Suicide Squad

Page 1
Dr. Death stands in black in a golden field, behind him stand several Wolves and Kuroda, one wolf sits on his knee as he looks through his binoculars

Page 2
panel 1
pov from the binoculars, children play at a park and a blue filter lays over the image

Panel 2
similar to previous panel, a man walks his dog with the blue tint over the image

Panel 3
again similar, a mother pushes a buggy along a busy street. A woman walks the other way with a coffee in hand

panel 4
Last long panel a guard in black stands outside a non-standoutish home with a tall fence.

Panel 5
Portrait panel, the wolf lowers binoculars
Wolf: Well he's certainly in there. - What do you want us to do?

Panel 6
Close up side view of death, Kuroda behind him watching.
Death: Burn the town. - leave Mr. Farcy to me.

Panel7
Kuroda gives a cruel grin.

Page3
panel 1
Inside a large and fairly homely room sits Mr. Farcya slightly portly man in a large armchair, he has a poor attempt of a beard and small eyes, behind him a lean man in a black suit stands by a glass window.
Farcy: Im getting worried Mr. Goner

panel 2
Mr. Goner fills the space, typical suited government man with shades and slicked back hair.
Goner: Theres no need for that now sir, you're perfectly safe.

Panel 3
Close up of Mr Farcy.
Farcy: You dont understand, he's relentless, he wont quit hunting me till im dead.

Panel 4
Long panel featuring Goner's smug face.
Goner: You're giving the man to much credit, we're the CIA and if we dont want you to be found, you wont be found.



Panel 5
Farcy looks even more panicked.
Farcy: Jesus would you listen to yourself, he's going to kill me first chance he gets, why cant you take me some place safe?

Panel 6
Goner standing before the window.
Goner: Mr. Farcy please, there's no place safer then where you are n-
FX: BOOOOOM

panel 7
Close up of Goner, head turned with a look of confused anger.
Goner: The hell?

Panel 8
Large panel, bullets rip through the window and into Goner, shards of glass embedding themselves in his back as the room goes red. Farcy looks shocked in the background.

Page 4
panel 1
Farcy stands over the bloodied body of Goner.
Farcy: Holy shit Goner!

Panel 2
Farcy looks through the remians of the shattered window, Goner's body lies on the gorund.

Panel 3
On the street outside stands Dr. Death, smoke and fire can be seen in the background. In his hand is an uzi letting of its smoke.

Panel 4
Farcy runs, pale faced, eyes widend.
Farcy: Oh god.

Panel 5
in a hallway farcy stands I the centre of a panel, another agent stands halfway down a stair case, gun drawn.
Agent: Where's Goner?
Farcy: Dead.

Page 5
panel 1
The agent stands prominently, gun in clear focus, other arm extend pushing Farcy towards the back door.
Agent: Dammit. - Alright, out the back Farcy ill deal with this.

Panel 2
The agent moves towards the door, gun in both hands.

Panel 3
Farcy can be seen rushing to the back door

panel 4
The agent braces himself against the front door.

Panel 5
Farcy grabs the door handle.

Panel 6
The agent throws open the door, gun facing forwards.
Agent: Get on the fucking ground!

Panel 7
Farcy looks back over his shoulder as he opens the door, behind it a black silhouette can be seen.

Panel 8
Bullets fly through the agent, his body flies back into the hallway.
Fx: Braaaak

panel 9
The door is fully opened, Farcy looks up on shock to see the tall and looming figure of Kuroda standing in the doorway, a similar look to earlier across his face.

Page 6
panel 1
Close up of death lighting a ciggarete.

Panel 2
zoom out showing the same room seen earlier, Death now sitting in the armchair. Behind him stands Kuroda with Farcy struggling in his hands. Death motions Kuroda to come over with his finger.

Panel 3
Death approaches, taking off his gloves, cigarette hanging loosely from his mouth.
Death: Im disappointed Farcy, did you really expect to hide from me.

Panel 4
Kuroda's gloved hands close around Farcy's head as beads of sweat drip down.
Farcy: Nuh-no, I tried to tell them, I said you wou-

panel 5
Death shoves his cigarette into Farcy's eye.
Farcy: AAAAAAAH

panel 6
Death face.
Death: What did you tell them Farcy?

Panel 7
Farcy covers his wounded, now leaking eye.
Farcy: grah- I didnt say a word you bastard.




Panel  8
Death stands away from Farcy.
Death: Hm. - Good then.
Death: Kuroda?

Panel 9
Kuroda gives a sadistic grin as he grips the top of Farcy's head. Farcy looks up in sheer terror.
Farcy: Oh Jesus no, please dont.

Page 7
Panel 1
Death stands straight, a blank expression across his face as a silhouette of Kurod pulling Farcy's spine and head from his body as blood spurts.

Panel 2
a close up of Death face, a faint image of Farcy's death can be seen reflected in his glasses.

Panel 3
extreme close up of Death's shades.

Panel 4
long panel, One of the Wolves empties his gun

panel 5
long panel, two wolves stand in a street in ruins firing of their guns into a fleeing crowd

Panel 6
cover the bottom of the page, a cluster of shots showing the wolves executing various citizens.

Page 8
panel 1
Death and Kuroda leave the house which burns behind them in the background.

Panel 2
birds eye view  of Kuroda  and death walking through the ruined streets. A small drone can be seen hovering in the sky.

Panel 3
Amanda Waller sits alone in a dark office, the only source of light being projected from her computer monitor.

Panel 4
Waller picks up a phone, holding it to her ear.
Waller: Mrs. Lipton? get Griggs on the line.

Panel 5
Over shoulder shot of waller watching the dr. death footage
Waller:Tell him I have a job for him.




Page 9

panel 2
KGBeast stands centre panel as he trudges through the sewers, the water glows green and the walls are coverd in graffiti scrawls.

Panel 3
Beast trudges through the water, view from the side.

Panel 4
Beast walks, shot from back. Behind him a orange serpents head pokes out of the water.

Panel 5
closer up of the serpent, showing a mans face peeping through under the snakes head, he has large, demented eyes.

Panel 6
extreme close up on the right of beasts face, behind him the serpent (Copperhead) leasps from the water.

Page 10
Copperhead burts from the water, a new look, kind of xenomorphish, ditching the green shorts but keeping the rubber gloves and face in snake-head look. Beast is half turned, his gun arm raised in the air, letting off three shots, all missing,his free hand clenched.

Page 11
panel 1
Beast's fist slams into copperhead's exposed face, proper full on punch, painful looking.

Panel 2
Copperhead's tail swings round

panel 3
the tail makes full contact with beast in the stomach, sending him sprawling.

Panel 4
Beast crashes into the wall

panel 5
Copperhead stand slightly hunched hand on his now broken jaw, some blood trickles down his face
Copperhead: Bastard.

Panel 6
Beast helps himself  up, free arm clutching his obviously wounded stomach, gun arm steadying himself up on the wall.
KGBeast: Something like that.

Panel 7
Copperhead leaps forwards, claws bored, blood streaking from nose.



Page 12
panel 1
Copperhead's claw slashes beasts face, tearing his mask

panel 2
beast covers his wound, copperhead jumps upwards
KGBeast [in head]: “That hurt...”

panel 3
Beast swings his gun arm around holding it with his free hand.
KGBeast [in head]: “Dog!”

Panel 4
over shoulder view of  beast, gun facing forward, copperhead nowhere to be seen
KGBeast: Shit.

Panel 5
longish panel show the sewer in full, beast stands semi battle ready and tense. There are numerous circle holes along the cealing.

Panel 6
copperhead watches beast through the circle he hides in.

panel 7
large panel showing  copperhead collapsing down on KGBeast, knocking him into the sewer water.

Panel 8
similar sized panel copperhead raises his clawed hand over his body ready to strike a manic expression on his face, beast pulls up his gun arm

panel 9
overhead shot of copperhead on beast, a blast comes out from beasts gun, blowing off copperhead's left sholder.

Panel 10
copperhead screams in agony cluthing his sholder, beast grabs a loose hold on his jaw.

Panel 11
Beast smashes copperhead in the head with his gun arm, his helmet shatters slightly as he does so.

Page 13
panel 1
long panel, copperhead lie son the ground screaming
Copperhead: GAAAAAH!

Panel 2
Beast kneels over Copperhead, his arms raised in anr arch over his head
KGBeast [inhead]: Mongrel..

panel 3
samish panel, beast pulls down his arms, slight blood spurt from copperhead
KGBeast [in head]: ..thinking you could beat me!
Panel 4
similar to panel 2, beast raises his arms again, now more bloos is on his body
KGBeast [in head]: fucker!

Panel 5
similar to panel 3
KGBeast [in head]: Son of a whore!

Panel 6
Beast pulls his arms up again, now coverd in a lot of blood
KGBeast [in head]: You little...

panel 8
Beast pauses, his arms looses their grip from one another.
KGBeast [in head]: ...Little....

panel 9
close up of copperhead's face, very bloodied and bruised.

Panel 10
extreme close up of KGBeast's face, single eye faintly visible through mask.

Panel 11
same as panel 9. Copperhead lies on the ground.
KGBeast [off panel]: How old are you?

Panel 12
Beast lets his arms flop, copperhead lies on the ground still.
Copperhead: 16.

panel 13
side shot of beast looking down at copperhead who lies of panel

panel 14
close up of copperhead's face.
Copperhead: Am  I going to die?

Panel 15
Beasts fsce looking down.
KGBeast: no....- but you need a hopsital

panel 16
beast carries the wounded copperhead over his sholder, he stands in the entrance of a large storm drain, its night.

Page 14
panel 1
Long panel décor of a small gp's entrance, a young black girl sits at a desk reading a magazine
FX: Ding



panel 2
same as before, beast comes into shot, to tall to see the top of his head, he still has copper head over sholder.
Secretary: Welcome to the Leslie Thompkins Overnight Centre how can I be of-

panel 3
 Beast drops copperhead with no delicacy onto the secretary's desk, the girl's eyes widen.
Fx- THWUMP

panel 4
same panel type, beast  lowers himself slightly, the girl faces him, magazine dropped.
KGBeast: He lives, or you die.

Panel 5
Beast leaves, girl stands same position.

Panel 6
girl runs forward, copperhead has noticeably bled all over the desk, beast has now gone.
Secretary: DR THOMPKINS!

Page 15
panel 1
small panel, a small russian bookstore lies, building is rather classy and seems in a good area

panel 2
In the foreground lies a bottle of pills without a lid, behind beast swallows some pills, a mechanical looking hand holds a glass of water, behind beast lies the gun-hand on a desk.

Panel 3
Beast picks up a corded telephone. With his other hand he  dials the phone.

Panel 4
close up of beast face from front
KGBeast: You can tell Mr. White not to worry about any more hits from the snake.

Panel 5
a whte suited man with a luchador styled mask stands with a mobile in one hand and a shot glass in another, behind him sits the Great White Shark (white) holding a rag to a bloodied head.
Requin: Thank you, he'll be delighted to hear that. - Your payment will be there within the hour.

Panel 6
long width panel, several armed men with gas masks can be seen surrounding the Russian bookshop

panel 7
in a large white room, light shines down from the cealing, beast fixes himself a drink. Behind him an arsenal of weaponry can be seen, as well as several cowls.

Panel 8
textless panel, simply showing off the various trophy's of Beast. In a sealed case lies the armour of the NKVdemon.


Panel 9
Beast looks at the armour, bottle of russian vodka in hand.

Page 16
panel 1
a boot hits the ground with a large thud.
Fx: dunk

panel 2
Beast turns his head

panel 3
large panel, several of the gas masked troops can be seen standing either side of a doorway, throught he doorway, beast can be seen in his white room.

Panel 4
the lead trooper swings round, gun riased, another troop can be seen doing the same just to the right.
Trroper: Get on your knees assh-

panel 5
similar to above panel, only with a bottle of russian vodka smashing against the troopers head, knocking him back and causing him to loose control of his gun

panel 4
Beast stands, both hands clenched, body in an attacking position.
KGBeast (Drunkenly): Come fight me man to man you cowards

panel 5
Trooper fires a dart from their gun at beast, other trooper lies unconscious on wall coverd in vodka.
Trooper: Nah

panel 6
Dart hits beast, he looks at it

panel 7
Beast in foreground falls, behind him stands the trooper.
KGBeast (Drunkenly still): Yooou dogg...

panel 8
Thin strip of block colour black.

Page 17
panel 1
a girl, late teens to early twenties sits on a chair adjacent to a televison. In the top corner lies the words Gotham City. Behind her pagan can be seen sitting on a bed
TV: The exact death toll in Marlon seems to be growing by the minute and for the moment we are unable to gain access due to heavy military presence.
Girl: Jesus.




Panel 2
Pagan sits on a pink bed putting on one of her boots, beside her lies her mask.
Pagan: You say something girl?
Girl: Nah, just watching the news

Panel 3
pagan puts on her mask, in background the gil can be seen in the seat watching tv
Girl: Its horrible, all those poor people are dead.

Panel 4
Girl seen on right of panel, pagan walks over in background. A lookof concern is on the girls face.
Girl: Makes you feel scared to even go outside.

Panel 5
Pagan reaches down and kisses the girl on the forehead, the girl looks up with a nervous smile
Pagan: Dont you worry bout' a thing girl

panel 6
Pagan pulls on a glove, the girl looks over her seat at her
girl: You off out again?
Pagan: Yup, you know crime doesn't sleep girl.

Panel 7
close up shot of Pagans face, she pulls down the other glove also. A determined look on her face.
Pagan: Got creeps to meet and freaks to beat

Page 18
panel 1
portrait panel of one of the Argus troopers smashing in through a door, a dart gun styled like a shot gun in hand.

Panel 2
in the foreground pagan looks behind her with a confused look of annoyance on her face, behind her  stands the arrgus trooper and several others pouring in.
Argus Troop: Freeze, both of you.

Panel 3
The girl stares horrified, one hand over head other over mouth Pagan stand to the right of her.
Girl: Ohmygodpleasedontshootus!
Pagan: Shut it Anna, dont tell 'em anyhting

panel 4
booted feet quickly pace the ground.
Voice: I do hope neither of you plan on causing trouble.

Panel 5
large panel showing of griggs in argus combat gear, styled after the character fo the same name from the film.
Griggs: Now, which one of you beauties is Marian Mercer?



Panel 4
Anna and Pagan (Mercer) can be seen from the back arms raised, griggs and the gaurds in the background
Anna: S-she is.

Panel 5
same positioning as before, only with Anna flipping back from a bullet to the head, blood trickling down, griigs has his arm extended with a gun in hand and pagan turns slightly with a shocked expression.
Pagan: ANNA!
FX: Brang

page 19
panel 1
tall thin panel, pagan stands over the now cold body of  Anna, bullet hole emphasised in head

panel 2
pagan stands on the left, ready to strike and fists clenched, on the right stands griggs and two Argus troops with their guns raised
Griggs: Stand down butch

panel 4
similar to previous, Pagan leaps at griggs
Pagan: Murderer!

Panel 5
Three darts slam into pagan mid leap
Griggs (off panel): Warned ya.

Panel 6
Pagan lies on the ground, darts visible in body, arm extended trying to reach Anna's body.
Pagan: Annna..

Panel 7
POV shot, eyes half closedhand seen extended, annas body visible.
Pagan: Killll themm..

panel 8
Same as before, eye closed more
Pagan:..for you.

Panel 9
black strip.

Page 20
panel 1
Angled view of a bell tower, overlooking a mansion.

Panel 2
Similarly angled shot of a hooded figure looking up at the building, hints of yellow gleaming from under the hood.

Panel 3
close in on a stain glassed window

Panel 4
Close in on killer moth's goggles

panel 5
Behind the stain glass window, moth can be seen cutting a hole for him to fit
FX: Skrtch

panel 6
long thin panel of moths feet as he pads along the plush carpet.

Panel 7
wide shot of the room moth stands in, its full of filing cabinets along eachwall.

Page 21
panel 1
Long thin panel of moth flipping through one of the cabinets standing on the left
Moth: Aaron Mannheim, Archie Mannheim , Arnold Mannheim, Bill Mannheim, AH.

Panel2
Moth opens a folder titled Mannheim, Bruno., over sholder shot.
Moth: Bruno Mannheim.

Panel 3
Moth holds files in one hand, using his other he burns the other papers with a lighter.
Moth (In head): Bruno baby's gonna be happy with me.

Panel 4
Moth looks round, papers burning in hand. Several red dots lie on his body
Voice (Out of panel): Mr. Von Cleer?

Panel 5
long thin panel similar top panel 1, moth stands adjacent and form the other side. In his hands is the burning files, on the far right stand several argus troops guns aimed.
Moth: Shit.

Panel 6
Moth smashes through the stain glass, arms forward covering head
FX: Crashhh

Panel 7
Moth plunges into a large green net.
Moth: The hell?

Panel 8
A helicopter flies off into the sunrise, a green net hanging from the bottom of it.




Page 22
Panel 1
Long panel, extreme close up of Shell's googles, reflections of gunfire visible.
FX: Brakka, Brakka, Brakka

Panel 2
Wideshot to reveal shell firing a RPG styled weapon from her mechanical arm on the left, shell casings flying out of them. Her right arm has a large claw. Bodies can be seen strewn about.
FX (Continuing from panel 1): Brakka, Brakka, Brakka

panel 3
another long panel, bigger than 1, smaller than 2. Shell finishes firing into a wedding crowd, view from the side.

Panel 4
Several Argus troops come running guns in hand.

Panel 5
Shell,s gun now transformed back to a hand, she licks her clawed arm if blood, behind her a bride sits crying with a looks of terror, lots of bodies strewn about.
Shell: Mmm, quit crying dear

panel 6
Close up of shell's face. Her bloodied claw close next to it, she has a sadistic grin on her face.
Shell: You're gonna make me a pretty penny.

Panel 7
Several Argus troops stand outside a church, one of them preparing a large cannon.

Page 23
Panel 1
Shell stands with the bride in her arm, her hands have been tied together and a shabby gag has been applied to her mouth. Diamond shaped wings are sprouting from her back.a window reflection shines down on them.

Panel 2
Shell crashes through the window with the bride in hand, below the argus guards aim.
FX: Crashh
Argus guard: Fire!

Panel 3
Argus guard fires cannon a few wires blow out
FX: Fwoosh

Panel 4
Shell looks down, in flight with hostage still terrified.
Shell: huh?

Panel 5
tall thin panel, the wires hit shell and she sparks up, as does the bride.


Panel 6
Shell's body bits start spazzing and shell plummets from the air, dropping the bride

panel 7
Shell plummets into a car roof, causing the windows to shatter. the bride falls beside her onto the pavement, spurting blood on impact with the ground. Several argus guards can be seen from the behind.

Page 24
Panel 1