Script:
Music (Resolution Reprise?) to a very aesthetically pleasing scene of a super soldier being disconnected from his fueling hub. Uses camera angles and lighting to really emphasize the suit. Camera pans to red fluid coming from tubes into soldier, cuts to a new scene, the source of the fuel: A matrix of patriots letting their essence be absorbed into a machine. Camera focuses on one individual hub, and as the narrator mentions “force”, the camera rests on the woman’s ring.
Meanwhile:

Low voice (Think Prophet from Crysis): “Mankind has discovered a tactic far more powerful than patriotism. For years we used propaganda to excite our people and send them to war. Now we have developed, or rather, harnessed, a much more prevailing force…” ^(focus on wife’s ring)

Nanosuit 2: War scenes, ……. , Parallel scene of enemies infiltrating the fueling facility, keeps cutting back and forth between the battle and the infiltration. Infiltrators disable oxygenation of the wife’s pod and watch her drown, at climax of Nanosuit 2. American Super Soldier suffers crippling damage to his suit, collapses into dirt.
SOS New York Begins: Reinforcements are arriving (On both sides or just allies?).
With every bass drum hit the scene switches, from the facility to the war, as the wife is being resuscitated and reconnected to the machine
(SOS New York Climax) American Super soldier Stands up heroically, F22s soar overhead as reinforcements are seen behind, American super soldier saves another super soldier and sprints toward Super Soldier Iran while taking fire, jump kicks him to the ¬¬ground with both feet and takes his pistol aiming down and shoots him in the face as the camera turns to an overhead shot from a drone showing the mass casualties of war. One can see the dimly lit LEDs of the flags on dead super soldiers chest, American Super soldier pushes on continuing to fight as planes fly under the camera, then one flies very close under and the film fades as it fills the screen.

Timing:
First 5 seconds: Black, Nothing
0:05-0:54: Resolution Reprise (0:00-0:49)
0:54: Bass Drum
0:59-2:02: Time Square, Evacuation (0:53-1:56)
1:29 = Squad Stands on hill
1:44 = Enemies Spotted
2:02 = Silence
2:07-3:19: Nanosuit 2 (0:00-1:12)
3:19 = Silence
3:24-5:25

First Scene:
3 different cuts of Three second takes of Cameron, beginning from the door to a facility, to meeting up with the squadron
(cut)
5 second take of Squadron gearing up and looking badass
(cut)
5 second take from behind squad, showing them walk up the hill
(cut)
5 Second take of squad from other side of hill, squad stands with pride, looking off into the distance
(cut)
5 second take of another angle of squad continuing to look badass
(cut)
5 Second take of another angle, squad still badass, Cameron steps forward at end of clip
(cut)
5 second take of insurrectionists following behind Cameron, and all look up attentively at end of take
(cut)
5 second take Shows Corey and his squad, on a very distant hill
(cut)
2.5 second take shows corey squad up close, standing, staring
(cut)
2.5 second take shows Cameron squad up close, standing, staring
(cut)
2.5 second take from verrry far away, in the middle of the two squads, so that the two squads can be seen in the peripherals.
7.5 second take of squads running toward eachother
Sad music (ALL IN SLOW MOTION)
3.5 second take of Cameron squad hustling forward
(cut)
3.5 second take of corey squad hustling forward
(cut)
3.5 Far away shot of both, unfocused
3.5 Focus
(cut)
3.5 of Cameron sending orders to insurrectionists
(cut)
3.5 second take of Insurrectionists moving out
(cut)
3.5 second take of Corey Standing still, pointing ahead, as insurrectionists move past him
(cut)
3.5 second take of the same scene just from behind corey
(cut)
7.5 second scene from afar, showing both sides again, slowly zooming out
(cut)
1.75 second scene of insurecctionists charging
(cut)
1.75 second scene of corey’s team charging
(cut)
Sideways charge)
Fight/Wife suffocation