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Jan 16th, 2014
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  1. Yes, that's what a very cursory skimming of the novel will come across as saying, but don't just five up and stop thinking there. Umineko is a story about Battler. He is our window into the world and into his soul. The concept of a meta-world can be traced back to the choruses of Classical Greek theater, but more directly to Shakespearean drama which often featured witches commenting on the status of the play and providing a way to advance parts of the plot that would be difficult to convey more subtly. This notion is further supported once Ryukishi07 abandons all pretense and lands squarely in post-modern territory by applying recursion and choosing a theater to convey the symbolism.
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  3. Once we realize this, the only way to even further deconstruct the novel is to completely decontextualize the dubious conclusion obtained without love for Battler, both despite and in spite off, his perceived inadequacies. Ultimately, it is the story of a man who must confront his position of privilege on a journey to disconnect from who he was to become who he wants to be, and what a trapped person like him is capable of when put in such a position.
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  5. I highly encourage you to set aside your preconceived notions of what you think the story says and read it for a deeper meaning. Unless you are unwilling to love Battler or stop thinking, you will achieve the correct answer eventually.
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