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-Browser Pone Opera pt.12-

Mar 20th, 2013
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  1. >"Mhm. What'd you have in mind?"
  2. "Oh, I know a gorgeous place. You might be looked at funny for running around there like a spazz, though."
  3. >She very lightly smacks the back of your head
  4. >"You're about as funny as season 21 family guy"
  5. >She smirks
  6. >Ow
  7. >Low blow, Opera, low blow
  8. >You caress her earlobe as the two of you walk, before experimentally scratching behind her ear
  9. >"MMmmm...More of that, please"
  10. >You comply
  11. "So, Opera, tell me, when did you grow a spine?"
  12. >You're careful to keep your tone light and joking
  13. >You've met - hell, dated, even - women who would castrate you for less
  14. >She doesn't miss a beat
  15. >"About around the time a moose ran off with yours" she replies in a sing-song voice
  16. >You cringe
  17. >She's getting good at this
  18. >She drapes an arm over your shoulder
  19. >"Mine" she proclaims and pulls you tight
  20. >You hear a panicked 'ding-ding-ding' and split, jumping back to each your side to give way to a cyclist who seems to lack brakes
  21. >He was also pedaling like he had satan - or worse, the IRS on his tail
  22. >Speaking of tails, you're starting to miss Opera's cute, swishy little butt-adornment
  23. >Tits weren't that great of a trade-off, actually
  24. >And then it dawns on you
  25. >You're a horsefucker through and through now
  26. >You think
  27. >It seems like it
  28. "Hey, uh, Opera?"
  29. >"Yeah?"
  30. >She looks at you and tilts her head in confusion, making her hair hang down in front of her eyes
  31. "Well...I was thinking maybe we could try having you switch back to pony form somewhere out of sight - and you can produce clothes, right, so if you could do a leash, I could pass you off as being my pet. Sounds good?"
  32. >She nods and pulls you into a nearby bush
  33. >A flash of light later, and you're holding a sturdy leather leash connected to a collar around her neck
  34. >You lean down and rub her ears
  35. "Welcome back" You whisper
  36. >"Good to..."
  37. >She murrs
  38. >"..be back."
  39. >Leash in hand, you walk with her again, and soon you come to the place you mentioned
  40. >A shopping street by the city river
  41. >The atmosphere is excited without being stressful
  42. >You can smell all the different restaurants here
  43. >You've visited them all at some point
  44. >There's a hustle and bustle of tourists flocking up and down the street, but that's to be expected
  45. >On the other side of the river, on a grassy hill, is the city cathedral
  46. >It's of a more modern design than other catedrals, but that's only served to garner it more attention, some saying it's a modern work of art
  47. >You notice Opera is taking in the whole experience with wide-eyed wonder
  48. >Good on her
  49. >She starts pulling gently on her leash
  50. >You follow her, wondering what she's found
  51. >She stops by a trendy juice and smoothie stall
  52. "Are you thirsty, girl?"
  53. >She nods excitedly
  54. >You order and pay for one banana smoothie and one strawberry smoothie
  55. >You hold the strawberry one so she can drink through the straw
  56. >Her eyes light up
  57. "Hah, I figured you'd like it, little miss sweet tooth."
  58. >She gives you a look that says 'guilty as charged', complete with a naughty smile
  59. >You let her try the banana smoothie
  60. >You see her face twist a bit in thought
  61. >Then she swallows her mouthful and starts blowing bubbles in it
  62. >You facepalm
  63. >Not realizing you were still holding the strawberry smoothie
  64. >You spill about half on you
  65. >Fuck
  66. >At least it isn't spaghetti
  67. >That shit stains
  68. >Opera is immediately on you, licking your shirt as clean as it can get
  69. >Fuckin' hell, her tongue tickles so bad
  70. >You make a note of that for later use
  71. >The smoothie has now been replaced by pone saliva
  72. >Well, Opera looks happy
  73. >You let her have the rest of the strawberry smoothie
  74. >You prefer banana anyways
  75. >When you've both satisfied your thirst, she tugs on her leash
  76.  
  77. (Part's missing here, sorry about that)
  78.  
  79. >You visibly cringe
  80. >She gives a knowing giggle
  81. >"I know those are cliches, relax. I'm not breaking up what we have."
  82. >Her face takes on a sadder look
  83. >"I wasn't kidding when I said it was me, though. I don't need to relay to you how I came here, or how I was when I came here. You were there, and I trust you're not suffering from Alzheimer's; anterograde or retrograde. But what you'd probably have a hard time picking up on - as would anyone - it's what's going on...inside me.."
  84. >She breaks eye contact and stares down on the ground
  85. >You let her compose herself and continue
  86. >Even if you are full of worry and questions
  87. >"I, well I don't mean physically, my inner organs are doing fine. But you probably knew that, human expression and all...anywho, well, you've probably noticed that...that I-I've"
  88. >She's choking out words
  89. >You reach over and pet her mane
  90. >Eventually she's coherent again
  91. >"I've changed. I mean, I know that's par for the course for both living beings and adaptive AIs. I...I get that. And truth be told, I wouldn't mind being more independent and less prone to emotional breakdowns like this. But, Anon....I'm scared. Have I changed that much? At all? Am I still...myself?"
  92. >She makes the saddest attempt you've ever seen at hugging herself
  93. >You embrace her
  94. >You hope you can make her feel better - come to terms with everything
  95. >You have to
  96. "Opera, listen to me. I'm not claiming to be anyone special, not a philosopher or psychologist. I am, however, your friend - and an experienced organic being. And as both, I have to say, you've been through a lot. Being transported into another world, not to mention saddled with a completely unfamiliar body. This is your second or third day in said world, adjusting to said body, adjusting to everything. Not to mention, organic beings change over time too. There's a whole philosophical debate buried there on whether we're the same people day to day or not. As of now, we've no answer, but you eventually learn to cope and live with it.
  97. You learn to take things for what they are. Even if the world is someone's dream, a strawberry smoohie still tastes just as delicious, and an ear-rub will still be as pleasant."
  98. >You punctuate your statement with a little ear-rub
  99. "I'm not a spiritual man, but the idea of souls and personalities holds a certain comfort to some people. I'd be lying if I said it didn't make the world a whole lot more palatable than being told our entire existences are meaningless series of raised and lowered voltages in a brain. The world, and especially concepts like these, are extraordinarily terrifying, much more so than any monster. But you've faced the worst of it. Feeling the effects does not make you weak; in fact it makes you incredibly human. Insofar as your personality changing..I don't have a good answer. I'm so sorry. Change is a part of life, and we must face it and feel it. Sometimes, good things disappear. I won't con you into thinking that there's a cosmic balance where all the shit you suffer comes back as positives later. But life isn't all about things going away, either. Positives do come around. And..."
  100. >You sigh
  101. "I'm sorry, I've rambled us both into a corner, and instead of cheering you up, I've just depressed myself as well."
  102. >You bury your face in her soft mane
  103. >You're both effectively cut off from the world
  104. >A while passes
  105. >She starts whistling a familiar tune
  106. >You wait for the appropriate point
  107. >Then you softly sing
  108. "We're just two lost souls, swimming in a fish bowl....How I wish you were here..."
  109. >You can't sing
  110. >But she picked a song that felt very appropriate
  111. >Or something
  112. >Shut up, it's a private moment
  113. >You both go quiet
  114. >Another little while passes
  115. >"Hey...Anon?"
  116. >She looks up at you with big, red eyes
  117. "Yeah?"
  118. >"I think we'll be okay"
  119. >She smiles and kisses you on the lips
  120.  
  121. The end(?)
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