She is a powerful Azudim vampire with a lean, moderately toned build. Her tall
legs and long torso allow her to stand at a confident height without
compromising her femininity. She has smooth, tawny skin that becomes flawed at
her limbs. Starting at her upper arms and middle thighs, natural skin gives way
to the formation of black scales. The colour and intensity of these scales
increases as they descend to each extremity. Each of her digits are equipped
with long, ebon claws. Maple brown hair, thick and tousled, caresses the small
of her back. Two sets of broad knotted braids start on either side of her
hairline and are pulled back to be combined into a single heavy braid. The braid
is tightly wrapped around itself to form a large bun that masks the back of her
head. Her forehead is covered by a full, feathered fringe that sweeps just
slightly to the right side of her heart-shaped face. Under shapely brows, lush
black lashes frame maroon coloured irises and, with delicate precision, thick
lines of black paint border her eyelids, continuing toward her temples from the
outer corners of her eyes. Long, tapering ears extend back at a slight upward
angle, ending at small round points. She has lofty black wings, closely
resembling those of a bat; the forelimbs are long and are concluded by large
fans of bony fingers, with semi-translucent patagia that are leathery in
appearance. She is wearing:
2 pearl stud earrings
2 dangling black pearl earrings
the Aetolian centennial ring
a nose ring
a charm bracelet
a brilliant gold and silver engagement ring
a two-tone sari of emerald and black
the Aetolian bicentennial ring

The choli forming the base of this sari is simple, sewn of an elegant, rich
brocade that has been dyed the colour of gleaming emeralds spun through cloth.
The garment is designed to fit snugly, a juxtaposition to the draping sari that
goes over it, and it has been cut off just beneath the wearer's breasts, a
stretchy band sewn into the silk brocade to ensure that it stays in place. The
sari has been pinned at the shoulder, and two-tone fabric drapes down the left
arm of the wearer, enshrouding it in gauzy fabric. The fabrics used to create
the sari are two different types sewn to create a single piece of cloth, half of
the fabric made of sheer black silk dotted with tiny rows of polished silver,
and half sheer emerald silk with slightly darker velvet roses ghosting across
the elegant material. A swirling curlicue of interlocking knotwork has been sewn
into the fabric where the two colours meet, the gleaming silver embellishments
disguising the joined hemlines. The two-tone nature of the garment gives it a
unique look, and the garment gives a bold fashion statement.

With a girth similar to the trunk of a mighty oak tree and the length of several
human men, this serpent is a daunting presence to behold. Its glossy skin is
formed of malachite green scales, accentuated by black scales that depict a
progressive lozenge pattern. A thick tuft of prim feathers spread from the back
of its head and taper along its proximate backside, the plumes a variety of
carmine red, pumpkin orange and cobalt blue. A sizable ruby is embedded in the
serpent's skin, settled perfectly on the center of its skull. The serpent is
further adorned with a pair of heavy gold rings that pierce through and hug the
flesh between its nostrils. Immense wings extend from the creature's sinuous
body about a quarter down its full expanse, the covert feathers being orange,
the secondaries red, and the long primaries blue. Every feather shaft within
each inner wing has been embellished with small, round onyx pieces, contrasting
the natural vivid colours. The serpent wears two decorative gold bands at the
end of its undulating figure, held secure by a collection of colour uniform
feathers blooming from its tail. Its large ebon eyes glitter with awareness,
however their focus is lost in their darkness. Settled between its pinions is a
curved saddle, strapped in place by thick, gold-stained leather that encircles
the serpent on either side of its appendages. The saddle is topped with black
cushioning that is embroidered with an elegant gold filigree design. He is
called 'Ankhesis.'