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CuriousAnon

Alaskan Anon in Equestria Chapter 19

Jan 17th, 2014
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  1. >Consciousness hammers into your eyelids with all the subtlety of a freight train
  2. >You groan, and roll over, putting your arm over your face
  3. >That would be the sun
  4. >Hello, sun
  5. >...Wait
  6.  
  7.  
  8. >You roll over the other way and remove your arm from your face, checking your watch
  9. >...The sun shouldn't be up now
  10. >It hasn't been up this early for weeks
  11. >This is summer timing
  12. >You look up from your watch, still squinting against the bright sunrise
  13. >And find AppleJack at the table, nursing a cup of coffee
  14. >Twilight's bed, however, still contains a Twilight-sized lump that's moving steadily up and down
  15. >As you watch, the sunlight on the ground lurches an inch toward the windowsill
  16. >Then it slows back down to its usual pace
  17.  
  18.  
  19. >You quietly pull your sheets off and sit up
  20. >Then you look over at AppleJack, who is watching you
  21. "Morning" you say quietly
  22. >"Morning" she replies just as softly
  23. >You rub your eyes, then put on your glasses
  24. This ain't normal, is it?
  25. >You ask, gesturing to the window
  26. >"Whut?"
  27. The sun rising so early in the winter... or jumping like that
  28. >AppleJack considers the question for a moment, staring into her coffee
  29. >"Well, it hasn't happened in recent memory. So ah would say no."
  30. >Your brow furrows a bit
  31. >"Still, if ah would trust anyp0ny ta be tinkerin' with such things, it'd be Princess Celestia. She's got to have a good reason for it."
  32. >You nod to her
  33. >You don't really believe that the rulers of this place can control the sun and moon
  34. >Although what you just saw is putting some serious cracks in that
  35. >You shake your head
  36. >It's too early to think
  37.  
  38.  
  39. >You grab your clothes and head for the bathroom
  40. >After tending to your bodily needs, you emerge
  41. >By now, Twilight is up, nursing her own cup
  42. >AppleJack is nowhere to be seen
  43. Morning
  44. >Twilight looks up at you, and blinks slowly
  45. >"Good morning, Anonymous."
  46. >Your stomach groans at you
  47. >Twilight sets her coffee cup down and gets up from the table
  48. >"I suppose I will see you at breakfast, then?"
  49. Yeah. See ya there
  50. >She turns and canters into the bathroom
  51. >You take your leave and head for the cafeteria
  52.  
  53.  
  54. >You end up finding an empty table upon which to consume your waffles
  55. >You didn't see anyone you know in the crowd, so you figure you'll just take this one
  56. >You've finished on your first waffle and are pouring syrup on your second when a purple unicorn floats her tray down and sits next to you
  57. >You nod to her
  58. >Her mane still looks damp
  59. How'd ya sleep?
  60. >"I slept quite well. Yourself?"
  61. I slept pretty good
  62. >You take a piece of waffle, and she takes a bite of a bowl of milk and oats, making a lapse in the conversation
  63. >Several bites of oats later, Twilight speaks
  64. >"I don't understand how you can function without coffee in the morning."
  65. >You look up at her
  66. I figure the brain's like an engine; ya gotta start it and then give it time ta warm up before ya run it hard. There's no sense in jumping on the gas right away.
  67. >Twilight's eyebrows contract for a moment
  68. >You remember telling her about the operation of your truck before, but you're not sure if you covered that part
  69. >Then the eyebrows resume their original standing, and she looks at you more fully
  70. >"That... that's an interesting way to look at it."
  71.  
  72.  
  73.  
  74.  
  75. What do you get up to all day around here, anyway?
  76. >Twilight finishes chewing completely and swallows before responding with what could be mistaken for pride in her voice
  77. >"Princess Celestia is continuing my education. Although it's not quite as hooves-on as my previous time with her has been..."
  78. Oh?
  79. >Twilight nods
  80. >"The Princess instructs me for around an hour a day, and I conduct my own research and experiments centered around the established subject of study on my own time. She'll spend more time instructing me if we're trying out a spell, of course."
  81. >You take a sip of orange juice
  82. So yer done with yer studies of 'friendship'?
  83. >Twilight cocks her head
  84. >"Friendship is eternal, Anonymous."
  85. >You shrug
  86. >"No, my studies of friendship in P0nyville will resume once this... problem... is resolved"
  87.  
  88.  
  89. >"And you work in the Royal Mechworks, correct?"
  90. That I do.
  91. >"That's not just something a p0ny can pick up in a day..." she muses
  92. What do you think I did before I came here?
  93. >"...Ah."
  94. If I ever find a way back
  95. >You say jokingly
  96. I might jes' have to take you with me
  97. >Twilight splutters, almost choking on her oats
  98. >"I-I wouldn't presume-"
  99. Presume nothing. I made a living working on machines, and I know there's a bunch of technological wonderments you'd love ta see
  100. >you idly pick your fork with your teeth
  101. If it ever happens, that is.
  102. >"Anonymous, you remember what the Princess said..."
  103. Sure I do.
  104. But this is a magical land, ain't it?
  105. >Twilight nods reluctantly
  106. An' anything is possible with magic.
  107. >You lean back from the table
  108. Until then, the best I can do is work on those wonders with what I got
  109. >Twilight's brows contract once more
  110. >"You're building things from your world?"
  111. Sure! What do you think I do in that workshop
  112. >Her visage becomes furtive
  113. >"You're not making any... firearms, are you?"
  114. Nah. Got plenty o' those.
  115. >"What are you making?"
  116. That's a secret.
  117. >There's a momentary pause as the purple unicorn looks down at her plate, and then back up at you
  118. >"May I see them when they're finished?"
  119. Certainly.
  120.  
  121.  
  122. >With breakfast done, you make your goodbyes and then head off to work
  123. >The hallways are just as crowded as they were yesterday
  124. >But they aren't more crowded
  125. >Hell, You don't almost trip over some poor bastard like you did yesterday
  126. >So you take it as a good sign
  127.  
  128.  
  129. >At work, you see the assembly line firing up for another day of production
  130. >You head to a steam curving station, but you feel a hoof on your upper leg
  131. >You look down to see Tamper looking up at you
  132. >He's got a paper in the hoof he's stopped you with
  133. >"Not today, Anonymous."
  134. Huh?
  135. >He holds the paper up to you
  136. >"We here at the corps handle all things mechanical in this castle. An' that means when something breaks-"
  137. We get ta fix it?
  138. >Tamper grins at you
  139. >"You're a natural, Anonymous"
  140. >you grin back
  141.  
  142.  
  143. >"Anyway, one of the doors in the outer castle wall has had its lock broken, and it needs replacing. There's a fresh one on that shelf over there; take any tools you'd need to get it open, because it's the same as the one on the door."
  144. >He pauses
  145. >"Show me you know how to do this."
  146. Alright Boss
  147. >You say, taking the paper
  148. >"Lug Nut here will point ya in the right direction when yer ready to go." He says, motioning to a familiar looking, singed p0ny beside him
  149. >You nod to Lug Nut
  150. I better get on it then
  151. >You take the paper from Tamper and look at it
  152. >It's a repair order for door number five, outer wall
  153.  
  154.  
  155. >You pick up the lock and briefly look it over
  156. >It's a square steel job with four securing bolts and handles on either side
  157. >The operation is simple enough
  158. >A huge keyhole in both sides leads to simple but robust internals
  159. >It comes neatly in half once the proper bolts are removed
  160. >And it's easy enough to put back together
  161. >Once you finish working out the internals, you stow it away
  162. >You've got all the necessary tools in your cloak already
  163. >And then you tap Lug Nut on the shoulder
  164. >He jumps
  165.  
  166.  
  167. Ready ta go?
  168. >"Yeah" replies Lug Nut
  169. >You put on your jacket, follow him out the door to the outside
  170. >It's cold out today, but nothing you aren't used to
  171. >You pull your hat down a little tighter and squint
  172.  
  173.  
  174. >"Hey 'Nonymous"
  175. >You look down at your equine escort as he leads you along the cleared paths around the castle
  176. Yeah?
  177. >"Where's yoosah?"
  178. yoosah?
  179. >Lug Nut looks back up at you
  180. >"Yeah, yoosah. It's written on all your tools, made in yoosah"
  181. "You mean the USA?" you reply, enunciating the letters separately
  182. >"Yeah, that."
  183. >You suck air in through your nose
  184. >Part of the way you know it's not that cold out is that it doesn't feel like your sinuses are freezing
  185. The USA is the place I came from.
  186. >"Oh."
  187. >There are more than a few seconds of silence
  188. >"What's it like, there?"
  189.  
  190.  
  191. Hmm. A lot like here, actually.
  192. >"Really?"
  193. Yeah. Well, the land looks a lot like this place, anyway.
  194. >you rub your nose, and say almost absentmindedly
  195. But the p0nies don't talk, or fly... And there's no magic.
  196. >"Yer shitting me" Comes the incredulous response
  197. Not in the slightest.
  198. >"Wow."
  199. >You look to your left
  200. >The brown earth p0ny is looking up at you with slightly widened eyes
  201. >"So they weren't lying..."
  202. Huh?
  203. >Lug Nut looks down momentarily
  204. >"Well, when your big red wagon showed up in one of the carriage garages everyp0ny in the shop went and had a look at it"
  205. Yeah?
  206. >"The unicorns said there wasn't an ounce of magic in the entire thing"
  207. Yup. That truck is 60% steel, 30% explosion, 5% gum and 5% duct tape.
  208. >"So then... there are more of those?"
  209. Yup. I reckon we have machines that more or less fill in for most of the roles unicorns and pegasui preform here.
  210. >You pause for a moment and rub your chin
  211. Oh. 'Cept the weather.
  212. >"...The weather?"
  213. >Lug Nut is looking up at you again
  214. Yep. We don't control our weather; it just does as it pleases.
  215. >Lug Nut looks up at you with wide eyes
  216. >"Ya mean... Ya don't know what the weather's gonna be like the next day?"
  217. We kin' predict it about three days in advance... semi reliably, at least
  218. >This is obviously boggling someone's mind
  219. >"Not controlling the weather..." he mutters
  220. >Lug Nut is silent the rest of the way to the door
  221.  
  222.  
  223.  
  224. >You wave to your coworker as he departs
  225. >Then you turn into the wind and trudge forward through the snow, following the single set of hoofprints
  226. >The door is readily apparent; A small, metal bound wood portal set into the imposing castle wall, that comes up to a rounded top at neck height
  227. >Although, as you get closer, you can't help but notice the scattered impacts in the snow in front of the door
  228. >And most of the lock is gone, save for the four bolts on the corners and most of the metal plate, which has a large hole in it that goes clear through to the other side
  229. >You frown
  230. >Well, at least removing the original lock shouldn't be so difficult
  231.  
  232.  
  233. >Further inspection reveals the door opens inward, and has been opened recently
  234. >The bolt is also missing, so you swing the door open
  235. >Whoever did this covered their tracks well
  236. >The snow has been smoothed over on the far side...
  237. >But not all of it
  238. >you step through the door
  239. >Seven feet out, there's an imprint in the snow
  240. >A big one
  241. >As big as the waffle you had for breakfast
  242. >You mentally shrug
  243. >So they want to fuck with whoever came out here
  244. >You get out your wrenches and get to work
  245.  
  246. >When the second bolt is off, you hear crunching in the snow behind you
  247. >You pocket the bolt and wrench, rise from your crouch, and turn around
  248. >A blue unicorn approaches
  249. >Clad in snow shoes and a scarf, he forges toward you
  250. >You straighten up the rest of the way
  251. "Hey Star Blaze, what brings you out here?" you ask when he's close enough
  252. >"Many things, Anonymous, many things" he says, his head glancing about
  253. >"For example: Did you know that Canterlot castle is supposed to be proof against changelings?"
  254. >You think for a moment
  255. Nope.
  256. Am I s'posed to?
  257. >"No, that is a good thing. It's rather well kept secret."
  258. >Star Blaze checks around once more
  259. >"Around the castle is an invisible bubble, highly resistant to changelings, that is maintained by a dedicated staff of guardsp0ny unicorns constantly."
  260. >"While it is possible for changelings to penetrate this bubble, it is very difficult; the act requires more than one. Quite a few, in fact. And in doing so, they alert us to their location."
  261. >You glance behind you
  262. >"You're quicker than they give you credit for. That's right."
  263. >Star blaze, it seems, caught the glance
  264. >"Last night the unicorns on duty registered a rupture in this area. This morning, we discovered the door was forced."
  265.  
  266.  
  267. You didn't catch them?
  268. >"The guardsp0nies on duty for such an occurrence were... distracted" he says with the slightest hint of disgust in his voice
  269. >"The long and short of it is, they now have a bug on the inside. Possibly several."
  270. So what, you want me to keep an eye out?
  271. >"Precisely."
  272. >"Your superior has been instructed to give you preference in the event of any out of house repair call. This will have you seeing as much of the castle as possible."
  273. An' if I see one?
  274. >"The guardsp0ny outside the mechworks will follow you whenever you go on a call. You should be able to catch his attention relatively easily; alert him, and he'll take care of it."
  275. That's pretty slick
  276. >"It is our job, after all." finishes Star Blaze bemusedly
  277.  
  278.  
  279. >"Do you have any other questions?" Asks the blue unicorn as he turns
  280. What happens to 'em?
  281. >"Oh, we've got a holding cell for them. No windows and a nice thick door."
  282. Right, right
  283. >You nod
  284. >"If that is all, I'll let you get back to your job"
  285. Yup
  286. >"Good day, Anonymous."
  287. >And with that, Star Blaze turns and tromps off towards the castle
  288.  
  289. >With the mysterious Lunar guard out of your way, changing out the lock is a relatively simple procedure
  290. >If a little time consuming
  291. >The anchor holes in the door itself were undamaged, so all you have to do is slot it through and bolt it down
  292. >The sun is well on its way into the sky when you pull out the key for the lock
  293. >You test the lock's rotation a few times, and then make sure the bolt fits in its hole in the castle wall
  294. >Once you're satisfied, you lock the door a final time and pocket the keyring
  295. >Then you look again at the repair order
  296. >"Replace lock"
  297. >Done
  298. >"Deliver second key to southwest guard station"
  299. >Finally, something you know the location of
  300. >You pack up the rest of your gear
  301. >And take your leave of door number five in the castle wall
  302.  
  303.  
  304. >The wind has picked up a bit since you began your day, and it bites into the exposed skin on your face
  305. >You grin, watching it whisk away the clouds of billowing fog that are your breath
  306. >It's a nice day out
  307.  
  308.  
  309. >The southwest guard station is a squat, rounded stone building set a fair distance from the main body of the castle
  310. >You've never actually been inside one of these
  311. >Just seen it from the outside
  312. >You roll up and knock on the door
  313. >You hear a scraping noise
  314. >"What the hay..."
  315. >A viewing slit in the door has opened
  316. >As is, it has a pretty good view of your belt buckle
  317. >You crouch down and peer inside
  318. Howdy
  319. >A muffled exclamation comes from behind the door, before a pair of massive blue eyes appear in the view slit
  320. >"..What is your business" comes a moment later
  321. I Fixed door number five in the castle wall and I've got tha new key here for you.
  322. >The door swings open, revealing a Celestial guard
  323. >He looks up at you
  324. >"'Bout time they sent somep0ny out to fix that lock."
  325. >The glimmering guard beckons to you with a hoof
  326. >"Come on in. I'll have to sign that repair order."
  327.  
  328.  
  329. >The guardsp0ny steps aside, and you duck through the door and into the building
  330. >Fortunately for you the ceiling is high enough to stand up straight, so you do
  331. >The warm glow of the lights reveal a cozy interior
  332. >A small, potbelly stove burns away merrily next to its supply of firewood on the left
  333. >On the right, you see a flat wooden table with a steaming mug of hot something on it
  334. >On the wall are a number of cupboards, one of which has a roster sheet pinned to it
  335. >You pull out the keyring and detach one of the two keys on it, holding it out to him
  336. >The other one goes back to the shop
  337. >He takes the key and pulls open one of the cupboards
  338. >On the inside of the door are a number of labeled hooks, all of them occupied by a key
  339. >He pulls a key off one hook in particular and places the new one in its stead
  340. >Then he holds the key out to you, which you take
  341. >"You know what to do with this?" He asks
  342. Melt it down
  343. >He nods approvingly
  344. >"Good"
  345. >You pull the paper out of your jacket, which he takes from you
  346. >He then signs it with the quill from the roster, and gives it back
  347. >You stow it away
  348.  
  349.  
  350. That it, then?
  351. >You inquire, turning towards the door
  352. >"That's all that's required of you, yes."
  353. >You're halfway down to get out when he speaks again
  354. >"How are things going in the royal mechworks? I heard you colts are mighty busy"
  355. You could say that. Got a new project the higher ups are all over.
  356. >"Hey, good luck with that"
  357. Thanks
  358. >you nod over your shoulder, and then depart
  359.  
  360.  
  361.  
  362.  
  363. >Back at the workshop, you head for Tamper's office
  364. >You're lucky enough to catch him inside of it
  365. >It's about time for lunch, so he's packing up his stuff
  366. >You set the paper down in front of him
  367. Job's done
  368. >The grey unicorn examines the repair order briefly
  369. >"Looks good ta me"
  370. >So said, he picks it up and dutifully files it away in a drawer of his desk
  371. >Shorty afterward, he gets out from behind his desk
  372. >"Lunchtime"
  373. Yup
  374. >You follow your boss out the door of his office
  375. >And then join the general flow of p0nies headed for the cafeteria
  376.  
  377.  
  378. >Today, you opt for soup and mashed potatoes
  379. >There are several advantages to your comparitively extreme height, you decide
  380. >And being able to see most of the tables in the cafeteria from just beyond the cashier's station is one of them
  381. >So saying, you spot a familiar conglomeration of colors
  382. >And decide you'll have lunch with your friends today
  383.  
  384.  
  385. >AppleJack, on the opposite end of the table, is the first to see you
  386. >"Howdy, Anonymous!"
  387. Hey AppleJack
  388. >"It's Anonymous!"
  389. >"Hello, Anonymous"
  390. >"Hi..."
  391. >"Heya Anon!"
  392. >And so the greetings go around the table
  393. How have you folks been holding up?
  394. >You ask as you circle the table
  395. >The six p0nies glance at each other
  396. >"I'm scrum-diddly-umptious!" Blurts Pinkie
  397. Hah
  398. >You move AppleJack's hat aside and set your tray down, and then take a seat next to her
  399. >It's the only space open big enough for you
  400.  
  401.  
  402. >You sit back and allow the conversation to wash over you as you consume your lunch
  403. >Pinkie is deep in discussion with Fluttershy about her pet...
  404. >Aligator?
  405. >She's worried. She left him with her employers, and she's afraid he'll get fat from being pampered.
  406. >Rarity is asking Rainbow Dash where she got the goggles currently around her neck
  407. >Rainbow's smiling and teasing her with the location
  408. >Cheeky mare
  409.  
  410.  
  411. 'Ey Twilight
  412. >You swallow
  413. >Twilight looks up from her daisy sandwich
  414. >"Yes, Anonymous?"
  415. Whatcha studyin' today?
  416. >"Transmogrification"
  417. >If she had said that any less matter-of-factly, you might have trouble believing her
  418. Transmogrifiwhut now
  419. >The purple unicorn looks all too happy to elaborate
  420. >"The school of turning one object into another."
  421. Huh.
  422. Like with water and gas?
  423. >"Yes, exactly."
  424. Sounds tough
  425. >"It's rather difficult to explain..."
  426. >"That's a first!" snorts Dash
  427.  
  428.  
  429.  
  430. >You feel hot breath on the back of your neck
  431. >Something the diameter of a softball slams into your back
  432. >"Anonymous, what are you doin' all the way over here?"
  433. >It wasn't THAT hard, admittedly
  434. >You pivot to see a brown earth p0ny grinning at you
  435. Hey Lug Nut, I could ask you the same question
  436. >He steps forward
  437. >"I'm just wonderin' why you ain't over here with the rest of the stallions" He says, pointing a hoof behind him
  438. Well Lug Nut, these are my friends.
  439. >"Are they now?"
  440. >He takes a second look at the table
  441. >you turn to your friends
  442. Girls, this is Lug Nut. I work with him at the Royal Mechworks.
  443. >"Hi!"
  444. >"Pleased to make your acquaintance"
  445. >"Hey"
  446. >"Hello!"
  447. >"Howdy"
  448. >"H-hi..."
  449. >Your friend's responses host varying degrees of enthusiasm as they size up the newcomers
  450. >"Well ain't it nice ta meet you all"
  451. If it wasn't for these fine ladies, I wouldn't be here right now
  452. >You say with no small amount of pride
  453. >"Is that so?"
  454. Yup. Why, AppleJack here was kind enough to take me in when I first arrived here.
  455. >You ruffle her mane affectionately
  456. >"S-shucks. Ah wouldn't leave nop0ny out in tha cold ta freeze. It just ain't raight..."
  457.  
  458.  
  459. >"Hey, come on Lug Nut!"
  460. >"Yeah, we got a new fella who thinks he can take ya!"
  461. >Lug Nut peers over his shoulder at the calling
  462. >"Well Anonymous, this is a fine buncha mares you've found yourself here. If you ever feel like sharin' a herd like this, you go right ahead and give me a holler"
  463. >The mood at the table sours in an instant, and your eyes narrow
  464. >You had taken Lug Nut for the good sort
  465. >Not... a womanizer
  466. >The very thought makes your blood boil
  467. >You smile down at him, your cheeks pulled back off your teeth in a feral grin
  468. >Then you return the favor, and slap his back
  469. >Hard.
  470. Yeah, we'll see. You better get the hell out of here. The guys are calling.
  471. >"Yer right. I better go show that new guy who's the king of the hoof."
  472. >The well-built stallion half-steps backwards, before turning on a hoof and cantering off
  473.  
  474.  
  475.  
  476. >And just like it came on, it's gone
  477. >You shake your head
  478. >More of a jerk
  479. >Dislodging nasty thoughts
  480. >That was odd
  481. >When you look up at the table, a good portion of it is staring at you
  482. >"Anonymous..."
  483. "Nobody treats my friends like property." you say simply
  484. Not even my other friends.
  485. >"Hmmph!" snorts Rarity
  486. >"Ya did tha right thing, Anon" Says AppleJack
  487. >Whatever
  488. >If he's mad, you can deal with him later
  489. >You stand up for your friends
  490.  
  491. >After lunch, you head back to the workshop
  492. >And this time, Tamper doesn't stop you
  493. >So you head for that steam curving station, and get to work
  494.  
  495.  
  496. >Something pokes your back, and you almost jump
  497. >You look back to see Tamper
  498. >"Hey, Anonymous..."
  499. Yeah?
  500. >He's got another sheet of paper that looks suspiciously familiar
  501. "Awww come on" you say jokingly
  502. >"Hey, there's a real reason this time!" he jokes back
  503. >"There's a busted light fixture that needs replacing, an' if I sent anyp0ny else it'd take 'em twice as long."
  504. >You grudgingly finish the runner you were working on, and set it on the finished pile
  505. >Then you step away from the machine with a sigh of defeat
  506. >"There's a good stallion!"
  507. >"Sparks, get over here!"
  508. >"Gotcha boss"
  509.  
  510.  
  511. >Tamper holds the paper up to you, and you take it
  512. >"Aux. Room 47, fixture replacement"
  513. >Sure enough
  514. Is it bolted on?
  515. >"Just like the lock, yep"
  516. I'll be back in a jiffy
  517. >You say, and Tamper nods
  518. >You head to the stores where you previously got a lock
  519. >And pick out a lamp
  520. >Upon further examination, it's actually pretty interesting
  521. >it's got a circular base with a golden cover that goes against the wall
  522. >And under the cover are two holes, presumably for bolts
  523. >Sticking out of this brace plate is a similarly golden tube, at a 60 degree angle
  524. >And mounted vertically on this tube is a white ovaloid about the size of your head
  525. >There's a small, cut out circle in the strut of the thing, and when you're picking it up your thumb depresses it
  526. >The lamp glows to life in front of your eyes, which you promptly close
  527. Fuck
  528. >You feel around the thing until you find the switch, and then turn the light off
  529. >Then you tuck it under an arm, and grab a few bolts for good measure
  530. >And head out the door
  531. >A glance behind you reveals the guardsp0ny that was at the door is now tailing you at a fair distance
  532. >Good
  533.  
  534.  
  535.  
  536. >you stalk the halls, light fixture in hand
  537. >The place isn't quite as crowded now
  538. >They're all out of the castle, trying to enjoy themselves and forget about their woes
  539. >That's what you think, anyway
  540. >You're just glad you don't have to step over anyone
  541.  
  542.  
  543.  
  544. >You arrive the designated room, and you're proud of yourself
  545. >You only had to ask for directions once!
  546. >Your tail is currently out of sight
  547. >The wooden door before you would be imposing, you suppose
  548. >If it came up higher than your nipples.
  549. >You knock purposefully upon it
  550. >After a moment, the door opens
  551. ..Twilight?
  552. >"Oh, hello Anonymous!"
  553. >The purple unicorn smiles guiltily up at you
  554. You wouldn't happen to know anything about a broken light fixture in here, would you?
  555. >"I, uh, well..."
  556. >Twilight looks down and shuffles her hooves
  557. >Conveniently moving backward, so you duck under the door and step past her
  558.  
  559.  
  560. >The inside of the room is fairly tidy
  561. >There are few shelves lining the walls
  562. >And a thick mat leaning up against the far wall
  563. >In front of the mat is a small table with various odds and ends on it
  564. >And just above the mat you see your objective
  565. >There's a lamp bracket on the wall with a post sticking out of it
  566. >But there's nothing on the end of the post
  567. >Just a clear looking point that glimmers at you
  568. >As you approach the table, you get a better look at the objects upon it
  569. >...wait
  570. >There's a tiny, ruby red teacup
  571. >Another ugly looking cup that appears to be made of some sort of white stone
  572. >A figurine made of black stone, a teapot of smoky green glass
  573. >And a chunk of the mat that's yellow
  574. What have you been doing in here?
  575.  
  576.  
  577. >"Practising trasnmogrification spells"
  578. Ooooh
  579. >Now you remember
  580. Is that what happened to the lamp?
  581. >"I'm afraid so, yes."
  582. >you bend over and pull the table out of the way, and then step up to what's left of the lamp to examine it more fully
  583. So you just missed?
  584. >"I'm not quite sure what happened, actually"
  585. >You hear hoofsteps behind you getting closer
  586. >Upon closer examination, the clear and twinkling point on the end of the mount isn't just a point
  587. >It's ovaloid
  588. >On a hunch, you reach up and press the power button
  589. >The lamp shines to life in front of your eyes, even brighter than the one you've got in your right hand
  590. >You squeeze your eyes shut and push the power button again
  591. >"I had been intending to turn that coaster into emerald, but the spell... just went wild."
  592. >You rub your chin, and pop the bolt cover off
  593. Does this happen often?
  594.  
  595.  
  596. >"It's not a common occurrence, no. There is a chance for every spell cast to go wrong, but it is a very small one."
  597. >You pull out your toolbox and set it on the free space on the table
  598. >Then you pop it open and pull out your set of sockets, and try them until you find one that fits
  599. >Lucky these guys have similar standards to your own
  600. >You pull out the ratchet and stick the socket onto it, and then fit it on the nut
  601. >The bolt is slow to start, but when it finally does it comes off easily enough
  602. >You pull the washer under it off, and then work on the second bolt
  603. So, do you have any idea what this is?
  604. >You ask, pointing briefly to the tiny sphere
  605. >"Some kind of precious stone, I should think"
  606. Huh.
  607. Mind if I take it?
  608. >You get the last bolt off, and the washer with it
  609. >"That IS what you're here for, right?"
  610.  
  611.  
  612. >oh yeah, that's right
  613. >This place has such a goddamn abundance of precious stones, they're used more for decoration than to as a compact means of wealth transportation
  614. >You give the fixture on the wall a tug
  615. >But it doesn't move
  616. >Huh
  617. >You pull on it harder, but it still refuses to budge
  618. >you squint
  619. >son of a bitch
  620. >The holes in the plate are set just a little too close together, and the tops and bottoms are catching in the threading of the bolts
  621. >Still, they had to get it on here somehow
  622. >You should be able to get it off
  623.  
  624.  
  625. >You brace on the wall with your other hand, and then pull
  626. >The fixture slides out a few threads, stops momentarily
  627. >And then it releases completely, sliding right off the bolts
  628. >You were pulling too hard, and you overbalance
  629. >Your leg snaps back, catching you and preventing you from falling over
  630. >But also bumping into the table, its rounded edge impacting close to a certain bandaged area
  631. MotherFUCK
  632. >Hisses from between your teeth
  633. >You set the recently removed fixture on the table and bend over
  634. >"Anonymous, are you alright?"
  635.  
  636.  
  637. >Big, concerned purple eyes peer at you two feet away
  638. >"What happened?"
  639. >you roll up your pant leg to check your bandage
  640. I bumped my cut on that table
  641. >You say
  642. >The pain is starting to fade now
  643. >"How did you get that?"
  644. Scaring off muggers
  645. >Twilight backs up a bit
  646. >"I wouldn't think a p0ny would try to mug you..."
  647. Wasn't me they were trying to mug
  648. >The unicorn sits down abruptly
  649. >"Did you at least report it to the guard?"
  650. There is no doubt in my mind the intended target of the mugging managed to.
  651. >Twilight's gaze switches back and forth between your face and the bandage
  652. Although I doubt those two will be bothering anyone for quite a while.
  653. >"I'm just glad you're alright."
  654. Yeah, I'm glad it didn't need stitches too
  655. >You roll your pant leg back down
  656. >The scab wasn't broken, and it just stings a little now
  657.  
  658.  
  659. >"I can have a look at it tonight, if you like"
  660. That'd be great.
  661. >You get back up, and pick up the new light fixture
  662. >Fortunately for you, the holes are further apart than on the original one
  663. >You're able to slot it onto the bolts with no trouble at all
  664. >Behind you, you hear hoofsteps once again
  665. >You glance over your shoulder
  666. >Twilight is stowing the items away in a bag
  667. >And pulling out new ones, which she sets on the table
  668. How long are ya gonna be at this?
  669. >"Until dinner, I think."
  670. Speaking of
  671. >you muse
  672. Did you ever end up figuring out how to make gas?
  673. >"I made some progress, but all the results I've had so far have been rather... sticky."
  674. If it's what I think it is, that has its uses too
  675.  
  676.  
  677. >You're screwing the first bolt on when another question occurs to you
  678. So, Twilight
  679. >"yesh?"
  680. >You pause and look back
  681. >She's got a bunch of miscellaneous objects floating around her, and the statuette in her mouth
  682. How exactly does transmogrification work?
  683. >"It's... Hmm."
  684. >Twilight sets the statue down
  685. >"It's fairly simple, really. You just turn a given material into another material."
  686. >She pauses for breath before continuing, and you finish tightening the first bolt and put the second washer on
  687. >"The more... different two materials are, the more effort the spell takes. Effort also scales with quantity"
  688. >You thread the second bolt on
  689. So how did you create that cartridge back in P0nyville?
  690. >Twilight blows and errant strand of mane up out of her eyes
  691. >"That was more than just a transmogrification spell..."
  692. Was it?
  693. >"Yes. I had to retrieve brass, lead and copper from my supplies, and set a search spell for... the components of the powder. I then had to make slight adjustments to compositions and assemble it all in front of me."
  694. "Thet's pretty damn impressive" you say as you tighten the second bolt
  695. >"I suppose it is... and it worked, which is always a good sign."
  696. >"The search spell was the real power sink, but now that I know what it drew it'll be easier in the future."
  697. >You pick up the cover and stick it over the bolts
  698. >Then you click the light on and off a few times, making sure it works
  699.  
  700.  
  701.  
  702. >Your final click leaves the light glowing warmly with its brethren
  703. Well, I won't be gettin' in your way here any longer
  704. >"No, no, it was good to have a break" says Twilight
  705. >"I haven't seen much of you since we arrived here."
  706. Huh
  707. Well, I should be around tonight.
  708. >Twilight nods
  709. >You pull her table back into position
  710. I gotta get back to work, so I'll see ya
  711. Alright?
  712. >"See you tonight, Anonymous."
  713.  
  714.  
  715.  
  716.  
  717. >The rest of the day passes by surprisingly quickly
  718. >Your tail resumes his post at the door of the shop when you get back
  719. >And you retake your position at the steam curving station with a vengance
  720. >Getting to and from the replacement of the light fixture took long enough that ther isn't much time left in the workday
  721. >At dinner, you decide to eat with the rest of the guys
  722. >Lug Nut doesn't say anything about lunch, which is good
  723. >You don't really need an enemy at this point
  724. >And after, you retreat to the solitude of the workshop once more to work on your projects
  725. >One of which is to cut the base off the light fixture you removed earlier that day
  726. >And to attach a removable tube, so that it can be used as either a torch or a directional flashlight
  727.  
  728.  
  729. >When the moon is high in the starry sky, you prepare for your final activity of the night
  730. >You pull on your snowpants, your jacket
  731. >Your hat, your gloves, and even your scarf
  732. >The night brings the cold, and you don't intend to succumb to it on your journey
  733.  
  734.  
  735. >The shop door thumps in the doorframe as you pull it closed and lock it
  736. >Then you pull your gloves back on
  737. >The stars and the moon are your only light as you crunch out across the castle grounds
  738.  
  739.  
  740. >A good walk finds you in that place that was your home for your first week here
  741. >The snow covered hedgerow
  742. >You can still remember the layout of the thing, if you push a little
  743. >But you're not here to remember
  744. >You're here for a break
  745. >This is the closest thing you'll get to the woods without stealing a key to get outside the castle walls
  746.  
  747.  
  748. >The entrance of the hedgerow looms before you, the moon's palid light rendering the path beyond in a stark contrast of black shadow and white snow reflecting even whiter light
  749.  
  750.  
  751.  
  752. >You wander in the hedgerow, taking turns left and right as your heart compels you
  753. >There's no shouting out here
  754. >No yelling, no screaming, no crying children
  755. >No newsp0nies trying to sell you a paper
  756. >Nobody to trip over
  757. >No hammering or rattling or running sinks off in the distance
  758. >No, the only sound out here is the crunch of the snow under your boots
  759. >And your breath going in and out, generating billows of crystalline fog that swirl briefly in front of you before you pass them
  760. >You could get a good night's sleep, out here
  761. >And you did for a whole week too
  762.  
  763.  
  764. >Your wanders eventually take you to the center of the maze
  765. >To the mismatched statue you vaguely remember from your earlier explorations
  766. >it is, of course, still here
  767. >The arms, the top of the head, and any other protrusion that pesents a flat surface is laden with snow
  768. >But even under its powdery load, the statue manages a wild and unpredictable look
  769. >You give props to whoever carved it
  770. >They did a good job
  771. >It's as your eyes wander to the head level of the mishappen creature that you notice a flicker of movement
  772. >And then nearly jump out of your boots
  773. >Did...
  774. >Did it wink at you?
  775.  
  776.  
  777. >You stare harder at the statue for a moment, not moving a toe
  778. >The statue, however, remains as immobile and solid as every other time you've seen it
  779. >you mentally shrug
  780. >Perhaps your mind playing tricks on you
  781. >or the light
  782. >You've certainly "seen" stranger things lurking out in the woods
  783. >A statue is a statue, and it's not going anywhere
  784. >You roll your shoulders, and head for one of the myriad exits of the clearing
  785. >Your eye contact with the statue, however, is only broken when the hedge comes between you and it
  786.  
  787.  
  788. >By design or luck, you end up in the same clearing that sheltered you during your exile
  789. >You walk up to the massive snowbank that marks your former home
  790. >Pivoting on your heel, you spread your arms wide
  791. >And then fall backwards onto it, sinking into the snow until your front is about level with the surface
  792.  
  793.  
  794. >The silence is serene
  795. >Clearing your mind and allowing you to admire the cold, alien constilations
  796. >To pick your own shapes among them, as one might see items in clouds
  797. >there, for example, is an axe
  798. >And there, a snowmobile
  799. >There's a log cabin
  800. >A great warrior
  801. >An owl, an eagle
  802. >A wizened old wolf
  803. >And even, perhaps, a p0ny
  804.  
  805.  
  806. >Presently you hear something
  807. >A soft whisper that pushes through the silence
  808. >Slowly at first, but then with increasing volume
  809. >Until it sounds like a great pair of wings beating the air
  810. >Which is coming from behind you
  811. >You sit up and turn around
  812. >A great pair of wings, indeed, are bearing down upon you
  813. >Suspended between them is a familiar looking blue alicorn
  814. >The wings snap shut before they hit the hedges, and the alicorn falls
  815. >She lands in the snow with a muted thump in front of you
  816. >"Good evening, Anonymous" she says carefully
  817. >Quietly, as if respecting the very peace and quiet you came out here to enjoy
  818.  
  819.  
  820. Good evnin' ta ya, Princess
  821. >She closes the distance between the two of you, her longer legs affording her a faster pace of movement thorugh the snow than the average p0ny
  822. What brings ya out here at this hour?
  823. >"I could ask the same of you"
  824. I was just out lookin' up at the night sky.
  825. >"Were you now?"
  826. Yup
  827. >"Pray tell, what do you think of it?"
  828. >Woah
  829. >Those are some serious eyes she's leveling at you
  830. Well, I've always been partial to stargazing.
  831. >You say, stretching your arms
  832. An' while coming here has had many ups and downs...
  833. >Luna leans in closer
  834. I gotta say, havin' a brand spankin' new set of stars to gaze at is one of the pluses.
  835. I think it's beautiful
  836. >You look expectantly at the blue alicorn, who regards you with an inscrutable expression before responding
  837. >"Well, I was out for a flight to... clear my mind, as it were. I saw you laying in the snow and curiosity rather got the better of me."
  838. >Luna smiles at you
  839. >"Were it that more p0nies shared your views of my night sky..."
  840.  
  841.  
  842. Yer night sky?
  843. >You ask
  844. >Maybe you heard her wrong?
  845. >"Why, yes. I take my duties as the keeper of the stars very seriously."
  846. >She looks wistfully up at her supposed creation
  847. >"I just wish more p0nies would take the time to enjoy them..."
  848. >You're about to open your mouth when you follow Luna's line of sight
  849. >her massive pupils aimed at the sky, her horn shrouded in that peculiar blue vapor
  850. >A small nebulae glows briefly brighter, and then begins to move
  851. >You suck in a breath as the impossible seemingly occurs right before your eyes
  852. >First the haze of otherworldly fireflies spins in a circle
  853. >And then they form a pentagonal star
  854. >"Do not your people arrange their heavens?" Asks Luna almost absentmindedly, her eyes never leaving her work
  855. >The stars form, in their little portion of the sky, a very familiar face
  856. >A face that smiles down at you
  857. No...
  858. >you respond softly
  859. No... we don't.
  860.  
  861.  
  862. >The stars stop their movement, still smiling down at you
  863. >You look over at their master, who looks back at you
  864. >"Yours must be a strange world" she says slowly
  865. "Aye" you muse, laying back in the snowbank
  866. 'bout as strange to you as yours is to me, I think
  867. >This draws a chuckle, before silence retakes its place of prominence
  868. >You stare up in the sky in wonder
  869. >How much of it's original?
  870. >And how much, molded and reshaped by this alicorn sitting not so far away
  871.  
  872.  
  873.  
  874. >Eventually, the alicorn in question rises from her seat in the snow
  875. >"It has been a pleasure, Anonymous."
  876. Likewise
  877. >"I must be going, however. I have... duties to attend."
  878. >And with that, the Princess of the Night opens her massive, feathery wings
  879. >Her ascent into the cold night sky marked by a flurry of ice crystals that slowly settle on your prone form
  880. >You yourself sit up, and brush off
  881. >your ass was starting to get cold anyway
  882.  
  883.  
  884. >Your boots are mostly dry by the time you get back to your room
  885. >That's how long of a walk it is
  886. >You roll up to the door and knock on the door
  887. >"Come in!"
  888. >The knob gives to your grip and you pull the door open
  889.  
  890.  
  891. >The first thing you see is a fire crackling away merrily in the corner
  892. >The lights are on, your bed is as you left it
  893. >And sitting on her own bed is one Twilight Sparkle
  894. >A book laid out in front of her
  895. >"Oh, hello Anonymous!"
  896. Hi Twilight
  897. >You step inside and close the door
  898. >"How was the rest of your day?"
  899. >you shrug
  900. Alright. You?
  901. >"Did a little more practice in on stone transmogrification spells, and now I'm reading more about liquids."
  902. >You hang your jacket on a hook next to the door
  903.  
  904.  
  905. >You're getting a glass of water when you hear a popping sound
  906. >"I need to look at your leg!"
  907. Alright
  908. >You're fully confident in your own ability to dress a wound
  909. >But if Twilight feels obligated to do the same thing she did for you in her library
  910. >Then you're not going to stop her
  911. >You sure as hell could live with the damn thing not twinging every time you bump it
  912. >So, you walk in the bathroom and grab a fresh towel
  913. >And then you pull up your chair
  914. >And your pant leg
  915. >And lay out your leg on one of the stools next to the table
  916.  
  917.  
  918. >Twilight, for her part, gets up and walks over
  919. >She inhales sharply when she notices the scab on your leg
  920. >"That hurts just looking at it."
  921. Only bugs me when I hit it on stuff
  922. >"...I hope you don't do that intentionally."
  923. Hell no.
  924. >You lift up your glasses and rub your eyes
  925. >When you open them again, Twilight is seated next to your leg
  926. >"Are you ready?"
  927. Ready as I'll ever be
  928. >Twilight's horn lights up, and your wound is smothered in an eerie purple glow
  929. >It's an odd feeling, no denying that
  930. >It feels like a million little fingers are poking the inside of your wound, all at once
  931. >It should feel like needles
  932. >But... it just isn't painful
  933. >It also itches something fierce, but you know better than to reach down and scratch it
  934.  
  935.  
  936.  
  937. >it's not even a minute before the glow fades away
  938. >"Well, everything should be in order" says the purple unicorn
  939. >"...Or as in order as it gets for this situation"
  940. >you chuckle
  941. Well thanks for taking a look at it.
  942. >"It's no trouble at all"
  943.  
  944.  
  945.  
  946.  
  947. >you stretch your arms, roll down your pantleg and stand up
  948. >You can tell right away she did some work on it
  949. >It doesn't bother you nearly as much as it did getting up before
  950. >As soon as you get all the way to your feet a massive yawn overcomes
  951. "I think it's high time we both headed to bed." you say when it finishes
  952. >"it IS getting late..." replies Twilight
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