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  1. Bibliography:
  2.  
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  33. Gay, John (1728), ‘The Beggar’s Opera: As it is Acted at the Theatre-Royal in Lincolns-Inn-Fields’, in ‘The Beggar’s Opera and other Eighteenth-Century Plays, repub. 1975, Everyman’s Library, London.
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  39. Kerz, Leo (1968), ‘Educational Theatre Journal’, Vol. 20, No. 3 October, The Johns Hopkins University Press, pp. 363-369.
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  49. Marx , Karl (1845), ‘Theses on Feuerbach’, repub. 2009 in Feuerbach, by Engels, Friedrich, trans. Lewis, Austin, Mondial.
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  51. Miranker, Emily (2008), ‘An Infinity of Questions: Dramatising Science on Stage’, OhioLink, USA, pp. 1-41.
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  53. Mumford, Meg (2009), ‘Bertolt Brecht’, Routledge, Taylor Francis Group, Oxon.
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  55. Munk, Erika (1967), ‘The Relevance of Brecht’, TDR (1967-1968), Vol. 12, No. 1, Bertolt Brecht (Autumn), The MIT Press, pp. 20-21.
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  57. Murphy, Shane (n.d.), ‘Petroleum Resists the Five-Act Form: Brecht’s Anti-Naturalism’, University of Aberdeen, pp.1-2.
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  59. Schubart, Christian (1806), ‘Ideen zu einer Aesthetik der Tonkunst’, edited by Schubart, Ludwig; translated by Steblin, Rita; Vienna: JV Degen, pp. 315-17.
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  61. Shepherd, David G (1993), ‘Bakhtin: Carnival and Other Subjects: Selected Papers from the Fifth International Bakhtin Conference, University of Manchester, July 1991’, Vol. 4, Issue 2, Rodopi.
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  65. Viertel, Bertold (1945), ‘Kenyon Review’, VII, Ohio.
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  69. Weisstein, Ulrich (1963), ‘Brecht in America: A Preliminary Survey’, MLN, Vol. 78, No. 4, German Issue, October, The Johns Hopkins University Press, pp. 373-396.
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  73. White, E.W (1935), ‘Life and Letters Today’, September, London.
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  77. Xingdao, Li (c 14th Cent.), ‘Circle of Chalk’, Eng trans. James Laver, 1929, Heinemann Publishing House, London.
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