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Containment and Research Measures

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Nov 23rd, 2014
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  1. This is a fun little experiment that I wrote a little while back. It's based heavily on the format from the SCP website (if anyone has head of that), so I hope I'm not annoying anyone by writing it up in this way. Anyway, I hope you guys enjoy it.
  2.  
  3. ---------------------------------------------------------------------------------------
  4.  
  5. Item #: CRM-0052
  6.  
  7. Object Class: Safe
  8.  
  9. Containment Procedures: CRM-0052 can be requisitioned from the archival section of Site 14, but access is forbidden to female staff. In addition, viewing CRM-0052 for research purposes is to be restricted to viewing room B due to the spacious nature of the room. No female member of staff is permitted to enter the room while the video is playing unless they are required for testing purposes. Any testing performed on CRM-0052 is to be kept as brief as possible so as to limit the addictive effects of the object.
  10.  
  11. (We do *not* want a repeat of Incident 147. We nearly went through a whole case of tranquilizers to bring her down before we could administer the amnesiac! - Dr. Klein)
  12.  
  13. Instances of CRM-0052-1 are to be provided with the standard on-site living quarters, with the entryways widened to accommodate their larger bodies. They are to be given a set of clothes to fit them and any requests for masturbation aids are to be granted within reason. Requests for larger living quarters will be considered on a case by case basis. Should any instances of CRM-0052-1 show any symptoms of addiction to CRM-0052, they are to be administered with a Class-A Amnesiac immediately.
  14.  
  15. Despite the open nature of their containment, none of these instances are to be allowed off-site. The regular perimeter guard at Site-14 should be able to handle them in the event of a breach through use of standard-issue automatic weapons equipped with armor piercing rounds if it comes to that. Keeping their basic needs met should render this unnecessary, but if containment is rendered impossible for any reason, a termination order will be issued as per protocol.
  16.  
  17. ---------------------------------------------------------------------------------------
  18.  
  19. Description: CRM-0052 is a Sony VHS tape. It is of standard make and shows wear and tear corresponding with the apparent age of the tape (estimated at 10 yeCRM). The tape has proved extremely resistant to damage despite its appearance, and has so far with stood pressures in excess of 17,000 Newtons by way of hydraulic press. A label has been placed on the side of the tape with the words 'Big Girls at Work' written on it. The tape contains a single 45 minute pornographic film with the same title, produced by Blue Sky Productions in 19**, naturally it is X rated, requiring viewers to be over 21 to legally watch it.
  20.  
  21. The film is very typical in style for the time period in which it was created, and is shot using 16mm film. A cast list can be found in Reference 0056-A. The plot of the film depicts a group of 6 young women and 2 men working in an office building. The type of work that they are doing is unclear, but this is to be expected as it was not the focus of the plot (mention of 'the big account' is made, however, so it could be a banking firm).
  22.  
  23. The tape produces anomalous effects when played on a standard VHS tape recorder connected with a television where one or more human females are actively watching it, copies of the tape do not produce similar effects. Although the film will start and progress as normal, over the course of its runtime the female characters in the film will undergo a steady transformation. While they do keep a basic human shape, they slowly gain muscle mass and retain it over the course of the film's runtime. Due to issues encountered by the cast, this may also extend the runtime of the video - so far the longest recorded runtime is 51 minutes and 12 seconds.
  24.  
  25. The actors and actresses show very muted reactions to these transformations, but they do appear aware of them and in the case of the actresses it is very obviously pleasurable. They will attempt to continue with the film's script as best they can, despite problems caused by their new size and weight. Any new clothing worn by the actresses after a scene change will initially fit regardless of their size, though these costumes do not typically last very long. It should also be noted that any injuries suffered by the male actors during any one scene will have vanished in time for the next scene.
  26.  
  27. (So far these guys haven't had any serious injuries, which is pretty amazing considering the amount of Force they get subjected to. Perhaps there has been an increase in male durability as well? It's worth investigating. - Dr. Hayes)
  28.  
  29. (Testing approved, but on a limited basis. We can't have large numbers of super women running around because you needed them to trigger the effect. - Dr. Klein)
  30.  
  31. Other factors of the transformation are that while the actresses lose fatty tissue from almost all parts of their body, their faces remain unchanged, and their breasts continue to increase in size. At first this was presumed to be pectoral tissue, but a secondary viewing showed that fat had been retained in the bust, and was increasing in volume by unknown means.
  32.  
  33. The growth continues well past the maximum expected for a human, male or female, with the actresses weighing an estimated 6-700lbs by the end of the film. Skin expands along with the muscle fibers beneath it, at first becoming more elastic and then simply generating more skin so that no teCRM form. In addition, all of the actresses will have grown several feet taller by the end of the film, showing none of the discomfort or pain that would normally be associated with lengthening bone structure.
  34.  
  35. Female viewers of the film age 21 or older will quickly grow to the same size as the largest actress when the film is switched off or at its conclusion, whichever comes first. Women altered in this manner will be referred to as CRM-0052-1. This transformation seems permanent, and so far no way of reversing it has yet been discovered. In addition, as this transformation triggers the brain's pleasure receptors (and potentially induces orgasm), the effect has the potential to become addictive.
  36.  
  37. Instances of CRM-0052-1 show an increase in strength of almost 800%, with a similarly heightened libido. When placed in the same room as a male, particularly those they already have romantic connections to, they will quickly become aroused, and may attempt to initiate sexual intercourse. Considering the now vast difference in size between the two parties the viability of this act is questionable, but so far no male participants have died during it (though many have come away with injuries).
  38.  
  39. Analysis of ARA-0052-1 by way of MRI and CT Scan has confirmed that their internal organs are almost entirely identical to those of an unaltered human female, but have been scaled up to suit the needs of the new body. Tissue samples show that skin and muscle tissue, however, is many times denser than a normal humans.
  40.  
  41. Subjects show a significant increase in regenerative capabilities, and this allowed for analysis of bone structure and makeup with causing any permanent damage. Bones are also far denser than those of a normal human, and have a hardness equivalent to 1000Hv on the Vickers Scale. These reinforced bones and tissues allow for protection from the effects of the inverse square law on altered females.
  42.  
  43. After running a series of strength based tests, subjects who watched to the end of the film were shown to be able to deadlift 1560lbs, breaking the current world record by almost 600lbs.
  44.  
  45. Aside from the libidinous effects, women changed in this way do not demonstrate increased aggression, and are more likely to 'mother' male subjects, treating them as if they were small children in some cases. The psychological impact of the transformation is also rather small - subjects show obvious distress at their condition once they regain their senses but this can be overcome with proper psychological counseling. There are no other mental side effects - instances were tested as having the same IQ as they had prior to their transformation, for example.
  46.  
  47. (This may be beneficial for some of the female soldiers in our employ, further testing required. - Dr. Hayes)
  48.  
  49. ---------------------------------------------------------------------------------------
  50.  
  51. Reference:
  52.  
  53. 0052-A Cast List
  54.  
  55. This is the complete cast list for the video shown on CRM-0052. It should be noted that none of these actors or actresses could be located, thus we cannot establish whether they have actually been transformed or not. In addition, this means that getting accurate measurements of the actors on film is difficult, but estimates have been extrapolated from the information on each cast member's biography website. These are, obviously, stage names used by the cast, their real names are being kept on record, but this report will use the stage names for reference purposes.
  56.  
  57. Cindy Swells - Blonde, Blue Eyes, Caucasian
  58. Sizes at 00:01 - Height: 5'2", Bicep size: 10", D-Cup
  59. Sizes at 44:58 - Height: 10'4", Bicep Size: 35", R-Cup
  60.  
  61. Montana Mounds - Brunette, Green Eyes, Caucasian
  62. Sizes at 00:01 - Height: 5'4", Bicep size: 12", E-Cup
  63. Sizes at 44:58 - Height: 9'6", Bicep Size: 32", U-Cup
  64.  
  65. Crystal Star - Red Hair, Light Green Eyes, Caucasian
  66. Sizes at 00:01 - Height: 4'9", Bicep size: 9", C-Cup
  67. Sizes at 44:58 - Height: 8'8", Bicep Size: 29", M-Cup
  68.  
  69. Persephone - Dyed Black hair, Grey Eyes, Caucasian
  70. Sizes at 00:01 - Height: 5'8", Bicep size: 14", F-Cup
  71. Sizes at 44:58 - Height: 9'10", Bicep Size: 31", R-Cup
  72.  
  73. Leona Lipps - Black Hair, Brown Eyes, South Asian
  74. Sizes at 00:01 - Height: 5'1", Bicep size: 13", D-Cup
  75. Sizes at 44:58 - Height: 9'4", Bicep Size: 31", K-Cup
  76.  
  77. Valerie Vixen - Black Hair, Dark Brown Eyes, African American
  78. Sizes at 00:01 - Height: 6'2", Bicep size: 14", D-Cup
  79. Sizes at 44:58 - Height: 11'3", Bicep Size: 41", T-Cup
  80.  
  81. Dick Peterson - Black Hair, Grey Eyes, Caucasian
  82. Sizes at 00:01 - Height: 5'6", Bicep size: 14"
  83. Sizes at 44:58 - (unchanged)
  84.  
  85. Rod Longjohn - Light Brown Hair, Blue Eyes, Caucasian
  86. Sizes at 00:01 - Height: 5'9", Bicep size: 15"
  87. Sizes at 44:58 - (unchanged)
  88.  
  89. 0052-B Excerpts from Video
  90.  
  91. Time-stamp: 10:05:49
  92.  
  93. This scene is set in the boss' office. The role of the boss is played by Cindy Swells, and an employee (Rod Longjohn) has come to discuss the 'Fujisawa Account'. At this point, Ms Swells has been on camera for 5 of the 10 minute runtime, and resembles a middleweight female bodybuilder.
  94.  
  95. Cindy sits at her desk, tugging at her suit jacket and shirt, they seem a little too tight around the shoulders and bust.
  96.  
  97. Cindy: Come in Mr. Phelps. Take a seat.
  98.  
  99. Rod enters, keeping his head low with an apologetic look on his face. He takes a seat across the desk from Cindy.
  100.  
  101. Rod: Ms. Banks, look I can explain...
  102.  
  103. Cindy: What's to explain, Mr. Phelps? You were given all weekend to crunch those numbers, and yet somehow failed to submit your reports this morning. Mr. Fujisawa was very angry...and that makes me very angry.
  104.  
  105. At this point, Cindy shrugs in irritation, there is a tearing sound as the suit jacket at the shoulders, though the sleeves remain fixed to her arm due to being pulled tightly around her muscles.
  106.  
  107. Cindy (softly): Dammit....um...(regaining her composure) I can't let you off without penalizing you. I'm thinking of letting you...ah...letting you go.
  108.  
  109. She leans forward and there is a snap as the bra she's wearing bursts. Now free to move around, her breasts jostle inside her shirt for a moment before pressing against it and popping the top button.
  110.  
  111. Cindy: Ah..c..crap. Nng......hah...
  112.  
  113. Rod: No, no...please don't fire me. I'll make this up somehow! Um...(Rod stares at Cindy's widening shoulders for a moment, further tearing sounds are heard as both the suit jacket and her shirt tear down the back, exposing her enlarged trapezius muscles)...I'll redo the report! Maybe if I phone Mr. Fujisawa directly...
  114.  
  115. Cindy: No...grr...mm...no, Mr. Phelps, that..(Cindy's thighs begin to tear their way through her skirt, causing her to pause for a moment to moan, a damp wet patch has appeared on the front of the skirt, likely vaginal fluids)...oh, god...that ship has sailed..you'll have to make it up to me some other way...
  116.  
  117. Rod: (gulps) H...how? I'll do anything...
  118.  
  119. With a grunt, Cindy stands up, clearly taller than she was before. She attempts to walk around the table, but ends up knocking several things off it in the process due to her increased bulk. The remains of her skirt and suit jacket fall to the floor, leaving only her underwear and shirt. The shirt barely contains her breasts, with only a single button remaining.
  120.  
  121. Cindy: Oh...I can think of a few things....
  122.  
  123. Now standing in front of Rod, it is clear that Cindy is wider from shoulder to shoulder than he is. She leans towards him causing the final remnants of her clothing to disintegrate around her expanding form. Her bust explodes out of her shirt as she gasps, and it nearly smothers the male actor's face when she puts her hands on his shoulders.
  124.  
  125. Cindy: A few...ahn..a few big things...
  126.  
  127. Cindy proceeds to lift Rob up and tear the clothes from his body with apparent ease. The segment ends with both actors engaging in sexual intercourse for around 5 minutes. During this scene, Cindy continues to grow until she is slightly larger in appearance than a heavyweight male weightlifter. The chair that the two are seated on collapses while the two are mid-coitus, and they are forced to finish on the floor.
  128.  
  129. Time-stamp: 29:52:36
  130.  
  131. This scene is set near a water cooler in another part of the office, there is a door set in the wall near the cooler, which leads to a supply closet. Two female employees are discussing their day and the breakdown of the air conditioning unit in the main office area. The employee's roles are played by Crystal Star and Montana Mounds. At this point in the film, Ms. Star has attained a height of 6'5", while Ms. Mounds is now 7'2".
  132.  
  133. Crystal: Good to get away from work for a bit, huh...
  134.  
  135. Montana: Yeah, the cubicles are boiling, I wish they'd fix the AC.
  136.  
  137. Montana bends down to get a polystyrene cup from the water cooler and pour some water for herself. The act of doing so causes her skirt to rip at the back and a large tear to form on her shirt across her back, revealing her enlarged deltoid and rhomboid muscles.
  138.  
  139. Montana: Oh!..god, not again...
  140.  
  141. Crystal begins rubbing herself through her clothes, a creaking is heard from the material shortly before it begins to rip at the seams. Her cleavage is now clearly visible between the taut buttons on her shirt. She glances down at her body and then back up at her co-star, saying her lines quickly and then breathing out in an attempt to reduce body size.
  142.  
  143. Crystal: Hah...well...um...m..maybe since we're all hot anyway we could...y'know...
  144.  
  145. After managing to indicate the cabinet, Crystal is unable to prevent herself from breathing any longer and takes a shallow breath, nonetheless her expanding chest pops the two buttons of her shirt, allowing the remains of her tie to rest in between her breasts.
  146.  
  147. Montana: Oh, sure...it's...mmn...
  148.  
  149. The tears on Montana's clothes widen as muscle starts to expand through them, pulling the fabric apart.
  150.  
  151. Montana: I...I mean it'll....oh..(bites her bottom lip for a moment)...nngh...
  152.  
  153. Montana's shirt untucks from her pants, already in a state of disrepair themselves after being over stretched by her swollen quadriceps. The shirt, is lifted up, revealing her growing abdominal muscles and pulling her breasts together tightly as they attempt to bulge out of any available opening. Crystal seems distressed by her own clothes, and is trying to tug the material into more appropriate positions without ripping it, to little success.
  154.  
  155. Montana: ...it'll be good to get out of these clothes...
  156.  
  157. Crystal: Ah!..
  158.  
  159. All of the buttons on Crystal's shirt burst, freeing her breasts - in order to continue the scene she covers her nipples with her hands. The breasts continue to grow for a moment, billowing around her hands and pushing up against her biceps, now themselves a good 18" in size.
  160.  
  161. Crystal: ...you took the words right out...mmhn...my mouth.
  162.  
  163. The two actresses enter the supply closet, but their bodies are now large enough that they have to sidle through the normally sized opening. Once inside, they engage in sexual activities as normal, though their larger bodies prove rather destructive to the materials in the closet itself.
  164.  
  165. Both women continue their growth throughout the remainder of the scene and , interestingly, the sexual acts become more focused on the womens' muscles (eg. Crystal massages Montana's hips before running her tongue along the woman's thickening abominals - an act which did not occur in the original footage).
  166.  
  167. Time-Stamp: 40:13:06
  168.  
  169. This scene occurs near the end of the film - Ms. Banks enters of the office of one of her male employees (played by Dick Peterson) in order to engage in a tryst, they are found and blackmailed by three female employees (Leona Lipps, Persephone and Valerie Vixen).
  170.  
  171. Dick Peterson sits in an office, typing at his computer and drinking some coffee. The camera jolts slightly several times as if being shaken by tremors, the coffee cup falls off of Peterson's desk, and there is a knock at the door.
  172.  
  173. Dick: Uh...come in?
  174.  
  175. The door opens outward and is ripped off of its hinges, revealing Cindy Swells. The woman is now so large and powerful that she could not fit through the door without forcing her way through it. The clothes she wears have been tailored to fit her, but are still stretched tightly around her muscles. Small tears appear in the fabric when she moves.
  176.  
  177. Cindy: Oops...I...*coughs*...Mr. Jones, I've wanted to speak with you all day, I hope you're ready for this?
  178.  
  179. Dick: Sounds serious, Ms. Banks, please come in.
  180.  
  181. Cindy attempts to enter the room, first trying to lean in only to find her bust getting in the way. She tries a few different methods of entry, growing more and more impatient. Finally, she presses her hands against the doorframe and pushes hard. The brickwork cracks around the doorframe and she pushes her way through, creating a larger opening. The effort of doing so have caused her muscles to expand, her biceps and forearms have torn through the sleeves of her suit jacket. She looks back at the door (in the original footage she closed it behind her) and picks it up to lay it across the opening.
  182.  
  183. Cindy: Oh, Dan! I've wanted to see you all day! You've no idea how horny I am...
  184.  
  185. Dick: I don't know, I think I can guess.
  186.  
  187. Cindy walks over to Dick with her hand on her hit, at this point she is now several feet taller than the man, outweighing him by several hundred pounds. She is panting heavily, massaging her own breasts and standing over her co-star. It is clear that as large as her limbs are, she is still growing. Her tights start to tear as well, unable to contain her thigh and calf muscles.
  188.  
  189. Cindy: God, Dan....mm...oh, I'm still...oh....bigger....do me right here...
  190.  
  191. In the original video, Cindy's character sweeps her arm across the desk, knocking all the objects off of it and onto the floor. In this version, however, she grabs the desk and tosses it across the room. It crashes into the wall, leaving Dick sitting in the center of the room with Cindy in front of him.
  192.  
  193. Cindy: Dan...mm...play with my tits.
  194.  
  195. After her breasts have broken through the buttons on her top, Cindy pushes them up to form cleavage using her biceps. Due to her height, she has to kneel down to look her seated co-star in the eyes. The two start to have sexual intercourse, with Cindy using her breasts to massage Dick's penis before fellating him. She uses her strength and size to her advantage, lifting the man up with both hands and eventually switching to just one so she can masturbate while still holding her co-star's member in her mouth.
  196.  
  197. After two minutes of this, the three other women enter the room. They are lead by Valerie Vixen, at this point larger even than Cindy Swells in terms of muscle mass and height. She has her hands on her hips. Although fully clothed in the original version of the video, the womens' clothes are already in tatters.
  198.  
  199. Valerie: Well, well, girls, look at..(grunts as her body expands, growing a few inches taller and wider)...look at what we have here.
  200.  
  201. Leona: I know, right?...No office...hah....mm...no romances, my ass! (Leona presses her hands into her breasts as they gain a few cup sizes.)
  202.  
  203. Persephone: Hmm...I don't know, maybe if Boss Bitch, gave us a...uhm...oooh...
  204.  
  205. Persephone's skirt explodes as her thighs tear through it, she takes a moment to compose herself.
  206.  
  207. Persephone: ...maybe if she gave us a piece of the action, we wouldn't have to blackmail her ass.
  208.  
  209. Cindy: You...he's..this isn't what it looks like...
  210.  
  211. Cindy's trapezoidal muscles are large enough that at her height they are pressing against the ceiling. The floor tiles are cracking underneath the combined weight of the four women. All four are beginning to lose control, touching themselves, forgetting their lines and moving closer to Dick than they did in the original version.
  212.  
  213. Valerie: Ah! Fuck this shit! I need it, I need something in me right now! (she tears away her remaining clothes ducking down in an attempt to make herself smaller.)
  214.  
  215. A loud creaking can be heard as more flesh presses against the boundaries of the room. It becomes difficult to get all four women in the same shot given their size. Dick can still be seen in the corner of the video, being pressed into the floor by a large breast as one of the women falls onto all fours. The women start to have sex as much as they can, the video quality degrading as shots linger on muscles much larger than any human could possess. The film ends at the end of this sex scene, panning across the bodies of the four women. As there are no other shots of Dick before the end of the film, it is unknown if he survived the encounter.
  216.  
  217. ---------------------------------------------------------------------------------------
  218.  
  219. Acquisition Log: ASR-0052 was acquired from a roadside motel in Nevada near the town of ********. It was brought to the attention of the Initiative after one of our agents stationed in the area intercepted transmissions on police radio regarding an 'hulking monster'. Agents arrived on the scene after the woman in question had already been cornered by police and was alternating between threats of "beating the crap out of them if they didn't leave her alone" and pleas for them to call for medical assistance.
  220.  
  221. Our agents intervened posing as officials from the Federal Bureau of Investigation, and took the woman into custody after administrating class 2 amnesiacs to the officers present. Later interviews with the woman concluded that she had been visiting the motel with her boyfriend with the intention of having sex, and had been watching one of the provided videotapes as an aid.
  222.  
  223. Investigation of the motel recovered the videotape. The boyfriend was discovered unconscious with minor bruising and a cracked pelvis. Interviews with the boyfriend once he was treated provided no further information but corroborated the testimony of his girlfriend. He was administered with Class-1 amnesiacs and released, while the girl remains in our custody.
  224.  
  225. The owner of the motel was questioned for information into the origin of the videotape. He claimed not to recognize it, stating that occasionally the customers who use the rooms will leave behind a videotape or two, and that he doesn't see any reason to remove them.
  226.  
  227. ---------------------------------------------------------------------------------------
  228.  
  229. Addendum-1: As of **/**/20**, it was determined that the effect of CRM-0052 is not limited to those watching the video, but rather extends from the television on which the film is played in a radius of 18m. Later testing revealed that this radius permanently extended by 2m during a single viewing, with this increase becoming 4m after concurrent use, therefore, further testing on CRM-0052 is to be suspended until further notice.
  230.  
  231. (The radius of effect will soon become impossible to contain adequately if we continue testing. - Dr. Myers)
  232.  
  233. (I would argue that with proper restraint this has potential military applications, and that requires experimentation. - Dr. Hayes.)
  234.  
  235. Addendum-2: As discovered accidentally by Researcher J*** ********, a second viewing of the film with an instance of CRM-0052-1 located within the radius of effect will further alter the production. In this case, the actresses will retain their size from the previous viewing, and commence growth from that size.
  236.  
  237. The playback was stopped around 5 minutes into the running time during this experiment, with the instance of CRM-0052-1 growing to 12ft in height with expected muscle mass. The distress exhibited by the subject after regaining her senses led to Incident 147. This is currently the largest specimen we have on record, and further testing in this vein has been discontinued due to concerns over lack of space.
  238.  
  239. Assuming the growth were to continue linearly as normal over the course of CRM-0052's 45 minute runtime, the final statistics of the largest actress would be [REDACTED].
  240.  
  241. (Combining this with the effect noted in addendum 1 produces some numbers I don't like the look of, I'd kind of like to bury this thing in the vault so deep that it never sees the light of day again. - Dr. Myers)
  242.  
  243. (We should at least test to see what happens when a woman who hasn't seen the movie at all watches it with one that has seen it once. - Dr. Hayes)
  244.  
  245. (Dr. Hayes, it has already been established that copies of the experiment video logs do not have any anomalous effects, please stop making copies of them. - Dr. Klein)
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