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Brothers part I

Aug 6th, 2014
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  1. Ahhhh
  2. >Nothing like a fresh cup of coffee in the morning
  3. >It's probably the best part of your day
  4. >As you sip, you forget about how bad the apartment you're living in is
  5. >You temporarily cease to care about the fact that you're headed to a slave's job with slave wages
  6. >You take this time out of every morning to calm down, and stop stressing about life
  7. >It's calming, gives you energy, and keeps life from driving you insane
  8. >After being framed for an enormous company scandal that involved somebody dying, the old desk job fired you
  9. >After finally getting out of jail, work has been hard to come by
  10. >You hate what your life has become now, but you'll be damned if you'll let it get to you
  11. >This morning ritual helps prepare you for the day ahead
  12. >Another day of back breaking labor at a train yard, where you stayed all day, and half the night before returning home
  13. >Sunday was your only off day, because legal fees and debt now demand that you work every single day
  14. >But on the plus side, intensive manual labor has made you strong, and thugs don't try to beat you up anymore, after you sent a couple to the hospital (which resulted in more debt because he sued and won)
  15. >If things keep up, you could be out of debt in another thirteen years or so
  16. >Good thing you haven't missed a payment
  17. >You finish your morning coffee, get the last bit of sleep out of your eyes, and put on your work clothes
  18. >Ready to go, you grab your breakfast and run
  19. >Even public transportation costs too much for you, so you have a solid half hour run to work
  20. >At the train yard, you don't slack off, because you've seen people get fired for that, and you can't lose this job
  21. >Half hour lunch break, and you finish the brunch you packed yourself
  22. >Hours later, shifts end, and you clock out
  23. >Boss comes out today, pulls you aside before you leave
  24. Anon! Just the man I wanted to see. Do you have a moment to spare?
  25. >Even if you didn't you feel like you have to, because he's never put up with anything he doesn't like
  26. >He leads you into his office, and tells you to take a seat
  27. Anon, I've been watching you work, and I think you deserve a raise
  28. >You must have visibly brightened at this, because he smiles at you
  29. A two dollar raise will be effective starting next week
  30. >You can hardly believe it
  31. >With the amount of hours you put in a week, this is a big sum more than what you were getting
  32. Thank you sir
  33. >You reply with a professional attitude, barely containing your excitement
  34. Is there anything else?
  35. >He shakes his head
  36. No Anon, you're free to go
  37. >You nod, say thank you, and head home
  38. >Things are looking better
  39. >Maybe you can get out of this shithole sooner after all
  40. >You hit the showers and go to bed, just to start the day all over again tomorrow
  41. >...
  42. >...
  43. >...
  44. *BEEP BEEP*
  45. *BEEP BEEP*
  46. *BEEP BEEP*
  47. >You groan, and slam your hand down on the alarm clock
  48. >Another fucking day living in this shit house, working in a shit job
  49. >At least there's a pay raise to be happy about
  50. >Yippee
  51. >The morning routine is as dull as ever, and as the coffee machine works its magic, you you look around
  52. >Nothing changes
  53. >Just the same worn down, tattered apartment building, the cheapest you could find
  54. >Only the basic necessities are here
  55. >A bed, table, stove, coffee machine, and a microwave
  56. >You keep telling yourself it's just temporary, and once your debts are settled, you'll move out
  57. >Live in the suburbs and work in an office again
  58. >A much easier life
  59. >And just like every morning while the coffee finishes, you remind yourself that you have at least a decade before that happens
  60. >You take your cup and sit down at the table, leaning back in your chair and taking the time to simply enjoy the bitter taste of life
  61. >Your frustrations and anger start to clear up, just like every morning
  62. >The routine is almost soothing, in a mind numbing kind of way
  63. >You drink the last mouthful all at once, closing you eyes and letting the chair fall back forward
  64. >But just as you swallow it, it turns into some sort of undercooked burger meat, making you gag and throw you eyes open
  65. >But you aren't in your apartment anymore
  66. >You're not even in a chair
  67. >In fact, you're not even you
  68. >You look at your jet black hooves, which are covered in blood
  69. >Then you look past them to see a mutilated pony corpse, it's face frozen as if he/she (you can't tell anymore, it's that bad) were begging for you to stop
  70. >You feel sick to your stomach
  71. >Not just from the ghastly sight before you, but from the very feeling of wrongness
  72. >You can't be here
  73. >You're at "home" drinking coffee before work
  74. >You're not here right now, you must be hallucinating
  75. >You have to be
  76. >You punch yourself in the face, but it does nothing except bring pain
  77. >In a frenzy, you keep beating yourself in a desperate attempt to wake up
  78. >This nightmare can't be real
  79. >But it can get worse
  80. FREEZE, SCUM!
  81. >A commanding voice screams from behind you
  82. >The command is so forceful and demanding that you actually stop mid punch and freeze
  83. >Then you get tackled to the ground
  84. >You don't know how they did it, but what's presumably a police pony manages to cuff your forehooves behind your back and drag you outside
  85. >The sunlight is blinding out here
  86. >By the time your eyes adjust, you catch a glimpse of easily hundreds of other ponies, all of different colors, staring at you
  87. >Then you're thrown into the back of a carriage, which is then shut, leaving you bound in darkness
  88. No.. Please, no! This is a mistake! I'm not a pony! I'm innocent!
  89. >The carriage starts moving, and a gruff voice calls from the front of the car
  90. SHUT UP! You crazy psychopath! We're taking you to the funny farm [spoiler]Where life is beautiful all the time![/spoiler]
  91. >You start freaking out even more, the feeling of nausea steadily growing
  92. >This can't be real
  93. This isn't happening; This isn't happening; This isn't happening; I'm just going to wake up and it will all be a dream
  94. >You start repeating this to yourself over and over and over again
  95. >The pony in the front keeps yelling at you to shut up, but you ignore him
  96. >Some time later, you've stopped repeating it out loud, and just said it in your head, curled up in a ball
  97. >You aren't even trying to look at anything anymore
  98. >Just quietly crying and telling yourself that it isn't real
  99. >You don't even notice that you've been placed in a jail cell until hours later when food arrives
  100. >You don't touch it
  101. >You're betting that if you get hungry enough, the dream will end, because that's what this is
  102. >Just a nightmare
  103. >...
  104. >Not much later, four guardsponies come as escorts
  105. >One of them explains that you're going to be questioned
  106. >You nod dumbly, still refusing to believe what's happening
  107. >They surround you and push you on from behind
  108. >Two of them are unicorns, and the other two are pegasi
  109. >Not that it matters much, because you'll be waking up soon, you just know it
  110. >they bring you into a questioning room, clearly the kind that you can be observed in
  111. >They strap you to a chair, and you sit there alone for a few moments
  112. >You're closing you eyes, trying to wake yourself up
  113. >You even try biting down on the inside of your mouth and on your tongue to induce enough pain to snap out of this dream
  114. >Nothing changes, though, but you keep going at it
  115. >Soon a pony comes in, closes the door behind her, and sits down across from you
  116. So, Mr Smoky Bolt
  117. >What kind of name is that?
  118. That's not my name
  119. >She shakes her head
  120. Honestly Smoky, we don't have time for this. I need some answers from you
  121. >She pulls out a folder of papers, lays them out, and pushes them out towards you
  122. >Among them are pictures of an orange unicorn
  123. >Who you recognize as the mutilated pony back in that room
  124. >You feel nauseous again
  125. I hope you feel sick about what you've done. I need you to answer routine questions
  126. >You don't look up, you're still trying to settle your stomach, as well as a creeping doubt
  127. >It isn't working well
  128. Now, why did you kill him?
  129. >Without thinking, you answer
  130. I didn't. he was like that when I got there
  131. >Wrong answer, obviously
  132. >But curiously, she doesn't comment on it
  133. You say your name isn't Smoky Bolt. What is it?
  134. >She's angry, but sounds genuinely curious
  135. Anon
  136. >Your stomach churns again, and the doubtful feeling is starting to grow
  137. >This....
  138. >This might not be a dream
  139. >But fuck it, you're still trying to wake up
  140. Well then, if you didn't kill him, who did?
  141. >She asks, and something is becoming clear
  142. I... I don't know...
  143. >You say, looking her in the eyes (freakishly large eyes)
  144. >You can see the gears turning, judging you
  145. >And she's judging you insane
  146. >You can tell that nothing you say will really help you
  147. >Or even change your standing
  148. >The only way to win a losers game
  149. The victims blood is on your hooves. So I'll ask again. Why did you kill him?
  150. >Is not to play
  151. Jealousy?
  152. >....
  153. Money?
  154. >...
  155. A mare?
  156. >...
  157. Hatred?
  158. >Her mission has been accomplished
  159. Hmph. Hatred and revenge only breeds more of the same
  160. >She got you to respond
  161. >But she wasn't prepared for that
  162. Then what was the motive?
  163. >Still don't have to play
  164. >They can't exactly force you
  165. Are you going to say anything, or am I just wasting my time here?
  166. >Then she mumbles something else under her breath
  167. Still getting locked up for life
  168. >You jerk your head back down from staring at the ceiling and stare her right in the face
  169. >She notices, but does nothing, just gathers the papers back up and leaves
  170. >The four gaurds come in after she leaves to escort you out
  171. >And through them, you see her let out a pent up shiver of fear
  172. >You now realize she'd been holding her composure in that room over her fear of you
  173. >From her point of view, you can't possibly be anything other than a deranged murderer
  174. >You feel bad for a second, but then you remember that she's probably a piece of your subconscious
  175. >Because you won't accept that this isn't a dream
  176. >That this is real
  177. >But doubts are creeping in
  178. >You can't remember when you've felt ill in a dream
  179. >Or smelled the half cleaned prison
  180. >With only one cell
  181. >Yours
  182. >When you get thrown back in your cell, you hear a guard mutter
  183. Monster
  184. >What could your subconscious be trying to tell you?
  185. >Or maybe...
  186. >...
  187. >No
  188. >You won't believe that
  189. >Not...
  190. >Not yet
  191. >As you tell yourself this, you start to drift off
  192. >Before you know it, you're dreaming
  193. >You know you're dreaming because you're looking at a book and are reading words as you think of them to be read
  194. >You don't recall dreaming within a dream, but you wouldn't be surprised if you just forgot about it
  195. >Most dreams are like that
  196. >At some point, the dream became an adventure through a forest
  197. >Most of your half-lucid dreams turn into adventures
  198. >This one is no different, and you let your subconscious take you along on the adventure
  199. >Just as the miracle sandwich of spaghetti is within your grasp, a rattling and creaking noise wakes you up
  200. >Wakes you up
  201. >...
  202. >You can't wake up from a dream within a dream like this
  203. >And smell the floor
  204. >And taste your morning breath
  205. >And hear the shuffling of hooves
  206. >And feel the weight and dirtiness of your body
  207. >...
  208. Fuck this gay earth
  209. >You say out loud
  210. >This isn't a dream
  211. >This damn thing is real
  212. >And it pisses you off
  213. >You glare over at the cell door and find breakfast waiting for you
  214. >...
  215. >A plate of dandelions
  216. >Seriously?
  217. >Hunger from not eating earlier takes over and you down the whole thing
  218. >It didn't taste bad, but still tasted like flowers
  219. >Pony anatomy?
  220. >Speaking of, you have hooves
  221. >Not hands
  222. >But hooves
  223. >So....
  224. >How
  225. >The fuck
  226. >Are you holding this bowl?????
  227. AAAAAUUUUUGGGGHHHHH!!!
  228. >You throw it against the wall
  229. >That does nothing to answer your questions or blow off much steam
  230. >You are a murderer here in this body
  231. >Just fucking wonderful
  232. >Now people will never trust you or try to be close to you again
  233. >You punch the wall with your hoof
  234. >It makes a satisfying noise, and didn't really hurt
  235. >So you keep thinking about all the stupid shit you'll have to put up with
  236. >And hit the wall as hard as you can for each one
  237. >You'll be in jail again
  238. *Punch*
  239. >They probably believe you to be a freaking lunatic
  240. *Punch*
  241. >That's going to mean freaking unnecessary therapy
  242. *Punch*
  243. >Probably going to be diagnosed with some bullshit because you don't fit with what they think you should be like
  244. *Punch*
  245. >You hooves are starting to hurt, but your anger isn't even close to leveling out
  246. This bullshit....
  247. *Punch*
  248. >And you probably aren't even on earth anymore
  249. >Earth doesn't have talking ponies, dammit
  250. *Punch*
  251. >Even if you wanted to see your parents or coworkers, you can't
  252. *Punch*
  253. >Not that it matters, they're all a bunch of dicks
  254. *Punch*
  255. >You've left one shit life behind for a shittier life
  256. >Is there a god?
  257. *SLAM*
  258. >You finish your set of blows by slamming both hooves into the wall
  259. >Cracks are now evident
  260. >You can see through some of them, and you feel satisfied with that release of steam
  261. >Now it's just a low simmering anger
  262. >You know, the kind that's easy to put a cap on
  263. >Or, they would be, if the noise hadn't summoned the guards
  264. What's going on in h-....
  265. >The combination of your glare (byproduct of being pissed) and the clear view of your recent feat shut them up
  266. >They start whispering to themselves
  267. >But you can still hear them
  268. That crazy monster just broke the wall!
  269. >...
  270. How can we lock it up if it can do that??
  271. >It grates on your nerves
  272. >A lot
  273. What's to stop that thing from... killing again?
  274. >*Snap*
  275. You shut your DAMN MOUTHS!!
  276. >You scream at them
  277. >They lock up and remain silent
  278. Go somewhere I can't you hear you, shitheads
  279. >You grumble, and go back to the warm sunlight
  280. >The guards stand there in shock
  281. What are you waiting for?!
  282. >That sends them scrambling away
  283. >You were right
  284. >These bastards don't even see you as the equivalent of human
  285. >It's almost enough to make you punch the wall again
  286. >But your hooves hurt
  287. >For now, you just stare outside through the cracks
  288. >Gradually getting angrier at your lack of freedom
  289. You can see a distinct void near the actual building, but in the distance you see the normal ponies
  290. >Just going about their business
  291. >Some of them are even stopping to lay down in the grass, soaking up the sun and staring at the sky
  292. >God damn, you haven't had the chance to do that in many, many years
  293. >And just fucking perfect too
  294. >Now you just may never get that chance
  295. This damned place...
  296. >You mutter to yourself
  297. >And you keep staring outside, trying to get a glimpse at the actual sky
  298. >But all you can get are slivers of blue, and snippets of grass and ponies walking by
  299. >Eventually you just stop letting it anger you and stare instead at the ceiling
  300. >Which doesn't really help, but it doesn't make things worse
  301. >So you sit, waiting
  302. >Waiting for the next retarded thing to start happening
  303. >It doesn't take too long
  304. >Some pony comes down the hall and up to your door
  305. >It's a unicorn mare with a blue coat and yellow mane, with a satchel on her back
  306. >She has the guards open the door
  307. Smoky Bolt, come with me
  308. >Yeah, no
  309. No
  310. >She doesn't expect this
  311. I'm sorry, what was that?
  312. >Wonder why
  313. I said no
  314. >The anger bleeds into your voice, and you can tell just by the reaction of her and the guards
  315. Well, it's been determined that you need therapy, and I was told to come and get you and
  316. >She starts gushing out words, clearly nervous
  317. >You hold up a hoof and silence her
  318. I said No
  319. And don't try to make me
  320. >You left that threat open ended
  321. >That did it for her, and she closed the cell door, scuttles backwards, then briskly trots away, clearly eager to leave
  322. >Which is fine by you
  323. >Solitary confinement is better than therapy for shit that never happened to you
  324. >You half heartedly wonder what they've diagnosed you with
  325. >If murder isn't common here, and that's why they call you a "crazy monster," then there are a few possibilities
  326. >They might just think that you're broken, and delusional
  327. >Or maybe that you angry at yourself for murdering the pony
  328. >God damn, either way it would mean stupid therapy sessions that wouldn't get anything done
  329. >You lie around like this for what must be hours before nightfall and dinner come and go
  330. >You fell asleep a some point, but you don't care
  331. >Only rage is on you mind now
  332. >While you slept, somebody managed to reseal the cracks and strengthen the door
  333. >Probably magic
  334. >There are unicorns around here, after all
  335. >Looks like they don't want t take chances on you escaping
  336. >Just fucking wonderful
  337. >Now you can't even see the outside world that you may never be a part of
  338. >Another bowl of flowers comes in, through a slot
  339. >Another grumpy morning with nothing but a freaking bowl of flowers to "enjoy"
  340. >You still can't understand how the hell you can grab shit without fingers, but you don't pay it much attention
  341. >This hellhole is already terrible enough without trying to rationalize that
  342. >But lo and behold, It can always get worse
  343. >Just as you finish eating, that same pony comes back, this time with three more guards
  344. Smoky Bolt, it's time for your therapy session
  345. >Ha
  346. I thought I told you already. No
  347. >She doesn't hesitate this time
  348. Well you're going, weather you like it or not
  349. >She has the guards come into your cell and try to herd you out
  350. >But you did warn her
  351. No.
  352. >And when the first guard went to push you, you leap to your hooves, giving an uppercut blow along the way
  353. >The other guards back up a bit, looking to the therapy mare for help
  354. >You stand calm, ready to deck whoever tries to make your already shit predicament worse
  355. >The mare actually runs off!
  356. >You and the guards are baffled for a moment, until she returns with more guards
  357. >Then the fear goes out of the first group, and they all come forward to drag you away
  358. >This reminds you of the fights you got in back in prison
  359. >Back when you were still angry at everyone
  360. >And they tried to group up on you
  361. >Their mistake
  362. >And it's about to be replicated
  363. >You don't know pressure points of this anatomy, but you do know where the joints are
  364. Come with me, Smoky. Don't make us use force...
  365. >Ha!
  366. >What a riot
  367. Ditto
  368. >You reply
  369. >Then the command is given to drag you out
  370. >And all hell breaks loose
  371. >Popping sounds are audible as you swing low and take them out at the joint in their front leg
  372. >And when they figure out how to avoid that, you you aim for the shoulders and back of the neck
  373. >All with the same rage fueled strength that you had breaking the wall
  374. Somepony do something!
  375. >One of them yells, before you hit the back of his neck, rendering him unconscious
  376. >Even as more arive, you find that their bulkiness from armor, while protecting them, is making them a little too slow
  377. >On top of the fact that you're on your back feet, standing up
  378. >Using punches and kicks to deliver blows
  379. >Soon, all of them are down
  380. >All 20 or so of them
  381. >You take a moment to get back on all fours and catch your breath
  382. >As you do, you see that therapist mare come rushing around the corner with something
  383. >Is that...?
  384. *Shoomp*
  385. >In the split second you have, it registers that it is indeed
  386. >A dart gun
  387. >It hits you right in the left shoulder area
  388. >And now everything is
  389. >...
  390. >Colorful
  391. Ahhhhh
  392. >You just sink down onto the floor
  393. >You must be loopy
  394. >You don't even care that the guards have started getting back up and taking you out and down the hall
  395. >You are strapped into a chair
  396. Hmmmmmmmm?
  397. >You regard the restraints with a fun curiosity, before moving on to the little dust particles floating around
  398. >If you connect the dots, they make shapes and squiggles!
  399. >This is getting fun!
  400. Hmmmmmmmmmm....
  401. >You start humming
  402. >It turns into the song "What becomes of the Broken Hearted" by Jimmy Ruffin
  403. >You sing it in your head
  404. As I walk this land with broken dreams
  405. I have visions of many things
  406. Love's happiness is just an illusion
  407. Filled with sadness and confusion,
  408. What becomes of the broken hearted
  409. Who had love that's now departed?
  410. I know I've got to find
  411. Some kind of peace of mind
  412. Maybe
  413. >As you hum, you keep connecting the dust spec dots into the people who abandoned you in your past
  414. What.. um... What are you singing?
  415. >You don't reply to her, you just start singing
  416. What becomes of the broken hearted
  417. Who had love that's now departed?
  418. I know I've got to find
  419. Some kind of peace of mind
  420. >...
  421. Maybe.
  422. >The therapist mare doesn't know how to react when you finally stop singing that song and just stare at the dots
  423. >Still letting them take the shapes of people you used to know, love, and trust
  424. >When she finally finds her voice, she speaks
  425. What do you mean by that?
  426. >You don't answer
  427. >You don't want to
  428. >Even through whatever drug she shot you with, you know that this won't get anywhere
  429. >She takes your silence as her cue to start talking again
  430. Well, you're a special case. You're all over the papers
  431. >She slides one in front of you
  432. Equestria's first murderer in over 1000 years
  433. >You don't even hesitate to shoot back your reaction, as much as it makes you sound in denial
  434. I never murdered anybody
  435. >But what catches your attention is that you can't read the paper
  436. >At first you think it's the drugs making you loopy
  437. >But even with concentration, you can't read it
  438. >The letters are some sort of hieroglyphics
  439. I can't read that
  440. >She looks at you curiously
  441. No, really. What does it say?
  442. >She doesn't answer you
  443. >She just magiks a spinner with a multicolored swirling pattern onto the table
  444. >You feel something force your head to look at it
  445. >Then it starts moving
  446. >And you can't look away
  447. >The loopiness from that dart and the hypnotic spinning colors are too much
  448. Now, let's start with the basics
  449. >You just nod your head, still in a half-aware trance like state
  450. What is your name?
  451. >
  452. Anon
  453. >She jots something down
  454. Tell me, Smoky, where did you work?
  455. >
  456. At the railway station
  457. >More scribbling
  458. How did you get fired?
  459. >
  460. A scandal
  461. >More scribbling
  462. >The therapy session contines like this
  463. >She asks a question, you answer while staring at the spinning hypno wheel
  464. >And then she corrects you
  465. >And your half glad she does
  466. >You can't believe you forgot that you worked in a press room
  467. >And you don't know how you forgot that you resigned
  468. >But at the same time, another part of you is trying to answer these questions
  469. >What part is that?
  470. >Where are these... other answer coming from?
  471. >At the end of the day, you are sent back to your cell, confused
  472. >Who's memories are whose?
  473. >Who are you?
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