PUMA TRAIN

Hello! // signifies a break in the page, as in the text reads off the side of the paper. ;; signifies a message from me to you about the text. thank you!


p.92 -from falling in towards eenter of bear
p.91 -kild, working in conjunction with the oiling sys//-938. The above data has been written by the unc-
p.90 --ated with//of a creeping//-iminate the//accuracy//meters//-urpose, but in// as represented//--ng, where the
p.89 ,by a lubricated sliding//-er//sleeve//in//jacent//-ng//-tof//is//own
p.88. other// possible// in which// claims// for axi-// the be-// to// eight,
p.87 Differential Motion// Spacing Roller Bearing.
p.84 Radia-//conce-//locate//sleeve-//creep-//beari-//mean//or sli-
p.75 An Apparition in The Tampa Bay Observation July 7-1977 Daniel J. Christiansen Alias: Ampel, Nesna It Sirha
p.74 Invariable Proportion & Projection Aid!//-der-//-e cre-//-r of ave-//-ady and up-// position rela-// hip, knee, and// above drawing made//-p-//tho-//adde-//reason.// on author// effort spe-//-ject, the space
p. 73 Much of the above was constructed, according to the special scale, and put in the place mentioned not later than May 1963. Nothing has been added to display since, then one reason: during the while it dowmed one author that no matter how much effort spent on completing the project, the space availbe for display would not allwo, the sidewase expansion needed for completion. Another reason: the task of working out, by hand, the remaining limited facilities//Page breaks//... and, in spare time was temporarily discouraging.
p.72 over the hangar where the movie was shot - and it had some// about a year after the shooting of the picture, among whom was // which after being the cause of at least half a dozen heavy rain storms // and strong winds associated with the repeated cascades for the duration// are presumeably hoisted up and in to the cloud, which it is also assumed// the four living creatures and the four wheels. the four wheels, it// Daniel Christiansen-alias-Nesna-It-Sirhe
p. 54 Dated discourse in D-
p. 49 -ness was about it, and out of the midst ;;a small window like symbol;; thereof as the color of amber,cu//-nan. Verse 6 And every one had four faces, and every one had four wings"
p. 48 A likeness of a Tornado at Tampa bay! = Transcendenta-//-ldwind came out of the mouth, a great cloud, and a fire infolding it//-ness of four living creatures. And this was their appearance; they had t-//- ted at some length in the scriptures at old. when the son of man claims he had
p. 44 AmpeL April 1947
p. 41 The popularity of the nude at this period was not only aesthetic: the professional models were among the few live subjects capable of holding a pose for the required five to ten minutes. The innovation of faster photographic techniques did not, however, lessen their popularity. Such artists as Ingres, Courbet, and Delacroix were quick to appreciate the value of the photographed nude. Poses ordered (and often directed) by them were done regularly by such early Parisian photographers as Nadar and Durieu. The camera could capture poses too difficult for the model to hold for long, and a series of different poses could reveal unexpected possibilites. In addition, model fees could be minimized. The models themselves, who were often prostitutes, found that an artfully posed figure study was an enticing form of advertising, a realization that has endured in modified form to this day.// In Victorian England the bond between photog-raphy and art was so not close or fruitful as in France. In London there was no close coterie of photogra-
p. 40 About ten years ago, when in N. Plomfield Noh, I was working on the **** b*ildi** **** **t **t****** to **** * ** it had for about 1.5 conf**** sa** *** matter had been *******by the prophet Cyd**, for a l***ly titt* for ** app**** phenomenon *******//"Cloud is Contestant". Nor, br*****, behind the cloud ** began to ***** to *** in a ***** of *****tion, but is turned off: ****ing the telescopically ********* sp******** in action * for to illuminate, **** ** appropriate color - in the top, amber color is what ******ly braid in ** blowing in whi*th of w*vering ** *t****m in ********* ** w****, in *ha* may ** cloud formation b* ******ted in T*aben *ome; but with a significant differance. *** to the gravity j****ating **tion of the whole **at is ** *io** which **ta*bul, plan *** whole attend to the ***l*in plan the whole ****** to the upper ****tion ** ** ****ion of the ***ness **** *ion* is **** *** **** the f*ild of 15 *ff**tionm ** stan* ** **p*** which s***nk *******do instead of *p*****do, w*** normally would, and the ****** colored light playing in the cloud will m*th ** ***** ** * f****.
p.33 Sat Nov 13- 1965 Leinal Nesna It Sirhc
p. 30 Sunday, November 14- 1965 Lenial Nesna It Sirhc