makes. If they want an imposition in full, they will have
- to consider everything; from the sound of footstep on over light leaves,
- to the awkward sounds the tulpa’s body makes in proxy like the
- heartbeat, or air pockets moving throughout the body cavity, if there
- are any. For these reasons, sound is a difficult and often complicated
- to impose completely.</p>
- <h2>Sight</h2>
- <p>Of course though, it would be pretty hard for a host to hear where a
- tulpa behind them if they cannot complete the whole audiovisual
- illusion. Sight imposition is one of the harder senses, if not hardest,
- to impose, Due to the specific reason a tulpa exists in a non-physical
- space and will, once imposed, need to interact with the physical
- environment. An imposed tulpa cannot open a door, but can respond to the
- door’s movement if it is being moved towards them. A tulpa will still
- need to be able to sit in a chair, or lay on a bed. Imposing more
- difficult visualizations like water droplets falling on them
- during rain or in the shower. The wet gimmer of skin, or shimmer of hair
- in sunlight. These are all things may eventually need to be practiced
- during imposition. A suggestion, would be to begin with a ghostlike
- figure of a tulpa manifest, as in presence imposition, and work from
- there. Visually imposing a tulpa without a form may not be necessary,
- however the tulpamancer may find a sense of “knowing where the tulpa is”
- difficult to perfect. Also, keep in mind that sight imposition is one
- of the few cases to take caution in. Do not exert the human brain too
- hard. A host, through sight imposition, can easily cause themselves,
- headaches, lightheadedness, migraines, and even nose bleeds.</p>
- <h2>Smell & Taste</h2>
- <p>A strange but thoughtful part of tulpa imposition, are the senses of
- smell, and taste. A tulpa will have a smell, the host will have to find
- what those smells are, and place them. It is also weird to think of what
- a tulpa may taste like. A common tulpa experiment would be, because
- tulpas do not feel pain, to simply take a bite from them; please note
- that not necessarily painful, a tulpa may be offended by this action. A
- tulpa is a sovereign entity, and may require permission from the host
- before participating in such experimentation. More exactingly, what does
- their skin taste reminiscent of, when kissed does their saliva if they
- have any produce a flavor, what about excretion from sexual organs, or
- other bodily fluids, again if they have any. Do these things also have
- separate scents associated with them? These are all questions the
- tulpamancer will need to address.</p>
- <h2>Touch</h2>
- <p>Often the touch of a tulpa upon the host is a simple thing to
- experience. Much like the feel of goosebumps in a cold breeze, the
- waking mind can be tricked into imposing this feeling upon the host.
- Sight of the tulpa may be needed to do this, making touch a ancillary
- step. Once the tulpamancer can visualize the tulpa’s movements, the mind
- will take over and experience a tulpa’s touch, sometimes through the
- mechanism that controls the touch sense; even though the host may remain
- perfectly calm during this; sometimes it experienced as a chill or a
- tickling sensation. Hosts have also experienced pressure on the skin
- from the tulpa, but this is not often and may only occur for people well
- versed in touch imposition. Note that sight imposition is not required
- for touch imposition to occur, and may cause the host to be touched
- without a noticeable origin.</p>
- <p>The other way touch can be expressed is by having the host touch the
- tulpa. This is definitely far more difficult to achieve than the host’s
- response to the tulpa touch. A tulpamancer will be considered successful
- in doing this when they can stroke their tulpa, and not have their hand
- pass through them. The tulpa’s body, and clothing should provide an
- appropriate and proportional amount of resistance. In comparison to
- other people the host would touch on a daily basis. If this kind touch
- is the only of the senses imposed, this would be be considered enough to
- be “considerably successful” in imposition. Keep in mind, that the
- tulpa will need to react to the touch other people, and objects in the
- environment. In this respect, the tulpamancer will need to have a feel
- for the gravity of the tulpa’s movements. If they are not correctly
- applied, the tulpa will respond naturally and it may need to be
- corrected.</p>
- <h1>Dissolution</h1>
- <p>Dissolution is the act of diminishing a tulpa or destroying a tulpa
- completely. There are a number of reasons a host may want to do this. If
- the tulpa is causing harm to the host or permanent harm to itself of
- other tulpas. If it is evolving into something a host was seeking to
- avoid or if it is emulating the host enough that it is suspected it may
- be a duplicate personality thoughtform. If it attempts to access
- information that is was explicitly told to avoid, violates rules or laws
- set by the host, or attempts to take advantage of the hosts primal
- weaknesses, draining computational resources. All of these are reasons
- someone would consider dissolution. There are a few methods of doing
- this, they are covered below.</p>
- <h2>Ignoring</h2>
- <p>Every tulpa needs attention to survive. Because of the way the brain
- works and how synapses are built, activities and actions not reinforced
- often will weaken over time. Tulpamancy works in the same way. If a
- tulpa is avoided for a significant period of time, it will slowly lose
- some aspects of itself, and appear less and less frequently on its own.
- Even the most dangerous tulpas, as long as they are not acknowledged,
- will be weakened and degrade over time when ignored. During this kind of
- dissolution, it is essential to not bring attention to the tulpa, no
- matter how it attempts to communicate with the host. Sleep often if the
- tulpa has existed for a while. Read books, play games, go about daily
- life. Stop forcing it, stop visiting the wonderland, stop talking to it.
- The tulpa will eventually retreat. Note, that this will not destroy the
- tulpa, it will only prevent it from appearing. Attempting to force with
- it will work, but it may retreat into a pre-sentient state.</p>
- <h2>Destructive Forcing</h2>
- <p>Similarly to active forcing, destructive forcing is time a host
- assigns to a tulpa for communication. Instead of making forward process,
- the opposite is true. This may work with tulpa that are out of control
- in a mild way. Similar to grounding it, the host could slowly remove,
- block off or destroy parts of the tulpa’s wonderland. If this does not
- cause a change in behavior, simply start communicating with it in a
- vocal way, parroting an puppeting every action it makes, until it
- becomes a personality doppelganger. This can, destroy a tulpa, and
- should only be done it extreme cases.</p>
- <h2>Tulpa Override</h2>
- <p>Simply, a tulpa override is a process by which, a host creates
- another tulpa to take the place of, and absorb the other tulpa’s
- assigned mental space and wonderland. The tulpas for a time will
- co-exist. Creating an atmosphere of distrust in the problematic tulpa
- may trigger a self preservation response in the new tulpa, causing it to
- seek attention at every available opportunity, cutting off the other
- tulpas movements. Once weak enough the other tulpa would just take the
- properties of the old tulpa and dilute them into a harmless and
- rejectable slurry of bad ideas. Bad tulpas a good to use as examples of
- what not to be.</p>
- <h1>Alternative Methods</h1>
- <p>The following is a short list of alternative games and forcing
- methods that may help a host become a better tulpamancer. This is always
- expanding, if anyone has a suggestion for this guide, feel free to
- forward it over.</p>
- <h2>Ask a Question / Get a Question</h2>
- <p>It is a simple enough game between tulpa and host. While actively
- forcing, the host will ask the tulpa a question, and then the tulpa will
- have a chance to ask the host a question. This will continue as long as
- possible between both players. The questions asked and answered during
- this game can be logged to help the host learn more about thierself, and
- their tulpa. It also helps provide a list of questions not to ask
- another day.</p>
- <h2>Circle Line Circle</h2>
- <p>This is an art activity with a very simple concept. It is suggested
- to, not only help hone the artistic skills of the host, but to help in
- developing recognition of planar geometry. This activity is easy and fun
- to do. Grab a sheet of paper; printer paper works well for this, but
- anything is fine. Obtain a writing utensil; specifically a pen. Why must
- it be a pen? If the host “messes up” during the process of this
- activity, they cannot be allowed to erase it. To start, the host must
- draw a circle on the page. Not large enough to cover the paper, but
- small. From the circle, the host must then draw one straight line from
- the edge of the circle to any point on the paper. This can be done at
- any angle the host wishes. From this point on, the host must then do one
- of the following.</p>
- <ul><li>- Draw one new straight line from the edge of a circle to a random point.</li>
- <li>- Draw one new circle at the end of a line not connected to a circle.</li>
- <li>- Draw a new circle concentric to an existing circle that share the same center, the larger completely surrounding the smaller.</li>
- <li>- Draw one new straight line from the edge of a circle to the edge of another circle.</li>
- </ul><p></p>
- <p>The host will then repeat this process until they feel they need to
- stop, or have become bored of the activity. The same rule can be
- followed any number of times before switching to a new rule. If the host
- has become bored, consider the Parallel or
- Perpendicular activity.</p>
- <h2>Parallel or Perpendicular</h2>
- <p>Much like the Circle Line Circle art activity, this is used
- to help get the mind used to imagining planar spaces. This will also
- need to be done with a pen. The host will draw one short straight line
- segment of any length. From there the host will select one of the
- following to do.</p>
- <ul><li>- Draw one new straight line parallel to an existing line, that does not touch that line.</li>
- <li>- Draw one new straight line perpendicular to an existing line, that touches that line.</li>
- <li>- Draw one new line with a curve parallel to an existing line, that does not touch that line.</li>
- <li>- Draw one new line with a curve perpendicular to an existing line, that touches that line.</li>
- </ul><p></p>
- <p>The host will then repeat this process until they feel they need to
- stop, or have become bored of the activity. The same rule can be
- followed any number of times before switching to a new rule</p>
- <h1>Special Thanks</h1>
- <p>to: GGMethos, metenamina, Phi, t7cb952c9c050, throwaway_tulpa, [everyone at /r/edditTulpas]</p>
- </div>
- </div>
- </body></html>
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement