WhorePonyThread

Camping box pone by faguette [WIP]

Jun 12th, 2014
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  1. >Day something or other
  2. >Be Anon
  3. >Be only known human in Equestria
  4. >You're not even sure how you got here
  5. >One night you went to sleep in your bed, the next morning you woke up in the scenic Ponyville town square
  6. >Surrounded by horrified and confused colorful ponies
  7. >It gets kind of lonely being the only human
  8. >Who the fuck are you kidding, it's awesome
  9. >No one here is an asshole, it's great
  10. >.. At least, nearly no one.
  11. >You sometimes forget that you're not the most well-liked person around
  12. >Even though you're the only person around
  13. >Technicalities, whatever, fuck you
  14. >You make your way back to your apartment, passing up Sugarcube Corner and a few other stores around town
  15. >Decide to take a shortcut through an alley; up until now, Ponyville's been peachy keen, so even the shadiest places aren't too bad
  16. >Besides, you're tired, every minute you can be in bed is a minute not thinking
  17. >As you're passing through, however, you notice a box on the ground
  18. "That's weird..."
  19. >Up until now, every town you've gone through has been unnaturally clean
  20. >It looks worn down, so it's probably been here for quite a while
  21. >As you get closer to it, you can't help but feel curious about what might be in it
  22. "It can't hurt just to check," you speak to yourself
  23. >You're a weird dude
  24. >You squat down and open up two of the flaps to reveal a skinny brown mare; her body is turned the other way, her chest rythmically rising and falling
  25. >On one of the flaps, you see something scrawled in marker
  26. >5 hoofjob, 10 fulltime, 20 anything
  27. "What the..?," you whisper to yourself
  28. >The mare inside shifts around
  29. >Taking care not to disturb her, you close the flaps and leave quietly
  30. >You continue walking home, unable to believe you just found a homeless hooker
  31. >no srsly wat
  32. >Maybe you'll talk to her tomorrow, just to see what her deal is
  33. >You think, 'Hell, maybe I'll be best friends with a hooker'
  34. >... You're not sure why you just used sarcasm in your head
  35. >It's probably just because you're tired
  36. >As you get closer to the apartment, you realize how much you don't want to move
  37. >NO ANON, YOU MUST PERSEVERE
  38. >You barely make it up 2 flights of stairs to get to your apartment
  39. >You go in, lock door, jump into bed without bothering to change, and wait for sleep to arrive
  40.  
  41.  
  42. >Only it doesn't for quite a while
  43. >Because you can't get homeless pone out of your head
  44. >GOD FUCKING DAMMIT, WHY DID I TAKE THE SHORTCUT
  45. >After at least 10 minutes of staring at the ceiling, you finally manage to sleep
  46. >You wake up feeling as though you've never slept during your 20-year existence
  47. "Fuuuck," you groan instinctually, wanting nothing but death
  48. >You notice that your hair is greasy and you smell nasty from failing to bathe the night before
  49. "Fuuuuuuuuuck," you groan again
  50. >Shit, shower, shave
  51. >Get dressed
  52. >About to eat cereal, when you flash back to the night before
  53. >Prostitute pone in box a few of blocks from the apartment
  54. >'Still can't hurt to go and talk to her. I'm sure I'll be able to get her out of my head after that,' you think as you inhale your cinnamon-toast-crunch-but-not-really
  55. >With all of the ideas that you've brought here, you shouldn't be living in this shitty apartment
  56. >As that thought crosses your mind, a small armada of ants makes haste onto your table
  57. >Jesus H. Fuck, you need to move
  58. >Or call an exterminator
  59. >You're pretty sure Equestria doesn't have exterminators... Yet.
  60. >You finish what's left of your milk and leave
  61. >You have to help Applejack with apple shit today
  62. >You fucking hate apple shit
  63. >At least she pays well
  64. >Finally, you're done with apple shit for the day
  65. >Had to gather apples and make cider for a good portion of the day
  66. >The Apple family has far too many trees for your liking
  67. >It's probably better that you didn't make a living off of apples anyways
  68. >It was horrible work, but Applejack paid you 175 bits not sure what decent wage even is
  69. >And you got to taste-teste the cider, which isn't bad either
  70. >You thought of homeless pone for much of the day, simply because she's the only homeless pony (animal) you've ever seen
  71. >It's about 6, so you should be able to talk to her and get this put behind you
  72. >With any luck, that is
  73. >You make your way to where you found her last night
  74. >DING DING DING
  75. >You see her staring blankly at a patch of grass near her box
  76. >As you get closer, she turns toward you, and looks a little startled
  77. >You realize that the darkness left out a lot of details
  78. >She was noticeably bruised, her fur and mane were filthy and unkempt
  79. >Possibly the worst of it all were her eyes
  80. >They were dull and listless, devoid of any trace of hope or
  81. >'Oh, shit'
  82. >You stop in front of her box and awkwardly... Stare (for lack of a better word) at her for a few seconds
  83. >Shit, a game plan would've come in handy
  84. >She stares at you, probably asking herself why you're standing in front of her makeshift home
  85. >"E-excuse me, are you here for my services?"
  86. "Oh, uh," you didn't think any of this through. "No, but I wanted to ask you a few things."
  87. >Her ears perk up a little, but she still seems confused. "Such as..?"
  88. "Uhm," You're at a complete loss for words. Out of desperation, you ask, "what exactly does 'anything' entail?"
  89. >"Well, anything." She says this in a somewhat monotonous manner, which snaps you out of your semi-internal-panic
  90. "Oh, alrighty then, I'll be back in a little while"
  91. >A stupid smile crosses your face when a thought crosses your mind
  92. >You walk out toward the town square
  93. >You go into the town's marketplace with gusto, buying everything necessary
  94. >A few things among which include a basket, a fancy hat, and a striped sweater
  95. >You talk Applejack and Ponka into giving you some food, saying you'll pay them back later
  96. >After they give you food, you buy more in the market
  97. >Shit, you don't want to pay for all of this food right now
  98. >You decide to buy some water, too
  99. >You brought the idea of bottled water to Equestria. Haven't made a dime off of it yet.
  100. >You also brought the idea of outsourcing to nations with less labor laws, however that's only mildly related.
  101. >Also, plastic.
  102. >You should be rich by now. Damned ponies can actually into capitalism.
  103. >You get the rest of the supplies you'll need and still have a decent amount of bits left over
  104. >You'll need them soon enough, but for now you tell a couple of friends that you won't be around for a few days
  105. >Don't want everyone thinking you disappeared
  106. >You'd probably end up attending your own funeral service if they were unable to find you
  107. >You hide the supplies in a safe place, then return to box pone just before 7:30 and get her to follow you into the woods
  108. >She seems puzzled, but hasn't asked any questions yet
  109. >"So, uh, what's your name?"
  110. >Welp.
  111. "You can just call me Anon. What's yours?"
  112. >She ignores the question. "Where are we going out here?"
  113. "We'll get there shortly," you assure her
  114. >Not 2 minutes later, you arrive where you put all of the necessities you've recently acquired
  115. >Now she looks annoyed. "Whoa, hey, what's all of this?"
  116. "Camping gear, yo"
  117. >"Nope, this definitely isn't happening," she said as she turned around
  118. "Anything means anything, that's an express contract! It'll hold up in court."
  119. >She keeps walking
  120. "I'll pay you 4 times the price if you stay out here for at least a couple of days."
  121. >She stops and turns towards you.
  122. >"How many is a couple?"
  123. "Only 2. You can stay longer or bug out on the second day if you really want to leave."
  124. >That seems to make her a bit more comfortable with the idea
  125. "We have food and water to last us a few days, so you won't go hungry, and I brought a tent with some sleeping bags."
  126. >She starts walking back to you, in a significantly better mood
  127. >"That sounds nice..."
  128. >After the short confrontation, you and brownboxpone are walking around a bit to find a good place to set up camp
  129. >She still hasn't answered your question
  130. "You still haven't answered my question."
  131. >Hot damn man, you know how to talk to ladyponies
  132. >"Come again?"
  133. >'Huehuehue I'd have to pay extra'
  134. >Shut the fuck up, brain
  135. "You never told me what your name is"
  136. >She looks up to you, then down to the ground
  137. >"I don't like telling clients about myself"
  138. >You stop in your tracks, but it takes her a moment to notice
  139. "I'm sure you can make an exception, considering the circumstances"
  140. >After all, you didn't drag her all the way out here to fuck her
  141. >Though she's probably not too sure about that
  142. >"Well..."
  143. >Moment of truth
  144. >"I'll have to tell you if we're going to be out here for a few days," she looks to you hesitantly and says, "My name's Morning Glory."
  145. "That's an interesting name"
  146. >You keep walking, then look toward the sunset
  147. >This is probably a good place to set up camp
  148. >Well, maybe, you've only been out camping a few times
  149. >You ain't no fancy veteran er nothin
  150. >There's an area that's cleared of trees, big enough to put up your tent and put the rest of your supplies
  151. >You and Morning set up the tent and gather enough sticks to start a small fire
  152. >You sit opposite of Morning, only to realize that you haven't been doing much talking, when that was your first goal
  153. >Your first thought after looking at her is, 'Holy shit, how did I even get this far?'
  154. "I've still got quite a few questions, Glory"
  155. >"Are they related to the 'anything' option?"
  156. >God damn you're stupid
  157. "No, it's more about why I found you in a box"
  158. >You probably could've worded that more politely, but at least you go the point across
  159. >She sighs, "It's a long story"
  160. "Time isn't really a premium at the moment," you demonstrate the fact that you're in the woods
  161. >She uncomfortably shifts around
  162. >"Well, there's a lot of reasons for it, I don't wanna bore you"
  163. >You're not sure what to say at this point; you're annoyed that she's dodging the question
  164. "Look, if you don't want to tell me about it, you don't have to. I only ask that you don't try to talk your way out of this," you pause, contemplating what to say next. "I seriously want to know more about you. I want you to talk to me."
  165. >Silence
  166. >It doesn't last for too long, though
  167. >"I'm sorry," her voice wavers
  168. >You sigh and move closer to her
  169. "Look, I didn't sleep well last night, so I'm a little on-edge. You don't have to tell me anything you don't want to, but I'm trying to understand your situation to see if I can help at all."
  170. >She slowly gets calmer, but you can tell she still doesn't feel comfortable
  171. >You know she doesn't want to talk about it, so you decide not to bring it back up
  172. "When did you eat last?" you ask, wondering how much food you should give her
  173. >She thinks for a moment, "4 days ago," she pauses, "I think."
  174. >Ohboy
  175. >You get 2 sandwiches and a few apples for her
  176. >You can't really digest dandelion sandwiches, so you got some salad-ey shit
  177. >Fucking ponies don't eat meat
  178. >At least they have ranch dressing and eating utensils
  179. >It's not really the "camping experience," but it's not like you care
  180. >After having eaten a bit, Morning decides to make conversation
  181. >"Do you mind if I ask you something?"
  182. >That caught you a little off-guard
  183. "Not at all"
  184. >"Why are you being so nice to me?"
  185. >That caught you a lot off-guard
  186. "I guess I haven't thought about that myself.." You're unsure of how to answer that.
  187. >She looks at you skeptically, as though you're hiding something
  188. "I just thought you might need help. I don't know how to put it in any other way."
  189. >Oddly enough, she seems content with that answer
  190. >"Alright, how did you plan on helping me?"
  191. >You're getting cross-examined by a colorful talking pony
  192. "Offer you some food and a place to stay, if you wanted it."
  193. >She smiles slightly, but shakes her hed
  194. >"I can't accept charity like that.."
  195. "I never said I'd do it as an act of charity"
  196. >She looks you over, trying to make sense of what you said
  197. "You'd still have to work. I'd probably ask you to do small stuff, like clean the apartment or wash some clothes while I'm out. I might even be able to find you a job."
  198. >She doesn't even know what to make of your final remark
  199. >"Wha-how would you get me a job? I don't even have a Cutie Mark."
  200. >You noticed this before, though you never took much note of it
  201. "Neither do I, but I make the best of it."
  202. >"What do you mean by that?"
  203. "Well, just because I don't have one doesn't mean I don't have any talents."
  204. >"You can't even get a Cutie Mark!" She's getting pretty annoyed at this point
  205. "You're missing what I'm saying; just because you don't have one doesn't mean you have no talents, it means that you haven't found the talent you're best at."
  206. >She takes this in for a moment
  207. >Thanks, brain
  208. >'No probs, brah'
  209. "I can honestly say that you're more free than most of the ponies I've met.. They all blindly follow whatever their Cutie Mark tells them. They have no more drive for adventure, they don't want to experience new things. Even if not having one seems bad now, you'll likely be happy it took you a while to find your calling." You sigh out of nostalgia, "Some of the most interesting humans never really knew what they wanted to do with their time."
  210. >She contemplates this while eating the rest of her food
  211. >"Anon?"
  212. "Yeah?"
  213. >"How many humans are there?"
  214. >A small grin is plastered over the place your mouth usually is
  215. "A lot. When I'd last checked back at home, it said over 7 billion."
  216. >Her eyes widen in awe when she hears the number
  217. >Much of the night is spent conversating, mostly about your old life, with some stuff about humans mixed in
  218. >She shares bits and pieces of her past with you
  219. >She used to love poetry, but always thought it was difficult to sound "poetic" through metaphor, and found trouble trying to keep rhythm
  220. >She got along with almost everyone in school and was voted most outgoing
  221. >Her closest friends would say she was a great singer, but she never cared too much for it
  222. >Out of everything she's talked about, you can't piece together how she became homeless
  223. >At least she's warming up to you
  224. >After a while, the fire starts dying down
  225. >She notices this shortly after you do
  226. "You can go in if you want, I'm just going to make sure the fire goes out."
  227. >"Alright, try not to keep me waiting," she teases as she trots over to the tent
  228. >It's cool that she has a sense of humor; at first you thought she might never come around
  229. >You watch the fire in its final few minutes of life
  230. >Embers fly from it, only to be lost in the night's breeze
  231. >Some stay visible for noticeably longer than others do
  232. >You used to wonder whether or not you'd have a legacy when you were still back at home; whether you'd be remembered or if you'd be forgotten by time
  233. >You can't help but wonder what your family has gone through since you disappeared
  234. >Do they still mourn? Did they ever? Have they given up hope? If they did, how long did it take?
  235. >You sigh. There's no point in asking yourself these questions.
  236. >You've made a new home here. You have plenty of friends.
  237. >Besides, as far as you know, there's no going back home anyways.
  238. >The crackle of the flame subsides as it finally gives way to darkness
  239. >You go over to the tent to find Glory lying down, attempting to sleep
  240. >You decide not to bother her; she probably has enough trouble sleeping as it is
  241. >You get into your sleeping bad and drift to off sleep
  242. >You're awoken mid-dream by a harshed whisper and gentle nudging
  243. >"Anon, wake up.. I need to tell you something"
  244. >You groan a bit as you didn't want to get up
  245. "What is it?.. Can't it wait until the morning?"
  246. >There's a pause, "I wanted to tell you how I became homeless." She sounds... Sad. Worried, even.
  247. >You sit up and rub your eyes
  248. "Is everything alright?"
  249. >"No," her voice is wavering so much that you can tell she's been crying
  250. >You stop rubbing your eyes and look at her, half-expecting her to break down right then and there
  251. >She does her best to hide her emotion, but can't seem to hold any of it in
  252. >Her eyes are red from what was probably a combination of lack of sleep and wiping her tears away
  253. "Please, you don't have to tell me anything if you don't want-"
  254. >"This is something that I have to tell you."
  255. >You don't know what to say, so you wait for her to start on her own
  256. >This only takes a few moments, though it had felt much longer to you
  257. >"I don't deserve your kindness.. I'm a horrible pony, and I'm sorry for wasting your time"
  258. "What do you mean?"
  259. >She's sobbing. "I ran away from home when I was under 18, Anon."
  260. >Long pause
  261. >"My parents wanted the best for me, and I did nothing to thank them. I ran away from home because I was mad at myself. I was mad that I could never find my Cutie Mark. I was mad at Canterlot, and the elite, and at the Princesses. There had to be some kind of magic to get it, right?"
  262. >Her sentences are broken by small sobs and gasps
  263. >"You can't imagine what it was like, Anon. I'm an adult, and even after I left my old life, I can't find out what my calling is. I hear ponies laughing at me whenever they see my flank. I know it's not bad not to know, but I don't feel like I have any control of my life."
  264. >You can't find the words to help her
  265. >So you hold her
  266. >She tries to break free at first, but eventually runs out of the energy to do so
  267. >She cries into your shoulder and chest, unable to convey anything but her regrets
  268. >It takes a long time before she calms down
  269.  
  270. >You're have no idea as to why she had to tell you this at the middle of the night
  271.  
  272. >Seriously, you could have done this in the morning
  273.  
  274. >TOO LATE FOR THAT, I GUESS
  275.  
  276.  
  277. >When she finally quiets down a bit, you talk to her
  278. "You still have time to fix all of that, but are you going to be okay for now?"
  279. >You sort of know how she feels, as your last few interactions with your family weren't all too kind
  280. >She whimpers a little, "I-I think so.."
  281. >You let go of her, but stay somewhat close in case she breaks down again
  282. >"I'm sorry I kept you up like that.."
  283. "Don't worry about it," you say, sounding a little more annoyed than you'd meant to.
  284. >She was just crying on you, so it'd be wise to avoid flipping shit
  285. >"Every time I think about my parents, I can't control myself... They did everything they could for me... The only thanks I ever really gave them were quiet nods and a few letters I mailed to them when I was going to the college in Manehattan."
  286. >Holy shit, Manehattan?
  287. >Their college requires ridiculously high marks to be admitted
  288. >It's considered one of the most demanding schools in Equestria
  289. "You studied in Manehattan?"
  290. >She offers a modest smile, though she's still teary-eyed. "Yeah, my major was gonna be in journalism. I ran away just after spring break," she pauses for a moment. "I couldn't handle the stress of it anymore."
  291. >It just now hits you, even though you should have gotten it before
  292. >She was under 18 When she ran away
  293. >And she ran away when she was in college
  294. >She was likely one of the most intelligent ponies you've met so far
  295. >Yet, all of it was being squandered because she doesn't have a Cutie Mark
  296. >Fucking pony culture, how does it work?
  297. >What the do you do now?
  298. >You check outside, the sun is JUST rising
  299. >Ugh
  300. >Was she up all night thinking about that?
  301. >Her appearance screams "probably"
  302. >It also screams "I haven't bathed in a while"
  303. >You just realize she doesn't smell at all
  304. >Why is ponyland so weird?
  305. "I'm going to go and take a bath. You want in?"
  306. >"Uh.." She trails off, uncertain of how to respond to your suave ladykilling techniques
  307. >You take a bar of soap, a few rags, and a towel out of a bag you had in the tent
  308. "Come on," you say as you unzip the front flap
  309. >She shakily gets to her hooves and follows along
  310. >You wander on over to a river you'd seen when you were on the way to the campsite
  311. >You wet one of the rags in the stream before looking over to her
  312. "Do you want to go first?"
  313. >She looks a little confused, but not skeptical of your offer
  314. >"I suppose so..." She says, slightly hesitant
  315. >You shrug it off and begin wiping much of the filth out of her fur
  316. >The first rag is absolutely disgusting by the time you're done using it, so much so that even dipping it back into the stream doesn't really clean it
  317. >You figured as much, at least you brought a few more
  318. >The second rag isn't as bad, most of the dirt and other "substances" wash off
  319. >This entire time she's uncomfortably staring off into the distance
  320. >Probably a little embarassed that she's ruining rags
  321. >Third rag: wet, lather with soap
  322. >You go to TOWN, wiping off any remaining stains you see in her coat, and work your way through her mane
  323. >Once you're done, you wet the rag again to wash off the soap and miscellaneous grime, then rub the soap off of her
  324. >She is now a considerably lighter shade of brown than when you'd found her
  325. >You take the towel you brought and dry her off
  326. >THANK. FUCKING. GOD. You're finally done cleaning her.
  327. >The sun has risen quite a bit at this point, it's probably been around half an hour since you've started
  328. >You strip down and go through much of the same process as you did with her, as she awkwardly stares into the distance once more
  329. >This isn't much of a time for conversation, so you leave her to her gazing
  330. >Once done, you take the towel and dry yourself off, then dress yourself again
  331. >It's pretty gross to dress back up in the clothes you were just wearing, but it can't hurt that much if you change out when you get to camp
  332. >Right?
  333. >You look over to Morning Glory, and she's still staring into the distance
  334. "Hey, are you alright?"
  335. >Her gaze is unbroken
  336. "Hey, Glory, what's wrong?"
  337. >Suddenly, she snaps back to reality
  338. >"Sorry, it was nothing. I was just thinking."
  339. "About?," you ask, fairly concerned
  340. >"Nothing too important. Don't worry about it."
  341. "Uh, alright then," you're still concerned, but you'd rather not push it
  342. >You grab all of the rags you had brought along, as well as the towel
  343. >Making your way back to camp is fairly silent, but you're not sure what to talk about anyways
  344. >The moment you get back, you change into some clean clothes that you'd packed
  345. >You separate the dirty clothes from the clean in another part of the bag, then hang the towel and rags on a nearby tree to dry
  346. >And then there's Morning
  347. >Staring off into the distance again
  348. >Maybe she's bored? Or just doesn't know what to talk about?
  349. >'It is of no use, Anon. You know what you must do.'
  350. >Your weird semi-conscious internal monologue is right
  351. >You spot a small-ish mountain, just past a grassy plain and a few hills
  352. >Perfect
  353. "Time for an adventure"
  354. >She snaps out of her staring again, "wait, what?"
  355. "We're going to go hiking," you say, grabbing some food and hiding much of your camping gear in bushes near the campsite
  356. >"How is that an adventure?" she asks
  357. "Have you ever been hiking?," you ask as you put on the fancy hat you'd bought the day before
  358. >She pauses. "No."
  359. "Then it's an adventure"
  360. >She can't refute that, though you're sure she wants to
  361. "Impromptu adventure is the best kind anyways," you say, while walking away from the camp
  362. >You can feel her uncertainty as she follows along yet again
  363. >It's great that she trusts you enough to go along with whatever you're doing, but damn, it'd be nice if she were a little less hesitant about everything
  364. >Though, you must admit, it's better than when this trip started
  365. >"So, uh, Anon.."
  366. "Yes, Glory of the Morning variety?"
  367. >She absorbs your stupidity for a moment
  368. >"I'm really sorry for waking you up like that."
  369. >You glance over to her without breaking your stride
  370. "Really, don't worry about it. I've been kept up for some stupid stuff. I'm just glad you said what you needed to"
  371. >She shows a tiny smile, "what kind of stupid stuff?"
  372. >It takes a moment to think of a response
  373. >So many memories flood your mind that it takes a moment to sort them apart
  374. "Well, me and a few of my friends from school used to commit all sorts of shenanigans when Summer came around. We would all post on a website named 4chan wi-"
  375. >"Wait Anon, what's a website?"
  376. >Oh yeah
  377. >Ponies don't internet
  378. "Nevermind that, it's a story for another time. Moving on, me and my friends would buy food that was horrible for us and drinks with tons of sugar so we could stay up all night. We'd normally play violent or embarassing games, vandalize public property, or go out and get in fights for fun."
  379. >She seems a little shocked about this
  380. "It was a different time, but I had a lot of fun even if what we were doing was stupid or illegal. I'm not proud of some of the things I've done, and being entirely honest, I had a lot of friends in some low places."
  381. >"How did you change if your friends were bad influences?"
  382. >You don't want to explain everything, so you half-ass it
  383. "I saw people doing well with themselves. I saw what they did and learned to express myself, and eventually started writing and making music for fun instead of being destructive." You chuckle to yourself, "My new friends would take me out to buy books sometimes. We'd mess around in the store until we got kicked out."
  384. >There's a pause
  385. "It took me a long time to figure out that you have to surround yourself with what you want to be.. And that it works both ways."
  386. >Morning is puzzled at the last part of that statement
  387. >"What do you mean by that, exactly?"
  388. "Well, if you change yourself... You change those close to you. Therefor, the simple act of changing your actions has the potential to change the world around you."
  389. >You used to think about this subject a lot, but sometimes you still felt as though you were just rambling on or just trying to sound like some douchebag
  390. >You only hope that you didn't come off too preachy about it
  391. >"Anon," she starts, "what did you do on Earth?"
  392. >You'll have to think about how to answer this one
  393. >You make a good bit of distance before you decide to speak
  394. "I guess, after I got away from all of those negative influences, I just thought a lot. Of course, I made art, but usually I'd just think."
  395. >She gives you a confused look. "About what?"
  396. "Normal stuff. Life, friends, people. I'd go on walks and replay arguments in my head. I'd really dwell on everything, whether good or bad. Do ponies do that too?"
  397. >"Sometimes," she sighs, "I still think about how bad it was to leave my parents like that. I didn't even leave a note..."
  398. >She tears up a little
  399. >"They probably think I'm dead by now."
  400. "Hey, do want to take a break?"
  401. >She sniffs, "Sure"
  402. >You spot a rock nearby and let Morning pop a squat on it, while you sit on the ground
  403. >You want to make your next words count
  404. "I think you should go and see your parents when we're done here"
  405. >'Why the fuck don't I think before I open my mouth'
  406. >"I don't think I can, especially after running away. I don't even know if they'd take me back..."
  407. >'Oh, well, I can work with that'
  408. "Of course they'll take you back, they're your family.. They might be mad for a little, but they're probably just scared for you."
  409. >You think to yourself, 'at least you can make the choice to go back'
  410. >"Thank you, Anon. I needed to hear that." She gives a bittersweet smile and gets closer to you
  411. >She gives you a small kiss on the cheek, and says "we should get going"
  412.  
  413. >It's been a few minutes since you two started walking again
  414. >She's been asking a few questions and you've answered them to the best of your abilities
  415. >However, you're quite distracted about that kiss
  416. >You know it wasn't romantic, but was it from gratitude?
  417. >'Is that even how this shit works, Anon?'
  418. >Your semi-conscious internal monologue can't even understand the implications
  419. >Why think about this in the first place? It doesn't matter that much.
  420. >... Though it's kind of hard to ignore
  421. >"Anon?"
  422. >You snap out of your dazed state to find Morning looking expectantly at you
  423. >You're also noticeably lagging behind her
  424. "Sorry, what were you saying?"
  425. >"I was asking how long your schlong was."
  426. >Wat
  427. >Apparently your confusion shows, as Morning giggles
  428. >"I was asking when we were going to eat, considering we didn't have a breakfast."
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