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FgtWtKybrd

Shipbuilding Anon

Sep 27th, 2013
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  2. A random Anon stated that they would built ships in the bottle if in Equestria. This is that story (kinda).
  3.  
  4. Summary: Anon lives in a log cabin on the edge of the Everfree that they built with their own hands. While working on a ship in a bottle to keep sane in winter Applejack comes to visit.
  5.  
  6. Posted in Thread: 842
  7. ===================================================================================================================
  8.  
  9. >It’s winter in Equestria
  10. >The bite of the cold outside staved off by the slow fire burning inside your cabin
  11. >The Everfree, the forest on whose border you have made your home, is quiet this time of year
  12. >The wooden cabin is of simple design built by your own hands
  13. >Functional not extravagant, well crafted but not perfect
  14. >The various oddities gave the dimly lit home character
  15.  
  16. >The quiet was always welcome, a rare commodity in these parts
  17. >From the local town to the inhabitants of the forest itself your neighbors were very social
  18. >It had made winter your favorite time of the year
  19. >And the occasional soft creak of your house burdened by snow mixed with the crackling of the fire was all the conversation you needed
  20.  
  21. >The scraping of the wood in your hand kept a steady rhythm
  22. >Whittling the scraps of wood not worth the fire gave you some purpose on these cold days
  23. >A mindless activity that kept you sane
  24. >For all the rambunctiousness of your neighbors they offered a good distraction from the big questions in life
  25. >When they weren’t creeping you out
  26.  
  27. >Part of the reason you decided to live near the Everfree was the fact nature was allowed to stay its course
  28. >There are some things in life that no man should control
  29. >But you’re the only human here
  30.  
  31. >Thinking on it, it seems odd that these p0nies allow snow to drop on their town
  32. >It makes for nice scenery, but it’s nothing but a burden
  33. >Or maybe there’s something you don’t know about it
  34. >They’re surely smarter than you when it comes to whether
  35. >The only time you actively cared is when the weatherman was wrong
  36.  
  37.  
  38. >The chunk of wood in your hand had taken shape
  39. >Its rough and bumpy form vaguely seen through the wood
  40. >Setting down the knife you switch to the sand paper
  41. >At first it takes a firm hand
  42. >The shavings at your feet soon being joined by a layer of dust
  43. >But as the ridges get smaller and smaller your grip softens
  44. >Until you are caressing the wood
  45.  
  46. >Holding up the tiny figure against the shimmering light of the fire you give a nod
  47. >It’s a fine hull for the ship
  48. >Already a myriad of colors dance through your mind as to what colors to paint it
  49. >But that is a reward to come later
  50. >There’s still a lot to do
  51. >Setting the hull on the table you grab another scrap of wood and your knife
  52. >Only to be interrupted by a knock at your door
  53.  
  54. >Your wooden chair creaks out in relief as you rise for the door, the wood and knife set onto the table
  55. >There’s a soft hummed tune coming from the door
  56. >Your visitor less eccentric than most, something picked up from the simple fact that they are willing to wait
  57. >Very few around these parts actually seem to have the patience to wait
  58. >Admittedly you’re not being fair in being hasty as you stand there for a moment and just listen to the tune
  59.  
  60. >It’s a simple tune, quaint yet meaningful
  61. >Humble yet proud
  62. >Tender yet sad
  63. >A myriad of conflictions wrapped in harmony
  64. >But let’s not be impolite
  65.  
  66. >Opening the door you see one of your closest neighbors, geographically speaking
  67. >Her green eyes off into the top corner
  68. >A light bounce side to side in her blonde tail, but far off from a swish
  69. >Her form held tall yet relaxed as she enjoys her own concert
  70. >It takes her but a moment to realize you at the door
  71.  
  72.  
  73. >“Well howdy Anon, how ya doin’?”
  74. “ Hello Applejack, what brings you around today?”
  75. >After the initial confusion of your arrival to these lands Applejack has been one of the most welcoming people, er p0nies
  76. >Perhaps it’s that southern hospitality as they call it
  77. >“Ay just got done making some treats with the fam and thought ta bring some over.”
  78. >She motions towards her saddle bag with her head
  79. >The warmth of the food clearly visible from the rising steam
  80.  
  81. “Thanks Applejack, I appreciate it.”
  82. >“T’aint nothing.”
  83. “I take it you’ve been keeping busy.”
  84. >She practically snickers at that
  85. >“Shoot no. Not much ta do in the winter besides keepin’ sharp. The breaks nice, but doin’ small things here and there are all I can do to keep from getting restless.”
  86. >Aint that the truth
  87. “You want to come in for a bit?”
  88. >Her eyes flicker wide for a very brief moment and her lip hooks up on one side
  89. >Pleasantly surprised seems to fit the bill
  90. >“Don’t mind if ah do.”
  91. >After letting her in you close the door behind her and put the latch back in place
  92.  
  93. >Her eyes crawl across the walls in a mix of awe and wonder
  94. >Only a few have ever been inside your house, and it usually wasn’t for too long
  95. >She’s even been inside a few times herself
  96.  
  97. >Her spine contorts with a shiver from the sudden warmth of the fire
  98. >She’s reading into each log of the wall
  99. >There is no paint or boards, just stacked logs stripped of their bark
  100. >The dim light giving the place a heavy dull contrast to the colors of their everyday life
  101. >Worn pots and pans hang along the area you designated as the kitchen
  102. >Serving to only deepen the contrast
  103.  
  104.  
  105. “Why don’t I get us some plates? Would you like something to drink?”
  106. >You move past her and begin going through your cabinets
  107. >The mix of your words and actions snapping her out of her gaze
  108. >“Got any milk?”
  109. “Sure.”
  110. >You place 2 plates and cups on your table
  111. >A quick glance tells you that she’s watching your actions intently
  112. >Going to the far corner near the door you uncover the hole in your floor
  113. >Reaching in you pull out one of the bottles of milk you purchased from her cow friends
  114. >Memories of the exchange flood back for a moment
  115. >That was an awkward transaction
  116.  
  117. >Returning to your table you ignore the mess of wood bits at your feet and move your chair closer to the table
  118. >She takes your other chair and begins pulling things out of her saddle while you set the table
  119. >You can already smell the foods
  120. >A warm waft of dough and fruits
  121. >Now it is your turn to watch intently as she puts it all on the table
  122. >Hush puppies and fritters!
  123. >Jubilations!
  124.  
  125. >While pouring the glasses of milk you notice your latest project is still on the table
  126. >Picking up the knife and smoothened hull you get up and place them on one of the counters
  127. >The motion was not lost on Applejack despite currently helping herself to some hush puppies
  128. >Though right now she’s more content with the food
  129. >Sitting down again you quickly join her
  130. “So Applejack, what keeps you busy in the winter?”
  131. >Finishing off a fritter she looks up to her mind as she recalls the information
  132. >“Well, the farm works never really done. We got ta maintain everything and keep the house runnin’. It gives us a lot of down time to go over all our stocks and see the business side of things. How much we made, what sold the best, what ta plant next year, that kinda thing.”
  133.  
  134.  
  135. “Things that allow you to stay indoors I suppose, right?”
  136. >“Yeah, it’s always nicer to stay inside and there’s the basics of keepin’ the house and fam together. Nothin’ too exciting.”
  137. “Hmmm.”
  138. >The soft hum signals your acknowledgment as you pop a few hush puppies into your mouth.
  139. >“What about you, Anon? Got any human secrets ta fightin’ the boredom?”
  140. >Now it’s your turn to look up and think
  141.  
  142. “Not much different from you. I have to keep the cabin in order, get fire wood and food mostly. Can’t let too much snow get on the roof, so a lot of days I just climb up and shovel the snow then cut some fire wood. Things are pretty boring here in the winter as well.”
  143. >“Ah. What about the rest of the time? Keepin’ any company?”
  144. “I have my hobbies to keep me distracted when I have the time.”
  145. >“What sorta hobbies?”
  146. >Done with the food she leans in with her question
  147. “Just little things here and there to make use of what’s around. Like making that chair you’re sitting on.”
  148. >She takes a quick look down at her chair
  149. >The stumpy little thing you made to better accommodate their form
  150. >You had made it more for the challenge rather than a real need
  151.  
  152. “What about you? Surely you’re not busy all the time.”
  153. >“Well…”
  154. >She’s fidgeting in her seat
  155. >A hoof rises and fiddles with her hat
  156. >“you aint wrong…”
  157. >That’s a heavy blush she’s sporting there
  158. >“It aint ta Rarity’s extent, but sometimes a gal likes ta be soft ya know? Feel pretty and all.”
  159. >You cock an eye brow
  160. >“There’s hardly any time or occasion for it now a days, but ay keep sharp on dancing an’ bein’ proper.”
  161. >For seeming embarrassed she sure can hide it when it comes to talking
  162. “Like for that gala thing?”
  163. >The flush of her cheeks has disappeared as she gives a wave of her hoof in dismissal
  164. >“Kinda, but ay don’t care for all that schmoozin’ they do. Just like ta not be so ‘simple’ sometimes.”
  165.  
  166.  
  167. >There’s a hint of distaste in her use of the word simple
  168. >Though she isn’t expressing any real malice
  169. >Still that was a lot more of an answer than expected
  170. >While you try to think of what exactly to say she takes note of the silence
  171. >“It’s silly ah know. A rambunctious mare like me; always workin’ always sweatin’. Just imagining myself in a dress makes me laugh. I’d rather be in the fields any day.”
  172. >There’s a smile on her face and a hint of truth in her words
  173. >But still
  174. “Nothing’s ever simple.”
  175.  
  176. >You get up from your seat and walk over to the counter where you set your tools
  177. >Grabbing the ship in progress and one of your completed works you bring it to the table and sit back down
  178. >Her eyes go wide as you place the ship in the bottle in front of her
  179. >They drink in every bit of detail, from the mouth of the bottle to the sails of the ship
  180. >“How’d ya get that big thing in there? Magic or something?”
  181. >Without a word you place one of the fritters next to the bottle
  182.  
  183. “People often just look at the end product. They see what it is and can gather a basic understanding of how it began and how it ends. But they overlook the middle.”
  184. >You tentatively push the smoothened hull forward
  185. “It’s that middle that’s the hardest part of all. So much can go wrong, and the excitement of starting has left. Every mistake a test; every misstep a trial. Yet ultimately it is judged solely on the end.”
  186. >She gives one last look between the bottle and the fritter and turns her full attention to you
  187. >Uncomfortable with the attention you grab one of the scraps of wood from under your chair and mindlessly start to whittle again
  188. >Something to keep your eyes and hands occupied
  189. “And that’s okay. But to write something off as easy or simple just because of the end is a disservice. As I’ve said I can’t do magic, and I made that with nothing but patience and a steady hand.”
  190.  
  191.  
  192. >As if on cue your hand jerks and makes a cut too deep
  193. >It’s nothing that can’t be fixed, but why has this gotten to you so?
  194. “Thanks for the food Applejack. I really do appreciate it and the time you spent making it.”
  195.  
  196. >She looks down and raises a hoof to fiddle with her hat
  197. >The perfect excuse to bring it against her eye on the way down
  198. >“Shoot Anon, I said it tweren’t nothin’.”
  199. >Quiet returns to the cabin
  200. >The fire crackles and the cabin squeaks
  201. >The rhythm of a steady blade rings out
  202. >Slowly joined by a soft hum
  203.  
  204. >You know, this is kind of nice
  205. >As your breathing steadies a sense of pure relaxation comes
  206. >Risking a glance up you shoot your eyes to the tops of their lids
  207. >On that chair you built for nobody in particular
  208. >Sits your closest neighbor
  209. >An orange p0ny with golden locks and a red tie
  210. >Softly smiling with her eyes closed
  211. >And as the sound of her song seeps into your very being
  212. >You realize, perhaps you did build that for someone after all
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