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Table for Two 2: Amuse-bouche

May 5th, 2012
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  1. >The alarm clock by your bed pulls you from sleep at 8 o'clock
  2. >You get out of bed quickly, never one to waste time half-awake
  3. >After you shave and shower you go to the kitchen
  4. >An omelette will do for breakfast
  5. >After putting on a pot of coffee you turn to the refrigerator
  6. >You're lucky; Fluttershy raises chickens and has been kind enough to let you have your pick of eggs
  7. >You used to have to pay top-bit for eggs like these in Canterlot and Manehattan
  8. >Living in what is essentially the country has its perks
  9. >What is left of the previous night's frustration quickly gets swept away as you start preparing your food
  10. >With deft hands you crack a few eggs into a bowl, beating them with just a little bit of dill
  11. >You set the bowl down and lay a large pan on the stove to heat
  12. >While it comes up to temperature you chop a few mushrooms, some garlic, and feta
  13. >You only get mornings like these every so often
  14. >You've got to make the most of them
  15. >The eggs hiss as they fall into the pan
  16. >A fork lets you move the quickly setting liquid around, forming light layers and an even consistency
  17. >The smell of the eggs and the dill fills your house
  18. >You soon add the other ingredients and allow the eggs to set before sliding the omlette out of the pan and onto your plate, folding it in half as you do
  19. >The coffee finishes brewing as you put the cutting board in the sink and clean your knives before eating
  20. 1/x
  21.  
  22. >With breakfast finished, you put your dishes in the sink to soak and down the rest of your coffee
  23. >You've got a long day ahead of you
  24. >Better get started
  25. >You'll to pick up Rarity for lunch around noon, you think
  26. >That leaves you a good three hours to yourself
  27. >You decide to get your groceries for the week
  28. >Going to the market early gives you the best pick of the produce
  29. Let's see... what do I need?
  30. >You look through the refrigerator, taking mental note of what's running low
  31. Lettuce, spinach, tomatoes, carrots, eggs, onions, and garlic
  32. >You jot a list down on some paper, quickly scanning the rest of the kitchen
  33. Might as well get apples too, maybe another thing of olive oil?
  34. >List in your pocket next to your bag of coins, you head out the door into the crisp fall air
  35. >The market isn't too far off from your house
  36. >A five minute walk brings you right to the heart of it
  37. >Ponyville's market is alive with activity
  38. >Stalls bearing all kinds of fruits, vegetables, and other pony-fare line the street
  39. >The sound of bits clattering on counters and the murmur of the crowd overtakes the chirping of the morning birds
  40. >It reminds you of Manehattan, though far less chaotic as that booming vision of urban sprawl
  41. >You come up to the Apples' stall
  42. >Applejack stands across the stall from you, an accommodating smile on her face
  43. >”Mornin', Anon. What kin Ah git fer ya?”
  44. The usual mix, if you please.
  45. >”Figured as much. Here y'are. Six bits, as always”
  46. >You drop the coins onto the counter and Applejack sweeps them off with her hoof
  47. >”Enjoy yer apples, Mr. Fancy Chef”
  48. I always do; best in Equestria
  49. >You walk to the large vegetable cart next
  50. 2x
  51.  
  52. >You love looking at the displayed produce
  53. >The cloves of garlic hanging just over head
  54. >The carrots lying in neat rows, their green leafy tops covering their neighbors
  55. >The heads of lettuce and cabbage, freshly washed, looking perfectly crisp
  56. >It's a vision of plenty
  57. >Of possibility
  58. >You start picking out the vegetables you need
  59. >Enough to make breakfast and lunch for a week, plus dinner for the one night a week you take off
  60. >In a way, you've got a great job for someone who wants to save on food costs
  61. >All you had to sacrifice for that was any semblance of a social life after 5 PM
  62. >Tradeoffs...
  63. >At least you've got mornings and afternoons, for the most part
  64. >Speaking of which
  65. >You look at the town clock
  66. >10 o'clock
  67. >Good, you still have time before lunch with Rarity to get some things done
  68. >You pay for your produce and head to Fluttershy's house to get your eggs
  69. >Fluttershy comes to the door sheepishly
  70. >She perks up when she recognizes you, however, and leads you to the coop to collect the eggs
  71. >You look on as she coaxes the chickens from their roost
  72. >That stare of hers could scare water into boiling
  73. >You head home, arms full of groceries to be put away
  74. >A good start to the day, you think
  75. >After putting the food away, you pull your knife set out and get to work sharpening and maintaining your tools
  76. 3/x
  77.  
  78. >You draw the first out of its pocket: a paring knife
  79. >You make sure the edge is keen and wipe it down to remove any fingerprints or oil from the blade
  80. >The paring knife doesn't see as much heavy use and doesn't dull as quickly as your others
  81. >Next is the cleaver
  82. >After that you examine the fish knife, the 12” utility, and the carving knife, sharpening each as needed and then wiping them clean
  83. >You come at last to your final one
  84. >The 10” kitchen knife
  85. >It's a work of art. It was a gift from your teacher in Canterlot. He had had it specially made for you three years ago
  86. >Pony knives were fine, he said, but you needed something to fit your hands
  87. >Griffon -forged steel and a handle carved from dark ebony, it is perfect
  88. >Along the side of the blade is etched
  89. >”A true chef's heart, his very being, is held in his knives.”
  90. >Truer words were never spoken
  91. >You've carried it with you from Canterlot back to Manehattan, and from there all the way to Ponyville
  92. >You draw the blade across the sharpening stone, a gritty metallic noise sounding with each motion
  93. >As you've done for years, you keep the edge honed to a razor
  94. >It's as much a part of your routine as brushing your teeth at this point; a ritual
  95. >And you've got years of experience to show that it pays off
  96. >The clock strikes noon
  97. >How easily time gets away from you when you get into something
  98. >You put your knives away and walk out the door to pick Rarity up
  99. >It should be a relaxing afternoon before you have to go to work
  100. 4/x
  101.  
  102. >Carousel Boutique is a short walk from your home
  103. >You spend the time thinking about where to actually go to lunch
  104. >As you come up to her door you decide that the cafe will be just fine
  105. > You rap on the door with your knuckle
  106. >She calls out from inside
  107. >”Come in, come in, it's open!”
  108. >She comes trotting in to the foyer, occupied with her work until she looks up and sees you
  109. >”Oh, Anon! I didn't even know it was you! I'll be right out and we can go, alright?”
  110. You sure? You look pretty busy and I can wait until you're finished-
  111. >”No, no, let's go. Work can wait!”
  112. >She seems more animated than usual
  113. Alright then, let's go have lunch. Does the cafe downtown sound good?
  114. >”Of course!”
  115. >She ducks into the back room and returns a minute later sporting a trendy-looking autumn hat
  116. >”Let's be off then, Anon”
  117. After you, Rarity
  118. >”Ever the gentleman”
  119. >She walks happily out the door
  120. >The two of you walk side by side to the cafe, making idle conversation along the way
  121. >You reach the cafe and are taken to your seats by the waiter
  122. >”So how was your evening, Anon? You were working rather hard yesterday as I recall”
  123. It went well enough, I suppose, only one table who returned anything to the kitchen, so that's a success
  124. >”Somep0ny sent something of YOURS back?”
  125. >Rarity looks scandalized
  126. >You're not sure why
  127. Only one table, and they sent back something one of my cooks made first, they only sent back one that I made myself
  128. >The look on her face...
  129. 5/x
  130.  
  131. >”Somep0ny had the nerve to send back something you made personally? Why I've never-”
  132. >You interject
  133. Rarity, it's not that big a deal. It was actually a good learning experience. I'm glad you have such a high opinion of my cooking, though
  134. >The white mare blushes slightly
  135. >”Well I DO pride myself on knowing what's high-class when I see it”
  136. >She certainly looks proud of herself
  137. But you know what was surprising about the whole thing? It was the Mayor who sent the risotto back.
  138. >You lean back in your chair and look up absentmindedly
  139. She's got some seriously refined taste, you know
  140. >The blush on Rarity's cheeks has disappeared
  141. >”The Mayor sent back your food? What was wrong with it, not enough hay?”
  142. Uh, no. Actually she gave me some really good feedback on my recipe. I might put her suggestion in the actual menu sometime
  143. >...
  144. >You've never seen a pony do a spit take before
  145. >”You're serious? But she's not even a cook! She's never even been out of Ponyville, for all I know!”
  146. Calm down, Rarity. You're making a big deal out of something small
  147. >She seems to collect herself after a few deep breaths
  148. >”You're right, Anon. It's unladylike anyway, getting so worked up over something like that”
  149. >She sits more rigidly in her chair and looks over the menu
  150. So how have things been with the others? I see Applejack and Fluttershy whenever I get groceries, but how are Twilight, Rainbow, and Pinkie?
  151. >You think it best to get her mind off of your work
  152. >She might act mature and refined most of the time, but she's still young
  153. >The waiter returns to the table and you order your lunch
  154. 6/x
  155.  
  156. >Rarity talks about her friends and what she and they have been up to recently
  157. >The food comes out after a little while
  158. >It's a light meal; standard Ponyville fare
  159. >The two of you eat your lunches, enjoying each other's company and catching up
  160. >Rarity seems much more at ease now that you're not talking about work
  161. >It's nice. You take a bite of hay fry. Some of the food here took a great deal of getting used to, but you've managed to adjust to pretty much everything there is to eat here
  162. >It would make your job a lot harder if you couldn't eat half of what you were cooking
  163. >Conversation stays light for the rest of lunch; Rarity seems content to talk about her friends and her store, and you make sure to steer clear of work-related topics
  164. >During breaks in conversation, your thoughts tend to stray towards the restaurant, the last night's events, and, once or twice, the Mayor's comments
  165. >Maybe you WOULD use her suggestion on the menu
  166. >You'd only been half-serious when you said it to Rarity, but thinking about it now, it wasn't a bad idea
  167. >You make a mental note to make the recipe again once you get to work
  168. >The check comes an hour later and you pick up the tab
  169. >On the way back from the cafe, you feel Rarity brush against your hand ever so slightly
  170. >You unconsciously edge away from the mare by a few inches
  171. >She doesn't do it again, so you chalk it up to simply walking too closely
  172. >You don't notice the blush which has returned to her cheeks
  173. 7/x
  174.  
  175. >You part company with Rarity at the door to Carousel Boutique
  176. >The two of you make plans to get together again sometime and you head home
  177. >2 o'clock
  178. >You've still got a few hours before work, so you decide to take it easy for a little while
  179. >You spend the time reading
  180. >Before you know it, it's time to get ready for dinner service
  181. >You change into your work clothes, pack your knife set into its case, and walk to the restaurant
  182. >The kitchen is already bustling with activity, cooks moving to and fro as they finish the evening prep
  183. >”Afternoon, Chef!”
  184. >The greeting comes in waves as some cooks notice you sooner than others
  185. >You track your Sous down after putting on your chef coat and hat
  186. I've got an idea for the risotto. Make sure you're free in an hour or so so we can workshop it
  187. >”Yes, Chef”
  188. >You bring the risotto out into the seating area an hour later
  189. >”Is this it, Chef? It looks just like the normal mushroom risotto”
  190. Give it a try. I made a few changes to the recipe since yesterday
  191. >He takes a bite of the rice and mulls it over
  192. >”Huh, this is different. You can really taste the onion now and the mushroom is more pronounced. What did you do?”
  193. I switched out the rosemary for thyme
  194. >”How'd you come up with this idea?”
  195. Would you believe me if I said the Mayor gave it to me?
  196. >The Sous' eyes go wide
  197. >”Are you serious?”
  198. Yeah, you remember she sent back that plate, twice last night?
  199. >”Sure do, you looked pissed”
  200. I was, but it turns out she had a good idea. We're putting this on the menu from now on
  201. >”Yes, Chef”
  202. 8/x
  203.  
  204. >The Sous goes and lets the waitstaff know about the change in the risotto
  205. >You look the kitchen over and make sure everything is in order
  206. >The walk-in is stocked, the stations are clean and clear, and the prep is nearly done in the back
  207. >Good; you'll need to be as prepared as possible for tonight
  208. >Saturday night during Restaurant Week
  209. >There is no greater Hell
  210. >You're pretty sure they have it easier in Tartarus than your kitchen has it on nights like tonight
  211.  
  212. >6:45
  213. >Doors in fifteen
  214. >You call the kitchen staff together for a pep-talk
  215. >You're in charge of about 12 ponies in the kitchen
  216. >One pastry, two salad, one pasta, one garnish, one fry, one saucier, one grill, three dishwashers, and of course, the Sous-chef
  217. >You clear your throat
  218. Alright, we open in fifteen. This is the biggest night of Restaurant Week, and we're going to get hit hard from the start. I want each and every one of you at the top of your games tonight. Quick, clean, quality service will keep us from getting swamped. I want as good a service tonight as we had last night, and I know you ponies can pull it off, because you're the best I've ever worked with. Now are we going to get in there and blow them away?
  219. >The collective shout reminds you how much you love this job
  220. >”Yes, CHEF!”
  221. 9/x
  222.  
  223. >7 o'clock
  224. >Doors are open and the first guests of the night start coming in
  225. >By 7:30 most of the tables are filled and the first orders start coming to the counter
  226. Table Eleven: Two portabella, two soup!
  227. >”Yes, Chef!”
  228. Table Six: Three hay-fritte, one soup, one salad!
  229. >”Yes, Chef!”
  230. Table One: One portabella, one salad, one risotto!
  231. >”Yes Chef!”
  232. >You start receiving plates to put up ten minutes later
  233. Table Eleven: Up!
  234. >The waiter swings around and picks up the platter
  235. Table Twenty: Two hay-fritte, one portabella, one soup!
  236. >”Yes, Chef!”
  237. >By 8 o'clock the restaurant is full. There's a line forming at the host's standing-desk
  238. >It's going to be a long night
  239. >You plate dish after dish and call out order after order for hours
  240. >A waiter comes up to the counter around 9:30
  241. What is it?
  242. >You barely look up from the plates as you arrange them on the platter
  243. Table Sixteen: up!
  244. >”I've got an order for the new risotto here, Chef”
  245. Alright, what table?
  246. >”Four. The pony there introduced herself as Rose; said she was a friend of the Mayor's”
  247. >You stop what you're doing and look up
  248. Coming right up
  249. >”Yes, Chef”
  250. >You call over to the Sous
  251. Take over plating for a little while; I've got something I've got to make myself
  252. >”Yes, Chef”
  253. >As you work you wonder why you're doing this
  254. >It's not like Table Four is any different from the other tables, so why not just leave the risotto to one of the cooks?
  255. >Not the time to think about it. You make the risotto in ten minutes flat, thanking Celestia that your prep cooks could get it ready for fast service
  256. >The plate goes out and you catch yourself wiping the sweat from your palm
  257. 10/x
  258.  
  259. >You go back to work plating dishes once the risotto goes out
  260. Table Ten: Three tiramisu!
  261. >“Yes Chef!”
  262. >Desserts are going out with entrees in equal number, denoting the late hour
  263. >The smell from the kitchen is a combination of sweet desserts and savory dinners
  264. >Your stomach growls
  265. >You look at the clock
  266. >10 o'clock
  267. >Only an hour until close
  268. >Good; not a single return all night, and the kitchen didn't get backed up like you were afraid it might
  269. >Four's waiter approaches the service counter
  270. >”The mare at Table Four requested your presence”
  271. >You look back at your Sous
  272. I need you to take over plating again. I've got a table to talk to
  273. >”Yes, Chef”
  274. >He takes your place at the counter as you follow the waiter out into the sea of tables
  275. >You're reminded of last night, when you did the same thing, following the same waiter to the same table to talk to somep0ny about how your risotto could improve...
  276. >A pony with a rose-red mane sits at Table Four
  277. >The waiter introduces you
  278. >”Ms. Rose, I give you Head Chef Anonymous”
  279. >”Charmed”
  280. >She extends a hoof, which you shake lightly
  281. How are you this evening, ma'am?
  282. >”I'm well, thank you. I wanted to extend my compliments to the chef. Em told me about your risotto this afternoon and I just had to come try it myself”
  283. Thank you, Madam Mayor's suggestion was very well received in the kitchen
  284. >”You made quite an impression, Anon. I haven't seen Em rave about food since she came back from that trip to Hoofington”
  285. That's very flattering, Ms. Rose. I'll have to send Madam Mayor my thanks
  286. >”You won't have to. She's coming for lunch tomorrow. You can thank her in person then”
  287. 11/x
  288.  
  289. >Rose smiles up at you from her seat
  290. >”Well, that's all I wanted to say, Anon. My compliments to the chef again”
  291. Thank you, ma'am. Enjoy your evening
  292. >You walk away from Table Four and come back to the kitchen
  293. >You don't know you're smiling until you see the Sous looking at you confused
  294. >”You OK, Chef?”
  295. Yeah, yeah, just a customer complimenting the risotto
  296. >”The thyme was a good idea. Everyp0ny who's tried it back here has loved it”
  297. Out there too. You guys did a great job tonight. Kudos
  298. >”Thank you, Chef”
  299. >You take your place at the counter again, your spirits raised from the exchange at Table Four
  300. >Service goes smoothly for the rest of the night
  301. >After the final guests leave, you head to your office to write up the shift notes
  302. >312 covers tonight, no returns. Service was spot on
  303. >You remind yourself that you have to make the produce orders tomorrow morning
  304. >You write up a note for it and pin both to the cork board before leaving the restaurant
  305. >The walk home is peaceful. Your mind wanders to the Mayor's planned lunch tomorrow
  306. >You feel yourself becoming nervous at the prospect
  307. >More so when you start wondering why you're nervous at all
  308. >Haven't you had tougher customers before?
  309. >Haven't you had more stressful parties?
  310. >You catered the Grand Galloping Gala, for Celestia's sake...
  311. >Why are you nervous about catering to one small town Mayor's taste?
  312. 12/x
  313.  
  314. >You push it from your mind
  315. >Tonight was a great service
  316. >You focus on the success rather than thinking about tomorrow
  317. >You get home and pour a glass of Scotch to cap off the night
  318. >Restaurant Week might be awful...just awful, but it's gotten off to an...interesting start so far
  319. >You lean back in your chair, reflecting on the night's service again
  320. >The Mayor's risotto was a hit, it seems
  321. >You really should thank her for the idea tomorrow
  322. >Maybe find out where she got her refined tastes
  323. >That vague nervousness returns
  324. >You take a sip of Scotch and drive it out
  325. >You've dealt with worse
  326. >You're not going to let nerves get the better of you
  327. >The clock strikes midnight as you finish your Scotch and put the glass in the sink
  328. >It's been a good day
  329. >Sleep comes easy; your nervousness is chased away by the feeling of pride that comes with a night going off as well as this one did
  330. End
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