Zelda 1 Reference MML

;this is a tltle
#Title      The Legend of Zelda Title Theme
;this is the composer's name
#Composer   Koji Kondo
;this is the arranger's name
#Arranger   pedipanol
;these are the options for the compiler. /v makes it load the instruments from this MML file instead of a separate one and /c makes it calculate the length of the song in bytes (really useful)
#Option     /v/c
;this change the compiled file's extension, makes no actual difference, but .M2 is prefered for OPNA and .M is prefered for OPN. if you don't specify this, it'l output a M file automatically
#Filename   .M2
;this is for instrument definitions that uses the DT2. if you don't use it, those instruments will sound screwed up.
#DT2Flag    on
;this determines the tempo
#Tempo      90

;DF30
A	DF30 DS12 DR20

; FM instrument definitions
;The format is:
;@NUM AL FB
;AR DR SR RR SL TL KS ML DT (DT2) AM (4x)
;AL - Algorhythm
;FB - Feedback
;AR - Attack rate
;DR - Decay rate
;SR - Sustain rate
;RR - Release rate
;SL - Sustain level
;TL - Output level
;KS - Keyscale
;ML - Multiplier
;DT - Detune
;AM - Amplitude modulation
;DT2 (which is the OPM's second detune option) can be defined, but it'll be ignored for other soundchips using the DT2Flag command.
;if you put a = after the instrument number, AL and FB, you can define the instrument name

;   AL FB
@ 0  2  7 =brass
;AR DR SR RR SL TL KS ML DT DT2 AM
 14 14  0 15  1 24  2  0  3   0  0
 14 14  0 15 15 50  2  7  3   0  0
 13 14  0 15  1 39  2  0  3   0  0
 19  3  0 15  0 17  1  0  3   0  0

;The spacing doesn't matter, as long as you put the right amount of numbers.

@ 1  0 4 =metalbass
 31  7 7 15  2 20 3 6 6 0 0
 31  6 6 15  1 55 3 5 6 0 0
 31  9 6 15  1 15 2 0 6 0 0
 31  6 8 15 15  0 2 1 6 0 0

@ 2  4 5
 27 6 11 4 10 35 0 12 7 0 0
 30 7  1 6 15  0 0  4 0 0 0
 27 6 11 4 10 35 0 12 0 0 0
 30 7  1 6 15  0 0  4 3 0 0

;you can also put everything in one line as well, but that is discouraged if you wanna change the instrument settings later.

@ 3  4  7 25 0  0 2 0 30 3 4 3 0 0 23 2 0 7 3 0 0 4 3 0 0 25 0 0 2 0 31 3 2 7 0 0 22 2 0 7 3 0 0 4 7 0 0

; Yay the song

; The channel that will be playing what's in the current line can only be specified at the start. You can play a line in 2 channels if you specify their 2 letters
; ABCDEF are the FM channels
; GHI are the SSG channels
; J is the PCM channel

; The compiler will differentiate between upper and lowercase, so keep that in mind.

; cdefgab are the notes, + adds a semitone. if you don't specify a length number after it, it'll use the default note length (if that one is also not specified it'll play a quarter note).
; l sets default note length
; o sets the octave
; V sets the volume (1-127)
; @ sets the instrument
; r is a rest
; same as in sheet music, a . will make the note/rest play an additional half of the set length,
; p sets the panning, 1 = right, 2 = left, 3 = center.
; D sets a fine detune, by default it'll detune upwards, but if you add a - before the number, it'll be downwards
A   l1 o4 V114 @3
F	l1 o4 V104 @3 r8. p1 D-2

; L makes the song loop from that point
; & will add another length to the note
; >< increases/decreases the octave
; you can use space as you want, it's encouraging since it aids visually to read the MML, but it doesn't matter for the compiler
AF   L a+ &4f 4f 4a+4 g+8f+8g+..
AF     a+ &4f+4f+4a+4 a 8g 8a ..

; [] makes the part between the brackets loop, adding a number right after it sets how many times it will loop [if no number is added, it'll loop infinitely]
AF   [r1]12
AF   a+2f2 r4a+4a+8>c8d8d+8 f r4f4f6f+6g+6
AF   a+ r6r6a+6a+6g+6f+6 g+3f+6ff2
AF   d+4d+8f8f+f4d+4c+4c+8d+8fd+4c+4
AF   c4c8d8eg2f8r8<f8f8f8r8f8f8f8r8f8f8f4f4
AF   a+2f2r4a+4a+8>c8d8d+8fr4f4f6f+6g+6
AF   a+1.>c+2c4r4<af2

; : breaks the loop, on the last time it loops, it'll jump to the part right after the brackets
AF   [f+1.a+2a4r4f:f2]2d2
AF   d+1.f+2f4r4c+<a+2
AF   >c4c8d8eg2f8r8<f8f8f8r8f8f8f8r8f8f8f4f4

B   l1 o4 V114 @3
B   L d1&4 d4d4d4c8<b+8>c1..
B   c+1&4 <a+4a+4>c+4c8<b+8>c1..
B   r1&1r1&1
B   [a+2f2r4a+4a+8>c8d8d+8fr]2
B   <d2d6d6c6d4r8d8d8d+8f8g8g+r2g+6a+6>c6
B   <f+4r8f+8f+8g+8a+8>c8c+4r8c+8c+6c6<a+6>c+4r<8a+8g+6g+6f+6g+3g+6g+6f+6g+6
B   f+4f+8f8f+4f+8g+8a+2g+4f+4f4f8d+8f4f8f+8g+2f+4f4e2e4e8f8g4g8a8a+4>c4<<a4a8a8g+4g+8g+8g4g8g8f+4f+8f+8
B   >d2d6d6c6d4r8d8d8d+8f8g8g+r2g+6a+6>c6
B   c+1.e2d+2c<a2
B   <[<e12r12a+12r12>c+12r12e12r12a+12r12>c+12r12e4r2r4f4r4<f12r12f12r12f12r12f4r2r4]2
B   >f+1.b2a+4r4fc+2
B   e2e4e8f8g4g8a8a+4>c4<<a4a8a8g+4g+8g+8g4g8g8f+4f+8f+8

C   l2 o1 V114 @3
C   L a+1&1g+1&1
C   f+1&1f1&1
C   l8 [>frf<a+>frf<a+>frf<a+>f<a+>f<a+]3
C   >d+rd+<g+>d+rd+<g+>d+rd+<g+>d+<g+>d+<g+
C   >c+rc+<f+>c+rc+<f+>c+rc+<f+>c+<f+>c+<f+>crc<f>crc<f>crc<f>c<f>c<f
C   >frf<a+>frf<a+>frf<a+>f<a+>f<a+>d+rd+<g+>d+rd+<g+>d+rd+<g+>d+<g+>d+<g+
C   >c+rc+<f+>c+rc+<f+>c+rc+<f+>c+<f+>c<f+>g+rg+c+g+rg+c+g+rg+c+g+c+g+c+
C   f+rf+<b>f+rf+<b>f+rf+<b>f+<b>f+<b>frf<a+>frf<a+>frf<a+>f<a+>f<a+
C   >erecerecerecececfrfcfrfcfrfcfcfc
C   frf<a+>frf<a+>frf<a+>f<a+>f<a+>d+rd+<g+>d+rd+<g+>d+rd+<g+>d+<g+>d+<g+
C   >c+rc+<f+>c+rc+<f+>c+rc+<f+>c+<f+>c+<f+>crc<f>crc<f>crc<f>c<f>c<f
C   [>c+rc+<e>c+rc+<e>c+rc+<e>c+<e>c+<e>crc<f>crc<f>crc<f>c<f>c<f]2
C   >f+rf+<b>f+rf+<b>f+rf+<b>f+<b>f+<b>frf<a+>frf<a+>frf<a+>f<a+>f<a+
C   >erecerecerecececfrfcfrfcfrfcfcfc

D   l2 o4 V104 @2
D   L rfa+1rd+g+1
D   rc+f+1rcf1
D   [c+r]4
D   [ra+frr4a+4a+8>c8d8d+8fr]2
D   r2r2r2r2r4r8<a+8a+8>c8d8d+8f1
D   r2<f+8g+8a+8>c8c+r2r2c+6c+6d+f[r]16
D   r2r6r2r2r2r4r8<a+8a+8>c8d8d+8f1
D   [r1]20

E   l8 o3 V119 @1
E   L r1&1r1&1r1&1r1&1
E   [a+ra+a+]12[g+rg+g+]4
E   [f+rf+f+]4[frff]4
E   [a+ra+a+]4[g+rg+g+]4
E   [f+rf+f+]4>[c+rc+c+]4
E   <[brbb]4[a+ra+a+]4
E   >[crcc]4fr<ff[fr:ff]3aa+
E   [a+ra+a+]4[g+rg+g+]4
E   [f+rf+f+]4[frff]4
E   [e+ree]4[frff]4[e+ree]4[frff]4
E   [brbb]4 [a+ra+a+]4
E   >[crcc]4fr<ff[fr:ff]3<aa+

;  P sets what sound the SSG channel will play, P1 = square wave, P2 = noise, P3 = both
;  E sets the volume envelope [E AR , DR , SR , RR , SL ]
G   P2 w1 E31,26,24,20,18 l8 V120
G   Lr1&1r1&1r1&1r1&1
G   [grgg]104