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Lottery Anon greentext (will-o-the-wisp)

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Jun 30th, 2015
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  1. yfw you get [a will-o-the-wisp] in the gatcha machine
  2.  
  3. - - - - - -
  4.  
  5. >Visiting your family for a get together
  6. >Hug hug, kiss kiss, all that bullshit, mom still nagging
  7. >"When are you going to find a girlfriend? When will you give me grandchildren?"
  8. >Geez Ma, give it a rest you have 4 grandchildren already
  9. >"Yeah, now I'm waiting for yours"
  10. >Bitch
  11. >Decide to walk around the old neighborhood to get away from the teasing, and maybe see old friends, which you do
  12. >Shoot the shit and talk about younger days, better days
  13. >Then you meet their wives
  14. >Traitors
  15. >You notice most of them are married to mamono, damn things really make it hard for a guy to stay single, you've lost many drinking buddies that way
  16. >You say your goodbyes each time, reminding them to drop by the hou-no, fuck that, you don't need to give Mom any more ammo
  17. >Keep walking, ending up at your favorite candy shop in town from when you were a kid
  18. >Besides a few touches of paint, it looks exactly the same
  19. >If you don't count the lamia attendant that has replaced the sweet old lady from your memories
  20. >You hate this
  21. >Talking to mamono that is, ten years back you'd have jumped for joy and stripped yourself in the quad at school, woody at attention for whoever wanted a taste, but now, they just seem so...
  22. >"Sir, I had hoped you came to buy something, but if you're interested in being a statue, I have a medusa cousin who's single"
  23. >...brusque
  24. >The sudden snark breaks you out of your thoughts, you quickly apologize to the lamia and grab some sweets and place them on the counter top
  25. >As she sorts them, you see the ring on her finger
  26. >Good, no threat there
  27. >You give her the rundown on why you're here, and dare to ask where she's from, and if she knows about the old owners of this place, asking about the old lady in particular
  28. >She smiles, and tells you she's the old lady's granddaughter
  29. >Well Fuck
  30. >You sit and talk for a while, sharing stories, and she invites you to drop by and see her "gammy"
  31. >Delighted, you accept
  32.  
  33. >You introduce yourself to her as Anon
  34. >"Layla, pleased to meet you Anon!" she says with a bright smile
  35. >See, why can't it be this easy to talk with most mamono? It's all rape this and babies that in the city, but here, seems country life has gotten even to these nymphos
  36. >She goes to get the "back in 15" and tells you to wait for her
  37. >As turn to exit the shop, you see one of of those coin machines with prize tokens you used to love
  38. >For some reason, the machine is plastered with pictures of different mamono
  39. >This barely registers with you as you insert your money and turn the crank
  40. >Out comes a plastic ball with a cute... slime? You think it's a slime
  41. >Oh who cares? Souvenir!
  42. >Layla comes back into view and catches you staring at your prize
  43. >"Anon, did you use that machine?"
  44. >You nod
  45. >"May I see your prize?"
  46. >You don't see why not
  47. >She looks at it you swear she goes a little pale
  48. >She grabs a nearby marker and writes something on the prize, before dropping it in what appears to be a mailing chute
  49. >You gripe that she just cost you fifty cents on top of the sweets, why did she do that?
  50. >She says it'll all become clear in a minute and takes you to see her grandma
  51. >You make your way into the dimly lit house, a couple if turns and you're there
  52. >She too, is just as you remember, except for a buttload of extra wrinkles of course
  53. >It takes a minute for her to recognize you, but she opens her arms for a hug the second she does, one you're happy to give
  54. >She grills you about your life since you've gone away. She tells you about her grand-kids, the town, the couples in it
  55. >She seems oddly proud when she speaks of couples
  56. >Before you realize it, night has fallen
  57. >Layla slithers to her bedside and whispers something in her ear, making her grin
  58. >"Used the machine did he?"
  59. >The lamia whispers something else and the grin is gone as quickly as it came
  60. >Now you're really weirded out
  61.  
  62. >"Anon" she utters quite solemnly, "are you aware of how many young people leave this town on a yearly basis?"
  63. >You don't, but you surmise that a lot, small towns in the middle if nowhere are only popular with serial killers and folks in their twilight years
  64. >"Well", she continues, in order to keep this place alive, we needed new blood, young blood, and with the outpouring of people, and the arrival of mamono, men are quite scarce here..."
  65. >You don't like where this is going
  66. >"...and so, we took steps."
  67. >You ask what kind
  68. >"In order to protect the men in town, we made a lottery, to make sure there would be no fighting and every girl would get a shot at the action, and you've placed yourself in the middle of it"
  69. >So, what, now you have to marry some slime girl you don't even know? Fuck that! Take it back! FIX THIS!
  70. >She explains they can't. Any man who takes a shot with the machine must follow through
  71. >Or be made to, mamono girls aren't that picky about seduction or force, but she tells you to take heart, they make very good wives
  72. >You stare at her long and hard, if looks could kill...
  73. >You ask if there's any particular God damn reason, why they wouldn't make visitors aware of this system
  74. >She simply says they aren't picky about deception either
  75. >You ask who specifically came up with this crap, teeth clenched
  76. >"Gammy did", Layla says.
  77. >There's a long silence before you bolt straight up, running out of the room, that house, that hag, THIS FUCKING TOWN!
  78. >Of course you were right to leave! Of course those cock worshiping whores would pull something like this! They're the same as the ones in the city, they just hide it better
  79. >You run, rage and fear powering your limbs, trying to put as much distance between yourself and that place as you could
  80. >You scream at the top of your lungs "FUCK MONSTERS!" An Oomukade skitters out of the shadows and raising her waist cloth says "Yes please." You stare blankly before moving on
  81.  
  82. >You make you way back home and make a beeline for your room to get your car keys.
  83. >Located. Gotten. Fuck this place you're out.
  84. >Your parents ask what's wrong, but between the thirst and your heart and lungs competing for the title Lord of the Dance in your chest, there's you keep it short; getting out of town, see you never
  85. >You to the garage and as if by asshole magic, you're boxed in
  86. >You call to your brothers to move their cars
  87. >No response
  88. >You go back in the house to let them know you are not fucking around and-
  89. >Why is everyone staring at you? No, If you were calmer you'd get it, you are acting like a madman, but still, you'd think family above all else would understand
  90. >Why are they just standing there? So quietly?
  91. >Suddenly, you're pulled off your feet and dragged towards your room. You grab onto the door frame, screaming for help, but still they just stand there
  92. >Your grip gives out and you're flung inside, the door shuts, leaving you in the dark
  93. >You pant harshly, trying to get your bearings. Going out the window is out, you'd never break the panes before whatever is in here gets you
  94. >Blue flames come alive from nowhere, bathing the room in an eerie glow, but granting you vision
  95. >You search through your drawers and pull out one big knife, thank you teenage angst
  96. >You look at the spectacle cautiously, knife gripped hard in your hand, as the flames die down and coalesce into a humanoid form
  97. >You grip the blade in both hands now, ready to run your kidnapper through and escape this nightmare
  98. >"Anon, finally, you're here" a light, ethereal voice says, female too, you think
  99. >You lunge at it, and press the blade as far as it will go, but meet no resistance and trip over yourself, losing your weapon in the process
  100. >You scramble to get it, but feel your body getting stiff, every hair standing on end, every nerve ending screaming "danger"
  101.  
  102. >You're on your back as the figure straddles you, flames roaring back to life as it draws closer, prompting you to shield your face
  103. >It grabs your hands and you brace for the pain, but it doesn't come, instead, a pleasant coolness hovers on your skin
  104. >"Don't be afraid" it says as it holds your face in its hands
  105. >Afraid you can't comply
  106. >The brightness dies down and finally you're able to clearly see your captor. Curled white hair, blue skin, full luscious lips
  107. >But it's her eyes that get you. Black. Blacker than Hell's darkest pit, look too long and it's like they suck you in, you shudder as you look away, closing your own
  108. >You feel her hands move up from your stomach to your chest. Your shirt is ripped open and you involuntarily twitch as she licks your stomach, small shocks of electricity pecking at your skin
  109. >You feel her cold breath on your face "Anon, what's wrong? You're trembling" she says as she sweetly caresses your face. "Look at me. Anon, look at me" she pleads again and again, but you don't
  110. >You feel her weight leave you, and after some time, you open your eyes. She stands with her back to you
  111. >You get on your feet slowly, you don't know what's going on, but you begin making your way to the door, turning the knob as quietly as you can, but you're no ninja
  112. >The lock clicks, prompting her to face you
  113. >She's crying
  114. >Damn girls, always trying to get a guy's goat, and big softy that you are, it's working
  115. >You let go of the door and face her, a long silence hangs between you before she speaks
  116. >"Did I do something wrong? Do you hate me? I thought you would be happy."
  117. >She takes a step forward, then another
  118. >"Or, you can tell me what you like, I'll do whatever you want, I know I'm not experienced, but for Anon, I'll do anything!" her voice growing more desperate with each step
  119. >She soon closes the distance and hugs you, sighing contentedly. She squeezes you just a bit tighter as seconds pass
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