「Ab Ovo Usque Ad Mala」

再度紡ぎ出される異界の言霊。遥か太古の、かつ外宇宙の言語が超次元座を軋ませながら氾濫する。

He began to sing the language of the different dimension again. The ancient language of the Outer Universe/Space overflowing from the jarring Hyperdimensional Throne.

それがかつて、水銀流出の遠因となった“先代”の御業であると知る者はもはやいない。

No longer can anyone know the works of “Predecessor” anymore because of the Emanation of Mercury.  「Omnia Fert Aetas」

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http://fastpic.ru/view/59/2015/0126/5e12388c0b55a2979f0478c6216c8eea.png.html

http://f-picture.net/lfp/s017.radikal.ru/i404/1409/79/7f8ffa7e1499.png/htm


 横殴りに訪れた一撃を阻むのは、二十四にも及ぶ次元断層。衝撃を相転移する絶対障壁。それが大獄と夜行の間に顕現する。

His attempt to thwart the single side blow is dislocating dimensions that also reach to twenty-four. The absolute barrier that performs the phase transition on the impact. It manifested between Ootake and Yaokou.

 悲鳴にも似た高速真言。最硬度の防咒を施しながら、なおも瞬間移動まで使いながら後退するその挙動。摩多羅夜行ともあろう者が、臆病風に吹かれたのかと嘲笑されても仕方がない。事実、彼もどうしてそこまでしたのか分からない。

The high-speed mantra like it was screaming. While performing the protection chants of the greatest hardness, he behaves as retreating as he used it for movement at the moment. Madara Yakou has no choice but to do this, even if he was called as a coward. In fact, Yakou has no idea why he has to do this either.

だが、それはこの上もなく正当な対処であり、同時にどうしようもなく意味のない行動だった。

But, that while is the possible way to deal with from this above, at the same time, it is a meaningless helplessly act.  「無駄だ」  “Futile.”

その程度、薄紙ほどの用も成さぬと。山脈を消し飛ばすほどの熱量にも耐えるだろう壁の一枚一枚が、鋼の拳に触れるたび、いとも容易く粉砕される。

No matter how he tries, this extent is no different from a thin paper. One-by-one of wall that will withstand against even the heat that would blow away whole mountain ranges is easily grinded whenever it was exposed to the fist of steel.

 貫通する黒い鉄槌、有象無象の区別なく、ただ在るならば死に絶えさせると直進し、防ぐだけの暇はない。

The black hammer penetrates without any distinction toward any small fry only keep going straight and bring death on everything, he has no time to block it.

http://s1087.photobucket.com/user/throne0/media/Kajiri%20Kamui%20Kagura/Mutsuki%20Hozuma/Kajiri%20Kamui%20Kagura%20-%20MutsukiHozuma%20-%2034.jpg.html

 そも空間の概念自体を意識したことがない。思えば有り得ない話である。

Even the concept of space has not known yet. It is not an impossible story if one thinks about it.

http://s1087.photobucket.com/user/throne0/media/Kajiri Kamui Kagura/Satsuki Kazuyuki Seki/Kajiri Kamui Kagura - SatsukiKazuyukiSeki - 05.jpg.html

漏れ出る膨大な咒の数々が、肉眼で視認できる言霊となって周囲の空間に書き込まれていく。複雑に絡み合い、瞬きながら、何重もの立体的な構造体を織り上げている。

Many grand chants that leaked out are gradually written into the surrounding space became soul of language that is visible to naked-eye. This complex entanglement, while blinking, is woven several folds over on the three-dimensional structure.

神対神の戦いとは、まず挑戦者側――ここでは夜刀――がその太極を流出させ、それを王者側である現神が迎え撃つという形で始まる。

The battle where God versus God, first is the side of challenger――Here is Yato――he allows his Taikyoku to emanate, in the form a champion that faces the Present God.

とはいえ戦場となるのは現世に非ず。だいたいにおいて挑む側が受ける側の待つ場所まで行かねばならない。

Though it is said that the battlefield is the World. Generally, he has to go the place on the other side where the side received the challenge waits.

その場所とは、すなわち太極座。既存の法を流れ出させている事象の中心、宇宙の核だ。

That is place is none other than the Taikyoku Throne. The Nucleus of the Universe, the Center where all phenomena emanated from the existing Law.

それは無論、単純な徒歩や飛翔で辿り付ける場所ではない。一種の超次元空間であり、言語で説明できない極点だ。

Of course that is not the place where one can reach by walking and flying. It is some sort of Hyperdimensional Space, an extreme point that cannot be described by any language.